#but. it's important that we don't forget the severity of the situation

[nartml]

Y'all, fun and jokes aside, I hope you know that this is way bigger than "beef".

Those allegations against Drake are fucking serious and downright scary.

Apart from all the subtle hints Aubrey has been dropping all over the place over the entirety of his career, Kendrick just isn't the type of artist who'd baselessly throw such dangerous accusations around for the sake of a diss.

And I also hope you know that Meet the Grahams wasn't only about Drake. This is probably way more common in the industry than we like to think.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[sugar-grigri]

Recipe for creating God! In just 9 steps by Barem Bridge

Let's turn things upside down this time. I'll start directly with the conclusion and we'll work our way back.

My conclusion: Barem wants to create a god.

Step 1: create commitment, it's important to go about it the opposite way round, get followers (focus on the young if you want to make a mark on a generation), set up a real infrastructure with even prophets who look like followers but are superior, the great chosen ones!

Step 2: Sow chaos. This is important to make people understand the need for a great savior. Make the icon a sin, and pretending to be a savior a sin too. Don't hesitate to contact the fire demon for help.

Step 3: make sure that whoever is to be your deity is alone, has no one close to him and is very lonely. Worse, becoming himself is his only answer. Don't hesitate to do it in front of a big sacrificial fire. For best results, break what little sane spirit remains in your deity. What god can be sane? That's not what we ask of them!

Step 4: You can take inspiration from other bases you know, take inspiration from the Christian area. Not all men believed in Jesus, and Jesus was tortured. That's a good thing, because it has a double benefit. Firstly, if your deity doesn't close himself off to humans, it'll show his great wisdom, but above all, if he can be resurrected, it makes it easier to create his myth.

Step 5: Next, trust the elements that are simmering in your heart: a little loneliness, betrayal, grief, physical pain. Trust the torment of the story so that your hero's only hope is dashed. Did he believe in sex? Let him be further tormented so he understands that it won't make him happy, but also unhappy. And then you get something interesting, a martyr.

Step 6: You have your martyr, and your preparation allows his suffering to be properly directed. His sexual assault? His grief? It's important that it doesn't make him want to live. A god doesn't live, humans do. But God is simply there. He exists in himself. Never dies, but never lives either. Above all, make sure that the gap between him and mankind widens a little. Let the misunderstanding between him and mortals deepen.

Step 6: You need an antagonist, an opposing force. Focus on one of his loved ones, like Lucifer, the angel who once carried the light, who also symbolizes hope. But make him a traitor, a source of violence, a monster who doesn't feel sadness. Careful, we're talking about a pebble here, a betrayal, but it takes much more to create Le Diable.

Step 7: Keep your god under control, as his torments could destabilize him. You're the one in charge, so you've got the situation under control. Be confident in your abilities. Trust your ingredients.

As fish and sushi symbolize hope, your divinity no longer looks at them. The hand is an enigma for your divinity, a symbol of prayer, of the link with others, of its humanity, but a hand that is also cruel, violent, devastating yet gentle, yet playing on buried desires. Human complexity lies in this hand. It is the barrier that separates your divinity from the rest of the world. This symbol of rapprochement. And distance. Let him still believe in this hand. This possibility of being normal. Still keep your divinity under wraps.

Step 8: But don't forget to feed it. Put the fish aside and take back what the bird brings you. You know, that light bird that's also a weight, symbolizing your relationship with others, especially what they think. Worrying too much about this enchanting bird can lead to tragedy, just as hoping to hear all the songs will make you look like a heretic - you can't be a god. There is only one. Chainsaw Man.

No… All you can do is beg. Pray. Like a mere mortal.

It's vital that your divinity feeds on these unborn thoughts, they're not even birds. They're just eggs. Only God can eat them, as an omniscient being.

And there you have your divinity, a beautiful dish, but what exactly is it for? Several things.

Tasting: You created light, so you created shadow. Or rather, the absence of light. To create this being of darkness, this being must be completely hermetic to this being of light, opposed, closed, above all: it must feel betrayed and abandoned by it. The absence of light is none other than Lucifer, the former bearer of light and God's right-hand man.

And there you have it: for your divinity to have access to Lucifer and oppose him, it has to accept its role as a divinity. Adapt to it. And so, finally, accept your role as savior.

Savior from what? From the apocalypse!

By doing so, you protect humanity and contribute to your ideal.

ET VOILÀÀÀ you have your champion!!!!! God? Chainsaw Man? Noooo, God himself is an ingredient.

Step 10: Wish the God Devil bon appétit

[writingforatwistedworld]

Requests are open?? May I request Lilia and Malleus from the self aware au with a player who is an artist and draws them a lot?

Self-aware au

I do not take any responsibility for you reading this no matter which age group you are from!

WARNINGS: Yandere themes, obsession, death, murder, hypocrisy, fire, coma, unhealthy relationship, possessive behavior

Malleus Draconia/Lilia Vanrouge-Player is an artist who draws them a lot

Doesn't matter what kind of style and form of art you practice, you have a fan

Classical? Great! Realism? Wonderful! Stick-man-style? He put the picture in a golden frame (All hail the stick-man style!)

But if Malleus were to ever find out that said stick man is supposed to be him, well he would be over the moon

It was a totally normal day, a cat was choking up a hairball and some poor student fell off of his broom in flying class and was now stuck in a tree

But that is of no importance to us

What is of importance though is Malleus strolling down the path down to Ramshackle and seeing you sit on the stairs with paper and other drawing utensils

Completely normal. Peaceful even. Maybe a bit too peaceful

You see, if you hadn't been too absorbed into rubbing colored pigments into dead wood then you would have seen the tall black wall approaching you

A shadow falls over your shoulder and you scream

Is that... him? Why is the Overseer draw-oh

Malleus is metaphorically (more or less. Meh, he is probably this close to doing it also literally) frothing from his mouth after seeing himself in more than just one paper after the small stack stabilizing the paper you drew on slipped from your hands

Forgetting his manners he rips the paper from the ground, staring with eyes wide as plates onto the thinly pressed wood (granny is somewhere shaking her head)

Why would the Overseer, watcher over worlds, almighty ruler of everything, a god, draw him?

Coughing nervously you explained that you just are interested in are and liked to draw him

Later when he is back in Diasomnia Lilia is greeted with the sight of a tail-wagging Malleus (yes Malleus has a tail and I have no idea how he hides it)

“Lilia, the Overseer likes to draw me.”-moments before calamity struck and Malleus accidentally lit the dorm aflame from sheer joy

But... perhaps you shouldn't draw anyone else

Who knows? Maybe that person disappears for a while and just to be found in a deep coma (don't do it)

Whoa whoa whoa darling, let us not jump at him from nowhere with the fact that you like to draw him

After all, he is quite old and we don't know what his poor heart can still take

Now how about you tell him about your interest in art fir- ah... From your expression I take that it is too late for that

Indeed it is

One day you were just sitting there in Ramshackle, T-posing or whatever you do when you are not drawing

Remember that scene when Lilia was introduced to us? Well “How do you do fellow kids” over here just popped out of thin air

Now, that would have been nothing special if it wasn't for the stack of paper with his face on it on the table...

Lilia is staring, you are staring and the gargoyles are facepalming

Poor man has to take a seat all whilst you watch him with cold sweat running down your back

Suddenly Lilia isn't that “always energetic” guy but looks a lot more vulnerable

In Lilias mind however he is planning how to burn that one portrait of himself in the Draconia castle and replace it with your art

Or so he thought until he looked what else you drew

For goodness sake, someone call an ambulance! I think he is about to pass out!

If the situation wasn't already awkward enough for you (and euphoric for him) Lilia suddenly kneels down, saying something about being honored and him swearing to be forever loyal to you

Oh sweet summer child, how easily you told him “Oh thanks...” If only you knew what would follow...

You see, Lilia might have had seen a few too many heads being severed from their bodies but, oh well, all those students were a teeny tiny bit too close to you for his comfort

Suddenly there is an increase in missing students who get found in... uh... “not compatible with life” conditions

See? It's dangerous outside! Let him watch over you!

Says the person responsible for everything

You had shown your appreciation through your art, now it's his turn to show his

And what if a few students need to get hurt? (Yeah, “hurt”)

[slyscoutess]

I'm going to be taking advantage of the trailer for Senna's new miniseries to explain a subject that Brazil has been talking about for years, and that I think is important to share, so as not to have disagreements with the somewhat uncertain future of the script made for the miniseries.

Explaining why many Senna fans don't like Xuxa, a great artist and his most famous ex.

All the information in this was taken and translated from a thread, which was taken from several public interviews and also from stories that we have been told about Senna since we were little, so I may forget some details!

the release of the trailer for the Netflix series “SENNA” has revived the debate about how Senna’s relationship with Xuxa is portrayed in the media. Firstly, it is important to know that they had a public relationship between 1988 and 1990 (we don't know for sure) their relationship was very well regarded by the media and by the pilot's family, after the end the two continued to be “friends” publicly for more 2 years

In 1993 Ayrton began dating Adriane Galisteu, which according to some articles irritated the pilot's family, as in addition to liking Xuxa a lot (who was already famous and rich at that time), they thought that his current girlfriend might have had her eye on his money. Shortly after the beginning of Senna and Galisteu's relationship, there were some interviews with the singer Xuxa, saying that Ayrton had cut off contact with her because of his new girlfriend, clearly with the intention of being welcomed by the public as the “poor thing” in the situation.

[ TRANSLATION: after the funeral, Galisteu's relationship with Xuxa, however, was shaken. The presenter and pilot dated for approximately one year and eight months and continued to meet for more two years after they broke up. Then Senna started dating Galisteu and "cut contacts" ]

After the fateful accident, which unfortunately ended up taking the great Brazilian idol, Senna's family continued to exclude Galisteu and support Xuxa, which led many fans to side with the model since she had just lost her boyfriend and was without any support.

[ TRANSLATION 1: Family members welcomed the queen of little kids with open arms, but they did not hug Galisteu. At the time, one of the last in the procession reported - Xuxa was if the car Adriane was in was in the second car, just behind the car that carried Senna's body. ]

[ TRANSLATION 2: Crying a lot, Galisteu said that the two of them were having a great time in their relationship, that she was very much in love and had no idea what she was going to do with her life. "I think I'm living a nightmare and I'm going to wake up. There are moments when I'm strong, aware of everything, and others when I'm totally out of my mind. And I suddenly find myself completely alone, because I lost my boyfriend", said the model. "I wanted to go back in time two days to do something and stop everything ," she added. "But for me he was untouchable, he always came out well of accidents.” ]

[ TRANSLATION 3: When Adriane arrived at the burial site, there were only two empty chairs left, both next to Xuxa. She sat to the right of the presenter. The two spent two "long" minutes without even looking at each other, until someone offered Xuxa a seat next to Leonardo Senna, the driver's brother. ]

It is also worth mentioning that many of Senna's friends stated that he said that Galisteu was the love of his life and that he wanted to build a family with the model. However, Xuxa continued going after the pilot to try to get back together while he was still with the model.

[ TRANSLATION 1 : Then, according to the report, the presenter got into the family car, accompanied by Ayrton's sister, Viviane Senna, and left with them, while Galisteu had to walk to the exit of the cemetery and board a bus reserved for guests. For the journalists covering the burial, there was a clear impression that Adriane had not received the consideration that the three-time world champion himself had been giving his girlfriend. ]

[ TRANSLATION 2: Journalist Lemyr Martins, author of the book "A Star Called Senna", said, in a BBC documentary, that Galisteu was Senna's great love and "could have been the mother of his children", if it weren't for accident that killed the athlete in Italy. However, there are also theories of that Xuxa and Sena had talked about day before the accident and would have decided to resume the relationship. ]

[ TRANSLATION 3: In 1993, Senna opened up about the relationship that lives with Galisteus: "I'm very happy. [...] Having a life. As we Brazilian (pilots), traveling the world with Formula 1, we deserve, sometimes, to take a little calm and share our life with a special woman", he stated. ]

Okay love, but what's up? Why is there so much antipathy between Xuxa and motorsport fans? The reality is, the reason is that she used a lot of the driver's image to promote herself even after the accident, in addition to trying to force that SHE was the great love of his life, it is worth mentioning that the rumors that they had talked before the race were initiated, and are remembered, by her and her alone, with a video and/or interview talking year after year about a supposed connection they both had, always pretending to be a repentant widow, and Senna had two love affairs before Galisteu, after da Xuxa. Even after 30 years she still continues to share their INTIMATE moments, which in my opinion is totally disrespectful to Ayrton

She is known for wanting to convey the image of an “inconsolable widow” to this day, which is an image that doesn't work very well in Brazil, especially those who follow the interviews with Ayrton's friends, and Adriane herself, who leave It's very clear the pure love they felt for each other, as Adriane was the love of his life, he wanted to form his family with her, and one of Ayrton's biggest dreams was to be a father, so he could understand that he wanted to fulfill this dream about her says a lot about his love for her

apparently the Senna series will show this Xuxa character as a “widow” figure for Ayrton, especially because here we know that Adriane was not called to help in any way regarding her moments with him during the development of the series, to be clearer , she thought the character's name wouldn't be hers, she thought they would make her a fictional character.

Unlike Xuxa, Galisteu's interviews are rarely trying to “get back into the media” using Senna's name, as well as being very elegant when mentioning all of the presenter's “stories”.

“butterfly path, my 405 days alongside Ayrton Senna” by Adriane Galisteu

Adriane received an offer to be a Grid Girl at the 1993 Brazilian Grand Prix. She didn't like the idea, because she didn't care about F1, but she ended up agreeing as it was a good proposal. The first meeting with Senna took place on Saturday, during a social event at the Shell hospitality center, but they did not interact. On race Sunday, during the pitwalk, she was approached near the McLaren pits "I'm Ayrton Senna's private affairs advisor. He asked me to get his phone number." She passed and continued her work. She, who initially didn't like racing, found herself cheering madly for the Brazilian to win the race. And he won!

During the celebration given by Shell, all the grid girls came to him to congratulate him. She congratulated him and he asked her to celebrate with him. She refused. He called her the next day and asked her out. She refused again. He invited her to a party. She got a puncture and didn't go AGAIN hahaha

HE ENDED UP AT HER AGENCY OUT OF NOWHERE, everyone was euphoric.

They met at his house and arranged to go to Angra. They went in a helicopter piloted by Senna himself. She says that those days were extremely happy, she talks about her first kiss and the many walks on the beach and diving with her dog Kinda. Still on that same trip, he invented that there was a problem in the room she was in and took her to another "It's my room. Now it's yours too. Make yourself comfortable", From then on, they never let go!

She was introduced into F1, as his girlfriend, at the Monaco GP. She received a private lesson on all the characteristics of the track and was introduced to Berger, Braguinha, Rubinho, Betise, Galvão. He won the race and said it was for her. Upon returning from that incredible trip he says:

"Please don't ever change. If I had to ask you for something, it would be to be exactly who you are. You just don't need to drink so much Coca-Cola, go to so many McDonald's and, seriously, I think you should study English"

Already in Brazil, Dri was looking for a used car to buy. Then on a date that wouldn't be anything special, he surprises her with a brand new silver Uno. The car was full of flowers. On the plate a special detail: "DRI7770". She still has this car today.

Another cute episode was one time they got into an argument over an interview she gave to a magazine. To apologize later, he surprises her:

"Have you been to the bank yet?”

He gave a beautiful interview about how much he loved her, he even gave images of the two of them to Caras magazine.

"One day, I'm going to marry you. And one day I'm going to race in a Ferrari. Even if the Ferrari car drives as fast as a beetle car, I want to be there at my last start, my last lap, my last checkout - I dreamed. - Ferrari is the mystique of Formula 1"

Many say that this relationship made Senna a happier man. That Galisteus made him much happier and lighter.

Words from one of the most important people in the pilot's life, Braguinha: “Ayrton was sad and she made him happier”

The book tells this and much more.

It was such a cute story that it seems like fanfic. Dri moved on with her life, but she always carries this important part with her. She says that she would never want her story to be disconnected from his, that she has the honor of being Senna's ex.

For those who like these behind-the-scenes things, it's worth reading! There are so many more stories there!

I admire Adriane Galisteu so much

She was so young and had to deal with so much. I saw some interviews that were clearly rude to her and she never lost her class!

April 30, 1994

"I have a lot to tell you. To propose to you. To offer you - he continued. I must be there at 8:30 pm, or so. I want to spend the night awake. Let's talk until dawn. I want to convince you that I am, by the way, the best man of your life"

Sempre Senna.

[andy-wm]

https://x.com/jmnberries/status/1817503692083396934

LOUD AND CLEAR

Said by Jimin himself. He's searching for the person he's meant to be with, the one his heart is waiting for. He passes one person after another thinking is it you or you. And guess what ? IT WAS ALWAYS A WOMAN.

You and your theory about WHO proven wrong for 975939488848th time 😛

My goodness Anon, are you telling me my theory has been discussed that many times? That's quite an achievement! I didn't know my theories - or I - had such a far reaching impact.

[basking in the glow of this proud moment]

Ok I'm done basking, now back to the ask:

For those of you playing along at home, here's the tweet Anon sent in, for context.

Anon, I'm going to quote you, since you said it so succinctly...

"He passes one person after another thinking 'is it you or you'. And guess what ? IT WAS ALWAYS A WOMAN."

Absolutely correct Anon!

It WAS always a woman

I'm glad we agree on this.

You also said "He's searching for the person he's meant to be with, the one his heart is waiting for."

Yes! We agree on this too!

He's definitely working hard to find the one his heart is waiting for - you said it yourself, he's searching. He's actively looking for them.

We're doing well so far...

Oh but context is important here, right??

We should probably clarify that he's actually describing the last scene of the MV - the one he's about to film. He's not describing himself or his own life.

Yes, to be totally transparent, Jimin is describing a scene he's shooting for the MV of a song - a song he asked Jon Bellion to write. A song he himself didn't contribute to beyond that. He didn't write the visual narrative for the MV either, that was the creatives at Lumpens. No doubt he gave a lot of input but he didn't provide the material.

Did you forget that part, Anon? Or did you think he was actually describing his own life? Or... were you sneakily pretending he was talking about his real life when he said those things, because that suited your argument?

If you were trying to make it sound like he was talking about his own personal lived experiences, that kinda sucks. Because we love Jimin for WHO HE IS. We don't need to make shit up about his life and pretend things are real when they aren't.

We don't need to pretend, Anon, we can just observe, write about what we see - honestly and objectively and without judgement - and then step back and look at the situation.

I guess you might be wondering how come I'm analysing everything if I think we should just be talking about what we see. Fair call. I don't mean that we can't read between the lines or make educated (substantiated) guesses that we can back up with facts (and cite our sources - I am a librarian after all). I also don't mean we can't look deeper than the surface. There are always layers of meaning and hidden messages in the art produced for BTS. I get right into it because I enjoy it - my background is in visual arts analysis so it's kinda my jam - but I'm not just making shit up. I have a wealth of learning and experience I'm basing my analysis on. I'm also not claiming that it's fact - it's an interpretation - It's my interpretation (and just quietly I am pretty good at this stuff so it's a justified and plausible interpretation).

What I'm saying is don't purposefully misinterpret what you see to mislead, or to fuel an opinion or argument that doesn't stand up otherwise. If you have to bend the truth to back up your argument, you might want to reconsider that argument. Theory is built on evidence, not the other way around.

But back to Jimin...

Of course it's perfectly possible that he did spend several years thinking he would one day find true love with a woman. Maybe he dated loads of women. Maybe he came close to finding a deep love with one or more of them. And if he did, I hope those were happy times for him (or at least meaningful times if happiness was elusive). I would never think of denying that if I saw evidence of it, or judging him for who he loves (or loved). I don't think there's any wrong or right here - whether it's heterosexual or bisexual or asexual or gay or queer or into kink or poly or whatever else he is or does. Who he fucks or who he loves or who he feels emotionally safe with - and for many of us humans those are not necessarily even the same people - that's his business.

His life, his body, his business.

I don't judge Jimin. I just admire and celebrate him for who he is.

And I wish him happiness.

I wish them both so, so much happiness.

That's the whole point of all of this, really.

That's why I watch Jimin and Jungkook together, Anon. Not because I want them to be together or because I think they should be, but because I see real happiness when they are together.

True happiness and true love are rare and beautiful things.

I think that's why most of us Jikookers are here, Anon. Because the joy we see and the delight we feel, just from witnessing these two beautiful people being happy, is real.

I'm not saying ALL of us are altruistic. Some Jikookers are full of shit. They covet one or both of them and they think supporting Jikook's relationship entitles them to make judgements or assumptions or claims about Jimin and JK. They get possessive, they objectify, they demand things. Some people who claim to support Jikook have spite and hatred in their hearts... yes, we have our share of nut jobs too.

But the majority of genuine Jikook supporters I encounter are simply here to celebrate the greatest love story we've ever seen. We're here to get behind two beautiful men who clearly love each other despite the odds against them. We're here to bask in the reflection of their glow and it's bloody wonderful.

But, I digress....

Let's go back to the making of the MV for WHO...

<and here I go again with the analysis>

Here Jimin describes the MV, just like when talking about the final scene. He says it's like a musical movie.

"Right now we're filming one of my favourite parts. It's like a musical movie." There's definitely a narrative here, it's the part where he joins 6 other male dancers, an obvious nod to BTS.

We already know there 's a narrative, but Jimin confirms it for us here.

So let's look again at the narrative:

Throughout this production we can see that the dance (not choreographed by Jimin) and the lyrics (not written by Jimin) have been created/chosen to show /tell us that Jimin (the performer) is searching among all these women for the love of his life.

THAT'S *PART* OF THE STORY THEY ARE TELLING.

But it leaves out a pretty big development ...

He was searching for love, looking at every woman just as he was supposed to, but someone (WHO?) crashed into his life and stopped him in his tracks. Yes, that someone fell directly into his path in a way that couldn't be ignored.

Jimin said

"I try to see WHO I'm meant to be with... is it you? Is it you?"

It doesn't sound like he was giving anyone much of a chance, does it? It sounds more like he was searching for someone in particular.

Maybe it was no accident. Maybe he was searching for WHO all along and he just didn't realise, until he found him.

Ok I am done talking (finally)

I'll finish responding to this ask so we can all go on with our lives.

To respond to your specific query, Anon:

Jimin doesn't say he's searching for a woman himself, does he? Not even in that quote you supplied.

He could have said "women walk past me" but he said "people walk past me".

He could have said he's trying to see which of these women he's meant to be with, but instead he said "who I'm meant to be with"

We can't ignore him saying WHO, Anon.

The song isn't called Which woman?

The song is called WHO

Anon, if you stuck with me all the way through this post, I commend you.

And yes, I was a bit facetious in the beginning, in my defence I had a shitty day at work. But I responded to you as the adult I imagine you to be, even though your language was a little on the childish side. I assume you were intending to piss me off but I enjoyed answering to your ask, so thank you regardless.

If you are still here I want to ask you a few genuine questions in return... I'd love to hear your honest answer.

Why, in the face of all the evidence, it's so difficult to accept that Jimin and Jungkook have a bond that goes beyond friendship or brotherhood?

They look like they're vey happy together, so why do you want them to not be together?

Why is it a problem for you if they love each other? Homophobia is learned behaviour. Who did you learn it from?

And probably my most burning question:

Have you ever experienced true, deep, lasting love?

[luna-loveboop]

Wanted to share some thoughts, cause I NEED TO SHARE IT. (Though it might be quite obvious, yeah...)

So, the whole thing with Warriors acting more stern with Wild lately. One could think: "Why just Wild? Hyrule can be quite reckless sometimes, and Wind is THE BABY, so why not them too?"

Well, there's one thing that they don't have, but Wild sure does...luck of self-preservation.

Wars can trust that others, even IF they let emotions take over, would still try to avoid DYING.

WILD WILL NOT. This fella uses his FACE as a SHIELD for ANOTHER PERSON, when there's NO NEED FOR THIS, while being in his "right mind".

SO WHAT CAN YOU EXPECT OF HIM, WHEN HE LOOSES HIS MIND IN A STRESSFUL SITUATION?

Wars still gave him the benefit of the doubt for a while, but after this whole fiasco with Twi's injury - Wars just can not help it, he FEARS for Wild's well-being, because "Champ" himself DOES NOT (with his whole "failure of a hero" thing, I presume).

And how does one even adress it? I doubt Wars saw many people who didn't care about their life before, he was at war, usually people want TO SURVIVE there. He's on edge cause he sees a problem and has no idea how to aproach it.

I want to preface this by saying I have a severe inability to stay on topic but yeah let's talk about it.

So you touched on something me and Jesse have both touched on- that Wars' actions towards Wild come from a place of concern and fear. I think that this is true. Wild DOES lack self-preservation instincts, and Wars has to be afraid of losing him- of the young knight earning more scars. Wild can be an idiot sometimes, but Wars saw him lose his head and attack the shadow when it was just proved to be lethal more than they knew.

There's a difference of perspective between ours and the boys tho that is important and I think contributes to people judging wars for this. See, to Wars perspective, and all of the boys, they could die at any time. An injury could be fatal and they can't see the future. We however KNOW that Wild survives, because we know he goes on to tears of the kingdom. We know Jojo has said that he is reckless and will get himself hurt but always comes out of it. But Wars has watched a billion (<exaggeration) soldiers die and is terrified of it happening again. Whereas we watch the comic from the outside, knowing for certain Wild will make it, Wars is living out that reality harshly.

ANoThER thing I think people forget to account for is Wars is not just a captain, he's a soldier but also leader in an army. I'm not the best with phrasing sometimes so I'll try to say this well- people in the army don't always get to be nice. Oftentimes armies have very harsh environments in treatment towards soldiers because when it comes down to training and life and death there is no time for niceties or feelings. Wars was pushed into the most major promotion ever pretty much to be an army leader. If he's now in the mindset of viewing Wild as a fellow knight/soldier who is not a leader... angry words and facial expressions is pretty mild to be honest.

Wars is a really nice person for all he's gone through, but fighting in a war is a very different experience than a solo journey like the others had. I think it's time to acknowledge that he was forced into far more of a role than the pretty hero, but also an armies leader, and it takes a lot of work to be a nice person through all that. Wars is a nice person who has a ton of strength to be so kind after all he's been through and his actions towards Wild make sense considering his past with what journey he came from. Thank you for coming to my ted talk- no I'm not done.

If anything I said was in any way offensive let me know. I hope my words didn't somehow come across as harsh.

Although him (in a way) treating Wild as someone who is out of line is understandable given his past, it's still not excusable. Wild isn't a soldier and he's not the leader.

Now for Wild time I'm going totally of the rails let's go

Wild doesn't. Yeah ok Wild doesn't like Wars. I've made like. Fifteen thousand nine hundred and fifty two posts on this (<big exaggeration). Wild has not really... spoken to Wars throughout the Lu storyline, tho he did in some of Jojo's starting doodles. Wild has really only spoken to Wars since it all went down when mr. stubborn got injured. I think Wild has a lot of resentment towards Wars for being the knight he was supposed to- who succeeded. Wild has flat out ignored Wars a lot of the time and honestly I'd get pretty frustrated with that too.

Also I along with the other nine hundred people want Wars to trigger an army memory in Wild. For the angst.

Wars is wrong in how he's acting towards Wild and Wild is wrong in how he's treated Wars not as someone worthy of respect. It's hard to pinpoint what's going on in Wild's head but I DO know Wars thoughts- he's terrified for Wild's life and angry that he ignored him and fought the shadow.

But yeah you're right. Wild has no self preservation instincts and Wars can't rely on him to freaking stay alive. Thank you for sending me an ask and sharing your thoughts with me!!! You matter and I love hearing from you /gen <3

Also. Let's make this clear. I love Wars so much. So very much. He's literally a fairy godmother. No hating on him or Wild on my posts. Thank :D

[felixora]

Anders discource

I forgot to post this here as well, lol

This kinda turned into a small essay…. Which is to be expected, it is Anders’ discourse after all.

This text is a personal view of the DA discourse, that is often summarized in fandom circles as “Was Anders right?”.

So let's start with this question: which is better, a peaceful or violent revolution? The answer is: both, depending on the severity of the situation.

I'm sorry to break your sweet dreams about “peace and love”, and “only peaceful revolution are justified” — but that's just delusional.

While I do believe that peaceful revolutions are the best outcome for both sides of conflict, more often than not they are impossible specifically due to unwillingness of the oppressors to seek true compromise. Because where the marginalized might achieve something slightly better for themselves, the oppressors lose the most important thing for them — they lose control.

And then the only thing that's left is a violent revolution. Or, well, death.

The rule of “turning the other cheek” does nothing but perpetuates further violence, when you're dealing with an oppressive regime. Because while the marginalized side often considers the middle ground with their oppressors (just for the sake of “making things better than before, while not risking the full annihilation by a stronger force”) the oppressors have only one in mind: “We want you fully gone, because you oppose our rule. You are a danger to us”.

The thing that I learned in past 10 years is that — ”Pacifism is a privilege”. And those who are oppressed don't have said privilege. They either fight or they die. Sometimes slowly (for ex. by assimilation), sometimes rapidly (in a massacre).

The thing that genuinely baffles me in the whole Anders' discourse, is the fact, that people forget or ignore that he for years tried to do the peaceful revolution. The Mage Underground was a way to get the mages from the dangerous environment, without engaging in the direct confrontation with the Templars. The manifestos on why mages should be free and letters to the Divine herself regarding the same issues that Circles pose — all of these are methods of peaceful resistance. 

Now, remind me again, did these actions have any effect on how Templars or the Chantry treated mages? Maybe they revaluated their stances, did a thorough investigation of the possible mistreatment of their charges?

Oh, yeah — IT DID NOTHING.

No, not even that — the things started to get worse and worse, actually. 

Any time the Grand Cleric “calmed things down” — the status quo remained. They didn't try to investigate the concerning situation in the Kirkwall Circle or any sort of rumours of abuses by the Templars. No, the Chantry for the most part closed their eyes to these rumours, and when the number of rebellious mages went up, the only thing they considered — was to organise a crusade (an Exalted March) against the Kirkwall. Nevermind, that most of the mages from the Circle and as fugitives were a faithful Andrastians, despite the conditions they were put through by the Chantry.

But of course, “the Chantry is just a religious organisation, it shouldn’t be targeted in such situations”...

So, back to the Templars — they didn't get their wish of cutting down all the mages under their care right there and then. But they sure as hell were allowed to continue to physically and psychologically torture, push mages to their breaking point, and commit any abuses they felt like doing to their charges.

In all of this, the Chantry poses as an enabler and the cause of the laws against mages in the first place. Not to mention that Chantry was responsible for the creation of the Templar Order, and they are subservient to the Divine.

By the 3rd act of the game we have a conformation, almost right away, that Meredith send a letter to the Divine requesting a Right of Annulment.

It's not anymore a question of “if the Divine will approve of this” — she might have said no, it's true. But our characters don't know that. They see the situation, where every peaceful attempt to reach a resolution was met with silence or threats of violence. With all due respect — only a fool hopes for the better and does nothing in such a situation.

This becomes a question of “when will it happen”.

When the oppressors say “I will murder you” you don't go “How about we talk”.

When you propose a dialogue and the opposing side says "No" over and over again, while continuing to tighten up the leash around your neck, the only right action is to fight back. If you fight — at least you have a chance of surviving. Otherwise, — it's death. Slow or quick, depends on the choice of the oppressors.

Another important thing, is that revolution doesn't happen on the shoulders of one person. It needs people. And those people need to believe that the idea has at least some chance to come true, they need to be inspired.

Inspiration not always comes through well-put speeches preaching kindness and unity.

It also can come through acts of violence, if said violence is turned against the oppressors. It shows, that they CAN BE BEATEN.

And Anders’ actions inspired people.

Anders tried his voice, he tried to reach the society in general with his arguments. That didn't work.

He tried to bring change with the Mage Underground, to recruit his friends (Hawke and the party) to join his active efforts of fundamentally changing things — that didn’t work as well. (while the friend group acts uninterested and uninvested in Anders’ righteous cause, Hawke might constantly and only suggest diplomatic solutions, which at the time were already useless and only maintained the status quo)

So the next closest thing is an act of violence against the Chantry — to show all those mages, who are still doubtful, who are scared, who think there is no hope — you can fight back and make it hurt.

What was called “compromise” from the Grand Cleric was maintaining the status quo, where mages in the Circle were still suffering the abuses, while the Templars simply weren't allowed to make them all Tranquil. 

How the fck is that a compromise?

If you didn’t get it already — I am a big supporter of action, when it comes to revolutions and fight against oppression. 

While acting is always a wild card (you have no idea, what reaction you might get from your oppressors, if you'll receive any support from “external forces”, if the luck will be on your side) — it always brings change. 

On the contrary, inaction — leaves your fate in the hands of the oppressor. They might be merciful, they might be cruel — what happens to you and your people in such situation depends solely on their wimps. In many cases — the status quo remains, nothing changes.

The Chantry personnel was part of the problem. For years, they did nothing to investigate possible misuse of power within the Circle, that obviously perpetuated further and further rise of temper among mages. 

They stayed silent on the issues of Ferelden refugees, leaving them to fend for themselves in the slums (while obviously holding significant part of the influence in the city). 

They obviously took part in less than peaceful instalment and fight against neighbouring religions (see Mother Petrice and the Qun). 

And, returning to the topic of mages, they perpetuated as part of their official teachings demonisation of mages as a whole, purposely ostracizing them from society and creating an impossible conditions to fight against. Their word was the law. And even if the mage had a compelling argument for their case — without even a bit of approval from the Chantry, they wouldn't have a chance of bending the society to their side.

So, the Chantry is just as guilty.

Another thing that needs to be considered in this topic are the casualties among civilians as a result of Anders’ violent protest. Because in the aftermath of the explosion there was 100% injured or dead among civilians. One might argue that they are just as gullible, turning a blind eye to the obvious misdeeds by the Templars and apathetic response by the Chantry (all it takes for evil to fester, is for good man to stay silent, after all) — but that still doesn't make their deaths rightful or expendable. 

Anders had to make a choice — either them, or the mages. 

They are the collateral damage of this conflict. One, that could have been prevented, if the oppressive side agreed to at least a compromise with the oppressed. But they didn’t.

And as a result, Anders had to take actions to unsure at least some fighting chance for his people, for the mages. The sad thing for me, personally, is that he will be the one to live with the burden of this choice, and not the personnel of the Chantry or the Templars, as they didn’t consider themselves guilty. 

The other side of this story could have ended with Anders staying silent, Meredith putting into motion the Right of Annulment and then the Chantry sweeping what happened under the rug (which had a high chance of turning the story to the path, where revolution among mages happened decades later or even didn’t happen at all). 

And that would have been the consequences of his choice as well, though a much worse option if we're considering that Anders made it the purpose of his life to bring change to the system and protect his fellow mages.

Another thing that is often brought in discussion is that Anders should have chose the Gallows as his target. In this scenario, there would have still been casualties among the civilians (consider the debris falling from the sky), as well as guaranteed deaths among the mages and tranquil (all were located in the Gallows). Anders wanted to give them a fighting chance, not kill them right away.

So selecting the Chantry as his target to shift the general power balance in the conflict and send a message to both the institution and mages across Thedas — is absolutely logical.

Other thing that makes no sense — is the lack of mages who actively sided with Anders' actions while remaining on the defence against Templars (not that weird shit about creating 2nd Tevinter in the Hinterlands)

Because that's how it went with revolution in my country. We have some people who regret the revolution (even now), we have those who are apathetic to it, and we have those who believe in it wholeheartedly.

People died for their beliefs in this revolution, and both them and those who advocated for a more proactive approach and survived were idolised by numerous people afterwards. 

Some rightfully so, some less. But it still happened. 

They are considered heroes, EVEN THOUGH we also had an invasion of part of our country from our neighbour as a result of this revolution. And in latter years, we are now defending ourselves from a full-scale invasion from the same oppressive force that was largely responsible for the reasons we had a revolution all those years ago.

The majority of people in my country would still, without a doubt tell you, that the revolution and the subsequent violent fight for our future was the right course of action. Even now, knowing how things turned out for us.

Because it brought change. It gave us hope that we can be that force of change.

So when the DA tells us, that there were barely any mages, or relatives of mages who were taken from their families, who considered Anders' actions justified and idolised him into this heroic persona — I call bullshit on that. 

That's simply not how things turn out in these sorts of situations.

Many held grudges not only against Templars, but the Chantry as a whole. Many spend their lives in hiding or locked away from their loved ones. The voices of many were never heard, no matter who they appealed to — and then comes this mage, who dealt an irreparable blow against the authority of the Chantry, who challenged their rule and told everyone “the time for compromise has passed, it is time to fight”.

Are you telling me people won't idolise that?  Span a ton of rumours and legends around his figure? 

I highly doubt that.

I have genuine criticism of Anders as a character — his racist towards elves views are hard to miss. The occasional misogyny (if we're taking Awakening into consideration as well) is also present. All of that can be explained by the upbringing in the Circle and under the Chantry, but it is NOT an excuse, and these are genuine flaws of his personality.

That being said, you don't have to be a perfect victim for your suffering to be acknowledged, related to and your fight against oppression to be supported.

“Oppression” is not an achievement, that you unlock only after reaching certain standards. 

It simply exists.And not only you can fight it, but you must.

[ssahopelessly]

Home for Christmas

Synopsis: Spencer gets called away on a case days before Christmas and while he should be working, his only thoughts are those of returning home to be with his wife and daughter.

Prompt: “After an awful case, the team comes back on Christmas Eve to find that Penelope has gathered their loved ones and quickly decorated the BAU as a surprise.” From the Office Party challenge {but I left out the party and decorating of the BAU office}

Warnings: Married Spencer x WifeReader, Fem!Reader, daughter named Autumn, brief discussions of case [let me know any I missed]

Word Count: 2.6k

Masterist

It was his worst nightmare come true. Well, maybe not his worst, that was one he hoped would stay tucked into the recesses of his mind for all of time. But this definitely made the list, without a doubt. Several years ago, it would’ve been an inconceivable one, but now, knowing what was waiting for him at home, this was the absolute worst.

“Are you going to be home for Christmas?” Her voice rang through the line as clear as a silver bell.

“I don’t know. I hope so. But…” Spencer allowed himself to fall back onto the bed he had been sitting on, trying to imagine he was home for this holiday. In his mind, he could see it as clear as he did when he left their home two days ago, the Christmas tree they had spent an afternoon decorating, the garland lining the stairwell that had been entwined with warm white Christmas lights, how the whole house smelled just like a Christmas tree farm and some cinnamon.

Spencer hoped that if the fates had any sway and any favors they could pull for him, maybe this would be the one. “But?” She had caught onto the sentence he didn’t finish, his mind lost in remembering.

“Well we haven't had any victims in the last three days and what we have isn’t conclusive enough or worse, it’s just not enough.”

“Oh.” He was staring at the hotel ceiling above him, getting visually lost in the scalloped pattern of what was above that he missed the defeated look on her digital face.

“And I don't want to wish for another victim, not a few days out from Christmas, but if we don’t get enough evidence we’ll have to close the case and go home.”

“Would you be here for Christmas?” The voice she used was relatively small, knowing at its core, it was a selfish desire: to have Spencer home for Christmas when people in another town needed him to stop the unsub. But there were only so many childhood Christmases for their daughter, and there was nothing more important in their lives than her.

“I mean maybe, but we would just have to come back out when the next victim shows up and I don’t want to leave if he’s still out there.”

“Is it possible he’s tied up in holiday festivities?” On her end of the call, she was moving about the kitchen, preparing a late night cup of hot cocoa as she listened to him, knowing she was sharing his attention with the details of the case.

“I mean maybe but…” His voice trailed off again as he slowly sat up, his memory deep diving into the facts of the evidence board and how that situation had never been entertained, how they had never considered with the holidays their unsub might be busy with festivities.

“Spencer?” She called to him, making sure he was still there or that the call hadn’t dropped.

“What if he’s tied up in holiday events and- I gotta go.” Pushing himself off the hotel bed, he ran towards his satchel, forgetting his phone on the sheets. With a view of the ceiling, she called for him one more time.

“Spencer?”

“Yes?” Crossing back over, he looked down to his phone so she could see him one more time for the evening, a smile forming on her lips as she knew they might’ve just had the breakthrough he needed. Whether he would get home in time for the holidays was one thing, whether he would save a town from future torment was another matter entirely, something she knew he was perfectly capable of.

“I love you.”

“I love you too.” Her words had given him the hope he needed, that electric spark of an idea that could carry him through the next few hours of re-evaluating the case enough to feel like he might actually be able to go home. “I’ll be home for Christmas. Promise.” Even through the phone screen, he could see the tears that had built along the bottom of her eyes, the smile she tried to show just for him, and he hoped against everything, that her beautiful and brilliant mind had given him the breakthrough the case so desperately needed.

-

“What?” Penelope yawned over the speakerphone, stumbling into her office that morning with Spencer five cups of coffee deep into his complete reanalysis of a case everyone was nearly ready to close, unsub known or not.

“We need to look at individuals who would be tied up with holiday festivities right now. Craftsman working on the local parade or theatre performances, someone who would have access to the tools and skillset but have virtually zero free time right now due to holiday obligations.”

“Spencer, it is six in the morning there, did you sleep? At all?”

“I got four hours before midnight and I can sleep on the jet.” He rattled off in a half breath as he added new notes to the map on the evidence board. “Okay, how many of the churches are hosting or have already hosted Christmas events this month through New Years?”

“Uhm…” he waited for her numbers, hearing the incessant typing of her keyboard, “Jesus, you’re definitely in the south. Within the city limits, 43.”

“Out of city limits?”

“52.” His attention focused in on the pins where the latest victims had been found compared to where the churches and local theaters were. “Spencer?”

“What about-”

They carried on like that for another hour until finally, they had narrowed it down to one guy. Their unsub had split time between three churches and a local theater, one victim tied to each community and within a few hours, they had their warrant and had arrested him before he could even wake himself up that morning. He was pulled into questioning which unfortunately did take all day, but by the time paperwork was finalized and evidence collected by evening the next day, they were on their way home to spend Christmas Eve night with their families.

The jet ride back that night was nothing remarkable, everyone choosing to sleep or keep to themselves this trip. And he was right. Spencer Reid did sleep on the jet the whole way back to Quantico. But the warmth he found in his sleep on the jet would soon vanish as the cool Virginia air greeted him with a vengeance that night, just as the team shuffled from the jet to the SUVs. The ride back to the office was quiet, but no one could continue their naps from the jet. All anyone could do was think about the families waiting for them back home, families waiting to start the holiday festivities.

“Look.” JJ had whispered to Reid at one point in the drive, her hand extending her phone to him in the backseat from her spot in the passenger seat. “Will and I agreed the boys should open one present tonight.” The video, once Spencer held the phone in his hands, was of Henry helping baby Michael open a box that sat on the floor between the two. He didn’t quite catch the content of the present with the shaky filming and glitching pixels, but he smiled over his godsons nonetheless.

“Wow.” Spencer let himself marvel aloud as he passed the phone back to JJ, trying to fight the yawn that was lingering at the back of his mouth. “Are they waiting up for you?”

“Henry is but Michael fell asleep early tonight. Will said they’d watch Elf and the Grinch until I get home though.”

“That’s not going to delay Santa Clause?” The look in his eye was one of knowing, a near twinkle of mischief.

“As long as milk and cookies are out, Santa will be fine.” Spencer could see the fond smile on JJ’s face in the light from her phone screen before she put it away in her pocket, looking back to him then. “What about your house? Do you think they’ll be awake when you get home?” Spencer tried not to think too hard on the possibility. He knew the schedules, he knew the odds, but part of him hoped he would get what was left of Christmas Eve with them, even if it just meant a five minute bed time story with Autumn and then one mistletoe kiss with his wife before they both passed out for the night.

“I hope they’re awake. But it’s late anyway so they’re probably asleep.” He felt how the possible reality affected him, but he hoped against everything he would get to see them just once before Christmas morning.

-

Normally when they got back to the office building, they were dismissed until the next business day. And he thought Hotch would especially excuse them as they both had kids at home. But something wasn’t right. As they piled out of the vehicles, Hotch required everyone to return to the 6th floor. He wouldn’t say why, and if anyone had a chance to ask, all they were told was “some paperwork cant wait for the next day.”

Spencer was the first one off the elevator, noticing how the time clock over the bullpen read the time to him, almost mocking him. 10:43. He did take a moment to glare at the ticking thing, setting his satchel down into his computer chair as he rubbed at his eyes. They opened to notice one thing was different, one thing that didnt sit right in his mind. He couldve sworn the roundtable room blinds were always open, never closed unless there was an important meeting. And he could've also sworn the picture frame on his desk with their family Christmas photo had been on the right of the computer, not centered along the right side. “Hey, H-“ He couldn’t finish calling to his boss, a commotion behind him taking his attention.

“DADDY!” His head spun trying to find her voice, knowing it anywhere. The one voice that could get him to shed his FBI exterior and leave his heart open. Turning around, he saw the blur of her hair and holiday dress as she ran down the steps to him, his body immediately bending down to scoop her up. “Daddy you’re back!” Her voice cheered into his shoulder as he pressed a kiss to the side of her head, spinning them around for effect. She giggled profusely as he looked back to the roundtable room, now seeing (Y/N) waiting just outside the door, hand over her heart as the scene unfolded. He motioned for her to come join them, quick to notice how she wiped away tears as she rushed to be with them by his desk. Holding tighter to Autumn, he pulled his wife in for a hug, also placing a kiss to her hair before deeply inhaling, renewing his memory of her scent.

“You’re here.” He breathed out in a whisper, squeezing her body to his.

“Penelope called. She wanted you to have your family for the holidays.” Looking once more to the roundtable room, he saw Penelope as she stood along the railing, a gentle wave to Spencer as he held his girls in his arms.

He mouthed a thank you to her before pressing another kiss to (Y/N)’s head, Autumn resting her head against his.

“Daddy?”

“Yes sugar plum?”

“Can we go home now? We’re going to miss Santa.” They both laughed as they hugged her closer in their little family huddle, evermore appreciative that they got one more Christmas as a family.

-

The drive home was exceptionally quiet, Autumn running out of energy before they even left headquarters. Spencer’s hand didn’t let go of (Y/N), thumb rubbing slow circles into the top of her hand as he watched her driving. “I love you.” He mumbled, in such a tired daze from the last few days.

“I know.” Squeezing his hand, she spared a look at him at the red light, no other cars at the intersection. “I love you Spencer.” Just as the light turned green, she noticed how his eyes fluttered to a close, the smile still present on his lips. “Seriously?”

“I’m just so happy.” He hummed, opening his tired eyes to look at her in the passing street light.

“Yeah, and you can’t fall asleep right now because you’re carrying her inside. I can’t carry both of you into the house.”

And he did just that. When she parked their car in the parking lot, Spencer was quick to get out to open (Y/N)’s door and then gently opened the door where Autumn’s seat was, careful not to wake her. While he carried her into the building, (Y/N) made sure to get all the doors in their way, hoping Autumn would stay asleep from the car to her bed. As soon as she hit the matress, her hands did reach up for Spencer as he gently removed himself from her hold, but he quickly reached for the custom teddy bear they had gifted her for when he was away on a case, and she snuggled up to it like it was good enough. Holding (Y/N)’s hand, they both tried to commit to memory the serenity and peace of their daughters room before closing it for the night, quietly walking towards their room now. “What time do you think Santa will come?” She asked as she took off her evening clothes to get into her pajamas, sitting on the bench at the foot of their bed as she waited for Spencer to finish getting ready.

“I was thinking maybe 3:00, maybe 4:00?” She didn’t shy away from letting out a groan as she came up behind him to hug his back, only having successfully put on his pajama pants for the night.

“Maybe 5:00.”

“Do you think she’ll get up and check?” His hands came to rest over hers, holding them close to his stomach.

“No, she didn’t get her afternoon nap so she’s extra tired tonight.” She placed a kiss to the back of his shoulder blade, and he tried his best not to melt into her touch.

“I missed you.”

“Missed you more.” She mumbled out before Spencer turned around in her hold, bringing his arms around her as she settled against his chest.

It was such a simple thing, to be in each other's arms, but it was the one thing they both craved when they were apart. It was the one thing in their relationship that hadn’t changed, the need for physical touch but only from each other. Like many times before, Spencer’s mind seemed to stall with the concept of time, unable to differentiate the seconds from minutes in her arms, resting his cheek against her head. “Let’s go to bed.” One more kiss was pressed to her hair before she let go of him, turning to climb into their bed.

As they made their way under the covers, Spencer moving to lay behind her, his arm slipped over her waist, her back to his chest, and it was then he lost the strength to hold back the lingering thoughts in his mind. “I thought I wouldn’t get tonight with you.”

“You did. It’s our own Christmas miracle.”

“You’re my miracle.” He pressed a kiss to her shoulder, lips lingering over the surface. “My dream I never have to wake from.”

“You, Dr. Reid, are exceptionally cheesy.” A laugh had burst from her lips but he didn’t even flinch or pull away from her. Her laughter settled back into the quiet of their room, eyelids starting to grow heavy as she felt her heartbeat synchronize to his breathing behind her. “Santa’s at 5:00?” The response he offered was just a small hum of acknowledgment, squeezing her body tighter to his before they both surrendered to the attractive lure, falling into a blissful sleep (if only for a few hours).

~

Tell me what you think here!

[faetthorn]

Probably my only contribution to the Pathologic fandom

Some important words below, if you're a patho fan take the time to read them

TW: pedophilia, SA, grooming, racism, colonialism

So I got into pathologic in july and almost instantly got hit with a post about the allegations from back in 2021 against Nikolay Dybowski, game creator and founder of Ice Pick Lodge. He’s groomed several girls ages 15-18 and inclusively has used his position as a member of HSE University in Moscow to do so. 3 years on and people have all forgotten this and are happily cheering for the bachelor route like nothing ever happened 

Yes I know you all wanna forget abt the uncomfortable situations, after all "what can we do" right? I wish I could just pull a switch in my brain and forget too, but I'm a victim of SA and child grooming, and I can't play this game without remembering what its creator did. The worst part is that the characters mean a lot to me. I got into pathologic while suffering from ptsd related nightmares and Daniil, Artemy and Clara brought me a lot of joy and comfort. Even now they and some elements of patho’s story mean the world to me. It hurts to be constantly reminded that everyone is against you, no matter how much you appreciate their work, no matter how much time and money you put into doing it.

I'd properly join the fandom and start calling for a boycott and for these allegations to be discussed and reminded of again but I just know it'll never happen. I'd be ignored or get a thousand replies "oh but the employees, they have nothing to do with it!!" "it's just a game!" "it'll get you nowhere!" “age of consent is x y or z in this country!” "stop being a vindictive little bitch!" "*insert rape threat here*" I expect to receive 0 support on this post and I'll block anyone I need to. Just wanted to let this out of my chest even if nothing will change: Petitions don't work, they never did and they never will. Passivity and politeness never got ME shit, at least.

DOXA, the rus student newspaper investigating these allegations was raided by police (1, 2) and recently considered an undesirable organization by the government. The courts and police would never do anything about this and they’re clearly more invested in persecuting student groups that have even the most basic feminist goals. HSE University didn’t get involved in any libel suits so as far as we know Dybowski wasn’t even fired. Not only is he the creator and chief writer of the games but he's also the head of the studio. Spreading awareness and boycotting is the only way justice can be made (at least in a way non-russians can participate). If you’re considering playing pathologic i cannot recommend it and i don’t want to be the reason someone gives more money to Dybowski. You don’t need more harmful shit when you have 2 games, a dlc and wonderful fandom content the game would never make canon. Hell, PIRATE all the games if you really need to. When the bachelor route comes out the IPL employees will have already been paid for it. Also, let’s not forget that WE DON’T KNOW where the profits we give will go. They might go to CP, they might go to the rus army attacking Ukraine and occupying former USSR territory and Syria.  

I wonder why it's so easy for you all to rightfully call to boycott anything related to zionism without making excuses but then when it's a pedophile with countless cases of grooming and very probably rape you all stay quiet and do nothing just because it's your precious little interests. It's almost like it's all performative

In the same vein, there needs to be a discussion about how violently racist this game is because this art came from anger and sadness. I’m not indigenous but i’ve followed native activism for years and i wouldn’t have the beliefs i have today without the opinions of indigenous people. I know feeling betrayed by the art you use to cope with how horrible reality is is tough. Not only does this game have extremely racist stereotypes and portrays natives as a monolith, but it’s also unsurprisingly misogynistic in an extremely colonial way (need i remind you of Willow, the way the herb brides are dressed or the fixation with portraying steppe people as woman-sacrificing brutes). Not to mention the extreme cruelty of patho 2’s endings. Which is way more insulting when it’s directly tied via the in-game use of Buryat language and inspirations to the native peoples of Siberia who Russia colonized and whose culture is still actively repressed, at a time when the weight of colonization (environmental catastrophe, poverty, sexual violence and more) makes indigenous people commit suicide at a way higher rate than any other ethnicity in many countries, and this includes the native people of Siberia who this game “pays homage” to (1). This fandom in general needs to start being way more critical and checking their own racism too. And to any native patho fans i’m obviously not here to tell you how to feel abt patho’s racism

Well, there it is. I have no hope left to ask anyone to boycott the bachelor route or the other projects Dybowski's created but if this makes you think about the things you throw money at it’ll be something

Edit: I apparently need to clarify something since certain people have been pestering me about it. I'll keep standing behind the part where I say the profits (not the money used to pay the employees, the PROFITS) might go to CP and the rus army and I'll expand on why. The CP part is more than obvious, after all we're talking about a guy who has been sexually abusing underage girls since allegedly at least 2012 with full impunity. The army part might seem like a stretch but if it does to you there's things you need to understand. It should already be common knowledge that misogyny and sexual violence play a HUGE part in colonialism and in russian colonialism it's no different. Dybowski is a misogynistic, violent abuser (because YES csa is violence, always), with racist, pro-colonial views as seen in pathologic. It's a REAL RISK. No pro-Palestine person would ever buy something from an israeli with Dybowski's track record who has given absolutely no statements on the invasion on Palestine while said invasion is ongoing, so the same should apply to Russia. And let me repeat once again: we are not responsible for the IPL employees' well-being and payment. Dybowski is.

[beels-burger-babe]

Why is it that in all of your obey me fics MC is either dumb and obvious to all the brothers concerns or a weak bitch who’ll lose an arm wrestle match to a 7 year old boy??? Dont get me wrong I like your fics I do and I do appreciate your talent as a writer however you write MC as if they aren’t 1.Master of the 7 sins and 2. Solomon the wise’s apprentice. They know magic yet in all of your fics it seems like they either forget everything they learned or just can’t summon any of the brothers to take care of them, so like what the hell is up with that?

Hello Mx. Anon

I would argue my MCs I present aren't weak or stupid. They are human.

I prefer the MC we have in the early stories of the game over the MC in the later episodes. The MC who is still learning about the Devildom, and magic, and the culture around them. Most of my fics take place during that time when they AREN'T Solomon's apprentice yet and either haven't formed pacts with the brothers yet or respects them enough to see themself as their 'Master' and abuse that title. Because of this, the MC I tend to write often doesn't have magic, and yes I make them the victim in several scenerios of the over 70 fics I have as those tropes are very popular and often times requested.

However.

Just because they may be oblivious to the advances of the characters (which is not true for the majority of my fics where MC is actively in relationships with one or more of them) that does not make them stupid in general.

I believe in the strength of the average. I don't like writing super strong, super powerful MCs because I don't find them relateable. You can have a super badass MC who is trying their best and never so much as casts a spell, and they are still a bad ass. I think MC being mundane in the Devildom is what makes them so unqiue. Their strength doesn't lie in their magic, but in their emotional intelligence, their empathy, and their words.

That said. I have written fics where MC tries to kill their ex. (Changes in Behaviour). I have written an MC who punches Levi across the face and spits blood on Lucifer's shoes, and who refuses to take any bullshit from the brothers. (Sister's Keeper). I have several MCs who does not allow others to cross their boundaries and abuse them (What's in an Apology?, The Pain is Yet to Come) I have a deaf MC who stands up for themself and doesn't allow others to see them as less (Deaf MC AU). I have written a siren MC who attempted to murder the brothers, their captors, in order to escape. (Waves are Calling) I have had MC flirting right back at them with confidence enough to take control. (Class is in Session.) I could go on.

I see your critique. I hear it. I appreciate it, because writing strong, bad ass characters who take no shit and who can and will fight for themselves is important.

I just prefer to show that strength internally over externally. If I do come back to writing here, which I haven't done in over a year, I will remember your words. But that said, my inbox is filled with prompts asking for more MC being saved or in situations where that physical poweress wouldn't necessarily apply.

Thanks. Have a nice day.

[marukrawler]

One of the few good things from MS was the arc of Marucho. Realising how imperfect Dan is and how dangerous is to idolize anyone

YESSSSSS EXACTLY.

I really don't think we talk enough about Marucho's growth in MS1 and how we see bits of his trial resurface amid the bleak situation with Bakugan Interspace, especially concerning Dan.

I've already talked here about the significance of Marucho's nickname and how Dan is most likely the reason why Marucho created it. Marucho outright told Dan that he was the reason why his family moved to Battle Town/Wardington. Marucho mentioned Dan by name during his trial when he talked about the people who helped him change. Season two featured a couple of moments where Marucho would rush to find Dan if he was in trouble and even showcased Marucho having trouble sleeping because he was worried about Dan unlike Shun.

The show repeatedly highlights how important Dan is to Marucho, how vital he was in Marucho’s transformation into a more confident person, as well as how much Marucho admires Dan as both a leader and a person.

And what does MS1 do? It slowly breaks down Marucho’s image of Dan.

The usually confident and transparent Dan Kuso is no more. He spends less time with his friends, sneaks around to train in secret, hides his nightmares, lashes out when questioned and puts on a brave face, pretending as if everything is alright.

As Dan and Drago keep putting the audience in danger with their uncontrollable power, the unheroic behavior of Interspace’s resident hero is brought to light, scrutinized and condemned by their fans. Even so, Marucho’s faith in Dan doesn’t waver and he actually sympathizes with what Dan must be going through, being unable to battle the way he used to when battling is such a big part of who Dan is.

Dan leaves Interspace without a word and the repercussions of his actions fall on Marucho (and Shun) to clean up. Marucho has to worry about the chaotic state of Interspace, Shun’s reckless attempt at establishing order through dominating force, Rafe and Paige’s disdain for the Brawlers, as well as Dan’s absence. And it’s at this very moment when the Brawlers are disconnected and Marucho feels more alone than ever that his father enters the scene.

This is no coincidence. I’ve already spoken about this scene here and here so all I’ll say is that it’s a brilliant way to highlight Marucho’s growth since his trial by placing him in a situation where the very group that helped Choji become Marucho is no longer present.

We see how even when Marucho wishes to step back into his old persona of the obedient son, he simply cannot forget his friends or the game they created because of the impact it had on his life. This, once again, makes Marucho reevaluate his identity and reconcile the two versions of himself that are Choji Marukura, the heir to the Marukura fortune, and Marucho Marukura, the Aquos Battle Brawler.

Dan returns to Interspace expecting a hero’s welcome, but what happens instead is that his Mechtogan goes on another rampage, (nearly killing team Anubias) the Brawlers only just learn about the existence of Mag Mel through Dan after he kept quiet about it for who knows how long, and Dan once again downplays the severity of the situation and also dismisses Marucho’s new position as team leader.

The genuine confusion on Marucho’s face when Dan expects him to hand over the title of leader so easily is quite something. As if Marucho being acknowledged as the new leader on his own merit means so little to Dan, someone Marucho looks up to.

Though he may not know this, Dan’s actions put Marucho in a position where he almost gave up Bakugan for good and now he's standing there and laughing, as if this whole situation means nothing. For the very first time, we see Marucho snap at Dan and it’s clear how angry and disappointed he is with Dan’s attitude following his return. Ultimately, Dan learned nothing from being away for so long.

There is no doubt that Marucho admired Dan greatly because of certain heroic qualities of his and became upset when Dan no longer embodied those, but his understanding and sympathy towards Dan remained even when Dan became the furthest thing from a hero unlike Noah. He just wanted Dan to trust him the way Marucho wholeheartedly trusted Dan.

Marucho felt betrayed by Dan because they were supposed to be teammates, friends, family, and Dan didn’t trust his friends to be able to help him with his problems.

Marucho felt betrayed because the very person who started the Brawlers didn’t have faith in them to have his back, didn’t even give them a chance to be there for him, and then left them behind. Marucho had to work tirelessly to bring back his team, to make their fans believe in them again, to make his teammates believe in the Brawlers again. And when Dan returns, he sees none of Marucho’s hard efforts. He only thinks of himself and fights by himself, not as part of the Brawlers. Marucho expected better from Dan and he is continuously let down.

MS1 is really good at showcasing the dangers of putting someone on a pedestal and how much it hurts when their actions no longer meet your expectations.

In particular, Marucho, Noah, Chris and Soon are the characters who learn this lesson the hardest and grow from it, strengthening the bonds between themselves and their teammates, as well as becoming more confident and self-assured individuals. I think it’s a shame how the general dislike of Mechtanium Surge (as well as the English dub) prevents most fans from being able to see Marucho’s continued growth and how far he’s come.  

[dervaaas]

Their words that actually carry more meaning

Characters:Ranze Kurona; Kenyu Yukimiya; Alexis Ness; Aiku Oliver; Tabito Karasu; Ikki Niko; Reo Mikage

F!reader

Hi, I'm back. I've been too lazy to do anything lately, but I need to get back to my old paceᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ. Soon I will post an additional post with a small announcement.

I had to post it again because it didn't show up in the tags. Moreover, I do not know how to solve this problem.

Part: 1, 2

Ranze Kurona

— We haven't been talking much lately.

It's too simple, but these words are so nice. It may seem that he is stingy with emotions, but if you look closely, he needs emotions that he can experience with you. He is straightforward in his words, but at the same time his remarks are not some kind of caustic: this is not permissible in relation to you. Kurona is actually simple, but this simplicity is too interesting.

Tabito Karasu

— You know that phrase "a guy can find any topic to talk to his girlfriend"? So, what kind of socks are you wearing now?

He seems to be, or rather is, the type who will say something stupid, after which you laugh. Of course, this is something stupid - just his way of proving that you don't necessarily need loud speeches to prove that you mean a lot to him. He just doesn't have to do it, such words are enough to make it clear that he wants to talk to you or even discuss this topic.

Reo Mikage

— If you don't want all this.

It was customary for him to get everything he wants, and this played a role in your relationship. To some extent, he was worried about whether you would accept his gift or not, no matter how expensive it was. Your opinion about them was important to him. When he got rejected from them several times, he was very surprised, and he was so pleased that someone like you didn't care about his money. If you refuse them, he will not insist on it.

Alexis Ness

— I think you look a lot happier than usual.

Even if it's not such a big difference in your mood - he still sees it. It's important for him to know how you feel. You can call it its feature - to catch any changes, no matter how insignificant they are. He only needs one hint of your sadness, and he already knows what to do. He wants to see how you always smile, it doesn't really matter to whom, as long as it's sincere.

Kenyu Yukimiya

— I will definitely not forget such beauty soon.

They sound, of course, like posthumous words. But if you take into account his situation, it is important for him: to remember how you look, to remember how you always treated him, were afraid for him, worried about him; how you looked at him with a completely different facial expression. He will always hear you, but remembering how you look will be an important activity for him first of all. More than likely, you know what he's trying to convey in his own words.

Aiku Oliver

— Kiss me if I'm wrong, but isn't the world flat? Did I guess wrong?

He can't leave his nature with flirting, which he uses against you. It may be a silly phrase, but it's enough to make you blush. He's interested in it: the way you react, unaware that he is doing it not only for fun, but also to avoid direct words about his gratitude to you.

Ikki Niko

— You can stay here... with me.

It's not particularly difficult for him to say something, but he is confused by the fact that it needs to be said to you. Before that, he tries to rehearse it somehow, but all confidence flies away from him far away. This guy is completely different next to you, not the one on the field. But he always wants to be somewhere near you, so I don't think it's a problem.

Well it was a lie, and now the truth

— You can look at my forehead.

He trusted you with his forehead, that says it all.

[lurkingshan]

Okay now that Halloween is over and my head is clearer, I wanted to add some thoughts to the great posts @waitmyturtles and @bengiyo shared debriefing Only Friends and unpacking this desire by some in fandom to declare that it has no message and therefore we can't be upset with the creators for what they chose to put out into the world via this show. Let me just say upfront: I find that claim preposterous and completely contra the basic tenets of media literacy and analysis.

Turtles already gave a great overview of the foundational truth here: media is communication, and all communication contains messages, both explicit and implicit. For the first 11 weeks, I believed that Only Friends was attempting to take a neutral POV on its characters' morality, asking us instead to think for ourselves about the moral complexities and implicit messages of the situations the characters were in, and wondered if the lack of a very explicit perspective from the show was making folks uncomfortable. But then, in the final hour, the show shifted its tone to provide an extremely explicit POV on the characters and its themes (with the subtlety of a sledgehammer to the head), with a heavy focus on punishing Boston, and that POV was so rooted in heteronormativity, sex shaming, and frankly, anti-queer sentiment, that it took many of us aback. As Ben put it so succinctly in his post: NOT A SLAY.

I want to unpack this more because it’s important to understand that there are ways to write the events of the final episode as essentially the same without embedding that explicit moralistic POV. If the intent was to maintain a neutral presentation of events that does not cast judgment on Boston, you would not do any of the following:

Have several characters explicitly judge Boston for being a non-monogamous slut in dialogue with no counterpoint voices

Make Boston spend the episode apologizing to every character while receiving no apologies in return for the wrongs done to him

Insert a random episode of Boston acting on impulse in a way that is not actually consistent with any of his previous behavior to make a sudden point that he can't change

Have Nick, who has been explicitly singled out as the one person who understands and loves Boston, change his mind and dump him in a frankly condescending way while Boston begs him for another chance

End Boston's final scene of the show with him devastated, alone, and defeated while the rest of the characters are happy and thriving

There is absolutely nothing neutral about those choices, fam. And they were in fact choices that the creators of this show are responsible for. They could have had the basic events of the finale stay the same, but changed the dialogue and framing of these interactions, and it would have completely changed the message being sent. For instance:

Instead of having Sand say Nick deserves better than Boston because Boston kissed someone else, he could have focused his comments on helping Nick understand whether he wants monogamy and why

Instead of having Boston grovel to everyone, they could have had all the friends just decide to forgive and forget all their mutual trespasses, or had the rest offer Boston sincere apologies in response to his own

Instead of Boston randomly deciding to make out with Boeing and lie about it, they could have had him invite Boeing to meet Nick for a threesome and have Nick react to that

Instead of having Nick dump Boston, they could have had them mutually decide they want different things and decide to part ways

Instead of Boston crying and dejected on the concrete, we could have seen him say goodbye to Nick on positive terms and walk away with his head held high to the life waiting for him in NYC where he can be his authentic self

Do you see how that works? All of the events of the story are the same, but the message it delivers is completely different. This version of the story would tell us that even though Boston's current friends don't really get him, and even though Nick is not ultimately comfortable with an open relationship, there is nothing inherently wrong with the way Boston wants to live. But they didn't give us this version; they gave us the stigmatizing and shaming one I described above. And that is absolutely something we should hold the creators responsible for, even if it makes us feel some kind of way about our drama heroes.

I have been giving this show the benefit of the doubt for weeks because I had a lot of faith in Jojo and Ninew not to put art out into the world with such a terrible message, a faith that was rooted in their previous work, including Gay OK Bangkok, 3 Will Be Free, and The Warp Effect, all of which featured queer ensembles and strong sex positive messaging. But no creator is infallible and mistakes were made. We will never know how much of the final messages in Only Friends were intentional versus a result of sloppy and rushed storytelling, or how much was the creators’ original vision versus studio interference, but ultimately it doesn't matter. We have to deal with the show we got, and we should be putting a critical eye on the people who delivered it to us. I know I will not be going into any future Jojo/Ninew shows with the same kind of faith, and I will not be pretending this one wasn’t a huge letdown from these creators.

[vole-mon-amour]

I don't know if I'll write this fully when I have the time and energy (depends), but I know that if I won't get it out of my system, I'll forget & I don't want that.

The short idea is: a body of water (a river or a big lake). A magical fruit tree whose trunk is fully leaning over the water, so the chances of shaking it really hard and getting the fruits are close to zero. The three grows several kinds of fruit at once: peaches, plums, apples, pears.

Halsin and Astarion have been on the road for several days. Halsin is hungry as hell, they're low on food and money (and the damn druid absolutely forbids any kind of stealing, and it's not like they've encountered a lot of people to steal from on their travelling). And here's the tree, right in front of them.

The catch is, not only can Halsin not climb the tree (he'll probably end up in the water, either out of his clumsiness or because one of the branches/trunk snap under Halsin's weight and size), but he is also magically wounded in a battle.

Why does it matter that he's magically wounded? Because he can't heal himself. No potions or spells he has tried worked, so the healing is very, VERY slow. So climbing the tree and picking the fruits himself is out of the question—dor the reasons of mentions above, for also out of fear to make the damage way worse.

So, we have Astarion that bravely climbs up the tree (doesn't even complain much, he'll do things for Halsin he didn't do before for anyone else—because he cares for him very much), picks enough food that lasts them (Halsin, because Astarion mostly feeds off Halsin's blood—his favourite meal/treat) for days. Then jumps down in the water, makes several in-and-out of the water while carrying the fruits in his shirt.

And all I can think about at that point is Astarion being a wet cat in this situation. Up the tree (he's the beauty, he's the grace; he also knows how to pick pockets, so this should be twice as faster and easier), in the water collecting the fruits (hair sticking to his forehead, a bit grumpy, sopping wet cat),getting out of the water (the clothes sticking to his entire body and it feels horrible), sitting next to Halsin—Halsin is in the shade, Astarion in the sunlight in his underwear while his dripping clothes are drying on the tree. He tried to squeeze the water out of it, but of course it's still dripping.

Halsin probably watches his attempts, then calmly offers a hand (even two) ("Let me help you with that") while also flirting and thanking Astarion in the process. It was a really nice thing that he did, considering he's still unsure of the water and it doesn't always feel nice.

I can also imagine Astarion either wanting to try and get dry in those soaking wet clothes (unsuccessfully, obviously) until Halsin suggests he takes the clothes off. Or having trouble removing the clothes/himself out of the clothes because it's clinging to his body, it's heavy, and he's already been in the water for long enough and he is now kind of overwhelmed. So Halsin helps him get rid of the clothes in his usual calm demeanor, squeezes as much water as he can and hangs it to dry.

And in a while, when Astarion's body is dry again, Halsin offers him a spare change of clothing. When Astarion refuses (hell wait for his clothes to dry, thanks very much), Halsin wraps him in a light blanket and makes him sit in that blanket until the clothes are dry—not only it's important to protect Astarion's pale sensitive skin from a possible sunburn, but to protect from getting sick. The wind, the cold lake water, and a burning sunlight can be a cruel and unpredictable mix on him and his well-being (assuming he can get a cold).

Also, I'm still 100% sure Astarion is a cat. So he acts like one, and Halsin is his well loved, loyal bear. And they're a very, very cute couple.

So.

Would anyone be interested in reading/drawing that? No writing that, please, I want to keep the idea for myself in case I do write it into a proper fic.

[sophiethewitch1]

Hey! I just wanted to say that I love the WWW series so much that I've literally read it like 4 times over. SO! I have several questions + observations about it that have been bugging me a little, if you don’t mind answering + talking about them.

Everyone’s ages are something that I've been curious about. I know that it’s stated that Damian and the Reader-insert are 3 years apart in age, 19 and 21 respectively. I’m assuming that they’re more like 2 1/2 years apart based on the ages we’ve been given.

Do they follow canon ages? For example, is Tim still around 7 years older than Damian???

Because i’m picturing the lineup looking something like this:

Bruce: 47

Dick: 33

Jason: 28

Tim: 26

Reader-insert: 21

Damian: 19

I was just curious because picturing everyone’s relative age is something that is really important to me when regarding the dynamics between characters.

Another thing that I noticed was how in the Reader-insert’s  original reality/world, her entire family died on the same day that Jason did. (“Your lives had both technically ended the same day, in the same grand calamity.”). Does that remain the same in this new world?

Because that would mean that the Reader-insert’s  counterpart would have known Jason at some point, which I think is SUPER interesting. Lots of implications.

That’s supported by something that Tim says in his 1st pov: “Your family had died, Bruce’s new wife had died, and all the siblings he never really got the opportunity to meet, gone in a brilliant flash.”

THAT has a few implications that I think are really interesting. It supports the idea that her family did die on the same day in this reality, and that she would have known and been living with Jason at the time (Well, before his death.)

Tim would have most likely only seen them at galas or something similar by that time…leading to his statement about how he “never really got the opportunity to meet” them.

This would mean that Jason knew her counterpart when the Reader-insert met him for the first time. 

Now, going off of all of those assumptions, I can only begin to guess what her and Dicks relationship was like before her family's death. I picture it like this:

Dick had only left the manor around 3 years TOPS before Bruce had remarried, bringing a whole nother family into the fold. Now, we don’t know too much about Dick in this story yet, (I'm SO excited to see more of him in the next chapter BTW) but I can assume that this would feel pretty upsetting. Leaving your home, and your adoptive? father only for him to marry into a whole new family not long after?

I’d be pretty bitter if it was me in his situation. I wouldn’t really want to have any kind of relationship with the new children he had taken in. MEANING that Dick and the counterpart didn’t have too much of a relationship before her family's death.

And between their death and Jason’s, Dick would probably consider the counterpart as some kind of chance to actually build a relationship with his siblings in the light of what he lost. Obviously, the counterpart didn’t appreciate the attempt.

Uhhh there’s probably a lot more that I'm forgetting to mention, but I think the way you write is super compelling, and the Reader-Insert has been the only one that I’ve ever read that I can relate to so well!

So TYSM for writing, it literally makes my day!! 🩷🩷🩷🫂🫂🫶🏻🫶🏻🫶🏻

(And I’m really bad at conveying my tone in text, so if I seem overly critical or anything then I’m really sorry!!! I don’t mean it like that!!!)

Sorry this took so long to answer I have been in sickly victorian woman mode. I'll answer these questions to the best that I can, but also I don't have everything planned and even if I did I regularly forget shit if I don't write it down <3 <3

First of all the ages- I aged both the younger Waynes up and the older ones down a bit, because I'm personally not into the super huge age gaps but also. Imagine them however you want, even if they come up later in continuity still just insert your personal preferences if you want. Like it really doesn't matter lmao they're relationship has bigger issues than the age gaps. Anyway here are how I had them written down but I might change my mind I am a fluid being

Reader: 21, Damian: 19, Tim: 22, Jason: 25, Dick: 29, Bruce: 45, Alfred: 67, Molly: Also 21, Cass: 25, Stephanie: 23, Barbara: 30, Duke: 20

Also yes, reader's family died the exact same day in both universes, and first world reader like... knew about the waynes but wasn't particularly interested in them till their own family was ripped away, then she started obsessing. in second world, reader and the batfam were like... sort of involved? she lived with them, and she was getting to know them, but wouldn't you be kind of weirded out if your mum married like. jeff bezos or something. and reader is sort of introvert coded, even if they don't read that way. it's just because she's trying so hard not to be, because she's so starved for attention. other world reader like,,, didn't seem to react the same way to what happened to her. but she might've, in the newest chapter it seems like she was talking to bruce after the disaster, and then stopped. But yeah you're right they never knew each other because not much effort was made to do so, and the Waynes are always SUPER busy.

Also about the Dick thing, he was actually pretty happy about the new family! But like you said he still didn't know other reader till the disaster. He just didn't have time to get to know her. He was obviously very upset with Bruce because he left to fuck off to Bludhaven for a while, but he's always loved how the Wayne family kept growing. Even when it was just him Jason, Babs and the weird kid who followed them around with a camera. Then he like decided he was going to treat her like a project because he has a savior complex that comes out especially so when he's having a hard time (oh damn my brothers dead). Not your best moment Dickie. I mean other reader definitely did need help but... as if she'd accept it from a guy like Dick. Imagine your entire family dies and you have to deal with the most beautiful guy on earth trying to comfort you while you look like a creature that crawled out of the sewers. And he tries to make you go outside because you're genuinely very mentally sick. I'd kill him tbh. Anyway this is all still technically up in the air and I might go back and edit the fic later because I'm like... very bad at timelines I just can never remember them properly which creates a lot of issues and inconsistencies.

Anyways thank you for sending in your questions/theories and enjoying my work so much! I'm glad you can relate to reader so well, she's like, one of the strangest characters I've ever written who refuses to behave in any concrete mannerisms because she's stubborn and has intimacy issues. But I think we're all a little bit like that lmao. And thank YOU for reading my stuff, I wouldn't still be doing it if it weren't for folks like you :P (also also you didn't come across as critical at all, you were very polite!!!)