#but unfortunately it didn't work out so well

[gwemmieee]

Yeah. I have a big bone to pick with women who go out of their way to gatekeep someone out of our club. Most of them are cis and straight, but trans fems who do this unfortunately exist. That instance looks like some disgusting hypocrisy to me, because most baby trans fems really emotionally lean on the willingness of this community to emphasize that you are your gender and you are valid no matter how many steps you've already taken and been successful with. That is a crucial, supportive message, and suppressing it in any way is tantamount to pulling up the ladder behind you. Which, yeah, every community has its assholes who pull up ladders.

It is also a tough line to walk sometimes for women, because most of us have learned that there are certain ways we can't entirely just open up to most masculine folks and let them into our entire lives and every space. Not without a lot of pain. So we are incentivized to wait until someone makes it clear that they're safe, before they're let into our inner lives more. This function has caused me SO much strife, because before I was accepted as a woman, it kept me outside in the cold, alone, really close to an early grave, but now that I am fully living as a woman, and even before I was doing that, my efforts to ignore this function entirely and just let any masculine person into my heart, my inner world, and my safest spaces, have not always gone well, and sometimes those efforts have backfired, made me unsafe, and deeply traumatized me.

These days, the only conclusion I've been able to find is that women need to work on what we recognize as red and green flags, for who is safe. It's pretty easy to see that the average set of red and green flags you see most non-queer white women adhere to are... crap. Truly crap. Delusional, not based in reality, etc. And that sucks because it isolates them more and it gives them more excuse to be really shitty to people, or to gossip about them in ways that really aren't fair to them.

Earlier in my transition, I still had it internalized that I had had so much trouble because I wasn't good enough, because I didn't do enough, and that's why women didn't let me in. But I was literally running around freely saying out loud that I was genderfluid, that I had no concept of manhood and little concept of gender, that I thought it would be cool if I was born as a woman, that I wanted other pronouns to be used on me, that I could be pretty gay/queer, acting pretty gay/queer, openly rejecting most masculine behaviors and modes of thought, constantly openly celebrating femininity, experimenting with gender presentation... I was a very queer little dude. And I've only been able to recognize that in retrospect. Because nobody let me in. Trans fems may have let me in, but they weren't around much in the late 00s and early 10s. I never met one. But I did meet and usually deeply connect with countless fellow eggs, before any of us knew. In situations like mine, trans fems generally didn't even get to find themselves until a bisexual cis woman took it upon herself to date them as a perceived man, and then recognize their queerness and allow them to explore gender with her acceptance and assistance. Because being allowed into womanhood was so rare and taboo that it had to happen behind closed doors as part of a romantic relationship. I was aro/ace, and I unconsciously looked to get the same experience out of a platonic friendship, but all I got was led on. Told I was a close friend but still treated like a stray animal compared to their feminine friends. Not let in.

Meanwhile, cis women, and fem-raised queer folks who at the time universally saw themselves as, yknow proudly not quite men at least, universally treated me like a burly cis man deserving of none of their support or curiosity and all of their suspicion and gossip about how "he's creepy." Consistently. Until I finally came out as a woman in 2022. And that's so 100% on them. They went out of their way to not see me for who I was and just keep me out in the cold. So yeah. The state of gatekeeping of womanhood is *bad*. And in my experience, most of it comes from people who had/have easy access to unquestioned claims of womanhood, whether that's because they're AFAB or because their transition into womanhood was really fast and made them really conventionally attractive.

But what about trans fems? Well, we aren't perfect with our red and green flags, either. It's hard to be. Personally, I've noticed there is a small contingent (VERY small) of trans fems my age who operate more like the old world transsexuals in that they really are truscum gatekeepers, often also ableist, and borderline psychopathic in the level of emotional labor they expect from you as a friend vs. what they're willing to put up with in return. And that is very unfortunate. My early transition saw a lot of them genuinely help me as incredible new friends, but then hurt me badly and burn bridges for no good reason. And I feel that there is a bit of a schism in the trans fem community between elders who usually just want to stealth out--who look down on baby transes and cringe and don't help us, or even if they do talk to us and help, there is still a very clear line denominating their actual friends and community that we never get to cross into--and the rest of us who openly embrace being queer and not assimilating all the way. But, frankly? Most trans fems I've met are the most welcoming and least gatekeeping folks on the planet. Most are that latter, queerer camp. And we operate exactly the way that we should: we let anyone safe into our inner world, even if that safe person happens to be a man. And some of us STILL see that backfire. And so even we can't be completely carefree. But we can always learn and grow and get better and better at what we actually identify as red and green flags.

wait where are all the trans guys

Historical-anthropological research, especially the work taking place before the 21st century or outside the West, tends to focus entirely on transfeminized groups. So when reading these works it’s pretty natural to ask — wait, where are all the trans guys? This is a reasonable question with a few clear answers; this post is something quick I can point people to.

The central condition of transfeminized groups' absorption into feminist activism has been to accept a kind of symmetry with select TME groups through the understanding of trans femininity as "gender variance." Under this framework, transfeminized groups' social position can be understood as a consequence of gender variance and some abstract violation of cis norms; this was proposed by people like Susan Stryker and Emi Koyama [1], among others, and continues to structure trans inclusion today. It also fails when considering several basic aspects of these groups:

Transfeminized groups are associated with hyperspecific labor practices, most frequently sex work, but also hair styling, drag, makeup artistry, acting, and other forms of 'gender work.'

Metropolitan transfeminized groups appear in the archive as highly clustered and active groups connected with, but usually intensely split from, the masculine men they fucked.

Transfeminized groups become a kind of 'third gender' on an epistemic level; they are Known to wider society before and after “coming out” in a way that USAmerican transmasculinity has only recently vaguely approached.

Transfeminized groups are heavily clustered in labor practice, social organization, and epistemic position, although this is not universal -- certain strains of USAmerican transfemininity have become a bit more labor-agnostic in the last two decades, not-so-coincidentally alongside more general currents of gender-labor liberation. The messy strains of trans male identity recovered from the archive and from current practice tend to lack labor, social, and epistemic coherence. As Aaron Devor notes in FTM, his 1997 history of FTM men, trans men in the 20th century tended to transition out of cities and into the countryside, finding low-profile places they could exist in. These practices, and the earlier "female husband" practices described by Jen Manion, relied on the labor-agnostic nature of transitioned manhood in order to disappear from public life. Transfeminized groups, on the other hand, are categorically restricted from the main form of economic life historically available to women -- marriage. Their labor practices are heavily constrained and have almost always revolved around some form of 'gender work:' as Susan Stryker put it, you need to get people to pay you for being a trans woman. Transmasculinity pushes away feminized restrictions on labor; trans femininity is labor.

Because transfeminized identities are so often labor-identities, and because their specific brand of 'gender work' and hormonal/silicone/surgical embodiment usually requires both specialized training and community support, nearly every metropolitan center in the world developed highly centralized transfeminized groups over the course of the 20th century [2]. As Ochoa notes, this visibility is partially due to epistemic visibility (everyone knows what a trans is), partially due to group structure (people work and train each other), and partially due to the selectively visible demands of finding clients. Fledglings come in with a way of being that is always already visible to society, but changing the body to match and learning how to fully enact and slowly contest the third-gender labor-identity they've been given takes a lot of community support.

So as labor-identities, transfeminized groups tend to a level of labor/community/epistemic coherence that has no clear counterpart. The news archives we have of trans men (as seen in Manion) position them as singular and easily absorbed back into the female gestalt; the cisgender feminist/gayguy/AIDS researchers that form the bulk of historical-anthropological work saw them as unnecessary to their grand theories of gender; the communities themselves have been materially fractured and, for the groups that rise out of lesbian-feminist activism, only partially committed to their own existence. The result of all this is that there is no clear equivalent to the "transfeminized groups" of Jules-Gill Peterson; there is no symmetry to trannydom, and while additional work to unearth trans manhood in the archive remains extremely valuable, sometimes the necessary level of label-coherence and social existence just isn't there.

[1] Stryker, "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage," Emi Koyama, "The Transfeminist Manifesto" [2] As seen in Namaste, Invisible Lives, Prieur, "Mema's House, Mexico City," Kulick, "Travesti," Newton, "Mother Camp," Ochoa, "Queen for a Day," Hegarty, "The Made-Up State," and plenty more. Most of these works came out in the late 80s and 90s due to a combination of the feminist "third gender" craze, the burgeoning field of masculinity studies, and AIDS.

[nightingale-prompts]

Do NOT Touch a God- DC x DP Prompt (Tim x Danny)

Correction: don't touch Danny.

A rule has been added to the house rules of Titans Tower. It started after the arrival of the summoning of the interdimensional teen that takes residence there.

Despite being only a teenager the power he held was at the level of a god. He causally reshaped reality around him to his liking. Rooms are made bigger on the inside but remain the same outside. Danny's hate for things getting too dirty made all clothes left on the floor for too long disappear into the laundry room and spilled drinks evaporate. The tower became self-cleaning as everything found its place on its own. Danny said it was just what he prefers, lab safety and all that. Sometimes Danny would turn off gravity, no reason be just likes it like that.

Unfortunately, he doesn't go on missions except for extreme situations where he is needed. He is content to spend his time in the med bay as the resident healer. He is also one of the few that can fix up Cyborg. Danny doesn't get involved unnecessarily. This has led to a few arguments in the past over how unhelpful he can be despite being able to help them. Danny shrugs it off and disappears when it happens. It was not fair on him, if he didn't want to fight he shouldn't have to. He was an asset and he offered his help freely.

So why does the No Touch rule exist? Well, Danny doesn't like touching people. He wears gloves for a reason especially when he is working in the bay fixing up everyone after a mission. He also avoids others touching him, shrinking away when someone tried.

Everyone respected that boundary but after a rough mission in particular Kon started an argument with him. The injuries were severe and he was just mad that M'gann was hurt. Danny was already overwhelmed with healing everyone and Kon seemed to strike a nerve. When Kon almost made contact with him Danny flickered out of existence and reappeared further away.

After several hours of fixing broken bones and open wounds Danny retreated.

Tim decided to check on him later. Kon was sorry for overreacting and blaming Danny for something he couldn't control but Danny probably didn't want to see him right now.

Danny looked worse for wear when he opened the door. He looked tired, weary from using his energy. He wrapped a blanket around himself.

They talked for a while. Mostly about nothing important, other times about how stressful things were right now.

Tim often found it hard to believe that Danny wasn't just a normal teen. Then again, what did he know about normal?

But he had wondered something.

He reached out and tried to hold Danny's hand but Danny moved away quickly noticing.

"You shouldn't do that." He said simply.

Had he been Dick he would repect the boundaries and if he was Jason he'd probably agree. But he was Tim and Tim was very bad at boundaries. That's kind of how he got here.

"Why not?" Tim asked.

"It might be too much," Danny said cautiously eyeing Tim who held his hands up.

"Try me."

Danny sighed and removed one of his gloves and touched his hand to Tim's shoulder.

All at once different sensations filled his senses. A comforting touch of a friend, a light fluttering of a passing stranger on the street, a strike of a hated rival, the steady hand of a family member, the playful tap of a classmate, the caress of a lover...all at once. Each feeling is defined but also blurred. It was almost like being pulled in thousands of directions as they tried to claim a part of Tim into their reality.

A single touch sent him into a trace. When Danny pulled away he expected to have broken Tim like how a child accidentally snaps their toys when playing. He knew his touch could overwhelm people almost to death. Clockwork said he'd be able to control it some day but Danny didn't even want to test it. Being able to fracture someone's mind was scary. Seeing it happen once was enough. So why did he try it on Tim? Did he not care what happened to him?

It's a bit selfish and embarrassing to admit but...not being able to touch another person was awful. He's not clingy but it feels like he has lacked sensation for a long time. Tim willingly asked for this and Danny wanted this as well.

Tim wasn't broken. Infact he had never felt more alive. When Danny removed his hand he found himself pulling it back to him. He couldn't explain it but it felt like...everything. Indescribable but amazing. It was contradictory but all of it made sense.

"Do it again!"

Things kind of escalated from there. It would probably be crass to even say it but let's just say that neither was lacking sensation. It was profound, not purely physical nor emotional, something else entirely. The religious sort would call it divine or a blessing, perhaps it was what heaven feels like. Others would call it sinful, partaking in things no human was meant to know or experience. The folly of humanity.

It was certainly addictive though. Whispered words echoed in every tongue. With every contact a new chorus created. The memories of long dead god flashed and worlds yet unawakened showed themselves. And just when it seemed like everything in the universe had collided and finally made sense...it was over.

There was a knock on the door.

Danny managed to roll the breathless, Tim off with a groan. He stretched feeling a bit locked up. He had been holding each other for a while now.

He opened the door and saw Kon standing there nervously.

"Look, Im sorr-"

"Danny?" Tim called out groggily interrupting whatever Kon was saying.

"I'm busy," Danny said quickly closing the door to go back to...you know.

(So were they having sex or just cuddling? I have no fucking idea and I wrote this. I feel like it's a secret third that is somehow worse.)

[arcanewhoosh]

Could you right a story where jinx’s S/O is scared of bombs or loud things in general and one of jinx bombs went off scaring S/O and jinx comforts them.

So I forgot that the inbox was a thing and found this two years after you asked for it. Sorry lmao.

I think I completely failed this cause I chose season 1 Jinx and hooboy Season 2 Jinx would've been a better choice.

Also this went over 2k words I realize I may be a yapper.

The Monsters We Allow

2k words (Jesus this wasn't supposed to be this long)

Proofread? Y/N

TW: Descriptions of injuries

You're no stranger to the hazards of working for the Eye of Zaun. Even the more hardened residents of the Undercity oftentimes couldn't stomach some of the work the job entailed, more so the people involved in those jobs.

So now here you were, helping build an explosive device of some sort. Fishbones Jinx had called it. You guess that you should add assistant weapons maker to the long list of jobs you've held working for Silco over the years. It wasn't always like this, though.

You started out as cleanup crew, showing up after fights. You didn't want to at first, but if you crossed Silco, you'd most definitely cross his daughter, Jinx. If you crossed his daughter, then it was almost a certainty that you would end up in pieces and puddles on the walls and floors. You'd rather be the one cleaning than be the one being cleaned up. So you put your head down and went along with it.

It was messy work, but it turns out even with all the fucked up things tolerated in the Undercity, rotting body parts weren't one of them. It wasn't pretty, and your first few days you had to include your vomit in the list of things you had to clean up. Eventually, though, you got over it, got better. Well enough that Silco would only trust you to do cleanups of whichever unfortunate soul was on the receiving end of Jinx's chompers. You could figure out which weapon was used to do what, what the direction of the splatter on the wall or floor meant. You could look at a scene once and replay how the entire fight went.

The job wasn't pretty, not at all, but it put money in your pockets, good money. It put food on your table and clothes on your back. Most importantly, it gave you security. A blanket of protection that ensured people would think twice to cross you. Silco only kept a select few on constant contract. Sure, you didn't run around beating the shit out of people during collections, or blowing them up. You didn't have a robot arm or guns-choice of weapon was bucket and shovel-- but hey, you were deeper in his inner circle than most people.

Eventually, he started bringing you along to meetings. After those meetings, he'd ask you, What's the quickest, and cleanest way we can get rid of this person?

It was jarring at first, being asked how to kill someone. But whatever reservations you had about becoming a murder consultant was heavily outweighed by your fear of being the one consulted about. So you'd answer diligently, if a little hesitantly. The first time you answered, he had looked pleasantly surprised. As if getting recommendations on assassination was pleasant. You remembered thinking.

It didn't take long for people of the Undercity to associate your presence in these tag-alongs with the sudden death of whoever you and Silco were visiting. Whispers about how you wouldn't even talk during the meetings, how you'd sit and simply look around. If you were addressed by the person you were meeting with, Silco would politely redirect their attention back to him. Sometimes, sometimes, that person wouldn't die. Silco once credited it to you, that people suddenly became more pliable once he brought you along. Another blanket of security. People started treating you differently, more respect, fear maybe. It was a little funny, how typically aggressive brutes would become the politest people towards someone who had just barely reached the age of eighteen.

One day, Silco had asked you to his office. You thought it would just be regular stop before another meeting, standard procedure by then, really. But that day he had another guest in his office. The blue braids were already a dead giveaway, but you still politely introduced yourself.  She laughed, and identified you as The one who ruins my fun because she had to follow your instructions when Silco needed her to get rid of people.

You knew back then that she was dangerous. Quite frankly, she scared the shit out of you. You didn't have a problem with seeing dead bodies and parts, sure. But she was younger than you, and already had no qualms about taking lives. She was the one leaving behind entrails that you had to clean up. And apparently, she was now to be occasionally under your watch. Silco thought you'd be a good fit for a companion. Around the same age, he had said.

You kept a respectful distance from her, but she unfortunately grew fond of you and decided to keep you around more often than not. Silco didn't see anything wrong with it, if anything it made the both of you more notorious. His Loose Cannon and his Harbinger of Death. A deadly combination in theory, but in practice, it was mostly you having to accompany Jinx for her less dangerous - there were still casualties - pranks, and bailing her out of sticky situations.

And now here you were, two years later, making a launcher with her- making was a generous word, more handing her stuff - and getting ready to probably blow more people up.

You feel your stomach begin to unsettle again. You were used to seeing dead bodies, parts of bodies, what was left of bodies. But never in the stretch of time that you had worked for Silco, had you ever had to see dying. You always showed up after. It had only been two days since the explosion at the bridge, but somehow Jinx was walking around as if nothing had even happened to her. As if she didn't blow herself up the last time you had seen her. If you were making an educated guess based off of her eyes, you'd say she was hurt and got pumped full of shimmer; or maybe she was just living off of pure mania at this point.

You've cared for her, but now you also care about her. It seems that no matter how much respectful distance you put between yourself and her, propinquity eventually came into play, and affection followed. And the only sense you had was to go along with it.

It took you a while to get used to being around her. She was temperamental, to say the least. But you eventually learned not to ask any questions about her family, not to bring up the dolls she kept at her place, and avoid asking any questions at all about her past. If she wanted to, she'd tell you. The only time she wasn't unpredictable was when she was tinkering away at her little station, blasting her music.

She was calm, placated, almost normal. If you had never met her before and had seen her then, you would have thought she was beautiful. Not that she isn't, it's just that her reputation tended to precede all her other perceivable qualities. More than all of this, she was vulnerable. Her back turned to you, not a care in the world if you wandered around touching things. You realize now that it was in those moments probably that your affection for the girl grew. All of a sudden, getting her out of unideal predicaments included treating her wounds; then nursing her back to health if she was sick; staying over when she had nightmares. And yet you were still cautious, careful not to trip on some invisible wire that would trigger her temper.

"Whoops-"

A bang, a clattering of tools, and you're back at the bridge. Back at looking at screaming people, crawling on the ground because their legs had been blown clean off, some with limbs partially attached, some falling off, someone trying to feel where half of their face had gone. All moving, breathing, alive.

"Easy there, jelly legs." You look up to meet Jinx's eyes. Once a soft powder blue, now striking orbs of red violet. She's holding onto you. At some point you had lost your balance and was now kneeling on the floor, one hand on the side of Jinx's desk for support. "You sick or somethin'?" She asks.

"Sorry," You breathe out. "I think… I think I'm still reeling from what happened at the bridge."

She lets out a laugh. Loud, boisterous, manic.

"The bridge? The little ol' light show? You didn't like it?" Her smile falls, and she cocks her head to the side. Fuck.

Now you're on thin ice. "No, no. It was nice." You quickly say, shaking your head. "It's just, I'm not- I'm not used to seeing the before part, you know?"

She guffaws. "Wait, wait, wait." She stands, walking over to her desk littered with metal scraps and remnants of her previous projects, picking up one of the butterfly robots she had made. "You're telling me-" She plucks off a wing, the remaining one flapping aimlessly. "You" Points it at you. "Who's in charge of cleaning up exploded bodies, and telling Silco - who tells me - how to kill someone without a mess," Plucks off the other wing and throws the body away. "Gets queasy over a few blue bellies kicking the bucket?"

You take a breath to steady yourself. "I don't know. I never- I never thought about that part. I've never had to see it."  You unconsciously start clenching and unclenching you hand not holding onto the desk. A nervous habit, one that you tried to shake off. A habit that Jinx had taken note of the first few months of her dragging you along with her escapades.

"I'm sorry." You say after a few beats of silence.

In one quick flash - too quick, inhumanly quick - Jinx is kneeling again in front of you, cupping your face in her hands.  "Hey now, it's alright." Her tone is soft, caring, tragically comforting to you. "We all got our little quirks. I sure do."

She frees up one of her hands to brush your hair back. "Come to think of it, I think that was the first time you had to see something like that, huh?"

It always astounds you how quickly she can disarm the guard you put up for her. You know she's dangerous, you know you should be cautious. But a few sweet words from her and you're putty in her hands, completely at her mercy. You wonder if it's normal to love and fear someone at the same time.

"We'll be okay." She presses her forehead against yours. "I've got you, like you've got me." You nod.

"You can handle helping me with one more thing, right?" There it is. "We just need to do this one teeny thing, and then we can chill out."

You put in active effort to keep your breathing steady. Your stomach still in knots. "What thing?"

She grins. "A dinner party. You're my co-host." She pulls you up with her as she stands, leading you over to where she was working, where Fishbones was seemingly complete. "Wanna see something cool?"

You nod, and she fishes out the HexTech gemstone she had stolen during Progress Day. She opens up a slot near the handle and inserts the gemstone, Fishbones immediately lighting up, a blue hue illuminating her dark room. You contemplate asking her about her new weapon, weighing out the pros and cons. But the fact that her hand was still holding yours, her thumb idly grazing your knuckles was enough to encourage you.

"What are you gonna do with this?"

She runs her free hand above the clear panel where the gemstone is. "We're gonna go make a point."

The rational part of your brain is telling you to stay behind, that whatever this was, being in the vicinity of a HexTech-powered weapon was not a good idea. But this was Jinx, and she had already decided that you were coming with her. Incurring her wrath now, also in the vicinity of the HexTech-powered weapon, was not a good idea either.

So you do what you do best, and go along with it.

[striveattemptfail]

maybe it's a little too early (to know if this is gonna work) | Logan Howlett/Wade Wilson, 5.2k, M

@poolverine-week: Day 6 – Sharing Clothes

Summary: Five times Wade steals wears Logan's clothes, and one time Logan wears Wade's suit. Rated for allusions to sex, but nothing explicit. Takes place some time after the movie’s events; assume Logan and Wade are back-up X-Men. Read on Ao3

A/N: Thank you to B @broosepayne for helping out with random details + thank you to @fuckselfloveihatemyself for suggesting "impersonation" for the final scene. Shout out to the Manga Hoes server for listening to me bitch about finishing this fic lol. Un-beta'd and I apologize /o\ Title from You Look Good In My Shirt by Keith Urban—just be grateful I didn't give this fic the exact same name lmaooo

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: Nothing / Wearing Wade’s Clothes ]

The first morning he wakes up in Wade’s timeline—his new universe—Logan has on nothing but a t-shirt with the sleeves ripped off and a pair of highlighter pink Hello Kitty boxers. He desperately needs something to wear aside from what are basically undergarments because he came into this world with nothing but his X-Men suit.

Or what’s left of it anyway.

Which is why, once he finally gets up from the pull-out bed, he sees Wade trying on the jacket that the TVA gave him after they destroyed the Time Ripper. Wade is in front of the only full-size mirror in the apartment, twisting his body every which way to inspect the jacket.

Then, he catches Logan’s reflection in the mirror.

“Morning, peanut!” he greets, turning around to face him with a smile. “I’m trying this on to see how it fits on me.”

“Uh, yeah. I see that,” Logan says with brows furrowed. “Why?”

“I was thinking about grabbing you some clothes but need a reference for your size.”

“Bub, that jacket is too big even for me.”

“...okay, yeah,” Wade eventually concedes, “but it’s the only thing you own that isn’t shredded to pieces from the Time Ripper.”

Unfortunately, the moron has a point. As it is, the boxers Wade loaned him are a bit tight on his waist, and the collar of the shirt is snug on his neck, but it’s not like Logan’s in any position to complain.

“I have to swing by Target to grab supplies for Dogpool anyway,” Wade continues before making kissy faces at the dog in question. “We need to get you some treats, huh, little missy? Yeah! And then we’ll get honey badger some clothes that actually fit him!”

And, well, it’s not like Logan is keen on stepping outside of this apartment in the brightest colour he’s ever worn in his over 200-year existence. It’s also not like he even has the funds to buy himself a hotdog from the street vendor around the corner, much less purchase anything for a new wardrobe. So if Wade wants to go out and buy some clothes for him, Logan isn’t going to stop him.

He grunts his assent as he makes his way to the kitchen, muttering a gruff Fine as he starts on a cup of coffee.

Later, when Wade leaves for Target, Logan grabs the now tossed aside TVA jacket.

If he happens to take a sniff of it once Wade’s out the door (inhaling the scent of cloyingly sweet body wash, hot sauce, and something Logan is fast recognizing as Wade), it’s simply because he wants to know whether it already stinks after yesterday’s events.

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: One Load of Staples ]

Luckily for Logan, Peter and Dopinder volunteered to help Wade clothes shop when he went to Target. Apparently, Wade wanted to buy all sorts of brightly coloured cutesy shit—like much of his own clothing, allegedly so the two of them could match—but Peter and Dopinder manage to rein him in and grab a few staples. T-shirts, jeans, sweatpants, boxers, socks, and a pair of shoes that’ll fall apart in about a month if Logan has to guess.

It’s enough for him to survive on until he can buy more clothes, and enough to produce a load of laundry once the day arrives. Luckily, the apartment has a washer-dryer combo in the unit, so he finishes the single, meagre load of clothes he owns in no time. He’s bringing them to the bedroom to put away when he finds Wade already inside, standing there in nothing but the smallest pair of tighty-whities Logan’s ever seen on a man.

“What the fuck,” is all he can say.

“Hey, honey badger!” Wade greets, normal as ever, as if he’s not exposing miles of skin and taut muscle that Logan would love to—

He messily dumps his clothes onto the bed, scowling at Wade.

“Why the fuck are you naked?” he demands.

“Oh, please, I’m hiding all the goods,” Wade brushes him off. He turns back to the heap of clothes on the hamper, presumably to find something that doesn’t smell like wet dog or weeks old nastiness.

Shit. The damn briefs aren’t even large enough to completely cover Wade’s ass, and Logan can see a hint of cheeks peeking through.

“Fuckin’ hell.” Logan rolls his eyes, hoping that his frown hides the conflict inside him.

With a smirk that can only spell trouble, Wade faces him again to thumb at the waistband of his underwear. “Would you rather I take them off?”

Logan snarls, averting his gaze to the small mound of clothes he has to put away. He angrily starts folding things, breath coming out in huffs that he hopes convey annoyance.

“Jeez, who pissed in your coffee this morning, kitty cat?” Wade complains, letting go of the waistband. “It’s not like I’m rubbing one out in front of you.”

“Shut the fuck up, bub,” Logan spits, throwing down another folded shirt.

The problem—like most things—is because of Wade.

It’s hard enough to share any amount of space with him, much less sleep in the same bed together every night, and Logan’s only a man. He might be too proud to admit it out loud (especially to a blabber mouth like Wade), but god fucking damnit somehow the fucker’s gotten under his skin. He makes Logan crave for more than innocently spooning in the early hours of the morning, want more than stolen glances when he thinks Wade isn’t looking.

It doesn’t help that Wade flirts with him constantly. People used to chastise Logan for how aggressively he pursued Jean back in the day. Now, he knows it’s nothing compared to the constant boner Wade has towards anything that speaks to him.

Logan needs to stop this train of thought—thinking about Wade’s boner is only going encourage his own.

“So, why are you naked?” he asks, probably angrier than acceptable for a conversation like this but, fuck, does Wade bring out the asshole in him.

“Technically, I’m not—”

“Fine, almost naked, you annoying prick.”

He looks up to find Wade with narrowed eyes, shooting him a dubious look that can only say, Are you serious?

“Obviooouslyyy,” he drawls out, rifling through the hamper again, “I thought I had more clothes left.”

Logan looks at the mountain Wade’s digging through. “Wait, you’re completely out of clean clothes? How the fuck did that happen?”

“I don’t know!” Wade throws his hands up in exasperation. “Ask the author!”

“I have no idea what that means,” he admits. “Anyway, why are you only in underwear?”

“What? You want me to steal some of Blind Al’s shit?” Wade pauses then, clearly mulling it over. “Actually, now that I think about it, her tracksuits would look great on me. They’d fit like baby clothes on a high schooler but it could be like a Y2K revival. Juicy Couture à la Wade. I’d smell like mothballs and old lady all day but it’d be worth it, I think!” He ends the rambling with a toothy grin.

Logan doesn’t dignify that with a response. He scrubs a hand over his face with a sigh.

“Just... put on some damn clothes, bub.”

“Fine.”

Wade—probably in an attempt to piss him the fuck off, as usual—stares at him with a piercing gaze, maintaining eye contact with Logan as he grabs a white t-shirt from the folded pile and slides it on.

Logan just glares at him, jaw clenching tight.

The worst part is that he’s not even mad that Wade’s grabbing shit that he just folded. For some fucking reason, there’s a small but very loud part of Logan deeply satisfied to see Wade in his clothes again. He hasn’t worn anything of Logan’s since trying on the TVA jacket that first day home, but seeing him in one of Logan’s tees is apparently doing something for him.

Wade spins in place, and Logan notices that the hem of the t-shirt barely covers Wade’s crotch, skims the peak of Wade’s pert ass. Once he faces Logan again, he pinches the sides of the shirt like he’s holding a skirt, dipping into a small curtsy.

“Is that better, oh, prudent majesty?” he taunts.

Logan finally snaps.

Before he’s even conscious of it, he’s striding over to where Wade is still staring at him, his expression turning confused though still playful.

“Woah, big boy, I didn’t think you’d be that pissed—”

Logan grabs his face and cuts him off with a kiss, Wade making a surprised noise against his mouth before finally kissing back. Even though Logan is leading, Wade still gives as good as gets, his tongue darting into the cavern of Logan’s mouth when he gasps for air. He’s not sure how long they suck face for, but when Logan finally pulls away, a satisfied noise rumbles through his chest at Wade’s stunned but amused face.

“Finally got you to shut up,” Logan teases, words coming out shallow and thin.

“Oh, it’ll take a lot more than that, old man,” Wade quips back, and another purr builds in Logan’s chest when he hears the gravel in Wade’s voice. Wade throws his arms over Logan’s shoulders and crashes their lips together again.

Neither of their laundry gets finished for a long while after that, both of them too caught up in seeking pleasure from each other. Most of Logan’s freshly laundered clothes lie wrinkled on the bed for hours until he remembers to put them away. Wade doesn’t even start on his own laundry until Logan tells him that Althea would definitely kick his ass if he wore her stuff.

But he continues wearing Logan’s shirt until his own clothes are finally clean, so Logan can’t complain at all.

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: Half Complete + A New Suit ]

They’re suiting up for an X-Men mission when Wade snatches the Wolverine cowl before Logan can put it on. He’s still in the middle of zipping up when he spots Wade grabbing it out of the corner of his eye, and he doesn’t even need to turn around to know that the dipshit’s already wearing it.

“Give it back,” he says absentmindedly, buckling in the last straps of his suit.

He turns around and shoots Wade a flat look, correct in his assumption that Wade put it on. Typical Wade, he’s wearing his Deadpool mask underneath the Wolverine cowl.

“How do I look?” Wade asks, voice lilting with anticipation.

He looks like someone threw up primary colours on his head and decided to call it a mask.

“You look like someone threw up primary colours on your head and decided to call it a mask.”

Wade gasps, clearly offended. “Rude!”

Logan rolls his eyes. “Just hand me my fuckin’ cowl, bub.”

“Mmmmm, no.”

He never makes shit easy. Logan can only sigh.

“Wade, we gotta leave for the mission brief,” Logan reminds him. They’re about to leave on time for once, and that never happens. “Gimme my goddamn cowl.”

Wade ignores him, as he often does, sauntering over to Logan with a sway in his hips, and Logan quirks a brow at him. He knows what that walk means, and suddenly heading to the X-Mansion for a mission is becoming the last thing on his mind.

Wade drapes his arms over Logan’s shoulders, and Logan automatically places his hands on Wade’s hips. Even beneath both masks, Logan can tell that Wade is waggling his non-existent eyebrows at him once they’re pressed close together. “Wanna inspect the wind resistance on these blowjob handles yourself, peanut?”

Logan snorts. “No, because I don’t wanna see my own mask sucking my dick.”

“Aww,” Wade whines, and Logan can hear the pout in his voice even if he can’t see it, “you’re no fun!”

“‘Sides,” Logan murmurs in his ear, low and sultry, as he pulls Wade closer, “I like seeing your face when we’re together, bub.”

He moves a hand from Wade’s waist to slightly lift his Deadpool mask at the collar. He then ducks his face into the curve where Wade’s neck meets shoulder, mouthing at the now exposed skin there. He smirks when he feels the catch in Wade’s throat.

“I thought we had to leave for the mission brief?” Wade mocks, but it comes out breathy and very pleased by the turn of events.

Logan hums mischievously, nipping at Wade’s neck. “Don’t give a shit anymore.”

“Cool cool cool,” Wade babbles, body pressing against Logan’s, all hot and eager. “I just—oh, fuck, honey badger—I was just thinking—”

“If yer thinking, then I ain’t doin’ this right,” he grumbles, words starting to slur together because there’s something else he’d much rather be doing with his mouth. The hand he still has on Wade’s waist travels to his crotch. Wade bucks his hips into Logan’s open palm with a husky groan, already half-hard.

“You’re doing everything so, so right,” Wade gasps, hips rutting into his grip. “It’s just—ngh—you better be the one taking off this suit, because I did not spend five whole minutes and half a thing of baby powder squeezing my ass into it just to—oh, shit!—strip it off again.”

With a final lick to his pulse point, Logan pulls away just enough to look at Wade. He smirks at the way Wade is panting, puffs of breath hitting his face in needy bursts despite the fabric covering Wade’s mouth.

“I gotta take off your clothes?” he confirms. Wade nods jerkily. “S’not a problem with me.”

And he drops to his knees, unbuckling Wade’s utility belt to do just that.

They do eventually get to the X-Mansion—just 30 minutes late, and they completely miss the briefing. Colossus looks at both of them in disappointment when he relays the abridged version of the mission objectives while they fly to their destination on the X-Jet. Frankly, Logan only half listens to the giant, completely unapologetic in his lack of focus. Being distracted is well worth it as he mulls over the events of the past hour.

Because Logan discovers that, while he might not get off on seeing his own cowl blowing him, he doesn’t mind when he’s on his knees looking up to see it thrown back in pleasure.

At least as long as Wade’s the one wearing it.

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: Signature Items Acquired ]

The next time they leave together, it’s to meet Vanessa and Dermot for bowling. Logan’s ready before Wade is, waiting in the living room because apparently how long it takes Wade to decide on an outfit completely depends on how he’s feeling.

Thankfully, today isn’t too awful. He’d only worn the Deadpool mask in the morning because he, quote, “felt like skewered chicken intestines,” and nearly cancelled on bowling altogether. But after an orgasm from Logan and cuddling from Mary Puppins, his mood had turned around.

All of which means that Wade is now in a mad dash pulling an outfit together. Logan knows better than to try and help him or force him to hurry up, so he’s left on the couch quietly grumbling to Mary about how he thinks Wade looks good in basically everything he wears.

He’s proven absolutely right when Wade finally steps out of the bedroom. Logan barely registers the full outfit because he’s completely focused on one item.

“How do I look?” Wade asks with a sly grin, walking over to the mirror to inspect himself. He twirls in front of his reflection while smoothing down the leather of the jacket he’s wearing.

Logan’s jacket.

He’s unable to put words together with the way his brain is currently short-circuiting. He grunts in response anyway, knowing that Wade will keep talking even if he doesn’t reply verbally.

He’s proven right yet again because Wade continues without missing a beat. “You think I should switch styles? Give yours back and get my own? Jackets aren’t really my thing though... Oh! What if I got a cape instead? It’d help for ‘no capes’ AUs to actually shed a cape, huh? Has there ever been a DP with a cape? I don’t remember seeing one when we fought the Corps.”

He hums a contemplative sound as Logan stands up from the couch, making his way over to Wade.

“Maybe I need to test trial this,” he continues to ramble, “maybe I can borrow Cable’s shawl-cape thing!”

Even Logan is surprised when he immediately interrupts Wade’s babbling with a stern: “No.”

Wade’s eyes snap to his, confused by the sudden harshness and increased volume in his tone. He makes a questioning noise and shoots Logan a displeased look.

Remembering that Wade will only ramp up how annoying he is if Logan bosses him around, he shakes his head and tries again. “I mean, just—you can, uh, keep mine.”

He clears his throat, eyes darting away to take in how the jacket fits on Wade. It’s a little loose on him, a little too broad because Logan’s chest is a bit wider than his, but it sits well on his frame nonetheless. After awkwardly patting Wade on the shoulder, Logan’s hand slides to Wade’s bicep, then down to cuff where Logan thumbs at the leather there. His fingers bump Wade’s hand and he feels electrified by the touch.

When their eyes meet again, Logan’s relieved to find Wade’s face as red as his own cheeks feel. He’s not entirely sure who leans in first but their lips meet halfway. The kiss isn’t demanding or dirty, neither of them trying to turn it into something that would lead to sex for once. It’s different from when they usually make out, just soft and lingering, and Wade gasps when Logan’s tongue gently licks at the seam of his lips.

At some point, they wrap their arms around each other, because when they finally part for air Wade’s cupping Logan’s jaw and his hands are on the small of Wade’s back.

He eventually grumbles out, “Keep it, it suits you.”

“Oh.”

It takes a moment for Wade to shake the dazed look off his face, but he recovers by flashing Logan a knowing grin. Logan rolls his eyes fondly.

Of course, the little shit did it on purpose. He should’ve known the moment Wade stepped out with that giant smile.

Afterwards, when they finally meet with Vanessa and Dermot at the bowling alley, Vanessa’s smirk and raised eyebrow are well worth it because Wade keeps the jacket on.

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: Full Closet ]

Logan’s been gone for almost a month because of an extended X-Men mission. Between stakeouts, recon, strategizing, and actually nabbing the bad guy, it’s the longest he’s been away since Wade and Althea’s apartment became his home.

He walks in and unceremoniously dumps his duffle bag and the rest of shit by his shoes, throwing his keys on the sidetable by the door. Despite it being well into the afternoon, the apartment is surprisingly quiet. He figures Althea is out for “bingo” (likely a coke exchange) but Wade and Mary Puppins’ lack of noise makes him suspicious.

Until he hears the snoring.

He pads over to the pull-out bed to find Wade and Mary napping together. Wade’s curled around her, snoring with his face buried in her very sparse amount of fur, and Mary’s tongue sticks out as she huffs out quiet, little snuffles of her own.

But what catches Logan’s attention is Wade wearing one of his flannels.

It’s one of the thickest he owns, made for colder weather and blistery autumn breezes, a dusty yellow and blue with snap buttons. It’s large on him—like everything else Logan owns whenever Wade wears his clothes—but this particular flannel is loose on Logan, so the fabric almost drowns Wade in a pattern of faded checks.

And like every time the moron steals his crap to wear, Logan’s stomach flips in a way he can no longer ignore.

He’s not sure if they’re exclusive or not. They fall into bed together as easily as they fight side-by-side on missions. But it’s impossible for Logan to tell if Wade is serious about half the flirtations streaming out of his mouth when the idiot’s easy affection gets directed at anyone that looks at him twice.

And as much as he’s loathe to admit it, Logan wants so much more than that. He wants Wade’s lingering looks to mean something other than platonic nothings. He wants the softer kisses they share to be more than a break from sex. He wants Wade to need him the way Logan needs him. Hell, he wants Wade to annoy him in ways that Wade would never bother anyone else, because at least then Logan would know that he means something different to the motherfucker, something more than a roommate he hooks up with.

He wants just Wade, all of him, full stop.

He gingerly sits on the mattress, trying not to jostle the two napping Deadpools too much with his weight, and he reaches over to gently stroke Wade’s cheek with a thumb. Feeling emboldened when Wade doesn’t stir, he leans down to press his lips onto Wade’s forehead.

“Well, g’morning to y’too, honey badger,” Wade slurs at him, voice thick with sleep.

Logan abruptly jerks away, eyes wide, and the movement is enough to jostle Mary Puppins from her slumber. She hops off to nap in her own bed after a grumpy growl, leaving Wade alone on the mattress. He attempts to swallow the sudden lump in his throat before clearing it with a cough.

“S’four in the afternoon,” Logan mumbles. Pinching his lips into a flat line, he awkwardly sits next to Wade rustling around in the sheets. His eyes catch the flannel falling open to reveal that Wade is also wearing one of his tank tops.

Logan takes a deep, stuttering breath.

Eyes still closed, Wade blindly flaps his hand around until finding purchase on Logan’s shirt. He tugs Logan back down, and Logan curls over to kiss him softly.

“Welcome home, peanut,” Wade breathes onto his lips. “Missed you.”

He touches his nose to Wade’s. “Missed ya too, bub.”

Wade’s face splits into a slow, easy grin, pulling Logan into laying down. Logan follows him without a thought, gathering Wade into his arms.

“You’re wearin’ my clothes again,” he whispers.

Wade hums, nuzzling into his chest. “S’cold, and it smells like you.”

A pleased purr escapes Logan before he has a chance to stop it, and Wade giggles at him, kissing his collarbone before falling right back to sleep.

They don’t talk about what they are after that, but it’s at that moment when Logan finally realizes that maybe, somehow, Wade feels the same way about him too.

❤️💛❤️💛❤️💛❤️💛❤️💛

[ Wardrobe Status: Wearing Wade’s Clothes (Again) ]

The TVA brings them in because they need help with some lady going after Deadpool variants. It would be a fruitless endeavour since Deadpools can’t die (well, except Nicepool) if it weren’t for the fact that the fucker apparently stole a weapon that disintegrates things to oblivion.

“Shouldn’t the law of physics stop that from happening?” Wade asks, gesturing at the screen when B-15 presents the mission to them. “‘Matter can’t be created or destroyed’ or something like that?”

“That’s energy, idiot,” Logan corrects him.

Wade just shrugs. “Hey, don’t blame me for failing physics twice!”

He turns to Wade with a confused grimace. “Who else would I blame then?”

“The teachers, duh!”

“Anyway,” B-15 interrupts, hitting a button to show another slide, “this variant’s got a fascination for destroying the indestructible, but she’s going after Deadpools because she has tritanopia, or blue-yellow colour blindness. She can see shades of red the easiest, hence, sticking with Deadpools as her target.”

“That’s so stupid,” Wade says and Logan can only agree. “There are, like, dozens immortal superheroes in red and she chooses li’l ole me? Seems like the writer copping out of coming up with a better plot, I-M-O.”

“We also believe Mary was double-crossed by the Deadpool in her timeline, giving further motive to go after his variants.”

“Hmph! Now isn’t that just convenient?” He crosses his arms. “Wait, ‘Mary’?”

“Yes.” B-15 shows another slide, this one a close-up of the woman—Mary’s—face. “She’s a Typhoid Mary variant. Have either of you encountered her before?”

“Not in my world,” Logan answers.

“I admittedly did not keep up with Netflix’s Daredevil long enough to meet Bloody Mary, no,” Wade says.

B-15 presents them with further details: Typhoid Mary’s known abilities and weaknesses; how she has dissociative identity disorder on top of her colour blindness; how she managed to acquire the worst weapon available from the arms dealers she was supposed to take down; how her alter apparently took over and decided to go after invincible mutants until she finally got even with her world’s Deadpool. The TVA did try to intervene, but she ended up killing every agent that went after her before stealing one of their TemPads and consequently going on her multiversal manhunt. B-15 makes it absolutely clear how imperative it is that they do not kill Mary or destroy the weapon so the TVA can keep them both under tabs.

Then, she reveals the TVA’s plan to capture her: They want Logan to pose as a Deadpool variant in the timeline they believe she’s going to strike next. Typhoid Mary’s current M.O. doesn’t account for superstrength so he should be able to break out of anything she traps him in. Meanwhile, Wade will be in the shadows, using a tranquillizer gun to incapacitate her once she’s busy with Logan.

Logan groans internally while Wade claps his hands in delight.

“Ooh!” he practically squeals, patting Logan on the shoulder with unrestrained excitement. “Finally, it’s my turn on the other side of this trope!”

B-15 shakes her head and sends them on their way.

The suit the TVA provides him fits perfectly, and he notes Wade’s heated, lingering gaze on him once he steps out of the dressing room. Luckily, another agent gets them through a portal before Wade starts on a tirade that would no doubt be filled with inappropriate innuendoes about Logan.

The mission is executed almost laughably easy. Typhoid Mary’s telekinetic and telepathic abilities are so low-level Logan’s shocked that the others she went after were able to be taken down so quickly.

(“Plot armour, peanut,” Wade said when Logan had asked B-15 about this. “She needed to last long enough to meet us!” As usual, Logan had chosen to ignore him.)

Like the TVA discovered, she lures Deadpools by spreading rumours he can’t ignore, adding a honeypot stash filled with weapons he loves. Geared up in Wade’s suit, Logan “falls” for her trap: entering an abandoned warehouse meant to shelter an upcoming gang targeting Deadpool, but secretly only houses her. Once Logan finds the crate of weapons meant to entice Wade, Typhoid Mary wastes no time in capturing him. She points a giant ray-gun of sorts at his face after wrapping him in the warehouse’s chains with her telekinesis.

He feels the faintest compulsion to stay still, which is probably her telepathy trying to subdue him. But she’s nowhere near the level of other telepaths Logan’s encountered, like Jean or Cassandra Nova, and the compulsion is easy to ignore. The chains are slightly harder to deal with in comparison, but he’s certain he can get out of them without too much trouble. Out of the corner of his eye, he catches Wade moving into place.

During Logan’s silent assessment of the situation, Typhoid Mary apparently began monologuing. He doesn’t let her get a chance to finish though, breaking out of the bonds around his torso with sheer force and grunting at the exertion. He slices the chains around his ankles with his claws, the metal cutting like butter against the adamantium.

“What?!” she screams. “A Wolverine-Deadpool variant? How?!”

Logan doesn’t even open his mouth for a reply because Wade shoots a tranq dart in her neck. She falls to the ground like a puppet with its strings cut.

“Wooh! No scope oneshot K/O, baby!” he hollers, skipping over to pick up the weapon Typhoid Mary dropped. “God, I’d love to take this home with us,” he bemoans as he assesses it, “I can finally stick it to Cable and show off my own badass, futuristic gun!”

“That won’t be necessary,” B-15 announces, suddenly next to them. A group of armed TVA agents begin to file in from the portal behind her, a few of them attempting to grab the weapon from Wade while others lift Typhoid Mary away for custody.

The aftermath of the mission would be just as easy if isn’t for Wade bitching about giving up the gun. After B-15 debriefs them, she and Logan spend entirely too long demanding that Wade hand it to her.

“I’ll give it back if we can keep this suit for pookie here,” Wade eventually offers, pointing at Logan.

“What?” Logan asks. The suit’s not bad but he has no reason to wear it again once he takes it off. “Why—?”

“Deal,” B-15 immediately agrees.

Wade begrudgingly relinquishes the gun, giving it a flying kiss goodbye before taking Logan’s hand. B-15 opens a portal to their apartment and guides them through. “Thanks for the help, gentlemen!” she says, waving a hand at them. They both wave back, and the portal closes.

Logan looks down at the Deadpool suit he’s still wearing. “Why the hell did you want—mmph!”

His lips are suddenly bombarded with hot kisses, and he growls when Wade opens his mouth his tongue. He didn’t even notice that Wade took off his mask.

“God, you look so fucking good in my colours,” Wade moans, hands roaming all over Logan’s body. “Is this how you feel whenever I wear your things?” Logan makes a noise of assent, too busy mouthing at Wade’s jaw to give a proper answer. “Fuck, that’s hot.”

Logan starts moving them towards the bed—Christ, he hopes Althea is gone because there’s no way he’s stopping what Wade’s started. His cock is already taking interest, and only gets harder when Logan bumps his hips into Wade’s. They tumble onto the pull-out in a feverish heat with Logan straddling Wade’s thighs.

He’s licking at Wade’s pulse when the dumbass gasps, “Oh my god, I’m gonna fuck a variant of myself.”

Used to Wade’s non-stop yammering even during sex, Logan mindlessly replies, “‘S still me, bub, I ain’t a variant of you.” Foolishly, he adds, “Besides, that’d be weird.”

“What? Why?”

With Wade groping his ass, Logan actually has to pause getting his hands under Wade’s suit to think about an answer.

He finally lands on: “It’d be like fucking your own clone.”

Wade actually stops everything he’s doing—hands no longer kneading his cheeks, mouth pulling away from him. Logan groans, knowing his brought this on himself, and dips his forehead to rest on Wade’s shoulder.

“What? You wouldn’t?”

“No, because that’s weird.”

“I’d fuck my clone.”

“Course you would.”

“T-B-H, I’m so pro-clone fucking I’d just have an orgy with all of them. Who’d be better to fuck me than me, right?”

This, by far, is one of—if not the—stupidest conversation Logan’s ever had with a person. Somehow, his dick doesn’t flag, and he’s still irrevocably fond of Wade’s random chatter. He kisses Wade before he can start on another tangent, cupping his perfect idiot’s face softly.

“Shut the fuck up,” he says, but knowing the smile he’s got on, Wade isn’t going to listen to him.

Wade’s answering smirk is a challenge. “Make me, peanut.”

——————————————

(More notes on Ao3.)

[higuchisora]

They said the scripts were "locked in" for season 2 by the release of season 1 and it was just the animation they were working on, but I don't think that necessarily means they didn't make a SINGLE change. I think it might mean they had the general broad strokes of it, though, so even though I can totally see this happening, I don't know how much of it really was just them not thinking shit through ahead of time.

Like I wouldn't be surprised if they really only had the skeleton of a script "locked in" and the rest of it had significant changes, but I think that would make sense - Ambessa feels like she wasn't even supposed to BE in half the scenes she was in because she contributed literally nothing to them. I could imagine a situation in which Ambessa was initially supposed to have a much smaller role, maybe only becoming important towards the VERY end, like final episode or something where it reveals some type of scheme she had/sets up possible future stories etc., and that Caitlyn being "mentored" could've come from someone else. A lot of the lines weren't necessarily relevant to location, so the dialogue could've been tweaked and initially come from another character - maybe one of those "conversations with a ghost" with her mother or something, like an argument with the different sides of herself or whatever.

Either way, there are plenty of moments like this that feel like they were out of place or redistributed or rushed in such a way that I doubt they made ZERO changes (and also because it's Hollywood, last minute changes are NOT new).

Same for Mel; her plot was so irrelevant I wouldn't be surprised if they just added it at the last minute. Especially because she hardly said anything, particularly during confrontations.

To that end, them ignoring Jinx's mental illness feels like one of those cutting corners situations. Something along the lines of, "Well they already know she's mentally ill, there's no need to keep showing it" which we know is DUMB AF but to corporate minds is perfectly logical. It felt like they waffled between making the story "shocking" and keeping the characters likeable (which they failed to do with a lot of them, so...)

Hence why Caitlyn never has to answer for her actions. And why Vi seems like she's been lobotomized and is strictly relegated to the "love interest" role, despite being arguably more of a main character in s1 than Caitlyn (as I was under the impression that this show was about the sisters, not their romantic interests). And why Jinx's only personality traits are semi-sarcastic and suicidal. And why her and Vi's differences seem to solely boil down to "I don't like your girlfriend" (which in s2 is pretty valid for Jinx's part, spoken as a former caitvi shipper, but still takes away from the real weight of their conflict). And why Ekko was exiled for 3 whole episodes on a Spiderverse subplot.

Unfortunately, we'll never really know what the truth is, or what the "original" script would've looked like (and if it was really all that different from now). But what I wouldn't have given to be in that room with a squeaky toy hammer so I could bonk Netflix/Riot every time they suggested some stupid shit....

Something that has really bugged me about season two is Jinx's hallucinations and PTSD. It magically disappears when Silco dies, save for two scenes. I remember when people on reddit were literally making jokes about the writers going this route because it would be so stupid.

One of the things I loved about season one was the realistic depictions of mental illness that you just don't see often in media. I don't know what it is like to experience schizophrenia, but I have experienced PTSD and paranoia, and seeing how it was represented in Arcane was actually one of the things that helped me through it.

And then season 2 comes around and they just completely neglect this side of Jinx.

PTSD isn't a switch that can magically be flipped off. Recovery is a slow and gradual process. In absolutely no world would Jinx killing yet another family member cure her of her conditions, it would make them 10 times worse. Not to mention just before killing him she has an extremely severe psychotic episode, which would only make forgetting her trauma even more difficult since it was just brought up fresh in her mind.

And what even about the end of s1 was it that healed her? I genuinely have no idea, because she finally chooses Jinx only to once again go back and forth between Jinx and Powder in season two, because apparently all that buildup for her final decision was for nothing.

She does experience two hallucinations (I'm not going to count the jail silco thing in act three because what even was that?) when she sees enforcer Vi and when Sevika talks about the attack at Vander's statue, but suddenly that is all that triggers her?

In season one, just seeing Vi, or even someone who looks like Vi triggers her. But now when Vi is literally trying to capture and possibly kill her she is fine, it's only the mask that bothers her? Wasn't that her worst fear, that Silco and Sevika were right, that Vi only wanted to stop her? And she is constantly triggered by Cait in season 1 but not 2?

And then there was the insulting ending, where jail Silco tells Jinx to 'break the cycle' (something he would absolutely never do) and Jinx finally finds redemption by literally killing herself after Isha kills herself in what is framed as an act of heroism (and if Jinx actually didnt, than what even was the point of that scene?) What happened to Ekko trying to stop Jinx from doing that? What happened to Silco having Singed revive her to save her life after she attempts to take it? Or Jayce and Viktor talking each other out of it? Or Silco choosing to keep fighting rather than give into the "peace in water"?

On purpose or not season 2 frames suicide as a glorious, edgy, perhaps even necessary thing and it's disgusting.

[moonesaiky]

Can we get more info on your rev!falls Fiddleford?

What does he do? Why did he do experiments on will? How did Emma May react when he was made to divorce her? And most importantly

what’s his relationship with Stanley

Oh oh finally someone asking about our failed Steve Jobs!

Currently, in the story, he works at the portal forcibly, he sleeps in a little room outside the mansion and is treated only as a worker. Ford, after Will's case, became very protective of the Twins over Fiddle, even though Fiddle would never even think of laying a finger on them.

About Will's case, a little complicated, Fiddleford still thought he was Ford's friend at the time, a good work partner who helped him. Will was suspicious, thinking he was just a maid strangely intimate with Ford, he suspected everything about Will, both by his appearance and the way he acted, he certainly wasn't human, even at that time Will took a less supernatural form. He even thought for a moment that Will might be a succubus, and being a religious man and a scientist, he decided to try to help Ford with the possible demon in his house.

And well, we know what happened. Fiddleford didn't do anything really aggressive or physical, just something like a scientist, trapping, studying and checking. But Will didn't like that one bit and Ford even less.

About May, unfortunately in their view Fiddleford was a terrible person, who betrayed her and wanted nothing more, giving the money only as an obligation. Fiddleford loves his family very much, but he had to leave them forever so that they wouldn't be hurt by Ford and that bizarre butler.

It was horrible, but Fiddleford had to move on

And so he met Stanley. Their relationship is quite… confusing, since Fiddleford had to lose everything, he used his free time to go out, Ford hated the fact that he was left unsupervised, so he made Stanley keep an eye on him, letting Fiddleford stay in the tent. They slowly began to enjoy each other's company, Stanley because he was so lonely and Fiddleford because he had lost everything, found a safe companion in them.

Fiddleford starts to develop feelings for Stanley but is afraid to tell him or give him a chance because of Stanley's prejudice, but eventually they come to understand. Especially after Normaggedon, they became a healthy couple. Fiddleford design if u didnt know it:

[codenamesazanka]

rereading Oumagadoki Zoo oneshot!

Unfortunately, because I am this tweet:

I will drawing comparisons of it to bnha. specifically, Shigaraki and the League, because the parallels are pretty obvious.

If you haven't heard of the oneshot Oumagadoki Zoo before, it's one of Horikoshi's earlier works, a oneshot that became his first serialized manga. Premise of both the manga and the oneshot is the same: Aoi Hana, a high school girl, applies to work at a zoo, only to discover too late the zoo is a magical one where the animals can turn into humans, while the zoo director, Shiina, is a human cursed to look like a rabbit-man; she then gets dragged along into crazy adventure as the director attempts to break his curse.

The oneshot is much less zany-comedic in tone, with Shiina a more serious and ambitious character and leader, but still deeply caring for his friends, who are all outcasts animals he helped. I've compared Serialized Manga Shiina with Shigaraki before; but I've always found Oneshot Shiina to be even more similar, especially with later series Shigaraki.

In the oneshot, the first mission we see Shiina and his team go on is to rescue a talking alligator that's been captured and smuggled by people wearing skull-masks. Obviously these guys are not the good guys. They acknowledge that the talking alligator might as well be considered a person, but are still keeping him caged and ready to be sell him.

So I always wondered if they were the basis of the bnha's CRC - skull-mask wearing criminals who looks down on Spinner, a person whose quirk make him looks like a lizard. But this time they're even more evil.

In the manga, it's due to Shiina's cursed magic powers that allows the animals to turn into human form; in the oneshot, however, the animals are born with magical energies that transforms them into human form - and Shiina is only someone who finds and gathers them in order to harvest their magical energy to break his curse.

If this sounds kinda selfish, it is - which Shiina acknowledges. Shiina didn't save the talking alligator out of the goodness of his heart - he needed the alligator's magical energy, and says so bluntly.

But when Hana accuses Shiina of using the animals to his own ends, Uwabami, a snake woman, says no, all the animals are here of their own free will.

The explanation Uwabami then gives Hana about why they stay with Shiina, why they follow him, actually mirrors Spinner's last dialogue with Deku on bnha a lot:

Uwabami describes the animals that have magical energy as beings whose forms have bent away from normal and turned 'grotesque'. In Japanese, the word she uses is 'igyou', which is the same word used to describe people like Spinner - translated as 'heteromorphs' in MHA. Uwabami implies that these 'grotesque' animals had suffered, had stood out with negative consequences, and that was how Shiina was able to find them. Similarly, Spinner says that he was oppressed for being a heteromorph, for having a quirk that altered his appearance.

The context is of course different, but I think the underlying feeling is still the same. Uwabami explains Shiina and the animals' situations are similar, that in helping Shiina break his curse, the issue of the animals' magical grotesque forms may also be solved as well. Shiina's mission aligns with their desires as well. In Spinner's case, Shigaraki told the League that he'll destroy everything, which at first also seemed like it was his specific dream; but within that destruction is also promised the changes and goals each of the League wants - Shigaraki represented him.

For the animals of Shiina's zoo, they were never able to fit in, they were unneeded and unwanted - and yet Shiina would still consider them comrade and friends, and gathered them together. Much like Shigaraki did for the League: he gave someone like Spinner a dream, a chance to be someone. Gave a bunch of strays, the dregs of society, a place to be.

So both Shiina and Shigaraki - leaders loved and respected by their friends so much that those friends - Uwabami and Spinner - are both willing to so straightforwardly spill out their hearts and feelings to near strangers.

anyways, I recommend the oneshot a lot. Read here at mangadex.

[tornrose24]

I don't think a wedding would be involved this time around, but Plumber Peach WOULD kick Bowser's ass. Unfortunately, that only makes him crush on her even more. Meanwhile, Bowser has a new reason to hate the crown prince as he's not just a rival in rulership, but not a romantic rival as well...

But Mario is not really aware of this and just assumes that Bowser is just angry at a loss as per usual. So when he does get kidnapped next time around, he's probably wondering why Bowser is trying to bully him more than usual/ trying to get into a match of expressing male dominance that Mario is NOT interested in because he's got other things to worry about.

Meanwhile the rest of the royal family is REALLY excited because Mario finally has a potential future bride. (He probably didn't have a lot of best options and I'm sure he used to date Pauline for a bit too, but that obviously didn't work out). They'd be eager to get the two together.

And of course, Luigi is the number one shipper in the kingdom, but I'm sure he'd be more careful about these things. He's so used to his brother trying to help him out with dates (because knowing Luigi's shipping history, the guy has a LOT of potential suitors) that he wants to return the favor somehow.

The idea of Peach and Mario role swapping is a lot funnier after seeing the film and seeing how many family members are in Mario and Luigi’s family.

Because it wouldn’t just be two brothers in charge of a kingdom–you have three generations under one roof doing Lord-knows-what for the Mushroom Kingdom.

And for added hilarity, Peach would either still have to suffer a one sided crush from Bowser or Bowluigi WOULD be somewhat of a thing if Bowser still captured Luigi.

Though without any confirmation of Peach’s biological family, maybe instead of a community of Toads, she’d have a community from Brooklyn who would raise her.

[bitchy-peachy]

I don't know whether I should find Trump voters freaking out after learning that Trump doesn't care about him funny or infuriating. It's funny bc literally every reason they had voted for this man was a bold-faced lie and infuriating bc ppl on both sides has be telling them over and over that Trump would fuck America over and now that it's affecting them and their precious gas and egg price, they want to cry about being duped.

I find regretful Trump voters quite pitiful and soulless. Which is quite a lot from me cos when I despise someone to the core I go completely apathetic towards any suffering they may have.

They voted as selfishly as possible. Some didn't even care about the prices or anything, but yes for "sticking it to the libs".

But... While a lot of maga voted for Trump because he openly hates those they hate, there's unfortunately a lot of dumbass people that actually believed he would "unify" America.

(I'm not even joking. I've seen some maga online that are that effing delusional. They really thought they were the "good guys" in voting for the orange skidmark. I swear they need to get slapped for the audacity but I don't want to catch shit from them. )

These are the same people that compared wearing a freaking MASK to slavery so they've always been stupid and also racist af. They blame and project their own mediocrity on minorities and women (even if they're women themselves cos holyshit do maga women hate other women. My own maga mother... Oh she's literally hates everything with a vagina, even animals)

Those voters regretting their vote now... They won't even get the concept of pity from me. (My maga mother and her crying over her VA benefits she voted away lost me forever too.)

They didn't even know what tariffs were ffs. Or that "Obamacare" (a nickname given by republicans themselves, btw 😂) is the ACA they wanted to keep.

They just saw "Obama" in the little nickname and thought "Evil Black Democrat President is robbing us blind. We only want ACA🤬!"

Some are trying to lie to themselves thinking the tariffs will bring back American jobs (😂) and make us buy only "American products" ignoring the fact that our "American products" have imported components that will be affected by these tariffs.

So our "Made in America" shit... Yeah. That's going up.

Oh don't get me started on how more than half of our agriculture is imported and the agriculture that's actually done in our country is done mostly by immigrants that get paid shit wages. (And when Trump deports them all and farmers are forced to hire Americans that couldn't be assed to work a field, the prices will go up for our local agriculture as well)

These morons, we have to call them that, voted for the most epic downward spiral that will tank the American economy for potential decades (not just a few years of "hardship" like that Immigrant-That-Should-Get-Pimp-Smacked-Back-To-Africa Musk claimed.)

Sad thing is that we already had poverty. The middle class no longer exists. It's everyone's poor but with a handful of rich fucks.

And these moronic ass people just freaking put that shit on steroids with their dumb fucking voting.

People tell me I shouldn't insult them so much but shit. They're fucking stupid as hell.

They don't even understand why even relatives and friends don't wanna talk to them anymore 😂.

Oh its not a "difference of opinion". They voted to make us poorer, take rights away from the lgbtqia, women (yes, you miscarry and you can die from it now cos the procedure to remove rotting fetus matter is an abortion which these stupid dumbfuckers are very deaf about.), they voted against ALL POC (including the idiots that voted against themselves. DING DING DING! DENATURALIZATION! America has done it before and Trump will be bringing it back with his fake ass "invasion" emergency to activate the army), they voted against affordable healthcare and therefore fucked over people with preexisting conditions/disabilities etc., they voted against education because republicans need only stupid people to keep them in power.

Heck, they voted against gender affirming care because they think it only affects trans people when there's people with health conditions that require this kind of care (like me. A cis woman that produces too much estrogen that causes me a variety of health problems.)

Red states are behind in everything. Education, health, minimum wages but they're sure winning by being higher in crimes, sex crimes, incest and poverty.

They mooch off blue states taxes. They don't give as much as much back as they take. If it weren't for "demonrats" they'd be completely off the map.

Republican voters like living that way without realizing they could have been so much better.

They keep willingly voting for people that keep them in that life or worse... considering that these elections had very high stakes.

These elections were not like others in the past. He has too much power with the SC, senate and representatives.

Trump voters regretting their votes now should wipe words like freedom and patriot off their vocabulary because they have selfishly and quite stupidly fucked America.

Damn this shit was long, LMFAOOO.

[worriedvision]

Being a single parent - Al-Haitham

Gender neutral reader, reader and Al-haitham have a child together. Angst here, no deaths but a breakup is here. Reader is a medical doctor, and works from home (basically the patients go to their home).

--

When you had your baby with Al-Haitham, you had been pleasantly surprised by the fact your boyfriend was becoming more approachable - well, at least towards you and your child. At the start of the life of having a child, Al-Haitham was cherishing it. The moments he had time to be with you and your child, when it wasn't too busy at work.

Inevitably, however, an emergency had breached the peacefulness. He had to get back to work, and you were struggling to get your patients seen to at once while keeping an eye on your child. When your boyfriend is home, he's not as attentive - turning his earpiece on so he couldn't hear your baby screaming and the complaints of your patients not exercising any patience. When you call out asking for him to please keep an eye on your child while you see patients, he pretends he didn't hear you while he continues to read. The first time he did this, you thought he simply had a horrible day at work, but unfortunately this was your norm now.

Truth be told, it somehow felt like he was more difficult to look after than your child. He would roll his eyes when you ask him if he can look after your child more often while you arrange time slots for patients, saying his job is more important than yours before walking out of the door. It felt like you were intruding in his space, and your child was upset to sense this as well. You note how your child stops cooing when the door opens, almost as if the child knew your boyfriend didn't want to hear a pin drop once he got home.

It got to the point that you had to move out, leaving him. He doesn't even bat an eye, holding out his hand for your copy of his keys, before returning to his book reading. Thankfully, you had your bags packed - and Tighnari was more than happy to help you carry your bags to Gandarva ville.

You continue your work as a stay-at-home doctor, and it was going well - your child was more like it's usual self, now as vocal as you'd expect a child to be. Your patients were more than happy for your child to be in the same room, understanding you were now operating as a single parent. Tighnari was kind enough to offer you one of the spare rooms, under the condition that he would eventually begin to get rent from you.

It was going well, until someone found out about your childs father.

--

Al-Haitham had a few enemies, some people that wanted something only he could offer. Nothing he had was going to be given out with a 'pretty please', and he wasn't going to personally gain from these people. Kaveh had moved back in, struggling to live by himself, and Al-Haitham thought he would just be the usual roommate he was.

"How's the baby?" Kaveh asks, Al-Haitham shrugging. "...I was told by-"

"My family business is none of yours." He curtly replies, hearing a knock on the door before going to answer it. To his confusion, there's nobody there.

The person who had knocked wanted mora from Al-Haitham, knowing he had plenty of it, and they were not too kind to stay away from those who he may cherish. When they hear about Al-Haitham having a baby, they decide to eavesdrop on any conversation that mentions this. Through this, they discover who you are and the fact you operate from the same place you live. A sinister smirk on their face, they decide to look for you.

--

Your first interaction with this individual was none out of the ordinary. A typical patient, someone who happened to be especially prone to falling over. Carrying out your usual tests, you note their sight flickering over to your baby before darkening for a moment.

"Oh, I'm sorry. I have to keep an eye on my little gremlin. I can take them away if it bothers you." You rub the back of your neck, the patient shaking their head and smiling.

"It's nothing - your child was silent."

They leave after paying for their appointment, and you can't shake off the feeling they are after your baby. Picking up your baby, you head over to Tighnari before explaining the situation. He nods in understanding, gesturing for you to come into his house as Cyno just so happens to be there.

--

Al-Haitham lands up getting contacted regarding the suspicious individual. He rolls his eyes when he's being informed that this mora-grabbing person he had several conversations with was making more empty threats until Cyno stomps on his foot.

"They targeted your child and your ex." Cyno cuts through, Alhaitham processing the news. "Do a favour for me, next time look around before you discuss your child so openly."

"I haven't spoken about the child." Alhaitham refutes.

"What a catch you are, Alhaitham." Kavehs huffs from his room. "Your poor ex deserves a better father than you."

"Well, they moved out on their own accord." Alhaitham bickers back. "I don't have time to-"

"You impregnated _, so sorry but you really should." Kavehs growls.

"...How is _?" Alhaitham asks

"They're safe." Cyno replies. "Stay out of their life. You've done enough as is."

--

[loopdile]

loopdile so real. i have a Vision of both siffrin and loop being Deeply Deeply Closeted Repressed Transfem and having gender envy over odile and i feel like that'd do Something to the Dynamic. Something......... Something........................... well i'm not successfully envisioning it but maybe YOU are?

i am positively plagued by loopdile gender visions!!! maybe not the exact same as you're thinking but i think you will enjoy them. walk with me, anon, through the garden of my loop gender headcanons. it's kind of a big garden but we'll get to the odile part eventually i promise.

Before they were Siffrin, Siffrin had their gender on lock: something transfem, but also tied to unique cultural elements in some way, either the specific identity or the way of thinking about it or just the particular set of presentation options. Perhaps they even started fantasy HRT! But then they forget everything, obviously, including their identity and transition plans. They decide pretty quickly that they're not a man, but none of the alternatives feel exactly correct either; if their previous identity was presented as an option, maybe it would click and they'd settle into it pretty fast, but unfortunately that is literally impossible.

So, no clear goals in mind. And because of his forgotten past, continued memory problems, and constant traveling, Siffrin starts to really value the few things he can count on to stay consistent. He'd rather wear his comfortable hat and cloak than leave them behind in favor of anything more gendered. He'd rather stick with his familiar body than risk changing it. Still, maybe there are some changes he'd be happier in the long run to have made... but the process would be stressful, and he's got enough stressful things to worry about already!

But then we get to Loop. Who has already been changed, suddenly and irrevocably and so very, very accidentally. They are not Siffrin anymore, they do not have the hat and cloak, they aren't even human. They don't even really remember who they were pre-loops. There is no familiarity for them to cling to; instead, they're desperate to find things they can control, things they can change, proof that the world moves forward and they're in charge of their place in it. The motivation that Siffrin lacked, Loop now has in spades!

However, their negative feelings are more intense as well. They struggle to face real stakes, to put effort into anything too complicated, to try anything that might disappoint them. They take risks, yes, but not about things they care about; they take risks because they don't care. And they have a lot of other things going on, too, both practically and psychologically, so gender isn't their immediate priority. "Who and what am I?" is a very difficult question for them right now on multiple levels, a difficult question with only difficult answers.

But, starting with the practical: wearing clothes is an easy way to look and feel a little bit more normal, right? So they experiment, and they decide that dresses are just similar enough to the cloak to be comfortable, but distinct enough to not be as emotionally fraught. And they like them in a frivolous way that Siffrin was never willing to lean all the way into. Siffrin didn't put much thought or energy into his appearance, but Loop's inhuman form is a constant issue, so they might as well dress it in a way they like! Something good to balance out the bad, since they can't be neutral any longer.

And of course they think about body craft, though in a different context from most people. Even the nearly-human parts of their body are lacking detail, without all the right functions behind the form, and then other parts aren't human at all. Their body feels wrong, distracting, constricting. They don't understand how it works, and it draws attention they don't want, and it's not them. And yet, isn't it? Even if they'd been put back into a Siffrin body again, they aren't Siffrin anymore, either. Loop is what the loops made them. They want to change their body, to make it something they can be comfortable in, but they can't. Because body craft is a method of changing flesh and blood and bone, and Loop is not made of such human stuff anymore.

So we've got Loop. Trying to find themself, and maybe succeeding in some ways, but stymied or uncertain in others. Desperate to change, but scared to hope. To make a long story short, they join back up with the party, which brings its own set of problems, and yet... it's also a step towards fixing some of their problems, too. Most relevant to our post, here: Odile is a craft expert with a unique set of experiences. She's got a wide foundation of knowledge, since she's familiar with all three main craft types. She used to be part of Ka Bue's underground body-crafting scene, where she not only crafted her own body but also helped and taught other people; and unlike in Vaugarde, where Houses provide resources and education, Odile and her peers had to do their own research and experiments, develop their own techniques. She even has some knowledge of wish craft from Siffrin, and the way she stopped Siffrin from looping proves that she's unusually good at analyzing and adapting to new forms of craft.

So once Loop's dissatisfaction with and ignorance regarding their own physical form comes to Odile's attention, of course she offers to help. To see if she can figure out what their body is made of, and how it works, and hopefully, in what ways it can be changed.

And this dynamic with her... it's totally different from her relationship with Siffrin, both pre-loops and post. And Loop has always admired her, and here she is, talking about the confidence and determination with which she changed her own body, not without fear or frustration but not letting herself be slowed down by them, either. Taking her fate into her own hands and refusing to be anyone other than herself. And Loop used to feel that Odile understood them best, and losing that connection felt like the end of the world, but here she is, still! Observant and caring as ever. Dedicated to figuring them out again. Unflinching as she sees them for the strange thing they currently are, but equally unshakable in her insistence that they do not have to stay exactly as they are.

So Odile helps them figure out their body. Helps them with the craft itself, too, but even more than that — through both encouragement and example, she helps them be brave enough to genuinely try. To ask themself what they really want. To strike a balance between Siffrin's complacent hesitation and Loop's miserable desperation. To experiment, and face both the chance of failure and the chance of success with head held high. To hope.

Odile is not one for platitudes and empty positivity, after all. If she says something's possible, then it is, or she will make it so, one way or another, despite any setback. Isn't she proof? She remade herself, and she can remake Loop, too. Changing them, slowly and carefully and so very, very deliberately. Loop will never be human again, but they can decide who they are and become themself.

[airenyah]

hello~ i was rewatching the THK trailer again and noticed something interesting: FadelStyle go from using formal/polite khun/pom pronouns -> informal/rude meung/guu later in the series.

In the trailer, I think I hear Fadel using them in the "I don't like being pursued" line and Style uses them when he says "Whenever I'm with you, you either make me feel so scared, or so damn safe".

I was wondering if you had any Thoughts about that? I was surprised they use rude pronouns when it looks like KantBison keep using khun/pom throughout. Do you think the rude pronouns a sign that FadelStyle are closer or more a feature of their personality/dynamics?

I'm still very confused about how any of the pronoun stuff works, so I apologies if this doesn't make any sense. ^^;;

ah, it's funny you should send me this ask because only last night before i went to sleep did i ramble in a group chat about the pronoun use in ep1 😂

disclaimer: i'm not a thai native speaker and i actually get kinda anxious talking about the thai language publicly out of fear of getting something embarrassing wrong lmao. calling fellow language nerd @visualtaehyun as well as Known Native Speakers™ @recentadultburnout and @happypotato48 for double checks and potential corrections in case i'm blabbering bullshit at any point <3

yeah, in the trailer it seemed to me that fadel and style were consistently using guu/mueng for each other except for when style was trying to flirt with fadel on purpose (as in, when he's flirting for kant and the car, not when he's saying flirty or romantic shit bc he genuinely likes fadel now. or at least that's what i thought was going on upon watching the trailer for the first time kfkdkfdkjkjfd)

so when i watched ep1 i was actually kinda surprised bc i hadn't expected them to consistently start out using phom/khun with each other at first! which probably also comes from the fact that i hadn't expected them to meet on their own before kant hires style to hit on fadel hahaha (like, i didn't think the "my nipples are sensitive" scene would happen before kant sets style onto fadel. i thought at that point he was already very purposefully flirting with fadel for the sake of the mission, but instead it's all style himself just to get on fadel's nerves 😂)

anyway, in ep1 fadel and style use pretty much only phom/khun with each other EXCEPT for style at three very specific points:

he uses "guu" to refer to himself at the very end of the scene of their first meeting when fadel drives off and style shouts something about fadel scolding him like a dad when fadel has left already. i'm like 90% sure i hear him say "guu" in that specific sentence

you probably caught him call fadel "nong" to be an extra little shit when he sat down and made fadel get him those beers

when fadel manoeuvers style out of the restaurant and style is raging he uses phom/khun until the very last sentence where the subs say "i'm gonna take you out!". unfortunately i can't understand the entire sentence that well but he starts the sentence with "guu" and i'm fairly sure i hear the words "เป็นแฟนกู" [bpen faen guu] which translate to "be my boyfriend" and so i'm guessing he's saying something along the lines of "i'll make you my boyfriend" or "you will be my boyfriend" (calling a native speaker to pls transcribe that sentence for me thank youuu 🙏🏻🙏🏻🙏🏻)

so we see that style uses the rude pronoun set guu/mueng when he's annoyed (no. 1) and when he's seriously pissed (no. 3). other than that he sticks to formal/polite pronouns throughout the first episode

however, we know that they're gonna be using guu/mueng for each other regularly at some point from the trailer and there's also that scene in the promo for next episode where fadel asks style who sent him: they're both using guu/mueng in the "who sent you?" "i like you" exchange

so now the question is when and why do they switch from polite to rude pronouns? personally i'm speculating that fadel is gonna start using guu/mueng with style once he's seriously fed up and annoyed by style. bc rude pronouns aren't just used to show closeness/intimacy but also when, you know, you're actively trying to be rude. and i could see fadel switch to the rude pronouns for the exact reason of being rude on purpose in order to emphasize his disdain for style and to give him a hint to fuck off. and i could see style going along with the pronoun switch bc he sure ain't intimidated by fadel and won't go away that easily hahaha

and if that really does happen then i could see them just sticking to the rude pronouns from that moment on, since these pronouns can be used in an informal way too and it does fit their dynamic

also, i just went and rewatched the trailer bc i wanted to see if there were any scenes in which fadel and style use phom/khun for each other that we haven't seen yet and yeah, all the scenes from the trailer in which they do use the polite pronouns are scenes that we in fact all got to see in ep1 already. then we have the "good morning krub" scene happening next episode, which i'm guessing is gonna happen before fadel corners style in the locker room. and i'm guessing at that point they (or at least style) will still be using phom/khun since that's what they've established as their pronouns they use to their face (note how in the above list, style is never standing right in front of fadel, yelling directly into fadel's face when he uses "guu", so fadel likely isn't even aware of it). and i'm also guessing that then when fadel is eventually seriously fed up and suspicious of style, he changes to guu/mueng in order to show his anger and to basically declare a war with style. and style switches to guu/mueng too in order to fight back bc he sure as hell won't let fadel intimidate him

idk what language you have as a first/native language, but mine is german and in german we also differentiate between formal and informal pronouns. although for us it's by far (by FAR) not as nuanced as thai pronouns since we differentiate only two pronouns for the 2nd person: formal "you" (Sie - pronounced "see") vs informal "you" (du - pronounced "doo"). and in german it is absolutely considered rude if you use "du" to address a person you should be using "Sie" for. and you can absolutely show your negative emotions (like anger, annoyance, etc) towards your conversational partner who you should be addressing with "Sie" by suddenly switching to "du", esp when you're trying to start a fight. and yeah i can see fadel switching to rude/informal pronounce in this way, to kind of start a fight with style so style will finally fuck off

and in german, usually once you're on a "du" level of addressing each other (esp if you do it regularly and it wasn't just a one-off sentence in an argument or something) then you usually wouldn't go back to using the formal "Sie" for each other. of course in thai everything is muuuuch more complicated and complex than in german when it comes to pronouns, so this is kinda like comparing apples with oranges. but yeah, i can totally see fadel and style sticking to the rude/informal pronouns since they've already crossed that line. since they've already established that they can use this level (register) of language with each other, so why bother going back to a more formal/polite register?

we'll have to wait and see if i'm right with my speculation about the pronoun switch, though. of course it could happen totally differently than what i think (who knows, maybe they'll hop between guu/mueng and khun/phom for a while depending on their moods, like, whether they're being civil to each other bc the given situation calls for it or whether style is actively hitting on fadel or whether they're annoyed/pissed at each other and basically challenging each other to a fight)

and i don't find it surprising that kant and bison would be using different pronouns for each other. they did meet under completely different circumstances and they have a completely different relationship to each other than fadel and style do

one thing thai and german pronouns have in common is that their usage depends heavily on who is talking to whom and also what situation/context the conversation is happening in. german speaking kids are taught that they have to address adults with the formal "Sie" pronoun unless they're given explicit permission by the adult to use the informal "du". german learners who take it up as a second language are taught that they need to use the formal "Sie" when talking to strangers. however, that doesn't reflect the reality at all. there are situation where you can immediately jump to the informal "du" without asking for permission first even when you don't know the person while if you met this very same person for the first time in a different situation you might have to call them "Sie" or else they'd be offended because using "du" would be very rude in this context

now if we look at bison and kant's first meeting... kant is trying to hit on bison. a rude pronoun that you'd use out of negative feelings or with peers/close friends seems a little inappropriate in this situation, don't you think? it would definitely have made the unsolicited advice sound even worse and more invasive, imo 😂

and also throughout the entire episode their goal is to be polite and friendly to the other person, since, you know, they're trying to get on the other person's good side in order to get something out of it. and even when (and after) they get to know each other, well, intimately, they don't really have a reason to be rude to each other or use more vulgar language, i feel like? UNLIKE fadel and style, who are actively trying to piss each other off

i'm not surprised that fadelstyle and kantbison use different sets of pronouns for each other since the couples have very different starting points with very different goals that require very different strategies in order to successfully get there

i hope i managed to explain it in a way that makes sense to you <3

[teoft]

It's like Tumblr has become almost a diary for me, thanks to no character limit and a read more button. This atmosphere of acceptance and understanding helps a lot too.

I'll get back to posting actual art, juggling with Twitter and Bluesky along with commissions is taking up a lot of my time.

Anyway, thoughts about art community and being social

For the longest time I've had this feeling of being an outsider in this vague community of artists that see as colleagues of sorts. Like I meet all the "criteria" of being in the group, and yet don't really feel like I'm part of it. Well, it seems I am right in some way, and the reason is that they interact with each other, while I sit here drawing alone.

Unfortunately I've always been prone to isolate myself from others. I grew up feeling like I should be ashamed of loving to draw, since it was always fanart monsters, creatures and cool guys instead of "proper art" like animals and portraits. Before social media, I only drew for myself and never showed anything to anybody. I hid my art from my family, from the world, so that I wouldn't be judged. I think it is one of the biggest reasons why I have trouble interacting with people in the context of art (tbh I'm shit at being social anyway but that's a whole another problem).

Even when I had a scanner and means to post my art online, I never did, due to the whole "if you put something online it'll be there forever" mindset. My first actual account anywhere online must've been Facebook in 2010ish, where I only had a few friends. It was the perfect place for me to finally post anything online, and so I did: I used to post pretty much everything I drew on there. Slowly gaining courage, I eventually made my original Tumblr account, then Deviantart, Twitter, etc.

Still, all I did was throw my art out there in hopes of somebody liking it. I didn't really know how to interact with the people who commented on my posts, so instead I mostly just... made more art. I did have some friend groups here and there, but either they ended up falling apart or my social battery drained in such a way that I slowly drifted away. I had gotten used to just being by myself and relying only on myself in the online art world.

During my design studies, I started putting more thought and work on promoting myself, so that it could be one career path for me to take. My mindset was that I'll work hard and become "big", even if it meant that one post gained me just one follower. In 2020 I ended up going viral with a meme and suddenly getting tens of thousands of followers. It was great and a welcome boost of morale, but unfortunately 2020 was otherwise one of the worst years in my life.

Throughout the years people have come and gone, so the only constant for me has been myself, and my drive to develop my skills. Thus it's been too easy for me to just isolate myself. In a way it has been my strength with regards to art, but sometimes I wish I knew how to make lasting connections. I think/know I might be autistic to some degree, which adds to the difficulty of being social. Though, to be honest, I don't know if I'd gotten this far without my autistic hyperfixations.

I guess the thing I need to do now to fix this problem of loneliness and isolation is to just... slowly try and be more social. To reply to comments and talk to people. All of which is easier said than done. Still, just gotta take that first step and then keep going.

Despite lacking the kind of community I yearn for, it seems I've made a name for myself, enough so that people seem to take pride in knowing me. Or at least that's the impression I've gotten a few times. But still, I am happy that I've had a positive effect on people. After all, my two main motivators in art are that I like doing it, and I like when people enjoy my art.

[rendoa-blog]

Ghosts of the past!

Pssst, you can ignore this, but I wanna share it with you guys because I think you might enjoy it @ancha-aus @spotaus

Also, @mortallydarkbird , get your ass in here. You're reading this whether you like it or not.

"Nightmare, King of Negativity, Rulers of Emotion (mind the plural), is a prominent figure in the multiverse. He and his group are not... feared? They are respected and work under... a merciful deity. Huh. That seems... wrong, somehow. Ink truly does not understand why it feels that way. With the information he has been provided with, nothing about this looks off. So... what is making it feel like this???"

OR

I, Myeba, share the great ideas of my mind! So! Because I don't know how to word this properly other than BadSans(+Dream)-centric! Let's just go and list some facts about this!

So, what's wrong here?

Dream! Dream is what's wrong here!

This Nightmare is haunted by the undead spirit of his petrified twin!

Dream never got out of stone, his petrified body, overgrown with moss and greenery in some spots, stays in Nightmares private garden with their dead mother. (The castle is built atop the apple hill in Dreamtale, the destroyed, deserted village of their youth rebuilt and repopulated under their rule.)

Nightmares garden isn't the only area of the castle blocked off to everyone else. Every single room with a window that has a view into it is also forbidden, together with their connecting corridors. Dream stays there during the day.

Dream is, and will stay, a child. He lacks a physical form he can use due to being petrified, and because of it, Nightmare is forced to be a voice for both of them. That is also the reason for the title of Rulers of Emotion being plural, even if there is no one, but these two, who knows why it's like that. Dream is still the one who decides on things regarding positivity as he stays by Nightmare during any meeting that could require his presence.

When Nightmare goes to sleep, his spirit leaves his body while it rests. This spirit is also 6 years old and lacks half his skull. Nightmare did grow up naturally, though, even if he still looks like a child as a spirit due to unfortunate circumstances (cough basically death). Nightmare and Dream walk around the castle and cause slight shenanigans during this. They're mostly Dreams fault.

Dust can see ghosts and spirits occasionally, but they have not figured out how it happens. He has seen Dream and Nightmare running around the castle during his first few weeks when Nightmare didn't know about that. Dust is aware that something there is haunted and he thinks it's the castle itself, since he's never seen the spirits outside. He stopped seeing Nightmare entirely (because Nightmare is avoiding him), but still catches glints of Dream every once in a while when Nightmare isn't with him.

Killer and Horror know about the children as well because Dust has told them about them. They also know that Nightmare knows something, but they have been unsuccessful in getting the answers.

Cross is also there, but he's been in the group for far shorter so he doesn't know about Dream yet.

...They call the kids Yellow and Purple because they have no other way of addressing them. Dust has tried to communicate multiple times but Dream runs away every time due to being noticed.

Dream wants to befriend the group and spend time with them, especially when Dust shows up and actually sees him. Nightmare doesn't trust them enough for that.

The group has something akin to familial bonds, but Nightmare strictly excludes himself from it. He tries to be cold and distant. They know its a mask though. ...not Cross though. Cross doesn't and fully believes it because of past experiences.

Ink and Error are just 2 toddlers fighting over who gets to play with the pretty glittery pony, except the pony is attention and it usually ends with casualties. That is literally all I have about them.

Swap never left home! He's happily in his AU and while yeees he does know who Ink is and what the AUs are because the squid crash landed in his timeline one time (...or multiple times...many, many times.) he is not involved in anything concerning the multiverse.

Nightmare just collects unfortunate souls that remind him a bit too much of himself, victims of circumstance that didn't get a different choice if they wanted to survive.

The castle itself has many floral and nature inspired patterns in the stone. It is also heavily covered by plants anywhere that aren't accessible to those who don't live there, with some exceptions where it would make the room useless. Many corridors have vine ceilings or plants on the wall, but the kitchen, for example, only has a few controlled herbs in specific spots on and in the walls. The flora also doesn't even try to reach into private areas such as their bedrooms unless specifically encouraged to do so. (ex. Nightmares room) The group mostly doesn't want the plants there, though.

The entire group was pretty surprised when they moved in, because this was not what they expected, especially Cross who was very used to the formal and perfect visual that the part of the castle accessible to guests showed.

[cerislabnotes]

Research Note 251: Lines West

This may not pertain to our work directly, but it definitely pertains to how it affects our patients, so IMHO, it counts.

It's yearly conference time, and this year, I had to take the train home. I haven't done it in the last 3 years because I've carpooled. Well, all alone this year, planes are out of the question, and the cars in the shop. (I had a little oopsie with my tail's scales and the upholstery…)

Which brings me to my point. I never thought about how our patients would have to adapt to public transit until now. Once they're end of treatment, most would never have to take it again. But all through the process? Well, let's just use my experience and what I've observed.

So I get on the train at Penn Station. As is my new norm, I'm being stared at the entire time in the metro lounge (perks of spending my life savings on a bedroom on the train). When we go down to board, my hands have difficulty fitting the handrails to get in the car's door. I haven't grown much in height, but my 'paws' sure have.

I turn down the hall and, surprise, even with my little f'd up wings, I barely fit, sideways or frontways. I slammed my hand against the wall and frustratedly contorted myself through the door. I set down my two bags, and as I turn to sit, a cow passes behind me with her friend. A cow, at the end of her treatment. So, effectively, a cow. I poke my head back out the door and watch this poor girl try and make the turn in the hallway. Her friend ended up having to push her around the corner. Between the few words and angered moo's, I felt bad. All I had was a little discomfort, they had a whole experience. They ended up in the larger 'family' bedroom for… obvious reasons.

Once we got underway, I was able to actually enjoy the trip. The trees and towns passing by as the light flashed across my muzzle was nice. What wasn't nice, was trying to fit all 6'2" with 4ft of tail me inside this itty bitty bathroom when it was finally time. I really didn't want to know how it felt to be packaged like an action figure, but here we are. The day passed, and I started to feel a bit normal again. So, when dinner came, I decided to go eat in the dining car. I… figured out a way to sit in the booth, sideways. Due to space, everyone gets sat in every available space. The cow's friend sat across from me while she waited to take their food back to their room. They had decided to take one more trip before "they went off to live on a farm upstate." But actually, they were. That's where their end-of-care program was. A petting zoo upstate from where they lived. "Sounds perfect! So you can still go and hang out!" She excitedly nodded as her food came. "Pasta, and the double salad for my friend! Perfect!" She ran back down the car, as my steak came out. Unfortunately, I couldn't maneuver the silverware. I was really frustrated real fast, so the entire car got to watch me two-finger pinch the steak, and sling it down like a shot of whisky. Perks of having a long neck and sharp teefies. But, when the other dragon does it with fish, everyone gets hard. When I do it, I get "oh my god, what the hell?" and asked to leave. I enjoyed the night, being able to get lulled to sleep. I spread my wings out as best I could, and cuddled my tail as the red lights flashed by. Morning came too fast, and I awoke to rustling in the room beside me. The others were getting off way ahead of me. And trying to get a cow down the stairs… well… the conductor wasn't prepared for the endeavor. After shoving her out into the vestibule, they essentially had to push her back and down the stairs, holding her front hooves so her chin didn't smash the stairs. They finally got down, their bags collected, and clear of the train. They stopped to wave at the train leaving, and I really hope they saw me waving back. Even tried flapping my broken lil wing for the first time in a while. My leaving was a repeat of my entering the car. Bump here, bump there, squeeze out and nearly tripping down the stairs. But, it was worth the experience. I think we take for granted that the people who operate things like this work with therians, as we are a very fringe and unique case. Maybe one day, things will be more accessible. For most, the point is to get away from everything humans deal with, especially the discomforts of travel.

But for some, these discomforts are just as enjoyable as being themselves. And the compromise, well worth it. Maybe I'll take the train next year, too. -Ceri

(Story and character inspired by Penny and her Bovine HRT story! Find her here: https://www.tumblr.com/pennymations @pennymations https://x.com/pennscrypt)

[beepbeepsan]

Sandwich Scouting: The Eliot Bagel

As a new year’s resolution, I’m breaking out of my usual sandwich habits to try new flavors and seek new experiences. For November, I tried a recipe inspired by some guy on Leverage (😁), posted by @2glassesofchianti here, and suggested to me by @thirdspin! Thanks!

Description: Turkey, tomato, cheeses, and caramelized onion bagel sandwich.

Rating: 8/10

Difficulty: 2/5

I made an effort with this one, guys! Bread has frequently been the low point, so I made sure to go to an actual bagel shop - but unfortunately they only had plain bagels by the time I got there. Oh well I tried.

The sandwich was very good, although extremely slippery & messy due to the cream cheese melting (maybe I go too hard on the cream cheese). The turkey, tomato, dill havarti, and bagel all had pretty mellow flavors; it was the seasoned cream cheese and of course the caramelized onions that starred. I didn't mind that at all! But something sharper in the other ingredients would have been nice to balance it.

I knew caramelizing onions would take a while, so I watched a couple episodes of a comfort show while prepping dinner. I did this instead of working on my writing.

This was my first time making caramelized onions, but I think they turned out well! I spent a good 40-50 minutes cooking them down slowly.

Steps:

Caramelize some onions. There's a bajillion articles on how to do this. I thinly sliced sweet onions and cooked them in nice olive oil & salt for about 45 or 50 minutes on medium low heat, stirring frequently, until they were super reduced and very brown.

Flavor some cream cheese. I mixed in sliced green onion, minced garlic, garlic powder, onion powder, black pepper, and a tiny bit of vinegary hot sauce.

Toast your bagel. When it's almost done, sear your sliced turkey in the onion pan.

Build: bagel bottom, cream cheese, turkey, dill havarti, sliced tomato, caramelized onions, more cream cheese on bagel top.

Wrap in foil and bake at 400 F / 205 C for 6 minutes.

If I tried it again: I'd use an everything bagel like recommended. Maybe a sharper cheese too, to combat the onions; I didn't really taste the havarti. A lettuce leaf would be a nice addition as well for some crunch. Sorry for questioning you, Eliot, whoever you are.

Misc. notes: Are caramelized onions damn tasty? Hell yeah. Am I likely to make them again? ...actually, maybe. I'm a person of simple taste and little patience, but these may be worth the time once in a while. I sure enjoyed them on my sandwich, and I'm looking forward to eating the rest. I still have a bit of goat bleu cheese that may go well...