#but where’s the mythology the friendship the family

[dootznbootz]

They are literally my favorite brotp ever.

Odysseus and Menelaus

So saying he drew the mighty spear of wise-hearted Socus forth from his flesh and from his bossed shield, and when it was drawn out the blood gushed forth and distressed his spirit. But the great-souled Trojans, when they beheld the blood of Odysseus, [460] called one to another through the throng and made at him all together. But he gave ground, and shouted to his comrades; thrice shouted he then loud as a man's head can shout,1 and thrice did Menelaus, dear to Ares, hear his call, and forthwith he spake to Aias that was nigh at hand: [465] “Aias, sprung from Zeus, thou son of Telamon, captain of the host, in mine ears rang the cry of Odysseus, of the steadfast heart, like as though the Trojans had cut him off in the fierce conflict and were over-powering him alone as he is. Nay, come, let us make our way through the throng; to bear him aid is the better course. [470] I fear lest some evil befall him, alone mid the Trojans, valiant though he be, and great longing for him come upon the Danaans.” So saying he led the way, and Aias followed, a godlike man. Then found they Odysseus, dear to Zeus and round about the Trojans beset him, as tawny jackals in the mountains [475] about a horned stag that hath been wounded, that a man hath smitten with an arrow from the string; from him the stag hath escaped and fleeth swiftly so long as the blood flows warm and his knees are quick, but when at length the swift arrow overpowereth him, then ravening jackals rend him amid the mountains [480] in a shadowy grove; but lo, God bringeth against them a murderous lion, and the jackals scatter in flight, and he rendeth the prey: even so then did the Trojans, many and valiant, beset Odysseus round about, the wise and crafty-minded; but the warrior darting forth with his spear warded off the pitiless day of doom. [485] Then Aias drew near, bearing his shield that was like a city wall, and stood forth beside him, and the Trojans scattered in flight, one here, one there. And warlike Menelaus led Odysseus forth from the throng, holding him by the hand, till his squire drave up the horses and car. Hom.Il. 11.456-488

This is probably one of my favorite moments in Iliad for it shows the brutality of war and at the same time the power of comrades and forgetting one's differences.

For starters I love the fact that it shows how strong Odysseus is in battle. Modern media tend to picture him as a generally not as good warrior that has to get down to tricks to win the battle but that is far from it as in Rhapsody 11 he is seen wounded by a spear in the stomach and fighting off around 20 Trojans by himself and holding on pretty well against them. At the same time though shows the difference between Odysseus and other characters. Odysseus is not stupid. He knows his limits and he knows he won't hold out forever so the way he yells three times for ANYONE to hear him and send assistance shows the desperation of the situation

And Menelaus is the one to hear his cry and actually call for the most powerful warrior in their army to come to his assistance and he clearly states that if they lose Odysseus then things would be tough for them. He recognizes both his strength and his value in the war. He knows that people like Odysseus are irreplacable and the way he actually helps him off the battlefield by supporting him is literally one of my favorite moments! The way we also see that he later on is one of those who speaks with the most outmost warmth for Odysseus and names him as his dearest friend and comrade when he speaks of him to Telemachus (Even Aias who is not particularly fond of Odysseus and vice versa, forgets his personal grudge and rushes to his assistance)

I think that the friendship between Menelaus and Odysseus is not talked much (obscured maybe by the scenes between Odysseus and Diomedes and for good reason maybe) and I think it is a shame. And it is another reason why I loved art such as @thehelplessmortals depicting some tender moments between Menelaus and Odysseus. And also this is another reason why I made them interract in my fanfiction Guilt given that Menelaus is probably the one who appreciates more than many the capabilities Odysseus has; both his brain and mind and his battle abilities

[kleopatra45]

Asteroid Lilith (1181)

Asteroid Lilith in astrology refers to the hypothetical asteroid named after Lilith, a figure from Jewish mythology who is often associated with themes of rebellion, independence, sexuality, and primal instincts. In the context of the natal chart, the placement of asteroid Lilith can provide insights into these themes and how they manifest in an individual's life.

Lilith in Houses

1st House Emphasizes personal identity and self-expression. There may be a strong sense of independence and assertiveness. 2nd House Highlights issues related to self-worth, values, and material possessions. There may be a rebellious attitude towards societal norms around money and possessions. 3rd House Emphasizes communication, learning, and intellectual pursuits. There may be a rebellious streak in how one communicates or thinks. 4th House Focuses on home, family, and roots. There may be challenges or rebellion within the family dynamic or a need for emotional autonomy. 5th House Emphasizes creativity, romance, and self-expression. There may be a rebellious approach to love affairs, hobbies, or artistic endeavors. 6th House Highlights work, health, and daily routines. There may be a rebellion against conformity in work or health practices. 7th House Focuses on partnerships and relationships. There may be challenges or a rebellious attitude towards traditional relationship dynamics. 8th House Emphasizes intimacy, transformation, and shared resources. There may be issues around power dynamics and control in intimate relationships. 9th House Focuses on beliefs, philosophy, and higher education. There may be a rebellious attitude towards traditional beliefs or a desire for intellectual freedom. 10th House Emphasizes career, public image, and authority figures. There may be a rebellion against societal expectations or a desire for autonomy in career pursuits. 11th House Focuses on friendships, groups, and social causes. There may be a rebellious approach to group dynamics or a desire for social change. 12th House Emphasizes spirituality, subconscious, and hidden strengths. There may be a rebellion against spiritual or emotional boundaries.

Lilith in the Signs

Lilith in Aries: Lilith in Aries emphasizes independence, assertiveness, and a strong desire for autonomy. Individuals with this placement may rebel against authority or societal norms that restrict their freedom. They may have a bold and fearless approach to expressing their sexuality and desires. Lilith in Taurus: Lilith in Taurus highlights sensuality, pleasure, and a deep connection to physical desires and possessions. There can be a strong desire for material comfort and security, and an indulgent approach to sensual experiences. Issues around possessiveness or stubbornness may also arise. Lilith in Gemini: Lilith in Gemini suggests a curious and intellectually rebellious nature. These individuals may challenge conventional thinking and communication styles. There can be a tendency towards restlessness or a craving for variety in intellectual and social pursuits. Lilith in Cancer: Lilith in Cancer indicates strong emotional intensity and sensitivity. There may be a rebellious streak in familial or domestic matters, where individuals seek emotional autonomy or challenge traditional family dynamics. Nurturing and protective instincts can also be prominent. Lilith in Leo: Lilith in Leo emphasizes creativity, self-expression, and a desire for recognition. These individuals may rebel against conformity and seek to shine in their own unique way. There can be a dramatic flair and a need for validation in their creative or romantic endeavors. Lilith in Virgo: Lilith in Virgo suggests a rebellious attitude towards perfectionism and routine. These individuals may challenge societal expectations of productivity or health standards. There can be a critical edge in their approach to self-improvement and service-oriented activities. Lilith in Libra: Lilith in Libra highlights issues of balance, harmony, and justice in relationships. There may be a rebellion against unfairness or inequality in partnerships. These individuals may seek equality and fairness in their social interactions and may rebel against superficiality in relationships. Lilith in Scorpio: Lilith in Scorpio emphasizes intense desires, emotional depth, and a need for transformation. These individuals may rebel against superficiality and seek raw, authentic experiences. There can be issues around power dynamics and control in intimate relationships. Lilith in Sagittarius: Lilith in Sagittarius suggests a rebellious spirit in matters of belief, philosophy, and freedom. These individuals may challenge religious or cultural norms and seek personal truth through exploration and adventure. There can be a strong desire for intellectual and spiritual independence. Lilith in Capricorn: Lilith in Capricorn highlights issues of authority, ambition, and societal expectations. These individuals may rebel against rigid structures and seek autonomy in their career or public life. There can be a disciplined and determined approach to achieving personal goals. Lilith in Aquarius: Lilith in Aquarius suggests a rebellious attitude towards conformity and tradition. These individuals may challenge societal norms and seek innovation and progress. There can be a strong desire for freedom of expression and unconventional social interactions. Lilith in Pisces: Lilith in Pisces emphasizes sensitivity, intuition, and spiritual rebellion. These individuals may rebel against boundaries or limitations in the realm of imagination, spirituality, or compassion. There can be a strong connection to mystical or artistic pursuits.

Lilith in Aspect:

Conjunction: A Lilith conjunction to a personal planet or point can intensify its influence in that area of life, indicating a strong integration of Lilith themes with the qualities of the planet or point involved. Square: Lilith square to planets or points may indicate internal tension or conflict between the energies represented by Lilith and the planets/points involved. It can signify challenges that need to be addressed and integrated. Opposition: Lilith opposition to planets or points may highlight external conflicts or challenges in relationships related to Lilith themes. It can indicate a need for balance and integration between opposing energies. Trine/Sextile: Harmonious aspects between Lilith and planets/points suggest ease and flow in integrating Lilith themes with other energies. It can indicate natural talents or opportunities for growth and expression in those areas.

©️kleopatra45

[a-d-nox]

astro hypothesis: how to glow up

hi, friends! remember when we had the tick tock goes the clock game? it was all part of my evil plan!! i wanted to know what everyone wants to accomplish in 2025 and a lot of you want to level up - physically, work, school, etc. so let me present a glow up hypothesis series!!! venus persona and venus return charts are where you want to focus!

why venus?

please recall the mythology of venus/aphrodite! in mythology, venus/aphrodite entered the world fully grown and radiant, skipping the awkward transitions most mortals experience. her effortless grace and beauty symbolize the ultimate glow-up. in astrology, venus returns and persona charts reveal the keys to our own seamless transformation - guiding us on how to embrace our venusian energy and manifest our most radiant self.

paid reading options: astrology menu & cartomancy menu

enjoy my work? help me continue creating by tipping on ko-fi or paypal. your support keeps the magic alive!

1h: physical appearance, identity, and self-confidence.

reinventing your look and attitude. updating your style. focusing on fitness. build self-confidence. embody a strong sense of identity and show up authentically.

explanation post

2h: self-worth, personal values, and material realm.

how to build a strong sense of self-worth. focusing on financial independence. how to improve your finances, refine your values. surrounding yourself with quality (anything from clothes to relationships) that aligns with your newfound sense of worth.

explanation post

3h: communication style, mindset, and social interactions.

transforming how you think and speak. being more articulate and confident in expressing yourself. building meaningful connections with others. learning new skills / enhancing intellectual abilities.

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4h: inner world, family, and emotional security.

internal; focusing on creating a peaceful, nurturing home environment. strengthening your emotional foundations. healing family relationships, setting boundaries, and/or redecorating your space to reflect your ideal haven.

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5h: creativity, romance, and pleasure.

embracing joy, fun, and creativity. reconnecting with hobbies. dating more openly or bringing playfulness into your life. the goal is to feel more vibrant, expressive, and magnetic.

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6h: daily habits, health, and self-discipline.

glow-up centers on creating a healthy, balanced lifestyle. a workout routine, focused on nutrition, or improve productivity habits. creating a solid structure that supports wellness and efficiency in daily life.

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7h: relationships, self-image in partnerships, and balance.

transforming how you relate to others, often by building healthy boundaries, improving communication, and attracting balanced partnerships. becoming confident in relationships. identifying what you deserve.

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8h: deep transformation, healing, and shared resources.

facing fears / healing past trauma. stepping into a more empowered/fearless version of yourself. financial management and investments may also be part of this process.

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9h: personal growth, spirituality, and worldview.

expanding your mind through travel, study, or spiritual practices. exploring different cultures, religions, or philosophies to gain new perspectives. glow-up of your belief system and how you connect with the world on a broader level.

explanation post

10h: career, reputation, and life goals.

centering on your professional life and ambitions. building a strong career, gaining public recognition, or refining your life goals. present yourself with confidence and integrity in your public or professional image.

explanation post

11h: social connections, friendships, and future goals.

aligning with a supportive community and nurturing friendships that inspire you. getting involved in causes you care about. expanding your social network. setting future-oriented goals that align with your dreams.

explanation post

12h: spiritual growth, subconscious mind, and solitude.

introspective and focused on inner peace. healing from past wounds, working on mental health, practicing meditation, and connecting with your spiritual side. letting go of old baggage and finding serenity within yourself.

explanation post

have ideas for new content? please use my “suggest a post topic” button! 

return to nox’s guide to metaphysics

return to nox's hypotheses

© a-d-nox 2025 all rights reserved

[darlingi-loveyou]

more percy jackson headcanons, as a treat:

- will’s bi awakening was one of three things: harry styles in one direction (and he had an ipod with almost exclusively taylor swift and 1d songs downloaded on it, this totally isn’t me projecting), the baseball scene from twilight, or rodrick in diary of a wimpy kid (my boy has a type)

- inspired by the one at my school, the aphrodite cabin has a gender-affirming closet where campers can donate their clothes and trans campers can get new clothes for free

- will convinced chiron to give nico two hours of exemption from camp activities. the goal was for him to take a nap, but nico usually ends up tailing will around the infirmary or playing with/sorting his mythomagic cards on the floor of his cabin. will has long since given up trying to get nico to cooperate

- dionysus always knows which campers are queer, sometimes years before they come out. he was literally counting down the days until nico told him that he asked will to be his boyfriend

- percy has a list of every fact that annabeth has ever told him about architecture or historical monuments because he wants to memorize them all

- percy and thalia go thrifting together sometimes

- despite living in the lotus hotel and casino for like 70 years and being a huge mythomagic nerd, nico is notoriously terrible at card games no matter how many times dionysus tries to teach him. the only reason dionysus still plays with him is because he knows he’ll win, and chiron is unfortunately getting better at pinochle

- he’s scary good at most video and arcade games though. percy tried playing mario kart with him when he was home for christmas break. nico’s no longer allowed to play any video games at the jackson-blofis household for the sake of percy’s ego

- percy raised his dorm room bed and immediately had to lower it the next day because he fell out of it in the middle of the night. he’s never told annabeth because he’s too embarrassed

- the hunters of artemis have an entire horde of stray dogs that follow them around because reyna keeps adopting them

- bianca had a spice girls cd and an abba cd and would play them until they were too scratched up to keep playing. nico hated it. they’re still not really his taste in music, but he listens to them every now and then when he really misses her

- percy is neither an early bird nor a night owl. when he doesn’t have school or camp he doesn’t get up until ten, and he’s literally never seen the ball drop on new year’s eve

- the jackson-blofis family are the only mortals—besides rachel of course—allowed at camp. sally and paul always leave estelle with a babysitter (tyson) when the visit though, because they want to protect her from the mythological world as much as possible

- percy can’t carry a tune to save his life, but he’s started teaching himself guitar, and practices in the apollo cabin

- annabeth’s favorite snack is annie’s cheddar bunnies and she has a soft spot for country music

- piper and leo have matching friendship bracelets. they also have three-way ones with percy because he half-jokingly said he felt left out

- will smokes weed with drew on his (very rare) breaks from the infirmary because it helps his anxiety. they get it from the dionysus cabin and like to do it on the big house porch, but only when will’s sure nico isn’t over there because he doesn’t like the smell

- ganymede sneaks out in the middle of the night to visit percy while he’s at college, but when sally answers the door of their apartment instead, she invites him inside and the two of them talk over blue chocolate chip cookies until the sun rises and he has to return to olympus before zeus finds him missing. turns out the two of them (sadly) have a lot in common

pt. 1

[danika-redgrave124]

Winx Yuu

@alexglitches I was inspired by some of the asks you got, but I did my verison of Winx Yuu a little different based them off dreams and the night sky.

@twisted-dreamscape I was also inspired by the mini story you wrote.

I think Yuu's magic/powers should be related to dreams and the night sky because of the prophetic dreams Yuu has about the Great Seven which hasn't been really explained yet in the main story.

Yuu's wings are large and delicate, resembling the wings of a celestial butterfly. They are semi-transparent with a gradient that shifts from deep purple at the base to a soft, glowing blue at the edges. The wings are adorned with sparkling constellations that seem to move and change depending on her emotions.

Stella and Yuu have a Sun and Moon Dynamic Friendship. Yuu is also friends with Musa, sharing a deep connection through music and emotions. They also gets along well with Flora due to their mutual love for nature and the mysteries of the world. This is before they were sent to the world of Twisted Wonderland.

Strengths

Highly creative and imaginative, able to think outside the box in difficult situations.

Strong connection to the dream relam and night sky, making their powers extremely effective at night.

Excellent at calming others and offering guidance, often serving as the emotional anchor for their friends.

Weaknesses

Can be somewhat distant and lost in their own world due to wanting to figure out their own powers, making it hard for them to connect with other others on a deeper level.

Their powers are weaker during the day, especially in bright sunlight.

Yuu's empathetic nature can make them vulnerable to extreme negative emotions and nightmares of others, which can drain their energy.

★☆☆☆☆☆☆☆☆

Yuu's Hobbies (Before they awoken their powers)

Stargazing

Yuu has a deep connection to the cosmos, so they love spending time under the night sky, observing stars, constellations and celestial events like meteor showers.

Astrology

Yuu is fascinated by Astrology and enjoys studying the influence of the stars and planets on human behavior and events.

Storytelling and Mythology

Yuu has a passion for ancient myths and legends, especially those related to the stars, the moon and dreams. They enjoys reading and telling strokes that weave together elements dreams and the cosmos.

Yuu's Hobbies (After Awakening Her Magic)

Collecting Crystals

Yuu, now, has a collection of crystals and gemstones, each chosen for its connection to celestial and dream energies. They uses these crystals in their magical practices, incorporating them into spells, meditation, or simply decorative pieces in Ramshackle. They don't collect blot stones.

Malleus often gifts them crystals even though they don't have a connection to celestial or Dream energies, Yuu still greatly appreciated them.

Crafting Dreamcatchers

As a way to learn more about their dream powers in a tangible form, Yuu enjoys creating intricate dreamcatchers with Luna's help. They infuses them with protective magic, ensuring they capture good dreams and ward off nightmares, both for themselves and their friends.

Grim has two of them.

Pomefiore have three of them.

Heartslabyul have one each.

Jack has one.

Ignihyde has multiple of them

Ruggie has a lot of them for his family and himself.

Malleus and Silver have two of them. Lilia has one, but he secretly put it into Sebek's room in a place he wouldn't see it.

Meditation and Moon Bathing

To stay grounded and centered, Yuu practices meditation, often under the light of the moon. Moon bathing is a claming ritual for them, where they absorbs lunar energy to recharge their magical powers and clear their mind.

[zaczenemiji]

Morpheus x Goddess!Arianrhod!Reader

Synopsis: A convention of deities takes place and you, Arianrhod, Celtic Goddess of the Moon and Stars reunite with your old friend, Death. You meet Morpheus for the first time in person.

Word Count: 1,445

PART ONE

✧ Dream Upon A Star ✧

We begin in the Nexus, the cosmic halls where realms converge and the divine gather. Tonight, a grand convention is held. Deities from every pantheon and mythology were summoned.

Arianrhod, the goddess of the Silver Wheel, answered the call. She belonged to the pantheon of deities, a divine family, known as the Children of Dôn. She who reigns as the queen of the spiral castle, an ethereal realm among the swirling galaxy of stars, is the goddess who weaves the fabric of the cosmos, commanding time and the changing seasons.

In the crowd of deities that gathered, her presence was a beacon. Under the light of a thousand stars, she shimmered brighter than the celestial bodies above.

That said, she did not go unnoticed by the Endless siblings. However, in this assembly wherein countless pairs of eyes looked at her, she did not have the concern to gaze back at each; or to look at anyone, at all. She walked through the opulent corridors in search of a corner she could linger in.

“Star!” She heard a call. Turning, she saw Death, her friend; someone she has known since the time before the Endless were known to mortals. She had always found her presence somber and comforting.

A smile found its way into Arianrhod’s face. She walked hurriedly towards Death, failing to notice the sibling that accompanied her friend.

“It’s good to see you again,” Death mirrored her smile. Arianrhod reached for Death’s hands and held it close to her chest. “And you, Death,” she replied. “The universe always has its way of bringing us together.��

For a moment, Arianrhod reminisced the death of the first living thing on the planet. It was also the first time she met one of the Endless. Death was there to guide the dead into the afterlife. And Arianrhod, with her role as a goddess associated with the cycles of time, has seen to it that the soul reaches its final destination.

“Indeed,” Death nodded. To her, it was nice to have someone aid in the passage of souls into the afterlife. Especially during the times it got harder—when she considered giving up and walking out.

Behind Death, Arianrhod finally noticed the tall and pale Endless. His dark hair framed his face and his eyes held the depth of the universe. “It’s good to see you, too, Lord of Dreams,” she said.

Death let go of Arianrhod’s hands and turned to look at his brother. “And you, goddess of time and cycle,” Morpheus replied.

“I still feel the need to introduce you to each other,” Death joked. However, she still did so. “Arianrhod, this is my brother, Dream,” she started. “And Morpheus, this is Star, goddess of the Silver Wheel.”

The two of them are aware of each other’s existence just like how humans are aware of dreams and the stars. However, for over thousands of centuries, this is the first time they met up close.

“It’s an honor to meet you, Lady of the Stars,” Morpheus said. “Your presence graces this gathering.” He carefully took Arianrhod’s hand and pressed it to his lips.

As the convention progressed, Arianrhod and Morpheus found themselves drawn into conversation. They spoke of their respective duties.

“I have always been fascinated by dreams, you know?” Arianrhod admitted. “They’re a reflection of the souls’s deepest desires. They have always been a strong motivator for humans to keep going—it keeps the wheels spinning.”

“And makes my job easier,” she added with a chuckle.

“In that case, they are, in many ways, like the stars…” Morpheus replied. “…who guide the paths of those who dream.”

In the distance, Death watched, a knowing smile on her lips. She had always understood the connections that bound the divine. Like how her friendship with Arianrhod came to be.

Before she knew it, Arianrhod and Morpheus were no longer in sight. The two found themselves in a secluded garden. The air was filled with the scent of celestial flowers.

“Do you know what this is?” Arianrhod asked, gesturing to the flowering bush nearby. Morpheus shook his head.

Arianrhod bent down to pick one flower off. She held it with both hands as she showed it to Morpheus. “This is called a Stellar Bloom,” she said.

Morpheus stepped closer to examine the flower. They now stood so close to each other, with the flower Arianrhod held in front her the only thing in the gap between them.

Its petals were a deep cosmic blue at the edges. Each were veined with iridescent silver lines that shimmer like stardust under the faint glow of the moon. Its core, a vibrant sunburst of golden tendrils.

“It’s breathtaking…” Morpheus said. He looked up from the flower and at Arianrhod without her knowledge. “…and ethereally beautiful.” He watched her hair shine against the moonlight—silver like the veins of the flower.

“Well, thanks!” Arianrhod replied with joy in every word. “I made this.”

“There’s an abundance of this in my realm,” she continued. “They grow under the light of the stars.”

She then looked up at Morpheus who, to her surprise, was staring softly at her. She looked back at his eyes. It was a realm she would probably not get tired of exploring.

“You can have it,” she said as she nudged the flower to Morpheus. “Keep it indoors in the morning, and outdoors at night, then it won’t die.”

Morpheus accepted the flower and held it carefully in his hand. “Thanks,” he said with a small smile. It was a tiny smile but Arianrhod felt as if a new star was born in the distance.

All of a sudden, a gentle melody filled the air. There is a symphony of cosmic harmonies that echoed through the halls. Arianrhod turned to walk towards the halls. There, by the center of the hall, she saw an open space had been cleared for dancing.

Morpheus arrived beside her. He saw her eyes lit up as the other deities walked into what has now become the dance floor. “Would you care to dance?” She looked up at him, smiling like a little child.

Morpheus was taken by surprise with her question. He could not believe that the goddess was first to ask. As the music continued, Arianrhod extended her hand to Morpheus.

“It would be my honor,” Morpheus said, his voice a smooth, resonant whisper.

They walked to the center of the hall, joining the other deities. Upon facing each other, Arianrhod had one hand on Morpheus’s shoulder, and the other on his hand. Meanwhile, his free hand found its way to her waist.

Then in a heartbeat, they swayed to the music. It was lively, and the other deities seemed to be in high spirits.

Morpheus’s dark robes swirled like shadows in the starlight. Arianrhod’s gown, adorned with the colors of the Stellar Bloom, shimmered with every turn.

As they danced, the cosmos itself bent around them as the stars twinkled brighter, reflecting the Stellar Queen’s delight.

Arianrhod’s laughter, like the gentle chime of silver bells, filled Morpheus’s ear as he spun her around. “The stars are dancing with us,” she said, her eyes reflecting the twinkling lights above.

Morpheus smiled, a rare and genuine expression. “Indeed,” he replied. “They are.”

As the music reached its crescendo, Morpheus and Arianrhod came to a gentle stop, their gazes locked in the moment.

A little breathless, Arianrhod smiled up at Morpheus. “Thank you, Lord of Dreams,” she said. “This dance was a dream in itself.”

Morpheus bowed slightly, his dark eyes softening. “The pleasure was mine, Lady of the Silver Wheel.”

As the convention drew to a close, the deities began to disperse, all on their way back to their respective realms. Arianrhod and Dream watched as the number of Gods decreased by the second.

“I think we could call it a day,” Arianrhod said. Dream nodded.

“Look who enjoyed the night,” Death approached them with a warm and knowing smile. “Well, you two,” she said, putting her hands on their shoulders. “See you when I see you.”

With that, Death departed. Arianrhod and Morpheus were left alone in the garden. “Are you not leaving yet?” Morpheus asked.

“You know,” Arianrhod replied, “My realm is bit too similar with this,” referring to the Cosmic Hall.

“You should come to the Dreaming sometimes,” Morpheus offered.

Arianrhod smirked, “But deities do not require sleep,” she said. “At least, not in the way mortals do—you know that.”

“I do,” Morpheus replied. “But The Dreaming will always open its gates to you.”

“We’ll see, then,” said Arianrhod. She turned to look at Morpheus one last time. “May the stars align in your favor.”

——————————————————————————

PART TWO

If you'd like to be added to my taglist for updates on this fanfic, just comment below or send me a message!

[hellkeepers-if]

DEMO (prologue out) UPDATES

Set in an alternate version of Singapore, you're a fresh university graduate bumbling through life as you desperately look for a job.

...Or that's what your mother thinks. In a world where occult ceremonies are as common as an existential crisis, there's no way you were ever going to be a perfectly average office worker. Just like your twin brother, you work for the International Society Of Exorcists (ISOE) which deals with supernatural occurrences, demonic rituals, and the like.

When a tragic event befalls your older sister, it uproots your entire life and everything you ever knew about the supernatural. With it, comes a forced need to come to terms with a family history straight out of the movies. 

After all, how the hell did it take twenty years to find out that you're descended from the freaking king of the underworld?

"I have a duty to myself, but more importantly, my family."

——————

Inspired by Supernatural, Fullmetal Alchemist, Noragami, and the Percy Jackson series, Hellkeepers is a +18 urban fantasy/paranormal interactive fiction, involving elements of Chinese and Southeast-Asian mythology. In every playthrough, you will...

• Play as a female, male, or non-binary Chinese demigod/ess.

• Determine the relationships between you and your family members. After all, they will play a big part in your story...

• Peel apart the full truth behind you and your siblings' birthright. Your parents can't hide it forever.

• Learn more about Chinese and Southeast Asian mythology as you warp into different dimensions, unlike anything you've seen before.

• Learn more about who you were in your past life.

| Nishimura Kazuo (he/him)

Age: 26

Ethnicity: Japanese

With a penchant for mischief and a charm that woos even the most stubborn of grandmas, Kazu is the wildcard of your organization. You think he's an anarchist, and the only reason he's tied down to the ISOE is so that he has an excuse for whatever havoc he wreaks on the supernatural. 

The A-ranked exorcist is your colleague and your brother's mentor, though you rarely ever see him in his office. But if you ever need him for demon fighting, he'll be there. Most of the time.

"Mind taking that pesky thing out for me while I take a quick nap?"

| Quentin Khanh (Quan) (he/him)

Age: 25

Ethnicity: Vietnamese

Quentin, more affectionately known as Quan, was your childhood friend. After he moved overseas, the weekly texts you sent him fizzled into nothing but a lost friendship.

Since then, he's returned to Singapore as a forensics pathologist and researcher under your organisation. Whether you like it or not, you have to no choice but to work with him for most of your investigations.

"If your bribe doesn't involve a penthouse worth of money, don't talk to me."

| Reyna Aliyah Santos (she/her)

Age: 23

Ethnicity: Mixed (Filipino-Chinese)

You've never quite met someone like Reyna. A halfling with a demon mother and a human father. Being raised in Singapore all her life with little knowledge of her parents, it's natural that Reyna would come to the ISOE for help at the mere instance of a fox tail and white fur.

You've been tasked to help her mask and get comfortable with her supernatural powers, but she won't make it easy for you. After all, foxes do bite. 

"Technically, I'm not stealing anything if they don't notice."

| Song Huayun (she/her)

Age: ????

Ethnicity: "Uhh...from Hell?" Chinese

| You don't know too much about Huayun, except for the fact that she lives in Diyu, the Chinese Underworld. As Diyu's gatekeeper, Huayun has seen countless depravities committed by humans before their deaths. That alone has made it hard for her to like them, and the contempt she shows you is no different than what she shows everyone else.

But with time, maybe she'll finally learn what it is like to feel human…and what a smile is.

"If it isn't the star of tonight's show. Welcome to Diyu."

| The Arbiter of Fate (m/f)

Theyre a stranger, or so you say. But this deity knows everyone...especially you.

[downthe-f4ndom-rabbith0le]

Always Been You (Dick Grayson x Reader) - Chapter 3

Always Been You (Dick Grayson x Reader)Reader Insert: she/her pronouns Word Count: 2627 Warnings: death, violence, fighting, bloody wounds, angst, infuriatingly oblivious love interest, slowburn Spoilers: Young Justice Seasons 1-3 plot partially, but it ended in 2022 so catch up.

Y/N Prince - miracle daughter of Wonder Woman and Steve Trevor - and Dick Grayson - first adoptive son of the Batman himself - have been best friends since day one. They went to school together, trained together, kept each other's alter ego secret from everyone else, and they founded the Young Justice alongside their friends together. 

But as time progressed, Y/N and Dick grew up and Y/N found herself wanting more than friendship with Dick. But he never seemed to indicate that he reciprocated her feelings. And when Wally died and Dick abandoned the team, Y/N realised he never would. So she heads to the one place she knows will help her become a stronger warrior so that one day she can take her mother's place: Themyscira.

Two years after his leave, Dick reaches out to his old friends to help him with a mission. But when he finds out Y/N left too, he chases after her in the hopes to bring her back.

However, when the two finally reunite, it isn't as warm as he hopes. Not to mention Themyscira becomes under siege as they go to war against Echidna, the Mother of Monsters in Greek Mythology, and her army of monstrous children.

Will Dick and Y/N be able to put their past behind them and save the Amazons' homeland? Or will they fall, unable to tell one another their true feelings?

~~~

'You are five miles from the estimated target, Master Dick,' Alfred said over the intercom of the Bat Wing.

Immediately upon entering Wayne Manor, Dick had rushed to his childhood room - the one he still used on the occasion he worked with Bruce as the Dynamic Duo, or he needed some space from his duties as Bludhaven's hero - and packed a small duffle of clothes and weapons and ran straight for the Bat Cave. As promised, Alfred had the Bat Wing waiting, ready for take off, and Dick barely greeted the old man before leaving Gotham far behind.

Dick had been flying for almost twelve hours and hadn't slept a wink. Sitting at the control panel with only a wide window of open sea to look at, Dick rubbed his tired eyes as the shadows of sleep flickered in the corners of his vision. He had to stay awake, just a little bit longer at least.

And then... Well, he'd cross that bridge when he got to it.

'Is there anything else you need from me, Master Dick?' Alfred asked.

Dick shook his head initially, then remembered Alfred couldn't see him. 'No, thank you, Alfred,' Dick replied, sitting up straighter in his seat. 'I should be fine from here on out.'

It was quiet for a moment, and Dick thought Alfred had signed off accidentally. But then he spoke. 'Are you sure there is something out here? I know you and your friends' findings seem well-supported, but there is only open ocean. There isn't even an under water volcano or ancient mountain range recorded there.'

'Which makes it an even more suspicious place,' Dick countered. 'Trust me Alfred, there is something out here.'

'Let's just hope Miss Y/N is too, or you'll have wasted Master Bruce's fuel. And I will tell you now, he will not be pleased about that.'

The mention of her name caused Dick's heart rate to increase with anxiety. But he quickly recovered as he scoffed. 'I don't know why he's complaining,' Dick said nonchalantly. 'He's the billionaire of the family, after all.'

'Have you seen the price of fuel these days?'

That caused Dick to chuckle slightly, just imagining the singular raised eyebrow Alfred used to ask the silent question of Are you serious? In that moment, he was once again grateful for Alfred. He barely asked any questions as to why Dick needed the Bat Wing, he just trusted Dick that it was for a good reason. Unlike Bruce, where trust needed to be hard earned, Alfred had always given his trust and love unconditionally.

The Bat Wing suddenly jerked as it seemed to hit something. Or, maybe, something hit it.

'Master Dick, what was that?" Alfred asked, worry lacing his words.

Suddenly alert, Dick brought up the different cameras hidden in the ship to try and find what had cause the sudden shift, but sound nothing.

'I'm not sure, Alfred,' Dick answered, running diagnostics over the ship in case of damage. 'There seems to be no damage to the Bat Wing, and there is nothing on the radar indicating another ship or flying creature of sorts.'

The ship rocked again, and Dick gripped tighter to the control handles as he took the ship off autopilot. 'What in the world!'

'Master Di-,' Alfred said, but his words were glitchy and some parts were coming through slowly. 'A-re yo- all rig-' Alfred was cut off before he could finish.

'Alfred? Alfred,' Dick called, but he got no reply. He slammed the control handles in frustration. 'Damnit.' He was on his own now.

However, his annoyance dissipated at the site he'd only ever seen in books he'd borrowed from Y/N when they were children.

To say Themyscira stood atop a mountain would be an inaccurate description. It was more like Themyscira was the mountain, with a long staircase weaving and winding up the entire mountain from the ivory beach and cerulean waters at the base of it. There were small stone huts with woven roofs closer to the beach, but quickly evolved into larger houses and buildings of impressive white columns and marble. As Dick flew closer to the island, he spotted a large coliseum used for sports and physical trials like the ruins in Greece, and a small amphitheatre next door that no doubt was used for the arts.

Atop Themyscira's mountain could only be the royal palace, held up by intricately carved statues of women and marble columns, decorated in plates of gold and held together by green grape vines that covered the palace walls, the statues, the columns.

The bed time stories he'd heard from Wonder Woman when he and Y/N would have sleepovers was more than his imagination could ever conceptualise, and the few descriptions and drawings of the island in the books he'd read were amateur attempts that held no candle to the real deal.

It was, in a word, paradise.

I must've hit the invisible barrier before, Dick deduced as he took in the sight of it all. That's why communications were knocked. That's why he'd felt so anxious and tired the closer he got. Now that he'd passed through, he felt ten times better.

A beeping pulled Dick out his trance, drawing his attention to the radar. Something was coming at him. Fast.

Dick looked up in time to see a large fire ball flying at him and barely dodged it. It was so hot Dick felt its heat through the window as it scraped by.

'Woah!' Dick cried, angling the Bat Wing so Dick could see where the fireball had come from. And, more importantly, who had thrown it. Down on the ivory beach was a line of catapults set up Dick hadn't spotted before, and he could just make out an army milling about around each catapult as they reloaded the catapults.

Before he knew it, he was swerving as another fireball flew at him, this time catching part of the left wing and melting it. Sirens blared, indicating the damage, but Dick didn't have time to worry about that. The Amazons thought he was a threat. He needed to change that, or he'd be a goner.

Crazy an idea as it was, Dick manoeuvred through the line of fireballs the Amazons catapulted at him towards the beach. Once he was close enough, he turned on the speaker so the outside world could hear him. 'Please, Amazons of Themyscira, I mean you no harm,' Dick announced to them, hoping he sounded genuine. 'I am going to land my aircraft on your shore. I just want to ta-'

He didn't have time as a small boulder connected with the left wing, sending the Bat Wing into a spin that Dick couldn't control. Sirens blared in the cockpit, reds light flashed and his front window lit up with the message SYSTEM FAILURE in bright red letters. The steering was shot, his vision was impaired, so Dick just closed his eyes and braced for impact.

The Bat Wing hit the beach hard, knocking the wind out of Dick for a moment. Once he'd regained his breath and the world had stopped spinning, Dick checked his immediate surroundings. He was in one piece still, and the Bat Wing hadn't exploded. Good start.

Before he could unplug himself, a spearhead stabbed through the glass of the front window, shattering it completely as the Amazon wielding it pulled it out. Dick was temporarily blinded by the sudden invasion of sunlight to his senses, but he still put his hands up in surrender in case they still thought him a threat.

'Please,' he begged through laboured breaths. 'Please, I don't mean you any harm. I just need to talk with someone you might know. Please.'

'Síko órthios, pareísaktes,' a strong voice hissed above him, her words whipping out like a delicate snake. She yanked him from his seat, breaking the seatbelt as she did, and threw him onto white, hot sand.

Vision coming back ever so slowly, Dick saw more figures approaching where he laid on the beach, spears and swords and shields in hand. All women, and all wearing brown leather skirts, sandals, and breast plates and bronze helmets of the ancient greeks. A small crowd formed around him, leaving no room for escape.

Realising this, Dick hauled himself to his feet and spun around to survey the group with his hands raised. The women ranged from youthful to mature, but all of them looked capable of killing him should he dare run. Capable, and willing.

'Poios eísai esý?' a woman with long brunette hair asked. She looked slightly older than him, perhaps mid to late 20s. But knowing how old Wonder Woman had lived for already, Dick was almost sure all of the women surrounding him were much older than they appeared.

I really regret not taking those Greek classes with Y/N now, he thought to himself, not having a clue what the woman had asked him. When he didn't reply though, she repeated her question but with more annoyance and aggression, pointing her spear towards his chest.

'I am Dick Grayson,' he said, not sure if they could understand him or not. 'I mean you no harm. Please, I must talk with someone you know... Do you understand me?'

The blank faces he received in return were answer enough. The brunette turned to two other women beside her, whispering to one another. It only lasted a moment, for then the brunette raised her spear higher towards Dick's throat. The rest of the women also raised their weapons, all pointed at him.

'Ánthropos apó to exoterikó,' she announced for all to hear, her delivery final and true, 'edó tha petháneis!'

Just as she raised her spear, Dick threw his hands up again and cried, 'Y/N!'

He waited for pain, for the sensation of falling and then nothing, but it never came. The brunette paused, spear still raised above her, and looked at him curiously.

'Pós gnorízeis tin prinkípissá mas?' she asked, and to Dick's surprise, he recognised one word. Prinkipissá. Princess.

'Yes,' he said, seizing potentially his only chance at surviving. 'She would be your princess. Sorry, your prinkipissá. Daughter of your champion, Diana.'

At the mention of the mighty Wonder Women, the brunette lowered her weapon entirely and turned to the other women as quiet murmurs broke out amongst the group. Dick wasn't sure what he'd started, but he knew they knew of who he spoke of, and what power her name held. Not just anybody could wield her name.

'I came here to speak with Prinkipissá Y/N,' Dick continued, and then he put his hands together as if he were about to pray. 'Please, can you lead me to her? Is she even here?'

The brunette and her two friends looked him up and down for a moment before consulting one another one last time. After what felt like an eternity, the brunette stepped forward and looked him dead in the eyes.

'Piáste ton!' she cried, and two women grabbed both his arms, ensuring he couldn't escape. 'Tha ton páme stin prinkípissá mas.'

She then turned away, and Dick was lead by the arms after her and the rest of the crowd. He managed look over his shoulder to see the wreckage of the Bat Wing. The left wing was one metal sheet away from tearing off completely, and the shattered glass and the many dents in the side of the ship just added to Dick's dismay. Oh yeah, Bruce is going to be pissed.

If the Amazons let him live and he ever got off the island, Bruce would definitely make sure Dick suffered long and hard.

Dick was lead up hundreds and hundreds of steps, walking through the bustling city of women and young girls all going about their daily lives. For some reason, it was off putting to Dick to see women and children doing the washing or playing games in the open street. He wasn't sure why, but he envisioned the whole island as warrior women who all fought and died for each other and their home.

They could probably still whoop my ass, he thought as he was marched by some children who were previously playing a game with some dice and a ceramic cup before he came along and stole their attention. It came to Dick's mind that these young girls probably had never seen a male before, and so he smiled at them as kindly as he could. Some of the children smiled back, others had their mothers nearby collect them and take them inside. Dick couldn't blame them for it. Wouldn't he do the same for his child if the roles were reversed.

Why the hell am I thinking about children right now? he asked himself, but he didn't have time to ponder the question as they quickly walked up a final set of stairs into an open field of green covered in warrior women training. When the whole group stopped, Dick was brought to such a startling halt that he thought his arms were going to pop out of their sockets. Thank God for that, he thought, feeling his legs ache with all the climbing. Or is it Zeus I should thank? Maybe Hera? Athena?

The brunette raised her spear, and those not holding Dick prisoner did the same. 'Prinkipissá,' she called out above the din of all the sparring and training. 'Échoume kápoion gia esás.'

Dick wasn't sure who the brunette was talking to at first, but then his gaze settled on a group of women just ahead of them. It seemed it was a six-versus-one situation, as six women surrounded one young woman with familiar H/C hair. The six women ran at the young woman in the middle, all taking swings with their fists and swords, aiming for her head and legs and mid section. While the young woman took a few punches, she didn't flinch with pain. She would just grab her attacker's wrist and flip her over and slam her into the ground.

The fight only lasted a minute, and ended with the H/C haired pointing a sword at her final opponent's throat as she pressed her to the ground with her foot.

When she flipped her hair as she turned to face their group, only then did Dick fully realise who it was.

'Y/N!' he cried out, the brightest smile spreading across his face. Two years since he'd last seen her, his best friend. After the not-so-very-warm welcome, he was beyond relieved to see a familiar face.

But instead of reciprocating his smile with the one he'd always admired since they were children, Y/N paled as if she had seen a ghost. Her whole body seemed to freeze up as her eyes connected with Dick's, and for a moment Dick feared he had mistaken some poor girl for his best friend.

But her shock melted away, and Dick was met with angry eyes and a stony face. Oh, yeah. That's Y/N. He couldn't recall the amount of times he'd seen that expression before, but there was no mistaking it.

His fear turned towards himself as she suddenly, with sword still in hand, stormed towards him, ignoring the other women around her still training.

'Y/N, it's me Dick,' he said, just in case she hadn't recognised him, but still she came at him, raising the sword to her side. 'Wait, what are you doing?

As she stood a step from him, she changed her grip on the sword's hilt and swung the butt of it at his head.

'Hey! Don't-'

The last thing he saw were Y/N's angry eyes of E/C before pain exploded from his right temple and darkness overcame him.

~~~

Síko órthios, pareísaktes = On your feet, outsider

Poios eísai esý? = Who are you?

Ánthropos apó to exoterikó, edó tha petháneis! = Man from the outside, you will die here!

Pós gnorízeis tin prinkípissá mas? = How do you know our princess?

Piáste ton! = Grab him!

Tha ton páme stin prinkípissá mas = We shall take him to our princess

Échoume kápoion gia esás = We have someone for you

---------------

Tag List:

@valiantbouquetcloud | @epicy0n | @tyrannosaurexrex1300 | @lunaizhere | @nameunknownsthings | @tqrgvryen | @pariahsparadise | @edgycatx | @b4tm4nn

[lilithlounge]

🐍 Medusa in Astrology: Facing Inner Shadows and Empowering Transformation 🐍

Medusa, often seen as a symbol of fear, transformation, and feminine power, has deep-rooted mythology. In astrology, the asteroid Medusa (149) reveals where we might feel misunderstood, betrayed, or where we need to transform fear into power.

Medusa was once a beautiful maiden who was transformed into a Gorgon with snakes for hair, representing how our deepest wounds can become our greatest sources of strength. In the natal chart, Medusa’s placement can show where we might feel victimized or demonized, but also where we have the opportunity to face those shadows and reclaim our power.

🌑 Medusa in the Houses 🌑

Medusa in the 1st House:

You may have felt judged or misunderstood for your appearance or identity. Medusa here often points to an intense self-image transformation. You may project an intimidating aura, but this can be a source of inner strength when fully embraced. This placement asks you to transform your fears of being judged into confidence and empowerment.

Medusa in the 2nd House:

Feelings of betrayal or inadequacy may be tied to self-worth and material security. Medusa in the 2nd House challenges you to face your fears about money, possessions, and self-esteem. This is about transforming any fear of not having enough into a deep understanding of your true worth and values.

Medusa in the 3rd House:

Communication, education, and early experiences with siblings or neighbors may be where you felt betrayed or silenced. Medusa here challenges you to find your voice, express your truth, and reclaim your narrative, transforming fear of speaking up into powerful self-expression.

Medusa in the 4th House:

Your home life or family may have been a place of deep wounding or betrayal. You might feel haunted by your upbringing or family dynamics. Medusa in the 4th asks you to transform your relationship with your roots and create a new foundation, finding power in your own ability to create safety and nurture yourself.

Medusa in the 5th House:

Creativity, romance, and self-expression may feel blocked due to fear of judgment or failure. Medusa in the 5th House encourages you to reclaim your creative power and embrace your right to love and be loved. Transform your fears into a bold, fearless expression of who you are.

Medusa in the 6th House:

Health, daily work, and service may feel like battlegrounds where you’ve experienced betrayal or challenges. Medusa here urges you to face your fears of inadequacy and step into your power by transforming your daily routines, taking control of your health, and finding empowerment in service.

Medusa in the 7th House:

You may have felt betrayed or hurt in close partnerships and relationships. Medusa in the 7th reveals the power dynamics at play in your relationships and urges you to transform your partnerships from sources of fear or domination into ones based on mutual respect and empowerment.

Medusa in the 8th House:

Deep, transformative experiences surrounding sex, death, and shared resources are highlighted. Medusa in the 8th House represents the need to face taboos, power struggles, and fears head-on. This placement holds immense power for transforming your relationship with your shadow self and finding healing through vulnerability.

Medusa in the 9th House:

Your beliefs, philosophies, and search for truth may have been challenged, or you might fear venturing beyond your comfort zone. Medusa here calls you to transform fear of the unknown into a journey of self-discovery and liberation through expanding your worldview.

Medusa in the 10th House:

You may feel judged or limited in your public life, career, or reputation. Medusa in the 10th House speaks to transforming how you approach success and recognition. Face the fear of public scrutiny and use it to build an authentic and powerful public image, free of shame or restriction.

Medusa in the 11th House:

Friendships, social groups, and your connection to the collective may feel like areas where betrayal or rejection has occurred. Medusa here encourages you to reclaim your individuality within the group and transform your relationship with community, turning fear of rejection into leadership and belonging.

Medusa in the 12th House:

The 12th House is the house of the unconscious, hidden fears, and spirituality. Medusa here may manifest as deep, hidden fears or unresolved trauma. This placement asks you to face your inner shadows and unconscious fears, transforming them into spiritual growth, and reclaiming your power through healing and integration.

🐍 Book Your Medusa Reading Today! 🐍

Curious about how Medusa plays out in your chart? I’m offering personalized readings to help you understand where this asteroid might be highlighting deep fears, wounds, and untapped strength. Let’s explore how you can turn those shadows into sources of empowerment.

💫 Book your reading here: [Ko-fi] or here [Buy Me A Coffee]

[serpentface]

Historically plausible depiction of semi-mythological Wardi founding heroes Erub and Janes, engaging in rites of sworn brotherhood.

Each were princes of separate pre-Wardi tribes (Erub was of the western Ephenni, Janes was of the central-southern Wardinae from which the name 'Wardi' derives). Two men of their general description historically existed, but their cited exploits were likely performed by many people over a larger time scale (conquering lands to the south and east from rival Wardi and Wogan tribes and founding the kingdoms of Wardin and Erubinnos).

They are unclothed (as is necessary for the rite) but wearing recognizable regalia, as their sworn brotherhood was a display of alliance between the ancient Ephenni and Wardinae and performed before their men. Erub wears both gold and bean-bead jewelry, Janes wears gull feathers and a pearl choker (aspects of these have been retained in contemporary east and south Wardi regional adornment). Erub's wearing of tattoos (stylized paired lions across the back with their tails looping around to the chest) is an obsolete practice, and the form of headband Janes wears is now considered women's dress.

This post is not actually about them.

SWORN BROTHERHOOD IN IMPERIAL WARDIN: A POST:

Sworn brotherhood is both a ceremonial rite and a legal institution in contemporary Imperial Wardin. Progenitor variants of this practice occur or are attested to in all historical human inhabitants of the region (Wardi, Wogan, Cholemdinae, and Hill Tribes); where and from whom these traditions originated is unclear. In most cases, its historical function was as a form of allyship between larger groups of people (powerful families, tribes, occasionally entire kingdoms) via two men as a proxy, but its contemporary Imperial Wardi function is much smaller in scale has a heavily diminished role in politics.

The core function of sworn brotherhood is to both spiritually and legally bind unrelated men as kin. Similar rites involving the physical exchange of blood are used in marriage ceremonies and formal adoptions, for much the same purpose of kin-making. A person's blood is regarded as housing their living spirit, and thus to share it binds spirits together that would not already be bound by biological kinship. The contemporary variant of this practice emerged primarily between warriors/soldiers as means of establishing security for their families should one member of the brotherhood die prematurely, and to encourage loyalty and strong partnerships for mutual defense in combat.

It is an oath of exceptional loyalty and friendship, establishing mutual devotion in allyship and accepting the same duties and responsibilities to a compatriot that are otherwise only expected of blood relatives. The physical exchange maintains this bind tightly and ensures its lasting endurance. This bond provides a sense of spiritual security and will persist after death- if one brother dies alone and unburned, the other may be able to find his soul and help guide it away to the afterlife.

This rite establishes kinship in a very practical legal sense. Each brother is sworn into the other’s family, with most of the obligations implied. Each brother is sworn to familial duties towards the other’s parents- providing for them in old age, defending their status and honor and providing retribution for damages, and serving roles in certain familial rites.

Each brother’s wife and children is considered legally under the care of the other- if one brother dies, the other is in charge of filling practical obligations of a husband/father in continuing to provide for them for life, or otherwise arranging a new marriage or (if he is unwed) marrying the widow himself. He remains in control of the wife's assets, inheritance, and children unless or until she is passed into the care of another man. This is considered legally enforceable, and overrides any objections of the wife's father (who will have already lost his legal authority over her in handing her out in marriage). The wife has no direct say in this matter (and does not in general, with women being legally under near-complete authority of their father or husband).

These familial duties are required on part of each brother, but not strictly required to be requited by their family members. A family patriarch can refuse kinship to an unwanted son-in-blood, or accept one the rest of his family does not, and can enforce this decision on his wife, daughters, and any underage sons, having ultimate authority over their formal relationships. When accepted, a son-in-blood will usually receive a formal place in his new extended family's inheritance (usually treated as a youngest son). A son-in-blood is very occasionally adopted as a formal heir, though typically only in cases where a father's biological sons die prematurely (especially given this can cause complicated situations in terms of which family name the son-in-blood is bound to).

The rite of sworn brotherhood is accomplished in stages and with the assistance of a priest (generally those devoted to Ganmache, which presides over most domestic kinship affairs). Both men are blessed and purified by the priest and garbed in simple robes, and will then recite a lengthy, formal oath before God to declare allyship and swear to all expected duties as kin. The second half is done in privacy. Both men will remove their robes, with the metaphysical vulnerability of nudity under a mutual gaze allowing for the transformative effects of the rite. Each slices the palm of their hand deeply enough for blood to run and drains it into a bowl of wine. The oaths are then repeated, with remaining blood being smudged onto prayer parchment and cast into fire as an offering. The wine is then consumed by both, physically imbibing each other's blood/spirit to seal the rites. Most variants also include additional matched scarification in a prominent location (usually the forehead)- the intentional violation of the body via permanent modification, displayed prominently on the body to the public gaze, acts as a constant enforcement of the bond.

This rite is only strictly required to be performed once, though in practice is generally repeated on a yearly basis (as most rites with permanent effects are- the world's movements are cyclical and impermanent, the only permanency is in repetition).

The practice is regarded as an ideal of platonic affection between men. The family as a social unit is of vital importance in this cultural sphere, and inducting an unrelated man as one's kin is an ultimate, idealized display of loyalty and friendship. This practice may be notably attractive to men in romantic partnerships with other men, as it allows for a lifelong commitment to an unrelated man, comparable in many ways to a marriage. Though (like most male relationships) sworn brotherhoods are de-facto expected to be non-sexual, as it is a relationship between equals, a circumstance wholly out of the accepted realm of male homosexual behavior (you should not want to 'shame' your sworn brother). The vast majority of these brotherhoods are platonic.

No comparable rite exists in an official capacity for women, akoshos, or eunuchs (largely due to its place surrounding men’s roles as family patriarchs), though some may undertake similar rites to accomplish the same spiritual kinship results (without the legal benefits).

[katerinaaqu]

Achilles and Patroclus: Friends Lovers or both? (An analysis based on Homeric Epics and some ancient sources)

Yet another analysis requested by my dearest friend @artsofmetamoor while we two explore the complexity of human relationships in our own projects including romantic relationships of various kinds, including homosexual and homoerotic material as well as more traditional notions of family and kinship along with the complexity of values such as companionship and friendship, which we hold in the same regard as in the above so here's one of the most discussed relationships in greek literature. Buckle up with me because it is gonna be a looooong ride!

Achilles and Patroclus are two figures of greek literature and mythology that sparked discussions and analysis from the very first time they were introoduced as characters in the homeric poems in 8th century BC and not for their heroics in Trojan War but rather the nature of their relationship. Not to mention in modern day times we also start the rather overused and kinda ridiculous joke of "Historians say" around. But there might be some truth in some concerns in regards to their relationship.

A small history of their family

Achilles and Patroclus were related by a distant ancestor, Aigina. Aigina had a son with Zeus named Aeacus who in turn got married and had Peleus, who has the father of Achilles. Patroclus comes from the same line for Aigina later marries Actor and has Menoetius with him. Menoetius marries his cousin Damocratea, also possible daughter of Zeus and had a son named Opus who in turn had Patroclus, making Patroclus and Achilles de facto first cousins by the line of Aegina

(Yes...sorry "Troy" haters out there...hahaha Patroclus really WAS Achilles's cousin! ^^; Not that it ever stopped anyone in greek mythology!)

Patroclus was ellegedly exiled from his homeland when he accidentally killed his playmate and he fled to the court of Peleus where he got adopted by him thus the two characters lived most of their childhood together. Patroclus by most accounts is quite older than Achilles so in a way he was also assigned not only as his playmate but also as his "squire" or protector in various occasions. Needless to say that of course the two of them developed a very strong bond together.

Greek Text

To be honest, every time some person who does support the theory of them being lovers is being asked on it and that person claims that "the greek text is quite simple really". Allow me to disagree though. It is not. Quite frankly if it were, it wouldn't have sparked the conversation even to ancient greeks themselves of their time!

Arguably Homer never explicitly describes them as lovers in his poems (as opposing to other figures in the text that are undoubtedly sharing sexual relationships in the Iliad such as Hera and Zeus, Paris and Helen or even, ironically Achilles with Briseis once she is returned to him). However one would be a liar if they denied certain insinuations of a romantic involvement betwen the heroes.

Φιλέω-ώ= to love < > φίλος=friend, companion (Substantive), beloved (epithet)

Quite frankly Homer as we said before he a master of words and none of his words is picked at random. And the term φίλος is no exception. The word is being explicitly used in Homer by various of characters. The term can be translated interchangably from either "friend" to "beloved" depending the context. One of the most infamous and touching moments this word is being used is at the lament of Achilles when his mother asks him to speak up on why he laments so hard:

With heavy groans, fast in feet Achilles responded to her: "Oh, my mother! The Olympians have done what they had predicted for me! But what joy remains for me, for my beloved comrade Patroclus is gone! I lost him! The one that I valued most among my other companions, equally to my own life!"

(Translation by me)

In here the concept of "φίλος" is clearly an epithet or plays the role of one since the actual word that we are looking for as a substantive is the word "ἑταῖρος" which stands for "companion" or "comrade" (a term used generally throughout the poems to indicate bonds in army or of friendship or even husband and wife at some cases). In here it clearly means "beloved" by the general text for the word "φίλος" is not used as a substantive. Other cases such as this appear in other parts of the poem even with the fullest form φίλτατος which means "the most beloved"

However it needs to be noted that the term φίλος as the essence of "friend" comes directly from this term "to love" which means someone "you are close with" someone "of your own kin" someone "dear to you". The ancient greeks do not seem to be making a distinction between love as in lovers and love as in family or relatives when using this verb and the words coming from it (one good example is Thetis referring to Achilles as "φίλον υἱὸν" which means "beloved son" and here has no romantic implications at all).

The term is being used interchangably throughout Homer to speak about characters with close relations of kinship that are not linked to romantic essences at all. For example the way Menelaus adresses Odysseus as such in the Odyssey:

Oh, how strange! That has come to my house the son of a man much beloved to me; who for my sake has suffered so many ordeals!

(Translation by me)

In here Menelaus again is usingthe term φίλος but he doesn't speak out of romantic intentions at all. He speaks with the warmest words but in here it is the most intimate form of friendship and kinship and is followed by the implication of gratefulness, how he adds up how Odysseus suffered "for his sake" aka to fight the war and be lost afterwards. And before someone says "it is not the same amount of warmth" one must think again because before Menelaus speaks about how because of the agony he feels for his friend he does not eat or sleep properly and given that it has been 10 years already since the last time they saw each other that is a damn long time.

But all of them I do not grieve as much, even if I mourn for them, as much as I do for one man, because of which I both detest sleep and neglect to eat, for there is no one of the Achaeans that suffered more than what Odysseus suffered and endured

(Translation by me)

So not only Menelaus feels like Odysseus suffered the most out of them (and strictly speaking one can look at fates of other heroes like Diomedes to see they are not far behind in suffering) but that the way he constantly wonders about his well-being makes him unable to sleep or eat and that seems to be happening for years and years which shows the true depth of their friendship.

So no, strictly speaking the word "to love" is not used by the greeks to imply only romantic love and it can be used pretty intimately even if it is not referring to romance. And the difference can be perceived by the same writer as well not just some play that was written several centuries later in which, inevitably, we could talk about some alterations of meaning to the words over the course of time

However there seems to be another phrase used to express intense feelings of love which is κεχαρισμένε θυμῷ which means "dear to my heart" and in Iliad ironically that phrase is spoken by no other than Briseis herself!

Oh, Patruclus! Dearest to my wretched heart!

(Translation by me)

This interesting shout of love coming from Briseis is also interesting for it could be implying both emotions of romantic love but also of affection in general. Which is another phrase that researchers have looked upon in search for hidden meanings of romance but once again it was often used either as such or with the term "φίλος" instead to speak of relationships of family or kinship. But grieving scenes such as the one of Briseis might also be indicator of romance although not exclusively referring to that.

The Lament

Quite frankly speaking, Achilles's lament is one of the most infamous and well-known in greek literature exactly because of its explicit nature. We do see characters lament in plays before but it is not as frequent to see lament SO strong coming from a male character and so openly (see for example in the Odyssey how Odysseus tries to hide his own tears many times or how his men are wrapped up in veils in lament for their own lives and their fallen comrades' but by n large the male lament is more subtle, more silent). Achilles is different. For example when he is first told about the news of Patroclus's death the result is nothing less but the ultimate emotional collapse:

So they spoke and black mist of distress covered him: With both his hands he gathered smoky sand and he poured it over his head and disfigured his face: his nectarous chiton turned black with ashes. And he himself dropped in the dirt and stretched over his lying (here: the corpse) friend/beloved pulling out his hair in lament. The slaves given as war price to Achilles and Patroclus, released a great cry of sadness and they approached all to the sides of mourning Achilles, beating their chests with their hands, and their knees each. Also Antilochus with them was lamenting and pouring tears holding the hands of Achilles: for he was moaning with his noble heart: worried that he would cut his throat with iron (here: a knife).

(Translation by me)

There is no words to express such an intense display of pain given by Achilles from second one when he receives the news of the death of Patroclus. He immediately pours ash over his head (quite a common trope for mourning done by many characters before.) and "disfiguring his face" which means he was digging his nails down his cheeks which was again a trope of mourning in greek literature. The intensity of his lament is so great that Antilochus feels the need to hold his hands just in case he would want to comit suicide in his pain!

Ironically for most part in this lament does it mention that Achilles was making any sound at all during the process, which somehow makes it even more disturbing to think that Achilles simply drops to his knees, covers himself in ashes and scratches his cheeks while lamenting over the body of Patroclus hardly making any sound at all. It is the slave women who arrive later that release the cries that undoubtedly are within the soul of Achilles. Somehow his lament is extreme and yet no audible hint exists for most part of the text EXCEPT the final one where it says "moaning with his noble heart". It almost seems that his body does most of the talking till the women arrive and cry out like he so much wants to and then his mouth also makes sounds. It is not a scream; it is a moan. It is possible of course that the clip refers to Achilles constantly moaning but I do like this as a possible food for thought that if Achilles was firstly responding to pain with his actions and then with his voice and in a way the moment he actually made a sound was the moment Antilochus truly began to worry!

There is a certain theatricality to this scene of lament and drama which of course as many analytics before me would say, it seems to be hinting to some other infamous laments of mythological characters and more specific the laments of Apollo. Apollo is one of those figures for whom we have no doubt he was lamenting his lovers and some classical examples are Hyakinthus and Cyparissus both of them transformed into a flower and a tree respectably. The associations of Achilles and the grieving god seem to be more than just a possibility here. Which of course enforces even further the idea of them being lovers. It is also the amount of time that Achilles mourns plus the intense way that he refuses to let go of the body of Patroclus to which he seems to be holding on from the 18th rhapsody when he first finds out of his death till the moment that she arrived with his armor one rhapsody later. Quite a gruesome scene is when she enters the tent and finds Achilles crying while clasping Patroclus onto him:

And she found her dearest son still lay there, clasping Patroclus and crying woefully and his comrades around him mourning

(Translation by me)

And at this point Thetis hasn't yet given nectar and ambrosia to the body of Patroclus to prevent the sepsis from happening, which happens a few lyrics later. So Achilles was holding the dead body for the entire day even after it was cleaned and prepared showing the intense pain Achilles was expressing and going through. And he seems unwilling to part from him till Patroclus's spirit itself arrives in his sleep and requests a burial so he can rest.

Of course it needs to be noted that intense lament is not exlusive to lovers in greek mythology. To name a few Athena grieves intensely the loss of her friend Pallas and by some accounts she does take her name as her epithet post-mortem. Antigone intensely mourns her dead brother and laments his disgrace when she finds that the ritual burial she performed had been disturbed. And the acting of killing oneself out of sorrow again is not strictly remaining to the love affairs. For example Ismene killing herself after learning the deaths of her family members in general and Antigone in particular. Another most prominient example is king Aegeus who throws himself into the sea when he sees the black sails of the ship coming from Crete, thinking his son was dead.

So the exessive expression of grief are not just dedicated to lovers or husbands and wives in greek literature but rather it is expanded to all people who mourn someone dear to them regardless of the nature of the bond between them. In the case of Achilles of course he does seem to be having a specially strong mental breakdown every time some important person in his life that is said to be romantically involved with him dies or is taken from him starting with Briseis for whom he expresses his emotions many times in the Iliad and she is the first reason of his anger, of course Patroclus and Penthesilea for whom he apparently has feelings for a few monets after he sees her face after she dies. In Posthomerica it is even said that his lamentover her dead body is "the same as the one over Patroclus" and of course Antilochus later according to the Epic Cycle when he died protecting his father, caused another explosion of anger to Achilles which was fated to be his last one.

It is possible since his love is clearly stated in the cases of Briseis and Penthesilea that the same can have occured for Antilochus and of course Patroclus which was the most heartbreaking of them all and for good reason. In fact the case of Patroclus seems to be that he plays every role in the life of Achilles. He is his friend, his companion, his squire, his advisor so why not his lover too.

The Same Urn

Now of course where people surely think they have a clear case of romantic bond seems to be the request of Patroclus to be burnt but his bones to be kept in the same urn that is to be used for Achilles as well. The passage happens in the 23rd rhapsody:

And one more thing I ask for you to excecute; do not place my bones apart from yours, Achilles, but together just like we were raised in your chambers, when I was brought to your land by Menetoios as a little boy from Opois because of the grievous manslaughter, for when I was a child I was foolish and killed the son of Amphidamas without wanting to, for I was mad over a game of dice: there I was accepted to the chambers of the horseman of Peleus who kindly took care of me and named me your squire. And the same way I want for my bones to be together with yours in the same golden box, the one your divine mother prepared for you.

(Translation by me)

So apart from the fact that it is a highly emotional scene, seeing your dead companion arriving at you and begging to be let go (this is literally Patroclus saying "Let me go, Achilles...just let me go" for Achilles literally refuses to give up his body not even for a burial) it is also the scene that seems to be winking to the fans of the idea of them being lovers as a proof that they are together. And quite frankly I can absolutely see why and it would be foolish to ignore this possibility especially given how tenderly Achilles calls him "my beloved" (or "as loved as my own life") after the whole request is done from the spirit of Patroclus which is more than clear indication for many accounts and that makes perfect sense.

The custom of co-burial was known in Greece from the earliest times of its civilization till the end (because quite honestly I am not sure the custom will stop existing in Greece since despite the lack of cremations, we still have the custom of common graves even if it is only for those who can afford have a family monument). We often find urns contain bones of multiple individuals and yes more often whatnot they are maritable partners and the obsession of words that mean "together" in this passage such as; "μή (...) ἀπάνευθε" (not apart), "ὁμοῦ" (at the same place, together) or "ἀμφικαλύπτω" (cover each other) seems to be pointing to the direction of a romantic relationship and it won't be the only time someone is co-relating the mingling of ashes and bones with "marriage" (and example is The Hunchback of Notre Dame, where Victor Hugo describes the way Quasimodo and Esmeralda's skeletons turn into inseparable dust as "Quasimodo's Marriage")

However on the counter-talk, co-burials were also common among family members (which is exactly what Achilles and Patroclus are). Ironically from the excavations to Mycenae several co-burials were discovered that were not related by blood but they were theorized to be connected to some relations of adoption (which again seems to fit the case of Achilles and Patroclus from the time Patroclus was brought in and ellegedly adopted by Peleus)

I am also convinced that the fact Patroclus gives us some good portion of his background story here was not just a random thing. It seems that Patroclus places emphasis on why he wants to be in the same urn as Achilles; because they were raised together, they were together all their lives and he wants them to be together in death as well. It absolutely could be a romantic insinuation on Patroclus's part however it seems equally possible that the background story serves as a lever to make the public understand how the two of them were raised together and wished to remain together. It almost feels like Homoer wants either to stimulate the idea that the past is an extra point towards their romantic relationship or yet another point of the closeness of their kinship or both (to me it seems the latter)

However another factor to this urn seems to be Antilochus. Antilochus who was close to the age of Achilles, the one who was in charge to bring the news of Patroclus's death to Achilles and the one that we saw consoling him and trying to prevent him from doing something foolish seems to be added to this circle. In fact in some future sources he is featured as the reason Achilles died, for he was driven in yet another furious attack against the Trojans, forcing them to fall back when he saw him fall dead protecting his father from the Ethiopian king Memnon. In some accounts, even possibly Homer included, is insinuated that Antilochus was also included in the funerary urn with Achilles and Patroclus although in the Odyssey it is clearly stated that his bones are not in it:

Your mother gave me this golden amphora (here an urn with two handles); a gift from Dionysus she said to me, made by the renounced Hephestus, in which lie your white bones, radiant Achilles, mixed with the ones of dead Patroclus son of Menoetius, but without Antilochus, whom he honored above all his comrades after Patroclus died.

(Translation by me)

So in the Odyssey it doesn't seem like they were indeed in the same urn (unless somehow Nestor could tell the bones apart and took them out? hehe) but they all thee of them are joined in one tomb and worshipped as heroes. So in a way Antilochus seems to join them just not in the same box. However the three of them are indeed seen together in the underworld as one trio literally. They are apparently joined after death according to what Odysseus saw in the underworld.

Once again seems like the romantic as well as the kinship theories could be true interchangably or even at the same time.

Ancient Greeks on their relationship:

As I mentioned above many ancient writers and not just the infamous "historians" everyone mocks on the internet, seem to have placed their own guesses and opinions on the relationships of the two heroes.

Aeschines seems to be contemplating the idea they are lovers (aka he says that Homer "hides their love") and he even reads Patroclus's story as "an intercourse they had once". He names their relationship έρως aka romantic love (eros). Aristotle in Nicomachian Ethics and Rethoric he uses the term "comrade" to talk of them, choosing to focus more on their friendship. His teacher Plato though was a different story. He was convinced that they were not only lovers but he had also figured their roles in their relationship as presented in his Symposium, naming Patroclus as ἐραστής aka "the one who gives love" and mentions how Achilles is in love with Patroclus. Plato remains one of the most...great "shippers" of the two having no doubt about their love affair. To the other end is Xenophon who is adamant that they are not lovers, in his own Symposium. A large number of greek writers seem also to comment on both possibilities, it seems to me quite interesting how many different readings the homeric poems provide.

More mordern readings:

While it is true that there is a certain confusion to the public since a large number of texts either were deliberately modified or genuinely mistranslated (given again how terms like φιλώ means "to love" in general in ancient greek and not just romantically or that the term ερώ does mean "to love as a lover" in some contexts but it also means "to desire very much" and it was used in various of contexts) and these double-meanings were taken advantage of to translate the texts differently and that is because when someone in modern times says "my beloved" by n large they refer to a lover which was something that was greatly hushed up in public

Of course as we stated above for ancient greece that was not the case since the term "beloved" could be used in various contexts and it showed intense emotions of kinship between two people regardless of the nature of their relationship.

However in some accounts the obsession upon trying not to show intense potentual homoerotic material made many of these translations unreliable. There were exceptions to the rule of course but the real breakthrough wouldn't really happen till later in the 19th century where we also have more samples of printed work. Translations like Butler at the end of 19th century are far reliable to the text and seem to follow the spirit of Homer. Quite frankly there was already a breakthrough to homoerotic material thanks to not only the neo-classisim but also gothic literature such as the vampire novelle Carmilla so many writers became more bold into translating the tender words of love as they were and leave the public decide upon their nature.

However this effort to hush up the tender words spoken in Homer out of fear that they might be interpreted as homoerotic created of course this modern uprage in which we have the other way round; that people are afraid to talk about friendhsip and kinship because they will be hushed up by the readings of the text as homoerotic

(see my other post for this)

This, in my opinion simply removes all the abive context; that love can be expressed between family members or friends or people who have been through a lot. Quite frankly as you can see not only I am not denying their energy as lovers, I like to believe I am also supporting this theory a lot because there is a lot of possibility in it just like there is on the direction of tenderness and affection. I do think today people are afraid to speak up on the other side exactly bcause nowadays the most famous way to see them is as lovers as opposed to the previous periods that did the other way round

Conclusions:

I have no doubts that Homer, even though not clearly speaking about it (for example referring to sexual acts) he seems to be insinuating that the two of them were sharing romantic bond or feelings for each other

(it needs to be noted that it is not entirely clear that if there WERE romantic feelings that they were confessed or known by both parties, which could potentially mean the two of them loved each other romantically but did not fulfill their love which could be another tragic note to their story)

Homer seems to be sending several hints to his viewers/readers that one could interpret them as lovers given the tender dictionary they use between each other and for each other, allowing his...fans to decide for themselves. It is also highly possible that he too saw them as star-crossed lovers, for he gives them all the elements of various other stories that involve homoerotic romance, even the tragic end to their story.

However I am equally sure that he also wanted to say that their friendship was of equal importance. There is no doubt that Homer considered them close friends (for he gives us a small hint of their backstory, how they grew together) and their story is being projected like many other duos and characters in the Trojan war that are linked together with bonds of kinship and companionship; stories that flourish at war. He might not straight out tell us that they are the case of story "from friends to lovers" but he absolutely seems to be letting us know that their kinship is there!

And I am grateful to Homer for his writing because it seems to me he wanted both sides to equally enjoy the story; whether they are those who do think their closeness is romance and those who think it is close kinship, strong family bonds or friendship. I am almost convinced that Homer deliberately used that as a way to please both sides of the audience or to give a more tragic aftertaste to their story since closeness is much more impactful to the face of separation.

I like them both and in fact I support them simoultaneously for honestly there is no best lover than your best friend; someone you can trust with everything you have. If I had to support one form of love, this would be it but at the same time I do support the idea that friendship is already a powerful bond of two people and that romantic love in this case would come as a bonus. Somehow Homer does seem to entertain this idea in his writing given again the extreme tenderness and the tragedy of these two while at the same time leaving the door open for his audience to speculate, make interpretations and enjoy the story in their own perspective.

If that is not art I dunno what is.

Okay guys this is only but scrapping the surface of this relationship that lasted for 3000 years now! Hahaha but I hope you like this! It took me several hours to synthesize but I hope you like it.

[kleopatra45]

♡ Love Asteroids Series

asteroid alkeste (124)

Asteroid Alkeste in astrology represents self-sacrifice, devotion, and the willingness to go to great lengths for love and loyalty. Named after Alcestis, a figure from Greek mythology known for her selfless love and sacrifice, this asteroid indicates how individuals express their dedication, the extent of their devotion, and their capacity for selflessness in relationships.

in the houses

Alkeste in the 1st House: Your self-sacrifice and devotion are central to your identity. You may often put others' needs before your own and find personal fulfillment in acts of selflessness. Alkeste in the 2nd House: Material resources and physical comforts are areas where you might show great generosity. You may sacrifice your own financial security to support those you care about. Alkeste in the 3rd House: Communication and intellectual connections are influenced by your selfless nature. You might go out of your way to help others learn and grow, often sacrificing your own time and energy. Alkeste in the 4th House: Family and home life are key areas where your devotion shines. You may prioritize the needs of your loved ones above your own, creating a nurturing and supportive environment. Alkeste in the 5th House: Creativity, romance, and children are where your selflessness is most evident. You might sacrifice your own desires for the happiness and well-being of your children or romantic partners. Alkeste in the 6th House: Daily routines, health, and service are impacted by your devotion. You may work tirelessly for the benefit of others, often at the expense of your own well-being. Alkeste in the 7th House: Partnerships and committed relationships are central to your self-sacrifice. You may go to great lengths to ensure the happiness and security of your partner. Alkeste in the 8th House: Transformation, shared resources, and deep emotional connections define your selflessness. You might sacrifice personal gains for the sake of profound, transformative relationships. Alkeste in the 9th House: Exploration, philosophy, and higher learning influence your devotion. You may support others in their quests for knowledge and personal growth, often prioritizing their needs over your own. Alkeste in the 10th House: Ambition, achievement, and public image are areas where your selflessness can manifest. You might sacrifice your own career goals to help others succeed or to maintain family harmony. Alkeste in the 11th House: Friendships, social causes, and group affiliations are influenced by your devotion. You may be deeply involved in social causes, often putting the collective good above your personal interests. Alkeste in the 12th House: Spirituality, hidden desires, and unconscious motivations affect your self-sacrifice. You might offer selfless support in subtle, behind-the-scenes ways, often without recognition.

in the signs

Aries: Alkeste in Aries shows self-sacrifice through bold, courageous actions. You may take the lead in helping others, often stepping into challenging situations to offer support. Taurus: Stability, sensuality, and loyalty define your devotion. You may show your selflessness through steadfast support and providing comfort to those in need. Gemini: Intellectual stimulation, curiosity, and communication shape your self-sacrifice. You might go out of your way to share knowledge and provide intellectual support. Cancer: Emotional security, nurturing, and family connections are central to your devotion. You may prioritize the needs of your family and close loved ones, often sacrificing your own comfort. Leo: Alkeste in Leo seeks admiration, romance, and dramatic expression in self-sacrifice. You might make grand gestures of devotion and support, often seeking to uplift others. Virgo: Practicality, service, and attention to detail influence your selflessness. You may offer meticulous care and support, often sacrificing your own needs to ensure others' well-being. Libra: Harmony, balance, and equality are important for your self-sacrifice. You might work tirelessly to maintain peace and fairness in your relationships, often putting others' needs first. Scorpio: Intensity, emotional depth, and transformation define your selflessness. You may go to great lengths to support deep, transformative relationships, often at a personal cost. Sagittarius: Freedom, adventure, and exploration influence your devotion. You might support others in their quests for knowledge and personal growth, often prioritizing their needs over your own. Capricorn: Ambition, responsibility, and long-term goals impact your self-sacrifice. You may work tirelessly for the success and stability of others, often at the expense of your own ambitions. Aquarius: Individuality, independence, and progressive values shape your selflessness. You might be deeply involved in social causes, often putting the collective good above your personal interests. Pisces: Alkeste in Pisces seeks compassion, empathy, and spiritual connection in self-sacrifice. You may offer selfless support in subtle, behind-the-scenes ways, often without recognition.

in aspects

→ Conjunctions A conjunction of Alkeste with another planet intensifies the influence of that planet on your approach to self-sacrifice and devotion. For example, Alkeste conjunct Venus emphasizes selfless love and support in relationships. → Sextiles and Trines Harmonious aspects indicate ease in integrating the energies of Alkeste and the other planet involved. For instance, Alkeste sextile Mars suggests dynamic and supportive actions in your relationships. → Squares and Oppositions Challenging aspects can indicate tension or conflict that needs resolution in matters of devotion and self-sacrifice. For example, Alkeste square Saturn might suggest obstacles in expressing selflessness, while Alkeste opposition Uranus could highlight a need for balancing personal freedom with devotion to others.

©️kleopatra45

[crescenthistory]

hello miss Carina! I'm not very well versed in the marauders fandom (but I love your works) and was wondering what are the valkeryies?

hello my lovely!! i am SO HAPPY you asked

crescenthistory's introduction to the valkyries

since you said you're not well-versed in the fandom at all, i'm over-explaining to be on the safe side, sorry if you already knew all of this 🙏

"the valkyries" is a group name in the same way as the marauders (james, sirius, remus, peter) and the slytherin skittles (barty, evan, regulus, dorcas, pandora) are

unlike the marauders (who are named explicitly in the hp books through the marauders map), the skittles and the valkyries are fandom names for the different friendgroups at hogwarts

(nb, the skittles are sometimes called the emeralds by people who think that name is too silly lmao, and pandora is traditionally thought of as ravenclaw, despite the name being slytherin-centred)

these friendgroups, of course, often over-lap in fan interpretations as we love to have them all as one vast giant family

in OG fanon lore, the valkyries consist of the three gryffindor girls: lily evans, marlene mckinnon and mary macdonald

lily we know a "lot" about from the books; she is studious, fiery, kind/nurturing, stands up for what is right and loves her friends fiercly

mary is only named as a member of the order who did not die and is mentioned by lily in a flashback where she says mary was a victim of a muggleborn hatecrime

thus we as a fandom have concluded that she is muggleborn and kind. from there, interpretations of her vary, but i characterise her as sassy, down to earth, a bit flirtatious yet shy, kind of cottagecore-y

when we talk about the marauders era in a canon compliant way, most people believe that mary survived the first wizarding war and obliviated herself of any knowledge of magic afterwards because she couldn't live with the trauma. she went on to live the rest as a "muggle"

marlene is mentioned only once in the books and is said to have been a member of the order who was killed alongside her entire family

she is generally characterised by the fandom as being incredibly loyal and family-centric (blood and found family), outspoken/brazen, confident, passionate and kind

most people hc her as an avid quidditch fanatic (wants to be a professional player when she grows up, becomes either that or a healer)

these three shared a dorm at hogwarts and made up the foundation of the friendship between the marauders era girls

(either peter or remus is often hc-ed as being brought in as an "honourary girlie" in some of their hangouts because of their quietness and respect)

they are called the valkyries specifically because valkyries in norse mythology are beautiful female warriors who bring fallen soldiers to valhalla ("heaven") -> a poetic take on who they are

they are close friends with the marauders, depending on your hcs

i for one believe that marlene and james are childhood besties (because wizard families and quidditch) and lily and remus instantly connect (because of similar personalities and views), so the friendgroups are kind of merged immediatley

it also makes sense that the two gryffindor groups are connected to some degree -- i don't like the idea of them splitting up into "genders" so divisively, i view the different friendgroups as originating from their dorms and then mixing from there

where and how the slytherin skittles come in, usually depends on your hcs or the fic (as in, you go with what suits your story)

the obvious connection is regulus and sirius as brothers, so in fics where they are close, it makes sense that the friendgroups merge

other than that, the friendgroups usually merge through different ships: james/regulus, marlene/dorcas, lily/james, lily/pandora, remus/regulus, etc.

most people nowadays (ESPECIALLY ME) consider dorcas and (sometimes) pandora as either parts of the valkyries or at least good enough friends with them that they are together a lot

while i see dorcas and pandora as slytherin skittles/emeralds first and foremost, i will usually also include them in chats about the valkyries and will list poly!dorlene and poly!pandalily under the valkyries tag in my masterlist

they become integrated with the three valkyries at some point during their time at hogwarts; the original trio expands

i usually consider the shift to have happened around fifth year, but it's flexible

(if you want to know more about dorcas and pandora, i have a lot of headcanons about them under the slytherin skittles part of my masterlist)

i personally am an avid dorlene (dorcas/marlene) shipper and don't really entertain other pairings for either party, though i know some people are fond of marlene/mary

marylily is a huge other ship within the valkyries and is often considered "complementary" to dorlene

pandalily (pandora/lily) is also growing in popularity from what i've seen

if you want any headcanons for any of these ships (either on their own or poly x reader), i am more than willing 🥸

there are also wider friendgroups and other characters around at hogwarts that are sometimes mentioned or integrated into fics, either to serve a purpose or just for the vibes

some of these that i occasionally use are: the black sisters (reg&sirius' cousins andormeda, bellatrix and narcissa), amelia bones (hufflepuff), emmeline vance (ravenclaw), alice fortescue & frank longbottom, rita skeeter, ted tonks, the Bad Guys in slytherin lol (severus snape, rabastan lestrange, lucius malfoy, mulciber, avery, etc.)

i hope this gave you a better idea of who they are bubs! let me know if you want any more details or to chat about them<33

since any lore is essentially entirely based in fanon, it is very much up to everyone's personal preference and is even subject to change from fic to fic, but all in all the valkyries are lily, marlene and mary + other potential girlies(gn) they drag with them along the way 🤍

[obsidian-pages777]

God of Heatbreak, Avenger of Unrequited Love: Anteros [ Asteroid] in your chart.

Anteros, the god of requited love and the avenger of unrequited love in Greek mythology, represents themes of mutual affection, balance in relationships, and the quest for reciprocal love. When placed in various astrological houses in a natal chart, Anteros can highlight different areas of life where these themes are most prominent. Here's a detailed look at Anteros in each of the twelve astrological houses:

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First House (House of Self):

Emphasis on personal identity being closely tied to experiences of mutual love and affection.

A strong need for balanced relationships to feel self-assured and confident.

May seek partners who mirror their own qualities and values.

Second House (House of Values and Possessions):

Value systems heavily influenced by the concept of mutual respect and shared affection.

Financial decisions and material possessions might be impacted by relationships and partnerships.

Potential for finding self-worth through balanced and reciprocal relationships.

Third House (House of Communication):

Communication style may focus on fairness and equality in interactions.

Sibling relationships and early education experiences shaped by themes of reciprocation and balance.

The importance of mutual understanding in daily communications.

Fourth House (House of Home and Family):

Family dynamics and childhood experiences emphasize the need for reciprocal love and emotional balance.

Creating a home environment where mutual respect and affection are paramount.

Emotional security tied to the quality of familial relationships.

Fifth House (House of Pleasure and Creativity):

Romantic relationships and creative expressions are driven by the need for mutual affection and validation.

Pleasure derived from activities that involve shared love and balanced interactions.

Relationships with children might focus on fostering mutual respect and love.

Sixth House (House of Health and Service):

Work and daily routines are influenced by the desire for fair and balanced relationships with coworkers.

A focus on mutual support in health and wellness practices.

Service to others is seen through the lens of reciprocation and equality.

Seventh House (House of Partnerships):

This is a significant placement for Anteros, emphasizing the need for balanced and mutually fulfilling partnerships.

Marriage and close relationships thrive on reciprocal love and respect.

Conflicts in relationships often stem from imbalances or unreciprocated efforts.

Eighth House (House of Transformation and Shared Resources):

Intense focus on the deep, transformative power of mutual love and shared resources.

Relationships often involve themes of power balance and the fair sharing of intimate and financial resources.

Potential for transformative experiences through deeply reciprocal connections.

Ninth House (House of Philosophy and Higher Learning):

Beliefs and philosophical outlooks are shaped by experiences of mutual respect and reciprocal love.

Educational pursuits and long-distance travel may be influenced by partnerships and shared goals.

The search for meaning often involves exploring the balance in relationships.

Tenth House (House of Career and Public Life):

Career ambitions and public reputation are influenced by the need for balanced and mutually beneficial professional relationships.

Success in career often involves partnerships and collaborations built on mutual respect.

Public image may be tied to how one is perceived in relationships and partnerships.

Eleventh House (House of Friendships and Groups):

Friendships and group affiliations are centered on themes of mutual respect and shared goals.

Success in social circles depends on fair and balanced relationships.

Idealism in group efforts and social causes driven by the concept of reciprocity.

Twelfth House (House of the Unconscious and Mysticism):

Hidden or unconscious drives around the need for reciprocal love and balanced relationships.

Potential for experiencing unrequited love or addressing imbalances in relationships on a subconscious level.

Spiritual growth through understanding and balancing the dynamics of give-and-take in relationships.

In each house, Anteros highlights where the need for mutual affection and balanced relationships manifests in one's life, guiding individuals toward greater harmony and reciprocation in these areas.

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[o-hora-o]

do you have thoughts about any other researchers/scientists who the NA branch scientists might have known? such as Ford, Bohr, etc? I know you've mentioned them before and I was wondernig if you had thoughts about them.

I'm so thankful for this top-tier question 😭❤️ tho I'm not sure that you expected such delulu answer but I'm a nerd so here we go. To understand who the NA branch/42 lab might have known, we should dive into the world of science lore and go through connections between scientists who lived mostly in the late 19th-first half of the 20th century (hello, Hans Bethe, you 100-year-old cheater).

So, we have these 4 major groups: physicists, inventors/electrical engineers, chemists and mathematicians (yes, some of them can be put into several groups, but don’t mind it pls).  

Of course, this map can be expanded even further but it’d be too much. The main idea here is that all of them kinda knew each other one way or another.

Let's start with the biggest group: Physics

Niels Bohr is undoubtedly one of the biggest figures along with Einstein and Planck. They were like 3 holy spirits who became guiding lights for many other scientists. As a fun fact, Niels was in this Indian mythology fan club too.

For example Albert was fascinated by Hinduism and Buddhism, philosophical and cosmological concepts (the Upanishads text to be precise) and the idea of unity of all existence. So was Carl Jung btw, but he was more into the mythology part itself. Schrödinger, being a sucker for philosophy, was deeply influenced by Upanishads and Vedanta (It can be seen in his What is Life? book where he explored the idea of unity of the self with the universe and the existence of two souls: individual and universal, which was a parallel to how particles behave in the observer's presence). And in Bohr’s case, he was influenced by Hindu cosmology. Just as Erwin, he found parallels to his ideas in Indian philosophy. 

So, as I said, Niels Bohr was one of the most influential physicists and a central figure in the history of quantum mechanics and atomic theory. He was a life-long friend of Einstein but they had a silly relationship: they often debated on the interpretation of quantum mechanics. For example, Bohr was rooting for Copenhagen Interpretation.

The main idea of the Copenhagen Interpretation was that until you look at a particle, it doesn't have a certain position or speed, therefore it exists in different places all at once. But the moment you look at it, it chooses its place and speed. It's as if until you open your eyes, all things around you exist in different states. Feel paranoid now? You can thank Bohr and Heisenberg for that. "It’s not the particles' fault for acting weird, it’s just how the universe works at this super tiny level". But Einstein was skeptical of the view "How can particles be in two places at once? That’s just crazy!" and commented it as “God does not play dice with the universe”. 

So despite different views Einstein and Bohr kept being bff with mutual respect and admiration for each other. Imma just leave it here:

Max Planck, being not only one of the founding fathers of quantum theory but also a father figure to the science world itself, was both Einstein and Bohr’s mentor (Planck’s biography aka driven by vision broken by war is still my angst roman empire help, that was the saddest thing you can read). And Bohr, just like Planck, played a key role in mentoring the following generation of physicists too. 

And this is where we meet Werner Heisenberg, one of Bohr’s most gifted students. Heisenberg aka Uncertainty Principle guy, Heisenberg aka one of the main Architects of Quantum Mechanics guy, Heisenberg aka Schrödinger’s pain in the ass guy.

Friendship between Heisenberg and Bohr was truly a legendary one, Bohr treated Werner like a family member, like a son, but unfortunately this friendship was shattered when Heisenberg took part in the German nuclear project. 

There’s this mysterious story about Heisenberg’s visit to Niels Bohr in nazi-occupied Denmark in September 1941 and the story about unsent letters which were significant episodes in the history of quantum physics. “Mysterious” because it is unknown what exactly they talked about but it is said that during their conversation, Heisenberg seemed to avoid direct discussion about the atomic bomb and its consequences. That meeting was emotionally tense, with Bohr feeling betrayed by Heisenberg. 

It is also said that after the 1941 visit Heisenberg wrote an unsent letter to Bohr. The content of this letter remains unknown but it is known that Heisenberg was deeply upset and troubled by their tense conversation and relationship. Heisenberg had likely tried to express his confusion, regret, or desire to explain himself to Bohr. Some historians say that Heisenberg may have been trying to signal to Bohr that he had not been fully loyal to the German nuclear project or even that he had deliberately slowed its progress. 

In 1943 Bohr fled Denmark to escape the occupation. Before leaving, Bohr wrote an unsent letter to Heisenberg. He wrote how disappointed he was with Heisenberg, Bohr believed that the pursuit of knowledge could not be divorced from the responsibility of how that knowledge was applied. There was also the “Copenhagen” play written by Michael Frayn about this story between the two. Angst fic right there. 

Nevertheless, Werner interacted with many many greatest minds. Planck influenced him deeply and supported his work, Werner’s father was a friend of Sommerfeld, then he studied with Wolfgang Pauli and Max Born was another mentor of his and they both worked on Matrix Mechanics.

Schrödinger aka "I don't like it, and I'm sorry I ever had anything to do with it" guy, Schrödinger aka “I insist upon the view that all is waves” guy, being inspired by Louis de Broglie, had a totally different approach and contrary to Matrix Mechanics he developed Wave Mechanics. Bohr was more of a philosophical mentor-debater to Erwin and even then their relationship was far more distant than the one between Bohr and Heisenberg. Just like Einstein, Erwin was wary of Copenhagen Interpretation. Unlike Einstein, this classical vs modern approaches disagreement became a rift that didn’t let Erwin build a strong bond with Heisenberg or Bohr.

And the funniest part is that Schrödinger’s “cat experiment” was created to prove Copenhagen Interpretation wrong and absurd (though it didn’t contradict Heisenberg’s Uncertainty Principle).

Once Bohr invited Schrödinger to be his house guest and then started a debate about the Copenhagen Interpretation. He tried to convince Erwin that it was right for several days after which Erwin fell ill and Niel’s wife had to nurse him.

“There was Bohr, the indefatigable debater that he was, sitting on the edge of the bed continuing the debate, oblivious to the late hour, as though he were engaged in the most serious of scientific discussions, while I, in my bed, could hardly keep my eyes open".

Btw De Broglie's theory was inspired by Einstein AND became publicly known because of Einstein. De Broglie's work could have gone unnoticed for years, if Einstein had not paid attention to it. Einstein told Born about this idea and therefore triggered a chain of new theories in the world of quantum mechanics. At that time, physicists listened to every word of Einstein, and as soon as he mentioned de Broglie's ideas in an article, Schrödinger was immediately inspired.

Speaking of Max Born, he was also one of the central figures in the quantum mechanics field and a part of Copenhagen Interpretation club. He first studied mathematics and turned to physics only after finishing his doctorate. Because of that Born wrote his works with exceptional mathematical precision which was very different from Bohr's intricate theoretical sketches, which contained brilliant ideas and physical intuition, but often required refinement in the mathematical part (the curse of many physicists). However, both geniuses were important to a new understanding of atoms. And of course Born knew everyone I mentioned previously and even more since he mentored not only Heisenberg or Oppenheimer but he had many assistants who were also well known physicists.

But let’s go back to the one who had the most connections, Einstein, and look at his relationship with the Curie family (of course Chemistry group can be expanded way more but we’re trying to not go far away from the ae cast here). Even though Albert didn’t have such a strong bond with Curie as he had with Bohr and Planck, he and Marie were great friends who built their friendship on shared experience of being outcasts. In his letter Einstein expressed admiration for her work on radioactivity while Marie was deeply impressed by special theory of relativity. Their friendship is mostly known for Einstein's support during Curie’s scandal in 1911 (Einstein was one of a few who defended her). And in return Marie supported and encouraged Albert’s work that at that time was seen as absurd and outrageous. Moreover they both played important roles in the Solvay Conferences (another science world crossover aside from Manhattan Project). 

Yes, they didn’t work together on scientific projects but instead they just preferred sending letters to each other discussing either work or personal matters like families, concerns about too much public attention or Sklodowska expressing how difficult it was for her to be a woman in the male-scientific world. 

By "concerns about too much public attention" I also mean that Einstein disliked giving interviews. As he once said:

But I can give you this silly anecdote instead:

Since I mentioned how Einstein’s work challenged the science world shaped by Newton, we need to meet a certain astrophysicist in this story. To many, Einstein’s ideas seemed to rock the foundations of classical mechanics which was a true blasphemy. But most importantly, everyone thought that it was unprovable. How to measure the bending of space-time?

And this is where Sir Arthur Eddington appeared on stage, a British astronomer and mathematician.

In 1915 Einstein published his general theory of relativity, which proposed that massive objects like stars and planets could bend space-time. This theory, even more radical than his special theory of relativity, predicted that light could be bent by gravity - a phenomenon that could be tested by observing stars near the Sun during a total solar eclipse. Eddington saw an opportunity. For years, astronomers had speculated about Einstein's theory and the coming eclipse of 1919 would offer Eddington the perfect opportunity to put Einstein’s prediction to the test.

As the moon passed in front of the Sun, they observed stars near the Sun's edge. According to Einstein’s theory, the light from those stars should’ve appeared to shift, bending as it passed near the Sun’s massive gravitational field. Eddington’s results confirmed the prediction. The light had indeed bent, just as Einstein had said it would.

The news sent shockwaves through the scientific community. Einstein’s theory of general relativity had been validated by experiment. The very fabric of space-time, once a mathematical abstraction, became a proven reality. Eddington’s observations were seen as a triumph for the world of physics and for the first time Einstein’s name became known to the wider world. 

In the following years the friendship between Eddington and Einstein deepened. Eddington explained and defended Einstein’s work to the English-speaking world. Their correspondence, filled with mutual respect and admiration, continued until Eddington’s death in 1944.

Of course I also should mention Marcel Grossmann. He was a Swiss mathematician and also Einstein’s friend and a classmate. They had a close work relationship regarding development of General Relativity theory. 

You see, despite the stereotype, Einstein was good in mathematics, but he was more about physical intuition. And since he didn’t have this intuition in mathematics like, for example, Ramanujan, he encountered mathematical problems that were beyond his own skills while developing his theory of General Relativity. Therefore, he needed help from mathematicians like Marcel Grossmann. 

Grossmann was well-versed in the mathematics needed for the theory of General Relativity. He introduced Einstein to mathematical concepts such as Riemannian geometry and Ricci calculus which was much needed for the equations that describe the bending of spacetime in General Relativity. Without Grossmann's help, finding mathematical language to express physical ideas of the theory would’ve been Einstein’s huge headache.  

Aside from Grossmann there was also Hermann Minkowski – another great mathematician and a former professor of Einstein. Instead of assisting in the theory of General Relativity, he helped with the development of Special Relativity theory. Minkowski realized that Einstein's theory could be elegantly expressed in terms of a four-dimensional spacetime through the mathematical language.

While we’re in this Mathematics group, let me introduce you to one of the big heads - John von Neumann. A true legend of many fields and thanks to that he had vast connections (and thanks to participating in the Manhattan Project too).  

One anecdote about the relationship between Einstein and von Neumann comes from von Neumann’s colleague and Einstein’s friend, mathematician Kurt Gödel. According to Gödel, one day, while Einstein was talking with von Neumann, the topic turned to the nature of space and time. Einstein was very passionate about this and more philosophical while von Neumann took a more practical mathematical approach.

"You are thinking about space and time as something fundamental. But we can make it all a product of the way we approach the equations".

Einstein chuckled and remarked:

"Well, John, you have a way of turning the most beautiful ideas into something utterly cold and mechanical".

And of course, Bohr had intense debates about the Interpretation with John too.  But, despite their differences, they respected each other’s intellects, and Bohr even referred to von Neumann as “the cleverest man in the world”.

Von Neumann’s relationship with Enrico Fermi was a close one. Fermi and von Neumann could converse about everything, be it nuclear physics or latest developments in quantum mechanics. Yeah, they shared many interests. Together, their abilities led to some interesting collaborations during the Manhattan Project and in nuclear physics.

My boy, my proud and joy, Richard Feynman, the charismatic and playful physicist (no, really, he was the legendary childish rascal, Surely You're Joking, Mr. Feynman was a chef’s kiss) who would later become famous for his work in quantum electrodynamics and his ability to dumb down complex ideas (no, really, The Feynman Lectures on Physics -), had a deep admiration for von Neumann and was influenced by von Neumann’s ability to make tough problems elegantly simple.

Yeah, one of the most famous stories about von Neumann is that he was a child prodigy. When he was just six years old, he could divide large numbers in his head. Then, his parents had to hire a tutor to teach him mathematics but the tutor quickly realized that von Neumann was far beyond him. One day, von Neumann’s father gave him a large number and the young John immediately calculated the square root. The father asked him how he could do that and Von Neumann simply replied with "I memorized the tables of square roots".

The reason why it was important to add him here was that not only that he knew mostly everyone but also he knew Alan Turing and Alan Turing is someone lab 42 might have worked with.

Enrico Fermi, usually known for his paradox (shout-out to Remembrance of Earth's Past fans) was also a huge figure in physics, a brilliant man with dry humor who created the first nuclear reactor and took part in the Manhattan Project. 

Fermi and Niels Bohr were two of the central figures in the development of nuclear physics, and their collaboration during the Manhattan Project was essential to the creation of the first atomic bomb. 

Oppenheimer described Fermi’s ability to get to the core of a problem saying:

"When I have a difficult problem, I go to Fermi. He just looks at it, and then, within minutes, tells me what’s wrong and what I should do"

Another Fermi’s famous collaboration was with physicist Leo Szilard, with whom he developed the concept of the first nuclear reactor. 

Szilard and Fermi had this funny interaction during the construction of the reactor:

Szilard: Enrico, are you sure this will work? 

Fermi: *smiles* We’ll know in a few minutes 

Now, the inventors. Let’s talk about Ford and Edison~

They were THE besties. The story of how Ford and Edison met is just dhsdfhfjgh it’s the story of two pioneers who first met in the early 1890s and formed a strong friendship that lasted till the end. 

Ford was kinda an unknown engineer with a huge passion for machinery and innovations who worked at the Edison Illuminating Company in Detroit. One day, Ford got a chance to meet Edison, and according to Ford himself, the encounter was nothing short of life-changing.

"I was just a boy, and when I met Edison for the first time, I had the feeling that I had met the right man at the right time. He was a great influence on me. I was keen to learn how things were done, and he had a way of seeing things that made you want to follow him". 

Ford admired Edison’s vision of using technology to improve everyday life. Ford saw in Edison a kindred spirit, someone who was not afraid of failure and who constantly looked for ways to change the world through innovations (no, fr, the man couldn’t live a day without coming up with new ideas). In return, Edison was impressed with Ford's enthusiasm and his skills in the engineering field.

Ford's dream to build a car and his persistent drive to make things work even when others doubted him resonated deeply with Edison’s own mantra: “Genius is one percent inspiration, ninety-nine percent perspiration”. 

It is said that once Edison told Ford:

"I’ve never met a man who knew so much about engines as you do. I think you’re going to make a lot of progress, young man. You have something inside you." 

These words meant the world to Ford (At that time he was working on his Model T and established his Ford Motor Company which, of course, Edison used to visit). In the 1900s Ford and Edison began to form a deep personal friendship. The two often spent time together at Ford's estate or in Edison's laboratory. 

"Ford is one of the great men of the modern age. He has an instinctive ability to build things, and he's not afraid of taking risks. I think he will be remembered as the man who revolutionized the way people live".

"He taught me to never be afraid of making mistakes. Edison was a man who would look at a failure as nothing more than a step in the direction of success. He always kept moving forward".

In later years, the friendship between Ford and Edison continued to flourish. Moreover, Edison and Ford (+ Harvey Firestone and John Burroughs) had camping trips which became a cherished tradition, they called themselves "Vagabonds" who annually embarked on a journey to reflect on life. Ford became a revolutionary figure of the automobile industry while Edison’s inventions changed the world in ways that Ford could hardly have imagined when they first met.

Edison’s health worsened during the 1920s, he had been suffering from many illnesses but still continued to work in his West Orange laboratory. Ford offered financial and emotional support and was one of the last people to visit Edison before Thomas died in 1931.

Ford wrote:

"It is a great loss, not only to us, but to the whole world. Edison was a man who believed in progress and the power of human imagination. I have always thought of him as one of the greatest minds America has ever known."

Yes, Edison was a world-changing man who was interested in many things, including wireless telegraphy. He even received a patent for the early version of wireless telegraph before Guglielmo Marconi’s breakthrough in the history of radio. But Edison was more focused on the DC (direct current) and even though he was highly competitive, Thomas never fought with Marconi about radio patents. Instead of competing with Marconi, Edison chose war with George Westinghouse. 

In the meantime Tesla was involved both in the radio patents war and AC/DC war. Tesla felt as if Marconi stole his ideas or copied his patents about wireless transmission through radio frequency. Marconi was awarded in 1904 which Tesla felt bitter about, especially since he had the curse of not being recognised by the public. But then in 1943 it was acknowledged that many of Marconi’s innovations were based on Tesla’s earlier work. Unfortunately Tesla died earlier that year. 

And if we talk about the AC/DC war, Tesla was rooting for AC (alternative current), so was Westinghouse. Westinghouse hired Tesla in the 1880s to work on improving the AC and together they successfully competed against Edison. 

"War of Currents" is the most famous rivalry in the history of science and technology.

Edison thought that DC was safer and easier to control. “We will make electricity so cheap that only the rich will burn candles” he said. But Edison’s success was limited by the nature of DC itself, it required power stations to be built very close to where the electricity was used. Tesla, on the other hand, created the AC system that could transmit electricity over long distances, unlike DC.

"I don’t believe that the electric current will ever be the one to be destroyed, I am confident that my system will triumph". And Tesla was right about it.

If you've read this far, you likely share a similar reaction:

------------------The AE hcs------------------

Planck took Ein, Schrödinger, and Bohr (let’s change Niels name to Ellen) under her wing. Emma corresponded with her colleagues, mathematicians and astrophysicists, to help Lieserl prove her theory. It was decided to send Lieserl to London where she studied under Eddington and greatest mathematicians of the time. She eventually stayed at the College, continuing her research there. Meanwhile, Schrödinger and Bohr stayed in the NA branch. At some point Schrodinger escaped Bohr to rehab to finish her work in peace and quiet and Bohr, being bohr-ed out of her mind, entered her mentor era and met Heisenberg. Together, they developed the Copenhagen Interpretation - unfortunately for Schrödinger who returned around then and immediately regretted it. Ellen and Lieserl had a deep passion for cosmology that Emma had introduced them to during the early years of mentoring them. Ellen would often engage in long passionate debates with Ein about the nature of the universe. Her fascination with the cosmos wasn’t the only strong forte of hers for she also loved discussing Indian mythology with Tesla, and at times, Schrödinger would get dragged into these discussions as well. On the other hand, Nancy’s father had been a lifelong friend of Ford and not only her family owned Ford cars but also, after Thomas’s passing, Ford supported Nancy both financially and emotionally. This was crucial as Nancy had inherited the biggest influential company of the country. With Ford’s mentorship, she was able to step into her new role with confidence.

-----------------------------------------------

If someone has more hcs, please be welcome

[imagionationstation]

Hey so sorry to bother you but… just saw you listen to Epic??? I know you’re a turtle nerd, as am I but… I NEED to know your favorite Epic song/favorite character right NOW PLEASE! You’re like one of the coolest people so to find out you also listen to Epic is…. Mmmmmmmm anyways I hope this isn’t weird or anything but PLEASE I NEED TO KNOW😭🙏🏻❤️

NOT WEIRD! LOVE THIS ASK! THANK YOU!

SERIOUSLY! I WOULD BE RANTING ABOUT EPIC 24/7 IF THIS WASN’T A TURTLES BLOG BELIEVE YOU ME

Alike to turtles, I have problematic views!! I look at things that 3/4 of the fandom shares a view in and go: That’s not what’s happening.

The people in my life have heard me ramble I cannot shut up:

I went to this event months ago and it did Trivia and a round was Greek Mythology and everyone in my group was like, “Neko, this is all on you. Don’t let us down” and I got 9/10 right. Go me ✨

Gonna see my bested friend soon! We never get to see each other so we’re making a day out of hanging out. We’re gonna watch the full saga. All of the two hours of it. I am collecting animatics. Silly goose thinks it’s an optional suggestion (it’s not <3)

(Don’t worry, I’m exploring outside interests too. It’s mutual 😜)

Asking me to pick a favorite song is like asking me to pick a favorite fanfiction child. All my children have gifts of their own to share and I love them all with everything that I have!!!

But if you’re asking what song I most commonly have played on repeat and/or belted on the top of my lungs when I’m alone…

I’m Not Sorry For Loving You tops everything else.

Based off this, I wanna say that Calypso is my favorite character. 🤔

I mean, I created a blog where our only purpose in life is to be safe in our horror and empathy for her situation and to acknowledge that she has so much nuance that the fandom doesn’t touch.

But I think if I’m being honest, it’s not her.

At the end of the day, my angsty heart is drawn to Athena.

DISCLAIMER: Controversal opinions ahead. Do not come yell at me if you do not agree. Tell me why I’m wrong, absolutely! But do it kindly and thoughtfully, and maybe we can have a conversation :D

I am passionate about this character. No aggression to the musical. Every song in the musical rocks. It’s merely my passion speaking.

Everything about her breaks my heart. She’s a goddess in a disfunctional family who doesn’t understand mortal ways.

Also, her dad is the most toxic dude alive.

I mean, there’s this one line that people portray in so many ways, but you watch how Zeus interacts with her and recall the fact that he literally didn’t want her to live when she was conceived- he is SUCH a bully and her respect only stems from him being ‘king of the gods’.

None of the gods step in during God Games. At no point does anyone go “dad you can’t threaten your daughter because she did exactly what you asked her to do”. Not even ARES.

He’s the one who says, mortified, “is she dead?” So he didn’t WANT that turn of events. He cares about her and her state of being.

She’s the only one willing to challenge Zeus and he literally says, “you won, I don’t care, I’m going to heavily punish you because I’m unhappy that you said a true statement I didn’t like”

I've no respect for bullies, those who impose their will I've seen plenty enough to truly understand this kind of filth

DO YOU SEE MY VISION?

Literally her entire life- no one’s been on her side! NO WONDER she doesn’t want to take Ody’s offer of friendship. Clearly no one has ever really given her trust or empathy that she can lean on.

She expects people to lack empathy. She doesn’t understand that he’s not that kind of person and her lessons won’t click.

Have you forgotten to turn off your heart? This is not you I see you changing from how I've designed you

Why would she trust a moral when she can’t trust the gods?

And she has such a temper which is so relatable.

They were in two different spectrums and that’s why they clashed.

She was running off of a mentor mindset. He was running off a friendship mindset. Neither was doing what the other needed for the relationship because they were not on the same page.

And then they hit the ditch in the road and everything cracked.

I mistook you for a general What a waste of effort spent

I'll remind you I saw you as a friend But now we're done

And Athena’s proclamation literally is a prediction for herself:

One day, you'll hear what I'm saying One day, you might understand One day, but not today

Time skip: the way that Athena talks to Telemachus says that she’s been stewing in regret because she KNOWS they were good friends and she didn’t want to admit it to herself. She understands why they clashed and now she doesn’t know what to do about it.

So this kid is like “I think you should help him even if he hates you. If he won’t accept your friendship then I’ll be here waiting.”

(*insert waiting, waiting, waiting mantra*)

AND THAT’S LITERALLY EXACTLY WHAT SHE NEEDED TO HEAR?

SHE LITERALLY JUST NEEDED TO KNOW SHE HAD ONE PERSON ON HER SIDE? ONE FRIEND WHO CARED ABOUT HER?

I’m a sucker for ‘doing everything for the people you care about but platonically’ and Athena is the PICTURE of ‘oh wait I would platonically die for my friend’ and like?? That’s beautiful??? 😭

My only qualm with EPIC is the way that the Ithaca Saga handled Athena because you cannot convince me that it did not do her dirty. I have read and scrolled and chewed on all the arguments.

That. Beautiful. Goddess. Went. Above. And. Beyond. To. Mend. Her. Mistake and he outright denied her friendship.

That was not a “oh yeah we can be friends later” very well.

That’s a voice cracking, heartbroken: “I took a thunderbolt for you and you don’t want me in your life” very well. LIKE.

Yes. Oddy went through a lot. No denying that.

But he called out for HER. After everything, he called out for HER HELP. Showed a belief in her. Counted on her to save him

AND SHE DID WHAT HE NEEDED. TOOK A THUNDERBOLT. BEGGED ON HER KNEES WHILE SUFFERING AND IN AGONY.

I can't help but wonder What this world could be If we all held each other with a bit more empathy I can't help but feel like I led you astray What if there's a world where we don't have to live this way?

{I messed up. I want to do better. Is that still possible?}

If that world exists It's far away from here It's one I'll have to miss For it's far beyond my years You might live forever So you can make it be But I've got one endeavor There's a girl I have to see

{No. You have thousands of years to make other friends. There’s no world where we can mend who we used to be. You do what you need to do. My only want is to be with my wife.}

LIKE if they were going to try, the song would SAY that they plan to try. Jorge is not afraid to strongly imply things or outright say them. Ody doesn’t WANT to try and be friends. All he wants is wife. Which would be valid if SHE DIDN’T TAKE A THUNDERBOLT FOR HIM

ONE THAT SCARRED HER EYE AND KNOCKED HER OUT FOR SEVERAL SONGS SO SHE COULDN’T BE THERE TO HELP

There was no reason, no obligation, nothing but her love and affection for him that drew her to take that punishment from Zeus.

There is no way, after everything, she’s asking him to be her warrior.

She’s literally saying she messed up. She wants to mend their relationship. She wants to do better for him.

He could have said, “I’m not a man who does empathy anymore but we can try” instead of “I have other plans, gonna have to miss this friendship train” because that is an awful diss. Straight painful.

This amazing song did her so dirty and I will never get over it.

Thank goodness for Telemachus. She’ll needs his optimism and joy and willing friendship after the sting from that bite.