#but we have to admit they didn't have to make him so violent
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bienmoreau · 1 day ago
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I ummed and ahhed over responding again. I'm sorry for any misunderstandings and I'm glad we got that cleared up. But I also wanted to finish my thoughts on this so it doesn't nag on me all night.
I want to clarify here that this isn't aimed at you/in response or contradiction to your post. It's just the thoughts that your reply brought up for me about this topic far more generally than just from this exchange! That said;
The 'what was it all for' is such an important line for sure!! So much of his journey is learning that the way he was taught things had to be isn't actually the case at all. And the mental recalibration that's going to require is huge.
And yeh I completely agree about him not being a sheep or wolf and learning how to not be violent & rude.
I've seen all too often and up close how this fandom (tho not uniquely) has a tendency to take characters to one extreme or another in their characterisation. It has done since 2015, I should be used to it by now. But I personally balk at the idea of that happening with Jean in any direction; violence, softness, victimhood. Any of it. None of it does his complexity justice when addressed in isolation or taken to an extreme.
And unfortunately a lot of what I've been seeing in the fandom tags seems to focus on a few cherry picked moments that people have taken and run with at the neglect of other parts that I think shed very important context or contradiction on the parts people have focused on. Even for example (and simply because it is one of the examples we discussed here) the fact that the major contributing factor in Jean swinging at Jeremy in the car wasn't anything to do with Jeremy, it was because Jean was lost in a traumatic memory about him and Kevin in the nest.
What's focused on is Jeremy touching him (and for context, not in an aggressive or invasive or even particularly surprising way it just coincided with Jean being somewhere else in his head) and the context of that moment seems to often be overlooked. Jeremy gets the blame (I'm not saying Jean should either. I don't think there IS blame here!) but I've seen a similar thing happen with other moments being discussed. People pull a single line or two out of a 3 page scene and build a moral stance off that line. It's reductive. Not only of the legitimate critical analysis of these characters and their actions/motivations but also of the thought and care and detail Nora puts into her writing! That's what my original post was about (tho I admit I worded it badly and I regret that.) the detail of that moment is what tells us what jean was actually reacting to and setting up the foreshadowing for what happens with Grayson later. The context here matters and for me at least changes how I read that interaction.
As for them 'holding on tighter' again I imagine the context of these moments is also important. I don't know which bits you're referring to specifically
But from a brief flick through the latter half of the book I found two that I think fit this description and both times it was when they were stopping him from hurting himself and holding on to make sure he was safe to be let go. Or asking him to acknowledge them so they can confirm he is safe to be left/if they can do something to help him. And the time when they see his notebooks but he isn't described resisting Jeremy's hold there, and wrenching out of that hold is descriptive of his physicality in movement not of Jeremy's restraint of him.
The one I found that I assume best fits this description is in that same scene. 'Laila moved faster than a snake to catch Jean’s wrist. How she held on when Jean flinched at her touch, Jeremy didn't know' but again the context is what's important. By this point they have all seen how Jean self harms when he slips and says something he didn't mean to. The next line after Laila's speech is literally 'In another moment he’d draw blood where his fingernails were burrowed into his cheek'.
Maybe I'm forgetting an obvious outlier of a moment where their behaviour is not explicable when in context (my reread has been sporadic and I've been distracted proof reading more recently) And absolutely I agree everyone will have their own reactions to reading behaviour like this. But personally don't fault them for not letting him self harm in front of them if that can do anything to stop it. And beyond any individual context of a scene I think it's really important for the whole fandom to remember that these characters are their own complex imperfect teens and early 20 somethings every time we see their behaviour from Jeans POV he and therefore we are missing the entire world of decisions and emotions and instincts that each of them are also working with in the face of dealing with someone who is deeply traumatised and in ways which they explicitly do not understand or know the truth of.
Back on my annotated reread of TSC and thinking abt how Jean's reaction to Laila when he hits her isn't just about being touched unexpectedly.
It's because it's his neck.
It is specifically because it's 'something warm and wet against his injured neck'.
It's because it's literally happening in the middle of a conversation in which Cat just suggested Jean meet in person with Grayson.
Like as much as people can be upset he hit her or didn't immediately apologise (also tho like. Did we read the same book? It literally has it right there that apologising is not how this kinda thing is handled in the nest. Why would Jean think to do that here??) can you really be surprised that those circumstances triggered his fight response? Like really?
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monostardust · 5 months ago
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Am I really the only one who saw the similarities between Maxton hall and Hana Yori Dango?? I saw nay I smelled the similarities the minute I saw the trailer. Like highschoolers in the most expensive school. Ruby and Makino are both poor and in a scholarship in a very expensive school. James and Domyouji both have complicated family situation but can have comfort in their sister Lydia and Tsubaki. I think the only difference is that Ruby's family actually loves her very much and doesn't expect her to be their way to financial stability unlike Makino's family who'd sell her to Domyouji and become rich instantly if they could. And James actually doesn't bully people nor Ruby he tries to get her in trouble but doesn't actually sick people on her to hurt or bully her like Domyouji had done. In fact he actually gets in trouble for his own actions unlike Domyouji. As mush as I love Hana Yori Dango and all it's live adaptations all from different countries it's still pretty problematic with how Domyouji is an over the top bully and although he changes it's hard not to judge him for how out of control his behaviors were. James however never hurt anyone. Which makes him so much better on my books like ugh bro fell in love in an instant then didn't hesitate to show everyone he likes her rather than be an emotional cripple that's in denial of his feelings.
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illusioncanthurtme--art · 5 months ago
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A very self indulgent Billford playlist!
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Self indulgent, because this music does not appeal to the masses at all; these songs are limited to the stuff I listen to. So I’m being VERY transparent about my embarrassing taste in music right now! Plus, NOBODY ASKED FOR THIS!!! But I hope some of these resonate with you. This is a little collection I’ve formed in my phone notes since I got into this ship a couple weeks ago.
Not a fancy spotify playlist, it’s just links to the music on youtube. 
I’ve got this divided into parts:
-The Billford Songs
-The In This Moment Billford Songs
SO MUCH of their music is enemies/lovers perfection. I’ve thought about so many *killing you but also making out with you* pairings to this shit, because these songs were like, DESIGNED to be recycled for any and all love hate relationships, and still hit insanely hard EVERY TIME. So now that you have these songs under your belt, you have them FOREVER. You’re welcome. I haven’t even listened to all their music, I’m sure there’s more songs for this category that I simply haven’t discovered.
-The…Maybe…Billford Songs
My standards were kinda high for making this list. But every song is about your ship when you’re insane, right??? So these are the maybe’s. One’s I’ve thought about billford to, but maybe the lyrics don’t totally align.
Playlist under the cut! I wasn’t gonna ramble about each song but WHOOPS I DID 🤷‍♀️
The Billford songs:
Monophobia - Deadmau5 (Extended version, cuz it’s the best.)
THE LYRICS… THE LYRICS!!!! Definitely bill pining in theraprism. 
Propane Nightmares - Pendulum
This one WAS gonna go in the maybe’s, but I convinced myself otherwise after listening to it eighty more times, and now it’s up here on top. And fuck it, this is the *self indulgent* billford playlist, so I do what I want. I go into a fucking trance when I listen to this song, so I can’t really explain 110% why this is a billford song to me, but I’ll try.  Apparently, this song is about the heavens gate cult. So not enemies/lovers angst. But looking at the lyrics, you could interpret it as giving yourself to something greater, and coming to the realization that what you pledged yourself to is actually a very bad thing which will ultimately destroy you. (also, you can’t deny that there was some cult like manipulation happening with Bill and Ford. Sense of purpose and friendship.) Definitely billford-y when you consider Fords commitment to bill. And I’ll admit, when I listen to it, there is some pov switching. Because the “trail of fire”,  “we will be as one”, and “bring it on home” is VERY reminiscent of bill executing weirdmageddon. So overall, my interpretation of this song is Ford feeling torn about bill, feeling regret, feeling scared, and Bill of course, just wanting to bring the dimensions together. “BRING IT ON HOME!!!!”  Or I just like the song. 
Rule 34 - Fish in a Birdcage
Bestie recommended this song to me. It needs no explanation.
Painkiller - The Queenstons
…NEEDS NO EXPLANATION DSKFDSKJHF It’s similar to the above, just more… scary imo. Violent. Definitely bill being a little psycho. I really love this song. It’s very recyclable too. You have it for any toxic ship now. 
9V - The Queenstons
One of my favorite Lapfox/Halley Labs songs… I’m gonna give you the lyrics, it’s a bit hard to understand without them. In my eyes, it’s about betraying Ford. Also these vocals (and other music by this artist) works so well for bill because of the synthesized voice. 
LoveBOMB - S3RL
This is a new S3RL song. This song sounds like a tantrum, and I really liked it when I first heard it, but it didn't fit anything I was into at the time. Luckily, bill suffered a horrible breakup, and now this song has it’s meaning. 
When I'm There - S3RL
Bill thinking about joining the third dimension with Ford. 
Click Bait - S3RL
I’ve listened to this one a LOT before this, and I surprised myself with how much it aligns with bill, specifically, him tricking Ford.
Space-Time - S3RL
Speaks for itself.
Sodom & Gomorrah - Dorian Electra
This one’s just funny :)
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The In This Moment Billford Songs
Sick Like Me
Sexual Hallucination
This is one of those recyclable songs, but I was damn surprised at how well the lyrics suited them, because it alludes to being out of body, possession, etc.
Blood
Half God half devil
Roots
Whore
Damn it, I cant deny this one suits them.
Big Bad Wolf
DAMN IT I wasn’t gonna include this one, but I just checked the lyrics and fuck, it works. In this moment, how are you so wonderful
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The…Maybe…Billford Songs
Illuminaughty - Infected Mushroom
I'm kind of grasping at straws with these lyrics, but with a title like that? Come on
The Pretender - Foo Fighters, Infected Mushroom, Turbo Remix
Three versions, for whichever suits your fancy.
Leopold - Infected Mushroom
This one has NO LYRICS, but it has this buildup that sounds really cool, and it has an abrupt decrescendo. Reminds me of their "friendship" and how it all came crashing down.
Idolize - Dorian Electra
Hmmmmm, I just like Dorian. But the idolization thing works for obvious reasons.
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That’s it! Hope you enjoy. Maybe I'll do an expansion pack of sorts if I find enough songs for a part 2.
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reginalusus · 8 months ago
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Just a sketch that I was too tired to finish... And since it's Father's Day I'm just gonna dump a bunch of my more silly (mostly) headcanons about their dynamic below, teehee.
General - They argue. A lot. About anything. Jason is the instigator. Harvey is almost always correct. - There has been a karaoke battle at some point. - They smoke far too much and smoke breaks are common occurrences during anti-hero outings. They are no longer mere breaks; they are rituals. - One of the only things they are comfortable openly bonding over is their alleged hatred of Bruce - and weapons. - Actually work very well together in combat. Jason's accurate, hard-hitting martial arts expertise and agility compliment Harvey's more elegant and violent approach. Gotham's scumbags are cooked. - They were both slain by Gotham, and reborn. They are now both living their second life - neither want to admit to each other that they find comfort that they're not alone in this. - They will take any opportunity to bring up each other's past interactions; the two-toned car, the two-story building fiasco, the kidnapping, anything. - Jason's biological father is the root cause of their most explosive, brutal fights. Both of them, however, are exhausted and have other shit to worry about, so they avoid this topic as best as they can.
Jason's POV - Teases Harvey about twos, duality and doubles to distract from the horrors. - When angry, will call Harvey 'Apollo' to piss him off. Sometimes it's 'Ex-District Attorney', with emphasis on the 'Ex'. - He doesn't like it very much when Harvey attempts to get close/connect with him; relationships are transactional. At least that's how Jason views them. - Hates being passenger in Harvey's car because he doesn't get any say over the radio. - He does view Harvey as a parental figure, or something like it, but he's conflicted. - Actually appreciates it when Harvey helps him through PTSD episodes. - Sadly, he isn't very good at helping Harvey through dissociation/depressive episodes yet. He sort of stands there like the man emoji. - Will randomly come out with courtroom related lines when Harvey does something bad, like: "Your honour, my client would like to plead Gemini," or "Your honour, in my client's defence, he didn't know the safety lock was off." - Makes jokes about Harvey's thugs all wanting to have 'a night' with Harvey. - Absolutely refuses to call Harvey "dad", even jokingly. He will have sightseen everything in Hell before that happens. - But at the same time he cries out for a father figure, one that is proud of him, that loves him. He secretly loves it when Harvey pats his shoulder or gives an approving nod.
Harvey's POV - Will make jokes about Jason being alive again to distract from the horrors. - When angry, calls Jason 'Robin' or 'Pup' (name of a baby bat) to piss him off. - Tries to bond with Jason - he *wants* to - but he's a big dumbass about it. - Does not understand Jason's music taste and doesn't have any desire to. - Views Jason as the child he never had the chance to have. In a sense, that makes him quite protective of Jason, but he hides this. He tries desperately not to be like his own father. - Is quite good at understanding Jason's emotions; he knows how to deal with his attacks and does, begrudgingly, use tips he learned from his previous therapists. - Doesn't wish to burden Jason with his own episodes. Unfortunately it's not always possible to hide them. - Just as Jason tortures him with puns, Harvey will do it right back. He'll come out with things like, "We only put up with you because you were the SECOND Robin," or "How would you like to die a second time?" - He will stand and stare awkwardly when Jason brings (sneaks) lovers back to the hideout. But he minds his business. - May have accidentally called Jason his son a few times. Or his "kid". But not to Jason directly, only in his talks between himself and Two-Face. - He likes seeing Jason happy. So many kids and young people are let down by Gotham's corruption and he'll be damned if Jason becomes a victim of it (again).
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coraniaid · 2 days ago
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I'm not sure what part of the above gave you the impression I want characters to have "textbook perfect relationships". Because I don't believe that's something I've ever suggested; not here and not in anything else I've written.
I like it when characters have messy, flawed and imperfect relationships. I like it when those flawed relationships are the catalyst for the plot to advance. I like characters who misunderstand each other, or are a little bit hypocritical, or who have a sense of themselves that isn't really accurate.
I don't at all care for the popular fandom version of Giles as somebody who is -- or should have been -- a flawless and faultless father figure to not just Buffy but all her other teenage friends. I don't think that's who the character in the show is, and I think he -- and the show -- would have been much more boring if he was.
(At the same time, I'm not sure this particular fandom reading is necessarily very modern: I've read things written ten, fifteen or even twenty-five years ago that seem to assume that Giles is best understood as The Group Dad. People were wrong about it then and they're wrong about it now, but I don't think it's a recent idea.)
I like the fact that Buffy and Giles's relationship is, at its core, a little bit messed up. That both of them care about each other more than they think the other would want them to admit; that Giles does seem to see Buffy as something like a daughter while, at the same time, being aware that he's responsible for telling her she can't have a normal life and training her to face the prospect of violent death every night. I think that's kind of the emotional heart of the show, at least for the first couple of seasons.
Equally, I like the fact that Giles never seems to notice how much Xander looks up to him and craves his approval; how he turns an almost intentional blind eye to all the hints we get about Xander's dreadful home life; how Xander remains, to him, little more than Buffy and Willow's rather boorish and lazy friend whose jokes and company he can sometimes barely tolerate. I think that makes a lot of sense for both their characters.
I don't particularly need a character to be sympathetic to find them interesting, and indeed I don't -- outside of his relationship with Buffy -- find Giles sympathetic most of the time. I've met a few people with similar backgrounds to Giles in my life, and I can't say any of us were happier for it. But as a fictional character, I do find Giles compelling. I wouldn't post about him if I didn't.
The specific issue I have with Giles and Faith in Season 3 is that there is a vast gulf between what the show is actually depicting and the story which the writers seem to think they are telling. I don't think any of the messiness or flaws here are at all intentional or that the show will ever think to do anything creative with them. I don't think the writers realize quite how dreadfully Giles comes across.
Faith isn't just some random teenage friend of Buffy, like Xander or Cordelia or Willow. She is a Slayer with a dead Watcher and absolutely no other support system, living alone in a strange town. I don't think it's possible to pretend Giles doesn't have a duty of care towards her. At the end of her first appearance on the show, Giles explicitly volunteers for the job of -- in his own words -- looking after her. Specifically, he tells Buffy that:
"The council has approved our request. Faith is to stay here indefinitely. I'm to look after you both until a new Watcher is assigned."
A new Watcher isn't assigned until after Giles himself is fired, so Giles is -- by his own request! -- the sole adult figure responsible for looking after Faith from that point until then. And what does he do to "look after" Faith? What does he try to do? The answer, as far as we can tell on the basis of the evidence provided on screen, is: nothing. He ignores her as much as possible, only trains her when she's with Buffy anyway, doesn't ever ask himself what she's up to when she's not Slaying or waiting for orders in the library of the school she isn't enrolled at, and then -- when she gets into trouble, when she does something that we know Giles himself once did as a young man (an accident after which he was supported and protected by the Council) -- his only priority is protecting "his" Slayer, the (better mannered, more middle class, more respectable) teenage girl he actually likes. He blithely talks about needing to make Faith "think" he was on her side, but ignores the fact that he literally agreed months ago to be on her side. That that was a responsibility he personally requested.
Again, if the writers wanted this to be deliberate, that would be fine. I'd think rather poorly of GIles, sure -- more so than usual, even -- but there is clearly a potentially interesting story to be had there. Only, it seems pretty clear that this isn't the story the writers think they've told at all.
At no point is Giles's own role in Faith's descent to the dark side ever addressed. There is absolutely no pay-off or follow through for the things I'm complaining about. At no point does anybody on screen wonder why Giles didn't try to find somewhere for Faith to live, or react more like the way he did last year when it was Buffy who he believed had killed a man, or why he seems to have forgotten that he not only agreed but asked for the job of looking after Faith. We are seemingly not meant to think Giles has done (or failed to do) anything remarkable.
After this season, when Faith appears on Angel, she will talk as if Wesley was her Watcher all along, and Giles was exclusively Buffy's Watcher. That Wesley is the Watcher she thinks somehow let her down. The show will act as if that is true, and as if what she's saying makes sense, but it isn't and it doesn't. In Season 3, Wesley only arrived in Sunnydale to take over the role of both Buffy and Faith's Watcher. Giles was the sole Watcher responsible for looking after Faith for months. He was the only adult in her life for the large majority of her time living in Sunnydale. In fact, Wesley was actually Buffy's Watcher -- at least officially -- for longer than he was ever Faith's Watcher. And Faith never takes him seriously as a Watcher, the way that Buffy does at first.
Giles as Faith's acting Watcher isn't something the show comes back to when Faith returns to Buffy either. In the seventh season of the show, Faith and Giles only briefly interact. We see Giles telling Faith at one point that she's "doing fine" as the group's temporary leader (she isn't, but okay...), but the only suggestion here is that Faith has reformed enough to have earned Giles' approval. There is again no suggestion that Giles ever did anything wrong by her, or that the crux of this scene should in fact be her deciding whether to forgive him.
If the writers had meant Giles's relationship to Faith to be deliberately complicated or imperfect, these all seem like rather strange choices. It seems pretty clear that we aren't meant to think Giles did anything particularly wrong or noteworthy or objectionable at all.
Only, as actually written, he did. He very obviously did. And the writers just aren't interested in taking that seriously.
The point of my post isn't that I think Faith and Giles should have had a "perfect relationship" or that there's no place for stories about Giles not being especially good at his job. I'm not suggesting that the writers should have tried to tell a different story. I'm arguing that, with a few small changes, they'd have done a better job of telling the story that they were seemingly trying to tell all along.
Anyway, I do think you can preserve almost all of the core of Faith's arc in Season 3 and still present Giles in a much more favorable light than canon with only a very few minor tweaks.
At some point, in one of the early season episodes that Faith doesn't otherwise appear in -- Band Candy, say -- in a scene featuring just Buffy and Giles together, have Buffy comment on Faith's absence, wonder out loud if being alone in her motel room is good for her, and have Giles say something to the effect of "Perhaps you're right to be concerned, but we must respect Faith's wishes. In fact I offered to arrange for more salubrious lodgings when it became clear she would be staying with us for a while, but she assured me she was quite all right where she is." Because, look, of course if an older man she didn't really know offered to set Faith up with a nicer place to stay for free she was going to say no. Of course that doesn't mean she's actually happy living in a motel in the bad part of town, and of course she's still impressed when the Mayor gets her an apartment and clearly doesn't want anything from her in return (or, at least, he's only looking for wholesome family-friendly murder and torture and treason, not what she'd expect him to want). But at least this way we can point to evidence Giles actually tried to do the right thing. The thing that he explicitly volunteered to do.
In Helpless, when Buffy complains about Faith being "off on one of her unannounced walkabouts", don't have Giles -- who at this very moment is not interested in training Buffy but instead setting her up for the events of Cruciamentum -- remark snidely that "Faith is not interested in proper training", but instead explicitly link back to the events of Revelations. Have him remind Buffy that Faith took Mrs Post's betrayal very badly and say that he's deliberately letting her take a break from training for a bit because he thinks it will give her some time to recover emotionally. And, again, Giles wouldn't be right to think this -- Faith would be better off if she was spending time with other people -- but at least we'd get less of an impression that, after Post arrived, Giles decided he was done being Faith's temporary replacement Watcher and that he didn't really care what happened to her afterwards (even after Post was exposed as a fraud).
The key things you need to have happen in Consequences are (a) Faith lies to Giles and says Buffy killed Finch; (b) Giles talks to Buffy privately and they both acknowledge that actually Faith killed Finch; (c) Wesley overhears this conversation and calls in the Council to take Faith back to England. You don't actually need Giles to suggest he was only pretending to be on Faith's side to humor her; you don't need him to be so skeptical when Buffy talks about helping Faith. You could instead have Giles remind Buffy that he himself killed somebody by accident when he was not much older than Faith, and have him say that he pretended to believe her simply because -- knowing what she had to be going through -- he thought it would be better to humor her than provoke a confrontation. Rather than just have him dismiss her as "unstable" and "unwilling to accept responsibility", make the parallels with Giles's own backstory explicit. "In Faith's shoes, I would be -- I was -- unstable. Unpredictable. I needed time to accept responsibility." When Buffy suggests she could talk to her, rather than just sigh and look skeptical, Giles could apolgetically reference his own role in the Cruciamentum a few episodes earlier, and use that as a reason why Faith might not be willing to trust him yet. Instead of just ... nobody suggesting Giles talk to her, even when agreeing that perhaps somebody other than Buffy should.
And really, none of what Buffy and Giles plan at this point really even matters, because all we need to happen next is for Xander to admit that he slept with Faith and that he assumes this means they have "a connection", Buffy and Willow to react to that, and then for Xander to decide to go talk to her alone to prove his point. And then we proceed as before to Faith attacking him, Angel coming to the rescue, and then the rest of the episode as normal (including with Faith going off to tell the Mayor she heard he had a job opening).
In fact arguably I think this version of events actually works better, because after Consequences (and before the reveal in Enemies) the show actually does proceed on the basis that Giles is willing to help Faith and supervize her post-manslaughter evaluation and recovery. It has to, because if he insists she's a lost cause and can't be trusted from the beginning there's no Enemies and no chance for her to betray Buffy and the gang. So there wasn't really any actual story-driven need for Giles to seem so reluctant about trying to help Faith in the first place, was there?
I mean, in the actual show I think nobody knew at the time what Faith's arc was going to be, and that era of the show wasn't quite as dedicated to continuity as it would be later and didn't like throwing in so many references to past episodes. And the show never actually does take Giles's role in the Cruciamentum seriously after Helpless, or have Giles mention Randall's death after season 2 (Ted is the last time he's mentioned, right?). But in hindsight I think something like this -- even if it couldn't have happened -- would better balance the actual story that you want to tell about Faith with the goal of having Giles seem rather more admirable and sympathetic than his treatment of Faith ends up making him look.
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the-knight-of-the-stars · 2 months ago
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Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?
Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?
Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.
Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.
Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?
Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????
Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.
I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.
Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.
Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.
My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.
That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.
Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.
And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.
The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.
And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.
I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.
What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.
Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.
None of that gets any meaningful resolution.
I am glad if you liked it, or got something from it, you are entitled to your opinion.
I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.
That's all I have to say about that.
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frantic-fiction · 11 months ago
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Tension 18+
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Pic: littlelovelore
Astarion x f!reader
Summary: During a solo mission, Astarion takes the opportunity to indulge in some "depraved carnal lust".
Warnings: 18+ MDNI Slight enemies to lovers, sex bent over a desk, sex with clothes on, mild choking, rough sex, reader handles her crush like a fifth grader (by being mean) Astarion is his smug self
Word Count: 3.2k
Masterlist
Back-to-back posts brought to you by Bree's insomnia...Enjoy!
"Do you want me to do it?" Astarion smugly asks, flicking his wrist sharply, sending a dagger into the wood beam before him. He's leaning against the cracked wall of the tunnel. A condescending smile stretches across his pale lips.
"Shut the fuck up!" You snap, twisting the lockpick violently, it's stuck on something, and it is pissing you off. 
"My my, someone's testy today." The Vampire pushes off the wall to retrieve his dagger, only for you to hear the same thud of the knife hitting the abused beam once again.
You clench your jaw, wanting nothing more than to drown the bastard in the small stream of gray water. See him try to be a smartass when he's choking on sewage. 
No! Just breathe.
As soon as you get this damn door open, all you need is to grab the stolen lease for the damn butcher, and the party will have a nice payout. Then Astarion's snarky comments and teasing jabs can be ignored behind a glass of ale and a nice meal. 
Well, if you don't kill him first.
The relationship between you and the Vampire is a complex one, to say the least. Astarion is an arrogant, pompous dick. You're a temperamental stubborn asshole. It made for a messy mix of harsh insults and constant attempts to belittle the other.
It would have been so easy to hate him completely, but Astarion can be sweet under the cloak of night, and you could almost pretend he's a tolerable person when he speaks those honey-coated words. And when you let him feed from you, everything became so much more complicated.
The pick snaps, and you drop your head, groaning in frustration. You stand up and kick hard against a crate; the decayed wood breaks against your boot. Sighing in defeat, you motion to the rogue. 
Astarion laughs smoothly, tucking the knife away, and exchanges it for his thieves' tools. Giving you a wink, he bends down to examine the lock. You pretend not to admire the swell of his ass, but who are you kidding Astarion is extremely attractive.
With little to no fanfare, the lock turns over, and Astarion opens the door. "After you."
"I fucking hate you." You grumble, pushing past, making a point to shove your shoulder hard into the rouge.
"Keep telling yourself that Darling," 
You flip him off.
The sewer system is a winding path of tunnels leading to various places. The two of you walk in silence for a few minutes. 
"Are you sure we are going the right way?" Astarion asks, breaking the peace.
"Of course, this is the right way." You hiss, glaring over your shoulder. "I can read a map."
"Just like you could pick a lock, yes?"
You don't think you've ever seen a more punchable face. You're almost tempted to smack him just to see his reaction. Instead, you practice a semblance of self-control and ignore him.
After a few more turns, you hit a dead end. It's nothing but a damp brick wall. Scanning the map, you're sure you followed all the proper steps; there should be an entrance. Stowing the stupid paper away, you begin feeling the brick for any invisible button, unwilling to admit defeat in front of Astarion. All hideouts have secret levers. Right?
"Well, sweetheart, I think you've gotten us lost."
"No, I didn't, jackass, now be useful for once and help me." You bend down and begin trailing your fingertips against the rough bricks near the floor.
"I don't think I will. I'm quite enjoying the view from here."
You look back towards the rogue, "What are you talking about–" you choke on your words.
 Astarion is shamelessly eyeing your form. A fang tugs at his bottom lip, hunger darkening his eyes. You swallow hard, and a flame ignites low in your stomach. You have a sudden urge to press him against the wall. That thought startles you. This is Astarion. The obnoxious, arrogant, attractive–no, stop that. You stand up and shake your head, willing your thoughts to clear. 
"You're ridiculous," you sigh and dig through your bag. 
Retrieving the knock scroll, Gale scribed for you. Repeating the steps he told you to do, you mumbled the incantation, and soon enough, what was once a solid brick wall cracked open to reveal a hidden path.
"Told you I knew where I was going," you boast, sticking your tongue out childishly.
Astarion smirks, "Yes, a broken clock is right twice a day."
Scoffing, you shove him hard, causing him to take a few steps to correct his footing. The entrance leads to a broken-down ladder and a worn wooden hatch. Astarion steps up to pick the lock and lifts the hatch barely to survey the room. He pushes the trapdoor open and enters.
Following suit, you find yourself in a dusty broom closet. Astarion is already at the door to the hallway, a sliver of light pouring through the crack. Closing the trapdoor, you cross your arms and wait for Astarion to turn back to you. 
"It's abandoned."
"Are you sure?"
Scoffing, Astarion doesn't answer. He pushes the door open and begins down the hall. You follow after him.
The small hideout is plainly decorated, the common room has a dingy sofa and a coffee table. The fireplace is dead; not even embers remain. Good. In the corner, there looks to be an unfinished game of cards. The faded carpet runner leads down the hall to a large ornate door. 
Astarion is already opening the door by the time you reach him. By the looks of it, this is the boss's office. A large oak desk sat in the middle room. A plush chair pulled slightly away as if someone hadn't bothered to move it back. Bookshelves line the back wall. 
"Secure the door," you say as you move to the window to the left of the door. You hear Astarion mumble something but don't quite catch his words. 
The window is a short drop good for a quick escape if needed. 
You move to the desk and begin rifling through the papers on the desk. Tax documents, random notes, crappy doodles, and a cringey love letter, but not what you're looking for. You rip open the first drawer. Nothing. Second drawer. Nothing. Third, nothing. 
"Astarion, did you find anything?"
"Nothing important." His sultry voice is deep and so very close to your ear.  
Your heart drops, but you suppress any other signs of distress, knowing that is exactly what he's looking for. Sighing In annoyance, you turn around to face Astarion and cross your arms over your chest.
"Are you even trying to look for the damn paper? We need to get what we're here for and get the fuck out!"
Astarion's mouth cracks into a cheeky grin, and he closes in on you. You back against the desk instinctually, reaching a hand up that lands on his firm chest. Astarion has you caged against the desk, each hand on either side of your hips. You know Astarion can hear the thrumming of your heart and the shaky inhalation of your breath, and you curse your body for betraying you.
He bends his head down to press his mouth against your ear. "What if I'm looking for something else?"
You freeze. What did he mea–
The thought is forgotten because he's slamming his lips onto yours. You gasp in surprise, and Astarion wastes no time, delving his tongue into your mouth and claiming it as his. 
The slight metallic taste of blood that lingers on his tongue should repulse you but has you moaning desperately for more. You grip your fist tightly into the fabric of Astarion's armor. His body is flush against yours, but you need more. You scratch your nails up his neck and tangle your fingers into his hair. Astarion groans into your mouth, biting at your bottom lip.
Everything is hazy, and you're lost in the kiss. Your thoughts are slow to catch up with the situation, too consumed by the taste of his lips. Astarion's lips. Astarion.
You push him away, chest heaving in rapid breaths. "What are you doing?" 
"I'd hope my intentions would be obvious by now." He grins and dives back to kiss down your neck, dragging his teeth against your skin. "I could be more obvious if that would clear things up." 
A sharp bite of his mouth at your throat drags a choked gargle from your swollen lips. You feel dizzy from the scent of rosemary and bergamot invading your nose. Lightheaded from the sudden turn of events. Astarion presses a knee between your legs, applying firm pressure against your burning arousal. 
Gods, what was he doing to you?
Needing to gain any form of control, you tug sharply at the roots of his silver curls, drawing a hiss from the man. 
You finally manage to gasp out, "We hate each other." As if that would somehow clear up your raging thoughts.
Except, could you hate someone who is making you feel so good? 
Cold fingers trail against the skin between your leather armor and trousers. Astarion's deft hands start pulling at the lace of your pants. Another wave of arousal warms your body, and you feel drunk on the pale elf.
"You say that, yet I don't think you want me to stop." He purrs, halting his movements, and meets your eyes. "Do you want me to stop?"
You shake your head, desperate for more. Your dignity couldn't live with letting Astarion reduce you to a begging mess. However, if you were honest with yourself, you're already halfway there. Reaching out, you grab for his belt.
Astarion was having none of that. He's quick to twirl you around and press your torso flush against the top of the desk. A stack of paper flies off and scatters to the ground, but neither of you put much care into it. Astarion grinds his front roughly against your ass, and you moan at the feeling of his hardening cock against you.
"No, no, no, my dear, use your words."
"Gods, are you always so fucking annoying?" You whine pressing back and rolling your ass against him. Astarion grunts, gripping your hips tightly. "Are you going to fuck me, or should I just take care of myself?"
Astarion groans, rocking against each roll of your hips. "There's my spitfire." 
"I'm not yours."
Astarion tugs at your pants and underwear, pulling them over your rear and letting them pool around your ankles. You kick off your boots and free yourself, leaving your lower half bare to the open air. A shiver rushes up your spine as the cold air hits your dripping heat. 
Astarion's slim fingers trail down your folds, and you bite your lips to stifle a cry. Tilting your head back, you see the rogue admiring the slick coating his fingers. 
"You might not be mine, darling." Astarion slips his drenched fingers into his mouth, and you watch, mouth agape, as he swirls his tongue to clean each digit. "But who else has seen you bent over a desk looking as desperate and delicious as you do now?"
"I could name a few," you say cheekily, earning you a smack on the flesh of your backside. 
Astarion gropes the reddened skin and bends down, blanketing you with his body. You feel the soft pants of his breath cascade over your neck as Astarion brings his lips to your ear.
"Then it seems I'm just going to have to ruin you for anyone else." Astarion practically growls and licks along the shell of your ear before taking the lobe in between his mouth and teasing it with his teeth. You don't recall hearing Astarion unclasp his belt, but when you feel his bare cock rub against your back, all you can do is arch your back and moan.
"Astarion," you part your legs more in silent invitation.
"Yes, my dear," His voice is smug as he rocks against you. He knows what you want but wants to hear you say it. 
The head of his cock parts your folds and moves to tease your desperate clit; a collective moan fills the room, but it is not enough for either of you. And knowing that the two of you are currently in the middle of dangerous territory means there is no time to play. 
"Stop being a prick and fuck me."
"Have I ever told you, you always have such a way with words." Astarion chuckles before plunging deep into your cunt.
A shaky cry leaves your lips, all air seemingly ripped from your lungs. Astarion is bigger than most men you've slept with prior - though you wouldn't dare voice that out loud in case it inflates his already-inflated ego. The stretch holds a delicious sting, and you feel the beginning of the burn of tears at the corner of your eyes. 
Astarion's still his hips for a moment, letting you collect yourself. His thumbs are rubbing soothing circles into the small of your back and peppering kisses across your neck. Once the sting of his initial entrance simmers to a stirring heat, you tell him to move.
"Hells you're so tight." Astarion groans as he sets a teasing pace, dragging the rugged ridges of his cock out before plunging back in at the same agonizing pace. 
A pace you could imagine sharing intimately with Astarion all night somewhere secluded. Perhaps your tent or an isolated clearing, not a random gang's currently empty hideout. And since you're not one to play nice, you decide to play with fire instead.
Pushing up on your elbows, you move your head to look back at Astarion, a playful smirk on your lips. "You say you're going to ruin me, but I think Gale could be doing a better job of it right now."
Astarion's body freezes just as you hoped he would react. He shoots you a look full of daggers and bares his teeth in annoyance. Without comprehending entirely what's happening, Astarion pulls out of you and, with a strength you have not seen from the Vampire (the same Vampire who asks others on multiple occasions to carry his pack because it's too heavy), flips you over and has you seated firmly back on the desk leaving you dizzy but feeling giddy as a schoolgirl. 
"Oh darling, you're going to regret that."
Astarion rams back into your pussy and begins to thrust quick and brutally deep into your body. His cold hand is wrapped around your throat, holding it firmly enough to keep your eyes locked onto him. 
Your legs link around his lean hips, pulling him deeper into you. Moaning desperately, you run one of your hands up under his leather armor, splaying it across his stomach. You grab his face and pull him into a kiss, all tongue and teeth and perfection.
 The desk is groaning under the movement of your bodies. Random knick-knacks are clanging to the floor. A bottle of whiskey shatters, and the pungent aroma wafts into the air, mingling with the scent of sweat and slick. 
"You and that mouth of yours." He breathes deep into your ear. "Always so confident, so snarky, so bratty." 
"M-more…" you choke, clenching around his length, desperate for anything and everything he will give you.
"Do you think the wizard could handle you?" The hand not firmly holding your neck snakes between your legs and begins to play with your clit.
"Gods A-star.." You gasp, eyes rolling back.
"Could he or anyone else make you feel this good?" Astarion's hand tightens slightly against your neck, and the lack of oxygen leaves you feeling dizzy and euphoric. 
"N-no…please." 
"After me, no one will ever be able to satisfy you." His thumb is now rubbing fast, tight circles against your clit. "Fuck, that's it, squeeze me just like that."
Gripping onto the desk, you shift your hips, and Astarion is now hitting deeper into your abused cunt. You tighten your legs around his waist, urging him to go faster. That delicious coil is beginning to burn deep in your stomach, and you know you won't last much longer. 
"Tell me, who's making you feel this good," Astarion demands, voice husky. 
"Y-you," 
"And when you come on my cock, I want you to scream my name." He grunts, and the thrust of his hips is beginning to become sloppier. "I want to hear just how good I make you feel."
Everything is too much. Astarion's sinful words, the harsh thrust of his hips combined with the tight circles of his thumb on your clit, the musky smell of Astarion's sweat mingling with yours, and the intense fragrance of the spilled whiskey. 
You don't remember the details, just the wave of euphoria as the coil snaps and your orgasm washes over you. The words that spill from your lips hold no meaning in your clouded mind. The only thing that holds context is the feeling of Astarion stuttering thrusts of his hips as he chases his release from your spent body. 
And when he stills, and the world falls silent apart for your combined pants of breath, all you do is brush the curls off his forehead and kiss his cheek. Why? You're not sure, but that's something you'll ask yourself later. 
Once you return to relatively normal breathing, Astarion moves from his slumped position against your body. He stares at you in astonishment.
"Well, that happened." You offer because what else were you supposed to say?
Astarion breaks out into a genuine laugh, full belly and joyful as he tucks himself away. You couldn't help but join in as you move to put your clothes on.
"Yes, my sweet, I suppose that did happen."
"So where-"
The two of you jump at a commotion coming from the hall. Someone is jingling the doorknob, trying to open it; when it doesn't budge, there is a loud bang followed by an even louder shout of anger.
"Fuck!" You quickly finish tying your boots and collect your gear.
"Seems like our friends are back from their trip. I believe it's time to go." Astarion says as he moves to the window and opens it. Without waiting for you to respond, he gives you a devilish smirk and jumps out.
"Shit, the paper." You sigh, knowing you'll never hear the end of it. 
By the time you make it to the window, the door is being busted in, and a very angry-looking dwarf is storming into the room. You smile at him and give him a salute before diving out the window, knowing Astarion will be there to catch you.
***Later at camp***
"What do you mean you didn't get the document?" Gale yells, the others equally baffled by you and Astarion's failure. "That was the only thing you needed to get!"
You shrink in on yourself looking to Astarion for help. "I...I don"
Astarion rolls his eyes. "Stealing objects from heavily populated hideouts is harder than you might think, wizard." 
"That's why we sent you two!"
"Then perhaps next time-"
"HOLY SHIT!" Karlach interrupts, drawing everyone's attention. She's pointing straight at you with a look of bafflement. "Soldier's got a fucking hickey."
You clamp a hand over the spot Astarion was biting at earlier, wishing for the ground to swallow you whole.
Shadowheart's face scrunches up in disgust. "Please don't tell me, we're not getting paid because you two idiots decided to fuck?"
"Darling, it would seem the cat's out of the bag." The bastard has the audacity to look proud.
"I hate you all." You groan and storm off to your tent, contemplating just how bad it would be to join the Absolute.
Feedback always makes my day so let me know what you guys thought. And if you're looking for something sweet to balance out the spice check out my last post right here.
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medusas-graveyard · 2 years ago
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Currently obsessed with the concept of Danny 100% being the most Violent and youngest Wayne. I'm so sorry but the writing opportunity🥹🤌
Danny's rogues were all dead so they can't actually... Die again. Like— not in the normal way, that is. The only way that they could die is by crushing their core.
Cue Bruce Wayne and the whole family Finding out his extremely timid and closed off son/brother (yes, being ooc is the point here stfu😭) is arguably the strongest being in the universe and admitting that he has a tendency to have intrusive thoughts and horrible mood swings so he doesn't trust himself with doing the family's... 'business' (knowing damn well he could kill someone if he gets too agitated) and they're almost not convinced.
Emphasis on almost.
Once they watched as the youngest of them all completely threw down a weird eyeball (they later learn is an 'observant'), threw a green dagger right beside it, kicked it violently and threatened to gauge it's eye out and disintegrate it for interrupting their dinner.
He apologized to the family soon after the thing disappeared, back to completely timid and embarrassed.
Extra, Danny finding out about Joker:
News: Joker found dead in strange circumstances!
Bruce, turning to Danny: Danny....
Danny, who placed a bounty on Joker AND his soul in the ghost zone: *gasp* He died of strange circumstances? How unfortunate!
Bruce: *sigh* Chum...
Danny: I didn't do anything, my hands are clean!
Jason, in the background: Kid ilysm you're my favorite brother now
Another extra, about Vigilantism:
Danny, in tears: Leave me alone!
Dick & Tim: C'mon, it'll be fun!
Danny: Absolutely not!
Jason, watching the chaos unfold: Guys I don't think—
Alfred: Master Dick, Master Tim.
Danny: Alfreeeeed!
Bruce, pinching his nose: *sigh* Stop trying to make Danny a vigilante.
Dick & Tim: But—!
Bruce: No buts. We had an agreement.
Steph, in the background: A somewhat normal kid finally joined the family just leave him alone!
Danny, also in the background, sobbing: I'm already in charge of another dimension, give me a break!
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wingedshadowfan · 1 month ago
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some thoughts about the caitvi breakup scene
i saw ppl pointing out what looks like a tear running down caitlyn's nose after her and vi's fight w/ sevika and jinx (when she finally stops hitting the wall w/ her rifle and puts her forehead to it) and it could've been just sweat, but here's why i think it wasn't:
it's bcuz vi took the choice away from her.
we all know caitlyn's parents had been keeping her in a gilded cage since she was a child. we see this symbolically in her conversation with jayce when he gets kicked out of the academy after the explosion - he's outside in the rain, but she's within the gates of the kiramman estate, under an umbrella, protected, hidden. she tells him her parents don't allow her to talk to him anymore but she doesn't care. they're friends.
we know cassandra didn't approve of caitlyn's choice to become an enforcer either (we assume caitlyn had to fight for it and her family tried to stop her). even after that "win", her mother kept meddling and made sure caitlyn would always get safer tasks - out of harm's way and where she'd never be able to prove herself or do any actual good like she'd always wanted. her own coworkers make fun of her for being a kiramman and only "playing dress up" as an enforcer - a job she decided she wanted and had been working towards since she was a child, in order to help and protect people. she'd had to fight (not for the first time) to be placed on a case, in a real guard position, to be taken seriously.
caitlyn's choice and her agency - things she's barely been given in her own life, because of her parents, her name and how sheltered she'd grown up - she'd always had to fight for. she's had to fight to be able to choose, she's had to fight to defend her choices, and she's had to fight to prove herself over and over again.
then for the first time in her life, she didn't have to fight because vi (perhaps being swallowed by her own guilt for everything jinx had done to caitlyn) gave caitlyn the ability to choose what happens to jinx. unconditionally.
and caitlyn chose. vi agreed with her choice.
take the shot.
then vi took the choice away from her in the last possible moment, physically stopping her from shooting. (now, we can talk abt what that means to someone who's never been the stronger opponent in any physical altercation they've been a part of so far, but i won't)
this is the last thing cait needed to send her fully spiraling in the face of the adrenaline after almost dying again (sevika wasn't playing), the stakes of their mission and her trauma from jinx being unlocked. caitlyn completely disassociates shuts down, goes all out hitting the wall, possibly cries, refuses to look vi in the eyes and tells her, "i thought you were different but you're not"
she's yet another person who denies caitlyn the ability to make a choice in her life.
it's her blood in your veins.
to caitlyn in this moment, vi's loyalties lie with the blood of someone who'd worked for silco in oppressing the undercity, lured and blown up caitlyn's coworkers, tried to kill caitlyn (and vi) multiple times, kidnapped her from her fucking bathroom, dressed her up against her will, kept her hostage for a full day in which she with almost 100% certainty tortured her, kept her as the only person gagged throughout the tea party, asked vi to kill her, then blew her mother up along with 4 more counselors and (allegedly) attacked their memorial. talk abt taking someone's freedom of choice away.
then why are you the one acting like her?
vi - not fully without reason - compares caitlyn to her worst fucking nightmare. a psychotic killer who's caused so much fear and trauma to caitlyn that she admitted jinx's smile is all she sees when she closes her eyes, up there w/ her own mother's lifeless eyes?? and yeah, vi has a point - caitlyn had indeed grown more violent and aggressive in her desparate pursuit for revenge. that doesn't mean it hurts caitlyn any less, especially when she'd been trying so hard to do the right thing (sending a squad to catch jinx instead of a full blown armed invasion, only her and vi having hextech, clearing the streets first), and vi knows this: she just automatically did what she does best - aimed for where it hurts the most. i think she even realizes she's overstepped but before she can do anything about it, caitlyn bites back reflexively and hits her with her rifle. there, in the place of the wound she once took care of herself.
the perfect storm.
the only question i have left is why everyone in this fandom keeps acting like caitlyn is the only one who hurt someone and vi is the only one who got hurt in that scene.
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blu3n · 5 months ago
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Manias of love.
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dating jason todd would include:
1.) He wouldn't have time. He's a busy man, he has a commitment to Gotham. It was rare that he had time, so you would have to get used to it. But he would find time for the two of you.
2). Words of affection would be different. Don't expect a "you're a goddess", we know that Jason has a dirty tongue so his compliments would be more like sweet insults so to speak, Jason would never disrespect you he was "well educated" for that. his own morals did not allow it.
3). physical touch. , jason never had basic love for his family or anything like that, so I believe he would want affection all the time if you, even if he didn't know how to say very well that he wanted it, he would touch you, you would discover over time what his touches meant.
4) to cook. This man would cook for you, so be aware that he would be keeping an eye on your meals, how many cups of coffee you had or if you ate.
5) communication. he is not good with words but I believe he would try to talk especially when it involved his own feelings but he would come to you when something was wrong, in his own way of course.
6) Argument. your conflicts would be rare but when that happened he would be proud at first he wouldn't admit he was wrong (if that was the case) but when you left his line of sight with that broken expression he would hug you and say he was sorry. be patient.
7.) PTSD. we know about the traumas he has been through, be aware that he can explode at any moment, but it is never your fault. At those times you had to leave him alone for a while but make sure you were there with him, it is not his fault.
8.) words of affection . Jason after his resurrection has insecurity about his physical appearance. When it happened you had to show that it was not true, saying words like "I love your body" or, "I love how attractive you look", or something like that, this is your absolute weakness to hear from your girlfriend's mouth that no matter how many scars he had, he was beautiful to you.
#blu3n
talking about point.
( 7 ) — I once lived with someone who suffers from PTSD, it's no joke, the person changes and becomes violent, the terror I went through is not easy. I imagine we will suffer with this for a while until we get used to it coming from him.
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narcissistshandler · 1 year ago
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Can you write a yandere Sae x male reader smut where reader is flirty with others and makes Sae jealous and bratty? So then reader fucks the brattiness out of him.
𝗡𝗢𝗧 𝗢𝗡 𝗦𝗛𝗢𝗣𝗣𝗜𝗡𝗚 𝗟𝗜𝗦𝗧
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✧ 𝖯𝖠𝖨𝖱𝖨𝖭𝖦 male reader x sae itoshi
✧ 𝖶𝖠𝖱𝖭𝖨𝖭𝖦𝖲 light yandere!sae, light violent thoughts (not between sae and the reader), brat!sae, amab!reader, dom!reader, sae calls the reader sir, public, fingering (sae receiving), spanking (sae receiving), some swearing and insults, jealous!reader&sae, voyuer, non-consensual voyeurism
✧ 𝖠/𝖭 nothing to say, just that this was supposed to be much, much shorter (I'll edit this later, so ignore any errors for now)
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“'This is so high I can't reach it, can you help me?'” Sae's voice loaded with poisonous sarcasm filled the distance purposely placed between you two. His beautiful green eyes were darkened with a shadow that could alert anyone but you and his arms were crossed in front of his chest, confronting you, mocking you... demanding an explanation.
You held back a sigh as you reached out with one hand to grab Sae's arm and finally close the distance between you. Sae stepped back, avoiding the touch.
“She needed help and I helped, no big deal,” you explained for what felt like the twentieth time since it happened. Maybe it was.
“She was flirting with you,” Sae pressed, his anger an icy, sharp thing. “And you flirted back,” it was an accusation that if was intended to anger you, so it succeeded.
Your temple throbbed with the onset of a headache and you brought your hand back to press against the spot, genuinely trying to understand what part of your interaction with the unknown woman had been seen as 'flirting' by your boyfriend.
The poor woman, who looked barely younger than you, who was kind, gave you a toothy smile and who seemed to follow you down the supermarket aisles for a while before she worked up the courage to ask you for help, wasn't flirting with you by God. And you promptly helped her and then let her engage you in a suspiciously long conversation about how the woman was single and preparing a party to celebrate her new status, believing it would be too rude to cut her off.
Until the figure of Sae, who was completely ignored by the woman, despite standing right next to you, began to analyze the woman from top to bottom, in that way as if pondering how she would react if he put his hands around her neck or broke her fingers - fingers that she continued to touch your arm with - or how easy it would be to find out her address and then... That's when his eyes darkened and you finally ended that conversation.
It wasn't flirting, you thought. You were just being nice, trying to get to know the new neighborhood.
“Don't be childish, Sae,” you said, knowing it was the last thing that would make him calm down.
“Childish?” Sae repeated, his voice rising in tone, seeming not to remember that you two were standing in the middle of a supermarket aisle, or maybe he just didn't care. He wanted to embarrass you, you realized. “You shouldn't have even paid attention when she spoke to you!”
“That's not how the real world works.”
You continued, elbow resting against the shopping cart:
“I moved to the furthest house from the city that we found, don't think that just because I agreed now I'm also going to stop making friends or chatting around. You act like a spoiled child when he receives a new gift, just before breaking it.”
Sae's face turned to stone.
“I'd rather break you than let someone else have you,” he said, as if it were the most normal and passionate thing to admit.
This conversation wouldn't go anywhere, you knew, so instead of standing there and arguing with Sae, you sighed deeply and started pushing the cart. Even without turning back, you knew that Sae was following you, still keeping that pathetic distance between you. Sae's feelings towards you weren't normal, even though most of the time your relationship was as normal as any other. But you saw his darkness, you discovered that all the accidental encounters you had with him and all the familiarities between your and his tastes and hobbies had been faked and yet, you chose to stay.
“You can't just end the conversation at will,” Sae said, without even coming into your line of sight, still stuck on the previous topic. He was angry, so you should be angry too, that's how his reasoning worked. “You know I hate it when you turn your back on me.”
That's it. You snapped.
The cart slid on its wheels a few inches as you let go in favor of turning to face Sae. There, in his eyes, was defiance. And when your hand grabbed the back of his neck, nails digging into the skin beneath the curls of his hair, you saw something else stir there, fear.
“Shut your mouth up,” it was an order.
“What else would you do if I wasn't there? You already let her touch you and rub against you, what was the next step? Fuck her right there in the middle of the market while I was at home or participating in a match?” He stirred faced with the sudden order. Sae was like a wild animal, trying to shift your grip while making the accusation, testing your dominance, testing how far he could go, how hard he could bite you. “You're no better than a whore who can't keep the dick in the pants-”
The anger was heavy and immediate, falling like a stone into your stomach.
“Shut. Up.”
That shut Sae up, but you knew it wasn't enough, that in a few minutes, hours or even a few days later he would bring up the subject again. He needed to be put in his place.
With a firm hand grabbing the back of his head, your other hand fell to Sae's belt, but then, seeing the look of panic that filled his face, a thought crossed your mind and you pulled your hand away. Sae, however, didn't have time to relax before the order came:
“Unbutton your pants.”
“We are in public,” he said, the voice that had once been so loud and commanding now quiet. You both knew how famous Sae was and that even in this small town someone could recognize him. That would end his career.
“I gave you an order, didn't I?”
Sae's hands went down to his pants, the green eyes searching around the empty aisle as his trembling fingers released the button and lowered the zipper. Despite the fear and anxiety on his pretty face, it didn't take a command for him to fit his thumbs into the band of the pants and push them down, as well as his underwear. Obedience under the anxiety and embarrassment, the anger still there even when he asked please. Sae knew how to move his pieces, but you knew how to move him.
Standing in the middle of a supermarket aisle, with his lower body naked, his softening penis hanging between his long, slender legs, Sae was embarrassed. The same embarrassment he wanted to make you feel when he started an argument with you and told you all those poisonous and sharp things.
“[n-name],” he muttered, eyes still roaming around. “Let's go home... ple-please.”
You ignored his whining, that just sounded anxious, not genuine. “Turn around. The faster you comply the faster you can put your pants on and stop someone from seeing your naked ass.”
Sae looked once more for invading looks before obeying. He pressed his hands against the shelf in front of him, his small, round ass facing you.
Your hand fell to one of his pale cheeks. The sound of the slap echoed around. Sae seemed to bite back a grunt.
“I don't need to tell you how bad you were, do I? You know that.” A second slap, in the same place where the previous one had landed. “You chose to irritate me, you chose to insinuate that I would cheat on you with the first person who appear in front of me.” Slap. Slap. Slap. A hard and fast sequence of your hand connecting with his soft ass cheek. “Do you think I'm afraid of you?” you inquired, your tone full of mockery, treating Sae exactly as he was: a spoiled brat.
No response other than grunts and bitten moans came, the hyperawareness of being in public seeming for the first time to do the magic of preventing him from trying to answer you. Sae's slender body seemed to try to run away from the hits, pulling away from your hand, but he didn't get very far between your body and the supermarket shelf. The shirt pooled around his waist, the dark color contrasting with the pink that bloomed on Sae's pale ass.
Your hand rubbed the soft flesh, feeling the skin burn beneath yours. Your fingers dug into his ass, without care or gentleness. And when you squeezed harder, you could see the place between those round, firm cheeks glisten with moisture.
Your laughter sounded like bells under the noise of footsteps, wheels and movement of the supermarket. “Is that why you're all angry and upset and talking to me like that? Because you want to be fucked?”
Sae's ears burned. “Don't treat me like a-” He was interrupted by your index finger pressing against his soft, lubricated hole, previously prepared for you before left the house that afternoon.
“Like what? A whore?” You punctuated the mocking question with your finger plunging inside him hard. “You better lower your tone if you don't want anyone to see us.”
His hole was already relaxed, opening easily to the intrusion, the walls wet and tense just from the current situation. You pulled your finger back and pressed two in, stretching them inside him. Sae made a small whimpering sound in response, his pink cock now hard between his legs, dripping pre-cum onto his own pants, like the pathetic little thing he was.
Sae was muttering something under his breath, a jumble of words and phrases, among which you could make out a 'who do you think you are', but which shortly afterwards turned into a 's-sir... please' when your fingers curled inside him and rubbed against his prostate, eliciting a twitch in his cock.
Your own cock was hard between your legs, pulsing and demanding release, but you knew this wasn't the time or the place, it was pure luck that so far no one had walked in this aisle, and that there was no security camera nearby. Deep down you wished someone would see him, and recognize the famous player now being fingered in public like a cheap whore. And that selfish desire flared up when a small, shocked sound reached your ears.
A third finger sank inside Sae as you recognized the woman Sae accused of hitting on you standing right there at the entrance to the aisle, shocked eyes darting from you to Sae, still completely oblivious to the new spectator as he struggled to be silent while your fingers fucked him the way he loved: hard and deep.
“We have company,” you warned Sae. It took a whole few seconds for him to understand your words and move his face, trying to understand what you were talking about. As soon as his eyes met the woman's, his hole suddenly became tense and tight around your fingers.
“This little pig,” he muttered under his slightly panting breath. There was no shame in any inch of him though - shoulders still high, lips pursed, body still willing under your touch -, it was something different, it was pride. A phantom feeling of being better than most people, but especially better than that unknown woman who had tried to hit on you.
The woman didn't move, feet still on the floor, eyes going from Sae to you, then back to Sae. She seemed to be finally putting the pieces together, regretting offering you her phone number right in front of your boyfriend. But there was also desire beneath it all. She looked at Sae like most people did, as if she was mesmerized by his beauty.
Sae however was jealous and possessive and all he saw there was her wishing she was in his place; have your fingers inside her. “I-I want you to make me cum, sir,” Sae asked, sweet and obedient when faced with a 'rival' and dark and petty at the same time. “So she knows she can't have you. You are mine. You can only touch me this way.”
He was a spoiled brat. But his words made your dick get even harder and you pressed your hips against his ass so he could feel your hardness, to let him know that only he made you hard and hot like that. You thrust your fingers with recovered strength and speed into and out of him, eliciting the most beautiful moans and sighs from Sae's mouth, calling him 'mine', 'good boy' and 'pretty whore' while rubbing your digits against the sweet walls, attacking his prostate.
The display of passion and eroticism could have lasted minutes or hours, until Sae's legs contracted and his hole tightened, erratic hips rocking back against your fingers and when you pressed your pinky against the wet, supple rim, Sae came. Clear liquid splashed from the pink head of his cock, hitting his pants, which had fallen to his ankles, and the supermarket floor. The wetness of the lube covering his hole as if Sae had produced lube on his own, just for you.
Sae's eyes, however, were not on the spectator when he came and neither were yours. You only had eyes for Sae, especially when you saw him feeling pleasure. And Sae only had eyes for you.
Just as the tremors of orgasm shook Sae's legs, however, and his hole began to convulse around your fingers, you leaned in to place a kiss on the side of his neck, feeling the salt of his sweat and the bitter of the perfume - your eyes went briefly to the woman standing a little distance, who faced with reality blushed and ran away, but not before you saw wetness dripping from beneath her skirt.
“I think she had a little too much fun with our show,” you said to Sae, fingers moving in and out of him again with delicious slowness. “But she can't have you.”
“Ah- she can't have you too,” Sae said back, almost daring you to say otherwise, the wobbly legs forcing him to lean on the shelf.
Maybe that was why Sae never scared you, you were starting to understand. You were a lot like him in some ways. You rubbed his ass where the impact of the slaps had already softened from red to light pink to match his cute hole.
“No. She can not.”
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thebibliosphere · 7 months ago
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Wait, is Jason in Gotham Knights body horror? Because it doesn't feel like his body even tho he's controlling it? (He died, he came back, it's not the same and never will be)
Or is it more analogous to puberty and feeling like you don't know anything about your body anymore?
Just having thoughts about that boy again
I think Jason in Gotham Knights is very much connected with his physical body. It's his biggest weapon, possibly more so than his guns, given his lasting connection to the Lazarus Pit and the power it gives him.
His backstory talks about building himself up to peak physical condition into the absolute unit he is now, and you can either see that as someone trying to reconnect with their physical self or someone vowing never to be small or weak again.
I tend to think of it as both. It's a reclamation of his physical form but also a transformation into something bigger and stronger that ensures he's the scariest, meanest-looking mother fucker in the room. Basically someone you can't underestimate as a threat.
(Try not to think too hard about the fact that he now largely resembles Bruce in stature, that he is now the group's heavy hitter, the most menacing and the most likely to strike fear into the heart of his opponents, and that Jason molded himself into the person he needed to be rescued by as a child. Don't do it. Do not. I am normal about this.)
But he obviously struggles with feeling present mentally sometimes.
You'll see him zoning out occasionally, touching the J-shaped scar on his face before violently shaking himself back into the present.
He has panic attacks while playing a dance video game with a coffin in it—a coffin his character becomes trapped in because he's not moving fast enough. (hello, trauma)
He's angry all the time and so relieved when Barbra expresses her own rage at something because, yes, finally, someone else is letting their emotions out instead of bottling it up (Dick).
His emails are littered with orders for self-help books, emails from his therapist moving his sessions around, and concerned messages from his friends (Roy comes to mind) saying if he needs to get out of Gotham, they'll make it happen.
Alfred holding him while he sobs over losing Bruce still breaks me every time. I have to pause the game and walk around my house until I feel normal again.
And then there's the cut scene where Dick asks, "Hey, remember that time we all [insert funny thing here]," and Jason admits, somewhat angrily, that no, he doesn't because Lazarus took entire swaths of memories from him and he hates how he can't connect with people the way he used to and he hates the way they all look at him (the way Dick is looking at him now) when he admits he doesn't remember something they clearly loved about the old him: the version of him who didn't have volatile mood swings or made people flinch when he did something as mundane as handle a kitchen knife -- the undead monster he came back as*.
The fact that Dick then contrives to recreate this memory so Jason can be included in a newer version of it -- while also giving him what is arguably a weapon -- fucks me up every time. Dick just yeets a kitchen knife at him, trusting that Jason will catch it, and then just steamrolls over Jason's rightful 'what the fuck' expression with "Hey, we're making food. Get dicing."
And Jason knows what they're all doing. He's aware of it, and he gets the teeniest, tiniest smile before smothering it out. Except he can't quite. He's still smiling as he chops the vegetables. And yes, they're all hopeless at cooking compared to him, and he knows he's going to end up taking over, but that's okay. Because this is for him. He gets to control it.
And that's how Jason gets to make a new memory, one where he is handed a weapon and gets to turn it into a genuine expression of nurturing and care.
Because he does care about them. He wouldn't conspire with Dick to bake Barbara's favorite childhood cookies if he didn't. He wouldn't try so hard to be gentle with Tim triggering the shit out of him while he's struggling with his grief. He just doesn't always know how to express it because he doesn't always know what he's feeling.
Is his anger valid? Or is this Lazarus Pit Rage? Is he being overly sensitive because of his trauma, or is everyone else underreacting because of their trauma? (Should he sign them all up for therapy, quite probably, yes.)
So, you could perhaps argue that Jason experiences body horror in the sense that he doesn't remember all the pieces of who he used to be. (Speaking as someone with severe memory loss from medical trauma, it's certainly a type of horror.) But I don't think it's because he's detached from it physically or doesn't feel in control of his body. I think it's his mind that worries him.
His body he can control. It's his mind that still sparks green sometimes.
---
*Re the scene with Tim when Tim calls the Talons monsters. "What about me? Do you think I'm a monster?"
No, they don't.
But Jason does. And it scares him shitless.
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aphroditesmoon · 1 year ago
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heyy for the clarisse head cannons, maybe a enemies to lovers w clarisse
enemies to lovers hcs with clarisse
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clarisse la rue x fem!reader
warnings: fighting, mild violence, kissing.
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- I feel like you would probably be in athena cabin or hermes, (or whichever ur prefer)
- clarisse has a lot of people who hate her, but no one brave enough to challenge he, until she met you.
- the two of you match eachother's skills, and it's frustrating for clarisse to admit that you're actually good.
- "you really think you're all that, don't you?"
- "of course not, we both know no ones better than you, clarisse."
- you probably meant it literally, but everyone watching laughs anyway.
- everytime you spar with her, its not because you want to humiliate her but simply because you're intrigued by clarisse.
she was an angry, violent girl, and you wondered deep down if that was the only side of her that existed.
- she doesn't know that ofc.
- she thinks everytime you try to be funny or nice to her, you're just being patronizing.
- for example, when you tell her she's not that bad or try to help her up after you win she's sure that you meant it in a mocking way.
- that was until she got beef with the new kid percy jackson and he broke her spear 💀
- when you found her alone in the ares cabin while everyone's eating dinner, you tried to comfort her. she doesn't appreciate the notion.
- "you shouldn't have went after him, clarisse." you told her.
- "how was I supposed to know he was a son of the big three?" she snapped back, refusing to look anywhere else but atnthe spear.
- the cabin was sileny for a moment before yoi spoke again, "maybe you could give it over to the haphaestus kids, they could fix it."
- "this is a magical spear, not a normal one." she answers back.
- she assumed you came to gloat, to tell her she deserved it, to call her a bully like everyone else did, but she was weirdly comforted by your presence instead. she didn't have to lie or pretend to be strong in front of you, something she learned of after a few months in of sparring with you is that you wouldn't hit someone during their weakest.
- "I remember the first gift my mom/dad gave me when I first got here. a knife, It meant so much to me, but I didn't know that it wasn't invincible, I broke it while trying to pull it out of a tree after I accidentally staked it into."
- clarisse was quiet for a moment before turning to you with a frown and said: "that's so stupid."
- you smiled at her and nodded your head. "yeah it was." she smiled back at you and shook her head. "I can't believe thats the same person who beat my ass last week."
- your eyes widened. "I can't believe you're actually admitting that I've beat your ass." she scoffed at that.
- "how did it end up in the tree anyways?" She asked. you blinked for a few times and reluctantly responded, "I tried to carve my name onto the tree." you could tell clarisse was so baffled by it that she wanted to laugh, but instead she just stared at you with her mouth wide open.
- "thats-" "stupid, yeah, you already said that."
- "carving your name on a tree? really? what, were you 10 years old or something?"
- you were 10. "I was 10 actually." "oh." her face relaxed, all of it finally making sense.
- "anyways, what I mean is, at least your spear went out in a fight. I'm sure your father must be really proud of you."
- clarisse looked away immediately, as if the idea of her father at all, hurted her.
- "you know nothing about my father."
- you shrugged and sat next to her on her bed. "I don't, but I know you. and I'd say you did pretty damn well.".
- you expected her to snap at you again, that was her thing, confronted by kindness or any kind of empathy, fight or flight. but instead she smiled sadly at you. "you think so?"
- you answered yes and inched closer to her. "everyone at camp is either scared of you, or they respect you. that respect didn't come out of nowhere."
- clarisse nodded her head, staring back down at the spear on her lap. "do you really think they can fix it?"
- "it's worth a try." you told her.
- the next time you see her was the following day after she and the other cabin leaders were gathered together for Percy to choose for his quest.
- you noticed she still tries ti act cold with you, but she was less meaner than before.
- "chiron gathered the best of the best to join the quest." she had told you when you asked her where she went.
- "and he asked you to be there?"
- "what, you don't think im good all of the sudden?" she asks, glaring at you.
- you rolled your eyes at her. "I know you're good, but I also know that you tried to kill Percy yesterday, not exactly team spirit is it?"
- she considered it for a moment and shrugged. "who cares, at least that punk will be gone for a while. everything can go back to normal." you follow her as she walked out of the cabin with a normal spear.
- "normal as in?"
- "normal as in, I'm going to kick your ass."
- the two of you sparred for an hour and a half, you wont say that you were holding back today, but you weren't exactly giving her your all. you liked to see the eay she smiled everytime she won, even if it was annoyingly smug.
- that same night, rumors were going around that clarisse was going soft. breaking her infamous spear, befriending her nemesis.
- "we're not friends," she told her cabin siblings. "It's not my fault she's obsessed with me."
- when word got out about what she said, you decided that maybe trying to get to know clarisse was a bad idea. not really being the confrontational kind of person, you just stopped talkiing to her.
- it was a few days later when she went out of her way to find you. all the cabins were in disarray. they were all choosing sides between zeus and poseidon after the news broke that the two powerful gods we're against eachother.
- uncharacteristically, clarisse aided with poseidon. she weighed her choices as cabin leader and daughter of ares and decided it was the best option
- (if you're a daughter of athena) then, you sided with zeus. athena is known to having feud with the god poseidon, and you would side your mother.
- (if you're in the other cabins), then you just use the feud as an excuse to not talk to her, claiming that all kinds of provocative interaction should be kept om a liminal time.
- clarisse found you in the bathroom and tried to get you to listen to her.
- "you're saying that this feud bothers you so much that you've just completely stopped talking to me?"
- "I think, that I'd like to stop being so obsessed with you, considering it was you who said that you wanted me out of your hair."
- she chased after you as you walked out of the bathroom and pulled you to the side.
- " I didn't mean it that way." she was lying and you both knew that.
- "you know what your problem is clarisse? you care so much of what other people think of you, what their perception of you is like. people who wouldn't blink twice if you were in danger. but what about the people who do care about you? the people who want to keep caring about you?"
- your words caught her off guard, she knew it was her fault but she didn't think as far as you had said.
- "I care about you too." she says honestly.
- "you don't hurt people you care about." and she knew that. she knew what it felt like to be scorned and hated by the person you love. and clarisse la rue, will not be like her father.
- "give me one chance to make it up to you, let us start over again." she pleaded.
- you might resent her for what she had done, but that doesn't mean you're immune to her wishes. "one chance."
- "one chance." she agreed.
- the next day, while everyone was out practising, she finda you helping a younger girl in your camp with her stance in fighting and called you to the side.
- "I got something for you." she said.
- the two of you walked a bit further away from other people but she stopped and pull out something from her pocket.
- "the haphaestus kids couldn't fix my spear, but I did get them to work out something new for you."
- it was a knife, similar to your old on2, but the engraved heart shape on the black holder was different. The holder was made if rubbee, easier to grip, and the tip was sharper than anything you've seen.
- "this is for me?" she nodded and placed it into your right palm.
- "it's not magical, but it'll be useful."
- you did not hesitate to pull her by the back of her head to lean down and meet your lips halfway.
- and she did not hesitate to wrap her own arms around your nwck and waist to kiss you back just as strongly.
- "I'm gonna get laughed at for this aren't I?" she muttered against your lips as she pulls away slightly.
- "not something you can't handle." you decided with a small smile on your lips.
- "right, definitely not something I can't handle." she agreed.
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gatitties · 1 year ago
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War & crack II
—Task Force 141 x young!reader
—Summary: more headcanons with your team as you being chaotic
—Warnings: none
Part One / Halloween special
yeah, I didn't finish my brainstorm and I bring more things from this sudden idea 🫣
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─ Listen, you have a lot of problems.
─ And we are not talking about your jokes about death biting your ass anymore.
─ Price's going to go bald before he retires, how the hell are you still alive today? It is a mystery to them.
─ Everyone noticed during a mission where they had to stay in a safe house for a few weeks that you had the same concentration as a fly, empty thoughts behind your eyes lost in a distant point of reality.
─ You looked like another person when you were a simple civilian, Gaz had to pull you so you wouldn't get run over a couple of times for not looking at the traffic lights.
─ Price needs to put on videos of crunchy slime or Subway Surfers so you could hear what he was saying, (Soap won't admit that it also helps him focus).
─ They discovered that you can sleep in any position, seriously, whether it's standing up, in the bathtub, your body bent in an unusual way, now they understand why you complain so much about back pain.
─ Everyone looks in silence when they give you little impulses to do stupid things, like, last time you were walking to see the area and you found a woman walking her dog, you asked her if you could pet it and when she said yes you pet the woman instead of the dog, Ghost dragged you away murmuring an apology.
─ The following days they decided that you would stay at home, they simply fed your stupidity, every time they arrived you received them with the phrase 'where have you been, loca?' while playing a wolf howl in the background.
─ Luckily it was time to return to the base, during the trip you were listening to music, despite having your headphones you had the volume so high that everyone could hear it, Soap stuck to you because he liked what you were listening, the others decided to drown out the noise with some light talk.
─ Once you returned to the base you relaxed, returning to your working state, you focused again, which relieved all.
─ One day they decided that you needed a nickname since everyone had it except you, so they began to investigate your record as a cadet and even your years in the military school.
─ You kicked and fought because you were something else a while ago, but it was inevitable to find an old report where it said that you were violent with some classmates.
─ And in your anger for probably some nonsense, you ended up biting the ankles of a guy, or a group of guys, or even one of your lieutenants...
─ Soap and Gaz cried with laughter because there was a video of what was evidenced and you looked like a rabid chihuahua attacking its worst enemy.
─ Nibbles, at least it was temporary because you didn't entirely agree with the nickname.
— Since you were now known like that, you went from friendly punches to friendly bites.
─ Once you got kidnapped and you returned to the base the next day because your captors couldn't stand having you sing old Justin Bieber songs or listening to you talk about all your obsessions, they tried to cover your mouth but you just kept making too much noise, the information was not worth it.
─ You arrived in the middle of the meeting they had to prepare the rescue, having the courage to enter the room asking who they were trying to rescuing.
─ Price casually replied that they were looking for you until he did a double take, realizing you were there.
─ You were buried in a mass of muscles after the realization.
─ When you're depressed at random times (because you don't understand how your brain works and you feel bad out of nowhere), everyone will quickly notice, like even though you're not the most talkative person all the time, you usually drop some stupid comment, but on your bad days you are simply a piece of flesh and bones that walks without knowing where it's going.
─ The first time they saw you like this they tried to do something to cheer you up, Price gave you a few days off hoping your mood wasn't due to work overload, he even wrote some of your reports.
─ Soap bought stickers and decorations to your liking to decorate your prosthesis, he also told you that he could draw you a design to have your personalized arm.
─ Gaz tried to talk to you but you just didn't want to open your mouth, he chose to just keep you silent company, maybe you hug him, you need a little physical support.
─ Ghost will leave objects scattered around knowing that you would find them, knowing that they were things that you liked or had been looking for (because the poor guy always has to pick up what you forget around the common room).
— Nothing seemed to work until a stray kitten snuck in and lit up your face, so the easy answer was any baby animal would brighten your day, it was free therapy.
— You once dyed the boys' clothes pink by accident, but at least you told them that now they could go see Barbie with you.
— You promised you'd take them to see Oppenheimer, and that's why they agreed.
— You created a group chat just to send shitpost and teach them the meme path.
— Price just leaves it on seen, Ghost has the group muted, Gaz answers from time to time and Soap is the most active, he learns fast about today's shitpost.
— You really resist the urge to trim Price's beard to make it heart-shaped.
— You use the radio to sing parts of songs when you take too long to jump into action, Price scolds you for it.
— You complain that he seems constantly in a bad mood and you open a profile for him on every dating app you know, even on Grindr.
— You found Ghost's profile browsing Tinder and Soap's profile on Grindr... you decided to use it as a weapon in case you needed any favors.
— Gaz caught you red-handed, but you made a deal and he wouldn't say anything if he can profit from the manipulation.
— You hide it like you're hiding war crimes.
— Why does Price have so many likes from single moms?
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sigma-alpha-writer-chad · 3 months ago
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Grow Up, Would You? [Josh Washington]
“I don’t know if you’ve changed any since middle school but I really hope you’ve learned the difference between pranking somebody and just being a fucking bully.”
You can also find this story on Ao3!
Chapter Four / Chapter Five / Chapter Six
[CHAPTER FIVE]
"Chris, you are... not good at this," Josh says, holding a 4 of diamonds in his hand. "This is, like, the third time you've gotten my card wrong."
"I'd be better if I wasn't drunk off my ass," Chris defends, smacking the deck of cards on the counter. I say nothing, too busy trying to calm my laughter and holding on to Matt for balance. Laughing, himself, he holds my forearms to keep me steady.
Although they'd left us for a while, Matt and Mike eventually migrated back into the kitchen at the sound of the laughter. I was shocked that Emily wasn't wrapped around Mike like she usually was, but no one would ever hear me complain or even acknowledge her absence.
"I don't think we've ever actually spent much time together," Matt says, straightening up as he wiped a tear from his eye. "You're cool. I'm sorry for maybe seeing kind of, standoffish, earlier...?" He rubs the back of his neck in embarrassment.
"Oh, no," I giggle. "It's awkward meeting new people, I get it. Thank you, though." I knew Matt was more meek than the others, but I didn't realize he was a sweetheart. Mike pats me on the back.
"She's maaad cool," he confirms. By the way his words merge together I can tell he's drunk. "I've never gotten to talk to her thoughhh, Emily think she wants me or whatever."
"Emily thinks everyone wants you," Josh snorts. Mike gasps, placing his hands over his torso dramatically.
"Don't they?" I cringe. Josh taps the counter loudly, drawing our attention to the lineup of shots.
"What are the, uh," Chris starts, looking into his shot as he tries to find the words he needs. "The girls! Sam, Jess, and Emily, the twins, what're they doing?" he asks.
"Some skin routine, or something. Jess brought an entire kit," Mike sighs. "I'm pretty bummed out that she said girls only, that stuff is fire." We all clink our glasses together and take the shots, Matt shaking his head violently after he swallowed.
"Goddamn, shit is nasty," he hissed, scrunching up his face. Everyone else can't help but laugh, though I can feel my face starting to burn. It could be nothing or anything, but in the past I've learned that sometimes it means I just need some air.
"I'm gonna go get some air," I say, hiking my thumb behind me towards the back balcony.
"Gonna hurl?" Josh asks, that stupid grin on his stupid face.
"No, just need some air." I walk out the door and outside. Shit. I forgot my coat. I decide against going inside - it would be embarrassing if they realized. The night was going so well, I didn't want them to watch me take the walk of shame to grab my winter garments.
I clear off a part of the railing and lean against it, shivering and holding myself. The icy air did it's job quickly in cooling my skin and opening my lungs. Despite my shivering, I took slow, deep breaths until I hear the door opening and closing behind me.
"Hey," I greet, not turning around.
"Cold?" I chew on my cheek as Josh leans next to me, holding one of his thick coats in his hands.
"Freezing," I admit, laughing. Josh says nothing, instead gently placing his coat over my shoulders. Holy fuck it was warm. Despite my reservations I quickly put it on and zip it closed, letting out a heavy sigh of relief. "Oh, wow, thank you. It's so warm." Josh laughs loudly and leans again on the railing next to me, our shoulders a hair apart.
"I have it hanging next to the fireplace," he explains. I look up at him through my lashes, and he looks down at me. "So, always nice and toasty... like a Hot Pocket." I look back out across the snowy forest in a failed attempt to hide the smile from my face. I don't know why I thought it was funny - because it wasn't.
I've always hated that Josh was able to make me smile, even when he was at his worst bullying me. If he was making jokes nearby, I was the one nearly bursting a blood vessel trying not to laugh. I know he sees me, though, because he had a twinkle in his eye and a gentle grin of his own.
"Are you feeling okay?" he asks me, tilting his head in an attempt to be on my level.
"Yeah, I'm fine," I reply, surprised he was asking. "I just need a break sometimes." I pause. "Thanks for checking."
"Alright, girl, well," he starts, leaning against me for a second. He's so warm I almost ask him to stay there. I knew at that thought that I should start drinking less vodka and more water. "I'll give you your... your alone time."
"Thank you, Josh." I say. He pauses, and suddenly there's much more hesitance to leave. I wonder why. Is it that I said his name? "Are you okay?" he takes a deep inhale.
"Yeah," he starts, though I'm immediately not convinced. "I just need a little space, sometimes, too." There's another pause. He's still leaning against me, our shoulders pressed together. For a millisecond I can feel my head move to lean on his shoulder and I freeze. Josh opens his mouth again, hesitating to speak. "I don't know how I'm feeling about Mike, lately."
"Mike?" I repeat. He nods, taking another deep breath.
"Hannah's got a thing for him," Josh states. He's looking across the forest with his eyebrows furrowed. "And he keeps playing with her feelings, I think."
"You think?" He nods again.
"He hasn't - he won't reject her. He knows how she feels about him and he just let's her. I think he digs the attention or something, but it's pissing me off. I tried to tell Hannah he wasn't into her, but -" he cuts himself off and shakes his head. I can tell he's getting angry at just the thought of the subject. "But she just won't listen. How can a girl so smart not see what he's doing?"
"I don't know," I murmur. I wasn't sure what to say, or how to comfort him. "She asked me about him, earlier." Josh looks at me as he waits for me to continue. "Asked what I thought about him. I just said he wasn't my type, he's got a girlfriend, whatever."
"Oh, well, what is your type?" He smirks. I roll my eyes and lean hard against him as he laughs at me.
"I think she knows Mike doesn't feel the same," I say. "She just doesn't care."
"The land of delusion," Josh huffs before looking at me. "Wanting somebody you can't have, well... I guess that sort of runs in the family." I side eye him and my heart rate picks up.
"Sam?" I gulp. Josh bursts out in laughter.
"Oh, Jordan," he starts, rubbing his eyes. "You kill me."
"I'm funny, I know," I grin. We make eye contact again and the pressure of his shoulder against mine increases as he leans further into me before, finally, pulling away. The absence of his warmth is immediate and I frown.
"I'm just worried about Hannah, is all," he clarifies, suddenly. "I'll see you back inside."
"See you." I smile, softly, and listen as the door opens. Instead of closing, though, I hear gentle conversation and a 'she wants some alone time right now, man.' I turn around to see Mike trying to go to the balcony with me, Joshua blocking his way. They continue to bicker, but I can't hear anything else until Mike notices me watching.
"Hey, Jordan, just thought we could get to know each other better without Emily bitching you out!" He calls. I frown and look at Josh, who is staring at the back of Mike's head so intensely I half expected to see smoke start rising from his dark hair.
"You talk about your girlfriend weird," I blurt out. I look around me as if Emily would descend upon us at any moment and exact her wrath. "Don't you like her or something?" Mike laughs and shakes his head, finally pushing past Josh, who stumbles a few feet back.
"Of course I do," he says, placing both hands on my shoulders. I tense up immediately and make an attempt to gently shrug him off, but he just tightens his grip slightly. "But sometimes she tries to keep me from making new friends, or trying to strengthen already existing relationships. You understand, right? Jealous girlfriend things."
"I'm about to go inside," I gulp. I want his hands off of me now. I don't hate Mike, but the discomfort was incredible. "Just go on in and wait for me."
"Oh, come on, let's -"
"She said she's going inside." Josh butts in. I furrow my eyebrows and Mike finally lets me go. My feelings are complicated, both appreciation and annoyance swirling in my chest. Appreciation for the defense, and annoyance for not letting me handle it myself.
The appreciation wins over.
I pull the coat up over my cold nose and look between Josh and Mike. It's now, as Mike holds his hands up in defeat and he and Josh bicker, that I realize Josh's coat smelled so good. Did he smell this good? My drunken mind considers getting really close to Josh to find out.
It smells like pine, firewood, and cologne. I was almost sure though that the pine and firewood was from the cologne itself. I close my eyes. The scent was comforting and made me feel warmer.
My serenity is interrupted by Mike slamming the lodge door behind him as he finally relented and went inside. I jump, startled, and slip, falling flat on my back. There was enough snow that it didn't hurt, but I wasn't happy. I can hear Josh laughing.
"I'm going to try to help you up," he says through giggles. I start to sit up, slowly, and he offers is hand. I take it, and smile mischievously. "What're you-" I pull him down into the snow with me, doing my best evil laugh as I stand up. Josh rolls around, trying to get a grip on his surroundings, and he grabs my leg and pulls me back down on top of him.
I land on his chest and he lets out a huff, the air from his lungs being knocked out of him. As I try to get up, he wraps his arms around me and doesn't let go.
"Hey, hey! Release me, wench!" I yell. I try to sound serious, but I'm giggling and beaming.
"No can do, lady. Feel the wrath of Mr. Winter!" He rolls over so that I'm sunken into the pile of snow that had accumulated at the edge of the balcony. It reaches just over my ears.
And he's on top of me, his hands now on my hips and holding me down, his knee resting between mine. I'm shaking, but not from the cold anymore.
"Comfy?" He asks, moving his hands from me to hold himself up.
"Five stars," I sigh, rolling my eyes. I wish I wasn't smiling. I wish my heart wasn't pounding. "Can I get up now?"
"I don't know, all this alcohol and being wasted shit has made me tired," he yawns. His breath smells like booze and breath mints he'd been popping all night. He moves slowly, as if giving me an opportunity to stop him, and lays fully on top of me. "I'm going to sleep." Instead of shoving him off and screaming, like a part of me tells me to, I let him. His breath is warm on my neck as he fake-snores loudly. I shudder.
"Okay pal, get off me before somebody comes out here and sees this."
"Embarrassed?" Josh laughs breathily, his warm breath continuing to send chills through my body.
"Nervous."
"I make you nervous?" He sits himself back up again, that dumb smile back on his face. I try to think about the terrible things he'd done to me in our elementary and middle school times, but I can't seem to be upset at him no matter how much I try. I'm feeling something different for him. Not disdain or annoyance or the usual hatred.
It's something different.
"Yes." I relent. "And you do smell good."
"What?" I laugh out loud in embarrassment and disbelief at myself.
"I've had too much to drink," I sigh. I smile at Josh, and he smiles back, but he appears nervous and his eyes can't reach mine. He chews his lip as he starts to get up. I almost frown as he does, the warmth and weight of his body was comforting. He reached out his hand, again, and this time I take it.
"Let's go back inside," he mumbles, brushing the snow off of me. I smile as he does. "Okay?
"Okay."
----------
I sit at the counter of the bar, resting my chin on the palm of my right hand. On the other side stood Josh. He has a cocktail shaker in his hands, shaking it like a professional bartender would.
"Another water for the fair young lady?" He asks, taking my glass and filling it with the clear liquid, adding as much dramatic flair as he could.
"Oh, yes, m'dear, thank you," I hum. Chris and everyone else had headed to bed long ago, leaving Josh and I alone in the kitchen, the both of us deciding to be mostly sober before even going to bed. Josh slides the water to me and winks. I laugh, then snap my mouth shut.
"What is it?" He asks, tilting his head and leaning over the counter.
"I..." I start to laugh, moving my arm to hide my face. "I sound so, so drunk." Josh laughs at me before pushing the glass of water to me again.
"Drink up, madam," he says. I grab the glass, slowly sliding it towards me as Josh and I lock eyes. I raise an eyebrow and bring the water to my lips, downing it quickly like a massive shot.
"I'd like another, please. And make that a double."
"As you wish," he laughs. He gives me water in a much bigger glass, not bothering with the theatrics this time as he gets himself a drink as well. Instead of walking around the bar to sit, he stays opposite of me and leaning over the counter. I take a sip from the cup. I can feel myself growing more sober as time passes, but not by much. "How're you feeling?" I tilt my head in thought. I wondered for just a moment if I should be honest with him.
"I'm feeling good," I admit, smiling to myself. I can feel him watching me. "I'm..." I swallow, a bit nervous. "I'm glad I came. Thank you for tolerating me." My eyes move to his. The kitchen was completely dark save for a single light above the stove. For a moment I think he almost looks handsome in this lighting.
I must be wasted.
"I should say the same," Josh sighs, looking away from me. He's staring at the counter now. "I know I'm not... Your favorite." He starts, inhaling deeply. "But you've been showing up, anyways, for Chris and... And my sisters. I love Chris, and I love my sisters, more than anything, y'know? So... If they call you friend, you..." His eyes meet mine for not even a second, seemingly too nervous to meet my eyes. "You let me know if you need anything and I'll try to help you out, alright?" My eyes are watering. Why are my eyes watering? Why is he saying this to me.
"...okay," I croak. I can barely get the words out of my throat. "Thank you." I gulp down the rest of my water in an attempt to snuff out the fire burning in my chest. The air becomes heavy and thick with awkward tension. I wonder if he can hear my heart pounding.
"Do you want to put on a movie?" Josh asks, snapping me out of my fog.
"Uhm, sure. What are you thinking?"
"I've got Scream," he grins. "Do you like scary movies?" I roll my eyes, but I can't hide the smile growing on my face. "Ahh, there it is," Josh says gently, his voice low. My face feels like its set on fire.
"Is the couch fine?!" I gasp, standing up quickly and stumbling backwards. Josh laughs and asks if I'm okay, but I ignore him and scurry to the couch. Above the fireplace was a massive television. Josh turns it on and flips through channels to his own recording of Scream. I can't help but laugh.
"You recorded Scream?"
"Hey, man, don't be a hater," Josh sighs. As the movie starts he takes his seat. I'm at one end of the couch, and he's at the other. As we watch the movie, I take suspicious glances every now and then at Josh. Sometimes, I look at him and he's fully turned to look at me.
"Is there something on my face?" I ask when I catch him again. He shakes his head.
"No, I just want to see your reactions to the movie," he admitted. He's sounding less sober and more tired. As I look back towards the TV I can feel the sofa move as he moves towards me.
"I've seen this before," I whisper.
"Say what?" Josh scoots closer again so he can hear me. When I look at him again the movie starts to disappear. I don't know what I'm thinking.
I scoot closer to him.
"I said I've seen this movie before," I repeat, slightly louder. Josh is staring at me now without hesitation. I can tell he's tired, yet he has no issue with keeping his eyes on me. He looks like a puppy dog, pleading for any sort of attention.
"Oh, have you?" He says. This time, he's whispering, yet he's close enough that I can hear him just fine. I only realize, now, that our knees our touching, exactly as they did at the pizza bar. My heart rate picks up as Josh scans every detail of my face.
"Mhm," I hum. I look at his lips. They look soft. My hand twitches as I resist the urge to reach up and brush my thumb across his lip. How much have I had to drink?
"Jordan..." He starts, leaning in.
"Josh?" I gulp, looking back into his eyes.
Green eyes.
His hand slowly moves itself to my forearm.
"I am..." He laughs softly. "I think I have to be wasted." His hand slowly moves up my arm and to my shoulder but he doesn't stop. He brushes his thumb across my collarbone before he gently settles his hand gently at the side of my neck.
"Me, too," I whisper. Josh parts his lips and slowly moves closer to me, his thumb brushing my jawline. Is he going to kiss me? Holy shit. Is Joshua Washington going to kiss me? My heart pounds and I worry for a moment that I'm about to die. My chest is going to burst open at any second now.
"So we should stop," I say breathlessly, my hands quickly moving to his chest. It was surprisingly solid. My heart is twisted harshly, my chest so tight it felt as if my ribs would shatter at any moment. I half expect him to call me ugly, to scoff and roll his eyes, tell me it was just a joke.
But he doesn't.
Instead, he closes his eyes and rests his forehead against my own.
"I'm sorry, Jordan, I don't know what came over me," he spoke softly, just above a whisper. His hand doesn't leave it's place on my skin, and for some unspeakable reason I don't mind it. "Can I just... I'm... I don't know. Things feel fine with you," he admits, whispering as if I'll break if he speaks too loud. "Can we just stay like this for a while?" I nod, closing my own eyes as he rests his head on my shoulder. My hands move to his head as if on instinct, one hand brushing his hair softly and the other tracing circles on his back. He slowly wraps his arms around me in a loose hug, his weight pushing me backwards as he fell deeper into sleep.
Instead of laying back, myself, I slowly guided his head to my lap, where I continued to run my fingers through his hair.
"Chris would go insane if he saw this," I chuckle, a small smile on my face.
"You drive me insane," Josh mumbles something I can barely catch.
"Says you, Mr. Locker-Rats," I scoff. He smiles at the nickname.
"That's such a stupid name," he laughs. He takes a deep breath and his smile falters. Thank you, Jordan," he sighs, turning over into his side. "I really needed this."
"Hm?"
"I need this..." Josh says as he drifts off to sleep.
I'm sober now.
I know I'll remember this. I'll remember this for the rest of my life. The fragile body of my worst enemy left open and vulnerable to me like no one else had ever been, his head in my lap, with what felt like his soul held in my very hands. I felt as if one wrong move would break him.
Would he remember? Will he still be so kind, so gentle when everyone else can see him be kind to me?
I didn't think so. I sucked my bottom lip between my teeth. Despite my reservations I continue to slowly pet his thick, soft hair. It's now, as I look down at him sleeping, that I start to realize that maybe I don't hate him anymore.
Maybe we could be some sort of friends.
I smile to myself and sigh, leaning back against the couch. I swear right then that I wouldn't fall asleep. Once the movie was over, I would go to my own room to spare Josh and I the embarrassment of being found in such a comfortable position with each other.
"You've changed," I murmur. "I think I like it." He says nothing. As the movie goes on, I watch his body rise and fall with his steady breathing. He'd been good to me today.
As the credits roll, I gently slide out from under him and replace my lap with a pillow under Josh's head. He doesn't move, and I lay a nearby throw blanket over him. I contemplate removing his boots, but decide against it to avoid waking him up. As I crouch down to his level, I take a moment to examine his face.
I hate to admit it, I do, but he looked serene. I thought to myself that maybe it was time to admit that he was physically appealing. I felt a safety and comfort around Josh, now, that I'd never felt before. Why? Is he really that different? Does he really care about me?
Or are we both drunk?
I chew on my lip as I stare at him. I don't know what's happening to me, I don't know what's come over me, but I run my fingers through his hair one more time as I place a gentle kiss on the tip of his nose. He shifts, and for a split second I think I see him trying to hold back a smile. I squint, but he doesn't move again. I sigh.
"Goodnight, Joshua."
--------------
Hey y'all! Thank you so much for your patience. This chapter did not want to work with me and kept not saving progress made and I kept having to re write it. I believe this chapter is a bit longer than normal, so I hope that makes up for it! The next one will be longer, too. I love talking to everybody, so thank you all so much for the kind comments, they make me so happy. Much love!!
Also: Accidentally posted this early, so some may be seeing this a second time. If that's you, this is the FINISHED chapter! Thank you.
❤️❤️❤️
Taglist: @sc4rrc @mattymxmo @cellyx33 @jenepleurepasbaby @kalynnjonas @spinback-kiva @frankcastlesvest @barnxsromanxff
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demonpiratehuntress · 2 months ago
Text
anxious
Portgas D. Ace x F!Reader
summary - you're very anxious and prone to panic attacks, and your boyfriend seems to forget that after a bad mission.
warnings - a little bit of angst, mean and kind of toxic Ace, hurt/comfort, panic attack triggers (or at least they are for my anxiety, idk about you guys but a warning anyway), implied but not confirmed cheating (Ace)
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You were just trying to be thoughtful.
You hadn't known his mission had gone so sour.
It was a harmless surprise, and you hadn't known that he felt so strongly about it.
"SURPRISE!"
His expression went from anger, to shock, and back to anger in the span of ten seconds as he realised what was happening. One look at the decorations and the cake confirmed it.
"(Name), what is this?" Ace's hard gaze turned on you.
You shrunk back a little ,not used to being on the receiving end of that look, "You never celebrate your birthday, so I wanted-"
"There's a reason I don't!" He raised his voice, making you flinch.
"I-I'm sorry-" You started, panic flooding your body. "I didn't-"
"Think? No, you didn't," he cut you off harshly. "If you were thinking, you would have asked me first!" Small flames flickered on several parts of his body as he stepped closer, glaring menacingly.
At the first sign of your body trembling, Marco stepped between the two of you, "Ace, stop."
You felt humiliated. The rest of the crew had seen everything, and your face burned with embarrassment. You shook slightly, the panic growing until you became unsteady and stumbled, catching yourself on the wall.
You turned and fled, hot tears streaming down your face.
You barely made it into the room before you couldn't take it anymore, your entire frame shaking so violently you couldn't keep your balance. You fell to your hands and knees, unable to breathe as you sobbed.
Someone came in behind you, and you made out a figure trying to help you up, but you couldn't tell who it was before you passed out.
-
You woke up in your bed, but with an empty spot beside you. You frowned deeply - Ace hadn't slept here with you last night. He was never that upset with you, he always craved your touch regardless.
You sat up slowly, rubbing the sleep from your eyes. You felt horrible, not just emotionally but physically too. Still, you got up to get ready.
Your first action was to find Marco, because if Ace hadn't come back last night then it must have been the doctor who put you in your bed. Which you were grateful for, but embarrassed about.
"(Name)! How are you feeling?" He offered you a warm smile when you eventually found him.
"Better," you admitted, "But..."
"I know. I'm sorry."
"It's not you who needs to apologise," you sighed. "But anyway, thank you for helping me last night. Have you seen Ace?" The moment you saw Marco's expression, your anxiety returned. "What?"
"(Name)..." He sighed. "I shouldn't tell you."
"Why?" But even as you asked, unease gnawed at you slowly and made you uncertain you wanted to know the answer.
Before Marco could answer, someone's shout from outside made you freeze up.
"Ace, there you are! Finally made it back from the bar? With all those pretty women that were surrounding you, we feared the worst!"
It was a harmless joke to the crewmate who'd spoken, but those words crushed whatever hope you were holding onto that you could talk to Ace about what happened.
Marco quickly went to close the door, "You can stay here if you'd prefer not to see him." He eyed your trembling hands, then added, "I think it would be best if I go talk to him."
All you could do was nod, before you had to force yourself to sit down. The anxiety you felt increased tenfold, making your head spin. The dizziness worsened, to the point that you felt as if you were going to faint again. You tried breathing in and out deeply, but that failed and the tears came before you could stop them.
How could one small issue, that could have been talked through rationally, cause this much hurt?
When you eventually ran out of tears and stopped shaking, you decided you'd had enough. Ignoring Marco's suggestion to stay there, you left his room and left the ship, going onto the island it was docked at.
Acting as if you didn't hear the confused calls and shouts of your concerned crewmates behind you.
A hand closed around your wrist before you could get too far, and without thinking you swivelled around and punched your assailant square in the nose.
Ace let go and stumbled back, a surprised and pained grunt leaving his lips as he covered his sore appendage, "I deserve that."
"What do you want?" You asked emotionlessly, arms crossed.
"To apologise," he looked up at you, guilt clear in his eyes. Hurt and panic joined it when he reached for you again but you flinched away from him. A first.
"For insulting me or for going to be with other girls on your birthday?" You snapped, crossing your arms.
His guilt worsened, "I...both."
"This is the worst apology I've ever heard."
"Look, I'm sorry," he pleaded, "I'm really, really sorry. You didn't make me upset, you never do. I was just...the mission went bad, and I barely got out of there and I was just so frustrated that I couldn't see or think straight. And I ended up hurting the person I love the most because of it." He stepped closer slowly, shoulders sagging in relief when you didn't move away. "I know it's not an excuse, and I feel so, so horrible for being the cause of a panic attack...But please let me make it up to you, I want to celebrate my birthday with you. You're the reason I want to celebrate it now. Please..."
The sincerity of his words and the pain in his eyes were enough to convince you that he was truly sorry. You sighed, finally letting your guard back down and taking his hand, giving it a reassuring squeeze.
"I forgive you, just...don't do it again. If you do I will throw you into the ocean."
His eyes lit up and he engulfed you in the tightest of hugs, "Deal!"
He sucked up to you hard the following few days, doing anything and everything you asked. He knew the crew took advantage of that and asked you to tell him to do certain things, but he never protested because he knew he had a lot to make up for.
He brought you breakfast in bed, forcing himself to wake up earlier than he would usually just to get you food for when you woke up. He made the bed and cleaned the room, organised your clothes and attended to you every need.
Because the thing about Ace is that he cares deeply, and loves even deeper. If he hurts someone he loves more than anything, he doesn't forgive himself easily and he grovels, hard. Even if you've already forgiven him.
But that's what you loved most about him, his passion for and commitment to the ones he loves.
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