#calvin and hobbes short story

[artorojo]

'

"Calvin? Calvin, sweetheart?"

In the darkness Calvin heard the sound of Susie, his wife of fifty-three years. Calvin struggled to open his eyes. God, he was so tired and it took so much strength. Slowly, light replaced the darkness, and soon vision followed. At the foot of his bed stood his wife. Calvin wet his dry lips and spoke hoarsely, "Did... did you.... find him?"

"Yes dear," Susie said smiling sadly, "He was in the attic."

Susie reached into her big purse and brought out a soft, old, orange tiger doll. Calvin could not help but laugh. It had been so long. Too long.

"I washed him for you," Susie said, her voice cracking a little as she laid the stuffed tiger next to her husband.

"Thank you, Susie." Calvin said.

A few moments passed as Calvin just laid on his hospital bed, his head turned to the side, staring at the old toy with nostalgia.

"Dear," Calvin said finally. "Would you mind leaving me alone with Hobbes for a while? I would like to catch up with him."

"All right," Susie said. "I'll get something to eat in the cafeteria. I'll be back soon."

Susie kissed her huband on the forehead and turned to leave. With sudden but gentle strength Calvin stopped her. Lovingly he pulled his wife in and gave her a passionate kiss on the lips. "I love you," he said.

"And I love you," said Susie.

Susie turned and left. Calvin saw tears streaming from her face as she went out the door.

Calvin then turned to face his oldest and dearest friend. "Hello Hobbes. It's been a long time hasn't it old pal?"

Hobbes was no longer a stuffed doll but the big furry old tiger Calvin had always remembered. "It sure has, Calvin." said Hobbes.

"You... haven't changed a bit." Calvin smiled.

"You've changed a lot." Hobbes said sadly.

Calvin laughed, "Really? I haven't noticed at all."

There was a long pause. The sound of a clock ticking away the seconds rang throughout the sterile hospital room.

"So... you married Susie Derkins." Hobbes said, finally smiling. "I knew you always like her."

"Shut up!" Calvin said, his smile bigger than ever.

"Tell me everything I missed. I'd love to hear what you've been up to!" Hobbes said, excited.

And so Calvin told him everything. He told him about how he and Susie fell in love in high school and had married after graduating from college, about his three kids and four grandkids, how he turned Spaceman Spiff into one of the most popular sci-fi novels of the decade, and so on. After he told Hobbes all this there was another pregnant pause.

"You know... I visited you in the attic a bunch of times." Calvin said.

"I know."

"But I couldn't see you. All I saw was a stuffed animal." Calvin voice was breaking and tears of regret started welling up in his eyes.

"You grew up old buddy." said Hobbes.

Calvin broke down and sobbed, hugging his best friend. "I'm so sorry! I'm so sorry I broke my promise! I promised I wouldn't grow up and that we'd be together forever!!"

Hobbes stroke the Calvin's hair, or what little was left of it. "But you didn't."

"What do you mean?"

"We were always together... in our dreams."

"We were?"

"We were."

"Hobbes?"

"Yeah, old buddy?"

"I'm so glad I got to see you like this... one last time..."

"Me too, Calvin. Me too."

"Sweetheart?" Susie voice came from outside the door.

"Yes dear?" Calvin replied.

"Can I come in?" Susie asked.

"Just a minute."

Calvin turned to face Hobbes one last time. "Goodbye Hobbes. Thanks... for everything..."

"No, thank you Calvin." Hobbes said.

Calvin turned back to the door and said, "You can come in now."

Susie came in and said, "Look who's come to visit you."

Calvin's children and grandchildren followed Susie into Calvin's room. The youngest grandchild ran past the rest of them and hugged Calvin in a hard, excited hug. "Grandpa!!" screamed the child in delight.

"Francis!" cried Calvin's daughter, "Be gentle with your grandfather."

Calvin's daughter turned to her dad. "I'm sorry, Daddy. Francis never seems to behave these days. He just runs around making a mess and coming up with strange stories."

Calvin laughed and said, "Well now! That sound just like me when I was his age."

Calvin and his family chatted some more until a nurse said, "Sorry, but visiting hours are almost up."

Calvin's beloved family said good bye and promised to visit tommorrow. As they turned to leave Calvin said, "Francis. Come here for a second."

Francis came over to his grandfather's side, "What is it Gramps?"

Calvin reached over to the stuffed tiger on his bedside and and held him out shakily to his grandson, who looked exactly as he did so many years ago. "This is Hobbes. He was my best friend when I was your age. I want you to have him."

"He's just a stuffed tiger." Francis said, eyebrows raised.

Calvin laughed, "Well, let me tell you a secret."

Francis leaned closer to Clavin. Calvin whispered, "If you catch him in a tiger trap using a tuna sandwich as bait he will turn into a real tiger."

Francis gasped in delighted awe. Calvin continued, "Not only that he will be your best friend forever."

"Wow! Thanks grandpa!" Francis said, hugging his grandpa tightly again.

"Francis! We need to go now!" Calvin's daughter called.

"Okay!" Francis shouted back.

"Take good care of him." Calvin said.

"I will." Francis said before running off after the rest of the family.

Calvin laid on his back and stared at the ceiling. The time to go was close. He could feel it in his soul. Calvin tried to remember a quote he read in a book once. It said something about death being the next great adventure or something like that. He eyelids grew heavy and his breathing slowed. As he went deeper into his final sleep he heard Hobbes, as if he was right next to him at his bedside. "I'll take care of him, Calvin..."

Calvin took his first step toward one more adventure and breathed his last with a grin on his face.

[warandpeas]

A Job is a Job

We are so happy to announce that the short story "A Job is a Job" is coming out today! Read it here. It's in our new book "Once Upon a Workday" which is a collection of funny and heartfelt stories about the ups and downs of adulthood, being overworked and under-appreciated, while mustering up the resilience to keep going on your path

The beautiful hardcover is being released by Andrews McMeel – the publishing house that brought you Peanuts as well as Calvin & Hobbes.

We are incredibly proud of this book and we’re sure you’ll love it, too. It’s available wherever books are sold as well as these online platforms!

[inbabylontheywept]

Your writing style i think is think is my favorite thing in life right now. How did you develop it?

The short answer to that is by reading Calvin and Hobbes, Patrick McManus, Dave Barry, Douglas Adams, and Terry Pratchett and doing my best to incorporate their style and cadence into my own. The long answer to that would be my life story, which is very long indeed, and uh. Slightly in progress.

But that's my style. If you're asking for advice on how to develop your own writing style, my first bit of advice is going to be to imagine who past works you've read that have really, really stayed with you, then study those. Figure out what you liked about those, and then try playing with them. And be prepared for the results to be weird. I don't even like Cormac McCarthy, but I'd run into this thing where I started reading a line and then fifty pages later, I'd stop and go, what the fuck, where am I, who am I, am I Jason Bourne? So I tried figuring out what made his style do that to me and it was literally just how much the man hates commas. He uses tons of transition words to just keep his sentences rolling. I threw that into my works and it did wonders for the feeling of urgency.

I tried copying Sam Kriss's super ornate prose. Zero success. Still don't know how he does it. I liked the story that came out of it of it, but it's a totally different beast from what Sam makes. I tried making dialogue like Damalur, and I couldn't even bring myself to post the results. Beyond dog. 2/10 work on my end.

And as always, look at what you already do well, and lean into it. Some fields only care about what you do wrong. If you're an airplane mechanic, or a heart surgeon, or an OSHA inspector, your job is not making a single mistake. But writing is one of those jobs that's measured more about what you get right than what you get wrong, and people will tolerate a lot of weird minor annoying bullshit things if you can get even one or two little things extremely right. I mean, I fucking loved The Locked Tomb series (another writing style I could not imitate to save my life) but the books are just aggressively confusing, and the first book's plot is both too slow (at the start) and too fast (at the end) and basically just MacGuffin driven. Right? But it's great, because Tamsyn's narrative voice is amazing, and her aesthetic descriptions are amazing, and the inner worlds of the characters are depicted so vividly. It's a masterpiece. Three things extremely right and it's a masterpiece.

i'm rambling a little and it's late. Thanks for the ask, and thanks for the compliment. I hope you have a wonderful evening.

[paragonrobits]

Calvin and Hobbes story idea that's been on my mind lately; a relatively short story expressed through the perspectives of a number of different people as Hobbes' existence is confirmed to be genuinely real even if his exact nature isn't clear, because Calvin has an intensely strong magical potential that is drawing a large number of incredibly dangerous monsters and mystical predators straight to him without anyone being aware of it or in a position to help him, so any moment he could suddenly disappear or be found mysteriously dead and no one would be able to save him

except, he's not dying. He's spent years in this situation, cheerfully oblivious to the constant danger he's in, or that those monsters he's afraid of are completely real but can't actually attack him without certain and immediate reprisal.

and so the story explores people slowly working out what's going on and asks the question: "How is he still alive? What is happening to those threats?"

A magical investigator looks around the woods where Calvin lives, and finds broken, gnawed bones of horrific things that shouldn't exist at all, and around them, the paw prints of a prowling beast.

Others look at the bark on trees, and they see claw marks, the kind left as a sign of territory.

And still others make their guesses on these mystical predators and conclude they're far more dangerous than people know, or that anyone wants to know. They're big, they're mean, and it would take something much stronger to take one out, let alone consistently kill them.

And it all adds up to one thing; there's an apex predator living here, underneath anyone's conscious awareness.

There's something in the house, killing the things that want to kill the boy.

The investigators study the prints. One of them declares, "Those are tiger prints."

And in the house (because its a school day), there's a beast sitting alone in a room. Not with any particular menace; its pretty much the same kind of bored indifference you'd get in a house cat waiting for its owner to come home and play, but significantly scaled up.

And you might see there are monsters under the bed, a horrible assembly of gnashing jaws and thrashing tentacles and suckered protrusions, and whenever the tiger moves, they cringe back in abject terror.

Sometimes he leaves the house, and there's an inhuman skull between his jaws. When he bites down, with a satisfying crunch, its with no real effort at all.

There's no menace in the tiger, assuming you can see him at all. There's a strange magical property at work here, and most people see a harmless little stuffed toy. Just a plush tiger. Not a real one.

But if you look just right into the darkness when the boy is sleeping, you might see a shape glancing around from that bed, looking for anything suddenly moving around. It's not particularly big, for a tiger; it might even be quite a young one, not much older than the boy himself (in tiger years, if that applies here).

But its still a tiger, with jaws that crush and claws that tear.

There's monsters hunting for the boy, all right.

But somehow, he found himself a guardian, and a true friend.

[petricorah]

i wanna start making comics but like. i dont really know how??? are there any tips that you could give me perhaps?

hi!

i've been working on trying to compile a list of resources for people (@aangsfrogs--i didn't forget!) who want to make comics for a long time. It would consist of some of my personal tips and a lot of links to other people's PDFs and youtubes. But that's...a hefty project, so if you had any specific questions for the meantime, my askbox is open!

But, for just beginning, here would be my tips:

Read comics. Read manga and webcomics and cartoons and medical comics. There is so much out there, and reading is such a big way to learn. If you see something you like, take a moment to think about why you like it. Are the expressions or colors appealing? Did it make you feel a certain emotion? Analyze what the artist may have done to get across what they did. (Is it the camera angle? the style they chose to draw in? the paneling? the pacing? the color? etc.) Doing this over time will help you recognize the tools available for telling stories through this medium, and you'll be able to put them in your own work.

Try to think about what you want to make comics about. What moves you? What topics interest you? What ideas or tropes do you love in media or think about often? What do you hate and wish was done better? What characters are you drawn to, or what characters do you want to create? (What about them compels you?) I find it's hard to create an idea out of thin air, but if you start writing down random ideas you have, you'll start thinking about them, and over time, you'll have a bank of things to pull from when you want to create.

Lastly, anatomical skill or knowledge of color does not a comic make! You don't have to know much to begin, and there aren't rules. Just start drawing what is meaningful to you!

This is just cursory and doesn't get into super specifics like paneling or scripts or plotting or colors or thumbnailing or....etc, but I'll try to expand my list of resources and get that out! And, hmu if you have any specific questions on topics!

happy drawing~

Book list under readmore:

Scott McCloud's Understanding Comics and his Making Comics. These books are taught in like, every comic class ever. While not my complete favorite, they do a good job of showing some history and fundamentals, and how easy it is to make comics even if you don't have a lot of drawing experience.

99 Ways to Tell a Story: Exercises in Style by Matt Madden: Really good if you don't know how to start analyzing comics. (Also it's just a fun visual exercise.) It shows the same short story done in 99 different styles with different emphasis on different moods and points of view.

The PreHistory of The Far Side: A 10th Anniversary Exhibit by Gary Larson and The Calvin and Hobbes: Tenth Anniversary Book by Bill Watterson: Two great books with work from my two favorite cartoonists. They both have writings from the author about getting ideas, developing stories, and being a comic artist.

Uncanny Bodies: Superhero Comics and Disability, edited by Scott T. Smith and José Alaniz and Black Comics: Politics of Race and Representation, edited by Sheena C. Howard and Ronald L. Jackson II: These two aren't really about making comics, but they are great collections of analysis about old and new comics alike.

By no means a complete list, but some good ones that I can think of off the top of my head.

There's also the book Webtoon School: Everything you need to know about webtoon creation and story writing. To be honest, I didn't read this completely through because it was a bit more fundamental than I was expecting, but it gives a good cursory look of how to write comics if you're just starting out! It covers some history, how to write stories and arcs, etc.

Also, look to your favorite writers! A lot of webtoon/webcomic artists do tutorials or youtube videos. for instance, velnxi has this great tutorial up I really suggest looking at here.

[traewilson]

So on Twitter, a post is going round of a lame fan fiction speculating the ending of Calvin & Hobbes. It's awful. It's completely out of character and tone with the story. It's basically Calvin giving Hobbes to his daughter. I don't really care to talk about it beyond the fact it exists, and commentary around it sparked Thoughts in my brain.

For those of you who don't know, the actual ending of the comic is intentionally open - they hop on their sled and go on another adventure. That's it. They are metaphorically frozen in time, and yet made perpetual, in this ending; there will always be more adventures. There is no ending - even as you grow up and stop being a child, childhood is always happening somewhere. It ends for us individually, but it marches on as a constant of human life. Calvin & Hobbes, the symbol of childhood that they are, shall remain as such long after those who were first raised on it when it was new have passed on.

The reason I'm here writing on this is I suddenly realized - this is a symptom of a wider societal swing in America. One which we've all seen but maybe not had pinned down. People who feel the compulsion, the URGE, to drag their childhood to their adulthood, and, because the people who want to do this tend to be miserable soulless people, they take that thing that gave them so much joy in their youth and rip out everything that made it so special to you as a kid, and make it as grey, realistic, and lifeless as you are.

This mindset is what leads to the live-action / hyper-realistic animation from Disney lately. Very Serious People want to watch The Lion King, but are embarrassed and ashamed of the film they loved as a kid. They still love it, but they need a "socially acceptable" way to watch it.

And that's where the "live action" remake comes in.

The advertising on this film brazenly declaring a CGI animated film as "live action" is the height of madness, until you remember - to call it animation is to call it "kid stuff." If they call it a CGI animated film, Very Serious People think of Minions.

They add Very Serious Nuance in the form of generational warfare between the hyenas and lions; in the form of Scar's desire for power being rooted in cucking Mufasa by claiming his wife Sarabi as his own. They make the animation Very Serious and, therefore, Realistic. So Realistic in fact that, really, to even call it """animation""" is an insult to what they're doing here.

(Even though animation is, obviously, objectively, what it is.)

The animals barely emote, showing less emotion than what even real animals can express, because emotional openness is, to these Very Serious People, bluntly:

C R I N G E.

So, they barely emote. The songs are still there, but they're almost all shambling putrid parodies of the original musical numbers. Favreau didn't even want half the songs to be in the movie; famously Be Prepared was a last-minute addition after mass public backlash - and it shows that it's a last-minute addition. It's barely even sung; more of a spoken word poetry thing than an actual song. Because I feel like either Jon Favreau, his executive overlords, or worse I SAY WORSE both treated the musical aspect of The Lion King as a necessary evil.

It's telling the only song they gassed up wasn't Elton John's new song at the end credits - it was Beyoncé's number, Spirit. A pop number awkwardly slapped on to a musical film apropos of nothing but Those Sales and That Sweet Academy Award for Best Original Song, Baby.

And of course, it worked; the film made over a billion dollars because the world is chock-full of Very Serious Adults who want to take their childhood with them into adulthood, but demand it grow up with them.

They want their childhood, but are embarrassed by that very desire.

We live, in short, in a teenaged society. A society that's matured only in body but not yet in mind.

This is, naturally, because so many of us are, ourselves, adults who only grew up in age.

Some grow wiser; some just get older - if I may paraphrase Paul Williams. And THAT'S the hell of it.

Moral of the story: stop being ashamed of the things you liked as a kid. You CAN take your childhood with you into your adulthood - in fact, it's good and healthy to (in moderation, I must stress; dont overcorrect.) You don't have to do this thing where you make these bumbling shambling homunculi of the things you loved, but without any of that cringeworthy "charm" or "color" or "fun". Learn to enjoy things on their own merits. Fuck realism in art - we have enough reality all around us to ignore, and no matter how hard you push realistic CGI, it'll be never be reality.

[dearophelia]

best of sara's fic, according to her

Because I’m feeling some kind of way about my cancer lately and wanted to put together a Sara’s Greatest Fic Hits while I’m still around to do it (which is a morbid thing to type, but see the intro: been feeling some kind of way lately).

These range from my most popular fics, to the ones lost to weird posting hours, and everything in between. If I counted correctly, there are 14 fandoms on this list: from Mass Effect and Dragon Age, to Grey’s Anatomy and Stargate SG-1, to The West Wing and Calvin & Hobbes.

I’d appreciate reblogs on this (I am not ashamed to pull the stage iv cancer card here) so it can reach as many people as possible.

I have been writing fic for over 15 years; this is not a short list.

All are rated T or lower unless otherwise indicated. All stories are at or under the 3k mark unless otherwise indicated.

Stargate SG-1:

waves are universal (the heaven in hiding remix) (Sam/Jack; I’m very Normal about this fic; time travel and alternate realities, a host of OCs (and some familiar faces from Norafic if you look closely), oh and the Sam/Jack kid from the alternate reality! Only she’s an adult and working on a way to save the world! This has it all, folks: humor, romance, angst, action! I told you I’m Normal about it; 40k)

strange is the night where black stars rise (Sam; horror! A low creeping sense of doom! The King in Yellow! No, seriously, fuck that planet; 10k)

#sg1wedding (Sam/Jack; their wedding turned into An Event against their will; bets are going down about who would win in a fight: Bra’tac or the Chairman of the Joint Chiefs; also Jack loses his socks; twitterfic from 2012 and technology has definitely Marched On, just read it like an unhinged group chat fic)

phoenix (Sam/Daniel/Teal’c, Sam/Jack, Sam/Jack/Daniel/Teal’c; apocalypse (that I consulted a real live geologist on!); rebuilding in the wake of said apocalypse; team family feelings, kids, and some really shitty neighbors; 38k)

Dragon Age:

joy cometh in the morning (Ariadne; rated M; a host of OCs; mind the warnings; friendship; worldbuilding galore; friendships and mentors and first loves; did I mention friendship and worldbuilding?; 56k)

through the rude wind’s wild lament, and the bitter weather (Ari+Cullen; quiet magic, kind magic, good magic is still new to Cullen)

as the sun kissed the horizon (Ari/Josephine; a relationship in ten moments)

‘til we meet again (Ari+Cullen; platonic sleeping together!)

so hold my hand, consign me not to darkness (Ari; her faith is the core of who she is and, for the first time, Andraste isn’t there; post-Trespasser)

raise your fists up to the sky (Kylie/Krem; it’s Krem’s first day with the Chargers and there’s a naked elf in the middle of camp)

every demon wants his pound of flesh (Krem+Bull; Krem was in the Fade with the Inquisitor and the fear demon had some Things To Say To Him)

black dove (Anaya) & strange little girl (Anaya+Dagna) & dissolving clouds (Anaya+Cullen) (because neurodivergent Inquisitor, friendship, blossoming romance, and three very different takes on blood magic)

skeletons (Zahara+Bull; she is saarebas, he is Ben-Hassrath, and language is important)

children shouldn’t play with dead things (Juliette Amell; she’s always had an easier time with the dead than the living; cw for bugs)

a sorta fairytale (Josephine/Cassandra; flower shop & tattoo parlor AU; 8k)

Mass Effect Trilogy:

gonna set your flag on fire (Nora Vakarian, Liv/Garrus, James/Liara, Liv+Liara, Livfam; action! Humor! Angst! Worldbuilding! OCs!; I am Super Normal about this fic too; I promise everything’s okay in the end, promise, even though it isn’t written yet; Nora is an N3 and has an inactive control chip in her head. She and her team are ordered to investigate a Cerberus facility. It goes, shall we say, awry; 40k)

anthem (Liv/Garrus, Hannah/Zaeed, Liv+Liara; eight months is a long time without each other; angst with a happy ending (I promise); post-Destroy; 13k)

holy ground & dress (Liv/Garrus; ficlets from the night he gets sworn in as Councilor)

brightly shone the moon at night (Liv, Liv+Liara, Liv/Garrus, Livfam; five Christmases in Olivia Shepard’s life; 5k)

the pieces of gold, they light up your eyes & now we’re alone, now we’re alive (Liv/Garrus; the evolution of a relationship)

fighting is said to have reached palaven (Liv/Garrus; please, please let him be alive)

and some things you just can’t speak about (Quentus+Nico; the war)

‘cause i know that it’s delicate (Liv/Garrus; pre-wedding!)

nosce te ipsum (Nico; he likes boys and fanfiction and he didn’t think he’d get his little italicized oh moment)

i will write you love letters if you tell me to (Liv/Garrus; Hannah gives him one of Liv’s notebooks before he goes off to Omega; Garrus does the only thing he can think of with it)

i really need you (Liv/Garrus; James POV during the reunion scene in Priority: Palaven)

you look really tired (Liv/Garrus, Liv+Liara; post-Thessia, Olivia’s not doing well)

hey, so, ground rules (Liv+Zaeed; it’s a lot weird now that he’s dating her mom)

and all the scars you bear are from a previous war (Liv+Quentus; Mom!Liv)

you can hear it in the silence (Liv/Garrus; just a moment, post-war)

this all started because of a bad day (Liv/Garrus; from first meetings to matching rings)

combat, i’m ready for combat & turn on your favorite nightlight (Hannah; she’s a civilian and her daughter isn’t, and she’s bound and determined to know what Liv goes through when her boots hit the ground; Hannah, Zaeed, Liv, and Garrus hit up Armax)

four quarians who never made it back to the fleet (and one who did) (kinda what it says on the tin, honestly. Oh, Tali’s in this!)

everyone’s lost, the battle is won (Evangeline; somewhat predictably, my experiment in getting as many of my team killed as possible resulted in Feelings About It)

across the sky (Susan/Liara; how to make the Control ending feel good)

and yours is in red underlined (Vanessa; The Illusive Man has pissed her off for the last time)

i’m headed straight for the castle (Vanessa; renegade control ending; kneel before your queen)

Mass Effect Andromeda:

for saviours (Tori; ten scenes from a pre-Andromeda life; 10k)

ringing joyful and triumphant (Tori/Liam/Jaal; just some morning fluff)

the thing with the baby angara (Tori/Liam/Jaal; thinking about the future)

the undone and the divine (Tori/Liam/Jaal; the lone single solitary explicit fic on here, give it props for that alone; Liam gets absolutely railed by his partners. That’s it. That’s the fic.)

you’re like the thing that makes the universe explode (Sara Ryder/Suvi, Drack; kid, the only people who don’t know that you like Suvi are people who haven’t met you and Suvi)

this one’s for the torn down, the experts at the fall (Tori+Garrus; one night in the intersection of Victoria Ryder and Archangel; maybe they’re better friends than they both thought)

The West Wing:

a great revelation sigh (CJ; she’s Chief of Staff; ten steps to the apocalypse; the apocalypse source probably didn’t age well, heads up)

it’s in my blood and i won’t give up ‘cause it’s running through my veins (Amy+Andi; it’s Election Day in the future and Amy has nothing to do)

Grey’s Anatomy:

dropsonde (the singers in a lower choir remix) (Addison/Alex, Derek/Meredith, Addison+Derek, Addison+Mark, Mark+Derek; the one that kicked off all the remixes; absolutely off the rails from canon somewhere in S3; budding romances and kidfic and my theory about people being storms and lighthouses; 40k)

scarlet city (Mark/Addison, Burke/Cristina; film noir gangster and detective AU; Addison’s the gangster, Burke’s the detective; literally everyone I could fit into this fic shows up; also Denny is comic relief; 18k)

Misc:

access records (Star Trek Voyager; Naomi Wildman’s holodeck access for the past week; worldbuilding!)

in this twilight our choices seal our fate (the song in the house of night remix) (SVU; Olivia/Elliot; rated M; on the rise and fall of partnership; probably a little too much religious imagery but what the hell else am I gonna do with a minor in religious studies?; 4k)

the end of days job (Leverage; Parker+Eliot+Hardison; the apocalypse job, basically; this one ages well!)

let the only sound be the overflow (D&D; Calia/Kelpie/Edal, aka ot3: fathoms below; the ocean is big and they are not)

we are golden stars above silver seas (we hear echoes from another galaxy) (Calvin & Hobbes; Calvin+Susie; throughout all those years, she never gave up on him; this one went viral on tumblr [LINK] and I cleaned it up for the AO3 version)

lift her, pull her, from the orchids (Grace and Frankie; Grace/Frankie; the one where I invoke the spelling bee)

rocket queens (Babylon 5/Pacific Rim; Susan Ivanova/Talia Winters; look, they’re jaeger pilots, I really don’t know what else to tell you)

the great gig in the sky (Battlestar Galactica; Six; rebirth is painful, she forgets this sometimes)

[headspacedad]

so

was no one going to tell me Bill Watterson had finally written a new book?

my sister found it in a bookstore yesterday and bought it for me. The first line of the short story felt like coming home and for some reason it almost made me cry with relief and loneliness and longing. It took me forever to turn the page because I was savoring it.

It's not Calvin and Hobbes and the art is by John Kascht and yet it is so very distinctly Bill Watterson that there was no mistaking the writing.

It was like catching a scent while walking through a place you've never been and yet recognizing it and immediately feeling young and imprinted with a memory you can't remember, only feel.

Especially the end.

Gang, after all this very long time, there's a new Bill Watterson book out. It's called The Mysteries. It is not Calvin and Hobbes. It is still very entirely Bill Watterson.

[kulapti]

Tiny fanbinding of Hello Operator, Please Give me Number Nine by Starlingthefool, Feb 2023.

Tiny book charm request for Dawen of a clever short Calvin & Hobbes fic, in which Susie meets Death. This is a fun, well-crafted short story and an enjoyable reiteration of the story premise where a person challenges a powerful supernatural entity to a game, and is able to protect themself with cleverness from an otherwise inescapable situation. A quick read, highly recommended!

The cover placement is a little off on this one but I’m happy with the hinges. I also had a good time hunting down fun section dividers. Each section divider is a different little picture that is loosely relevant to what’s happening in the text, and you can see two of them in the photos. Completed in Feb. 2023 during the Renegade Publishing binderary event.

Materials: Italian bookcloth, cotton fabric backed with scrap paper, scrapbooking paper endpages, PVA glue, bookboard, laser printed text on archival paper, cotton thread, beeswax, and a stainless steel jump ring.

[steddieunderdogfics]

This week's writer spotlight feature is: @maryofdoom! They have forty-four Stranger Things and forty-three Steve Harrington/Eddie Munson works on archive of our own!!

@mojowitchcraft recommends the following works by ArgentumCivitas:

Tessellation

Every Time: A Steddie Drabble Collection

Corroded Coffin - Live On Tour - One Night Only

He Carries Me Quietly

Higher Education

Mary is such a talented writer, I’ve enjoyed everything I’ve read by her. She’s an incredible story teller and very generous with brainstorming offering advice. - @mojowitchcraft

Below the cut, @maryofdoom answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

To quote Calvin, from Calvin and Hobbes, “I must obey the inscrutable exhortations of my soul.” But for real, though, it's because my bestie and writing partner called me up on Discord one night and said, “Mary, you need to watch the first episode of Season 4 of Stranger Things. Right now. I mean it. I think the show is in love with Eddie.” (…Some, shall we say, substances may have been involved.) However, I stick with it because I love both the boys as characters. I think they're interesting. They have a lot of interesting aspects about them to explore, both singly and together, and I think we're all enjoying that.

What’s your favorite trope to READ?

Mutual pining! Good God, give me so much pining that I think I’m in the forest. Give me so much pining that I need to use an oil-based paint on them. Give me so much pining that I’ll saw those two boys into planks and repanel my house. 

What’s your favorite trope to WRITE?

By far, it's when one of them has a crush on the other and is pissed off about it. There’s so much potential for sparky, interesting dialogue with other characters (and with each other) when the boys find themselves in that situation. And then it leads to interesting moments when they finally turn the corner and realize they’re not actually mad at the other one, they’re in love. 

What’s your favorite Steddie fic?

There are so, so many that I love. But instead of giving you one of the big ones, let me share this gem: Love My Way, by dreamspaces. It’s very short, at only 1,346 words, but sometimes a bite is as good as a meal. 

Is there a trope you’re excited to explore in a future work but haven’t yet?

It might be interesting to do something with “and they were roommates.” I haven’t truly messed around in that space, yet. I also haven’t done a proper enemies-to-lovers, either, mostly because I can’t stand to set up a proper enemy relationship at the beginning…but I am chewing on an idea at the moment that might necessitate that sort of opening relationship between them.

What is your writing process like?

 It tends to follow a very specific order of operations:

Get an idea from somewhere. Possible avenues for ideas include conversations with friends, news stories overheard from NPR, something that hits while I’m listening to music, posts on Reddit, anything that turns up from general blorbo rotation, the works.

Write down the idea in my notes app of choice (I use Evernote)

Begin adding more thoughts and concepts to the idea (sometimes even snips of dialogue, if they hit interesting)

Once the idea has reached a critical enough mass, transfer it to Google Docs and turn it into a draft (if it’s a one-shot idea) or an outline (if it’s a longfic idea)

FOR A ONE-SHOT: begin writing the draft

FOR A LONGFIC: begin writing the outline, according to the outlining method detailed in Tom Lennon and Ben Garant’s Writing Movies for Fun and Profit (this book is half how to make it as a screenwriter in Hollywood and half solid craft advice on how to write a screenplay, and though I don’t want to write screenplays and though I was very skeptical until I tried it out, this is the only method that has worked to get me to finish any actual novel-length works)

FOR A ONE-SHOT: when the draft is done, put it down for as long as I can and then come back to it and revise it, heavily, to make it better

FOR A LONGFIC: once the outline’s done, actually write the thing 

FOR A LONGFIC: once the thing’s written, put it down for as long as I can and then come back to it and revise it, basically rewriting it completely

FOR A LONGFIC: do the same thing again, and then again, pausing in between each iteration for as long as I can

FOR BOTH A ONE-SHOT AND A LONGFIC: once it’s to the point where I don’t hate it, get ahold of my bestie and writing partner and have her read it and crit it and tear it apart

(cry a little because her crit is probably right)

Implement the good changes and ignore the bad ones - sometimes we have a (good-natured) fight about which ones are which

Send it to my other writing friends for their thoughts and comments and incorporate those, in a similar fashion

Revise, again

Once it’s as done as it’s going to be, make a posting schedule (if it’s a longfic)

Get it out there, according to the posting schedule

Begin working on the next thing

Do you have any writing quirks?

I mean, I can sit here and say “Oh no, I definitely don’t,” but I’m sure that I do. I am sure I have a distinctive writing style, just as everyone else does, but I would have to defer to anyone who’s read multiple works I’ve written to pull out any specific “quirks.”I will note that I really try hard to get the characters’ voices down, in their dialogue. I don’t know that I always succeed, but I try.

Do you prefer posting when you’ve finished writing or on a schedule?

Oh, a schedule, ABSOLUTELY. More power to those of you who post when you’re done writing, but I am the kind of person who needs to have everything DONE and ready to go before I put even a HINT of it up online. You can see this from my writing process. It doesn’t lend itself nicely to just throwing stuff out there as a work in progress. 

Which fic are you most proud of?

Oooh, good question. I would have to say it’s a tie between the next two fics on this list. Tessellation, because I worked really hard on it (and because I figured out work skins), and He Carries Me Quietly, because I think it’s beautiful. The way it ends still gets me, even now. Not just because of the action that happens, but because of the words that I chose. I read them and I’m like, “...I wrote that? Damn, girl.”

How did you get the idea for Tessellation?

I mention it a little in its ending note, but I got the idea for Tessellation from a couple of places, one of which was the Steddie fandom itself. I love the idea of every single one of these 25,000+ stories about Steve and Eddie all being true all at once. Even the story of Stranger Things itself, as we see it on our TV screens, is just one possible version of the story that’s happening somewhere. (I truly believe that. I didn’t become an extremely lapsed Catholic for nothing. HECK THE RULES.)

When writing Tessellation, what was something you didn’t expect?

It was surprisingly easy to make connections between the six stories. It wasn’t like I was hunting for places to jam them in—they ended up falling into place very naturally. And I think my favorite one of these is when Steve, in the space story, is describing the spaceship that he pilots as “Rusalka class, she’s a good swimmer,” to Eddie, who presumably understands what this means in the context of the sci-fi world in which they live. 

What inspired He Carries Me Quietly?

It started as something else entirely—a whole established-relationship fic with the kids coming over to Steve and Eddie’s (either house or apartment) to play D&D, with an arc about a blind Max being included as kind of an oracle or super-NPC through Eddie passing her index cards with Braille on them, so she could be part of the game when and if she wanted to be. The whole thing was supposed to be told in flashbacks. I had a whole scene where Steve was figuring out how to bake cookies for everyone with whatever meager ingredients he had on hand. …Then it took a hard left into religious trauma, through some meandering means.  I guess it would be reasonable to say the inspiration, at that point, was seeing a tweet on then-Twitter with some speculation about how Eddie had come to live with Wayne. If it was the common (and unfortunate) queer-kid arc of being disowned by one’s parents. And then I thought, “Let’s go ahead and put Steve through that too, but let’s do it several years after it happens to Eddie, so that Steve has someone to guide him through the whole process.”

What was your favorite part to write from He Carries Me Quietly?

I think it was probably the opening, because of the rhythm of the sentences and how the sounds fit together with one another. I mean, if you choose to check it out, try reading the first few paragraphs out loud. It’s kind of what I think of when people talk about how writing has a cadence, or a musicality to it.  That, and the ending. The ending, starting with, “There’s one more thing that Steve wants to know,” was one of those things that just fell perfectly into place. I can see it so clearly in my mind: the two of them having a conversation, late at night in bed together, after a traumatic day. 

How do/did you feel writing Higher Education?

I love this goofy little story! It was part of a Discord server gift exchange in 2022 and my recipient said “College AUs are my jam,” so this is where my mind went. I wanted to consider a world where Eddie was the frat boy, instead of Steve. But if that were the case, the fraternity would have to be a pretty non-traditional one, wouldn’t it? The fictional Lambda House is based heavily on the fraternity house where I used to hang out in college. (It was at an engineering school and was populated entirely by nerds.)

What was the most difficult part of writing Higher Education?

The actual writing itself, honestly. Winter 2022 was a really difficult time for me, personally, and though I signed up for the fic exchange with all optimism and good wishes, it was a struggle to get everything done in time. 

Do you have a favorite scene and/or line from any of your fics?

One that really stands out to me is from Wrong Number, which was a oneshot I wrote based on a short conversation with some Discord friends. Picture it: Eddie and Jonathan and Argyle are all hanging out in the basement, and they’re all extremely high. Argyle, in his own way, can sense that something is wrong with Eddie. In order to get him to confess to whatever’s on his mind, they reference the pact they made that “anything said in the basement stays in the basement. It’s the law of the basement.” That just hits me as something so quintessentially Argyle. 

Do you have any upcoming projects or fics you’d like to share/promote?

Oh my, yes! I have two longfics in the pipeline that I hope to be sharing with everyone soon (or, well, as soon as I can get them through my Process). The Music of the Spheres is a Regency AU with a smoldering slow burn and an eventual happily-ever-after, while Home for the Holidays is a genre mashup: Steve’s in a Hallmark Christmas romance and Eddie’s in a psychological thriller. I am also rotating a couple more ideas in my brain that could potentially be longer works as well, but we’ll see how those go.

Outside of these questions, Is there anything YOU would like to add?

I think the esteemed and prolific two-time-Hugo-Award-nominee Dr. Chuck Tingle puts it very nicely when he says: “CREATE. BUILD. EXPRESS. CONQUER THE LYING VOICE THAT SAYS YOUR TECHNICAL PERFECTION IS BETTER THAN TRUTH OF THE MOMENT. FILL THE VOID WITH ART and do not fear because weve got your back buckaroo. we are ALL creators in our own way so LETS HECKIN CREATE.” Let’s heckin’ create, buckaroos. I’ll see you out there in the word mines.

Thank you to our author, @maryofdoom, and our nominator, @mojowitchcraft! See more of @maryofdoom's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[popculturebuffet]

Here Comes Garfield: The Fantastic Funnies (A Comission For Emma Fici)

Hello all you happy people! And welcome one and all to Here Comes Garfield, my look at all things garfield. For the rest of the year this feature will mostly be a look at the 11 garfield specials, minus babes and bullets which I covered previously, as well as his appearence in Cartoon All Stars to the Rescue for last 420.

So for those just joining us: I'm a lifelong comic strip nerd, ever since my dear Aunt Paula gave me her spare copy of the Indespensible Calvin and Hobbes in the 3rd grade. From there I slowly glommed on to other strips over the years: From FoxTrot, to Doonesbury, to Get Fuzzy to Zits to Cul De Sac, to recent faviorites like Pheobe and Her Unicorn, Crabgrass, the Steenz version of Heart and the City, and Breaking Cat News, which i'm wrapping a huge retrospective of soon, and whose place this retrospective is taking on my friend Emma's Patreon slot.

I love talking about this fine art, fitting your best work in just 4 panels, all the wonderful characters many simply don't know exist, all the weird shit that happens.. it's good stuff. So naturally I also gained a love for specials based on them. And while I loved the Peanuts ones and will climb THAT massive mountain someday, as a tween.. my faviorites were Garfield's and it's how I fell in love with the fat cat, the cool cat the nobody's cool cat.

While younger me did like garfield as a strip, especially that one arc where Garfield gets caught in a window blind and it conttinues to suck in an escalating number of people

Truly the "Snoopy's Awkward Nephew" of Garifield comics. Pure art. But while I liked it, it was watching the specials on the DVD garfield as himself that sucked me into the character. The DVD"s were released around the time of the first movie and releases of Garfiled and Friends to cash in and they certainly got my money. 12 specials, all ranging from excellent to watchable, and all wil lbe covered this year.

However before I can tell you that story, I have to tell you this story: See while Here Comes Garfield was Garfield's first SPECIAL.. it wasn't his first apperance in animation. Two years before that Garfield lept onto screens and into the inky depths of animation with a short but scene stealing apperance in the 1980 special the Fantastic Funnies, an apperance I honestly didn't even know existed till recently, but is such a weird and important piece of garfield history I had to cover it and Emma was on board to comission it.

So what exactly IS the fantastic funnies you may ask. Well i'll tell you.. you may ask. The Fantastic Funnies was a sequel to the earlier special The Fabulous Funnies, a celebration of comic strips interviewing various creators and including a live action on animated bit with Rob Reiner. I haven't seen it but if there's enough intrest I might cover it. The special was a hit for NBC, with CBS regretting having passed over the idea when animation maestro and peantus producer Lee Mendelson suggested it. After they remembered he'd pitched it and they'd been stupid at all of course, as is the executive way. They called dibs on the next time.

The next time was 12 years and an animated series that didn't do so good later, and CBS was front and center for the Fantastic Funnies, taking the concept but spiffing it up: this time the interviews were, with two exceptions, each accompanied by an animated short, there was an animated bit to start it off, and we also got a few musical numbers and live performances from the broadway cast of annie.. well two of the broadway cast of annie bu tthat's still more of the broadway cast of annie than has been on this blog so touche Fabulous Funnies, touche. It's the most 70's thing to come out of 1980 and i'll be covering the whole thing under the cut.

Fantastic Funnies is hosted by Loni Anderson, who at the time was on CBS' hit WKRP in Cincinatti.. and what i've seen of it is excellent. She hasn't really done anything else i've seen, but she seems nice enough.

This makes it awkward as hosting wise she feels shoved into the special. The script she's given feels awkward, with her only genuine enthuasim coming from Barney Google. I honestly wish I could be as jazzed about Barney Google and his go go gooogly eyes as Loni Anderson apparently was in 1980. I AM that jazzed about Snoopy's awkard teenage nephew

But it's not the same alas.

I can't even blame her as anderson was already frustrated with her pay for the series she did do and would demand more from the network leading to a brief exit from WKRP. I can't be too hard on her for not giving a fuck about an extra gig they saddled her with she didn't ask for with a script written by a block of wood on several pounds of qualudes. She did her best under the circumstances.

The circumstances also include getting animated as a cartoon, lucky, and getting to introduce a panel of various comic strip all stars of the time.

Okay so going row by row, with the strips self titled unless otherwise stated.

Front Row: Charlie Brown and Lucy (Peanuts), Nipper (Wee Pals), Dennis the Menace (US Comic), Nancy and Sluggo and Little Orphan Annie. Second Row: Blondie and Dagwood, Dick Tracey, Barney Google (Snuffy Smith), Alley Oop and Prince Valiant

Third Row: Pogo, Tumbleweeds, miss Peach, B.C., Beetle Bailey

Back row: Michael Doonesbury (Doonesbury), Broom Hilda, Drabble, Cathy and Hagar the Horrible

And in their own section because dogs apparently don't get bleacher seats at Walden, where I assume this is taking place as the only college out of these strips, we also get the dogs and one very special cat in their own section.

So Snoopy, Daisy (Blondie), Fred Basset and Garfield who are all about to throw down when Lonnie announces they have to get back to the human world for the show. But before that a song they all prepared, and it was at this point in the special I had to ask myself the tough question:

I still don't know. But yes the song is like living in a living nightmare and I don't care for it. It's thankfully short and Broomhilda takes them all to the real world. But that's a story for another day

Sadly not that day.

For now the special settles int' it's formula: Lonnie introduces a cartoonist, they talk about how their strip came to be, we get an animated segment about it. The only exceptions to the last part are Wee Pals, which instead has it's creator voice over one of his strips directly and Prince Valliant, who gets jack shit.

It was at this point I also realized a bit of an issue. While I mentioned my love of comic strips.. most of the ones I adore come from the late 70's onward, with Doonesbury and Peanuts being the big exceptions. I don't have anything against strips from before that time, I've read what I could of Pogo and want to read more and Krazy Kat is still well loved for a reason. I've also recently gained an appreceation of popeye thanks to Randy Millholand's take on the franchise.

The thing is I started devouring every comic strip I coudl in the 2000's. It was a great time for that as every strip got at least ONE collection, so even if you didn't read the newspapers, you could get a sample of a wide range of strips in book form. Boondocks even got a hilarious title out of it for it's first book.

So I got to sample a wide range of strips, many of which I still read today: Get Fuzzy, Zits Pooch Cafe, For Better or For Worse, Baldo, La Cucaracha, Cul De Sac, Lio, Luann, Rudy Park, Adam@Home. Many strips I first found in collection and binged later. Sadly this went down in the 2010's but thankfully the kids comics boom has meant many newer strips have gotten collections. It's why I have collections for heart of the city and crabgrass on my shelf.

But as you may of noticed... most of those either started in the 2000's or in the 90's. Most of the kings features based strips simply didn't get collections and thus I didnt' notice them.. and by the time I could i'd mostly heard of them by reputation as dinosaurs that would go on till the heat death of the universe via various legacy artists who wouldn't really change a thing.

And I do GET why: a lot of these legacy strips.. are ran by family members who want to honor the legacy and may simply not feel comfortable altering the strip too much. I'm not asking that dagwood suddenly become a t-rex... i'd love that, but I get i'm not everyone's target audience. Not every strip can be Pooch Cafe and go entirley off the rails AND still be every bit the strip it always was AND be good

It's hard. So I do have some sympathy. It's not limitless: while I get not doing so say in the 2000's when handing your strip off to another cartoonist, let alone your DAD'S strip wasn't a thing unless they were going to stay the course, in the 2020's and late 2010's we've had a bunch of great reboots and soft reboots of legacy strips: Randy Millholand of Something Positive fame did such a fantastic job on popeye sundays he got a weekly slot with olive and popeye, giving other creators the chance to do their own olive oyl strip basically alongside his. Mark Tatulli got tired of doing heart of the city (Lio both continues and slaps hard) and rather than phone it in or end it, handed it over to the talented Steenz, whose work on the strip is both something entirley diffrent but something entirely fresh and fun with some tight continuity. Olivia James made people care about Nancy for the first time in decades and has a nice dry wit. And while Henry Barjas keeps the soapy stylings of gil thorpe and hasn't changed as much as his contemporaries he still isn't afraid to shake things up having Gil go through a divorce, get two new assitant coaches, a third assitant coach who was once his arch nemisis and making the teen cast far more diverse including trans and non binary characters, being one of the few creators to do so in comic stripery.

While I don't want you going after these old men, and please for the love of god DO NOT GO AFTER THESE MEN. I do not want that. I may gripe, but these seem like decent guys just ones who won't evolve and have no reason to. I'm just outlining why maybe i'd rather read strips that keep growing with age or have fresh new voices rather than "Dagwood still hasn't left the 1950's and when theyt ry to it's embarassing for everyone involved. "

I.. didn't mean for this to turn into a screed on legacy comics that never really changed but it makes it all the more special tha ta lot of these creation stories for these comics still fascinated me.

The big standout was Wee Pals, a strip I hadn't heard of as it ended in 2002. Wee Pals was created by Morrie Turner, a cartoonist and protege of Charles Schultz who bemoaned the lack of black characters in the newspapers. Charles told him why not make one, and Wee Pals came about, with Turner diversifying the cast to drum up intrest creating one of the more diverse casts in earlier comic strips as a result. Nowadays it's a tad quaint, but I can't fault the man for trying to make comic strips less white and i'm glad I know this pioneer exist. I'm also mildly annoyed his strip wasn't animated, as it was one of the funneist present, with our heroes talking about one's pet chameleon.

There were other intresting stories too: Cathy Guthwise based Cathy on her own life, just changing Cathy's job from cartoonist to "whatervers funnier". Broom Hilda, a strip about a wtich, was something his creator tried pitching as an add character first. IT's small stuff but it always fascinates me how a strip comes about.

The only outright hilarous one is Johnny Hart, who kept trying to sell a caveman character, his friends asked him to put up or shut up so in his words "He drank 4 beers and the caveman slowly came into focus." He just.. outright got hammered to fuck because that was a normal thing in 1980 and created a classic comic strip out of it that later became obessed with jesus. Amazing.

The interviews are neat and while I may not like these strips I respect their creators.. and the creator of Hagar for putting on a viking helmet. Good stuff.

As for the animated segmets.. their eh. Like I said most of these strips are pretty gag a day and it seems like the shorts just flat out animated a strip. Which can work as it does for the raeson we're all here, garfield will come soon I promise, but for the most part it just dosen't land for me

In two cases they just flat out take bits from pre existing specails: For Doonesbury they take a bit of Joanie at the daycare.

For those less drenched in the deep and complex lore of doonesbury as the werido who has a ton of print books and bought digitals of strips he already had and books he already bought years ago just to have a copy on kindle: Joanie Caucuss was once a house wife, who got tired of it and her husband clinton and hitched the first ride she could away from his sexist ass. That ride happened to be with strip lead Mike and his best friend and revolutinary Mark on a motorcycle trip to find america. They took her back with them, she joined them at their commune, and soon got a job in daycare while trying to become a law student, which is the status quo the special used. Soon after she'd become a law student, head to berkley, find the love of her life and a long LONG list of other stuff up to present day where she works as a campaign manager on occasion during her alleged retirement.

It's not a bad bhit, but I get the sense they wanted to pick the least political thing they could.. yet weirdly DIDN'T go with the musical number or the dinner the group have. Or you know just accept doonesbury is political and include frank discussions of the 60's in this special.

For Peanuts, they just include an animated bit of snoopy singing suppertime from your a good man charlie brown. It's new animation far as I can tell, as the bit wasn't in any of the specials and they woudlnt' adapt the musical till the mid 80s. It's fine I just question why they didn't recycle anything from the specials.

Finally Cathy is from it's special, but fits, with her "wanting to have it all". A very cathy joke and frankly had I not found out she has three specails, i would not have been able to tell.

As for the other material either recycled from the fabulous funnies or made for this special, i'm going in no paticular order.

Beetle Bailey: Beetle runs away from sarge to try and get out of doing the obstacle course

Hagar the horrible has a trite bit about his wife telling him to take out the garbage VIKINGS DON'T DO THAT. YOU SO SILLY HAGAR.

Dennis the Menace keeps drawing out bed time because kids do that, even immortal children who aren't all that menacing.

By now your starting to get what a mountain it was to climb this special: short interview, unfunny skit, short interview unfunny skit, rinse repeat, toss away my sanity. I TRY to be positive on this blog, try not to be a dickhead.. but this special is so damn boring half the time. The interviews are kinda neat but the animated bits are just.. so lame.

So as a break let's talk what else the special did to fill time. Loni Anderson sang the radio themes to Popeye and Little Orphan Annie. IN the former's case.. that's all you gets. No adventure, no high seas just her singing the popeye theme. We dont' even get a musical number from the popeye movie because it hadn't happene dyet. I want to hear bluto say i'm mean over and ove rand over again. I"m that desperate.

Annie DOES get the cast of the broadway show, a huge hit then and forever, to do two numbers, both iconic and both well performed: The first is I dont' Need Anything But YOu, the cute duet between Annie and Warbucks, and then of course Tommorow best sung by bill the cat.

But the kid they use here does pretty good herself. They have it sung at the only playground in budget for some reason, but they did their best.

We also get a truly batshit bumber about peopl eneeding their funnies, from reading them as they go down the fire pole to IN A MOVING CAR. Yes even serial murderers need their funnies as they mow down pedestrians. It's nature's way. I do relate to tha tboost you get from reading them every day, I do so and I have to use three diffrent sites: one for andrews mcmeel, one for king features, and one for the webbcomic kevin and kell. So I get it. Three's also a closing number I ran away form.

The final non torture bit is Johnny Fever from WKRP. Due to a news strike he's tasked iwth reading the comics and drmatically reads flash gordon. Howard Hessman is hilarous as always, the bit is fucking great, and it woke me up after several strip adaptions put me to sleep. good stuff.

Back to my cycle of torment, and we have a Blondie cartoon and one of the few animated bits in the specail that was intresting. And unintetionally hilarous as Blondie gets dagwood THIS haircrime done to him.

What makes it funny is that not only is this haircut too much even for the 70's, but Blondie LOVES it, as do the kids.. despite all three of them having never updated their styles. Granted Blondie's hair game is timeless, so I get her point but it's just a .. weird plot to pick for blondie.

Naturallyt his being blondie instead of forcusing on the problem of "his wife wants him to try a hair cut that makes him not feel himself" it's in part him worried tha this friends and co workers will laugh. I mean they will, it's as if Luke Skywalkers hair started to eat into his brain, but that shoudln't be your takeaway and him washing it out while Blondie's alseep solves nothing and isn't funny. "Haha he can't be honest with his wife and she's going to later cite this incident to thier marriage counclier". Granted I would ENTIRELY read Dagwood's hair causing a divorce between them, but i'm not sure that's an arc Blondie readers want. I do wnat reprints of golden age blondie as it apparently involved Dagwood having to get disinherited to marry blondie, getting drunk, and other soap opera stuff more intresting than Dagwood trying to single white female mark hamill. Huh now THAT'S a Disney + series i'd watch. get on it disney

The other really fun one is Marmaduke. This one's just kidna fucked up. Marmaduke want sto go sleep in the same bed with the kids, which can somehow fit all three and is adorable so I don't get why not, but the dad tries to make him go outside because that was the thing with dogs. It hasn't aged terribly with charlie brown because snoopy clearly likes having his own pad and the inside is larger than most mansions, let alone the brown house

And when the whole thing burned down in one of the more sobering strips in the series run

Charlie Brown dutifully helped him plan his new house

Honestly I could talk about Snoopy's house burning down all day but it's not what you came for. You came to hear me tell you how it relates to Marmaduke. My point is Marmaduke just has a regular ass Dog House, and just wants to sleep in bed. I get this was normal at the time, it used to be the norm that dogs woudln't sleep in bed.. but my Dog YOshi curls up on my mom' sbed every night and maddie, my other dog , only dosen't when she's not on her own bed restfully asleep as she is as I type this. what i'm saying is maybe just maybe forcing dogs to live outside at night was cruel jackassery and maybe letting the big old dog curl up at the foot of the bed or, if he prefers tucked in while old man bastard can sleep outside and think about his life choices. Also i'm shocked this wasn't the plot of either marmaduke movie. It's so perfect. One man's journey to be a better dog owner .. or Marmaduke repeadely hitting him in the nuts with a tennis ball machine and other various objects. I"m not picky. Also i'm not touching either of those films unless someone pays me the 15 dollars it'd take to comissoin it. I'll review plenty of garbage on my own time, but I have limits. Pete Davidson is very much a hard and fast one. Owen Wilson is fine though. We love owen in this house.. but even he can' save cgi marmaduke and we all know that.

Pogo also takes a bit from the then upcoming film I go Pogo.. a guy I don't know tries to take two passing critters for a ride using the old shell game.. only to have put something under every one. i'ts a nice joke and it works well, and the gorgeous claymation. Given it's both election based and based on a comic i'd like to know better, me reviewing that .. would still be 15 if anyone wants it but far less of my own personal hell. But i'm more likely to do that one on my own. Fun fact: pogo's election storyline's inspired bloom counties, which I will be covering this year or at the very least the 1984 one.

BC has some bit with a turtle. It sure does exist

Broom Hilda asks who the fairest in the land is and her mirror calls her second. She responds by breaking it. This bit.. was actually funny. I'm not sure Broom Hilda would be for me as it's main gag seems to be "Gee isn't a woman chasing men against their will funny" which

Same other way around or with non binary folks. But I did like this and her horning in on mike's close up

She looks like she's about to hit on him but adorably so and he looks just.. so done with it as he always is. I mean.. I can't have turned out worse than Mike's actual first marriage. his second is pretty ballin though.

Mama has her Son say that life is a song.. onlyf or her to sing about him neglecting him. Get it because guilt tripping is funny! This is apparently most of what Mama is.

Finally before our main event we have tumbleweeds with sexual harassment as some lady refuses to let tumbleweeds go. And that's not me being lazy that's his actual name. Though to it's creator's credit he retired rather than let it become "a zombie strip", so good on him.

Okay now for what you all came to see

Also garfield

Garfield's first aniamted special was MOSTLY worth the pilgramage here. While ti's only a few strips repeated, it's fascinating for just how diffrent it is from Here comes Garfield a few years later.

For starters the Fantastic Funnies used an early design for our faviorite cat, not the iconic entirely weird by this point earliest garfield but one more in between, not quite upright yet, but not nearly as realistic as day 1 garfield.

To the classic peanuts team of Mendelson and Mendez's credit they did a wondreful job, likely why they were chosen to produce the specials till the companies backing peanuts asked them to stop helping out rival specails, and this version of garfield heavily resembles what he was like in the strip this frame is based on

It's also telling how fast Jim Davis was evolving the special that by the time it aired Garfield had already changed his look up a bit, if still not fully to his more classic 80s look.

It's not a HUGE change, just a little thinner, with the bigger change being in how he sit's/stands

It's just a testament to how slowly but surely the character evolved in apperance over his first decade or so and part of what makes this intreresting: while the specials help chart this evolution, and helped cause it as Jim needed to draw Garfield with SKinnier legs for the opening dance number of here comes garfield, it's nice to have this bit of his evolution frozen in amber.

The voices behind the characters are intresting: to my shock Thom Huge ALWASY voiced john and basically only stopped doing it when he retired. Thom did voices for commericals and was an old frat brother of Jim Davis who Davis asked for help with this special. While the producers would recast huge for Here Comes Garfield, he sent them a tape and became THE voice of john in the same way Lorenzo Music became THE voice of garfield.

WHile that's weird enough... what makes this special stand out besides the earlier designs... is Garfield's Voice. It's not Lorenzo Music, who would DEFINE the character in my eyes and is THE garfield, no question, though Frank Welker and Bill Murray are admirable.. but Radio DJ and voice guy Scott Beach.

Beach is take is intresting as both Murray and Welker clearly take from Music, while Beach largely does his own thing. Instead of the dry, sarcastic bored tone Lorenzo perfected, Beach has that but it sounds more like Jean Shepard'ss narration in a christmas story. Shepard isn't bad but his voice for Garfield is less relaxed, mor ebooming and confident. It dosen't COMPLETELY fit and makes the short feel a tad weird.. but it's also hard to judge the voice as, like I said EVERY voice after took cues from Music. he left the perfect blueprint. The fact Chris Pratt isn't that dry, sarcastic , laid back voice the character has been defined by hasn't helped his case voicing the character at the time of this review. Beach does a good job, but he just didn't quite fit and it's hard to compare a 2 minute performance with dozens of hours worth of material from Music. Beach did a decent job, but he just wasn't the right guy for the part, simple as that. his voice just didn't fit Garfield's give no fuck nature that well.

Finally we have the specific strips adapted. nd the garfield wiki was a huge help here. Seriously fan wikis can have a bad rap but many are done by dedicated people who save me a LOT of work and do a lot of through research> Kudos guys, thanks for your help. So the wiki has each strip adapted. Excluding the "I have feet? " one we have

Not bad choices: they get all the garfiled bases: he dosen't like catching mice, likes food and Jon weight shames him a lot. Simple, quick and well done.

Overall the garfield shorts for this special are excellent. It's a short bit but it gets the character down and it's easy to see why, despite being the new kid on the block at only two years old at the time, garfield's the one who go ta specail out of the deal.

Now does he make the specail worth watching?

I mean if you like comic strip history like me, you'll get something out of it. There's a bit on the inductees into the hall of fame, but even then it's a long slog of interviews that are fairly short and shorts that are both short and tedious. The good bit here or there cannot save this.

Other than Garfield .. there really isn't much to write home about for the casual viewer or if your a fan of Peanuts and Doonesbury like I am, as both bits can be found elswhere. It's easier to either fast forward to the bit with a comic you like or find the garfield bits in their own little video, of which there are plenty. I'm glad I reviewed the special.. but it just hasn't aged well and probably wasn't that fun to begin with. Even as much as I ranted about how much I didn't know the strips.. i'ts still presented so dryly even if it had strips I liked more in it, it'd still be a bit of a slog. There's just not enough genuinely good stuff or loveable nonsense to keep this afloat. Skip the special but DO check out the early garfield stuff. It's brilliant.

Next Time: The first proper special as Garfield must save Odie from the pound.. after he grooves to Lou Rawls a bit. As is nature's way. Thanks for reading.

[crownedinkcomix]

Squee! marks a refreshing shift from the muddled satire of Johnny the Homicidal Maniac, focusing instead on Jhonen Vasquez’s strengths in humor-driven, short-form storytelling. The comic sheds the inconsistent attempts at social commentary that bogged down Johnny and opts for a collection of imaginative, funny strips with simple setups and punchlines that land. The humor shines especially in the one-page gags as well as in longer, multi-page pieces that bring out Vasquez’s darkly absurd sense of humor.

However, the lingering bitterness and borderline nastiness that characterized Johnny is still present here, and at times this undermines the humor. Some of the more abusive interactions—particularly those between Squee and his indifferent, at times cruel parents—don’t play as satire or dark comedy, and instead leave a sour note. These moments feel out of place amidst the otherwise whimsical stories and can detract from the overall enjoyment of the comic.

Still, Squee himself is a redeeming presence, bringing empathy and likability to Vasquez’s work. Squee’s personality echoes the quiet resilience of Charlie Brown, with a similar tendency to face a hostile world with a sense of bewildered forgiveness. In fact, Squee! often feels like Charlie Brown thrown into the surreal worlds of Beavis and Butthead or a Tim Burton movie, with a touch of Calvin and Hobbes in its exploration of a child’s blurred line between reality and imagination. This mix creates a unique charm and softens the darker elements of the comic.

Another improvement in Squee! is Vasquez’s artwork. While he may not reach the technical heights of his clear influences, like John Kricfalusi or H.R. Giger, his art here shows notable progress. The visuals are sharper, the linework more polished, and the lettering is clearer, enhancing the readability and pacing of the strips.

Overall, Squee! is a more focused, enjoyable read than Johnny the Homicidal Maniac, relying on Vasquez’s knack for dark humor rather than confused satire. It’s a recommended pick for fans of offbeat comics and those who appreciate a dark twist on childhood misadventures.

[alexanderwales]

hy Mr. Welles love your work there an inspration here are some questions I have been meaning to ask sorry if these are too many btw

1.what ar your favorites superman stories if that's okay to ask.

2. uh have you read the Gothamite fic which is a para/internal to your fanfic here it is in case you haven't read it https://the Gothamite.net .

3. How has life been going for you in general.

4. what is your favorite piece of media.

5.what is your favorite marvel character and did you ever plan on making a rational fic for a marvel superhero.

6. speaking of fics what is your favorite Superman fic since you have made one yourself mine Gettine Eating Alive by tandrelmairon and Dc the Golden Age of heroes by Komradekgbeast.

9. what has been your favorite story to write.

10. what are your thought on the Jewish aspect of superman do you thinks it under utilized or dont care about it or what.

11. what are stories you want to write some day.

and that's it love your work Alexander wells just keep on writing your stories are beutifual and amazing have a nice day.

On a plane right now, so you've caught me at a good moment:

I'm a huge fan of Superman: Red Son and Superman: Secret Identity. Generally I like stories that examine Superman as a powerful entity who needs to figure things out, and especially those that have some kind of Superman/Clark tension. I also like Lois Lane a lot, and the brash reporter archetype generally.

I have not read it, no. I generally don't enjoy reading fanfic of my stuff, though I'm happy that it exists, because it means people are getting something from the work.

Life has been fine. Just getting back from a convention where there was a ton of social stuff, and I am very drained, but also missing my wife. I also have piles of work to do right now.

Uh ... that's too broad. Favorite game is The Witness, favorite movie is Primer, favorite book is The Time Traveler's Wife, favorite painting is Birth of Venus (Bouguereau, not Boticelli), favorite comic is Calvin and Hobbes, favorite TV show is The Good Place (minus the ending), favorite song changes a lot, but is currently Father of Mine. All answers subject to change on the basis of mood, but none of those are going to drop out of the top ten.

Favorite Marvel character is difficult, but I guess I would say The Hulk because he seems really thematically rich. I am planning to write a movie script for Multiple Man this year, it's one of my New Year's Resolutions. No fanfic writing planned at the moment, unless someone from Marvel or DC gets in touch with me, in which case it's not technically fanfic.

It's been years since I've read any Superman fanfic, so I have to punt on this one, sorry.

Favorite story to write is probably one of the shorts, since they're usually finished in a single frantic sitting. Eager Readers in Your Area or Instruments of Destruction.

So far as I understand it, most of the Jewish stuff comes from the Kryptonian religion stuff, which is just ... not that interesting to me? Superman was canonically raised either Lutheran or Methodist or something. I think if you wanted to examine it, having it be a parallel to someone who comes to their chosen religion late in life might be ... interesting? But I was raised Mennonite, not Jewish, so maybe I'm uninterested because I know there would be a ton of research to do if I wanted to write it, and if I was reading it, there's a lot that would go over my head. I think "Superman as immigrant" is much more fertile ground.

I've got a very long list of things that I want to write. The next one is Doomsday Pivot, a system apocalypse type thing that I'm editing up right now. But there are more ideas than I have time to write.

Sorry if the numbering got messed up.

[breadknight-likes-things]

Little Gator Game Is The Calvin And Hobbes Game I Never Thought I'd Get.

I want to be upfront with the fact that I don't mean to be reductive of what Lil Gator Game is when I compare it to something else, in this case the classic newspaper strip Calvin and Hobbes. Calvin and Hobbes, if you don't know, being an old newspaper comic strip about a kid and his stuffed tiger going on all sorts of funny and imaginative adventures. Lil Gator Game, a recent release out of the publishing wing of Playtonic, evokes all the same feelings I get when I revisit that old comic strip, and those are some great feelings. Functionally Lil Gator game is actually quite similar to an earlier game similar to this, A Short Hike. If you remember or played that one, you might recall that it was a very low key adventure game set in a sort of lo-fi open world, based around nature and camping. Lil Gator Game is quite similar in a lot of ways. It shares the lo-fi aesthetic, it's supremely relaxing, and it's story uses the simple concept of children playing to explore a deeper (albeit, still pretty simple) point. Now how does this connect to Calvin And Hobbes, exactly? Well, aside from the lack of a Hobbes character, I get all the same vibes from this game that I did from those classic strips. Calvin and Hobbes was so often about making your own fun, wandering around in the great outdoors, often bathed in beautiful autumnal colors when the Sunday strips would come around, in search of nothing, and everything all at once.

While Lil Gator Game has a bit more of a structure to it's story than that, it evokes all the same feelings. You really are just cut loose onto the island the game takes place on. A play space of natural beauty that feels both small as you might see it with an adults eyes, and huge as we might have all seen it through the eyes of someone as young as the titular Lil Gator. There's friends to make, sights to see, and a surprisingly varied landscape tp explore.

To be clear, Lil' Gator Game is a triumph all on it's own, divorced from the way I'm perceiving it, but I think the way I'm perceiving it has made it far better an experience than I'd expected going in. If you find yourself looking for something low key, chill, or just charming, I don't think you're going to get many better options this year than Lil' Gator Game. Or maybe you'll be like me and just crack open that dog eared copy of "It's A Magical World" and cry all over again!

[goatsandpals]

Hello to the four (?) people that follow me. You may or may not have wondered why I am not posting stuff or liking many posts. To honest, the reason that I’ve been kind of absent of posting my own stuff on this account is due to end of the year work stress. Here’s all the homework I have to get done is roughly four weeks:

- literature responses due every Monday and Wednesday, on ‘The Catcher in the Rye’ roughly 600 words long.

- Finishing my end of the year autobiographical story which is at 18,957 words right now.

- Science readings three times a week.

- End of year self evaluation, which is 41 questions long and involves a lot of writing.

- Final exam, which is 158 short history questions.

- Also math tutoring which I have twice a week for a hour after school.

When you have this much homework, it isn’t even fun anymore. Anyway as to what’s going on in my life uhhhhhh. I’ve been doing homework. And going outside a bit but it’s way too hot where I live. Also listening to the Magnus Archives podcast. Rereading Calvin and Hobbes. Not doing much else. Okay bye

[penna-nomen]

2023 writing round up

rules: share what you wrote this year! it can be works you posted to ao3, wattpad, tumblr, or anywhere else! you can share everything you wrote or just the ones you’re most excited about.

Thanks for the tag @a-noble-dragon!

January: Posted the final chapter of my White Collar (Caffrey Conversation AU) holiday story Movie Night, and then I was busy writing my assignment for the Candy Hearts Exchange

February: sooo many stories for the Candy Hearts Exchange

Original Work: It's a Bird, It's a Plane, It's... My Neighbor?

Original Work: Schrödinger's Cat

White Collar x Leverage crossover: The Fix-It Job

My first Schitt's Creek fic: Enchiladas

Murderbot Diaries: Shakespeare for SecUnits

March - July: I was figuring out what to do with my languishing novel. I planned a rewrite but wasn't really inspired because the publishing industry kept sounding more and more depressing. Finally a brainstorming session with Silbrith in July led to the idea of splitting the novel into short stories that I can post here or on Wattpad or something. Why pressure myself to fit into a form the publishing industry wants if the idea of traditional publishing just exhausts me? So that's the plan for 2024.

August: 2 works for the Crossworks Exchange

Emma x Pride & Prejudice: Wealthy, Wise, and Worthy

Supernatural x Doctor Who: Alien Hunters

September:

My first drabble! For White Collar: Terminology

October: 11 completed works for Flufftober, each in a different fandom, including 4 fandoms I'd never posted in before. Whew! Here are 5 of the stories:

Red, White & Royal Blue: Thanksgiving Plans

Pride & Prejudice: Love Waits for No PowerPoint Presentation

Calvin & Hobbes: Now You're Talking

White Collar: I've Got You

Schitt's Creek: Tropey Anniversary

November: continued posting chapters of my Flufftober story for White Collar: Across the Street. At this rate I'm going to finish Flufftober in January.

I also started writing a White Collar fairytale AU titled Fairest of Them All. Maybe I'll have something to post in January?

December: posted a White Collar story for an Operation More White Collar holiday prompt: Joyeux Noel, Joyeux Neal

Feel free to tag yourself if you want to join in! Positivity and self kindness are the watchwords here.