okay but jjk somnophilia is like
gojo "please please pleaaaaase let me put it in while you're sleeping PLEASE i swear i'll make you cum i proooomise please let's try it once pleeaaase. YOU can put it in ME whenever you want!!! any time any place anything you want in any of my holes!! wake me up with it!! it'll be soooo hot" satoru
vs
nanami "i have kink charts for both of us and they have sliding scales and notes section for each one. we can mark hard boundaries for what state of consciousness we want for ourselves or our partners, giving or receiving, what sex acts, etc. we'll set up a safe word and a safe gesture and then we can start trying things out" kento
vs
geto "sorry i fell asleep while eating you out, it will happen again. no, i won't stop eating you out when i fall unconscious. just tear me off your pussy if you don't like it" suguru
815 notes
·
View notes
I've seen a couple of people complaining that the Captain didn't get a Coming Out Scene so that means it's Bad Rep, and I think they're missing the point a bit.
Like, sure, it would have been nice to see him finally come out but also, he doesn't have to? Personally I think it's amazing that ThemThere managed to create a character who isn't openly gay but is so obviously gay that we all just know without him having to say it. It's clear that they put a lot of thought and care into all the signs - the way he looks at the guys he has crushes on, the little offhand comments about Mike making a very fine soldier or the builder being handsome, the references to queer culture (Dorothy, Elton John, Cole Porter etc). They didn't half-ass this. They knew exactly what they were doing, and they were careful and subtle about it.
Also, we know the Captain's personality by now, right? He only talks openly about personal matters when he feels it's absolutely necessary, like when he's explaining about the bomb in "Redding Weddy" and explaining how he died in "Carpe Diem", and he doesn't seem particularly comfortable in either of these instances. He was alive in a time when he either wasn't allowed or didn't feel that he could be open about who he was, and seeing as he's sort of stuck in that time, what with him still acting like the war's continuing, he's obviously still heavily repressed. And it's in character. It makes sense for him to still be closeted. And of course, throughout the show he does gradually learn to relax and open up a bit, but he's not a fan of change anyway so it also makes sense that it takes a while for him to do that. As shown in "Gone Gone" after Mary moves on, he'd rather keep himself busy than talk about feelings.
And this is more a personal preference here, but I really really love seeing a gay character who isn't out. Now this doesn't mean I don't like openly gay characters, I love them too. But we see quite a lot of them, and it's just nice to have something a bit different. The Captain means so much to me as representation because while he's not openly gay, it's still very clear that he is gay. He's not a queerbait character, because they haven't hinted that he's gay and then revealed that he's actually straight. They've purposefully made the Captain gay, and there's barely any ambiguity, so even though he never says, "I'm gay," you'd have to be a fool to think he's anything but.
Queer people don't suddenly become queer when they come out. Just saying the words, "I'm gay," doesn't make someone gay. Being gay makes someone gay. That's it.
And the Captain is gay. That's it.
234 notes
·
View notes
“I had all and then most of you
Some and now none of you.
Take me back to the night we met.”
— The Night We Met by Lord Huron
cw implied death, angst, OWWW OWWWIE OWWW
The day starts as usual.
The sun rises, birds chirping as you push open the balcony door to let the morning air in. Joseph steps out, a cigarette already between his fingers. You join him, two mugs of coffee in your hands. He takes one from you with a grateful smile, you both settle into the routine.
The day is beautiful. The suns warm embrace on your skin makes you want to linger there forever, soaking in her rays.
“What d’ya want for breakfast?” he asks, smoke curling lazily from his lips.
You ponder for a moment, imagining the taste of different dishes. “How about…pancakes?” you suggest, feeling your mouth water at the thought.
Joseph chuckles, stubbing out his cigarette and taking a final gulp of his coffee. “Pancakes it is then.”
You eat breakfast together at the table. Joseph flips through his script between bites, humming under his breath and glancing at the clock occasionally. A quiet sigh escapes him as he polishes off his plate.
He rises, placing his dirtied plate on the sink, setting his empty mug on top. He walks over to you, gently pushing your hair back and kissing your forehead.
“I gotta go. I’ll see you later, okay?”
You hum, cheeks warming from the kiss. “I’ll pick up stuff to make your favorite for dinner tonight. I know we haven’t had it in a while.”
His eyes light up, “Sounds like a plan.”
He heads towards the entryway, grabbing his jacket. He looks back at you, a smile still lingering on his lips.
“Don’t worry, filming shouldn’t take long today. I’ll be home before you know it.”
The butterflies in your stomach flutter with his words.
“Okay, I’ll see you later,” you reply, eyes droopy with morning grogginess and love.
The door clicks shut behind him, you watch a moment longer. Your eyes trace over the knob, down the mysterious crack in the wood, and watch his shadowy steps fade away. A sudden uneasiness creeps in, filling your gut with a syrupy ache. The butterflies no longer flutter, their wings cut, leaving you with a heavy feeling in their place.
You try to shake it off, but the feeling lingers, the knot in your stomach tightening with each tick of the clock. Hour after hour, minute after minute, you try to distract yourself with meaningless chores. You go grab things for dinner, the hustle and bustle of the store creating a dull hum over the pit in your stomach. A weak balm that doesn’t last the second you step through the apartment door again.
Night falls, groceries left forgotten on the counter. Seconds tick by painfully slow, each one a reminder of his absence. You can’t shake the feeling that something is terribly wrong.
Joseph doesn’t return that night, or any night after that.
40 notes
·
View notes
Headcanon that after the Kamomedai match after everyone went back to their rooms Kageyama waited for the rest of the team to fall asleep before he quietly slipped out and went to find Hinata. He silently walked in, told Hinata to shut up when he stared at him half-asleep, half-delirious from his fever, and fully surprised, and silently slipped into his futon with him. Hinata, freezing although he was burning up, immediately rolled over and clung to him, and Kageyama held him tightly while he began running his fingers through his sweat-dampened hair. Neither of them said anything. After a few minutes Hinata mumbled a very soft, very satisfied, “Goodnight, Kageyama.” And Kageyama affectionately said, “Goodnight, dumbass.”
The next morning he slipped out just as silently after detangling themselves from one another, gave a very brief kiss to the top of Hinata’s head, and went back to the team’s room with his face as warm as Hinata’s body. They never brought it up. They never spoke about it. On the way home the next day they sat by one another on the bus and Hinata leaned his head on Kageyama’s shoulder, and Kageyama laced their fingers together. They both fell asleep basking in the warmth and comfort of each other ignoring their surroundings. At some point during the ride Suga looked back to check on Hinata and after noticing their positioning he turned back with a small smile on his face.
33 notes
·
View notes
See More Seymour’s Week Day 1 | Side Character Day | @seemoreseymoursbay
The Acne Covered Kittens are absolutely my favorites! I love these boys who have never appeared more than twice in a season 😭😭 Though I think they would probably all listen to skater boy music, these are genres I headcanon as more specific to “them”
Logan - punk, but what I call “whiny boy punk”
Scotty - rock, a little classic a little alternative
Jacob - lofi and drift phonk
Caleb - girly pop
31 notes
·
View notes