#cambodian stories

[travelinglibrariansdesk]

Picture books with an international focus

A mom came in today with an astounding heap of children's books. Every one was "presumed lost", so her kids had been enjoying them for quite a while. She wanted to see if the returned pile cleared the card they had been checked out on, but to my amazement, it didn't. She still had about a Benjamin in overdue fines on her card, so we checked her daughter's, which had almost as much in overdue fines! Then she asked me to check her husband's card, where we found about $20 in overdue fines, and she decided to just pay that one. Wow. It reminded me of the women who used to come into Lord & Taylor's handbag department: when one of their cards failed, they'd pull out another until they found one that wasn't maxed out. You'd think if one of your credit cards were maxed out, that would be a warning to stop shopping, but apparently not. At least in this scenario, it's about kids reading books - which I ALWAYS wish to encourage. And she apparently does, too - she returned with another HUGE stack of books to take out on her husband's now-clear card.

In her stack, I found three intriguing items: Reza Dalvand's Mrs. Bibi's Elephant, Minfong Ho and Saphan Ros's The Two Brothers, and Duncan Tonatiuh's The Princess and the Warrior. I'm delighted that she's teaching her children to read about other cultures!

Mrs. Bibi's Elephant is adorable: a simple story with a surprisingly cryptic ending. My favorite page showed Mrs. Bibi having tea with her elephant, the teacup balanced perfectly on the end of its trunk. The story pits people who have and love pets against people who like things (chandeliers, jewelry, the stock market). The town's children, who love the elephant, oppose the town's adults, who don't care about pets. A delightfully furry (or scaly, or feathered) Marxist message from Iranian illustrator Reza Dalvand.

I thought I would write about Ho and Ros's The Two Brothers, but there's not much to say about this one, unless you're simply into Cambodian stories. It's a classic fairy tale of the 1001 Nights style; unfortunately, the artwork is pleasing but unremarkable. I much preferred the startling art of Duncan Tonatiuh's The Princess and the Warrior: A Tale of Two Volcanoes. No fable with a lesson here: the princess and the warrior's adventure is remarkable and traditional, but bittersweet and unresolved. The art really sets this story apart. Although I'm sure it exists elsewhere, this is the first time I've seen an artist employ precisely the style seen on artifacts, tombs and temples of the Aztecs, placing them in action sequences like cartoon characters. It's gorgeous, unusual, and faithful to Aztec art.

[rimouskis]

SECURED AN INVITE TO THE CULTURAL FUSION EVENT OF THE CENTURY: MY CAMBODIAN BUDDHIST COUSIN IS GETTING MARRIED TO A UTAH MORMON ‼️‼️‼️

[roseworth]

Hi sorry not to be weird but you're the local Rose expert and I was wondering if you could help me? I'm trying to figure out what ethnic group Lili Worth belongs to. I know she's from Cambodia so logic says she would most likely be Khmer, but the fact that she was fleeing the Khmer Rouge puts that kinda in doubt for me? I've seen a few things saying she's Hmong which would make sense as they were a minority group during the Cambodian Genocide but they're a pretty small portion of the population and I haven't seen anything canon supporting it, just fan posts. When it comes to Lili I've really only read Deathstroke the Terminator (1991) so I'm not super familiar with her. Sorry for any trouble!

!!! no trouble at all <3

as far as i know it never specifically said which ethnic group she was pre-52, but in deathstroke #15 slade says that lili was a "local princess in the siem pang"

honestly i dont know a lot about the different ethnic groups in cambodia but google says that the common ethnic groups in the siem pang are the khmer and lao. i guess we can assume shes lao since she was fleeing the khmer rouge? but unfortunately the real answer is that marv wolfman put 0 thought into any of this

but then. in deathstroke #43 suddenly she says she was trained by the khmer rouge??? idk if this is a retcon or if we're supposed to assume that they trained her to fight while she was imprisoned???? odd choices all around tbh

so short answer: its not specified and wolfman probably didnt even consider any of it for more than 5 seconds

but!!! during rebirth in deathstroke (2016) she and rose are confirmed hmong!

and they've been hmong ever since <3

[starryeyed-seer]

Can someone please check that the Mountain is. Okay. Please

[yayaidea]

Man, Jealous Too

written by Chakriya PHOU

illustrated by Lina LONG

Chili is spicy; woman is always jealous…

It is a song sang by Ros Sereysothea and other famous two singers.

My husband laughs when he hears this song.

I like this song. I always display it in the evening.

In my opinion, woman loves her man truly that’s why she is always jealous when she see her husband is close with another girl. Man does not understand. He usually blames wife that her mind is narrow. My husband likes to say this to me too.

I and my husband got married for two years but we don’t have kid yet.

Everyday, he goes to work, and I stay at home with a young niece – she is daughter of my cousin.

A neighbor of mine has a son. He is about two years old. When my husband is off, I usually take the kid home and take him back to his parent before my husband arrives.

Everytime I bring baby, I put him on our bed. I was told that if I want a baby, I should bring baby to play on bed. It is a belief of Cambodian.

My husband does not know about the kid.

One day, he comes home early.

I am in bedroom. I do not know that he arrives. I am having fun with the kid.

Suddenly, the door is pushed. I am shock. As I turn face to the door, I see my husband is standing there. His face is red like fire, at first, then he shows surprise expression.

Behind him, it is my niece. Her face is pale.

“What’s matter?” I say.

“No, nothing,” my husband shakes head, then he walks off the room.

I carry the baby. I take him back to his parents.

When I come back, I call my niece.

“What happened with your uncle?” I ask.

My niece narrates.

When my husband came home, he did not see me, so he asked her where I was. Then she said, “Auntie is in the room with young man.”

She says following me; I usually call the kid, ‘young man’.

Suddenly, my husband tied his eyebrows. He ran to the bedroom. He kicked the door to open.

I laugh after hearing.

I did not know that my husband is like this.

He misunderstood about the word ‘young man’; he thought I cheated on him with another guy.

“Aunt, I never see uncle is angry like last moment,” my niece says. “He was really angry. His face was red. He ran like storm and he kicked the door hardly. I was scared when I saw him. The door lock is broken.”

I smile.

I call to locksmith to replace new lock for my bedroom’s door.

I stay silent. My husband is embarrassed, but he tries to behave normally. At night, when we go to bed, my husband asks, “Today, you do not play the song?”

“No,” I say.

“Why?”

“Because now I know that not only woman is jealous but also man is.”

My husband smiles. As he turns off the light, he whispers, “I want a kid.”

[stilettochat]

WOW!

When I was little, my dad hired a Cambodian refugee called Jack to help him drywall a dining room ceiling. Jack spoke very little English; he'd recently gotten a part time job in a little Asian deli not far from our home and needed to pick up some extra work. He was very kind to six year old me and my exhausted mom; he brought us day old leftovers from the deli counter often, and liked to tuck the knuckle of his index finger into the dimple in my cheek whenever I smiled at him.

He soaked up construction skills and other information like a sponge, and by the time he left my dad's tiny construction company he'd gotten his GED, learned to drive, reunited with his sister and her family, and had begun remodeling a vacant business on the rich side of town into a Cambodian restaurant. He invited us to their grand opening on lunar new year, and I'll never forget when he gave me a red envelope with five dollars in it and told me, "tonight I am the luckiest man in the world, so this will bring you luck, too."

Years later, my dad told me that Jack had witnessed his parents' murder during the khmer rouge, and was immediately separated from his sister. He had to cross the killing fields at Choeung Ek alone, on foot, eating grass and insects to survive. He somehow made it to Cam Ranh on the coast of Vietnam, where a distant friend of his father's put him on a boat to Seattle. Jack was nine years old.

I tell this story because, even though I haven't seen Jack or any of his relatives in thirty years, I pray he's well and happy and eating like a king tonight with everyone he loves, celebrating the long overdue demise of the pestilential sonofabitch who tried to wipe them out.

Fuck Henry Kissinger's pathetic ghost, and fuck all those who praise him. Fuck Imperialism. Fuck the genocidal war machine. Drink deep for the freedom of all souls tonight, my friends. And tomorrow, keep fighting.

[deuceysims]

A midnight meeting

[taro-pdf]

Humans are space oddities: immune systems

Alien: human, what is the issue? Prak [annoyed]: I caught a cold Alien: Would releasing it not solve this issue? Prak: No not like that! It’s those [UIPL slur for humans] who brought a [martian expletive] bug on board! I haven’t been sick in years because I avoided human contact! How am I supposed to do my [quadril expletive] job when I’m [human expletive] dying?!” Alien [alarmed]: You're dying of illness?? Other alien: Prak will be fine. I've worked with other humans, and they explained that humans can still transfer microscopic parasites among themselves. If Prak is calling it a "cold" then it is not dangerous. Prak: just let me go sleep for a day. I’m useless this tired. Alien, in their notebook: Today I learned humans are even more terrifying than I thought. They can fight off things they can't even see, things inside their own bodies, without Nanotech. Also, Prak knows many curse words.

Notes: Prak - he/they - space human - hates pineapples so much he left earth to avoid them. speaks english, cambodian, and UIPL (universal interplanetary language) but picks up other words here and there

Edit: I added some clarification in-story, and here is some extra: the two aliens here are of the same species, one that has eradicated small parasitic lifeforms with nano technology specific to their species. The first alien is impressed by humans going to space with such primitive technology (their immune system lol). The confusion with language is due to human illness not having words in the universal interplanetary language :)

[duckprintspress]

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[handweavers]

currently reading the ministry of time by kaliane bradley and i'm really enjoying it. i have such a soft spot for time travel love stories but this one having a half-cambodian present day protagonist and discussing the collapse of british empire and colonialism through her relationship with one of the real life guys who died of frostbite in season 1 of the terror is really doing something for me

[sweet-chimera]

TW: Call out post, drama

// Damn we were going to keep it quiet and respectful until this point. because like always. Spork, aka Shiloh can't take accountability and Never does anything wrong despite the fact that this is the what? 6th group of people enmass to cut contact with them? Spork we were being quiet about it for YOUR sake. Cause you're a bad person and we wanted to be done with you. But fine. We'll do it your way. We blocked you because you're a toxic person who threatens to harm yourself when we don't comply to you. Not because of a fake wedding rp event. Content and stories under the cut. Long post trigger warning

And because he named dropped us, potentially to potentially insight violence on us. We'll return the favor. We were willing to just soft block and call it a day but then you do this? We knew you were a karen but come on spork. This is low even for you. For those of you that don't know, Spork aka:

patchiesdoodles, decipheringmadness, cxpescxwlsandcrxmes, ifyouwouldloveme, thegreeksknewthescore, fxllen-cne, thxpatriarch, unforgivendivine, AND the-blackened-dove.

Likes to block evade, exhibit controlling tendencies towards their rp partners, leverage marginalization's to groups that he doesn't belong to to white knight and get his way, tone police, sexually harass people mainly on voice call, guilt trip, bully those that speak out against him, use his partners to harass people who block him, vague posts, gives ultimatums, and threaten self harm when he doesn't get his way.

Lets get this out of the way, My experience with spork

I met spork in the muntain june 2023. And it was one of the most grating experience of my life. At every chance they got they spoke over people, talked openly about their sexual trauma when no one has consented to hearing it. And tone policed me, a cambodian/afro indigenous person from baltimore, for using language that was "Offensive to black people." Only to then lay off after yelling at me for a few minutes. When he found out I was black. (Screen shot of me talking to the mod of the muntain afterwards)

I was off put, and upset. That someone who is this complexion

is tone policing me, AN AFRO INDIGENOUS PERSON WHEN I MAKE NO ATTEMPTS TO HIDE IT. IM BLACK.

But seeing as we're a vastly neuro divergent community. I forgave and forgot because it wasn't worth the fight. it didn't stop them from constantly bringing up sexual or traumatic topics. But at the very least. They were upset at me for using AAVE and saying the N word. A SLUR I CAN USE.

But then later down the line. I talked to the muntain mod about introducing my partners to the rp community and to help the transition go smoothly.

I EVEN WENT INTO VOICE CALL AND BEGGED THEM, SPORK SPECIFICALLY. TO BE ON THEIR BEST BEHAVIOUR.

My girlfriend joined on the 30th and my boyfriend joined on the first.

During the first call on the 30th. Spork dominated the conversation and flirted with my girlfriend infront of me upon finding out we were polyamourus. But for the most part was respectful.

On the voice call on the second. They were racist and immflamatory to my boyfriend. Tao. A native mexican man. Spork claims to be indigenous themself but I have no proof of this. But as we all know, Abrahamic religions have decimated the indigenous populations and caused Alot of harm.

On voice call. Spork brings up their LITERAL JESUS CHRIST muse. And talks about their religious trauma. Tao, also talks about his in the form of a joke. "Oh Jesus sure liked to wash feet huh?" A TRUE FACT. NOT THAT BAD. WE ALL HAVE MADE FUN OF IT.

Here comes white knight Spork, yelling at my partner to not make fun of jewish traditions. Its insensitive and blastephemous. Only to then dominate the conversation to talk about their trans jesus muse who openly talks about being abused by god

(Recap of the voice call i had with the mod)

So spork, a white passing person AT BEST, told my darker complexion NATIVE MEXICAN BOYFRIEND. That he shouldn't make jokes about judaism? When spork is a white satanist? And all abrahamic religions not just Catholicism has caused damage to our populations? You didn't even let him say more then that one joke, you didn't even give him 10 seconds to say is name before dominating the conversation again

Sweetie. 1.) Anyone can criticize and make fun of the bible, the torah, or the Quran. 2.) SAYING JESUS WASHED FEET. WHICH IS TRUE. IS NOT AS INFLAMMATORY. As making a gay trans jesus blog AS A ROLEPLAY CHARACTER. To talk about how god abused him.

And these are just my personal experiences with spork.

WANNA KNOW WHAT HAPPENED WHEN THEIR FRIEND POLITELY ASKED TO STOP SHIPPING BUT STILL BE FRIENDS?

HMMM. THATS WEIRD. THATS A PRETTY POLITE WAY TO GO ABOUT HAVING A CONVERSATION. BECAUSE CONSENT TAKES TWO PARTIES. WHAT WAS YOUR RESPONSE TO ONE PARTY NOT CONSENTING SO YOU DONT GET YOUR WAY?

OH YEAH.

YOU VAGUE POST ON THE DASH, GUILT TRIP PEOPLE FOR STILL ASSOCIATED WITH VOID (gin-n-chthonic) and get upset when you saw them on your dash because you keep block evading them to see if they were talking about you. YOURE MENTAL HEALTH WAS MESSED UP BECAUSE YOUR FRIEND HAD A POLITE CONVERSATION WITH YOU? ABOUT NOT REAL CHARACTERS? AND YOUR RESPONSE WAS A PUBLIC CALL OUT POST. And then you go around to people like slurk.

Who've you've been codependently abusing for a long time. And try to guilt trip them into blocking void.

Because thats a sound response. AS WELL AS BITCH AND MOAN ABOUT IT IN CALL FOR DAYS. THIS ISN'T EVEN INCLUDING THE FACT THAT YOU HAVE A HABIT OF GETTING YOUR FRIENDS AND PARTNERS TO ATTACK AND OSTRICIZE PEOPLE FOR YOU. Remember when jessica was sick with covid. But you wanted an answer so bad. That you sent your boyfriend after her? CAUSE WE DO.

And how you admitted in voice call that you would type from Boogies account to send people things, speak for him. OR ADMITTED THAT ROLEPLAYING IS A SPIRITUAL THING FOR YOU. How these characters are extension of yourself and if they feel pain or rejected you do? So every time someones muse doesn't want to interact with them. YOU A REAL HUMAN BEING FEEL THE PAIN?

cause we do.

SO LETS RECAP. TLDR;

you give ultimatums

guilt trip

block evade

were openly racist to a mexican indigenous man

hit on my girlfriend infront of me

can't read a room socially

send mobs after people

talk about traumatic shit without peoples consent

overly sexual even when we say we're uncomfortable

fly off the handle and go on public tirades when we try to talk to you, then get surprised when no one wants to talk to you and just quietly exits your life

use your loved ones accounts to talk to people who go nc with you

only white knight and virtue signal when its convenient to you

want to control everyones character and insert your muse into everything but when they don't comply you guilt trip, bitch, give ultimatums, or post publicly about not being loved

you weaponize your marginalization as a trans man but are clearly white passing and command alot of social power from your social media presence

sexually harass people around you

and you tone police the people of color around you when we speak up

WE DIDN'T BLOCK YOU OVER A FAKE RP EVENT. WITH FAKE PEOPLE THAT YOU INSIST ARE REAL. WE REFUSE TO BE AROUND YOU BECAUSE YOU REFUSE TO GET HELP FOR YOUR MENTAL HEALTH. WE BEGGED YOU TO. AND YOU GUILT TRIP PEOPLE WITH THREATS OF OSTRICHCIZATION AND SELF HARM.

YOU'RE A BAD PERSON SPORK.

[twig-tea]

GL odds and ends 20 October 2024

Still feeling out how regularly it makes sense to do this; first one was 2 weeks ago on 6 October. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my update in July 2024. New series marked with an asterisk*.

Currently airing (with thoughts up to Oct 6):

Reverse 4 U 7/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) I'm disappointed by how this final arc has gone. We haven't really seen any growth for Wa, and the whole plot with Wa and Vivi's father didn't really make sense. I really don't understand why he had to stay away, or why the rules are so different for him than for Wa. The relationship between Wa and Four also feels flat because we've barely seen them together. I was rooting for this one but alas.

Unlock Your Love ep 6/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) The sequence where Rain and Love keep trying to have sex but getting interrupted/hurt was very funny; this show still drags but the core of it is pretty good. I mostly just wish it were tighter.

Chaser Game W s2 ep 5/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!

Affair the series ep 8/8 END (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Other than the jealousy in the last 10 minutes of the show, I really did like this ending for the series. I really liked Wan's decision to take time for herself after being disappointed by Pleng's decision again. The plot and melodramatic-ness of this show is not my favourite, but I enjoyed it week to week in spite of that. The acting was so solid, the women so gorgeous, the chemistry so fire, and the writing was great for the genre its in (the story was internally consistent and coherent, and the characters were complex and their motivations were clear. There was even a good plot reason for the 'they might be siblings' twist). If you don't mind melodrama, give this one a try!

*Pluto ep 1/12 NEW (Thai, Saturdays 9:30 AM EDT, YouTube) Starting off with a fantastic kiss and Namtan on a motorcycle is truly an incredible opening gambit. That being said, I don't buy the core premise of the plot and it is making it difficult for me to actually enjoy the show. I'll probably be mostly quiet about this one because the things I don't like about it aren't actually about its execution but rather my taste.

*Apple My Love ep 2/7 NEW (Thai, Saturdays 11:45 AM EDT, GagaOOLala and YouTube) I already shouted on main about ep1 here; so far I'm obsessed with this show. Kris is too gay to function, and the misunderstanding is perfectly executed. Very excited for this one, it's so far fantastic.

The Loyal Pin ep 12/16 (Thai, Sundays 12:15 PM EDT, YouTube) Anin's speech in this episode was fire. I feel for these girls, Anin and Pin are just so desperate to be together and their choices are limited. This show continues to be gorgeous and so well done, and I keep bracing for pain.

Red Whisper ep 4/8 (Korea, [schedule is kinda unpredictable; vaguely every 5 days??], YouTube) Cheating and taking advantage while your crush is heartbroken and drunk is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.

Recent One-offs & Side Couples

We finally got the sapphic backstory in The Hidden Moon but it was (as expected) sad and mostly inferred.

We also got more of the Aim as a Lesbian plotline in the new Love Sick 2024 remake (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so

Starting soon:

The Nipple Talk, [ensemble] Taiwanese, 1 November GagaOOLala

My Ex's Wedding [in theatres in Thailand 14 November]

Mom Ped Sawan, Thai, 17 November [international distribution uncertain; it should be on VIPA app with subs, but that is region-locked]

Petrichor, Thai, 23 November, TBD

[tawus]

African/African-American/Black

Do The Right Thing (1989) On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.

Goodbye Solo (2008) This film is touching and humorous. It is the story of an unlikely friendship between a struggling but happy cab driver from Senegal, and a tormented southern man with secrets.

Lincoln (2012) As the Civil War continues to rage, President struggles with continued fighting on the battlefield during the civil war but he also fights with many inside his own cabinet with his decision to emancipate the slaves.

Malcom X (1992) Biographical epic of the controversial and influential Black Nationalist leader, from his early life and career as a small-time gangster to his ministry as a member of the Nation of Islam.

Straight Outta Compton (2015) The group NWA emerges from the mean streets of Compton in Los Angeles, California, in the mid-1980s and revolutionizes Hip Hop culture with their music and tales about life in the hood.

The Color of Friendship (2000) Mahree Bok is a white South African teenager and a product of the Apartheid system raised to view dark-skinned people as second-class citizens. Piper Dellums is the daughter of an African-American U.S. Congressman living in Washington D.C. When Mahree is chosen to spend her time as an exchange student at the Dellums's house, she is shocked on her arrival to discover that the Dellums are black, and the Dellums are just as surprised when they realize that Mahree is a white South African.

The Color Purple (1985) Based on Alice Walker's Pulitzer Prize-winning novel, The Color Purple is a richly-textured, powerful film set in America's rural south. It is a brilliant drama about a black woman's struggles to take control of her life in a small Southern town in the early 20th century.

The Help (2011) This academy award winning movie takes place during the civil rights movements of the 1960’s, when an aspiring writer decides to write a book about the African-American maids' point of view on the white families they work for and the hardships they experience on a daily basis.

——————————————

Cambodian/Chinese/Vietnamese

Eat Drink Man Woman (1994) A senior chef lives with his three grown daughters; the middle one finds her future plans affected by unexpected events and the life changes of the other household members.

Holly (2006) In Cambodia, Holly, a 12-year-old Vietnamese girl, encounters Patrick, an American stolen artifacts dealer. The story follows their strong connection and her unrelenting efforts to escape her fate.

Last Train Home (2009) A couple embarks on a journey home for Chinese new year along with 130 million other migrant workers, to reunite with their children and struggle for a future. Their unseen story plays out as China soars towards being a world superpower.

Lost in Paradise (2011) Khoi, naive twenty-year-old travels to Ho Chi Minh City from the countryside to begin a new life. It's his first time in the big city and he's looking for a place to live.

Raise the Red Lantern (1991) A young woman becomes the fourth wife of a wealthy lord and must learn to live with the strict rules and tensions within the household.

Sentenced Home (2007) This documentary follows three Cambodian-American men, brought to the U.S. as children by their refugee families. They were raised in the grim public housing of Seattle, among gangs and other realities of that life. Bad choices as teens altered their lives forever, when immigration laws after 9/11 provided no second changes for such children. Though they were raised in the U.S., speak to one another in English, even think in English, each is sentenced to return to Cambodia - separated from family here, possibly forever.

The Joy Luck Club (1993) The story of four Chinese women who immigrated to the U.S. and their first-generation daughters. When one of the women dies, her daughter plays Mahjong with the older women and begins to really learn what her mother endured in China and of her sisters who were left behind. Daughter from Danang (2002) Separated at the end of the Vietnam war, an "Americanized" woman and her Vietnamese mother are reunited after 22 years.

The Last Emperor (1987) The story of the final Emperor of China.

The Quiet American (2002) An older British reporter vies with a young U.S. doctor for the affections of a beautiful Vietnamese woman.

The Vertical Ray of the Sun (2000) The plot centres around three sisters, two of whom are happily married (or so it appears).

Three Seasons (1999) An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the soldier took it. Woody hunts for him.

——————————————

South Asian/Indian

Bhaji on the Beach (1998) Hashida, an 18-year old Asian woman, lives with her family in Birmingham. Her father wants her to become a doctor and next month her medical school is going to start. Secretly, she has a black boyfriend – which is an absolute faux pas in some Asian cultures – and has now discovered that she is pregnant. She joins a small South Asian women's group on a trip to Blackpool, a trip that holds life-changing experiences for all.

Bend It Like Beckham (2002) Teen-aged Londoner Jesminder Bhamra chases her dream of being a professional soccer player while dealing with the objections of her traditional Sikh family.

Gandhi (1982) A biography of Mohandas K. Gandhi, the lawyer who became the famed leader of the Indian revolts against the British rule through his philosophy of non-violent protest.

Slum Dog Millionaire (2008) A teen in Mumbai, India who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" When he is suspected of cheating, he is arrested. During his police interrogation, events from his life history are shown which explain why he knows the answers.

The Namesake (2006) A tale of a first-generation son of traditional, Indian immigrant parents. As he tries to make a place for himself, not always able to straddle two worlds gracefully, he is surprised by what he learns about his family and himself.

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Disease/Mental Illness/Disability

My Left Foot: The Story of Christy Brown (1989) Christy Brown, born with cerebral palsy, learns to paint and write with his only controllable limb - his left foot.

The Theory of Everything (2014) A look at the relationship between the famous physicist Stephen Hawking and his wife.

Ray (2004) The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.

Silver Linings Playbook (2012) After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.

Still Alice (2014) A linguistics professor and her family find their bonds tested when she is diagnosed with Alzheimer's Disease.

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LGBTQ+

A Single Man (2009) The story of an English professor, who one year after the sudden death of his boyfriend, is unable to cope with his typical days in 1960s Los Angeles. It is a powerful story of his grief and pain for the loss of someone he truly deeply loved.

Boys Don’t Cry(1999) This film is about the true life story of Brandon Teena, a young woman who is going through a sexual identity crisis. She cuts her hair and dresses like a man to see if she can pass as one. She lived life in a male identity until it was discovered he was born biologically female.

Brokeback Mountain (2005) This film tells the story of a forbidden and secretive relationship between two same-sex cowboys and their lives over the years.

Milk (2008) This film tells the story of American gay activist, Harvey Milk, and his struggles as he fights for gay rights and becomes California's first openly gay elected official.

Philadelphia (1993) In this movie, a lawyer, working for a conservative law firm, is diagnosed with AIDS. His employer fires him because of his condition. He tries to find someone to take his case but all refuse except one willing small time lawyer who advocates for a wrongful dismissal suit in spite of his own fears and homophobia.

The Danish Girl (2015) A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.

Transamerica (2005) A pre-operative male-to-female transgender takes an unexpected journey when she learns that she fathered a son, now a teenage runaway hustling on the streets of New York.

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Hispanic/Latino(a)/Mexican

A Day Without a Mexican (2004) One-third of the population of California is Latinos, Hispanics, Mexicans. How would it change life for the state's other residents if this portion of the populous suddenly vanished? The film is a "mockumentary" designed to show the valuable contributions made every day by Latinos.

Babel (2006) Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.

El Norte (1983) The Guatemalan army discovers Mayan Indian peasants who have begun to organize, hoping to rise above their label of "brazos fuertes" or "strong arms" (manual laborers). The army massacres their families and destroys their village to give the new recruits no choice but to follow and obey. However, two teenage siblings survive and are determined to escape to the U.S. or El Norte. They make their way to L.A. - uneducated, illegal immigrants, alone.

Mi Familia (My Family) (1995) This epic film traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the 1950s. As the second generation become adults in the 1960s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

Sin Nombre (2009) A Honduran young girl and a Mexican gangster are united in a journey across the American border.

Under the Same Moon (2007) Heartwarming story about a mother who leaves Mexico to make a home for herself and her son (Adrian Alonso). When the boy's grandmother dies, leaving him alone, he sets off on his own to find his mother.

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Immigrants/Undocumented

Crossing Arizona (2006) With Americans on all sides of the issue up in arms and Congress in a policy battle over how to move forward, Crossing Arizona tells the story of how we got to where we are today. Heightened security in California and Texas has pushed illegal border-crossers into the Arizona desert in unprecedented numbers (estimated 4,500 a day). Most are Mexican men in search of work, but increasingly the border-crossers are women and children wanting to join their husbands and fathers. This influx of migrants crossing through Arizona and the attendant rising death toll has elicited complicated feelings about human rights, culture, class, labor, and national security.

Dancer in the Dark (2000) An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

El Norte (1983) The Guatemalan army discovers Mayan Indian peasants who have begun to organize, hoping to rise above their label of "brazos fuertes" or "strong arms" (manual laborers). The army massacres their families and destroys their village to give the new recruits no choice but to follow and obey. However, two teenage siblings survive and are determined to escape to the U.S. or El Norte. They make their way to L.A. - uneducated, illegal immigrants, alone.

In America (2002) A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.

The Terminal (2004) When an Eastern European immigrant comes to American to fulfill a promise to his father he finds himself stranded inside JFK airport, making it his temporary residence when he cannot enter the USA nor return home.

The Visitor (2007) A lonely economics professor in Connecticut life is changed forever - and for the better - when he finds a couple of illegals, who happen to be living in his New York apartment.

Green Card (1990) A French man wanting to stay in the US enters into a “short-term” marriage to an American woman so he can get his green card. Complications result when he gets caught lying.

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Indigenous

Avatar (2009) A paraplegic marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.

Bury My Heart at Wounded Knee (2007) A chronicle of how American Indians were displaced as the U.S. expanded west. Based on the book by Dee Brown.

Once Were Warriors (1994) A family descended from Maori warriors is bedeviled by a violent father and the societal problems of being treated as outcasts.

Rabbit-Proof Fence (2002) In 1931 Australia, government policy includes taking half-caste children from their Aboriginal mothers and sending them a thousand miles away "to save them from themselves." Molly, Daisy, and Grace (two sisters and a cousin who are 14, 10, and 8) arrive at their “school” and promptly escape, under Molly's lead. For days they walk north, following a fence that keeps rabbits from settlements, eluding a native tracker and the regional constabulary. Their pursuers take orders from the government's "chief protector of Aborigines," A.O. Neville, blinded by Anglo-Christian certainty, evolutionary worldview and conventional wisdom.

Smoke Signals (1998) Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family (and his tough son Victor), and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains, but only if Thomas will also go with him. Thomas and Victor hit the road.

The Spirit of Crazy Horse (1990) One hundred years after the massacre at Wounded Knee, Milo Yellow Hair recounts the story of his people-from the lost battles for their land against the invading whites-to the bitter internal divisions and radicalization of the 1970's-to the present-day revival of Sioux cultural pride, which has become a unifying force as the Sioux try to define themselves and their future.

Whale Rider (2002) On the east coast of New Zealand, the Whangara people believe their History dates back a thousand years to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. Whangara chiefs have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand culture, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai must fight a thousand years of tradition to fulfill her destiny.

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Middle Eastern

Baran (2001) In a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.

Incendies (2010) Twins journey to the Middle East to discover their family history, and fulfill their mother's last wishes.

Schindler's List (1993) In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.

The Band’s Visit (2007) A band comprised of members of the Egyptian police force head to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves lost in the wrong town.

Turtles Can Fly (2004) Near the Iraqi-Turkish border on the eve of an American invasion, refugee children like 13-year-old Kak (Ebrahim), gauge and await their fate.

Wadjda (2012) An enterprising Saudi girl signs on for her school's Koran recitation competition as a way to raise the remaining funds she needs in order to buy the green bicycle that has captured her interest.

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Pacific Islander/Polynesian

Balangiga: The Howling Wilderness (2017) 1901, Balangiga. Eight-year-old Kulas flees town with his grandfather and their carabao to escape General Smith's Kill and Burn order. He finds a toddler amid a sea of corpses and together, the two boys struggle to survive the American occupation.

Moana (2016) In Ancient Polynesia, when a terrible curse incurred by the Demigod Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the Demigod to set things right.

Once Were Warriors (1994) A family descended from Maori warriors is bedeviled by a violent father and the societal problems of being treated as outcasts.

Princess Kaiulani (2009) The story of a Hawaiian princess' attempts to maintain the independence of the island against the threat of American colonization.

Whale Rider (2002) On the east coast of New Zealand, the Whangara people believe their History dates back a thousand years to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. Whangara chiefs have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand culture, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai must fight a thousand years of tradition to fulfill her destiny.

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Women

Āfsāīd = Offside (2006) Struggle of Women in a country that excludes them from entering the stadiums.

The Help (2011) This academy award winning movie takes place during the civil rights movements of the 1960’s when an aspiring writer decides to write a book about the African-American maids' point of view on the white families they work for and the hardships they experience on a daily basis.

Suffragette (2015) The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

Water (2005) The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.

Whale Rider (2002) On the east coast of New Zealand, the Whangara people believe their History dates back a thousand years to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. Whangara chiefs have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand culture, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai must fight a thousand years of tradition to fulfill her destiny.

Ooh amazing, thank you for this! ❤️

I've watched Slumdog Millionaire, Brokeback Mountain, and Schindler's List. And read a Penguin Classics abridged version of Rabbit-Proof Fence as part of my English learning back in my teenage years. Some of the others I'm familiar with tho have yet to watch; and others are completely new to me

[alexanderwales]

Book Review: The Ministry of Time

I picked up The Ministry of Time when I was in Berkley. It was prominently placed, it had a bold and colorful cover, and I'm a sucker for time travel of any kind. When I brought it up to the counter, the cashier told me that it was one of her recent favorites and really brilliantly realized for being from a debut author. The inside cover promises "an ingeniously imagined, hilarious romp through time, space, and the human heart".

As a veteran of time travel stories, I think they fall into two basic camps. The first camp is the thinky camp, interested in the time travel elements, the layers of cause and effect, the twists and turns that history or characters might have undergone for want of a nail, branching universes and stable loops, the raw matter of causality itself. The second camp is mostly interested in history, whether that's alternate history or historical characters. These are stories where the premise is that modern warship gets transported back to Ancient Greece or whatever and then we just do not interact with time travel in any meaningful way until the end of the book, if that. Sometimes (maybe even often) time travel stories straddle these two camps, but when I read a time travel story I usually immediately clock it as being one or the other.

For the first three quarters of its word count, The Ministry of Time is so firmly in the latter camp that I thought it would just stay there. The basic premise is that the titular ministry has pulled people through time and set them up with "bridges" who are essentially civil servants that live with the temporal "expats" and get them acclimated to the near-future modern world. Our protagonist "bridge" is a British-Cambodian woman, while her "expat" is Graham Gore, a member of the doomed Erebus and Terror mission to explore the Northwest passage. He's very loosely based on a real man about whom so little is known that his character is invented from whole cloth, but there's quite a bit of historical grounding.

Kate & Leopold was a 2001 film about a modern woman who works at an advertising company (Meg Ryan) and gets embroiled in a love affair with an aristocrat from the late 1800s (Hugh Jackman). It's a romcom, and I thought about it a lot when reading this book, which turns out to mostly be a slow-burn romance. It hits a lot of the same beats. Gore is a man out of time and we milk this for entertainment value as we watch him acclimate to the modern world in various ways, seeing the things that he loves and the things that puzzle him. He's also a gentleman from a simpler time, and his nobility stands in contrast to the boorishness of the modern male. A lot of this is stock: I don't read many romance novels, but "man from the past" is a whole genre, whether he's come through to the present or the female protagonist has been sent to the past. I am pretty sure that the first book of Outlander is this, but I only watched half of the first season of the TV show.

(The other piece of media this reminded me of was the Norwegian show Beforeigners, which hits the "past is a different country" and "refugees from the past" theme a lot harder, at least for my money.)

The Ministry of Time does all this far better than Kate & Leopold did. Part of this is simply the writing quality, but there's also at least a little engagement with ideas of colonialism, the horrors of the past, how we assimilate into the dominant culture, and what that means. Gore is well-realized, and our protagonist has a lot of complexity to her, which brings some brushes with identity and living in the wake of someone else's trauma (particularly because the protagonist, like the author, is mostly white-passing half-Cambodian). It's just that this isn't the sort of time travel novel that I like, because it feels like the core premise, traveling through time, gets set to one side while we focus on the relationship between the past and the present, and how fuckable guys from the past are. I appreciate that there's some depth to the female fantasy on display here, but I don't find this particular female fantasy all that interesting on its own. When I realized, about twenty pages in, that this was primarily going to be a well-written romance, I could feel my enthusiasm for it waning.

Aside from the romance between these two, which is the largest chunk of the book, we have a few people from other eras. They're not given nearly enough depth for my taste, but they serve their purpose well enough, and help add another dose of "actually, the past was kind of shit", which I think any work that is flirting with romanticizing the past needs. The two main ones are Arthur, a gay man from World War I who doesn't get enough screen time, and Margaret, a lesbian who comes from the 1600s. I think there's probably a lot to say about identity and queerness, especially because modern notions of these things are not historical, but as with many things, the novel touches lightly on them and then flies off to the next thing like a timid dragonfly.

The best thing about the book, and the reason I kept looking forward to it, is that the prose is really really good. On almost any random page I open up, I can find a passage that delights me. There's a real art to the metaphor and how it's employed, and I really enjoyed most of it, even the ones that maybe made me scratch my head a little bit. Things like "sparrows gusted along the curb" or "I looked into Margaret's face, the sultry peach color of her mouth and her acne glowing with unprinted newness" or "sheepish, excitable expressions, like children caught drawing on the walls". On the prose level, I was a big fan.

The setting for the novel is near-modern London, a city that's suffering the effect of climate change, with blisteringly hot days where they can't do much more than lay on the floor and wait for the heat to pass, and occasional flooding. The ministry itself is a bureaucratic monolith in a way that feels like it's a piss take, but it doesn't go terribly far toward saying anything here. There's a genre that I'm trying to coin a name for called bureaupunk or bureauporn where we focus on huge organizations with matrix management and endless meetings and paper trails, and how that all feels to live with, but this doesn't quite go to that level, even if it gets close. (The ur-example of this is The Laundry Files, for a future post.)

On the plot level ... I hesitate to use the word "sucks", but I had a lot of problems with it even before we get to the last fourth of the novel where it shifts gears from being a slow romance.

To start with, why are they forcing this man to co-habit with this woman in a way they acknowledge to be scandalous from his perspective? Why didn't they select a bridge that would ease him into the 21st century? Why co-habitation rather than, say, a bridge having regular check-ins or something? Actually, why is all this time and effort being expended on getting these people to acclimate to the 21st century in the first place? The novel doesn't really seem to want to engage with this either, and the answers, to the extent we get them, are always pretty vague. Uncharitably, the bulk of the novel is just an excuse plot to get this woman with this man and have them fall in love.

It's not until the last fourth of the novel that it really starts to pick up steam, at least from a plot perspective. There's a mole in the ministry, there are mystery people from the future, there are plots and plans firing off, people are revealed to not be quite who they said they were ... and I enjoyed this part a lot less, in spite of it being ostensibly more toward the type of thinky time travel fiction I'm a fan of. There are two major reveals, and I didn't think that either of them landed, in part because of how weakly they tied into the thing that the novel had mostly been about, which is this central romantic conflict. It's also in this last fourth of the novel that it becomes a type one time travel story instead of a type two one, but the time travel mechanics are never explained, it never matters, and the whole story is worse for it. There's something that a lot of time travel stories sometimes do where they say "well it's time travel, it's confusing, no one really knows" and I fucking despise it because it's lazy shitty writing. Even if you don't have perfectly consistent rules that make sense on a physics level, you need to have rules that make sense on a narrative level, and usually the kinds of authors who write passages like that don't have either.

Prose aside, I think I didn't like this book. I like some of the stock time travel stuff, like a man from the past discovering Spotify, and a woman from the present reveling in a man from the past. I thought the sentence level stuff was great. I thought that some of the recurrent themes of identity and running from the past were interesting, especially the stuff about power dynamics and fitting in with the governmental overstructure ... but I didn't feel like the novel hit all that hard, aside from a single passage midway through the book. The author has some thoughts on growing up with this Cambodian heritage, but I don't think I necessarily got all that much understanding on top of what I could have gotten from trying to write a character like that myself. I got the sense that the author was putting a lot of herself into the novel, sometimes to a degree that felt embarrassing to read, in a way that the novel is explicit about. Sometimes that was embarrassing in a good way, raw and real, and other times it was just confusing, elements of her life put onto the page without enough introspection or background to understand it.

The romance is good and compelling though, I'll give it that. If you like romances, and don't really care about time travel, you might like it.