#can you guess his wish ?

[warning-heckboop]

Hazel, Jasmine, and Winn find their plans to mend fences disrupted when they discover Anti-Fairy magic is evident in Dev's reoccurring nightmares.

So do you guys ever get so invested in a fake episode that you made up in your head that you make a fake title card and synopsis for it? No? Yeah, me neither.

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[iizuumi]

Side effects of wearing your Kaiju suit too often ,,,, Part 2

[meirimerens]

a theomachist in the face of a cruel god, or more reassuringly, something worse entirely

[szynkaaa]

I love that in the JTTW source material, Sun Wukong is never shown any romantic interest towards anyone and does occassionally make fun of Zhu Bajie and his escapades, but it's still very clear he loves the people aroud him. We love an aroace monkey king.

But I also really really really love that Black Myth Wukong adds their own twist and gave both Sun Wukong AND the Destined One (or rather his past reincarnation) love stories?? Sun Wukong has the tragedy going on with the White Bone Demon, he struck her three times to kill her (granted she did try to eat his master LOL), but he was never able to let her go and it is one of the many reasons why he wanted to leave buddahood behind and reject the celestial court.

With the Destined One, it is heavily implied in the game that the 4th spider sister was married to the previous Destined One (can I also add, excellent taste monkey, 10/10 I would marry her too), but obviously the prev Destined One carried on with his quest and well, probably never returned lol.

Anyway, I think it's a nice touch that each Destined One isn't just another reincarnation on a quest trying to become the new Sun Wukong, and that they can fall in love and get married too. The game doesn't tell us much about the Destined One's personality, with him being a silent protagonist so it's nice to see details like this.

[illmoraineakoi]

Do you guys think that when Dark was dying, he knew it, and became so overwhelmed by the visceral fear of his inevitable incoming death that he started desperately pleading to Alan to somehow come save him?

A forsaken creation, dying and agonized, desperately reaching out to his creator in a last ditch attempt at salvation.

A child, begging for it's parent's help, because they're scared and they don't want to die.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[nappingmoon]

suguru x reader - nsfw

wc: 3.6k

suguru coming to see you after he defected from jujutsu tech. 🎀

a/n: i actually forgot that jjk is highschool and not college before writing this so with the power bestowed upon me on tumblr dot com i declare that this is an au where everything is the same except suguru defects when he's like 22 and not 17 okay thank you stay blessed

you're on the porch of your little apartment-- a luxury in this market. between your fingers hangs a little cigarette, a bad habit that you picked up after one too many nights spent in shoko's presence. regardless, the headrush that each drag brings is a welcome feeling. you hadn't seen suguru since before he defected, and he hadn't deigned to reach out. in the weeks leading up to the incident -a detached term, as if calling it 'the massacre' would be too real of a reminder- you had spent nearly every night with him. you were often sent on separate missions during the day and on the occasion that you did see one another in public, not much more than a simple greeting or casual chat was exchanged between the two of you.

at night, however, he always found a way into your sheets. before the fateful mission, what you had was fun. it was sexy and sneaky and exciting and your heart always raced at the thought of what he was going to surprise you with that night. after the mission, the moments turned slower, needier, more intimate. suguru started talking less, instead craving your moans and becoming more insistent on ensuring your pleasure. he wouldn't let you touch him as much, and he grew increasingly frustrated when you would try to push his head away from between your thighs before he made you cum at least twice. his mannerisms became less cocky and assured and turned frantic and anxious, like an animal who just barely managed to escape a predator and still can't figure out if he's safe or not. you tried to work your way in to his brain, his heart, but he only opened up in vague sentences or deflected to a different topic. teetering the line between concerned questioning and prying was difficult and you could tell that if you overstepped, it was likely that he'd withdraw completely. when you heard the news, heard about the incident, your heart dropped, but you can't say you were completely surprised. there's just been radio silence then.

when you feel a presence approach from behind you, you don't jump. there's no need. you know who it is and you've been expecting him. in honest, it took him longer to seek you out than you thought it would. suguru's form comes into your field of vision, body obscuring most of your view of the right side of the street. neither of you speak as he plucks the cigarette from your fingers. pinched between his forefinger and thumb, suguru brings the butt to his lips. you watch as he inhales, the burning red end of the cig sparkling as it works its way up towards his fingers. his lungs expand and it is enough to finish what you had left. he tilts his head up as he releases the smoke, taking a peek at the sky. though the city lights dimmed much of the sky's vibrancy, a few scattered stars still burned bright enough to hold an audience. he's gorgeous.

the last of the smoke is still wisping out of his mouth when he finally speaks, his voice gravelly. "you've got to stop hanging out with shoko. this shit will kill you." you huff an amused exhale and lean your head onto your propped arm, watching as suguru rubs the end of the dying cigarette into your railing and dropping the ashed remnants into your little strawberry themed ashtray.

"a bit late to start worrying about things that could kill me, isn't it, suguru?" you raise your eyebrow and look him up and down. he's skinnier and the bags under his eyes are ever present, but he holds himself a little higher than he has in the past weeks. tormented, but assured of his decisions. he's dressed in casual clothes, likely to keep a low profile and avoid run ins with any sorcerers on his way to you. "I heard you had a run in with satoru the other day, how are you?" what the two of you had was special, sure, but you knew that no one came above satoru in his eyes. they were an inseparable pair, heads and tails, yin and yang. the split can't have been easy at all.

"I made a choice," suguru starts, eyes blankly roaming over your street. he still hasn't looked you in the eyes. "and he made his. that's all there is to it."

you hum, unconvinced but also not willing to put up a fight you clearly had no shot at winning. "and so now you've come to see little old me? are you gonna try to convince me to join the official suguru geto fanclub? become a loyal member and kneel at your feet until the day i die?"

finally turning to you, he scoffs and a small smile graces his lips at your antics. "while you on your knees is one of my favorite sights, I know you. your morals would never let you join me." he says, and the word 'morals' comes out like an insult. even still, at his first words your head fills with images of the past and you adjust your position on the railing, legs crossing lightly. the movement doesn't escape his notice.

"if you didn't come to convince me to join you, then what did you come for? i could turn ya in right now. should do it to if only for the fact that you left without telling me." you turn away from him, annoyance rising at the memory of sitting in your empty room, feeling so heavily the lack of his pretty face and cat-like form splayed on your bed asking questions about your skin care routine and teasing you for the trinkets you still have as remnants of the phases you went through at fifteen.

suguru doesn't answer and instead goes inside, the duck under the door frame a habitual motion. you follow him inside, sliding your glass door closed behind you. he makes his way through your apartment, touching little things as he goes. he adjusts the picture frame that holds the photo of you, the other second years, himself, satoru, and shoko. he avoids looking at haibara's smiling face and continues on into your room.

before following him, you grab him one of his favorite bottled teas from your fridge. you always kept a pack for him, and last week you found yourself unpacking them from your trip to the grocery store before you even realized what you had done.

when you enter your room, you see him sat on the edge of your bed. you come to stand between his spread legs, cold drink in your left hand while your right comes up to trace around his face. you play with the little bang that he always keeps out of his bun. "are slut strands just allowed in your cult or are they mandatory?" you tease.

"ha ha." suguru replies dryly. "give me some of the tea, please." you crack the cap open and extend the drink towards his hand, but instead of receiving it, he grabs your hips. thinking he's just being lazy, you bring the edge to his lips, ready to pour it in for him. his lips stay sealed and he shakes his head. confused, you still for a moment befor- oh. oh. as the realization dawns on your face, he grins and gently nods.

the bastard wants you to spit it in his mouth. it's something that started out a long time ago as a joke and stuck around, you doing it to one another every so often. but now? "you can drink it yourself, dickhead." you say, but he digs his fingers into your hips, and keeps his lips together, the refusal crystal clear. you know you shouldn't-- he is currently a criminal of the highest order. he's killed innocents and shed the blood of those you have risked your life to protect. he is a million times more dangerous than the cigarette he chided you for earlier. and yet. and yet and yet and yet. the pressure of his hands on your hips is so familiar and you have missed it so much. he has filled the space in your apartment that he left behind and just seeing him here once again is making your heart thump. logically, you should run as fast as you can. instead, you bring the rim to your lips, let the cool liquid fill your mouth, and lean over. suguru brings one hand up from your hip, dragging it up your body before coming to rest on your face. you lean into the touch that you missed so much and allow him to bring your face to his, to bring your lips together. you let the tea pass from your lips to his and a bit spills down his chin. even so, he does nothing to stop it, and you aren't even entirely sure he noticed at all because as soon as the tea is done trickling into his mouth, his tongue comes into your mouth to tangle with yours. the hand on your cheek reaches around your head to press you closer into him. he takes the bottle from your hand and reaches down to place it on the floor before standing.

suguru is intoxicating. that is the only way you can describe him. with just a few kisses he has complete power over you. as he leans over to continue making out with you, you tug at his shirt, eager to run your hands across his skin again. you've missed the feeling so much. smiling into your kiss, he reaches down to grab the end of the cloth and bring it over his head, only separating long enough to get the shirt off before returning to you. he reaches down to grab the backs of your thighs and you jump, straddling him as you take his bottom lip between your teeth. you nibble softly, teasingly as you open your eyes to look into his. his pupils are blown and you know yours must be the same. he turns to face the bed, bringing his knee up and working his way up until he can lay you on your pillows. suguru cradles your head as he sets you on the bed, finally separating from you to lean back and get a good look at you. your spit shines on his lips as moonlight filters in through the space where your curtains don't quite close.

your chest rises and falls with vigor, finally getting an adequate air supply, but you itch to be close to him once again. you grab your shirt and rid yourself of it quickly, absentmindedly noting that it was actually one of the shirts he left at your place a while ago. you wore them when you missed him. (not a night passed in a shirt that wasn't his.) his fingers reach for the waistband of your shorts, grabbing the edge of your panties with them and working them down your legs. though standing for 10 seconds and ridding himself of his pants would have been easier, suguru shares your desperation for closeness and bends at the waist, laving at the hollow of your neck while shimmying out of his pants. your hands tug at his hair and run over the muscles of his back not minding the rustle of his body over yours because the weight over you was one you missed so much. when he finally kicks his pants and boxers off, he stays stuck to your chest, leaving a trail of little kisses in his wake. he makes it to your nipple where he presses one sweet kiss to the tip before taking it in his mouth and sucking. he moans at the feeling of your soft flesh in his mouth. you are an exquisite being and he truly worships every fiber of your existence. during the time he spent apart from you, he thought of this moment over and over. he moves over to your other nipple, sucking in marks on the way, making sure you are left with lasting evidence of his love. you gasp at the sting of his bite, looking down at where he laps at a small bead of red from where his teeth broke skin. over his broad shoulders, you can see where he grinds his hips into the bed, mindlessly seeking release while he focuses on his current devotion. your tummy swirls as he makes his way down, leaving little nips and hickies scattered in a pattern not unlike what he saw earlier in the sky. when he finally reaches your mound and presses a first kiss to your clit, you reach down and grab his face.

when suguru looks you in the eyes from his position between your legs, you swear he is only half registering you. he seems almost dazed, eyes glossy and head yearning to drop back down into your heat to give you the head of your life. before he can swat away your hands, however, you speak up, voice thick with need. "feel s'empty sugu." you whine, "need you in me now. it's been so long."

"but baby, need'ta stretch you out. need to make you cum and get you all ready t' take me. neeeed to taste you" he says, still fighting the hands that keep him up.

"i don't need it sugu. m' so wet. i promise. i need you to fill me up, 've missed it so much." this gets him out of his daze, and he begins to crawl back up to you.

"you need me that bad? yeah?" he whispers, hovering over you.

"mmhmm"

"needy girl got all soaked from just having me here, huh? you just need to be fucked this instant? my poor baby. i've neglected you too much." he starts dragging his dick up and down your folds, collecting your slick to make sure that he'll slide in easy enough. your nails grip on to his back, trying to entice him to put it in already. "okay baby, don't worry. i'll give you what you need."

suguru places a kiss to your cheekbone as pushes in. you both inhale at the sensation taking a moment to adjust. he slowly continues lowering himself in, murmuring small praises into your ear as you take all of him in. the stretch brings a twinge of pain, and likely would have been absent all together had suguru been allowed to give you the foreplay he wanted but the sense of love and tranquility that filled you as soon as he was all the way in was the closest thing you could get to heaven on earth. there was nothing in your heart, mind, or soul but love for the man taking over your senses.

sex with suguru varied a lot. nights after bars and parties were filled with giggly sex and lots of foreplay. after high adrenaline missions he was rough and experimental. if a teammate was seriously hurt or there was a casualty, he tended to need to be more dominant, finding solace in being able to control every aspect of your pleasure, from denying you your orgasm all night or overstimulating you and getting you to your peak more times than you could count. sometimes he liked to use toys, to tie you up, to let you tie him up. tonight though, he was tentative. he knew what you wanted and you were clear that you needed him, but the now that he was so close to you, the small, ugly voice of insecurity and shame inside bubbled up. shame for shutting you out, for his sins, for leaving, the list goes on. and so he uses each thrust into you as an apology. he reaches for your hand, sliding his fingers between yours and pressing them into your mattress. his eyes were screwed shut because he wasn't sure that if he looked at your teary eyes he could keep his composure and he needed tonight to be about you, to make you feel good.

he's quieter than normal and you notice it. the turmoil is all too clear to you and you know that he needs you now more than ever. "s- suguru, baby, look at me. please."

he shakes his head in response and your heart quivers. he's still your suguru despite it all. "baby please. look at me. it's okay. i'm okay and you're okay and we are going to make it through this." you place kisses on his nose and cheeks as he eases the tension in his face, peeking at you. the second he gets a good look at you, sweat already starting to stick hair to your forehead and eyes so enamored they almost have hearts in them, he groans and his pace falters for a sec. "you're making me feel so good suguru, you know that? you're so good to me, handsome. i could never stop loving you." you praise. you'd continue, but he dips his mouth to yours, cutting you off. you arch your back, pebbled nipples grazing his chest and he groans into you unlacing your fingers and bringing his hand to pinch your nipples. your moans fill the room. his thrusts get faster and the little plaps of your hips when they meet turn into more forceful smacks.

your praise and the way you feel around him nearly fry suguru's brain. the voices in his head are loud, telling him he's undeserving of you and your love and he whispers his apologies into your skin. he's overwhelmed and he's tearing up but he keeps rolling his hips into yours as if the world would end if he stopped. you try to get his attention by calling his name or clawing a bit at his back but he's in deep. reaching down between you, you swipe at your folds with two fingers, gathering some of your wetness only to reach up and stick them into suguru's mouth. he can't apologize with your digits pressing down on his tongue and you take the moment to reinforce your love. "suguru, listen to me. I love you and you don't have to apologize. you did what you had to do and that's okay. I love you." you pepper kisses between your words, trying your best to get your message through to him. he finally looks you in the eyes again, your voice his saving grace. "hi, baby. you back yet?" you say.

suguru finishes sucking your fingers clean and pulls back. "yeah, thanks for getting me out of there. 'was spiraling a lil bit. sor-" you cut off his apology with fingers to his lips and a roll of your own hips.

"don't apologize. just be here with me." you push at one shoulder with your arms, and suguru understands, grabbing your hips and flipping you over. "'s this okay?" you ask, straddling his hips and beginning to ride him.

"so much better than okay, gorgeous. 's perfect." as you bounce up and down, suguru reaches up to play with your clit and you feel the nerves send shocks up your spine. he starts whispering things like "you are the best thing that has ever happened to me" and "you're so perfect, doll. all mine"

as you near your peak, your legs start to shake and burn. you whine at the at the decrease in friction that comes of your slowing hips and suguru takes this as his moment to pick things back up. with his hands lifting you, he gives himself enough space to prop himself up and get a strong base to thrust into you from below. with your sugu now taking the lead, everything is just more intense. you fold over, trying to kiss him but missing due to the sheer force with which suguru is moving your body. small 'ah's come from your mouth and you feel your toes curl as you are tipped over, a wave of pleasure washing over you. you tighten up and your muscles twitch as suguru continues thrusting, chasing after his release and following just behind you. he pulls your body to his, gripping you in a tight, tight hug as he spills into you. his legs give out from under him and you land together in a little heap of love, sweat, and limbs. his dick slips out of you and you already miss the sensation of being full, of being so close to him. for now though, you take the moment to catch your breath and to let your heart sync up with his. in a little, you two will get up and you will pee and brush your teeth side by side. when you come out, the bed will be clean and you will cuddle with your lover and be soothed into sleep by his slow breaths, grateful that you had at least this moment with him, sure that he'll disappear on you come sunrise.

in the morning, as the sun begins to warm your room, every logical thought is tell him to leave before you wake up. it will be easier to split without seeing your face, and talking in the morning will only create longer term attachment that has no place in the future he is building for himself and his girls. honestly, best case scenario would be you being so angry at him for leaving that you get over him all together. it is so simple!

so when he finds himself in your kitchen, making your eggs how you like them and pouring your cup of coffee in your favorite mug with just the right amount of milk in sugar, he's just as surprised as you are. and when you give him a kiss and sit in his lap and he sees the splotches of reds and purples that decorate your neck, paired with the little bit of drool from sleeping so well, he remembers why he didn't choose the easy route. where things will go from here is uncertain, but the outside world has no place in your apartment-- in his sanctuary. all that matters is your warmth in his arms and your lips on his.

[rickybaby]

Genuine question as I am curious — I know it’s pretty obvious with his expressions/ body language that Daniel seemed shy/insecure(?) about having his braces, but has he ever outright said anything about feeling that way with them? Just out of curiosity as I am new around here!

“I feel very different in terms of looks. Fortunately, experience also bought me better looks. I’m not really too fond of showing people photos of me when I was younger”

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[dimdiamond]

Started watching The Fairly Oddparents: New Wish and I gotta say I am so impressed by how good it is for a sequel of such beloved childhood cartoon series! Besides the animation and the humour and watching again Cosmo and Wanda, I must say that Hazel is the best choice for a new protagonist as she has no similarities with Timmy and that's what makes for a new, refreshing continuation of the same cartoon!

I saw arguments that Hazel doesn't actually need fairly godparents because she has good parents and I can't emphasize enough how wrong that is and how much she actually does! Yes, her parents care for her and notice her and dote on her and they have a pretty good relationship with their kids but we see since the first episode how Hazel is considered the mature kid from her parents and she takes pride on that. So much to the point of bottling up her emotions and trying to solve things by her own! Even in a later episode she considers herself too mature for her classmates and thinks it's better for her to hang out with her teachers (great episode btw)! I know many kids are like that (heck! I was one like that!) and let me tell you they need the same care and attention as the "immature" kids, the loud ones, the ones with obvious problems, the neglected ones etc. Hazel needs Cosmo and Wanda to learn to rely on others and state clearly her wishes and her emotions! She needs to learn to be a "bother" and "immature" so she can become a better person and with healthier connections to her family and friends! Cosmo and Wanda saw this little girl trying to run away and fix her problem by herself and they were immediately like "Oh, no sweetie, we are here to help you, you're not alone!" and I think this is so imprortant and meaningful for many kids that they will watch it!

I haven't still watched the episodes with Peri and Dev but god I am excited and from the few clips I have watched I can tell their dynamic would be so fun and interesting to watch and for sure I am excited for the humanization of the "spoiled, rich, rude kid" stereotype! Probably I'll add my thoughts on them once I watch the episodes!

[sulky-cabbage]

AU: Where Sukuna Wins

Part 1

Part 2 here

Imagine an alternate universe in which Sukuna triumphs, dominates over Japan, and endures a lonely existence for many centuries, while allowing some humans to live.

They hold a grudge against him, of course, and want to kill him. They train at Jujutsu High and have some great fighters that occasionally provide Sukuna with some entertainment. 

They are so desperate for salvation, they can only find solace in prophecies about a figure with powerful blue eyes that will defeat the king of curses and rescue Japan.

And do you know what Sukuna does in response to that? One might expect him to go full Pharoah mode and kill newborns, but NO!!

HE DOES THE COMPLETE OPPOSITE !!

Whenever he ravages a village and devours the women and children, he ALWAYS spares the blue-eyed infants.

All the curses know better than to kill an infant with blue eyes. The last time a curse did that, Sukuna made sure to make an example of it.

Killing a member of the Gojo clan is also off limits, as well as anything that could delay the reincarnation of this certain person.

These humans are not the only ones waiting for salvation.

Sukuna is also WAITING...for his wretched existence to end at the hands of this person.

The ONLY one worthy of having the honor to do so.

[robertwaltons]

behold: the doomed unrequited waltonstein manifesto courtesy of twitter user ustfile

[kyunsies]

guys idk who needs to hear this but the production on the 'fatal love' album was like ............. insane like how tf did mx do that

[warning-heckboop]

"Why did you make Peri mad at Dev instead of wanting to forgive him?" dunno. Vibes I guess

[bengallemon]

Gore warning! There's blood and flesh and a little bit of bone!

Bored. Drew a frin. Based off their act 5 timefreeze sprite because it does something. So peaceful. So relaxed.