#by the way anon did you want a tag

[c-hrona]

hey!! may i suggest number 19 for vashwood for the things you said prompt?

Things you said when we were the happiest we ever were.

Ask game (request closed u.u)

[elderwisp]

◁ || ▷

Atlas: Taryn? Hey!

Atlas: What happened-

Taryn: Please don’t. 

Atlas: Can you talk to me?

Taryn: [ strained ] What is there to say that you don’t already know? I keep asking myself why you’re so nice to me all of a sudden. Why would someone like you be around someone like me and it’s such a… Mind-fuck. 

Atlas: I swear to you, it isn’t like that-

Taryn: Am I just a one night stand?

Atlas: [ stammers ] N-No! 

Taryn: Convincing.

Atlas: I’m sorry it wasn’t a good enough response, I’m just caught off guard. Why would you assume that?

Taryn: Because my questions made sense the minute you walked out of that building and there was lipstick smeared all over your face. Then you gave me this look, something about it made me realize I wasn’t the first and I don’t think I’d be the last. 

Atlas: [ flatly ] We didn’t even catch each other's name, that’s how little it meant. 

Taryn: [ barely a whisper ] Oh now that’s incredibly fucked up… Was that supposed to make me feel better?

Atlas: Bee-

Taryn: [ voice breaks ] Was it worth it? [ pauses ] Don’t… Answer that. I’m… Gonna go now.

[teastainedprose]

Homelander x Reader tampons?

Homelander is a child, you decide. He'd discovered a tampon poking out of your purse and plucked it out while you were otherwise engaged with your phone. Then for some ungodly reason he'd pulled it free of the wrapping and popped the absorbent core free of the applicator, letting it dangle by its string as he glances your way with raised brows. It wasn't as if Homelander didn't know you're currently on your period. Why in the world would he do that? The look you give him is incredulous. "Those are expensive. You're buying me a whole new box." "Don't get your panties in a twist, doll." He smirks back.

[wernerherzogs]

What would be your ideal Buddie fic??

sorry if it'a s cop out answer but there isn't just one... it depends on what i'm in a mood for on any given day! sometimes it's a 10k pwp (x), sometimes it's a porny piece doubling as a character study (x), sometimes it's a devastating canon divergence story that's pretty much Literature (x), sometimes it's a canon divergence that maybe shouldn't work, but does (x), sometimes it's a fun au (x), sometimes it's a perfectly sized slice of life oneshot (x). you know?

[ponyrepress]

I think we need to blow up the mouthwashing tag on every social media site

Solid fucking agree 🚬🐴

[thegreatyin]

this nemesis ambition started out a little slow but I am getting closer to finding that bastard who killed my wife, and I’ll not rest a minute now that im far closer to on his trail

sorry got in character for a second

Anyways fun ambition so far very fucked up though

congratulations on joining the murder club anon!!!! depending on who you ask the name refers to either people who have murdered or people who have witnessed murder. usually both. actually extremely often both. it's a swell time you'll feel right at home (don't mind our collective skyglass knife collection in the back)

[mikesbasementbeets]

are you arguing that bi mike believers, unlabeled mike believers, and those who are undecided are homophobic?

no. i’m not arguing that any person or sets of people are homophobic. i do think that there are certain avenues of thought that come up often in arguments against a definitive gay mike reading which stem from homophobic biases that, given the benefit of the doubt, the people arguing them may not realize are homophobic or even realize that they hold those biases.

believing that mike is bi or being undecided about it doesn’t mean you’re homophobic. obviously. however, plainly acknowledging that mike canonically does not exhibit attraction to women and then insisting that he could still be attracted to women in spite of that, to me, indicates a (possibly subconscious) bias against men who are not attracted to women. if your instinct when confronted with a character who presents a categorical lack of opposite-gender attraction, concurrent with active displays of same-gender attraction, is to round up every possible alternative explanation, all equally hypothetical and unsupported by canon, to avoid coming to the logical conclusion of that specific narrative dichotomy (homosexuality), then all i’m asking is that you examine what biases you might be holding onto that lead you to that reaction.

[fisherrprince]

Funny you're talking about the word "power"! In the manga "My Hero Academia", the vast majority of humans have super powers (and even some animals have them). WHAT super power they have varies from person to person, so they decided to call these extremely varied amounts of powers "quirks", as in "They're another quirk you have" since the concept of having a super power is so normal there.

i do know about popular anime my hero academia

[st4rstudent]

i feel somewhat responsible for this, even if i’m not the one saying these things. I’m genuinely so sorry.

No need to apologize! It's not one singular person doing it and truth be told I don't think it's a large majority that thinks that (albeit the ones that do are quite vocal). I didn't mean to upset anyone or anything when complaining about it, I was just letting off some steam.

Having a yap session under the cut sorry I feel like rambling under your ask anon.

Admittedly, I do think there are reasonings for people thinking this way. A lot of the focus with Clash has been on the cogs, especially after the 1.3 update. Which I can't say I blame them! Managers were something new and exciting and (from what I can tell) really separated them from the other servers. I don't blame them for wanting to put focus on that because that was their thing. Alongside other things, but majorly when you hear Clash the managers are mentioned in someway shape or form. But as we all know, toons ended up taking the short stick from this. This isn't helped by the gameplay itself, being mainly a fetch-quest deal so you often only talk to npcs once or twice unless if they're repeated ones and the taskline wasn't entirely accessible on the wiki for a while (shoutout to the wiki maintainers. The taskline script is a savior). Which I'm quite excited to see if they deal with this issue with the rewrite. I imagine they will, but anyways. Social media posts would often contain more managers than toons, which I also believe they're starting to fix. And ontop of this, I believe most of the team in the early era of the sever is gone, so there's been some stuff lost in the change. So yeah, dialogue/writing has been kind of rocky. AGAIN- I am completely aware of the rewrite going on and I am not judging them harshly based off of their current state. I'm very appreciative of the fact that they took the time to listen and are focusing on trying to fix it up. And then there's also fandom mischaracterization- especially of the cogs. Forgive me for mentioning mischaracterization because normally I wouldn't really care (I've mischaracterized characters before..especially in my younger years. I think it's just a process of learning an having fun and I hate to limit anyone because of it). With that being said, there's a lot of baby-fying and coddling of the managers. Especially with those who have more 'sympathetic' stories (Misty, Chip, Winston specifically). Don't get me wrong, I like these characters and I can appreciate the story they're trying to tell, but I feel like so many people will hear their dialogue and then misplace their anger. People get mad at Bessie for trying to protect HER lighthouse or at the Elders for trying to keep YOTT safe (lets not forget Winston was there to brainwash toons). Yes, yes technically there would've been better ways to do it but consider this: The toons are scared. Their homes, stores, lives are being taken over by a big corporation that has more resources that they do. They don't have the privilege of waiting, seeing, and gathering. And then people forget that the company has such a huge role in both toons and cogs lives. If you're mad over the mistreatment of Misty or the fact that Winston is still in the dungeon, your anger should be directed at the company who doesn't care. I may be completely wrong in saying this, but I feel like the stories with almost all of the managers is a reflection of the company. The toons are only trying to protect themself and their environments and yet this seems to go forgotten when people start bashing them. And of course, I'd consider myself a toon guy so me saying all this and complaining may come off as "I HATE the cogs and everyone who posts only about them!" and for clarification that's not true. You all know how much I like that little brain thing. The cogs are interesting, their designs are fun, I don't blame people for liking them because I do too. I just wish that the thought process behind so many of these discussions wasn't so cog focused because I believe that this anger at the toons for, RIGHTFULLY, defending themselves helps push this mischaracterization of them as a whole. That they're mean, boring, unlikeable while the opposite is true. Yes there are some, what I'd consider, "filler" dialogue from the shopkeepers. This is just because of the gameplay. But there are some funny and cute moments with them if people would just listen and read.

Which also brings me into another point: people skip the dialogue. I've caught myself doing this before (on my first account. I have 4 accounts total, so I reread the dialogue on like 3 of them). But people will complain about lack of toon personalities while doing this. It's like reading through a comic book, only looking at the drawings, and then complaining because there "isn't a storyline". Luckily, there's been efforts to keep track of the dialogue on the wiki but I doubt a lot of people are going through and reading the entire script. It just feels very disingenuous to criticize the dialogue when you haven't even read it. Likewise, people don't seem to read the blogposts either. This is both from a dialogue aspect and from an update aspect (people continuously asking about hammerspace/mix-and-match under unrelated posts).

[shalom-iamcominghome]

This is the anon who thanked you for existing and talked about your name – I realized that it would probably help your understanding of that random ramble to have the context that I have OCD and tend to have episodes of fear spirals in which I think I have done/am doing/would be doing a horrible, immoral thing even when the "thing" in question is totally fine. These spirals often follow nonsensical logic as my brain panics at the thought of doing something wrong and being hated because of it. Seeing that your chosen name is Shalom helped get me out of a fear spiral related to my own chosen name having a Hebrew meaning despite myself not being Jewish and not yet having a sponsoring rabbi. So, I am grateful to see you out here existing and unintentionally telling my OCD to knock it off. Looking back on it, I'm pretty sure that previous ask of mine was kinda confusing, so I hope that clears things up. Sorry if I confused you, ahah

I don't recall this particular question, so I apologize, but I'm glad to have you along. It is not the same by any means, but I relate with you on some of this when it comes to delusions - I'm sure we both can attest to how much that can mess with your head, so I by no means will judge! And I'm studying psych, so it is always welcome to be as open as any of you would like to be about mental health! Don't ever be ashamed of this aspect of you, and don't worry about the interaction and you reaching out, either! That's what community is for, anyway

[rg11]

whats your fav aspect(s) of jadekat?

anon im sorry but i had like 40+ notes prepaired for my thoughts on jadekat but i lost all of them proof-reading it and this is all i got

they are the ultimate yuri to me

[fumifooms]

What do you think of Lamari (Laios and Namari)? Both as a ship and the relationship between the two.

I don’t like it sorry broski 😔 Seeing them interacting in ep 9 again made me see the appeal more, it’s cute how they interact, how they trust each other’s abilities and judgement! But ship wise…… I can’t. I’ve been seeing cute fanart of them around though, and I know a few people on discord that like them too. Like hmmm I guess I can see the appeal in the dynamic even if it doesn’t grab me but I can’t form a narrative for them… Usually I need both to truly get into a ship, a dynamic I find fun or interesting + some sort of progression and impact it’d leave on the characters, I don’t really see the character/relationship arc that’d happen, or at least not one eventful enough for me. When it comes to how I think their relationship is during canon, I see it as being professional and hinting at maybe friends, a neutral rather than negative thing mind you.

With Laios, well I’ve spoken about his character and arc before a bunch, but with Namari the part that interests me most is the whole exile thing, how she works hard to fit in both with keeping a good work reputation and shaving, for example, and how she’s not all that good with it because of presumably her bold personality... Because of this and more, and spoilers but I’ve planning on making a rarepair post about it for a while, I like shipping her with Toshiro mainly. I think that she balances out his doormat tendency but his cool attitude would be soothing and grounding and- Well gdbdgdg you see how it is. And to a certain extent I can see why people would want to apply the same logic to lamari, but… I don’t even think Namari and Laios would be able to bond over both being foreigners much tbh, I feel like Laios would sort of remain an odd mystery to her and though they could connect in a weird roundabout way I don’t think they’d exactly understand each other— and see this is the part of lamari appeal I get, the sort of tentative tension of "oh you actually respect me. That feels… Rare. And nice." Thouuugh like I was saying to be fair, it’s true Laios also tries and fails to fit in so that could be an interesting angle to go at it with. I think Namari wants stability and I just don’t really think it complements Laios well. I think trust’s the most important thing with Laios so on his side him liking her enough to be interested or open to a relationship I could see, though in a kinda mild and dry way imo… Like with Laios especially when defining how he and someone fall in love, there are sort of two modes right, and of course these coexist to some degree, but there’s Laios being his partner’s silly goober, and there’s Laios being very mature, more of his subdued stoic but composed self, all king-like, the more like connecting through meaningful conversations side. And idk how to put it into words but with lamari, I feel like Namari being paired with him doesn’t give a fresh spin on the former, and with the latter I feel like they’d always keep missing each other halfway communication wise, I don’t see them ever getting to that level where they deeply intuitively know and understand each other and how they work, maybe Laios -> Namari yes but Namari -> Laios I don’t see it, like I said I think it’d remain like, a mystery that nags at her and she might feel attracted if anything, but I can’t see them as more than casually dating idkk idk.

Namari has that fun ‘gets fired up about what odd things Laios is doing and reigns him back in’ dynamic but it’s something that literally so many other characters have too. I’m not knee deep into Namari yet so who knows maybe I have a wrong angle, but I did start giving her some thoughts bc I have a fic I have in mind for toshimari I wanna do. But yes it’s cute how protective she can get even if it’s shouty or tough love, like how she looks out for Laios’ equipment and for him not to get scammed, or brings in Toshiro here in the convo because she doesn’t want Toshiro to do his conflict avoidance thing and not stand up for himself & stay in the party even if it sucks hah. That bold borderline rude protective personality of hers with that awkwardness with intimacy/non-professional relationships is what’s unique to her I think, but yeah the laios & namari duo strikes me as strangely distant yet strangely interested coworkers who exhange glances over the cashier desk but personally I can’t see myself doing anything with that.

I’m not here to say it’s a bad ship or anything obviously! It just really doesn’t call to me personally and I don’t see stuff with them that I’d find interesting to analyze, if anything it’d involve the wider party a lot. I do want to make a masterpost on Laios’ career history and the old members of his party so I might analyze how Namari and he interact in those pre-canon comics idk. But yeahh like I find nothing to dig deeper at personally, you could make cute fics of them hinting at interest between the two, if Laios went to get drinks with her at a tavern etc etc, but all I see with them is just what canon straightforwardly showed us and I don’t get the urge to explore the possibility of them at all.

Sorry to disappoint, but yeah I won’t be a good source of lamari content or thoughts. I have wayy too many drafts I actually want to get out so I’ll be storing further Laios & Namari analysis for a big maybe, one day. I feel so bad I really hate to be negative at all and as a fellow rareshipper I send u my best wishes truly, good luck y’all deserve fellow stans and content. Feel free to leave pro-lamari arguments in the comments or reblogs if you want idm but preferably not asks (and just don’t be aggressive & don’t expect me to respond/react 🫶) like truly this post isn’t meant as a diss but anon asked me about my personal thoughts so… I love youuu lamaris hope y’all thrive 🙇🙇

Trying to think of crumbs and it’s true she blushed when she saw him in his cape at the end so y’all got that W. Namari having a thing for tallmen is so real

Edit: oh she went with him for equipment shopping… Ok that’s cute

[pocketramblr]

I always found it slightly awkward how media makes siblings or people who see each other as siblings call each other brother/sister all the time as in real life you almost never see people do that with their own siblings (maybe someone out there like that)

In the case of Arkham Shadows I see why they did though because Bruce quite literally tells Harvey he loves him and Harvey says it back. Can't have the audience think Batman is in love with the DA.

They had Bruce pay for his college, pay for his campaign, pay for his surgery, pay for his therapy and had Harvey have him as his best man at his wedding. Wow..... Sugar baby Harvey is real.....

The calling sibling title thing is less common in English than in some other languages for sure- me and a couple of my siblings do it on occasion, but it's for a bit then. More common is when I call one of my close family friends "my sister" or "my nephew" when talking about them to someone else because it's faster and easier to say that than to say "my friend who I've known since she was born and lived with for a few years and consider a little sister" or "child of a close family friend who considers me an aunt" to someone who doesn't know them. Which is a lot of words to say that if they wanted to fully sell me on the brothers thing they should have either had a different bit or should have referred to the other as "my brother" when talking to an unrelated character instead.

But "oh no we have to make Bruce not look gay" has been a problem DC has struggled with more than once for many decades and it basically never works so I guess at least they didn't try to solve it this time by having Bruce pick a lady love over Harvey or cutting the holding hands thing

Because I saw that scrapbook! I know Harvey has been Bruce's sugar baby since he was ten years old! But we can't have Bruce take Harvey's hand and call him the love of his life because ok technically that's Gotham but also because gay. And we can't have Bruce take Harvey's hand and call him his best friend because they're not ten anymore and somehow that seems gay also. So brothers it is, I guess. Even if I think my brothers would bite my finger if I ever tried to pay for everything for them on that scale, guess it's different at billionaire levels

[benevolenterrancy]

hi! I recently came across your tgcf fics, and I wanted to say you’re a phenomenal creator. the recovery series fic and the gloves fic and just all of them. thank you for your content and great attention to detail.

do you have any thoughts/hcs on FXMQ and Xie Lian you’d be willing to share? within the original story or the universes of your fics!

Thank you so much, I'm glad you're enjoying them! (ﾉ*^▽^*)ﾉ.｡:*☆

hmm, random thoughts about the FXMQ... a silly headcanon: Feng Xin has very much been hoisted by his own petard by heckling Mu Qing! That is to say, he'll harass Mu Qing relentlessly about something stupid only to be confronted with a similar situation and realise that there's absolutely NO way he can act in anyway similar to Mu Qing or he'll never hear the end of it.

(For example, he has tolerated some truly atrocious divine statues in the past because he's heckled Mu Qing so much about how picky he is with his divine statues that there's no WAY he can say ANYTHING without seeing that smug bastard's face in his head so he just has to bite his tongue and tolerate some unspeakably ugly statues.)

Mu Qing doesn't generally suffer from similar overthinking (he'll just prepare to kick FX's ass if he dares to say anything about it) except for things more directly related to himself. I think he genuinely finds sewing/embroidery/etc rather relaxing work but he'd rather die than have anyone ever see him do it because he's made such a big deal about not doing that sort of "servant" work anymore.

(He actually really enjoyed stitching Ruoye back together because it gave him the perfect excuse -- he's returning a favour!! and Xie Lian is hopeless!! of course he had to!! -- and he secretly considered using white thread to embroider some invisible little designs just because he doesn't quite want to stop... only he knew he'd get caught if he messed with Xie Lian's spiritual device like that and gave up the idea)

[thereareeyesinsidethetrees]

Honestly, I never meant to you to feel this way. I just wanna say sorry for ever hurting you ♥️ (/genuine)

you’re a liar and i hate you

your comment about making me feel physically ill was sarcastic as fuck, you specifically keep evading my attempts to block you, and you have shown to be keeping track of this, as shown by your previous ask questioning me on if i am going to block every new follower i get

if you were sorry, i wouldn’t be responding to you again, and you would’ve fucked off after the first few asks

this is the last response i’m giving you

[fuckitimrowan]

please please say things about “speaking of courage”. it was my favorite chapter in the novel, and

hi anon ABSOLUTELY this was my favourite too. we singled out this short story for my lit class, actually, and it's the reason i ended up reading tttc by myself. (which also means might've taken this ask as a reason to, like, almost analyse it... i'm so sorry.) i had that entire chapter annotated it but lost the print-out :/ BUT i still remember everything i need to. lol.

keeping this under the cut because it got too long lmao:

so. speaking of courage is objectively a fucking masterpiece. to me, it's about exactly what the real norman bowker expressed in his letter for o'brien: that sense of sudden lack of purpose. like, okay. the war's over. we survived. what's next? this? where do we go now? where do we go?

so, norman bowker goes in circles. the circle thing is pretty fantastically done. the story, the structure—it brings you back, and then away, and then all of that just to bring you back again. and then it happens, again, slightly different but it's really just the same.

it's a pleasant day. the lake is in the center of everything. there's nowhere to go and norman bowker is driving. in another world he would've been able to say this or that or would've had someone listen to this or understand that. norman bowker rolls the windows down or turns up his music and takes a turn of his dad's chevy. the world is moving around him and he keeps driving. locked away in this metal box with windows. driving.

on a broad level, that same structure just goes on the entire story. it's so beautifully done. and i believe it's literally the language lending to that too? the lake and town and weather is "smooth" and "flat" and the houses are "handsome" and these descriptors remain the same throughout.

there's this line i really like, about a sprinkler scattering water on a garden. and it's described to be doing it, like: hopelessly. round and round. it's a brief on-the-nose symbolism and i love it.

and there's another layer beneath that all, obviously. with kiowa & the silver star, and really it's the war. and just... peeling away any analysis or whatever right now, the story itself is disgusting if you imagine yourself in there. it's shit. the way it's written just. you think you're brave? could you jump in front of a bullet? could you take this? could you sit and wait? if you've had courage in the hardest of times could you have the type of courage you don't get a say in, at all? could you just be?

that line. "he knew shit. It was his specialty. the smell, in particular, but also the numerous varieties of texture and taste." maybe i'm thinking about this too vividly—but that's objectively horrifying to me. sinking in shit. objectively, you could say that "oh, it's better than facing the threat of being gunned down to death," but... let's be so fucking real. think about it: imagine yourself there.

from an analysis perspective, the ending is what gets me, most of the time. it's such a traditionally happy ending, has all the good symbolism points. gets out of the car, dips his head in the river—which, you know, cleansing, rebirth, all that bullshit (ha)—he watches the fire works for the 4th of july and yeah, it's a nice scene.

and then he says it's a pretty good show. that word pretty changes the entire fucking thing! and he's been doing this throughout, hasn't he? objective comments about the weather -- it's nice -- the town -- it's clean, sanitary -- and that's all he does. he's very carefully detached from the meaning of july 4th, too. the colours of the fireworks are pretty much identical to the colours of the flares from the night kiowa died in that shit field.

in a way, norman sort of died then too. with kiowa. the stupid analysis stuff, cleansing, rebirth, whatever—all of it, but inversed. it wasn't the water, it was the goddamn waste. instead of clean it makes you feel dirty—and norman's feeling of "dirty" means so many things. the guilt of kiowa. the distance from the town, the handsome, neat town who doesn't want the dirty war stories. the general view of the vietnam war. how he's completely clung onto all that this "dirty" means because he's still stuck in the war. my favourite description(s): the place looked as if it had been hit by nerve gas.

i have so much to say about that lake too. there's a really fucking oomph factor about the lake, you know? it's the lake where his old friend died. i wish i could explain this bit properly but god, i dunno, i just feel like there's some sort of parallel between the lake and the shit field. he tastes the water too. they're both described as flat bodies of water. there's something about that scene.

the ending isn't depressing, just because that word's too harsh, but it's... not happy. the way i see it, norman's attempting to achieve what the water is meant to symbolise. cleansing, just trying to wash it off of him again. all that shit. the waste of the war, of his guilt, of—and it leaves him disconnected, because that's a part of him and the only way to get rid of it is cutting it off. he doesn't talk about it, doesn't have anyone to talk to. it's not that he doesn't want to talk about it—he desperately wants to, so much that it genuinely breaks my heart. "want to hear about the silver star i almost won?" he whispers it at one point: the more times i read that, the more i feel his quiet anguish. he shouldn't have to be so disconnected, but he is because they don't want to listen. the place could only blink and shrug.

anyway i just think there's so much to take away from this story in particular. yeah, if you analyse it in that classroom style there's the repetition, that lost quality, the idea of being unable to speak. but more importantly there's the gross reality of it -- it was a shit field and he lost his friend and no one wants to hear about it. because it's shit and that's not what we want to hear of war. because norman wasn't able to save him and where's the good ending to that? we want to hear nothing about war that is war, really.

my thoughts on this will never end btw. there is so much more i have that is unsaid. there's just so many angles to this story -- on a literal sense, as a standalone, connected to the rest of the novel,

and it isn't norman's fault he can't speak. because since this isn't a pretty story, since there isn't a moral or point to it, there's just no one who'll fucking listen.