#cameras from Germany

[dancuny]

Bussox-Sport Luxe Camera

he Bussox-Sport Luxe camera is another beautiful camera purchased at the Paris flea market when my wife and I traveled there this past summer. While visiting one of the hundreds of stalls within many buildings comprising the Paris flea market, I found a wonderful gentleman with a case of cameras and other photographic items for sale. 

As I mentioned in many of my previous blog posts, I love cameras that are colorful or unusual. Maybe they are toy cameras shaped like a soccer ball or a cartoon character. I own many colored box and folding cameras that are different from ordinary black box or folding cameras. That's what drew me to this wonderful, small, and odd camera.

 Within the stall, there was a case containing a group of glass negatives, the Zeiss Super Nettel that I previously wrote about, and this lovely exotic brown camera, which looked very familiar but had a name that I wasn't familiar with. I purchased all the items and went on my way to find other treasures.

 When I returned to the hotel, I took the brown bakelite camera from its case and did some more research. I found out the camera is called Bussox-Sport Luxe, made by Ruberg & Renner and explicitly exported to France from their factory in Germany. Also, looking at the back of the camera, it appeared to have a roll of film still in the camera, and the number on the frame was four, so with any luck, I could process the film and find other photos that might interest me.

The Company:

A few years ago, I wrote a blog post on a different Ruberg & Renner camera, and at that time, there needed to be more information regarding the company. In that post, I wrote: The Ruberg cameras were manufactured by the Ruberg & Renner company, located in the Delstern district of Hagen, Germany, during the 1930s.  The company was started in 1918 by Josef Ruberg, who originally started producing drive trains for bicycles, motorcycles, and automobiles. After 1930, the company began making simple cameras. In 1931, Josef obtained a patent for constructing a simple camera in Germany. He also received a patent in the United States in February 1932.

 The patent application states that the simple and very inexpensive production of all the camera parts from synthetic resin, which was done from a single pressing process, "makes it possible to place a cheap camera on the market that is affordable to all. " In the 1930s, Ruberg & Renner manufactured four models with 25 designs for export to the USA, Great Britain, and France. The cameras' construction ended in the mid-1930s when the company started producing products to help the German war effort.

 After doing some digging, I came up with the following: Along with cameras, chains remained the company's main business. From 1935 onwards, the series production of ammunition belts marked the end of camera production in Hagen, which shortly afterward followed. 

 Josef Ruberg had designed new metal cartridge belts for machine guns in 1917. The Treaty of Versailles banned the production of automatic weapons and accessories from 1919 to 1935. In February 1936, Ruberg & Renner applied for a patent for a metal cartridge belt for the MG 17 (caliber 7.92x57 mm). These specialized units are equipped with ammunition for machine guns and military equipment in the military air force. The sons also worked in the company. Felix (1909-1994) was born in 1937 in Delstern. It manufactured on-board gun carriages until the beginning of 1945. In 1941, his son Werner (1912-2005) took over the management of the Ruberg & Renner chain works.

 Ruberg & Renner continued producing drive and transport chains in 1947. The Felix Ruberg metal goods factory manufactured household appliances. From the early 1950s, Ruberg & Renner promoted cycling and motorcycle sports. Roller chains were used in particular here. Until 1967, the company, like the Schweinfurt Torpedo Works and Fichtel & Sachs, had its racing teams in the Federal Republic. In the following years, the firm of the US-American company Rexnord was taken over. Rexnord Kette GmbH relocated its production from Delstern to its current location in the Lennetal near Fley in 1982. Much of the historical information comes from the Westfalen Museum.

My Camera:

My Bussox-Sport Luxe camera is 3" tall, including the winding knobs, by 3 5/8" wide, by 1 5/8" deep with the lens retracted and 2.5" deep with the lens away from the body and focused to the closest focus distance, which is 1 meter. The camera weighs 6.1 oz, which is very small and compact, and takes 127 rolls of film, producing 1.25" by 1 5/8" sized negatives. On my camera, it's etched by the previous owner 4x6 1/2 in many different places.

To open the camera to load the film, a chrome button is on the left side of the camera if you're holding it to take a photo. Press the chrome button, moving a brass grip from holding the door closed on the camera. There are a couple of "thumb grips" on both the back door's top and bottom, which you hold onto to open the back. The back door doesn't come off the camera as it's hinged, and the door swings to the right to open.

On many cameras, to load the film into the camera, you pull up the tabs that hold the spool into place, which I tried, but the knobs didn't move. You need to turn the knobs which make you think you're unthreading them. By doing so, the knobs move away from the body of the camera, and you can load a roll of film or move the empty spool into the take-up position. The fresh roll of film goes into the camera's right side and you pull the leader to the left side where the take up spool is. This is backward to many cameras, or the many that I use, as the take-up spool is generally on the camera's right side.

Now that the film is loaded into the camera, it's time to take photos. The camera has a straightforward meniscus lens. There is a knurled collar around the lens that you need to turn in a clockwise motion to extend before taking a photo. The lens barrel is on a helicoid, which extends the lens when the knurled ring turns, much like on a bolt.

 For the shutter, two settings are located in the upper right of the lens and include settings "I" for instant or turn the wheel to "T" for time. Below the lens are the aperture settings. On this camera, since it's for the French market, there is Grand for the widest setting and Petit for a smaller aperture setting. One of the settings is Ferme, which means firm. When the aperture is set at Ferme, it does not open over the lens or block all light from reaching the film. 

Since there is no lock for the shutter, the shutter release in the 7 o'clock position on the lens can fire at any time when pressed. Whether the lens is out or in, the shutter will fire. This setting is similar to a lens cap, and by putting it in position, if the shutter fires, no frame will be exposed to light or wasting film. The photographer would need to consciously set the camera into and out of this setting every time they put it into the case or pocket, then change it when taking a photo.

To retract the lens to put it back into the camera case, you turn the knurled ring counterclockwise, and the lens retracts into the camera body. I can now understand the "Ferme" setting, as many of the negatives on the roll in the camera when purchased were exposed with the lens in the retracted position, as you can see in the results area on the post.

The results:

As mentioned, the camera had a roll of 127 Agfa film, so I walked in front of my house and took photos of a planter box and some trees in our neighborhood. There were only about four photos left. After taking the photos, I went home and processed the film. It didn't surprise me, but the images within the camera didn't turn out, and the ones I did around our hose turned out barely and were extremely thin in the exposure on the negatives.

 Here are the results from the film in the camera. As I mentioned earlier, I did note that it's easy to take a photo when the lens is retracted, making the image size smaller on the negative, which you can see on the negatives.

My Conclusion:

The shutter on my camera doesn't always work, so while I'd like to put a fresh roll in it and try it again, I don't think the shutter can take it as it's barely opening and closing as it is. I'll get brave and see if I can take the front off and fix it, but it's resting along with many other cameras in my collection. I love the color and the helicoid lens system.

Thank you for taking a few minutes to look over this week's blog post. I'd love to hear from you, so let me know your thoughts and if you have any of the Ruberg & Renner cameras in your collection.

Until next week, please be safe.

[wildandmoody]

Billie Jean - HIStory World Tour - Munich 1997 (rare alternate angles and shots part 1)

[on-this-day-mcr]

On this day, June 6

In 2022: My Chemical Romance performed their fourteenth show of the 2022-2023 Swarm tour in Munich, Germany. At this show, the quote “A cat's rage is beautiful, burning with pure cat flame, all its hair standing up and crackling blue sparks, eyes blazing and sputtering.” from the novella "The Cat Inside" by William S. Burroughs was printed out and taped to the drum kit, alongside a pink heart. (🖤)

Watch the show here!

ᴅᴇᴀᴛᴛʜsᴘᴇʟʟs

[lock-my-feelings-in-a-jar]

Russ Ballard - German TV Report

[valentimephotography]

[malcriada]

Help save Bilal's family!

i want to talk about my friend Bilal @bilal-salah0. for over a year now, Bilal has been living in germany, trying to adjust to his new living situation in a foreign country, learning a new language and working full time. 

when the war started, he was far away from home and his family and has been living in daily fear for their lives ever since. 

being forced to work long hours and promoting his family’s fundraiser at the same time, he has taken on more responsibility than anyone ever should. still, he managed to raise money for their evacuation fund and helped take care of his family’s daily needs with the money he was making while working. 

in a cruel twist of fate, all of this got taken away in an instant. he lost his job and his apartment and even his residence permit. which means he is at danger of deportation from germany that could happen as soon as next week!

i have been in daily contact with Bilal for a while now and connected him with some of my friends in germany. together, we are trying our utmost to make sure he can stay in the country. anyone who knows german bureaucracy knows what kind of hell it is. but we won't give up.

without his job, he was forced to dip into the money of his family’s evacuation fund to cover their daily expenses like food and shelter. this meant he had to raise his goal from €70,000 to €100,000. this was not an easy decision for him to make, he even asked for my advice on whether or not to do it, because he did not want anyone to think he was scamming people. 

even in such a desperate situation, Bilal does not want to be seen as someone who would ever take advantage of people's generosity

his family is comprised of 18 members, 10 of them are adults and 8 are children under 16 years old, some of them newborns who were born amidst the chaos of war and displacement.

currently, he is sitting at:

€71,817 / €100,000

donations have been slowing down ever since he reached his original goal. i cannot stress how important it is that they pick back up!

WE ARE RUNNING OUT OF TIME! HE NEEDS TO REACH HIS GOAL BY AUGUST 15TH!

THAT MEANS HE HAS TO RAISE NEARLY 30K IN THE NEXT TEN DAYS. THIS CANT WAIT.

his campaign has been verified and can be found on @/el-shab-hussein’s and @/nabulsi’s list of vetted fundraisers here (#132, line 136) so PLEASE don't hesitate to share and donate.

With such a tight deadline, i cant do this on my own. So i implore you to PLEASE share this wherever you can– on your whatsapp groups, on your discord servers, please share his story on other platforms wherever you have reach! Please share his story wherever you can, so that we can ease this burden from his shoulders.

[ID: a gfm link with a picture of two small children sitting in the sand in front of a cooking pot. they are looking up a the camera, eyes half-closed. the title reads "Donate to Help Evacuate My Family from Gaza to Safety, organized by Bilal salah" End ID]

tagging for reach under the cut, please let me know if you'd like to be removed:

@meaganfoster @briarhips @dirhwangdaseul @mahoushojoe

@schoolhater @pcktknife @sawasawako

@feluka @terroristiraqis @irhabiya @commissions4aid-international @wellwaterhysteria

@deepspaceboytoy @post-brahminism @khanger @kibumkim @neechees

@mangocheesecakes @kyra45-helping-others @7bitter @tortiefrancis

@toiletpotato @fromjannah @vague-humanoid @criptochecca

@aristotels @komsomolka @xinakwans @heritageposts @nibeul

@ot3 @amygdalae @ankle-beez @communistchilchuck @dykesbat

@watermotif @stuckinapril @mavigator @lacecap @yugiohz

@socalgal @chilewithcarnage @ghelgheli @sayruq @northgazaupdates2

@vakarians-babe @wayneradiotv

@psychotic-gerard @mavigator @communistkenobi @socalgal @chilewithcarnage

@ghelgheli @determinate-negation @papasmoke @omegaversereloaded

@xinakwans @givemearmstopraywith @loombreaking @killy @deathlonging

@palms-upturned @blackpearlblast @littlegermanboy @loveaankilaq @sar-soor

@fridgebride @27-moons @tamarrud @familyabolisher @fleshdyk3

@decolonize-solidarity @palipunk @gothhabiba

[taqoou]

Help save Bilal and his family!

My friend Bilal @bilal-salah0 needs our help!!

image transcript:

my name is bilal. my family is comprised of 18 members: 10 adults, 8 children under 16 yrs old and newborns.

for over a year now, i've been living in germany, far from my home and family in palestine. when the war started, my family has been living in fear for their lives daily ever since. despite my long work hours and responsibilities, i still managed to promote my family's fundraiser. with all of your help, we successfully reached our original goal.

in a cruel twist of fate, i lost my job, my apartment and my residence permit. i am currently in danger of deportation from germany that could happen anytime soon!

without my job, i am forced to dip into the money of my family's evacuation fund to cover my daily expenses. our goal had to be raised from €70,000 to €100,000. i feel terribly sorry, as this was not an easy decision to make.

donations has been slowing down ever since we reached our original goal. i do not have much time left. you are free to repost this image, share my story and donate if you can. i believe in you. from the bottom of my heart, thank you.

bilal’s gfm is currently sitting at:

€85,817 / €100,000

HE NEEDS TO REACH HIS GOAL BY 15TH AUGUST! THAT MEANS HE HAS TO RAISE ABOUT 14K IN THE NEXT 4 DAYS! WE ARE RUNNING OUT OF TIME!

his campaign has been verified and can be found on @/el-shab-hussein's and @/nabulsi's list of vetted fundraisers here (#132, line 136) so PLEASE don't hesitate to share and donate.

he managed to reach his original goal once, surely with our help he can reach his new goal! so don’t give up. PLEASE share this everywhere — to your friends and family, groupchats, discord servers, wherever you have reach. engage and donate if you can. much love.

[ID: a gfm link with a picture of two small children sitting in the sand in front of a cooking pot. they are looking up a the camera, eyes half-closed. the title reads "Donate to Help Evacuate My Family from Gaza to Safety, organized by Bilal salah" End ID]

post referenced here

tagging for reach under cut, feel free to let me know if you want to be removed:

@commissions4aid-international @northgazaupdates2 @decolonize-solidarity

@fromjannah @jamjoob @kickedouttape @nikoco11 @neechees @heritageposts

@nibeul @communistchilchuck @laiosbians @dykesbat @sokadrawws @nikkipettt

@chloesimaginationthings @changewingwentz @chattematsu @toiletpotato @milkmanner

@buttonheart @taemincult @gazanarchive @donations-mutualaid

@artistsforpalestine @artistsforthepeople @palestineartproject @jannahpost

[doyoulikethissong-poll]

The Cranberries - Zombie 1994

"Zombie" is a protest song by Irish alternative rockband the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 as the lead single from the Cranberries' second studio album, No Need to Argue. While the record label feared releasing a too controversial and politically charged song as a single, "Zombie" reached number 1 on the charts of Australia, Belgium, Denmark, Germany, and Iceland, and spent nine consecutive weeks at number 1 on the French SNEP Top 100. It reached number 2 on the Ö3 Austria Top 40, where it stayed for eight weeks. The song did not chart on the US Billboard Hot 100 chart as it wasn't released as a single there, but it reached number 1 on the US Billboard Alternative Airplay chart. Listeners of the Australian radio station Triple J voted it number 1 on the 1994 Triple J Hottest 100 chart, and it won the Best Song Award at the 1995 MTV Europe Music Awards.

The Troubles were a conflict in Northern Ireland from the late 1960s to 1998. The Provisional Irish Republican Army (IRA), an Irish republican paramilitary organisation, waged an armed campaign to end British rule in Northern Ireland and unite the region with the Republic of Ireland. Republican and Unionist paramilitaries killed more than 3,500 people, many from thousands of bomb attacks. One of the bombings happened on 30 March 1993, as two IRA improvised explosive devices hidden in litter bins were detonated in a shopping street in Warrington, England. Two people; Johnathan Ball, aged 3, and Tim Parry, aged 12, were killed in the attack. 56 people were injured. Ball died at the scene of the bombing as a result of his shrapnel-inflicted injuries, and five days later, Parry lost his life in a hospital as a result of head injuries. O'Riordan decided to write a song that reflected upon the event and the children's deaths after visiting the town: "We were on a tour bus and I was near the location where it happened, so it really struck me hard – I remember being devastated about the innocent children being pulled into that kind of thing. So I suppose that's why I was saying, 'It's not me' – that even though I'm Irish it wasn't me, I didn't do it. Because being Irish, it was quite hard, especially in the UK when there was so much tension." The song was re-popularised in 2023 after it was played after Ireland games at the 2023 Rugby World Cup. It was picked up by fans of the Irish team, with videos of fans singing the song in chorus accumulating hundreds of thousands of views on social media. This offended other Irishmen, who identified it as an "anti-IRA" anthem, and said that that the lyrics failed to consider their experience during the Troubles.

The music video, directed by Samuel Bayer, was filmed in Belfast, Northern Ireland, in the heart of the Troubles with real footage, and in Dublin. To record video footage of murals, children and British Army soldiers on patrol, he had a false pretext, with a cover story about making a documentary about the peace-keeping efforts in Ireland. Bayer stated that a shot in the video where an SA80 rifle is pointed directly at the camera is a suspicious British soldier asking him to leave, and that the IRA were keeping a close look at the shoot, given "the British Army come in with fake film crews, getting people on camera.” While "Zombie" received heavy rotation on MTV Europe and was A-listed on Germany's VIVA, the music video was banned by the BBC because of its "violent images", and by the RTÉ, Ireland's national broadcaster. Instead, both the BBC and the RTÉ opted to broadcast an edited version focusing on footage of the band in a live performance, a version that the Cranberries essentially disowned. Despite their efforts to maintain the original video "out of view from the public", some of the initial footage prevailed, with scenes of children holding guns. In March 2003, on the eve of the outbreak of the Iraq War, the British Government and the Independent Television Commission issued a statement saying ITC's Programme Code would temporarily remove from broadcast songs and music videos featuring "sensitive material", including "Zombie". Numerous media groups complied with the decision to avoid "offending public feeling", along with MTV Europe. Since it violated the ITC guidelines, "Zombie" was placed on a blacklist of songs, targeting its official music video. The censorship was lifted once the war had ended. In April 2020, it became the first song by an Irish group to surpass one billion views on Youtube.

"Zombie" received a total of 91% yes votes!

[lesamis]

If you're up for it could you explain what is making the Germany government stuff so funny? I can find news articles about it (a coalition is dissolving? There's been tension for a while?) but they're all fairly serious. Thx!

ohhh, sure thing! i'll do my best!

i'll say upfront: this is a pretty serious thing to happen. our chancellor fired our minister of finance, Lindner, which definitively breaks up the governing coalition. germany will likely have snap elections at a moment in which far-right parties are polling extremely well. if news coverage about it seems like people are Worried, that's because, well, they are.

however. the reason it's funny is because our minister of finance was fired. ministers aren't really... ever fired. like, it's not a done thing. i'll fully admit i didn't even know it was an option until yesterday. and our minister of finance wasn't just anyone, he was one of the most mocked and hated figures in politics to germans who vote anywhere left of center.

the coalition that governed until yesterday was made up of the green party, the social democrats, and the neoliberal party (FDP). the FDP is infamous (and i mean, my parents already raised me to hate them for that) for playing kingmaker in coalition governments: they never get all that many votes, but they get just enough that whoever they agree to form a government with will probably succeed. they then tend to force extreme concessions from their coalition partners, because hey, if we walk off, you can't govern at all! so you better play along!

for the past three years, this behaviour has been extremely frustrating for germans who voted for greens or social democrats, because policy from their faction was constantly being blocked by the FDP and often by Lindner personally. the FDP received 11,5% of votes in 2021, but to many of us, it felt as if they were the only party who really had any say in the governing coalition. it made the green and social democratic coalition partners look spineless and passive.

and now, i invite you to imagine how on the day of the US election results, the day the whole world rolled their eyes at the sheer fucking stupidity and pointlessness of it all, at NINE IN THE EVENING, just as germans are getting ready to settle in to bed to dream of nightmare global politics -

the news suddenly breaks that our notoriously invisible chancellor just decided to fire Lindner for that exact behaviour. this chancellor comes out and says, on camera, to the entire sleepy nation, that acting the way Lindner did - blocking necessary policies, refusing to approve budgets unless his party's interests were met - was childish, selfish, irresponsible, and unfit for government, so, whoops, he had to go. shame. coalition over, i guess.

so, politically, that was a long-needed but never-expected moment of triumph for those of us who think the FDP is a clown show made up of human TESLA shares, and it came at a hysterically funny moment.

on a personal level, i can barely explain how uniquely hateable Lindner has always been. he's what would happen if a stock index graph came to life. he hates poor people with a relish; he mocks welfare recipients and would ax minimum wages in a second. he's everyone's business major roommate who shows up in boat shoes fresh off a yacht to discuss NFTs with you. throughout the entire time that he's used his rich boy policy blackmail strategy, he's been smug about it, and he was never taken to task for it, and millions of germans have been longing to throw rotten fruit in his face since 2017. and now we finally get to do it. via memes. on the day of trump's election win.

so that's why it's funny.

[dancuny]

Nova Subminiature Camera

My camera collection is very eclectic, and I am drawn to odd and unusual cameras and photo items. I did a blog posting on the Minolta Six camera a couple of weeks ago. What drew me to that particular camera was that it didn't have the standard cloth bellows system but rather a series of metal cubes that pulled out and retracted back into the camera to form the bellows. These were very similar to a camping cup, where the larger rings pull away from the smaller ones on the bottom, creating a cone-shaped cup. 

 A year or so ago, there was a pretty major auction of cameras in the United States, with hundreds, if not thousands, of cameras and other photo items sold. There were many "lots" that had several cameras, maybe as many as 25-30 grouped into similar lots. I won one of these "lots" that had several smaller and subminiature cameras, many in their cases and several in the original box. The Nova Subminiature camera was in that particular lot.

I can still remember unwrapping the camera and opening the case to a camera I had seen in McKeown's Camera price guides many times. When I pulled the bellows out to find that they had a cubed bellows system, I immediately put the camera on my display shelf because I was drawn to its look.

The Company:

Here's where it gets odd. The only thing I can find about this camera or who made it was that it was created by Erwin Adloff Apparatebau, Berlin-Wilmersdorf, in 1938. Even that is suspect, according to McKeown's guide, as they have the Nova listed separately. There is a camera called the Adloff Tex camera, which has a body similar to the telescoping box bellows but with a more elaborate shutter. 

Another oddity about this camera was that it was designed by Fritz Kaftanski, who was born in Essen, Germany, in 1899. According to the information found online, Kaftanski started designing Fotofex Kameras in Berlin in 1927. In 1932, Fotofex showed the Visorflex camera at the Leipzig fair and introduced other cameras a few months later.

 In 1934, the Sida and Extra Sida were tiny cameras produced in Germany, then later in Poland and Czechoslovakia under license in Italy. In 1937, Kaftanski moved to Czechoslovakia with the Sida patent, where production continued. Then, according to all I can find, Kaftanski moved to Paris in 1939, so sometime before moving to Czechoslovakia, he either designed the Nova for Erwin Adloff or someone else who remains unknown designed the camera.

Since little is written about this company, my best guess is that Erwin Adloff Apparatebau, Berlin-Wilmersdorf, was a small manufacturer producing one or two cameras just before World War II broke out. Many records either went missing or were possibly destroyed during the war. Fritz Kaftanski designed the Nova sometime before 1938, when it was produced. However, from what I can find online, I don't see any definitive proof or acknowledgment of Kaftanski designing the Nova, although he did create many other cameras during this timeframe.

 My Camera:

My camera is pretty small, measuring 3 5/8" wide by 2" tall by 1.5" deep with the lens retracted and 2 5/8" deep with the lens extended. The camera without the case weighs 7.1 oz, and with the case 9.9 oz. It uses paper-backed unperforated 35mm film, known as Bolta film, which was very popular during this timeframe and something I discussed in my last post.

When you first look at the camera, it looks extremely plain, yet it has some Art Deco features, like the lines around the lens and the text used for the name. Pulling the lens away from the body reveals the double box bellows, which are very ribbed silver. When the camera is flat on its back with the bellows extended, they almost give the camera a wedding cake look.

On either side of the camera is a textured finish to the metal design to help with gripping. I don't know how much gripping is needed for such a small and lightweight camera. On the back of the camera are two more grips on the sides of an exposure table explaining the shutter speed depending on the distance to the subject, shutter speed, and aperture set on the camera. There is no mention of different film speeds. Just above the exposure table is a green window, and another green window is the camera's viewfinder. Just below the exposure table is the word "FOREIGN," and on the front, below the lens, is D.R.P. ANG D.R.G.M, meaning this was made for domestic or international sales.

 The camera has three shutter speeds: 1/25, 1/50, and 1/100 sec, along with "B" for timed exposures. On the side of the lens is a lever that can be pulled out to change the aperture from wide open at f4.5 to f6.8. This is very similar to what box camera employed to change the aperture. At the 10:00 o'clock position, around the lens is the shutter release, and around the lens is the focus adjustment in meters, with the closest focus being 2 meters.

To take the back off the camera, there are two knobs you pull apart to get to loading and unloading the camera. Two films should be holding cassettes in the back of the camera, but mine only came with one. Interestingly, the film holding cassettes is Hermes Nova. Did the French company Hermes design the film holders, and how was a French company involved in this? This could be where the involvement of Fritz Kaftanski comes into play, as he did move to France in 1939, the year after the camera came out. Were there discussions between Kaftanski and Hermes during the mid-1930s?

On the top of the film holder are four bumps or knobs that need to align with the slots on the camera film advance knob, otherwise, the film cassette won't fit in or out of the camera. Once the slots and the knobs are aligned, the film hold comes out quickly, and you can take it apart to load the film into the cassette. 

Once the film is in the camera, the film moves over a geared wheel above the film chamber, rotating a wheel with a white dot and white dash. As the film transports across this wheel, you can view this movement through the green window on the back of the camera, just above the exposure table, so you can tell when your following exposure will be as there is no frame counter on the camera, nor are there numbers on the Bolta film, so this was the only way to tell when you got to the next frame.

Conclusion:

I couldn't use this camera since I didn't have Bolta film to shoot with or a second film cassette, even if I did have the film. The Nova is a beautiful little camera, and I enjoy having it in my collection. Since the camera was only made for a year, how many cameras were made is unknown. Looking at the back door, there is 1114, which may be the serial number, but not 100% positive. Due to the lack of production and not seeing many for sale, I guess it's a reasonably rare camera.

Thank you for taking time out of your busy day to review my film blog. I have another great camera picked for next week's blog, and I hope you'll look out for it.

 Until next week, please be safe.

[nihilean]

i just realized how horrifyingly human all of the machines’ designs and purposes are and how they keep mirroring real life weapon designs in how far everything went in hopes of there being no more wars due to the hundreds of thousands of people dying from those weapons, the hope of such astronomical numbers terrifying everyone out of all these conflicts yet it never, ever worked. Even going from simpler things like Drones being here as little camera guys for patrol to Streetcleaners being here to clean the dirty air only to burn everything in a desperate attempt at perfection through destruction, we always reach a point where the machines are meant to end wars, even in their aftermath.

The creator of the Gatling gun hoped that his weapon was so horrifyingly lethal that people would be too scared to keep waging wars. Trains of thought like that escalated up until the atomic bomb, with Einstein regretting that it had ever been used, only signing in due to fear nazi Germany were developing the same weapon.

Guttermen and Guttertank were surely created to wage wars as guns and tanks would have but Earthmovers were created as a last resort before V1’s creation, with hopes something as big, so terrifying and so massive, able to carry whole cities on its back, that something that could end everything would stop all wars. But it didn’t.

V1 is a reminder of the failed attempts at stopping wars, after mankind had already died from its own intentions of ending all wars, yet it barely knows anything of what its creators intended for them aside from its instinct and need to kill and heal from blood. It’s another way Ultrakill mirrors reality and human ways of thinking through a hellish comparison. In a way it’s ironic, realistic almost, how we went from huge contraptions to small things that were still made to end all wars.

Si Vis Pacem, Para Bellum, but the wars never ended and peace will only come once everyone will be dead, be it once humans or their children of steel. This is the only way it should have ended.

[woso-dreamzzz]

Wolfsburg

Hardersson x Daughter!Reader

Part of The Big Adventures Universe

Summary: You finally make it

After a few years at Barcelona, winning everything there is to win and getting married along the way, you leave the club.

It sends ripples through the community.

You got your start at Linköping, playing minimal minutes there but enough that you got Arsenal's attention. From Arsenal and your World Cup performance, you got Barcelona's attention.

A loan at Lyon and your subsequent contract extension and return, had everyone thinking you would stay at Barcelona for a lot longer. But you see out your contract, get married and decide to move again.

You and Talia were somewhat of a power couple at Barcelona. One at the front, one at the back. Barcelona was safe when the two of you were on the pitch.

But now you're leaving.

When you were younger, still a teenager, all of your contracts and the subsequent discussions went through Magda and Pernille. They had to sign off on them.

Now, they don't.

The announcement that you're leaving Barcelona happens in the winter. The club says that you aren't renewing your contract and that they thank you for your service.

Within hours, the community is in uproar from fans to players.

There was never any indication that you wanted to leave, you hadn't even told Magda and Pernille you weren't going to stay.

But you play out the rest of the season, showing everyone that Barcelona is letting you go begrudgingly. You are still leaps and bounds ahead of the second-choice keeper so clearly the club weren't the ones making the decision to let you go.

That's when the rumours start.

Practically every big club in the world has put out feelers for you.

There's a campaign on Twitter to get you to return to 'home' to Arsenal and another one saying that Linköping is attempting to get you back.

Familiar with you and your play style, Lyon tries to tempt you.

You get several lucrative offers from NWSL teams that you push away instantly. You have no ambition to play in the American league.

Lots of English teams try to snatch you up, Chelsea in particular but you reject their offer with a laugh. Manchester City and Aston Villa both send you fairly good offers and even Liverpool tries their hand to sway you.

The Bayern Munich coach is also very vocal with his plans to get you to come to Germany.

The funniest offer comes from Real Madrid as if they could tempt Barcelona's star keeper to dress in white.

Either way, there are so many rumours and so many choices that no one can quite predict where you'll be playing your football next season.

Then, on the first day of the transfer season, the video drops.

It zooms in on a picture of Pernille's Bundesliga winning team. She's holding the trophy proudly in one arm and you in the other. You're beaming at the camera in your own Wolfsburg jersey.

'Welcome Home' the caption proudly proclaims and the video cuts.

You step out from the shadows, the camera zooming in on the Wolfsburg badge proudly on your chest.

Magda keeps watching the video but Pernille sits there in shock.

You don't have to tell them anything. You don't have to tell them where you're going and what you're doing but Pernille is still blindsided as everything suddenly makes sense.

There were so many rumours and so many questions but Wolfsburg had never been apart of it.

Pernille feels stupid now that she thinks about it.

You'd told her once that you'd only consider leaving Barcelona for one team.

She feels crazy now for not knowing your plans just by the silence.

"Was it a nice surprise?" You ask, arms crossed as you lean in the doorway.

"You kept that quiet," Magda says with a laugh.

You shrug. "The clues were there if you just looked."

With so many big and small teams clamouring for you, it did look a bit suspicious now that Wolfsburg was radio silent on the idea of getting you from Barcelona.

"The jersey," Pernille says, sounding a little choked up as she stands," It looks good on you."

You smile at her, a small thing as she crosses the room to cradle your face in her hands. "Of course it does. It's Wolfsburg."

Pernille can still remember your first Wolfsburg jersey. You were tiny, still a baby and were more interested in sucking on the collar than looking at the camera Pernille was using to capture the moment.

But you'd cried when she tried to change you out of it. You cried and sobbed and screeched until Pernille put you down for your nap still wearing it.

You'd had a collection of Wolfsburg shirts as you grew up. They were without a doubt your favourite team, the only team you were willing to move away from your wife for.

You had never been anything but complimentary about Wolfsburg.

It shouldn't be a shock but still, as Pernille looks at you, she can't help but see the little baby you used to be, wandering around the Wolfsburg training centre in your shirt and shorts.

She can't quite reconcile that version of you with the version of you now, the greatest goalkeeper in the world by a mile.

You have quite the resume of great teams. You have so many medals and trophies and awards.

And now you finally get to play for the team that you've loved since you were a baby.

[cheriladycl01]

Love in the Fast lane - Max Verstappen x Actress! Reader

Plot: Max Verstappen meeting an Actress who has actively been a F1 fan from before the limelight gets invited to the Monza GP after her recent film debut.

"Can we please stop getting these celebrities in that know absolutely nothing about the sport? Vegas was a ball ache" Max says to Christian they walk through the Monza paddock.

"I think you'll actually enjoy who we have for this race, they're a big sponsor" Christian smiles.

"Yeah they all are ..." Daniel chimes in with a slight laugh.

"No, trust me guys i think you'll really really like her" Christian says as they round the corner. Normally whatever celebrity that sat in any of the garages would immediately be getting photos by both their manager and the Red Bull Team for the publicity on both ends.

However both Daniel and Max immediately saw the celebrity that had been invited. She was in the Red Bull team gear crouched down observing Max's car, she was asking questions to all the engineers before taking her own swing on things.

"That's Y/N Y/L/N" Daniel whispers wide eyed just watching her look so effortlessly normal.

"She's been a motor-sport fan for ages! Since before she was an actress. There's a picture of her at like age 10 at the South Korean Grand Prix. She had her first big movie 3 year later!" he continues as if he'd read an autobiography on her at some point.

"Hey Y/N come meet the drivers!" Christian offers to you, your hair was up in a tight pony tail, your face was natural and free of makeup and if they didn't know who you were apart from your outstanding natural beauty they'd assume you were an actual Red Bull team member.

"Oh my gosh, Hi hello!" you saying coming up to them and shaking there hands. Daniel and Max share a look between them, not believing how this 23 year old, Oscar Award winning actress is being a fan girl over them.

"Hello, its really nice to meet you!" Daniel says, and before you know it your being pulled into a hug.

"So you were asking some detailed questions about our cars, how'd that come about?" Max asks trying to get a judge on this girl.

"Oh! Well apart from the fact I've been a Motorsport fan for ages, I did a degree in Engineering at St Andrews around my career. I graduated last year!"

"Oh woah, that really amazing! Daniel was just telling me about the picture of you at the South Korean Grand Prix in 2010!" he offers, trying to get to know the extremely pretty girl in front of him. You excitedly pull out your phone, going straight into the photos app and to the specific album you had all of your Formula One pictures in.

"Oh i have another one of me and Sebastian Vettel when he won the 2013 Germany Grand Prix, I'd just got back from a movie premiere in London, and i refused to miss it! Oh and here's me, Lewis, Kimi and Sebastian in 2018!" you says showing them the pictures on the phone.

"Well, you had a picture with Seb when he was the Red Bull Golden boy but how about you get one with the current?" Max smirks, and your face reddens.

"Yeah of course! But I want a separate one just for me, not to go on any socials" you smile, you hand your phone to Christian who takes a private one of you and then the media teams come after to take them.

Daniel leaves to talk to his engineer and Christian leaves to set up for the race ahead.

"I'm going to be blunt, I like you. You have a true interest in the sport and if i win this race I want to take you out to dinner" he smirks, looking over at you. He was lent against the wall, his race suit down around his hips.

"Hmmm okay, you've got yourself a deal" you agree.

You watched the race in the Red Bull Garage with the headphones on. You'd been on camera a few times, sometimes when you'd been biting your lip as Max had clipped a corner or didn't break early enough but stopped himself from spinning out. Other times they just caught you with an in awe adoring look at the screen as you watched the cars zoom past.

Max tried as hard as he could but today the Ferrari's just had pace, Charles ended P1, Lando ended P2 and Carlos ended P3, Max unfortunately not being able to go for the overtake in the last sector.

"Everyone in RedBull was celebrating the win of P4 and P5, you came out with the pulling Daniel who had gotten out of his car first into a huge hug.

"Well done Dani that was an amazing race considering the longer pit stop" you admit looking at him and he gives you a massive grin back.

"Max, Max!" you shout as you see him pull himself over the halo of his car. He slams his fist onto the bonnet, and shoves his helmet into the seat of the car.

"Hey, stop you did really well!" you smile at him, holding each wrist of his in your hands, his forehead had started to line with a little bit of sweat, his helmet hair being scraped back now.

"Didn't get the dinner though did i?" he frowns.

"Well what if i tell you that I'm good to go out with you for dinner regardless of a race win..." you smile and he smiles back.

"But that would be going against the offer I originally made" he smirks, leaning forward.

"Fuck the original offer Verstappen" you laugh at him, pulling him in for a kiss that he happily led.

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @stupidandunnecessary @clayra-g @daemyratwst @honey-belden @moonypixel @lauralarsen @vader-is-hot @ironcowboycopnickel @itsjustkhaos @the-untamed-soul @beebo86 @happylittlereader @ziejustme @lou-larcher5 @thewulf @purplephantomwolf @chasing-liberosis @chillyleclerc @chanthereader @annoyingmoonballoon @summissss @evieepepi08 @havaneseoger08 @celesteblack08 @gulphulp @fandom1ruined2me @celebstories @starfusionsworld

[mrschtappen]

𝐅𝐑𝐎𝐌 𝐆𝐑𝐈𝐃𝐋𝐎𝐂𝐊 𝐓𝐎 𝐋𝐎𝐕𝐄𝐋𝐀𝐍𝐄

I : The Call of the Circuit -> II : Dreams Ignited (soon) -> III : Untitled (soon)

masterlist

Max Verstappen x Schumacher!reader

Synopsis: childhood friends Max Verstappen and you, the daughter of racing legend Michael Schumacher, evolve from best friends to fierce rivals to teammates. maybe then to lovers....?

Monday, 10th December, 2018 Faenza, Italy

You sat alone at your new office, your eyes fixed on the glowing screen of your phone. The Twitter announcement you had posted earlier that day was still causing ripples across the internet, igniting a firestorm of reactions and responses from fans and followers around the world.

As you scrolled through the flood of comments, memes, and well-wishes flooding your feed, a smile tugged at the corners of your lips. The overwhelming wave of support and excitement from your supporters served as a poignant reminder of the incredible journey that lay ahead.

You made sure you turned off the lights of your new office when you were about to go. Settling inside your Audi R8, the soft chime from your phone took your attention away from driving.

As you read Max's message about bringing a Michael Schumacher merch from Germany, a wave of mixed emotions washed over you. The mention of your father's name, especially in connection with Germany, brought back vivid memories of the ski accident that had changed your lives forever in 2013.

your heart felt heavy, a subtle ache resurfacing as you recalled the challenging times that followed your father's accident. The uncertainty, the hope, and the unwavering support from loved ones, including Max, during those difficult years played like a reel in your mind.

Despite the pain and the bittersweet nostalgia, you weren't angry with Max for bringing up those memories. In fact, you felt a sense of gratitude for his thoughtfulness and the comfort of your shared history. Max had been a pillar of strength and understanding throughout your journey, and his genuine care and friendship meant more to you than any merchandise ever could.

Sitting alone in your car, you took a moment to let the emotions wash over you. You reflected on your journey and the pivotal decision to join Formula 1, a deep sense of determination and purpose filled your heart. Since you were three years old, the dream of racing in F1 had been a beacon of hope and ambition, driving you to push boundaries and defy expectations.

You knew that stepping onto the track wasn't just about fulfilling your childhood dreams; it was also a tribute to your father and the legacy he had built. The memories of watching Michael Schumacher's triumphant moments, especially his 6th championship title, had ignited a spark within you, fueling her passion and commitment to chase after her own aspirations.

Despite the challenges and the weight of the past, you felt a profound sense of gratitude and pride. You knew that your journey was a testament to your resilience, determination, and the unwavering support of those who believed in you, including Max.

Sunday, 12th October, 2003 Suzuka, Japan

As a three-year-old, you may not have comprehended the complexity of Formula One racing, the excitement buzzing in the air, the infectious energy of the crowd through the grandstands. The vibrant colors of the racing cars zooming past, the deafening roar of engines, and the flashes of cameras captured your attention, painting a kaleidoscope of sensory impressions.

Although your understanding was limited at such a tender age, the sight of Michael Schumacher, dressed in his iconic red racing suit, elicited a sense of pride and admiration within your young heart.

"That's my dad !" your little fingers pointed at the red car zooming the finish line, practically screaming at everyone as you started clapping then. 

The warmth of your mother's embrace welcomed you as you cheered together, caught up in the euphoria of the moment.

your eyes wide with wonder as you watched your father bask in the spotlight and as Michael Schumacher descended from the podium, triumphant and beaming with joy, his eyes sought out you, your mother and your older brother Mick in the crowd. With a tender smile, he reached out to scoop up his young daughter, lifting you into his arms and hoisting you high above the crowd.

the cameras flashed and the crowd erupted into applause, you enjoyed the attention, feeling like the luckiest girl in the world to be held in the arms of your racing hero.

The image of your bond captured for all to see, you knew that this was a moment you would cherish forever—a moment when you felt truly seen and cherished by the man who meant the world to you. 

your dad, Michael Schumacher. 

Saturday, 27th November 2003. Gland, Switzerland

you stepped onto the karting track for the very first time, your heart pounding with excitement and nerves. The whole family was there along with your dad's friend's family, the Vertsappens. With your tiny hands gripping the steering wheel of your go-kart, you were confused on how the whole kart operates. 

"You've got this schatzi !" You heard your dad cheer for you from a distance, calling you a nickname that means sweetie in German. 

Frustrated, you spoke 

"How do I do this ?"

Max Verstappen, the seasoned six-year-old racer, flashed you a mischievous grin as he leaned over to offer his expertise.

"Watch and learn, little rookie. First, you gotta push down on the pedal like this..."

With a swift motion, Max demonstrated, his foot pressing down on the accelerator pedal with practiced ease. You watched intently, your eyes wide with fascination.

"Like this?"

you mimicked Max's actions, but your foot hesitated on the pedal, unsure of the right amount of pressure to apply.

Max chuckled, reaching over to gently guide your foot.

"Almost there, y/n ! You just need to press a little harder."

you nodded eagerly, determined to master the art of go-karting with Max's help.

"Got it! Thanks, Maxie !"

As you zip around the track, the conversation turned to your shared love for Formula One racing.

"Do you think we'll ever drive in Formula One, Max ?"

Max grinned, a twinkle of mischief in his eyes.

"Of course! And when we do, I'll be the world champion, then Mick and you will be my trusty sidekicks."

you rolled her eyes playfully, a giggle escaping your lips.

"Dream on, Max! I'll be the one leaving you in the dust!"

"Hey, you two ! How's it going ? " a familiar voice chimed in from behind you, causing both Max and you to turn around 

Max grinned, giving Mick a playful nod.

"We're having a blast ! little rookie here is a natural behind the wheel."

you blushed at the praise from Max 

"Thanks, Maxie ! And hey, Mick, I'm going to beat you someday !"

Mick laughed heartily, his eyes sparkling with amusement.

"Is that so ? Well, I look forward to the challenge ! Let's see who can get to formula one first" 

Your banter filled the air with laughter as the three of you raced around the track, your friendship growing stronger with each passing lap. And as you crossed the finish line second, just a few millisecond behind Max, a smile grew wide on your face.

"Looks like you've got a prodigy, are you sure this is her first time ? She's a natural" Max's dad said, a chuckle escaped from your dad

You crossed the finish line just 4 tenths of a second later than someone who was 3 years older than you. You can feel the pride surging even when you were just so little.

"wow you're fast" your older brother said, giving you a high five as you returned it enthusiastically with a tiny jump

"yeah, not so bad little rookie !" Max also gave you a high five

you smile with your tiny teeths showing, your dad embraced you, lifting you up in the air

"my daughter is a soon to be formula one racer, and the world shall know you as for you are, not the daughter of a six time world champion but y/n Schumacher."

you couldn't help but feel grateful for everyone's guidance and support, knowing that with them by your side, you knew you were able to achieve anything.

Thursday, 14 March 2019 Melbourne, Australia ROUND ONE

As you took your first steps out to greet the fans, a wave of exhilaration and gratitude washed over you. The energy from the crowd was palpable, a mix of excitement, anticipation, and overwhelming support. The sight of fans waving flags, holding up banners, and wearing team colors was a surreal and heartwarming experience for you.

Walking along the barricades, you were met with a sea of merchandise bearing your name and face, along with the iconic Michael Schumacher memorabilia that fans had brought along. The presence of the Michael Schumacher merchandise added an extra layer of emotion to the moment, reminding you of the legacy you were a part of and the immense responsibility that came with it.

As you greeted fans, signing autographs and posing for photos, several fans couldn't help but comment on the striking resemblance between you and your legendary father, Michael Schumacher. Their kind words and compliments about your beauty and resemblance to your father filled you with a sense of pride and humility.

Amidst the flurry of interactions, one fan caught your attention with a cheeky remark that left both of you laughing.

you backed away with laughter, cupping your mouth, looking at a marriage certificate by an older fanboy, a good looking one you couldn't lie.

"I'm 19 !" You exclaimed, a wide laugh still visible on your face

"Maybe in a few years !" You joked, before moving to another fan, signing her cap with the number 57 on it, a number you chose to drive for.

It was media day today which means there's no driving and the press conference began with Lewis Hamilton from Mercedes, Sebastian Vettel of Ferrari, Daniel Ricciardo from Renault, Max Verstappen of Red Bull Racing and of course yourself, y/n Schumacher from Scuderia Toro Rosso.

"We’re gathered under very sad circumstances, following the news that Charlie Whiting, the FIA’s Director of Formula One died during the early hours of this morning. I’d like to start this press conference by asking each of the drivers present for their thoughts and memories of Charlie. Lewis, could we start with you, please?" Lewis spoke to the mic

"I’ve known Charlie since I started in 2007. I made some comments this morning on my Instagram. It may have not worked, as I think it’s down but obviously incredibly shocked this morning to hear the sad news and my thoughts and prayers are with him and his family. What he did for this sport, I mean, his commitment… he really was a pillar, as Toto said, such an iconic figure in the sporting world and he contributed so much for us, so may he rest in peace."

as the other drivers stated their comments regarding the passing of the late Charlie Whiting, it was your turn to answer

"How about y/n ? I believe this has come to a big shock as well as your father was also racing when he was the f1 racing director ?"

"yes, my father raced during Charlie's tenure as F1 Racing Director. I've met Charlie a few times and found him to be a wonderful person. His dedication to safety and fairness in Formula One was unmatched. Charlie's ability to connect with everyone in the paddock and his unwavering passion for the sport made him irreplaceable. My thoughts are with his family, friends, and the entire FIA community during this tough time. His legacy in Formula One will always be remembered"

as they continued tho the next question, you were shocked as to how bold and daring for this male interviewer to ask the whole lot of drivers with you

"Given the whispers around the paddock about nepotism getting y/n Schumacher this seat due to her father's legacy, and considering she is the sole female on the grid, do you drivers genuinely believe she is as competent as the other drivers, or do you acknowledge a potential gap in her skill?"

As the interviewer's words cut through the tension of the room, your face tightened, a blend of disbelief and frustration clouding your features. The weight of the question bore down on you, amplifying your discomfort and vulnerability in that moment.

You felt exposed, the spotlight glaringly bright, intensifying the scrutiny you felt as the only female driver on the grid.

Sensing your discomfort, a subtle shift occurred amongst the drivers on the panel. Eyes darted towards you, expressions reflecting concern and empathy.

Among them, Max Verstappen's gaze lingered a moment longer, his usually confident demeanor softened by genuine concern for his fellow driver.

The collective silence that followed the question seemed to stretch on, the atmosphere thick with tension. But within you, a resilient fire ignited. Drawing strength from the supportive glances of your peers and your own unwavering determination, you steadied yourself. You would not let this moment define you or shake your belief in your own capabilities.

"could we start with you again Lewis ?"

Lewis's expression tightened, clearly upset by the nature of the question.

"Honestly, I find it disappointing that in this day and age, we're still having these discussions. Women have proven time and time again that they can compete at the highest levels of motorsport. I've been a staunch supporter of women in racing, and I've seen firsthand the talent and determination they bring to the track."

"Look, in Formula 1, everyone's path to the grid is different. Yes, some of us come from racing families or have certain connections, but ultimately, talent and hard work are what count. I've faced skepticism throughout my career for various reasons, and I've always chosen to let my performance on the track speak for itself. As for y/n, she's shown promise and skill in her journey to F1. The sport is better when we have diverse talents, and I believe she deserves her place here"

"Thank you for the answer, could we move on to Vettel next ?"

Vettel's brows furrowed, eyes narrowing with a mix of disbelief and growing indignation. "It's disappointing, really, to hear these questions. Every driver on this grid has earned their seat through dedication, hard work, and skill. Formula 1 is a tough environment, and to suggest that anyone is here purely because of their name or gender undermines the effort we all put in. I've met y/n and seen her commitment firsthand. She belongs here as much as anyone else."

Then they moved on to Danny. His jovial demeanor momentarily shifted as he heard the interviewer's pointed question directed at you. Being someone who often exudes positivity and fairness, Daniel values meritocracy and respects the grind every driver goes through to reach Formula 1. Hearing a fellow driver being questioned on the basis of nepotism and gender struck a chord with him.

"Ah, the old nepotism and gender card. It's not a new question in F1, but it's one that misses the mark. Sure, having a famous last name might open some doors initially, but it won't keep them open if you can't deliver on track. As for being the only female driver, I think it's about time we focus on skills and capabilities rather than gender. I've had the chance to get to know y/n, and she's got talent. End of story."

Then they moved on to Max, who is known for his fierce competitiveness and straightforwardness. It was clear that he was infuriated by the audacious implication and the discomfort it caused you.

Seeing you visibly uncomfortable only intensified Max's emotions. He felt a surge of protective anger, recognizing the unfair scrutiny and challenges you faced as the only female driver on the grid. In that moment, the friendship among drivers was evident, as Max's concern for your well-being was palpable.

His eyes flashed with fury as he seized the opportunity to address the interviewer's audacious question. His voice dripped with venom as he unleashed his pent-up frustration.

"Firstly, the audacity to question anyone's place on this grid based on gender or family name is just absolute garbage. She's earned her spot on this grid through sheer talent and hard work, just like the rest of us. Anyone who suggests otherwise is either blind or just plain ignorant."

His words were sharp and cutting, each syllable laced with disdain for the backward mindset behind the question. Max's aggression was palpable as he continued to tear down the baseless accusations.

"In case you missed it, Formula 1 is about racing, talent, dedication, and hard work, not gender or who your parents are. It's disappointing to still be facing these backward stereotypes in this day and age. We should be focusing on racing and the incredible talent we have on this grid, not trying to create controversy where there isn't any . For the record, I've raced alongside her, and I've known her my entire life. Y/n is an extraordinary racer through and through, and she's proven herself time and time again."

He paused, taking a breath to temper his rising emotions before continuing,

"So, how about we focus on the actual sport instead of dredging up this garbage ?"

Max's aggressive defence reverberated through the room, leaving no doubt as to where he stood on the matter and silencing any further attempts to undermine your place in the sport.

As you listened to Max's vehement defense, a mixture of emotions washed over you. Initially, there was a sense of relief and gratitude. Max's and the other drivers' unwavering support and fierce defence of you felt like a shield against the unfair scrutiny you had faced. It was reassuring to know that your fellow drivers stood your her and were willing to call out the injustice.

Your eyes briefly met Max's intense gaze, conveying a silent thank you and mutual understanding of the gravity of the situation.

Then it was finally your turn to answer

With a poised demeanor, you addressed the room, your voice steady and confident.

"I'd like to extend my sincere appreciation to my fellow drivers for their support. It speaks volumes about the fellowship and respect we share as competitors."

Pausing momentarily, you continued with a touch of irony,

"Regarding the questions raised about nepotism and being the only female on the grid, I was under the impression that Formula 1 valued skill, determination, and performance above all else. My presence here is a testament to my commitment, capability, and qualities I believe are fundamental to every driver on this grid."

Maintaining your composure, you added, "While these questions may have been posed, my focus remains unwaveringly on racing. I am here to compete, to challenge, and to succeed, just like every other driver. I look forward to letting my performance on the track speak for itself. Besides, I don't see 19 men ahead of me, I see 19 challenges to be conquered."

With this response, you gracefully but firmly addressed the issue, highlighting your professionalism and determination to rise above the noise and excel in your chosen profession.

[pedriscroquettes]

𝐁𝐘𝐀𝐊 ✮ FLORIAN WIRTZ

summary. it’s kind of pathetic the way the two of you always come crawling back to each other.

warnings. emotional warfare. florian is down bad. light smut but heavy feelings. florian is lowkey pathetic in this. 18+

gabri speaks! unfortunately i am a florian girlie. anyways i’m back! heavily inspired by byak by alvaro diaz ft. rauw alejandro.

THE CROWD GROANS as florian hits the crossbar for the second time that night. the camera man makes sure to zoom in on him as his hands go up in frustration. florian stares at the goalkeeper in disbelief as he runs back into his position. another missed chance, another bad rating, another night of him stressing himself out. if there was one person in all of germany that night happy about his performance it was you.

your relationship with the player was controversial, what was once a promising relationship had turned sour, and quickly. the two of you had mutually decided that a committed relationship wasn’t in the cards for either of you. it had grown toxic to the point where you’d flirt with his teammates on purpose to provoke him which worked because you’d always end up in his bed and never in a foreign room. in fact you couldn’t quite remember when was the last time you had hooked up with anyone else.

meanwhile the brunette found himself staring at his phone on the ride home. chatter and music filled the team bus yet only one thing clouded his mind, did you watch the match? he was hoping a teasing message of yours would already be in his notifications, and when he saw there’s wasn’t one he sighed. as his teammates argued over their errors and mistakes he couldn’t help opening the messages between the two of you. the countless deleted messages and hidden pictures as well as the timed ones made him remember the many nights the two of you would spend on the phone.

the sound of your voice filled his head and when he saw you were online he immediately turned off his phone. was it possible you had finally gotten tired of your messed up relationship?

“bro, are you okay?” kai asked seeing the state his teammate was in. florian’s leg was bouncing and his demeanor had changed dramatically.

“i’m fine, thanks.” he offered him a curt smile before staring out the window again.

he wasn’t fine, he was far from fine, in fact he felt worse than he did after missing the goal. he’s not sure why but as soon as the team arrives back to the hotel he’s on his way to your flat. he makes a quick stop at the chinese place the two of you like beforehand making sure he doesn’t show up empty handed. it was already pathetic enough that he was showing up past midnight he could at least make up an excuse with the food.

he hopes the black hoodie he wore is enough to hide his identity from bystanders. although with all the pacing he does outside your hallway he hopes no one thinks he’s a robber. as he adjusts his hoodie he can’t help but think, why am i so nervous? after all it’s not the first time he knocks on your door at these hours.

“do you hate me?” is the first thing you hear as you open the door.

you study his frame and notice his disheveled hair and the training kit from the national team. you’ve never seen him so disorganized and upset — if that was the right word to use — you were amused. as his face grows concerned with your lack of answer you notice the takeout he has in his hands. the poor guy was either desperate or he had lost his mind. both of which could be true.

“what the fuck florian?” you look at him weird as you question him.

“you didn’t text me today.” he says as if that simple sentence answered your question.

“so what? i don’t text you every other week and you never show up at my apartment with food. what’s going on?” you’re even more confused than before.

“you always text me after a game.” he tries to explain like it’s the most logical thing ever.

you can’t help the half scoff and half laugh you let out. he couldn’t be serious right now. was he seriously at your apartment past midnight because he was freaking out over a message?

“okay seriously you need to get a girlfriend you’re starting to creep me out.” you joke.

“you say that while you’re wearing my jersey.” he l doesn’t even need you to turn around to know that you were wearing the leverkusen jersey he had gifted you months ago.

there’s a moment of silence between the two of you it’s entrancing. you stare at him and realize he’d made his way over to you immediately after the game. all because he was waiting for your message. meanwhile there’s something about you wearing his jersey for casually that makes you all more enchanting to him. there’s a mutual look between the two of you and in the blink of an eye his hands are on your waist, yours on his jaw, and his lips are on yours.

it’s poetic really the way he closes your door as he pushes you into your apartment and drops the takeout on your coffee table in the process. your hands already digging into his hair and his hold you tight as he carried you into your room. it’s all muscle memory. the darkness of your bedroom adds to the feeling of having him so close to you again.

“i think i-” he pauses not wanting to be so vulnerable in this predicament but you know what he wants to say. you freeze.

“florian you know i can’t. it didn’t work out the first time. i can’t do it again.” you grab his jaw making sure the two of you are making eye contact. his brown eyes captivate yours.

“i can’t either but i can’t live without you.” he whispers the end. “it will always be you.”

you drag his hand towards the waistband of your shorts. it would always be him too. the only person that consumed your every thoughts and the only person you were worried about getting hurt was him. always. you look into his eyes as he drags his fingers to your core and sigh as he begins to tease you. he’s also the only man you fantasize about.

“promise?” you ask him.

the moonlight barely allows you to see him fully but you catch the smirk on his face. the same one that had captivated you years ago at the bar. his fingers are so close to your needy hole. you can’t help but audibly gasp as he inserts them inside you causing an illicit groan from him. your nails dig into his shoulders as he starts fucking you with his digits. meanwhile he kisses you from your collarbone to your neck.

“i promise.” he whispers against your ear.

he pumps his fingers in and out of you slowly helping you reach your high. it was only fair you were treated right. it was small details like this that had you wondering why the two of you couldn’t just commit to each other. you’re distracted as he leaves marks on your neck and his fingers curve inside you. you can’t help the loud moans that leave your mouth as you reach your high. your hands dig into the sheets as you come around his fingers.

he continues kissing you as he begins to take his hoodie off. you’re quick to stop him before he begins undressing himself.

“do i need to remind you that you didn’t score today? you’re not getting any tonight.” you adjust your shorts.

“so you did watch the game then.” he wraps his arms around you pulling you closer to him.

“i always do.” you whisper as you cuddle into him.

that’s how you spend the rest of the night, snuggled into his body as it rains outside. it’s quite an intimate moment shared between the two of you. you’re not quite sure if you should be worried or content with the turn your relationship with florian took. you decide it’s rather late and with the way he holds you you don’t think much more. after all he promised and while you knew florian was many things he was not an oath breaker.

[malcriada]

TIME SENSITIVE, PLEASE HELP BILAL

We want to extend our deepest gratitude and thanks to all the people who came out in support of Bilal‘s campaign and shared and donated. 

I‘m really happy to announce that not only have some of the funds raised benefitted his family in Gaza, but it has also helped Bilal find a new place to stay, away from his terrible ex-employer and landlord, and has enabled him to extend his residency for another month. He  is no longer at risk of deportation right now. It’s only thanks to your incredible support that all this was possible.

But despite all these good news, we need your help again. 

There is currently no option to transfer funds from Germany to Gaza, as bank transfers to Gaza are being blocked by the German government. This means Bilal has to first transfer the funds to a bank in another country, and then from there to Gaza. The funds currently take a very long time to reach his family, and require Bilal to pay a high fee for the transfer as well. 

On top of that, his ex-employer and landlord had extorted a large sum (€4800) from Bilal – a sum he claimed he still owed him from the time he was employed under him. With no other source of income at the time, Bilal saw no choice but to pay it using some of the money from the campaign. 

Bilal feels extremely conflicted to be asking for help so soon again after reaching his last goal. But he unfortunately sees no other option due to the aforementioned problems. 

We need your help in fighting the repression from the German government and also making sure that the funds you helped Bilal raise also reach his family in full. 

This is why we need to raise €8,850 by the 15th of September i.e within the next 2 weeks. he currently has raised €101,150 of €110,000

This amount will help make up for the funds that were extorted from him by his landlord and help him pay the fees for multiple international bank transfers.

Please help Bilal reach his goal in time. You have gotten him this far, please don't let him down now. his campaign has been verified and can be found on @/el-shab-hussein’s and @/nabulsi’s list of vetted fundraisers here (#132, line 136) so PLEASE don't hesitate to share and donate.

[ID: a gfm link with a picture of two small children sitting in the sand in front of a cooking pot. they are looking up a the camera, eyes half-closed. the title reads "Donate to Help Evacuate My Family from Gaza to Safety, organized by Bilal salah" End ID] tagging for reach under the cut, please let me know if you'd like to be removed:

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