#but what happened between then and now

[ivylag]

obsessed with linked together ENA and Moony

why are they connected with a vein

[ideologyofone]

I am 99.9% certain Caitlyn is the one who breaks things off with Vi

In the pit fighter clip, Vi is clearly spiraling

She’s heavily drinking, sleeping in a closet for an apartment, has 0 regards for her safety or wellbeing or anything really

And I’ve seen a lot of people say Vi has a ton of reasons to spiral that don’t even have to do with Cait, which is so true but

She’s not having hallucinations of those things. She’s not hallucinating Vander or Mylo or even Jinx, she’s hallucinating Caitlyn

She sees her in the crowd dancing, she sees her in the Kiramman crest flags (hanging in the undercity for some reason? 🤔)

And we also see this guy hanging out with Vi at the bar and basically taking care of her, is one of the enforcers from Caitlyn’s squad

So while Vi does have a lot of reasons to spiral that have nothing to do with Caitlyn, whatever happened between them was the last straw

Caitlyn leaving her, is what finally breaks her

[bacchuschucklefuck]

summer of junior year 06/11

[slavhew]

two guys enter a closet

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[lucabyte]

A belief in Nominative Determinsim

[howly]

headcanon: the boring perfect self control vampire bella thinks she has is a LIE and at one point she caught human scent mid-hunt and snapped. it made her so wild she had to be restrained to the point where things got ugly

i know edward would never dare to do it and meyer would never dare write it and in canon newborn vamp bella would be far stronger than him...

actually. you know who would be stronger than one young vampire? two old vampires. and who would act practical in a critical situation? emmett

imagine edward and bella heading out for a hunt and emmett being like "do you guys mind if i tag along? i feel like snacking". bella's a little mad at the prospect of suddenly having a third wheel (homegirl wasn't planning on just. hunting) but alice gets a weird hunch and goes "no, no, em should go with you" ok nostradamus. he's going.

fast forward they're in the mountain. bella finds having emmett third-wheeling is not half bad. in emmett's head, lowkey it's bella who's the third wheel after so many decades of him hunting together with edward. but nevertheless, it's so fun with her around. all is good until they catch the scent of an entire group of friends hiking just a couple of miles from here, away from all civilization. emmett and edward stop in their tracks, ready to turn around. bella, her guard down, loses it and stars running towards the group, so they have no choice but to charge at her. while strugging to keep her in place, they try to talk her down but she doesn't listen. she doesn't care, she's strong enough to fight them off, and she fights and claws and hisses and breaks bones of whoever gets in her way because there are so many pulses just a few minutes' run away from her and their scent is so sweet and burning and calling, calling, calling to her

while struggling to restrain her, emmett grunts "we have to disarm her". edward catches the image in his head and shouts "no! you can't literally disarm bella!". well, how the hell do you expect us to stop her from massacring all those hikers? we'll just put her back together afterwards. duh!, emmett thinks, and knows he has to act fast so he goes in while bella's busy yanking away from edward's grip and tears off a limb. or two. all 3 of them may or may not be screaming.

a few moments later edward's pinning bella to the ground, holding her face between his palms, forcing her to look at him. her thrashing is not so effective with limited body parts. part of him wants to yell at emmett but that's kind of low priority. he's holding on to the last of his composure while he looks down at bella's feral expression and chants 'baby. i'm so sorry but i'll give you your leg back after you calm down a bit. i won't be able to outrun you if you go chasing after those people now. please calm down. i love you. hold your breath'

just then she listens, stops breathing and her vision refocuses. for the first time she realizes she was on her way to slaughter a bunch of strangers and she broke the arm of the man she loves at least three times when he tried to stop her. she wants to open her mouth and apologize but that will require her to breathe and possibly go crazy with thirst again. so she stares back at edward's panicked eyes and nods at him, her own red eyes just as full of terror.

then she looks over his shoulder and sees emmett waving her severed leg in the air like it's a baseball bat. "hey, did you know that rose wears the same shoe size?"

[egophiliac]

I'm trying to avoid getting spoiled so I haven't looked up what's happening in the Jp server's main story, but for my own sanity I need to ask; is the story at a point where we know whether Lilia will get better/survive his almost-empty magic reserves..? Was it a true death flag from the start or only a plot device for malleus' overblot....?

not yet! I do think they're going to get back to it eventually, but -- keeping it as low spoilers as possible -- there's been...let's just say a LOT going on in the meantime.

enjoy 7-6!!! :)

[val-zilla]

how many legs does paul have

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[mae-dwrites]

Gotham Godparents - DP x DC

Jack and Maddie didn't spend their entire college time at UWM, no they started there but ended up spending some time at Gotham University. Which is where they met Harleen Quinzel and Bruce Wayne, two very intelligent people.

And when they left they kept in contact, and when they had their children they called begging for them to be their godparents.

So when Danny asked if Bruce and Harley could get him in contact with Batman they were concerned. And Harleen was even more concerned when Jazz asked if she had experience with counseling heroes and vigilantes.

[theuntoaster]

Because I've had several conversations lately where people looked at me in surprise saying "how can you remember that? You were x years old", I've become curious.

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[paranormaljones]

I really really really REALLY want to believe that this moment in The Screaming Staircase when they're in the Red Room and they're going around investigating the walls is like, one of the first instances of Lockwood physically reaching out for Lucy for a moment of providing comfort in an incredibly tense situation, and Lucy just doesn't really pick up on it because no one's ever done that before and why would it mean anything for Lockwood's hand to meet hers and linger there in the dark for only a moment?

I don't know. I may be grasping but I really don't think I am. The wording of "after a moment" feels incredibly intentional to me.