#by being a burden

[djenxuelmxue]

Somethig is seriously broken about me.

And I don't know why.

[melmov]

I cast: curse of the eldest (can’t ask for help)

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[chronicpaingirlie]

as much as i appreciate the intent of the “being disabled doesn’t make you a burden” type posts, i don’t really agree. a lot of times being disabled DOES make you a burden

& i think that maybe we should try to shift focus to the fact that even if you’re a huge burden on society and can contribute absolutely nothing, you’re still a human being who deserves to exist.

like. there’s nothing morally wrong with being a burden on other people. you aren’t a bad person for needing to rely on others. you’re allowed to be a burden & disabled people who are burdens on others, i love you

[drenched-in-sunlight]

family tea party.

(in my mind, Radagon is the pure Order with no kindness half, and he always yearns to converge with Marika + be on equal footing with her, so in my drawing he’ll always be kinda nuts)

[cherubchoirs]

a small question of faith (suspended, for a walk)

[demigods-posts]

think it'd be really cool if percy could teleport using water. just needing to be in direct contact with a water source to transfer from one puddle to the next. cornering monsters in damp alleyways like it's no one's business. foregoing the subway when the forecast calls for showers. crossing the ocean quicker that you can say pacific. quality content.

[messrsbyler]

you. yes you, person with rejection sensitive dysphoria. this message is for you. your friends DON'T hate you. they aren't mad at you. they aren't talking behind your back or wished to cut their friendship with you. they love you and treasure you and they are good people who wouldn't hurt you like that! ok, that's all. have a nice day.

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[nosleepgummitato]

but what if. . . what if he wasn't always a ball of beaming sunshine?

[rainbow-sunshine-unicorn]

Deeply obsessed with how Anthony Bridgerton will do anything and everything for the vibes, the ambience and to set the mood for his wife

Why did he lift Kate up halfway to the ceiling just to simply set her down on the desk? THE MOOD, THE AMBIENCE, THE VIBES

Why did he scatter the papers after setting her down as opposed to clearing the desk beforehand? THE MOOD, THE AMBIENCE, THE VIBES

Because of course scattered papers are an essential aspect to heir-making on a desk!!!

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[caramellody]

Yall i dont think im gonna be able to stop thinking about usha and g13, actually.

Ushas an old old woman, clueless with tech. Lived long enough to develop various bonds with a LOT of people and relies on them a lot for help. In turn, shes VERY loyal to her close conpanions (a great example would be how she tends to back paula up a LOT, the way she sets up russel and paula to 'fake date' wink and all). She's very warm and very emotionally intelligent even if she's a bit clueless sometimes. Her logic is borderline incomprehensible, but it has heart.

G13 on the other hand, is a hacking prodigy. Hes young, hes sought after for his skills for better and for worse. But in turn, he's essentially lost himself in the process. He may be able to scrape nuke codes, but he'll never make a friend. He lacks any loyalty for anyone and anything except for himself and his interests, and if they dont satisfy those two points, then its worth nothing to him. His logic may be sound, but its cold.

[stagefoureddiediaz]

I’m not ok when I think about bobby literally breathing life back into Athena before collapsing himself and not breathing - man gave her his last breath

[mollysunder]

The real sign of the inevitable dissolution of Jayce and Viktor's partnership/friendship really was the Progress Day Speech. I've seen people say this scene highlighted the growing shift in priorities between Jayce and Viktor. That Jayce was getting swept up in the limelight while Viktor wanted to keep it humble and stick to the work, and that's wrong.

First thing's first, Viktor does in fact want to go on stage (he was excited to just demonstrate the hexclaw), and Jayce is sincere in that he wants to share the spotlight and credit for hextech with Viktor. The problem in that scene is that for practically 7 years, Jayce has failed to see what's actually going on.

Jayce can't see that his face and only his face is on the mugs, the blimps, and the very banners that decorate the hall he's supposed to give a speech in. Jayce can't see that the Councilors direct all their questions on hextech to him while Viktor sits right next to him. Jayce doesn't notice that Mel, the most perceptive Councilor, still thought of Viktor as Heimerdinger's assistant (she didn't know they were close??!?!). He doesn't realize that the discussion on weaponizing hextech is centered on him rather than between him and his partner. Viktor isn't the one being invited to Piltover's parties for a reason.

Between Jayce and Viktor, they're partners on equal grounds, but to EVERYONE else in Piltover Viktor is practically a non-entity. The only person who doesn't get this is Jayce. It's a testament to Jayce's earnest naivette to think Viktor, as a Zaunite and visibly disabled, would be easily welcomed on stage by Piltover's elite to represent what Piltover has to offer. You'll notice this is the same crowd of people that attend Mel's Gala, the same Gala Viktor wasn't invited to.

This dynamic is insane!?!?! It's unsustainable!!!!! Obviously, Viktor is a grown man and could have mentioned something to Jayce, but also it's at least 7 years, how does someone miss this?!?!

By their last scene of the finale, Jayce was able to give Viktor a voice on the Council by literally standing by his side and giving him a seat at the table, but like peace treaty, the gesture has come far too late, and things cannot return to as they were.