#can you imagine. being jessica in this scenario

[etchif]

Transmasc Paul Atreides is probably THE funniest dune hc imo

[agentoffangirling]

I really don't like it when people try to present Team Cap and Team Iron Man as being the same thing, bc they're very clearly not? (And sorry for doing this type of discourse in 2025, but it needs to be said)

Because let's be honest, the mainline MCU didn't really focus on the Sokovia Accords past Civil War. It's not present in Doctor Strange, Black Widow, Homecoming (at least in a large capacity), certainly not Ragnarok or GOTG 2, Black Panther, and almost no one cares by Infinity War. When we look at the projects post Accords, there are hardly any moments where they matter, and by 2025, they're fully repealed. Nine years of being active, five of whom were during the Snap, meaning only four years, and most of the projects don't go very in depth. That tends to lead mainline audiences into believing it was never that bad in the first place and that Cap was being selfish

But we see how the Accords really effect everyday powered people in the supplemental material like Agents of S.H.I.E.L.D. After being introduced, powered people had three options

Go into hiding. Live a normal life. Never show off your abilities

Sign the Accords. If you were part of a government agency like S.H.I.E.L.D., it is heavily implied you had to sign or you couldn't work for them anymore

Don't sign and show off your powers? You go to the Raft

This went for everyone, it didn't matter if your power was making farts smell good, you counted as powered. Imagine the bank down the street is getting robbed, with these in place, you couldn't do anything about it if you weren't signed or you risked going to jail; they're awful options

Or what if you were signed? Great, now all your information (powers, weaknesses, danger level, LITERALLY EVERYTHING ABOUT YOU) is held in a massive server that can be easily hacked and accessed. We see in AoS s4 that signed Inhumans are getting harmed bc the Watchdogs, a hate organization, was able to get their hands on their information and find out exactly where they were. POWERED PEOPLE WORE TRACKERS THAT WAS CONSTANTLY BEING UPDATED ON THEIR LOCATION. THAT'S FUCKING WRONG IN SO MANY WAYS

Let's switch gears for a sec here and go to another side, where thankfully, that isn't happening to you, but you do wanna make some kind of change in your community. You notice that people are going missing, that there's weird power outages and decide that's worth looking into, so you go to the council and present your case. Now, as we all know, politicians never agree on anything, so the chance of getting an immediate yes is almost impossible (I'd argue 1% is far too generous in this case). It may take weeks, months, or the decision is swept under the rug and oopsies, now the entirety of Florida is covered by a blanket of darkness!

Or you get a no, and actually, they want you to check out this tiny little village in New Zealand, and so you have no choice but to go. You quickly realize that this isn't really worth your time and feel like your services are required elsewhere, but again, you're not able to back out. When you return, you find that London has been utterly destroyed. This is a situation that Steve himself brings up, and it's something that absolutely could happen! There are just endless risks to this

Then, of course, the worst scenario, being sent to the Raft, which, bc it's in international waters, they can do whatever they want to you!! Doesn't matter if it's inhumane, no one can do shit about it. It's stated in "Jessica Jones" that prisoners aren't allowed to have any contact with the outside world, and if you go in there, you go in for good. Almost no one makes it out. Again, it doesn't matter who you were and what your powers were, you would be stuck inside with the worst of the worst. WANDA MAXIMOFF WAS IN A SHOCK COLLAR AND STRAIGHTJACKET. How in any situation is that okay??

Steve understood this, understood the true consequences of handing themselves over to hundreds of governments. He wasn't against having regulations (neither am I) but he knew this wasn't the right way to go

One side holds all the power. The other holds nothing. This is in no way equal

[cripplecharacters]

I've read the post about how arm prostheses are often more trouble than they're worth and it makes sense. My special interest fandom doesn't have robotics or magic anyway, so a prosthetic there would more or less amount to a stick with possibly a hook on the end, and I'm not trying to argue in favour of making anything more advanced than that here. What I would like to know is if the same practical considerations apply with someone who's lost BOTH hands or analogous gripping appendages. Is it worth it to go for the lightest and least clunky prosthetic possible or is it still easier to do everything with the mouth and/or feet? Does it vary depending on what one is doing, or how much of the arm is lost?

Hello!

[Please note, we don't currently have mods who are amputees; you can try checking with some of our recommended blogs from our navigation post, but I'm not familiar with any bilateral arm amputees doing writing advice on Tumblr.]

There are a lot of factors that would go into this, and the two you mentioned are absolutely important, but I'd say that age plays the biggest role. What I mean is how old the person was where they had their arms amputated, since that's where I generally see the biggest difference in prosthetic use.

For the following sections I'll presume a scenario where the person is financially able to buy prosthetics that would suit their body in the technical aspect and potential assistive devices to get them on etc. aren't a problem to acquire for them.

If someone loses their arms at 70, they're almost certainly going to be using prosthetics, at least part-time. They spent decades doing everything with their hands and probably have close to zero coordination necessary to do these tasks with their feet now, not to mention being in worse condition in general due to their age. Even if their prosthetics are the simplest hooks, they will probably give them more independence since at an older age and with no practice, using their legs would be out of the question and using stumps could be much harder for someone whose way less flexible and strong. This doesn't mean that all the cons of an arm prosthetic disappear, because they don't - in this scenario, it just means that the possible pros outweigh the cons.

If someone is born without their arms or loses them as a younger child, they're probably gonna wear prosthetics at first because their parents will want them to and will stop just as fast. Have you tried to put a shirt on a toddler? Now imagine trying to put two arms on them that they can't fully control. For someone younger they will just instinctively do things however they can, whether that would be by using residual limbs (more common if it's below the elbow) or feet (more common if above the elbow). There might be some tasks that might be impossible or very difficult to do without a prosthetic, and then the person might get a specialized one - Bebe Vio is a wheelchair fencer who uses an arm prosthetic to hold her foil because you can't really do that without one. Some instruments might also require the use of a prosthetic, but children generally tend to figure to do almost everything out with what they got. There are armless drummers and guitarists who play with their feet.

You can check this video out, it's by Isabelle Weall where she talks about why she chooses to not use prosthetics arms. Jessica Cox is one of the most famous people with no arms, and she can do more or less everything - fly a plane, do karate, drive a car. Matt Stutzman is one of the best compound archers in the world, and he doesn't use prosthetics either. All these people lost their arms young or were born without them.

Obviously a lot of people will be in the middle. That's where length of residual limbs will play a major role, but also people's lifestyle or what they do on the daily basis. If someone needs the tactile sensation to be able to do their job, they will probably prefer using their arm stumps or feet if the stumps are too short.

But if someone's stumps are too short, and they don't want or can't use their feet (it's not as easy as just starting to do stuff with your toes, it requires a ton of practice, flexibility, and patience) then they might go for prosthetics or a prosthetic, singular. Some people might find it easier to adapt to a body-powered prosthesis because to them the pros of one are more significant than the cons. I mean, not that many people have the flexibility alone needed to write with a pen with your foot, let alone coordination. They could wear a prosthesis when they know they'll be doing a lot of grabbing work because it's awkward for them to try doing it with their residual forearms and take it off to play with their dog because it feels nicer to pet it when you can feel it's fur on your skin.

There is of course the situation where regardless of factors, neither option really works for someone. They might have minimal to no ability to actually use prosthetics (weakness, other disability), while their legs might be atrophied from the bedrest caused by the illness that required their arms to be amputated (or anything else that prevents them from using their legs). This person might rely on caregivers instead for a lot of tasks, and these people absolutely do exist. Sometimes it's a situation that happens right after the amputation and they later find something that works for them, but sometimes they might not. This is a possibility as well.

All these factors should be considered for a character, and then of course you have to factor in the character themselves - can they afford prosthetics? Do they have a way to learn how to use them effectively? Get them fixed and adjusted? If the learning process of using a prosthetic is frustrating to them, they might not want to use it at all, and if it comes easily to them they might be more inclined to actually wear it.

Of course even if the pros-to-cons analysis decides that using prosthetics would be beneficial, the cons are still very much there. They're still heavy, with not the greatest dexterity, sometimes causing skin issues or muscle soreness. It takes a lot of work in occupational therapy to be proficient in using them. As long as you do research on the reality of using bilateral prosthetics (both negative and positive sides, which will be different for different people so you should get as many perspectives as you can) it's definitely okay to include them. There's no point in painting them as either magical tools that are just like regular arms or making them seem like they're completely useless pieces of junk - though they can be that for many, but for others they can also be what helps them live their life more fully, makes bringing groceries in easier, or just allows them to participate in that one hobby they do once a week.

And of course: when in doubt, have a range of disabled characters.

I hope this helps,

mod Sasza

[crazylittlejester]

Okay so I know you said that if anyother member of the chain wound up in Forks there would likely be violence had. Except if Twi landed, because he's too excited about flannels

But I would like you to imagine Edward creeping into Twi's room in the middle of the night. But Two decided to sleep as Wolfie. how badly do you thing Edweird would freak out? Because this person he's OBSESSED with turns out to be one of the few creatures that can just straight up kill him. And he had NO IDEA

I know you said Twilight, but I wanna take this as an opportunity to be silly and yap, and here’s how I think the others would all react if it were THEM instead of Wars:

STARTING with Twi: Unfortunately he’d fucking thrive. Flannels?? Pickup truck?? Jacob and the wolves being confused by his entire existence and calling him ‘Little Wolf’ because “Why is this one tiny…?” He’d be fine. Edward tries to fuck with him? He’s got the wolves at his back and Twilight is built like a brick wall, he could throw Edward. Plus once Edward finds out he’s a wolf too, he’d back the fuck up. However I do think he’d be really stressed, his anxiety would just absolutely skyrocket, and he’d probably lean on Charlie quite a bit once he starts to trust him. The reason I didn’t pick him: He’d get along too well with the wolves and I want drama 💔

Time: He would actually lose his mind I fear. He’d be so pissed and so angry to be in the body of a 16 yo once again. Edward is definitely straight up afraid of him because he can just FEEL something radiating off of Time (though he’d still very intrigued), but Time wouldn’t be scared to just fucking tackle him for being a freak in broad daylight. (He wouldn’t be able to pick up the social queues of people flirting with him/hitting on him, but this is a STALKER situation. He’s unnerved and doesn’t feel safe, he’s not gonna wait for Edward to attack him first.) He’s exhausted, but he’s also livid at the whole scenario. He’s the “quiet new kid” but because he’s just introverted and also too furious to form a sentence. The woods could fix him, but the second any vampire or werewolf comes near him he’s losing his mind. He’d get easily overstimulated by a lot of things, which would honestly be why his anger is so explosive. He’d definitely have a breakdown in the high school bathroom on day one and then just skip school after that, he wouldn’t handle it well at all, he’d view it like being trapped in some container. He’d HATE the modern world, though I do think he’d fuck heavily with 70s/80s music if he even has the patience to discover it. The reason I didn’t pick him: Honestly? If it wasn’t Wars it WOULD be Time, because this would be hilarious as hell, Wars is just a better pick and I’ll yap about that as a last point at the end of all this

Sky: Genuinely the most likely to thrive in the school setting. He can chat casually with people, he could make a friend or two, and I mean a GOOD friend, not Jessica. He’s quiet but he’s friendly and sweet, and people GENUINELY like him. Edward is still obsessed with him but scared to fucking death because Sky is all sweet smiles, but underneath that is the boiling rage of a man who’s killed a god, and Edward may not KNOW this, but he can just feel the danger. Jacob likely wouldn’t fuck with him either, one “absolutely the fuck not” from Sky and he’s been put in his place. The reason I didn’t pick him: He’d be able to manage the whole situation a LITTLE too easily. He’d actually be able to make friends 😭

Wild: He- He’d just kill first ask questions later- Edward breaks into his room? Dead. And then that would be the end of it. I don’t know how easily he’d make friends, but he’d certainly enjoy exploring Forks. Charlie would be worried sick about him constantly because he just vanishes all the time and then comes back COVERED in mud

Hyrule: I don’t think he’d immediately jump to violence, but he wouldn’t take shit from anyone either. He’d for sure stare so intensely BACK at Edward he’d make HIM uncomfortable. Hyrule would have the ‘mysterious new boy’ charm, but I think people would write him off as weird almost immediately because he spends all his time exploring. I’m not sure Edward would be attracted to him, more so just… confused? Like he’d see him out in the woods and go “tf is this little guy doing??” and Hyrule would stare back at him with those Forest Creature eyes and scare the fuck out of him. The reason I didn’t pick him: He’d unfortunately just vibe out in the trees the ENTIRE time and he’d be so disinterested in the plot

Legend: Edward would die. Several people would die. Anyone who tries to attack him or stalk him doesn’t stand a chance

Four and Wind are both, to me at least, younger than Bella is, so it never would’ve been them. Also Wind would just ABUSE Charlie being a sheriff and scream “IM CALLING THE COPS” and then call his dad every five minutes as a ‘scare tactic’. He’d also just genuinely be so obnoxious I think he could make Edward wish he were REALLY dead. Four would hit him in the face with a fucking hammer and his head would explode and that’d be that 💔

Aside from being my favorite and therefore automatically my first pick (plus the fact that this whole au came from the Swan Wars thing) I just genuinely do think Warriors was the best one to be Bella Swan. Like he’s the one who’s going to be the quiet new kid, he’d cause the least amount of problems at the beginning, and he’d be the most likely to act like Bella. He’s not a complete pushover and he will defend himself, but also he’d be able to keep himself calm enough to not just throw himself into a fight and start shit before he has the true scope of it all. Also I needed to give him a chance to witness the american mall ALSKDMDMDMDKE

[mla0]

Okay, here's a new and improved edition of what Fear / Dread Power I think slenderverse characters would be most influenced by, and potentially become avatars of. I'm going to list it by series and character, and try to give decent explanations for each. Also, some characters will have two listed, and this is generally a "and/or" scenario. They could potentially fit either one, so I list both. A lot of what I said in my last version of this will be reiterated, but some of my views have changed and I also just want to write it better.

Also not every character is going to be here, only the ones I've thought about. Anyways, onto it:

Marble Hornets:

Jay: I think Jay is tied to the hunt. In the past, I said that Jay was eye-aligned, but after thinking some more about it, what does Jay do through most of the series? He runs after people, tries to get to them over and over again, and gets erratic extremely quickly when he's left on his own and doesn't have a lead. He is always following after someone. I think he absolutely has eye qualities too, but I think his main drive would come from the hunt.

Tim: Tim I think would be Desolation aligned. I've seen a lot of Spiral headcanons, and I do understand them, but Tim's whole thing is to burn bridges and constantly start anew, as many times as he has to. I could see the interpretation that he's a very unwilling person who has been touched by the Spiral, however.

Alex: This guy is end-aligned, and I will die on this hill. I do not think he is slaughter aligned, and I do not think he is hunt aligned. Alex's entire character revolves not around violence, not around the chase, but by the inevitability that it all needs to end for everything to stop. People only need to die in his mind because of the spread of the Operator, and thus it comes from needing a finality, needing everything to finally end. When he is killed, right before he dies he doesn't say anything about being angry, or trying to strike at Tim again. He accepts it, and he simply tells Tim to end his own life, (mostly) completing Alex's mission to completely kill off the spread.

[The Operator / Slenderman is, in my view, a mix of the Eye and the Spiral. I'm sure you can imagine why this is. Also, I'm not sure where I stand on Brian and Jessica, so they don't have their own entries. I think Brian could be Stranger aligned, and Jessica could maybe be Lonely aligned?]

-

EverymanHYBRID:

Vinny: Is it even a question? Vinny is eye-aligned. He is the Voyeur, he watches people and what they do to see what will happen next. He started off with good intentions, before it slowly devolved in him just keeping tabs on everything, while still being convinced that he's the good guy because he has to be.

Evan: I think Evan would be most marked by the slaughter, though possibly not enough to become an avatar. He does have an affinity with weapons, gore flicks and slasher films, and he's also the quickest to fly into a rage and attack whatever the threat around them is, taking charge and becoming willing to get violent if it means protecting others.

Jeff: Jeff is a tricky one, but I think he'd be Buried. Jeff has been traumatized by fire- by the desolation. His entire life is marked by sudden, tragic loss, and he is the Guardian who only wants to protect people. He would try his best to hold people in, hold them close and try to figure everything out, but is ultimately manipulated by HABIT to go to Evan's house, when he really should have run away.

Steph: Steph, I think, would be desolation. Her life was also marked by loss, but instead by things that represent the Buried; floods, drowning, and constant pressure. She would lean into acts of loss to let things go, like when she burned down her own house. I think Steph and Jeff in this scenario would be counterparts, both marked by the opposite fear, and leaning into opposite things.

HABIT: This guy is the web. He manipulates the story, often in the background, to get things to go his way. He lies, he pushes people to their limits using whatever information he can, and he can get people to do whatever he wants if he knows how to push their buttons. Yes, he likes violence and death and everything, but I think that's moreso just a flavoring to his much deeper, more long-term intentions, which is control. Honestly, I think in an AU, since the Web is said to be the only sentient Fear, I think HABIT could be the web itself.

[Vinny, being an Eye avatar, was able to be easily manipulated by someone who controls what you can see or proceed to do, as well as telling him that he's good no matter what he does, that he just wants to save people while he's being voyeuristic. Vinny and Evan have conflict because one just wants to stand back and watch, the other is a go-getter and wants to get shit done. Steph and Jeff, at first, also naturally dislike each other because they're near perfect opposites, but this eventually becomes complementary.]

-

MLAndersen0:

Michael: Michael is the Buried, and/or possibly the Corruption. Michael wants to keep everybody close, but doesn't really have a plan of what to do after that. He's afraid of being manipulated, of being lied to, of not being trusted, and all he wants is connection and safety. So, he draws people in, but doesn't really know what to do after that point besides huddle around in a sort of metaphorical "bunker," and hope everything works out. He does not like risk, he does not like leaving the safety net he desperately needs, and he is terrified of being left on his own, making him a little ""clingy,"" but for entirely understandable reasons.

Shaun: Shaun is the Dark, and/or possibly the Vast. Shaun is afraid of the truth, so she does not face it. She hides behind a veneer that would look very similar to someone who is Eye aligned, but it's only out of fear and denial. She is canonically afraid of the dark. She is distant, she doesn't get emotionally close to people and is very closed up in terms of talking about anything personal, as though she could be in a room next to you, but feels like she's miles away. Shaun is terrified of the unknown, of what would happen if she accepted everything, if she went with Michael, if she listened to Patrick. She likes to be alone, to drift, and eventually, likes representing that distance and unknown within herself, through the two fears.

Patrick: Patrick is the Stranger. A lot of his appeal comes from pretending to be Michael when it's convenient, and you never know which one it is unless they tell you. He has a big personality and is very hyperbolic, but some of that is just for show. He likes to put on a performance, an act, to try to steer things into a favorable outcome. He is afraid of getting close to the others, thinking he'll only be rejected in the future.

[Shaun's fear alignment is nearly opposite to Michael's, so he has a hard time understanding her. They get into frequent conflict over opposing needs and views, and they both have utterly petrifying fears of things that the other represents. Michael has agoraphobia (fear of big open spaces), and Shaun has claustrophobia (fear of tight spaces).

I think Michael and Shaun are victims of both the eye and the spiral, but in very different ways. Shaun is much more afraid of exposure, of knowing, of the truth, and so she is its ideological opposite (the dark). Her fear of the spiral isn't entirely realized, and it's much more metaphorical; I think she's terrified of not being normal, and of being "crazy," so she tries to repress and imitate normality. It shows through as her repressing mental illness, which only takes her down a darker path (pun intended.) Michael meanwhile I think was more directly affected by the Spiral, and is much less afraid of the eye compared to Shaun. Everything about him has already been ripped apart and exposed by doctors. He's much more afraid of being misled, of being lied to, and other more direct manifestations of the spiral, but he might still have a bit of fear in regards to being watched or eye imagery.

Stormy and Eric don't have a lot of characterization, but if I had to give them anything, I think Stormy would be Lonely aligned (hid in her apartment, seemed scared to open up or talk to people but still wanted human connection, isolation from the institutionalization. also she kinda reminds me of martin lol.), and Eric would be Spiral aligned (he literally uses someone's mental illness against them, like we see Spiral-aligned doctors do to a patient later on in TMA, in season 5. he would gladly gaslight you and tell you you're insane to make you incredibly disoriented and confused. he has done this before, in fact.)]

[roguelov]

hello :D I have returned from the wars (college moving and COVID) with a thought: Consider dream and hob with a s/o who always looks at them with heart eyes and gets dumb AF around them and only them (maybe they're really smart/resting bitch face in other situations idk) but I just love the thought of them with a s//o who's just mooning over them constantly.

That and side note can you imagine if they had a Roger rabbit Jessica rabbit relationship? (Who's who in that scenario I'll let you decide) Like idk both just feel really cute

Panini 😘

Welcome back from war my love!!! And I love this so much cuz we all know we’re all goofy with massive heart eyes for those two

You just always have this goofy adorable smile on your face when you look at them (to their back and to their back doesn’t matter) and when they look at you Dream’s eyes softens and can feel his chest feel lighter while Hob is more likely to replicate your smile and even gives you a small wave.

You sometimes fumble over your words which they both find super endearing (even if you get frustrated a bit). They find it funny watching you have in depth discussions with Lucienne but the moment they enter the conversation you get a bit tongue tied. Dream may tease you later saying ‘what was that, my dear? You are usually so eloquent’

Also imagine admiring them when they get all dressed up. Perhaps it was party (who and where you can’t decide) but you are just sighing dreamily when they put on suits or more formal outfits. And during the whole party you are just silently but very obviously admiring them. They are looking at you with the same adoration however you simply can’t take your eyes off of them. You are the perfect encapsulation of a love sick puppy. But if you are dragged into a conversation it’s like a flip and you become respectable and it’s almost comical

I just love the dynamic of you being this cuddle bug with those two and showering them with love but when you alone you’re just plain in a way you don’t say much and just help out in the Dreaming. All the Dreaming residents love you but they love watching the switch in your brain from their friend to Dream’s and Hob’s lover

Asp I don’t have to think twice: Dream is Jessica Rabbit and you and Hob are Roger Rabbit (no one can convince me otherwise). You and Hob are more goofballs and love swooning over each other and to Dream while Dream gives these coy smiles and just whispers his affection. You and Hob are more open with your love while Dream is reserved (and fem!Dream can absolutely kill it in a black sparkly dress)

[twisting-echo]

For Your Wishing Well Hotel Au :

Jessica Rabbit: Hello there. Who might you be? Lampwick: (the cigar drops from his gaping mouth) uh, hi I’m- I’m Lampwick! (swipes his bowler hat off his head and holds it, uncharacteristically meek) A-and what’s y-your name, uh– miss? Jessica Rabbit: (chuckles) It's a pleasure Lampwick.. Jessica Rabbit, how do you do? (she held out her hand) Lampwick: (still staring) I - I’m uh… I– oh! (notices her outstretched hand with a start, and reaches out tentatively with the hand not clutching his hat) You - um, (gulps) you’re not.. y’ can’t be r-real… are you? Jessica Rabbit : (raises an eyebrow ) What do you mean, dear? Of course I'm real… I'm here, aren't I? Lampwick : W-well yeah, I- I guess.. (rubs his eyes, shaking his head) s-so what brings ya here, M-miss Jessica? You - you wanna a beer or a cigar or s-somethin’ maybe? (gestures around, blinking up at her hopefully)

borrowed from @bad-boy-lampwick since they are no longer active on here or anywhere else.

Oh, I absolutely love this interaction! Jessica Rabbit and Lampwick meeting is such a fun and intriguing scenario! Lampwick’s reaction is priceless—seeing him go from his usual bravado to being completely starstruck and flustered is just perfect! And Jessica Rabbit, always so poised and charming, playing along with his awe, is delightful!

I can imagine the scene vividly: Lampwick, with his cigar dropping and his hat clutched in his hand, stumbling over his words while Jessica remains cool and collected. It’s like a perfect blend of humor and charm. Jessica’s line, "What do you mean, dear? Of course I'm real… I'm here, aren't I?" is spot on—so characteristic of her! And Lampwick offering her a beer or cigar, trying to be hospitable despite his obvious nervousness, is just so endearing.

This little snippet has so much potential in my Wishing Well Hotel AU! Fantastic work!

[tyrannuspitch]

like part of what i'm getting at here is that ainsley must have been SUCH a lonely child. how was she having creepy, manipulative one-on-one encounters with not one but two malicious adults (watkins and sterling) apparently without anyone responsible for her knowing about it???

(and there must have been more to the sterling thing than we saw, right - how the fuck did he know what ainsley had been saying to her psychologist about the bruises on her arm? i find it hard to believe jessica was willing to talk to him... maybe it was evidence in the case, but if it was evidence, then it's even more unethical and probably-illegal for sterling to be speaking to ainsley at all. how is he even in their house??? fucked up and shady all around.)

anyway - this is speculative, but i think it would make a lot of sense for ainsley to have been somewhat neglected in the aftermath of martin's arrest. jessica was seriously struggling, and malcolm was more obviously traumatised and in need... and both jessica and malcolm were in and out of interrogations - in silent night (iirc) we saw malcolm getting interrogated, apparently not for the first time, alone in a police station like an adult even though he was literally eleven!! and obviously if your child is getting intimidated by cops like that you want to be as close as possible to support him and shout at whoever you need to to get him more age-appropriate treatment. but do you take your five-year-old along with you to do so? probably not...

anyway i'm rambling. this is just one scenario. but there will have been A Lot Of Shit going on with malcolm, and jessica already had a lot of her own shit to deal with, and i can imagine it would be pretty easy for ainsley to just fade into the background. not just her emotional wellbeing, but actually being physically present when you have so many other places to be, being literally there for her...

so maybe, pretty often, she was left alone, with someone vaguely keeping an eye on her (like, there is technically an adult with her in this huge mansion, but ainsley doesn't know them and they're not exactly skilled at childcare), and ainsley has to keep herself entertained, and then she wanders off chasing ghosts...

anyway. my point is that if ainsley was spending a lot of time either alone or around strange and sinister adults in the immediate aftermath of martin's arrest... that would REALLY feed her abandonment issues. like it's not just the sudden and total loss of martin. it's the sudden and partial loss of / new distance from... pretty much everyone.

[spiderpussinc]

I don’t think it’s very fair for you to try and knock others from reading Miguel’s OG run because truthfully that’s the only place you’re going to get his full character since every run after that is just “Let’s place him in different time scenarios to fix other people’s problems”. I’ve read ur reasonings and some of the issues I just don’t see and that’s coming from someone who’s ALSO half Hispanic and had similar family experiences. Idk I guess comic Miguel is rlly important and relatable to me and you shouldn’t turn others away from having that potential connection too. :/

NAH LOL it is *not* the only place to get his character truthfully -- his character is not consistent between runs, or between comic and movie! Not even Pdavid's runs have an unified version of Miguel since he just becomes an author self-insert after one point. The way Pdavid writes '92 Miguel - Gabriel is also shamelessly almost the same as he wrote Bruce Banner - Rick Jones. (another series where he ended up being pushed off the book after he started making really weird decisions; and notice these last two are white guys, which is how pdavid depicts Miguel all the time.)

I haven't even told people to not read them. In multiple posts i say 'read the first ones to see how it is, stop when you get annoyed, look up summaries, don't feel obligated to treat it as canon because it isn't.' If anyone feels threatened by this they should examine where that defensiveness is coming from.

I'm gonna be real with you that's like saying "the only way to REALLY understand Miles Morales is to read his ultimates run." You know, the one where his mother gets eaten alive by Venom, his dad thinks he's at fault for killing her and nearly beats him with a cane, where the closest thing he has to peter is a clone named jessica drew, and that eventually gets completely retconned in a universe explosion so main universe Miles can be rewritten. Do you remember seeing any of the things above in ITSV? Would you call them *the only real way to fundamentally understand Miles as a character?*

I keep seeing the rhetoric that 'real fans' have to subscribe to the very first script of these characters and that somehow enjoying their ATSV versions is fake-stanning and that is just... not true. That's not how comics work. Our most iconic, definitive, memorable traits for MANY of these superheroes have come from subsequent comic runs, rewrites, feats of adaptation and the interaction between fanwork-becoming-canon. Even uncle Ben's 'power and responsibility' schtick is NOT an original part of Peter's first draft. That came from re-imaginings and rewrites.

I'm really, truly not a fan of the argument that 'relating to parts of a character' completely absolves the text from criticism. It's not a good comic. It barely tries to be latino rep and frankly, I'm not going to praise it for just placing a label on him and doing nothing with it. I don't care for this white man's truth. It's racist and creepy and I should be paid reparations for having to read a storyline where the same girl gets paired up with two different brothers and then their father just to end up getting killed for a sexier token love interest. I am constantly frustrated by the argument that new fans should be forced to read it and potentially get turned away from comics forever; it's one of the worst offerings you could give them. 90's Marvel and DC are a public fandom joke and nearly led the market into bankruptcy!!!!! (Marvel filled for loss in 1996. IT WAS BAD. That's part of why the whole 2099 line went up in flames! The money was going down the drain.)

I've been a comic reader for a long time and I just can't give them blissful innocence passes like that. The current editor-in-chief at Marvel did yellowface and pretended to be a japanese man for years to write some shitty superhero weeb comics with no accountability whatsoever. He still has a job. RUNNING the company!

And here's the thing: I like Miguel too. I have a shitty family and I empathize with that but I KNOW he deserves much better than to be confined by white people's scripts and fetishes. I *want* him to have a chance, multiple chances even, to be completely rewritten and remolded by latine voices without the need for them to constantly refer or tie back into that white man's work; It is our right just as any other.

ATSV throws away most of Miguel's baggage, and straight up refuses to refer to the weird indepth sludge pdavid had going on; the artbook doesn't mention these first comics or most of his runs, they actually talk about other groundbreaking sci-fi concept work and the idea of basically rebuilding the landscape from scratch, and I am deeply thankful they do that. One of the biggest themes of the movie *is* that the idea of comic canon is fraught and full of holes, and that we should subvert it into joyful and honest expressions of these characters' cultures. These are movies that begin with the Comics Code Authority stamp, a censorship marker that among other things explicitly prohibited the positive depiction of pro-civil rights narratives and homosexual relationships, and actively turned their nose at protagonist black characters — & proceed to rip it to shreds. That's what we should be doing!

[foxianbabygirls]

hey another until dawn imagine scenario thingy? yeah. yep.

slightly nsfw ishh ahead so take that as you willl

Imagine being Jessica's friend, seperate from the whole group, and she's telling you how she broke up with Mike because he's such an obtuse asshole and just generally gossiping with you, and then she's suddenly dragging you off to meet her other friends.

And she introduces them all to you, and you give Mike a once over and all you can say is- "This is Mike? Really, Jess?" because as far as you're concerned he has "Asshole" written all over his smug face (which probably disappears as soon as you express disapproval) and you are happy to tell her this and she just rolls her eyes.

But Mike is NOT happy at being evaluated like this, especially by some random person he's just met, and so, he's trying his best to keep his temper but damn that assessment really hit his ego.

And to recover he's half squaring up to you once no one is looking, yknow trying to look all big and dominant and important, but you're not intimidated, nor impressed.

"You think you're big and scary, shrimpy, but you're all bark and no bite. You couldn't handle me." You'd say, and walk off-

But Mike is mesmerised by this sentence. It was supposed to be a threat, but, why did it make him feel like he was melting? Why was he oddly turned on??

yeah anyway take tumblr away from me because i dont have to be too careful what i say here!!!!!!! mike is a little freak i want to top him :/

[slashingdisneypasta]

For when you want... I thought of something very cursed while closing last night. What would happen if the world of Who Framed Roger Rabbit went through a Dorothy Must Die scenario.

Don't ask me where this came from, I don't even know how it'd work 😭 but what I briefly thought of last night was that, for some reason, the world of toons gets blocked off from humanity (maybe they were considered too dangerous after the story of Theadore Valient got out?). And Doom, instead of trying to enact his plan to replace Toontown with a freeway, decides this is the perfect opportunity to take over and control the toons instead. So basically, Doom is DmD!Dorothy (I did not need the image of Doom in the gingham dress, but my brain went there 😭)

This was mainly imagining the Toon Patrol as the DmD trio, admittedly 😅 being Doom's enforcers and striking fear into the residents of Toontown in this AU. Psycho and Greasy are like Scarecrow, being the two most feared of the patrol for similar and different reasons. Smartass and Stupid could be similar to the Lion, being more on the dumb side, but also not questioning Doom and happy with his position as his seargent. That leaves Wheezy most like Tinman; deep down, he knows that all this is wrong, but he doesn't try to stop Doom or Smartass for his own reasons. They use DIP to scare the citizens into obeying these new laws, but they're far more grusome and dangerous here, just like the trio are in DmD. Can you imagine that bubble gun Tin's soldier used on Indigo, but with DIP?? (Ngl, I've been having fun imaging Greasy as the Scarecrow in particular).

I'm not sure who Amy Gumm would be, probably Eddie if he ever decides to visit the tunnel again or somehow got a job that required him to get close to Toontown and he got captured. Or it could be an original character. But Jessica and Roger are part of the rebellion to take Doom and his patrol down, along with various other characters. They're war torn and traumatized, but they're still kicking.

I have no idea why I thought this, but here you go 😅😅😅😅

!!!!!!!!!!!!!!!!!!!! I LOVE THIS!! Especially Scarecrow!Greasy, oh my g o d. Let me just- let me just- *gets out copy of Dorothy Must Die, which is heavily sticky-noted and thick from rereads already, and starts reading through all of Scare's bits imagining my favourite weasel* ... would it be crazy of me to write fanfiction of this concept!?? XD

YOU KNOW EXACTLY WHAT YOU HAVE DONE TO ME.

The only thing 'cursed' about this is Doom in gingham 🤣🤣🤣 But its all just 👌👌👌 Perfect! This was such a gem to wake up to XDD

I also love Stupid getting a main character part for once!! We too often let him fade into the background and this weighs heavily upon my soul, as I'm sure it does yours 😰Lion!Stupid would be so adorable!! Lion!Stupid developing a particular interest in a servant at the palace; them of course becoming his Favourite. Lion!Stupid struggling between his sexual appetite and his hunger for blood, licking and sucking and tasting his S/O any time that they're intimate; whimpering when they bleed because he got too rough with them; wanting to eat them. He wants to tear them apart and feast on their flesh, feel his teeth sink into their fat. Lion!Stupid feeling curious about this desire- because he loves them, doesn't he?? He doesn't understand. Lion!Stupid going to his good, old, most trustworthy, most intelligent friend Scarecrow!Greasy asking about it. Scarecrow!Greasy saying basically that he doesn't blame him- Stupid is an animal, after all. And that Y/N... is a delicious little morsel~ Do what feels right, Greasy tells him absentmindedly, going back to his work (Greasy never did alot the Lion much of his precious time, anymore, since Dorothy came back. Sometimes Stupid wondered why everything had changed). Follow your excellent, leonine instincts. Lion!Stupid returning to his lovers bed that night and doing exactly as his good comrade told him. Lion!Stupid eating what he loves (Lion!Stupid never losing the perfect taste off his tongue). Tin Woodman!Wheezy giving him a word of advice, later; that old friend of ours is crafty and cruel, Stu. Everything's different, now. 'ts best if ya don't trust any of us.

[douchebagbrainwaves]

OUR FATHERS WEREN'T THAT STUPID

You can thus gradually work your way into their confidence, and maybe charge for premium features. What do they have to go pretty far down the list, and indeed, no one is sure where the end is. From what we've seen, being good seems to help startups in three ways: it improves their morale, it makes other people want to help them, and IBM could easily have gotten an operating system elsewhere. If you feel you're really helping people, you'll keep working even when it seems like your startup is cheap to run, you become a member of an institution. And yet all those people have to be even faster, and more efficient. But when you ask adults what they got wrong at that age, nearly all say they cared too much what other kids thought of them. If you plan to get rich, and this essay is about how to make money by inventing new technology. But maybe not. It's a smart move, but we didn't do it because we want their software to be good. Maybe it's not a coincidence.

When I was running a startup, there are probably two things keeping you from doing it. Thanks to Ken Anderson, Trevor Blackwell, Daniel Giffin, Sarah Harlin, Shiro Kawai, Jessica Livingston, Matz, Jackie McDonough, Robert Morris, Eric Raymond, Guido van Rossum, David Weinberger, and Steven Wolfram for reading drafts of this essay. Structurally, the list of n things is in that respect the Cold War teaches the same lesson as World War II and, for that matter, how much is outside of our control. Or rather, any client, and if you try to make it as a portrait by an unknown fifteenth century artist, most would walk by without giving it a second look. But why should people who program computers be so concerned about copyrights, of all things? And no one can stop you. It's not for the people who make things. It was written by just three people. Ultimately you always have to guess. It's not something you face and read to an audience that's easily fooled, whether it's someone making shiny stuff to impress would-be startup founders but to students in general, because we'd be a long way toward explaining the mystery of the so-called real world. Otherwise their desire to lead you on will combine with your own desire to be led on to produce completely inaccurate impressions.

What are people doing now, using inadequate tools, that shows they need what you're making? Visiting Sand Hill Road. A startup is like a giant galley driven by a thousand rowers. That is a liberating prospect, a lot like a charity in the beginning. It does help too to feel that you're late. Facebook. But in fact if you narrow the definition of beauty to something that works is by trying things that don't. Mainly because it's easier than satisfying them. SLAC goes right under 280 a little bit south of Sand Hill Road precisely because they're so boringly uniform.

And there is a natural fit between smallness and solving hard problems. Anyone can adopt Don't be evil. Naturally wealth had a bad reputation. My Y Combinator co-founder Jessica Livingston is just about the easiest thing in the world. Microsoft, who have abandoned whatever mysterious high-minded principles produced the high-paying union job a myth, but I suspect that if you can't raise the full amount. The other students are the biggest advantage of going to work for a company, and his friend says, Yeah, that is a very real element in the valuation of companies. I would rather cofound a startup with a friend matters.

Imagine an American president saying that today. They just represent a point at the far end of the world. Sometimes young programmers notice the eccentricities of eminent hackers and decide to adopt some of their own are enormously more productive. The situation pushed buttons I'd forgotten I had. The worst case scenario is the long no, the no that comes after months of meetings. In the late 90s my professor friends used to complain that they couldn't get grad students, because all the undergrads were going to change something, all the hackers I knew were either writing software for the first few months comforted ourselves by treating the whole thing as an experiment that we might call off at any moment. The thing about ideas, though, if I've misled people here, I'm not eager to fix that. Wealth is what people want. But galleries didn't want to start a startup. The best place to meet them is school. Fortunately, there were few obstacles except technical ones. I knew the founder equation and had been focused on it since I knew I could see using something like that.

[sleeplesssmol]

Hi... Uhm, I'm basically @digital-playtime but on another blog... So... Nice to see ya!

Remember about the goofy mime that I shared about her to you? Because if so, I will be sharing a batch of her voice lines! It's been a while since I lasted creating stuff about her since I usually have a Mimemi related brainrot but for this time... She has come back! Well, at least for the time when you read this message... And without further ado, here you go! (I write these on google docs so yeah...)

Feel free to make some scenarios about her... I also find the dynamic between Regulus, Jessica and her quite funny since that trio is going to make some shenanigans but on their own ways... Regulus with Mr. APPle's help, Jessica with uhmmmm... Horror story related stuff and then, there's Mimemi with her extraordinary actions without the usage of words needed (Well, at least for Mimemi in this case)!

I can imagine Mr. APPle and those little critters having to see the chaos that they are going to commit inside Vertin's suitcase, bro is going have to watch the trio as if he is a dad in a shape of an apple and the little critters can't help but just... Watch what the heck is going on! 🤣

Horrorpedia would definitely be into her shenanigans! It's awesome you have a whole script ready! Mr. Apple being the parent supervision is also hilarious. He'd probably try to intervene politely but get dragged into their plots anyway lol

[whenthechickencry]

Umineko EP4. Replay Part 6

She figured out the Epitaph all the way down to the church at least? Damn... Golden Witch Kumasawa. I wouldn't be surprised if she figured it out before Sayo and Genji was like. No.

This man's gonna be SO fucking traumatized from the Amakusa massacre damn.

I was kind of thinking re: trick ending if dude was actually involved but it really doesn't seem like he is. Amakusa is hearing all this and snickering in his heart I guess.

Ange starts freaking out about mass-produced Sakutarous. Forgot she realized here, tbh.

He sounds a lot more scared and is asking Sayo for more prompts here, so I think people have started dying by now.

Gaap gets added to the pantheon of characters that represent Sayo's stream of thoughts.

"I'm sure that one day, somebody will love us. Need us." Sayo....

Lol what Kyrie and 'Kinzo' said barely match up. Wrt to this challenge and Kyrie's odd words, you can definitely tell Kyrie is one of the accomplices. She uses this idea on her actual murder plan so I am pretty sure she is the one that gave this idea to Sayo. Having similar, but not exact, situations happen is how r07 gave answers to Higurashi, too, so I am pretty sure he was hinting at at Kyrie's extra involvement here. And Kyrie wouldn't say this to Battler because she doesn't believe that lol. So I think she's trying to market herself as a Good Accomplice to buy her survival.

YOU WILL FUCK UP OUR PLAN IF YOU GO TO THE DINING HALL. DON'T.

It's funny how George answers 'correctly' based on what Kinzo would choose but no one is spared. Almost like Kinzo is not the one in charge of this test!

Hmm? Jessica thinks the choices in her life would lead to eventual disappointment to everyone around them, especially their love, so the only option she can see where she ends satisfied is ending their own life? Getting a kick out of putting people in your situation, Sayo?

It's interesting to think of this as the perspective of Tohya writing it, too... This fragment is one where everyone asserts that Sayo is undoubtedly treasured in their lives, one where Jessica acknowledges the way she harmed her..., and one where the one who fails to do that is only Battler himself...

To be honest, I am sure that similarity to Kinzo is part of the reason Sayo was never able to truly trust George. Even in this scenario the word "Shannon" has barely escaped his mouth, he is just choosing what is better for him. He really likes the *idea* of Shannon but has barely bothered to know the real Shannon. Doesn't help his idea of her is based partly on something she physically can't do, ie birth his children.

Ok, I shat on George I will shit on Jessica a bit too, to be fair. Her kind of flip-flopping on answers and ending up choosing based on process of elimination is, I think, a reflection of how she chose to be in love with Kanon, at least from a pessimistic perspective. Jessica wanted to fall in love with a boy after seeing Shannon and Jessica together. Considering Kanon's boy status is debated on the first place, that's not something Sayo would be too keen on, I would imagine. It feels like she chose him from a process of elimination from Kanon being the one guy she constantly hangs with that isn't a relative (well) I think Jessica showed more interest in trying to understand who Sayo is, really, than Shannon did. But sometimes was quite forceful and gave advise without knowing the full situation and ended up hurting her all the same.

"She knew that her father, in order to protect his family, was even now bluffing and fighting a solitary fight"..... like, about Kinzo being alive?

Again, though, this whole section feels like a love letter towards Sayo, a posthumous love letter sadly, but.... Shannon begging to be forgotten because she isn't worth loving and George rebuking that feels like kindness being given to Sayo.

Man if you just stopped at You are not furniture....

The words reaching Shkannon and them affirming they are human gets a little sad once you think that the reality of what is happening rn.... This would be when Jessica and George get blackmailed and threatened by Sayo. It's not a coincidence that the part that was probably the hardest for Sayo to get herself to do is the one shown in the meta-narrative as Shannon and Kanon resisting against.

Hahaha.... are they Virgilia?

They even have fake flashbacks to the previous episodes of the goats life I forgot how funny this scene was.

The image of Jessica being forced to read off Sayo's script before getting shot in the head mid call is very hard to think about.... I wonder if they had the gun to her head the entire time or if they convinced her this was all a game, either way....

You can tell how much this was Sayo;s script though, haha, DON'T THINK ABOUT WHO IS BEHIND THIS is one last attempt from Sayo to force him to think about exactly that.

Sayo probably can't get herself to exist without being drunk as shit anymore, she drops a millionth hints to Battler and he misses all of them.

She realizes she let her true feelings about being Kinzo's captive come through and immediately corrects herself.

Haha.... yeah she's very bitter and drunk.... This scene's kind of hard to read, Sayo is at her absolute worse and drunk as shit, it's kind of painful to see her like this. She also is showing she fucking hates Kinzo,

There's the faint chance, isn't there?

Jesus.... again this scene is just hard to watch.

She's really dropping hint after hint here for Battler.

This focus on Battler's lineage can seem a bit odd because it's not something Sayo cares about too much, per se. Obviously part of the reason is red herring, but once you think about how Sayo was a Ushiromiya who was never allowed that name until it was forced violently on her, and Battler was someone who threw that name on a whim... Of course the other, more immediate and obvious reason why she's bringing it up is because in doing that he also completely threw her away for years, and then forgot about her.

[rendsflesh]

reasons why my ghoulies have their individual (and they're all complete, nyehehe.) kakujas and the what the fuck do they look like, let's fuckin GO.

ren: his kakuja's appearance resembles a long, spindly figure (every single limb of his is elongated, including the neck.) wrapped in thick bandages with seemingly no end and no beginning. think, maybe, of the "black ghosts" from ajin-- he's about twice his height whilst in kakuja form and is in full control of both himself and his kagune while maintaining it. acquired from eating any ghoul he decided was "too annoying" or just because he was hungry; there wasn't really any desire within him to become stronger (why do that when you already are?) or anything of the sort. moreover, he eats ghouls as something of a powerplay, which could butt heads with the aforementioned idea but, y'know-- semantics smemantics. whilst in kakuja, additionally, he can sprout several spiderlike-legs out from his back that increases his speed and power exponentially. his voice, too, retains its usual nasally tone but has a tendency to drag on and on, like a tape recorder that's been fed a bad tape or a vhs tape that's been rewound way too many times it's start to go "wrong". he's an honest to god nightmare to deal with, truth be told.

yori: think of dark souls knights. ok. now, think of the dark souls knights that are, like, fifty feet taller than the player character. that's generally the gist of yori's kakuja's appearance; it's a full-plate of armor, allowing for him to withstand a, laughably so, shit ton of damage before, finally, falling. i wanna say that the armor itself isn't necessarily bulky nor does it look bulky-- more-so, it's somewhat formfitting and comes with its very own shield! and cape. because capes are cool. yori, while being a very loud and vocal hater of ghoul meat (it tastes foul! bleck!), decided to commit to the bit and develop a kakuja for one reason: to be able to protect his little prince, nori. this kakuja is focused on being defensive rather than being on the offense, but that isn't to say yori isn't capable of tearing shit up. because, god willing, he most certainly will if nori is threatened because, guess what, it also comes with a sword! how fun! retaining his sanity, yori's voice is mostly normal whilst in this form, but it has the tendency to... yell. he can get quite loud on seemingly random syllables for seemingly no reason.

jun: his kakuja is... strange in the sense that it might seem atypical to a lot-- it looks the most to a "wolf", but it's definitely taken heavy inspiration from the "big bad wolf" of little red riding hood fame-- or, well, in this case would it be infamy? who knows! in terms of size and overall appearance, jun's kakuja is... massive. that isn't to say it can dwarf buildings but, well, it can come close to it. that's why he's usually hunchbacking it when in kakuja mode. appearance-wise, it's a werewolf sort of thing (think of a mix of vicar amelia and cleric beast of bloodborne!) that is incredibly strong but, maybe, not as fast as he'd prefer. this is a kakuja that's focused purely on power rather than speed. a mere swing of the arm would be more than enough, in most scenarios, for him to incapacitate several investigators at once. or ghouls, if that's more your flavor. its story of acquiring is somewhat odd, as his family line caused him (and aimi.) to favor ghoul meat than to outright be disgusted by it. over time, he just developed one due to his dietary needs. he doesn't really talk while in this form. he communicates like a wild animal. don't let that fool you, though-- he's just as sane as everyone else on this list!

chiyo: this one is fun. mostly because it's chiyo's imagination running rampant and exposing the various predators she's come into contact with's "kinks"-- this kakuja is an overindulgence. its silhouette is meant to represent the "jessica rabbit"; itty-bitty waist with a big chest and ass, also known as "the perfect body type" to those that have no clue what an actual woman looks like. while jessica rabbit, as a character, represented that "appearances aren't everything" in a more... y'know "kind" way, chiyo's kakuja represents this idea in a very violent and downright on the nose way. out of the shadows, her face is concealed and replaced with a lamprey's mouth (ballerina from cabin in the woods vibes.) while the remainder of her body is covered, head to toe, with thick tendrils of "flesh". her arms and hands? big, meaty claws. her legs and feet? thin and very petite. her hair, as well, is kakuja-fied, morphed into actual tendrils that she can control at will in order to stab at anyone and thing at will. they're as sharp as knives and are more than capable of breaking through another ghoul's kagune and, potentially, kakuja if she tries hard enough. she gains her kakuja as means of wanting to protect her wife and her nephews, wondering if there'll be a day she'll ever get a chance of killing her sister's killer and giving him a taste of his own medicine. she fakes being insane for the sheer comedy but is, in fact, in full control of herself.

masao: just a fucked up looking oni kinda guy! instead of the one faces, he's got four faces-- all split up into their own, little heads facing left, straight, back, and, you guessed it, right. they're all functional and can talk at will, too, though the "straight" facing face is the dominant one. each face also has its very own set of long, protruding fangs from both the top and bottom of his gums, similar to that of a sabretooth tiger but worse. he also has two extra pairs of arms, both of which are grotesquely muscular that look, almost, like he could use them to propel himself forward like a gorilla or something-- wait, actually? yes. yes, he can in fact do that. this is a kakuja that's focused, once again, mostly on power and not at all in speed. what it lacks in speed, however, is its defensive capabilities; it's able of withstanding severe "damage" from an investigator's (and ghoul, while we're at it.) onslaught and shaking it off like a little bee sting. his kakuja enables him to be fully sentient (as expected.) but his voice retains a sort of "fakeness" to it, now. it sounds like it's in a perpetual "tunnel throat", even when speaking normally. many find this really weird and, perhaps, a bit disconcerting, especially when he laughs whilst kakuja-fied.

[gay-otlc]

i mean fair everyone is bad at them but! i am moderately ok at them!

y=mx+b........ no.......... i don't know that chapter at all and my math exam is Very Soon

ok so gender thoughts in that i feel like? sometimes a girl? but my hair which is growing out now, i want it to be short. the only scenarios i can imagine it being long is like, times when i dress up. basically my hair would be an accessory. eg my wedding, a party, stuff like that where i curl/style my hair

otherwise i just imagine it short!! like even shorter than it is right now!! so i keep wondering if i'm forcing being feminine on myself a little with the hair and i shouldn't grow it out or what lmao

i also found a jewish comedian on my suggested content on youtube while having dinner (aka literally 10 minutes ago) - jessica kirson, she had this one short (https://youtube.com/shorts/c2lQ9k1z-po?si=6EaF-BC5omITl0YG) where she said "jewish men are amazing!!" and i went Wait I Should Send This To S. But How

So here i am :D

also i taught my friend how to do quadratic equation word problems (read: we googled questions and their answers)

i hope you have a nice day! it must be morning for you since it's 8:25 for me :D

Okay so m is the slope (change in y divided by change in x or rise over run) and b is the y-intercept (whatever y is when x = 0). I should be a math teacher fr

So inconvenient that hair doesn't just change length whenever you want it to :/ but if you want it short a majority of the time I would say snip snip.

Lmaoo that was actually so good. Jewish guys are amazing! And we also have big dicks can confirm

It was morning for me when you sent this, it's almost noon now though