#but this is so awsome i love her writing

[fairyofshamp0o]

MAUREEN JOHNSON IS RELEASING A NEW MYSTERY BOOK??!? AND ITS SAPPHIC!???!!!!!!!!????!? OH. MY. GOD.

[fraugwinska]

A very incomplete list of Hazbin Hotel Fanfiction Authors/Geniuses

I cannot believe the awsome, talented, absolute magnificent people I've met through this fandom. Writing FF for Hazbin Hotel has become one of my greatest joys in life, and reading the stories and creations of my fellow friends and idols is something that can brighten my whole week - and we don't gatekeep. So, if you're in search for a good read, here are a few of the SUPER AWSOME people I stalk (and I want to stress - this list is never going to be complete, but I'll try to edit it as there are just SO MANY GODDANG MASTERS out there!) @bapple117 If you love #RadioStatic, you have to read 'Bluest Monday' (completed) and the follow-up 'Say Hello, Wave Goodbye' (WIP) She'll break your heart in the most beautiful way. If you don't fancy that but Alastor is your go-to, then you will want to dive in head-first into "If You Can't Say Somethin' Nice, Don't Say Nothin' At All" (complete). But as before, be ready for a rollercoaster of emotional moments and extremely spicy shenanigans.

@hazelfoureyes Goddess of the smut, Hottest writer in Hell - If you're horny, Hazel has got you covered. Especially her 'The safeword is Radioapple'-Mini-series will make you sweat like a Zumba-Instructor on crack. Be prepared to blush, tremble, die and immediately ressurrect, because yes. She is THAT good.

Clover/corruptedteacups on AO3 With whooping 75 chapters and 300k+ hits, her Fanfic 'The Red means I Love you' is one of the best, most detailed slow-burn-pining-angsty-smutty-will-they-wont-they Masterpieces I've read so far. Alastor is magnificent and I guarantee you'll fall in love with Clover, the bunny who captures the heart of you deerest red demon.

@melodyonthewireless Highly underappreciated (imho), her fic "A Match made in Hell" (WIP) follows her OC Sybil down to hell, into the Hazbin Hotel and consecutively the arms of Alastor - but don't you dare underestimate the pink, harmless looking doe. Sybil's witch powers and her sassy, witty personality is quite the match to the established readio overlord. It's such a read, and the wait between chapters the sweetest agony!

@macabr3-barbi3 She delivers every. single. TIME. Her Short stories and One-Shots are like Pringles - Once you pop, you can't stop. I'm deeply in love with 'Dream a little Dream' (WIP), 'Nothing I can't Handle' (WIP) makes me run for a cold shower and did I mention the countless one-shot-candies that make you mouth water and your toes curl?

@slutforalastor/InconspicuousBosch on AO3 Whether it's the One-Shots on tumblr (omg the PRIEST ALASTOR BIT *fans face*) or the incredible Choose-your-Path-Fic "Say it with a smile" (completed) - you will be both amazed at the artistry of the wording and storybuilding and blushing at the sheer craft of the smut and sexual tension.

@impale-me-radio-daddy Founder of the kink #antlerplay, his series of 'The Lookalike' is steamy, outrageous, utterly magnificent and filthy down to the bones. Be prepared for some serious questioning of your own preferences, because you WILL get some epiphanies. And that's a PROMISE.

@hurthermore Listen. LISTEN. Bimbo is the mini-series that had me on a friggin CHOKEHOLD. It takes a special talent to make one so invested in THE radio demon, gentleman a la carte Alastor believably pining after and pounding a lovable, dumb airhead sinner with a fable for skimpy dresses and leave you at the end wanting for seconds and thirds!

As I said, this is a highly incomplete list, and I'll absolutely edit this list as I go. But I needed to put this out in the world. To all of the above, and all of those which I didn't include YET but most certainly will -

I ADORE YOU, I PRAY AT YOUR FEET, YOU ARE AMAZING BEINGS AND I LOVE YOU.

Thank you for coming to my TED Talk.

[not-magdi]

"Home for the Holidays"

Summary: Going home for the holidays with your boyfriend 

Word Count: 1.9k

Reading time: 7 min 40sec

Genre: Fluff

A/N 

A Pedri image for some change again, I wasn't sure at first with who I was going to write it but he gave me better vibes for this. 

Hope you enjoy it!

Love you guys Magdi <3

(His smile aagghh, it's so cute!!)

You were currently packing your bags as you were flying home for Christmas. The whole day, you were in a good mood, blasting Christmas songs through your speakers and dancing around your house to them.

Since you moved to Barcelona for your new job six months ago, you haven't been able to travel home for once. Work and other things were always getting in the way.

But now you finally have time to go home and spend the holidays with your family. You were beyond excited you hadn't seen your parents in a long time, the last time they visited you was in summer when they came to visit you and meet your new boyfriend, Pedro Gonzáles.

The same boyfriend who is currently sitting on the floor beside you, laughing at all the stupid Christmas sweaters you own.

"Amor, why do you have so many of them !?"

"Because they're awsome. Look! This one has little kittens with hats on them!"

You threw a reindeer one at him as he still laughed at you. The two of you continued to joke around until you heard your phone ringing.

"It's my mum, give me a sec."

As you picked up, your smile faltered when you heard the sad voice of your mum as she greeted you. Walking out of the room, you tried to find a quiet corner so you could speak to her.

"Hey Mum, is everything alright?" You asked her concerned.

"Well, not quite. We just got a national wetter warning for the whole country. There's a big snowstorm coming. All airports cancelled their flights to here."

Your phone nearly fell out of your hand as you heard the news. "No please, no." Tears started to gather in your eyes as you let the information sink in.

"I'm so sorry, honey, but we can visit you soon, after this storm is over. I promise."

Snapping out of your thoughts, you quickly say goodbye to your mum and hand up again. When you put your phone back into your pocket, the first tear ran down your face. Not being able to go home meant you would be spending Christmas alone for the first time.

Your long absence made Pedri curious about where you ended up, so he stood up and began to search for you.

"Y/N where are you?"

You quickly dried your tears as you heard him rounding the corner to the living room.

"Y-yeah I'm fine. ¡No te preocupes!" (Don't worry)

You tried to make your voice sound more steady than it actually was. But as soon as you locked eyes with Pedri, the dams broke. With tears streaming down your face, you tried to explain to him what happened, though nothing but sobs left your lips.

"I-I (sob), I can't-"

"Hey, it's ok. Estoy auqí, estoy aquí." (I'm here, I'm here.)

Pedri rushed over to you and immediately took you into his embrace. Gripping his hoodie, you buried your face into his neck and continued to cry.

Not knowing what happened, Pedri let his fingers run through your hair in an attempt to calm you down a bit.

"Tell your Pepi what happened Amor. Maybe I can help you fix it." He softly stroked your cheek while tightening his other arm around you.

Shaking your head, you answer with a shaking voice. "I don't think you can help me with this. The only thing that could help me would be a magical change in the weather."

"¿Qué quieres decir cariño? (What do you mean honey?)

"Th-There is a massive storm at home. (Sniff) I-I can't go home, Pedri."

You looked up at him as you told him the reason for your misery, your voice barely a whisper. Pedri felt his heart squeeze as he saw your red eyes and puffy, wet cheeks.

While holding you in his arms, trying to reassure you, an idea sparked into his mind.

"Baby, do you wanna spend Christmas with my family?"

You smiled slightly at his suggestion. Pedri would do anything to make you happy. But you weren't sure about his idea. You see, Pedri and you have only been together for five months. Yes, you've already met his family, but you didn't want to intrude on such an intimate holiday.

"Pepi, I'm not sure. You've not seen your family for so long I don't want to intrude."

Looking at you in disbelief, Pedri takes your face into his hands. "Bebé, my parents love you! You would be the last person to intrude. Please do it for me. I couldn't enjoy myself knowing you would be here, alone."

Your heart melted at his statement, so you agreed to go to the Canary Islands with him and his brother.

It was the 23rd of December, and after paying way too much for a last-minute plane ticket, you and Pedri met Fer at the airport and are now waiting for your gate to open.

"I'm happy you're here. Pedro is way more fun when you're with him."

You blushed at Fer's words. He is always so friendly towards you. Ever since the day Pedri introduced you two. Fer made you feel welcome, and you really appreciated that. As you wanted to say something to him, your gate opened, and Pedri ushered you to board the plane.

Your flight was pretty chill. A few people asked Pedri if they could take a photo with him, which he happily agreed to do. You always admired how kind he acted around his fans.

After you landed, you three got a taxi and drove to Pedri's and Fer's childhood home.

Fernando and Rosy were already waiting by the door to greet all of you. As soon as the two brothers were out of the car, they were already in the warm embrace of their parents.

You stood beside them for a while, not wanting to interrupt their long-awaited family reunion. But as soon as Rosy saw you, she let go of her sons to give you a big welcoming hug.

"Y/n! It's so great that you're here!"

"Thank you for letting me stay here. I really appreciated it!"

Fernando also came over to give you a quick hug. "Oh please, we are more than happy to have you here."

After unpacking and resting for some time, Pedri decided to show you around in his hometown. You visited his school, first-ever football club, and the beach where he and his friends would always go after training.

You were amazed to see all the places that made your Pedro who he is now.

After spending the whole day exploring the island, you two came home to a home-cooked meal. You ate dinner and had a wonderful time with his family. You were unbelievably grateful to be a part of all this.

The next day, you woke up on top of Pedri. His warm hands were stroking your back, which ultimately woke you up.

"Bon dia bebé." Kissing the side of your face, Pedri greeted you with his slightly groggy morning voice.

"Mhm, morning Amor."

You cuddled deeper into his warm embrace again and nearly fell asleep until Fer banged his fist against the door.

"Morning lovebirds! Get up!"

Groaning, Pedri moves you from him and slowly sits up. "I swear to god I love him, but sometimes he needs to be smacked on the back of his head."

You both start to giggle and decide to get up and begin the day. You put on some old training shorts and a shirt that you took from Pedri. You head downstairs to the kitchen, where Fernando is already preparing dinner for the evening.

"Good morning, you two! Breakfast is at the table, take what you want."

Thanking him, you head to the dining table. Fer and Rosy were already eating. You sat next to Pedri's mum, who greeted you with a warm smile.

While eating breakfast, you decide what you should do for the day. You choose helping Fer with the shopping while Pedri stays at home and helps his parents prepare for the evening.

It turned out that buying snacks and drinks for fourteen people takes longer than you thought. You and Fer came home barely before the first members of his family started to arrive.

The house looks beautifully decorated. It looks like it came straight out of a postcard. Pedri's family was unbelievably welcoming to you. You had a great time and enjoyed yourself truly.

When it was time for the presents, you quickly ran up the stairs to grab presents for Pedri and his parents. As soon as it was clear that you would join Pedri for the holidays, you immediately searched for presents for his parents.

You got his mum a beautiful necklace and his dad a bottle of wine. You hope they will like them. Pedri wasn't much help while buying them, so you just guessed.

When you arrived at the living room, wrapping paper flew around, and you could see Pedri playing with one of his cousins. Sitting next to him, you gave Pedri's parents their presents.

They absolutely loved them. Rosy hugged you tight after you put the necklace on her.

"My dear, thank you so much. I love it!"

"I'm glad you like it. But give me a second I have to hand Pedri his gift to."

You approached him with a small red envelope you picked up from under the Christmas tree.

"Merry Christmas, Pepi."

Smiling at you, he took the envelope and pulled you onto his lap. You squealed and blushed, not used to showing so much affection in front of his family.

"What are you doing!?" You whisper-shouted into his ear.

"I missed you, my family has had way to much time with you."

You smirked at his slight jealousy. Pedri was never the biggest fan of sharing your attention.

"Come on, open your present now."

He ripped the envelope open and gasped.

"You got me tickets for Quevedo!?"

"Yeah, I saw that he is in Barcelona next summer, so I quickly bought them."

You felt Pedris arms tighten around you as he nuzzled his face into your neck. "I love you so much, thank you!!"

"I love you too ba-woah!" You gasped as Pedri literally threw you off his lap and sat you down on the couch.

"Wait here for a second. I need to get your gift."

As he rushed upstairs, you looked on in confusion. After a few minutes, he returned with a small white box in his hand.

Sitting down before you, he gave you the little box.

You quickly unwrapped it and gasped loudly, "No, you didn't!"

The box contained a Pandora bracelet, the kind of bracelet that allows you to add multiple charms. You talked to Pedri that you loved the idea of them. But that you thought they were too expensive.

You lunged yourself at him, wrapping your arms tightly around his neck. "Thank you, thank you, thank you!!"

"You're welcome Amor. I'm happy you like it."

He helped you put the bracelet on, and as you looked closer, you saw a little Barcelona charm hanging from it. You gave Pedri a sweet kiss and continued to watch the rest of the family unwrapping their presents.

You spend the rest of the evening chatting and laughing with his family. You had a great time and felt truly like a part of the family. Something Pedri was already planning on making you after today.

------

Don't forget to leave a like if you enjoyed it, feedback is always welcome !!

[lynnuvo]

Hi I hope I’m not bothering you but I just finished reading the reenactment fanfics and I was wondering if you’d be open to make one about “Princess and the Frog” or “Mulan” those are the only films that I remember the character having a more “got get it/work for it” attitude and relate a lot to that plus the yans would be interesting to read (to me at least I mean it’s ur writing not mine) anyway thx for the attention hope u have a great day and keep writing awsome fics :>

From 👻 anon

Hello 👻anon! Thank you so much for the touching compliment! I was wondering which fairytale to do next, so I'm glad you suggested either of those. Although it's been a long while since I've watched Princess & The Frog, I'm going to try my hand at that one since I love the story. For those who prefer a male yandere, don't worry! I'm planning on writing another version of this fairytale for you ღ

.·:*¨ ✘- It Takes Two to Tango - ✘ ¨*:·.

Characters: Yan!Charlotte x Female (Y/N) in Tiana's role In which Charlotte intends to take the only desire she can't buy: her best friend

A Tale in the Baking

When you reincarnated into your new world, you were sleeping soundly in bed with a young, blonde girl who wore a frilly dress that scratched your skin. You were pretty confused and somewhat panicked about your predicament: your childlike appearance drastically contrasted from the mature adult life you've been leading. It wasn't until the end of the week that it finally dawned that you were in the middle of the fairytale "The Princess and the Frog."

Your father, James, had passed recently. Your mother, Eudora, shared his dream of owning a restaurant to you several times already as she reminisced her late husband. Of course, you provided as much comfort as you could. Charlotte visited your home every two days, more clingy than you remembered her being in the movie (likely due to the event).

Now, while you weren't aiming to follow exactly in the true protagonist's footsteps, the prospect of owning your own restaurant sparked a fire in your heart. It was ridiculously difficult to try to own even a car in your previous world. However, there was a key difference in that world and the current one: your family was close with the La Bouffs, the wealthy family Charlotte is from.

As you grew older, you became a confident young woman who didn't dare let a soul deceive her in any way. Because your relationship with Charlotte also grew, you vowed to never let anyone deceive her as well. She was veracious and at times ill-mannered, but you knew deep down that she was also naive. You weren't sure of what the true protagonist did outside of what was told in her tale, but it was your story now. So, you defended Charlotte at every corner & convinced her to tell you of any hardships she had--or of anything, really.

Who knew that such actions intended to protect her would ultimately backfire?

Lollygagging

Ever since she was little, Charlotte dreamed of a prince coming to rescue her from trouble. She'd ramble on and on about this dream to you, who listened to her oh so intently. As time passed, this dream took a different turn. She pondered about it often, twisting the idea in her palm left and right while guys fawned over her.

One night, her father came into her room and introduced an opportunity of a lifetime: to marry Prince Naveen of Maldonia. She was ecstatic and agreed right then and there. In that same week, however, she began having second thoughts.

She visited the restaurant you worked at alone soon after. Picking up her sour mood, you took your break early and sat with her at a table, inquiring whatever was the matter. For someone like her to display such an downcast face in public was a rarity. She told you about her worries. Was marrying Naveen the right choice? What if he wasn't as great of a prince as she hoped he would be? What if she wouldn't be happy after all?

After comforting her softly, you chuckled and cheerily reassured her that everything would be well. Marrying him would mean she'd have both her best friend and the prince in her life!

(You were really hoping they'd get married. On top of Charlotte's happiness, the prince would be a great advantage in your career.)

Charlotte left the restaurant with a laugh, but your support left her heart heavier than before.

At the masquerade ball hosted by her father in honor of Naveen's arrival, Charlotte escaped to your side at every chance. As much as you loved her, her constant presence was disrupting the anxiousness you were trying to keep down. The story had already started off on the wrong foot. Where Charlotte was meant to introduce her potential relationship with her father Big Daddy was instead Big Daddy stopping by to eat with one of his clients at your restaurant, sharing the exciting news.

Once Charlotte darted into the kitchen for the eighth time that night with another excuse to talk to you, you gripped her by the shoulders, instructed her to be a good host and tend to her guests, and to not search for you until the night concluded.

Charlotte hated how you pushed away--hated hated HATED it. But still, she'd do it for you. She'd do it because you trusted she'd listen.

In the meantime, you waited in Charlotte's room until a frog jumped onto your balcony. You already knew you were going to be outbid for the mill (just like how it was in the fairytale), so you weren't wasting any time crying over a destined lost investment. When Naveen in his frog form entered the home, you rolled his eyes at his request to help him find a princess and agreed as long as he married Charlotte regardless of whatever was to happen that night. He had no problem with that.

Lucky for you, knowledge from your past life would serve your career well. You told Naveen that because Big Daddy was crowned Mardi Gras king recently, Charlotte would be a princess. All you two needed to do was to wait for the party to end.

Barely Lovely Triangle

As you suspected, Charlotte came running up to you after the ball had concluded. She chided you with tears in her eyes for leaving her alone for so long. You apologized, saying you only wanted the best for her and the Prince and that you being there likely would've prevented any action from her towards him. She begrudgedly agreed before going on to share how wonderful the dance was. She'd never danced like a royal until that day.

You nodded and "uh huh"-ed and dropped compliments as she talked. Once she concluded, you asked her to please listen to what you were about to say. She guessed the matter had to be serious enough for you to possess such a tone, but she hadn't expect an explanation about the frog beside you.

She pointed at him, a corner of her lip lifted in uncertainty. "So he's a prince, the one I was just dancing with was a fake, so I have to kiss that him to bring the prince back?"

You nodded. "Yup. Do you believe me?"

"I....I do. But what's going to happen to the fake one?"

"He'll be exposed in no time. Please, Charlotte? For me?"

Oh, you know she can't resist any request if it's for you.

Naveen, truth be told, transformed right then and there, into a dashing human of royal blood. After talking about you three's lives for a little while, he bid farewell and wished to meet you and Charlotte again soon. Knowing better now, Naveen kept his distance from danger, and low and behold, Lawrence--the man who had disguised as Naveen with the help of an evil talisman--was arrested for fraud.

Surprisingly, that was the start of a friendship trio. You, Charlotte, and Naveen hung out together every now and then in different locations. Of course, you and Charlotte remained closer than ever, but you were relieved to at least have a breath of fresh air. You didn't really have that many friends in city because you were so engrossed in either work or plotting against a destined marriage you didn't want. You were especially glad that Charlotte and even her father weren't keen on getting Charlotte married as soon as possible. Maybe with how things turned out, you no longer needed to worry about the fairytale's plot.

Too bad Naveen eventually falls in love with you anyway.

His proposal came during one of those days where only two of the three in the group were hanging out together. He happened to stop by your restaurant as you finished your shift and offered to walk you home after stopping by another location. You accepted, but you later wished you didn't once the proposal at a beautiful park happened. You rejected him kindly and reminded him that he had a duty to fulfill, and that was marrying your friend. He apologized. You felt bad, but you weren't in love with the guy! Plus, you wanted that restaurant of yours more than anything in that world. No man was going to stop your dream.

You shared what happened the next day to Charlotte at her house. In contrast to the rant you expected from her, she was...eerily calm. She inquired about the person who has your heart, and to that you told her you didn't have anyone. She nodded and recommended you stay away from Naveen for a bit. Men can take rejection quite rough was the summary of her small spiel about men this and men that. And according to her recommendation (even though you were planning to anyway), you didn't pay Naveen's business any mind. He didn't come around as often.

Over the next couple weeks, Charlotte would visit your home more often to hangout. She'd bring up the topic of romance a couple of times, but your answer remained the same: your love was for her and the restaurant you wished to own.

You'd ask about her and the prince every now and then. Her answer was the same: she wasn't as sure about marrying him anymore.

Love is the Secret Ingredient

At last, Naveen's proposal came in the privacy of a beautiful park with a pavilion and crispy lake. He had set up a picnic for Charlotte and him. They chatted as they ate, and once they concluded their afternoon meal, he popped the question.

Although Charlotte had convinced herself for days that she must accept for her dear friend, she just couldn't.

"I'm sorry, but...I don't think I can do this."

To say Naveen was disappointed was an understatement. Not only did the real thief of his heart reject him, but his business partner and friend also did. Charlotte felt guilty, but imaging herself being stolen away from you was a nightmare! And imagining you being stolen from her.....

Without a proposal to the wealthiest family in the city, Naveen was lost. He had arranged the marriage with Big Daddy to combine their influential powers (Big Daddy's wealth & Naveen's royal title despite being casted out by his family). Luckily, you arranged for him to work with you--to start him on the path of someone in your class.

Charlotte, of course, hated it.

She got an earful from Big Daddy for her rejection, but she didn't care. He would soon lose interest in the proposal as well anyway. After all, she was a Daddy's girl, and he wanted her happy.

Charlotte walked you home almost every work day. Her constant attention made you worry for her own health, but she was a ray of sunshine around you. How hurt could she be?

Soon, Naveen stopped showing up to work. The manager told you that Naveen told him he had lost motivation to work and quit. You were stooped, but when you went to visit the hotel he's been staying at since coming to the city, the receptionist shared that he left two night ago.

Charlotte told you that he happened to overhear her talking about a wealthy friend she had in another city. She arranged for him to go meet and live with the friend at his request.

You scowled with a heavy heart. "Wow. He didn't even bother saying anything to me. How shallow."

Charlotte pouted. "Yeah! He dare he! Guess it's just back to us again, huh?"

You smiled. "Yeah. You get me, Charles."

Adoration flowed through her veins. She was worried you might catch some strange aura off of her, but she wasn't lying. The situation was just premeditated. Within a week, Naveen should arrive at the hotel Charlotte had pointed him to just to find out her friend (she gave her a fake name, of course) had already left that hotel present day's tomorrow. There was no way he could afford the trip back to New Orleans. His entire trip to get there was funded by Charlotte herself.

Two months passed before a letter arrived in your mailbox. The mill that you had lost during Charlotte's ball was bought from the previous owner, and the lawyer inquired if you still wanted the property. You didn't waste any time meeting with them. You intended to sign it over to yourself, but the lawyer suggested another property--one that was more spacious and had much more potential. He offered it at the same price, just as long as you took one or the other. You accepted the second option.

Charlotte was elated to see how thrilled you were. Because you used up most of your savings on signing over the new space, she offered to help renovate the place using her money with refusal for objects. She even asked if she could work for you whenever she had time! You couldn't help but be grateful for your dear friend. You were typically too busy for other friendships, but never too busy for Charlotte.

From then on, life was like a fairytale. You worked your butt off at your new restaurant and taught Charlotte the ins and outs of active involvement. She loved it. She loved working with you. She loved watching you negotiate with hagglers and host events to promote the place. Because you were often exhausted by the end of the day, she suggested (quite strongly) that you and your mom move into her home. It was safer that you come home with someone, and her house was so big, you'd have all the privacy you want!

(Don't expect much privacy from her, though).

Suitors weren't a rare occurrence. You became quite a sought after individual as your business grew. But Charlotte knew how you felt and ensured anything causing your stress was taken care of. You tell her everything, after all!

And of course, she tells you (almost) everything. No boy ever became a problem after Naveen. And like always, despite her new insecurities towards being involved in the "working" part of business, no one was to bring her down. For instance, Charlotte overheard an employee of yours discussing her lack of tack to a chef. She mumbled about it to you over dinner, asking if she was a burden to you. The next work day, the employee praised her progress more than twice in one shift.

One night, you both decided to have a sleepover in Charlotte's room. Trying on different dresses and watching movies had tired such pretty girls out. Laying in her bed, you brushed some blonde locks away from her gorgeous face. "You know Charles, these days, I feel like you're my only true friend."

Charlotte giggled and cuddled closer into your arms. "I'll always be silly. Even if the world crashed, we'll have each other to rely on. No one else!"

"You're absolutely right. No one else."

As she drifted off to sleep in your arms, you continued to brush her hair with a smile on your face. Running a restaurant was hard work, but gambling your luck on Charlotte was even harder. It was a relief she didn't reject Naveen due to affections for another guy. As long as you continued to open your arms out to her, you'll be fine, life would be bliss.

[taylor-on-your-dash]

Writing of 1989 Timeline

1989 changed Taylor's career forever. If Red had just sprinkles of pop sounds, 1989 was marketed as a pure pop album from the get-go.

While many fans and critics kind of expected that, it seems like:

Taylor didn't have a clear direction from the start (except for the cohesiveness): “I wanted it to be a sonically cohesive album, and it ended up really being the first I’ve done since Fearless. I also wanted the songs to sound exactly how the emotions felt. I know that’s pretty vague, so I really didn’t know where it was going to go, but I knew that I wanted to work with the collaborators I had such crazy electricity with on Red, like Max Martin. I wanted to do some things that sounded nothing like what we had done before.”

She knew that she didn't want another Red: “When people say that they like one of my albums, like when people told me that Red was their favorite album I'd done, I didn't take that as, 'So, I should make that again'. I took that as, 'Great, awsome, now I wanna make them like this new album just as much if not more than the last album.' But I want them to like it for different reasons.”

She was worried about the change of direction of her music: “I worry about everything. Some days I wake up in a mind-set of, like, ‘Okay, it’s been a good run.’ By afternoon, I could have a change of mood and feel like anything is possible and I can’t wait to make this kind of music I’ve never made before. And then by evening, I could be terrified of the whole thing again. And then at night, I’ll write a song before bed.”

October 17, 2012: [From a Lover Journal] Taylor writes This Love in LA. This will be the last song produced by Nathan Chapman and the only one recorded in Nashville.

“The last time I wrote a poem that ended up being a song, I was writing in my journal and I was writing about something that had happened in my life – it was about a year ago – and I just wrote this really really short poem. It said, 'This love is good /this love is bad / this love is alive back from the dead / these hands had to let it go free / and this love came back to me.' And I just wrote it down, closed the book and put it back on my night stand […] All of a sudden in my head I just started hearing this melody happen, and then I realized that it was going to be a song.”

Handwritten lyrics:

November 18, 2012: Taylor meets Jack Antonoff and his band, fun., for the first time in Frankfurt, Germany, while at the MTV Europe Music Awards. They bond over 80s music.

January 4, 2013: Taylor is seen in a boat without Harry Styles, ready to return to LA from the Virgin Islands.

She will wear the same dress in the Out Of The Woods music video (and also in Look What You Made Me Do)

January 10, 2013: Taylor tweets "Back in the studio. Uh oh...". She will confirm that the song was All You Had To Do Was Stay on October 27, 2014 on Tumblr.

Candids here;

“There’s a song on my album called 'All You Had To Do Was Stay.' I was having this dream, that was actually one of those embarrassing dreams, where you’re mortified in the dream, you’re like humiliated. In the dream, my ex had come to the door to beg for me to talk to him or whatever, and I opened up the door and I went to go say, 'Hi,' or 'What are you doing here?' or something — something normal — but all that came out was this high-pitched singing that said, 'Stay!' It was almost operatic. So I wrote this song, and I used that sound in the song. Weird, right? I woke up from the dream, saying the weird part into my phone, figuring I had to include it in something because it was just too strange not to. In pop, it’s fun to play around with little weird noises like that.”

January 11, 2013: Taylor is seen again at Conway Studios, likely to continue working on All You Had To Do Was Stay.

January 15, 2013: Taylor posts a picture of herself in the studio, with the caption "Somewhere in LA". She'll later reveal that she was writing How You Get The Girl.

“The song ‘How You Get The Girl’ is a song that I wrote about how you get the girl back if you ruined the relationship somehow and she won’t talk to you anymore. Like, if you broke up with her and left her on her own for six months and then you realize you miss her. All the steps you have to do to edge your way back into her life, because she’s probably pretty mad at you. So it’s kind of a tutorial. If you follow the directions in the song, chances are things will work out. Or you may get a restraining order.”

March 6, 2013: Taylor is seen going to a studio in LA.

March 23, 2013: Taylor posts a picture of herself playing guitar, which might mean that she was working on a new song: "Pre show. Columbia, South Carolina". This could be either Wonderland, New Romantics or a vault song.

May 27, 2013: While in Rhode Island for the Memorial Day weekend, Jack plays Taylor an instrumental track that will later become I Wish You Would.

“'I Wish You Would’ is a song that I wrote with Jack Antonoff and it was the first song we ever worked on together. I think, for this song, we wanted to create a sort of John Hughes movie visual with pining and, you know, one person’s over here and misses the other person but is too prideful and won’t say it. Meanwhile this other person is here and missing the same person; they’re missing each other but not saying it. And I had this happen in my life and so I wanted to kind of narrate it in a very cinematic way where it’s like you’re seeing two scenes play out and then in the bridge you’re seeing the final scene, where it resolves itself. So it says, 'It’s a crooked love in a straight line down, makes you wanna run and hide but it makes you turn right back around.’ It kind of is like that dramatic love that’s never really quite where it needs to be and that tension it creates.”

[Voice Memo Intro Transcript] “This is another way I’ve written songs recently. This is a song I did with Jack Antonoff, and Jack is one of my friends and so were hanging out and he pulled out his phone and goes ‘I made this amazing track the other day. It’s so cool, I love these guitar sounds.’ And he played it for me and immediately I could hear this finished song in my head, and I just said ‘Please, please let me have that. Let me play with it, send it to me.’ And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called 'I Wish You Would', because Jack wrote back and said ‘I love that’. So this is another way of writing, it’s writing to track.”

[Secret Sessions] “Taylor said that she wrote ‘I Wish You Would’ a couple of months after her and Harry Styles broke up, and they decided to become friends again and she said this was the first time she had become friends with an ex, to the point where they were comfortable enough to talk about why the relationship didn’t work out. She said he told her about how, after they broke up, he bought a house literally one road adjacent to hers. Every day he would drive home, and accidentally turn into her street, and he told her how he just wanted to stop at her house and see her, but he never did. She said this song is about while he was in the car making the decision to get out the car and see her, she was sitting in her bedroom, wishing he would make the move and go back to her and just pitch up at her house. She compared it to a classic John Hughes movie where both parties want the same thing but neither has the guts to say anything. Honestly, she spoke so fondly of that relationship.” [this is from a secret sessioner and therefore it should be taken with a grain of salt]

Between May 28 and June 2, 2013: Taylor writes I Wish You Would. She settled in Rhode Island basically all summer, so it's possible that she went to Jack's studio in New York by car without being seen and especially photographed, cause I couldn't find any pictures with the same outfit. Conway Studios are also credited but it's possible that she recorded background vocals there. Taylor was in LA in late August.

June 7, 2013: During an interview at the CMA Music Festival, Taylor confirms that she has started writing her next album.

[Transcript by me] “[The new album] is starting, all the anxiety is starting and when the anxiety starts, then the writing happens right afterward usually. I like to write for about two years before I'm finished with an album because at this point I kind of know that whenever I read in the first year is going to get away, because I'm going to like it but it's going to sound a little bit like the last project I had, and the second year usually ends up sounding like the next project. So I think at this point I feel like staying the same is the easy way to go but it's not the way that I want to go creatively. I think you need to challenge yourself, I think you need to change up your influences, I think you need to be inspired by different things that you've been inspired by before. It's harder to call people you don't know, it's harder to think of topics you haven't covered and think of new ways to say old emotions that everyone feels. I think one of the things that I'm happiest with in the last year is the acceptance level in country music for me experimenting and for me trying to evolve and challenge myself musically because I think it's never felt better to be on that stadium stage performing knowing that and so welcoming of change.”

July 13, 2013: After a show in New Jersey, Taylor has an interview with Rolling Stone, where she says that she has been writing a lot.

“The floodgates just opened the last couple weeks,” she says of the songwriting process. “I’m getting to that point where I’m irritating to be around because I’ll be with you for half the conversation and then the second half of the conversation I’m clearly editing the second verse of whatever I’m writing in my head. I really loved collaborating: you work with a lot of different people and you find the people you have this dream connection with in the studio. I know those people and I know the ones I want to go back to. But I also have a really long list of the people I admire and I would really love to go and contact. So that’s kind of where that is. I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What’s the point? It’s so overwhelming that when you’re starting a project there are such endless possibilities if you’re willing to evolve and experiment. If you’re willing to become a different version of yourself, you can really go anywhere with it. And that’s kind of where I am. The kind of the laboratory experimental stage of really catching onto a new thing that I’m liking.”

Somewhere around June and early September 2013: Taylor and Jack write Sweeter Than Fiction. No credits are available but we know that it's the second song on which Taylor and Jack worked, so that places it before I Wish You Would and Out Of The Woods.

In 2014, Lena Dunham (Jack's girlfriend at the time) posted this photo of Jack and Taylor working on the song at Jack's house.

September 15, 2013: Jack completes the instrumental track that will later become Out Of The Woods, after his show was cancelled.

[Jack Antonoff] “When I did the track for Out of the Woods, which is a Taylor song that I'm really proud of, there was some issue at a venue and our show was canceled that night and I didn't have my stuff, I had left it on the bus, so I only had these old samples on what was on my laptop, and caught up that 'oh oh'' thing, and I only had one drum kit on there, and these dumb little things sometimes turn into a great song.”

Somewhere around September and October 2013: Taylor writes Out Of The Woods.

Voice memo here;

[Jack Antonoff] Although Antonoff and Swift shared studio time for some of their other 1989 songs while working throughout 2014, “Out of the Woods” was completed as a long-distance collaboration. “She’s very natural -— when she gets an idea, it just happens very quickly. I would send her these tracks, and when an idea would happen, we’d be 5,000 miles apart or whatever, but she would start emailing me these voice notes like crazy and it would just be happening so quickly that there’d be this excitement. There’s a frantic feeling in the song,” he says. “What’s interesting about ‘Out of the Woods’ is that it doesn’t really let up. It starts with a pretty big anthemic vocal sample that’s me, and then there’s a drum sample that kicks in that’s kind of huge, and then you don’t really know how you’re going to get any bigger, but then the chorus hits and it just explodes even larger. And then the bridge hits, and it gets even more huge.“When I was working on the track, I was thinking a lot about My Morning Jacket,” Antonoff continues, “and how everything they do, every sound is louder than the last, and somehow it feels like everything is just f—ing massive. And that’s the feeling that I went for. It started out big, and then I think the obvious move would have been to do a down chorus, but the idea was to keep pushing.” Antonoff is excited to share the rest of his work with Swift on 1989, but he views “Out of the Woods” as a highlight on the project. “This song means a great deal to me. On a production level, on a writing level, Taylor’s lyrics and her melodies — there’s something very important about this song.”

[Jack Antonoff] “After 'I Wish You Would' and 'Sweeter Than Fiction', we did 'Out Of The Woods'. So it was the third thing we worked on together, and probably the easiest. I sent her the track for it, and she sent back a voice note with the verse and chorus in what felt like five seconds. And it was just perfect. It's eerie how similar it is to what the final product is.”

“It kind of conjured up all these feelings of anxiety I had in a relationship where everybody was watching, everybody was commenting on it. You’re constantly just feeling like, ‘Are we out of the woods yet? What’s the next thing gonna be? What’s the next hurdle we’re gonna have to jump over?’ It was interesting to write about a relationship where you’re just honestly like, ‘This is probably not gonna last, but how long is it gonna last?’ Those fragile relationships... It doesn’t mean they’re not supposed to happen. The whole time we were having happy memories, or crazy memories, or ridiculously anxious times, in my head it was just like, ‘Are we okay yet? Are we there yet? Are we out of this yet?’”

“That line is in there because it's not only the actual, literal narration of what happened in a particular relationship I was in, it's also a metaphor. 'Hit the brakes too soon' could mean the literal sense of, we got in an accident and we had to deal with the aftermath. But also, the relationship ended sooner than it should've because there was a lot of fear involved. And that song touches on a huge sense of anxiety that was, kind of, coursing through that particular relationship, because we really felt the heat of every single person in the media thinking they could draw up the narrative of what we were going through and debate and speculate. I don't think it's ever going to be easy for me to find love and block out all those screaming voices.”

October 21, 2013: Sweeter Than Fiction is released. Big Machine was originally not on board with the release since they wanted a dormant period between album releases.

Late 2013: Taylor writes Bad Blood, after Katy Perry announces her Prismatic World Tour.

“For years, I was never sure if we were friends or not. She would come up to me at awards shows and say something and walk away, and I would think, ‘Are we friends,or did she just give me the harshest insult of my life?’ Then last year, the other star crossed a line. She did something so horrible. I was like, ‘Oh, we’re just straight-up enemies.’ And it wasn’t even about a guy! It had to do with business. She basically tried to sabotage an entire arena tour. She tried to hire a bunch of people out from under me. And I’m surprisingly non-confrontational – you would not believe how much I hate conflict. So now I have to avoid her. It’s awkward, and I don’t like it.”

“That was about losing a friend... But then people cryptically tweet about what you meant. I never said anything that would point a finger in the specific direction of one specific person, and I can sleep at night knowing that. I knew the song would be assigned to a person, and the easiest mark was someone who I didn’t want to be labeled with this song. It was not a song about heartbreak. It was about the loss of friendship.”

October 20 to 22, 2013: Taylor is in Cape Town (South Africa) shooting The Giver. One of the members of the cast is Alexsander Skarsgård. He is said to have inspired Wildest Dreams (or at least he's the most popular theory, as far as I know), because the music video is set in Africa and it features Clint Eastwood's son Scott as love interest, just like Alexsander is actor Stellan Skarsgård's son, but we don't actually know more about the song.

“I think the way I used to approach relationships was very idealistic. I used to go into them thinking, ‘Maybe this is the one – we’ll get married and have a family, this could be forever’. Whereas now I go in thinking, ‘How long do we have on the clock – before something comes along and puts a wrench in it, or your publicist calls and says this isn’t a good idea?’”

Note: Selena Gomez was present when Taylor wrote this song.

Handwritten lyrics:

November 19, 2013: Taylor records Blank Space. This is based on the wall behind her on an Instagram post from this day, the credits, and the behind the scenes clip.

Voice memo here;

Behind the Scenes here;

“Every few years, the media finds something they unanimously agree is annoying about me. 2012-2013 they thought I was dating too much, because I dated two people in a year and a half. ‘Oh, a serial dater. She only writes songs to get emotional revenge on guys. She’s a man-hater, don’t let her near your boyfriend.’ It was kind of excessive and at first it was hurtful, but then I found a little bit of comedy in it. This character is so interesting, though. If you read these gossip sites, they describe how I am so opposite to my actual life: I’m clingy, and I’m awful, and I throw fits, and there’s drama. An emotionally fragile, unpredictable mess. I painted a whole picture of this character. She lives in a mansion with marble floors, she wears Dolce & Gabbana around the house, and she wears animal print unironically. So I created this whole character and I had fun doing it.”

November 21, 2013: While at the American Music Awards, Taylor tells Billboard that she has around seven or eight songs ready.

[Transcript] “We got a lot already,” says Swift. “There are probably seven or eight songs that I know I want on the record. It’s really ahead of schedule for me. I’m just stoked because it’s already evolved into a new sound, and that’s all I wanted. And I would have taken two years to make that happen, but it just kind of happened naturally, so that’s all I could really ask for.”

December 2013: Taylor meets Diane Warren and they write Say, Don't Go.

[Diane Warren to Rolling Stone] Warren, who typically writes on her own, says the two of them “sat down and wrote the song,” which was released Friday as one of 1989 (Taylor’s Version)‘s vault tracks, “from scratch” during the last few days of 2013. She remembers being impressed with how specific Swift was with her lyricism and how considerate she was about how her fans might receive it. “She was very particular about how she said certain things. It was a really interesting experience. She gets her audience,” Warren says. “She’s deeply aware of how her fans want to hear something. I can’t explain it, but that’s probably why she’s the biggest fucking star in the world.”

2013: Taylor writes New Romantics and Wonderland. Not much is known about these songs, except that they were both written in 2013.

[About New Romantics] “People will say, 'Let me set you up with someone', and I’m just sitting there saying, ‘That’s not what I’m doing. I’m not lonely. I’m not looking.’ They just don’t get it. I’ve learned that just because someone is cute and wants to date you, that’s not a reason to sacrifice your independence and allow everyone to say whatever they want about you. I’m not doing that anymore. It’d take someone really special for me to undergo the circumstances I have to go through to experience a date. I don’t know how I would ever have another person in my world trying to have a relationship with me, or a family.”

New Romantics handwritten lyrics:

Wonderland Handwritten lyrics:

January 1, 2014: Taylor records Say, Don't Go.

[Diane Warren to Rolling Stone] Several days after writing the song together, they got into Warren’s office to record a demo, where Swift played it on her acoustic guitar. “We demoed it on New Year’s Day. And I’m a workaholic, and that’s fine for me,” she says. “But I remember being impressed that she did, too. Everybody’s on vacation, but she showed up.”

January 6, 2014: Taylor decides to look for a house in New York.

[Lover Journal] LA. So I've decided I want to look at places in New York. I know I went through this phase months ago, but it has to mean something that i've circled back to it, right? You know what they say, if you love something let it go and if it comes back... blah blah blah. so I'm leaving the day after tomorrow. Dating is awful. Love is fiction/ a myth. I'm over it all.

January 21, 2014: Taylor sends Ryan Tedder the I Know Places Voice Memo.

January 22, 2014: [From the 1989 Booklet] Taylor and Ryan finish and record I Know Places.

“I had this idea of like, when you’re in love, along the lines of 'Out of the Woods’, it’s very precious, it’s fragile. As soon as the world gets ahold of it, whether it’s your friends or people around town hear about it... it’s kind of like the first thing people want to do when they hear that people are in love is just kind of try to ruin it. I kind of was in a place where I was like, ‘No one is gonna sign up for this. There are just too many cameras pointed at me. There are too many ridiculous elaborations on my life. It’s just not ever gonna work.‘ But I decided to write a love song, just kind of like, ‘What would I say if I met someone really awesome and they were like, hey, I’m worried about all this attention you get?’ So I wrote this song called ‘I Know Places’ about, ‘Hey, I know places we can hide. We could outrun them.’ I’m so happy that it sounds like the urgency that it sings.”

January 23, 2014: Taylor and Ryan Tedder write Welcome To New York. Ryan produces a demo in three hours. This demo is the one included in the album.

“I wanted to start 1989 with this song because New York has been an important landscape and location for the story of my life in the last couple of years. I dreamt and obsessed over moving to New York, and then I did it. The inspiration that I found in that city is hard to describe and to compare to any other force of inspiration I’ve ever experienced in my life. It’s an electric city.”

[Ryan Tedder] “I thought we were going to walk in and start something from scratch because that's what I was used to. Then she calls me and says, 'Is it cool if I already have an idea?' I said, 'Sure.' She said, 'I have this song, I'm obsessed with New York and I just moved there, I want to write an ode to New York because no one's done it in a long time.' And then she sent me a voice memo. She's like, 'I want it to sound like the 1980s.' So the next day I brought in a Juno-106, which is a very 1980s keyboard, and I literally programmed that entire song right in front of her. It was very much on the fly, and that song was done in about three hours. And I did the rest of the production I think later that week.”

Handwritten lyrics:

January 26, 2014: Night of the 56th Grammy Awards. Taylor delivers a legendary performance of All Too Well, but loses the Album Of The Year Award to Random Access Memory by Daft Punk. This will prompt Taylor to make a "sonically cohesive" pop album.

[Lover Journal] January 25th. LA. It's the middle of the night and I was at the Clive Davis Party tonight which means... the Grammys are tomorrow. Never have I felt so good about our chances. Never have I wanted something as badly as I want to hear them say 'Red' is the Album of the Year.

“It was the night of the Grammys this year. I remember going home and playing a lot of the new music I had recorded for some of my backup singers and one of my best friends. We were all sitting in the kitchen and I was playing them all this music, and they were just saying, ‘You know, this is very eighties. It’s very clear to us that this is so eighties.’ We were just talking and talking about how it’s kind of a rebirth in a new genre, how that’s a big, bold step. Kind of starting a part of your career over. When they left that night, I just had this very clear moment of, ‘It’s gotta be called 1989.’”

“I woke up one morning at 4 a.m. and I decided the album is called 1989. I’ve been making ‘80s synth pop, I’m just gonna do that. I’m calling it a pop record. I’m not listening to anyone at my label. I’m starting tomorrow. I liked the idea of collaborating. But with 1989 I decided to narrow down the list. It wasn’t going to be 10 producers, it was going to be a very small team of four or five people I always wanted to work with, or loved working with. And Max Martin and I were going to oversee it, and we were going to make a sonically cohesive record again.”

January 2014: Taylor writes You Are In Love. This is actually speculation but it's based on (1) Taylor going to NY in early January and (2) Jack Antonoff confirming that it was the fourth song they did and (3) it's the only Antonoff-produced song that is copyrighted in 2014. Based on the credits, I'm pretty sure that Taylor and Jack worked on the song separately, with Jack recording the instrumental at the Jungle City Studios in NY (which is a studio that Jack used in 2014 to record Bleachers' first album Strange Desire) and Taylor recording the vocals at Conway Studio in LA.

“I wrote it with my friend Jack Antonoff who’s dating my friend Lena. Jack sent me this song, it was just an instrumental track he was working on and immediately I knew the song it needed to be. And I wrote it as a kind of commentary on what their relationship has been like. So it’s actually me looking and going, ‘This happened and that happened, then that happened and that’s how you knew you are in love.’”

“I’ve never had that, so I wrote that song about things that Lena Dunham has told me about her and Jack Antonoff. That’s just basically stuff she’s told me. And I think that that kind of relationship — God, it sounds like it would just be so beautiful — would also be hard. It would also be mundane at times.”

“We first worked on that song together and realized we kind of have a good thing, and the next thing we did was ‘Sweeter Than Fiction,’ which was on the [One Chance] soundtrack, and after that we did ‘Out of the Woods’ and another song called ‘You Are in Love.’

January 26, 2014: At the Grammy's, Diane Warren reveals that she and Taylor wrote a song together (aka Say, Don't Go).

[Transcript] “I worked with Taylor Swift on a great song. I don't even know what she's done [for her next album], I'm excited about the one that we did, it's pretty cool.”

[Billboard 2016 Interview] “I know [Swift] likes it, so hopefully it will see the light of day. I know she really likes the song. She didn’t want me to give it away, so hopefully that means she wants it.”

February 9, 2014: [From the 1989 Booklet] While in London, during the European leg of the Red Tour, Taylor and Imogen Heap write Clean in just 9 hours at Imogen's home studio. Taylor will sing the song just two times.

Voice memo here;

“'Clean' I wrote as I was walking out of Liberty in London. Someone I used to date – it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. And you know how it is when you’re going through heartbreak. A heartbroken person is unlike any other person. Their time moves at a completely different pace than ours. It’s this mental, physical, emotional ache and feeling so conflicted. Nothing distracts you from it. Then time passes, and the more you live your life and create new habits, you get used to not having a text message every morning saying, ‘Hello, beautiful. Good morning.’ You get used to not calling someone at night to tell them how your day was. You replace these old habits with new habits, like texting your friends in a group chat all day, and planning fun dinner parties, and going out on adventures with your girlfriends, and then all of a sudden one day you’re in London and you realize you’ve been in the same place as your ex for two weeks and you’re fine. And you hope he’s fine. The first thought that came to my mind was – I’m finally clean.”

“'Clean' is the last song on the album for a lot of reasons, but mostly because it felt like the complication of this emotional process I’ve been going through for the last couple of years. You know, I feel like my personal life was really, really discussed, and criticized, and debated, and talked about to a point where it made me feel almost kind of tarnished, in a way. And the discussion wasn’t about music. It broke my heart that I had made an album that I was proud of, and I was touring the world, and playing sold-out stadiums, and still they managed to only want to talk about my personal life. At a certain point I felt a switch and it was at the end of recording this album that I began to feel like my life was mine again and my music was at the forefront again. I was living my life on my own terms and I really no longer cared what people were saying about me. That was when I started so see people talk less about the things that didn’t matter.”

“I had this metaphor in my head about being in this house, there’s been a drought but you feel like there’s a storm coming. Instead of trying to block out the storm you punch a hole in the roof and just let all the rain come in, and when you wake up in the morning, it’s washed away.”

[Imogen Heap] “We met at my studio in London. She had the bare bones of “Clean.” She had the lyric, the chorus and the chords. I thought it was brilliant.I was really writing the tiniest amount just to help her do what she does. I put some noises, played various instruments on it, including drums, and anytime she expressed she liked something I was doing, I did it more. It was a really fun day. She recorded all her vocals during that one session. She did two takes, and the second take was it. We always thought she would probably re-record it, because we thought it can’t possibly be that easy. But after we lived with it for a few months, we felt it was great. I knew she loved it. She said she loved it and her mum loved it. But I wasn’t sure it would be included on the album. But everyone felt it had something special. It came together really magically.”

Imogen's detailed blog entry about this songwriting session.

[Taylor about Imogen Heap] “The coolest thing about Imogen for me was that there was no one else in the studio. There was no assistant; there was no engineer. It was her doing everything.”

February 11, 2014: Taylor gets a haircut. (I'm including this for funsies)

February 15, 2014: Taylor, Max Martin and Shellback write Shake It Off.

Voice memo here;

[Lover Journal] LA. This week I've been in the studio with Max and Johan every day and it has been the most creatively successful and fulfilling time. The first day, Johan just made a really up tempo drum beat because we decided we needed something up and light. We worked at it for a few hours before i just started singing "shake it off, shake it off, shake it off" And then the best way i know how to describe it is that the chorus just fell out of the sky. It ended up being this song about doing your own thing even though haters are gonna hate, and you just have to dance to your own beat. We all went home and I wrote the first and second verses and brought them in the next day. We wrote this chanty cheer leader bridge that I absolutely LOVE. We spent all day doing vocals and the next day recording the background vocals. I think it'll end up being the first single and Max said it's his favorite song he's ever been a part of.

[Max Martin during the lawsuit] “Shellback started out with a drumbeat. Shellback, Taylor, and I then collaboratively developed the melody and other lines of ‘Shake It Off’ to Shellback’s drumbeat. I did not write or provide any input into any lyrics in ‘Shake It Off,’ which were written entirely by Taylor.”

“I've had every part of my life dissected – my choices, my actions, my words, my body, my style, my music. When you live your life under that kind of scrutiny, you can either let it break you, or you can get really good at dodging punches. And when one lands, you know how to deal with it. And I guess the way that I deal with it is to shake it off.”

“The message in the song is a problem I think we all deal with and an issue we deal with on a daily basis. We don’t live just in a celebrity takedown culture, we live in a takedown culture. People will find anything about you and twist it to where it’s weird or wrong or annoying or strange or bad. You have to not only live your life in spite of people who don’t understand you, you have to have more fun than they do.”

February 19, 2014: Taylor, Max Martin, Shellback and Ali Payami write Style. This is the last song made for the album.

“I loved comparing these timeless visuals with a feeling that never goes out of style. It's basically one of those relationships that's always a bit off. The two people are trying to forget each other. So, it's like, 'All right, I heard you went off with her, and well, I've done that, too.' My previous albums have also been sort of like, 'I was right, you were wrong, you did this, it made me feel like this' – a righteous sense of right and wrong in a relationship. What happens when you grow up is you realize the rules in a relationship are very blurred and that it gets very complicated very quickly, and there's not a case of who was right or who was wrong.”

“This song is about those relationships that are never really done. You always kind of have that person, that one person who you feel might interrupt your wedding and be like, ‘Don’t do it cause we’re not over yet.'”

[Guitarist Niklas Ljungfelt] “I played on “Style,” a song I started with Ali Payami for ourselves. He was playing it for Max Martin at his studio; Taylor overheard it and loved it. She and Max wrote new lyrics. But I recorded the guitar on it before it was a Taylor song. It was an instrumental. I didn’t have a clue that Taylor would sing on it. The inspiration came from Daft Punk and funky electronic music.”

1989 is officially done!

[Taylor On Ryan Seacrest] “I'm pretty sure after we finished this one I knew the record was done. Shake It Off and Style were the last two songs to be written for 1989.”

February 19, 2014: While on tour, Ryan Tedder produces another three versions of Welcome To New York.

[Ryan Tedder interview] “I was in Switzerland on a tour bus, and I did four versions of 'Welcome to New York,' one of which I liked personally more, but the thing about artists is they become very obsessed with the demo. She was in love with the demo so no matter how hard I fought, she brought it back to the demo, so really what you hear is what I did on the first day.”

March 22, 2014: Billboard reports that Taylor and Ryan Tedder have worked together in LA in January

March 24, 2014: [From a Lover Journal] Taylor moves to New York.

[Lover Journal] So in the last few weeks, I've completely moved into my apartment in Tribeca. That's right, I'm writing this from my new bed in my new place, watching Law and Order with Meredith. Strangely, I've never felt more busy.

May 1, 2014: 1989 Photoshoot (I got this date from an insider)

May 29, 2014: [From a Lover Journal] Taylor chooses another photo for the cover, after having a nightmare of the previous one being not enough.

May 30, 2014: Taylor chooses the album cover.

[Lover Journal] Shanghai. So we got to China at around 2pm and I knew it would completely ruin me if I slept when i got to the hotel, so I decided to work out. WHY IS THIS PEN RUNNING OUT?! Just went to my purse and got my pen. So a crazy story unfolded in the last 24 hours. Last night, I had this vivid dream where the photo I'd chosen for the album cover wasn't good enough, intriguing enough, artful enough. it woke me up. I couldn't shake it and it stayed with me all day. Because that nagging feeling I'd been pushing back for weeks was now confirmed in my gut... it wasn't good enough. I went to the venue, mind racing, wandering if I'd have to do an entirely new photo shoot... I got to my dressing room with newer versions of the "cover" I looked at it and felt nothing. The team pulled up this new scanned file of the polaroids we had taken during the shoot. I saw it within 10 seconds. The shot. The cover. It's a polaroid of me sitting against a beige wall with a blue seagull sweatshirt on. You can see my red lips but the photo cuts off my eyes. For some reason unknown to me it's the most intriguing photo i've seen. I think it's the mystery of not seeing my eyes. Maybe it just looks effortlessly cool. The craziest moment came when something caught my eye. The cover photo is photo 13. I kid you not. I played a sold out show in Shanghai tonight and the crowd was amazing. Tomorrow we go to Tokyo, where they'll have the whole ticker tape parade at the airport. Smile and wave...

Mid To Late 2014: Taylor and Jack write Now That We Don't Talk.

[Tumblr Music] "Now That We Don't Talk is one of my favorite songs that was left behind. It was so hard to leave it behind, but I think we wrote it a little bit towards the end of the process, and we couldn't get the production right at the time. But we had tons of time to perfect the production this time, and figure out what we wanted the song to sound like, and I just think it's, I think it's the shortest song I've ever had. I think it packs a punch. I think it really goes in for the short amount of time we have, I think it makes its point."

Conclusive notes

What 1989 represented for Taylor:

“The 1980s was a very experimental time in pop music. People realized songs didn't have to be this standard drums-guitar-bass-whatever. We can make a song with synths and a drum pad. We can do group vocals for the entire song. We can do so many different things. And I think what you saw happening with music was also happening in our culture, where people were just wearing whatever crazy colors they wanted to, because why not? There just seemed to be this energy about endless opportunities, endless possibilities, endless ways you could live your life. And so with this record, I thought, 'There are no rules to this. I don't need to use the same musicians I've used, or the same band, or the same producers, or the same formula. I can make whatever record I want.'”

“In the past, I've written mostly about heartbreak or pain that was caused by someone else and felt by me. On this album, I'm writing about more complex relationships, where the blame is kind of split 50–50 ... even if you find the right situation relationship-wise, it's always going to be a daily struggle to make it work.”

Bonus: Secret Messages

Author's note: I wrote this timeline around 2 years ago. While I found some dates later on, this is 100% my research. If you use this timeline for your posts, research or whatever, PLEASE, credit me! I'd be very thankful. This is 2 years of work.

Links to my other Timelines:

Writing of Fearless Timeline

Writing of Speak Now Timeline

Writing of Red Timeline

My Spreadsheet with a timeline overview

Credits:

Most of the quotes have been copy-pasted from Taylor Swift Switzerland.

Taylor Swift Pictures for the candids.

Heather from Nerdy by Nature for the WTNY handwritten lyrics picture.

[killakalx]

Imagine Roy having a dry spell after having Lian and it’s been a few years and one day you his best friend since his speedy days get talking while Lian is with like Oliver and Dinah or something maybe at a friends house? Anyways you and Roy get talking and he brings up your love life and talk about how you’re in your own dry spell and he’s like

“Oh em gees same!” And you get this AWSOME idea like you can feel the heat of the lightbulb going off, time skip-

Roy is finally inside you and

Ok look listen do not judge me ok? Ok I’m gonna Hodl you hand as I say this too- it’s been so long since Roy has been inside something that wasn’t his hand or some fleshlight he kept in his boxer drawer and he cums instantly and it’s like pathetic and you both freeze and he’s like

“Omfg I’m so sorry” and you’re like “it’s ok lmao it was hot”

Another time skip he’s overstimulated and you’re just finding out how many times he can cum till there’s nothing left like nothing will come out anymore

Anyways I have a thing for pathetic men cumming to fast and then overstimulating them idk it’s just something that needs to be normalized I’m tired and pretending it’s not hot :(

-🫶 anon

you are the realest nonnie. you get me. ive been thinking about writing something for roy and making it dilf related, and i was thinking about him with babysitter!reader but im just... not too into that trope I fear. im much more into this though <3 reminds me of will and artemis in young justice. there was no romantic involvement with them (for the most part) but yk... sharing a household together, raising a kid, having to watch each other care for said kid.... baby fever......

im kinda just brainstorming here (bc i desperstely want to get out of this writer's block) so roy and reader probably wouldnt share a household right off the bat. aka i should just piggyback off of you: you and roy reunite, omg he has a kid!! so cute, she's kinda crashing the hangout but you get to watch him parent her so its okay, someone offhandedly suggests another date hangout, and since he's handed lian over to ollie this time you can talk about. more stuff :). from there you guys would probably agree on a sorta fwb relationship, which is where i think I'll stop bc i wanna start the fic with the whole fwb thing. would it be labeled as fwb!roy or dilf!roy though... thinking thinking thinking

++ cumming too fast followed by overstim is very hot nonnie. i hear you. i will always walk with you babes

[jewishdainix]

My thoughts on paris the musical 💛 (spoilers!)

Stuff I liked:

The characterization!

When it comes to illiad interpitations I don't usually like it when Helen falls in love with Paris - here it works and its in large part of the characterization. Helen is aware and smart and contenplative. She isn't made into a "Strong Female Character" but neither is she made the dumb pretty face. And paris is a fool! She calls him a fool! They are still in love with eachother. Like I can't explain how well the creators managed to balance these traits that should contradict eachother! But they work so well in this.

Menelaus regreting going after helen and seeking revenge when he sees she loved paris. It did the characters and how they were presented well.

Another thing is helen being a "human counterpart" of aphrodite. Chilling.

I have to write a part about achilles and patroclus's characterizations. They are not what I expected, but I fell abseloutly in love with them! Achilles being cocky, patroclus being loud (WHOS SHOUTING?) just sitting at the side draped on eachother making comments. It was incredible. It makes the closer momente between them, like patroclus telling achilles he knows about the child inside him BECAUSE HE WAS THERE WHEN ACHILLES WAS JUST A CHILD, BECAUSE HE WAS A CHILD WITH HIM, hit so hard and be so fascinating. Same with when patroclus is talkign to agamemnon.

Cassandra. Enough said.

The music!

So fucking good. I love rock operas so much. I did have a bit of a hard time adjusting to the sound, since I don't listen to music from that time period much, like. At all. And there were dome songs I had to skip but it was soooo good. So fucking good.

PARIS, YOU SHOULD HAVE KNOWN BETTER. Just. Fucking everything about cassandra. I swear my thoughts are more coherent than this. I swear. Cassandra's parts are sooo briliant. I can't even put those thoughts down. Its so good. Honestly listen to paris the musical if only for cassandra. Fucking hell she and her music are incredible.

Ulysses's small part in 'oh paris' was another thing I'm in love with. I love how it shows his cunning and her warning. It proves her right and I don't think they even talk to eachother in that song but it still manages to paint a dynamic/contrust between them. Fucking incredible.

Most parts about ulysses. Seaks peace and security lonely his road to achieve them . What if I commited murder

The song where the trojans were calling paros a a slut. That was so funny

Hell or high water. I will cry

Stuff I didn't like:

This mudical feels like it has a lot of loose ends with the themes it presents. Like, I really like the theme presented in "a head without a heart" of the importance of both athena and aphrodite . It was mentioned later by ulysses (another cassandra ulysses connection :D!!!) but it was such an interesting idea especially with how it relates to paris.

I wish they explored more all they set up in "charole". It was such a good opening song and I wish its themes appeared more throughout the musical.

I really don't like "love has power". Like as a theme its good but giving it to hector was a fucking waste. He did not deserve this theme, he did not show anything related to it. And furthermore I didn't like how the song sounded.

Adding it back in the finale was ok, but the fact that it was first sung by hector makes it feel so unconnected and weak.

I wish the musical was longer, so itd allow for ecploring the characters more thougrowly. And the music is very good, so it wouldnt hurt to have more songs. I wanted to know the characters better. It should have been longer.

Closing thoughts:

Please listen to this musical!! It is so worth your time and it is so awsome.

[yanderehsr]

*inhales* Sup-

I forgor to follow you sorry 💀 congrats on the 1k you deserve it (and more!!)

I absolutely love your writings ❤❤

I also wish to request a yan!Zhongli x OC 💀

OC's info:

Hikaru, [age unknown], female, half artic fox

Alternative titles: Goddess of the stars

OC's background: A descender! Her mother prayed to the moon for a husband and a child and the moon blessed her so she was born. Her father thought his wife cheated on him so he killed her and abandoned the child on a mountain and the moon took care of her and when she was older she descended to Teyvat! She has beef with Celestia for the fake sky (lore player noises) and the Khaenri'ah destruction she now resides in the Wangshu Inn taking care of Xiao.

Personality: Extremely mother vibes (Qiqi, Xiao and Ganyu are her kinds and no one will tell me otherwise.). She is kind and a good listener bit she sucks at emotions.

Small fun fact: When she cries, a meteor shower happens!

Have an awsome day / night and take your time!

Sure, thanks for the request and I Hope you'll enjoy😄

Trigger Warning: Yandere, Obsessive behaviour, Possessive behaviour, Kidnapping

Zhongli loves how Hikaru act around Qiqi, Xiao and Ganyu, He has been eyeing her for so many years, hoping and dreaming of having her for himself, his own treasure that he can hoard away like the dragon he is.

Zhongli is the god of contracts, and as such he follows them perfectly, he will try to trick Hikaru into signing a marriage contract, something that will make him feel justifiable to use force on her if necessary if she ever tries to leave him, he will chain her to his side with or without her consent.

Zhongli is no fool tho, he knows that it would be foolish to try and steal from the moon, higher beings are not to be triffled with, but what if he could trick even the moon, Furina could trick The heavenly Principles so why can't he do the same with the moon.

The moon lashes out on Zhongli for taking their daughter away, but without their knowledge the one being destroyed is simply a fake body, similar to the exuvia he planted on the date of his death, he cares not if the whole teyvat is showered in meteors from the tears of his beloved for he has his treasure and he wont let go.

"It's been so long since I've craved for someone as much as I do you Hikaru, so must you really cry everytime I step into the picture"

[guardianoflightanddarkness]

An unpopular opinion about Gravity Falls: Return to the Bunker fanmade episode

(SPOILERS)

Okay, first of all, I want to make perfectly clear that I fully respect the crew and the job put in this episode, seriously, it's a blast to have such passioned fans that keep the fandom alive after 11 years and more to come, and honestly, I would want to see more projects like these and The Woods and Tales of Weirdmaggedon returning.

I was honestly very hyped up with this episode since I found out it was in production, so of course having it full yesterday was an awsome surprise. The art, the storyboard, the staging, the editing and the cast was an easy 10 out of 10, and I have absolutely zero complains in the audiovisual part.

However, sadly, to me, the entire thing comes crashing down with the plot and the narrative, by basically changing and missunderstanding the main characters, specially Ford: yes, it's no secret that Ford has trust issues, I think that was pretty clear after he FELT (not saying they did, but that's his perception) betrayed by his twin brother (sabotaging his project and keeping quiet about it, accidentally trapping him in the multiverse for over half of his life during a fight he started it, stealing his house, his identity, mock his entire carreer for money and then starting the portal that almost destroyed the world), his best friend from college (who created the memory gun and used it against him after starting a cult), his pet (the Shapeshifter tried to kill him and Fiddleford) and his muse (who manipulated him, lied to him, possessed and tortured him for decades, not to mention unable to sleep in peace until he got a plate in his head, and being hunted down accross the entire universe for 30 years), alongside all the stress of re-adapting to his dimension, contain the rift and keep Bill at bay.

So yes, Ford has reasons to be the way he is, but the problem is, the Ford we see in this episode is NOT the same one we saw in the TV show or in Journal 3: Ford can be bitter, and like I said, has trust issues, but he is not an ass for the sake of it like they portrayed him here, specially towards Mabel: yes, true, they didn't spend that much time together, but the little times we saw Ford interacting with her or even just talking, or even his entries in the journal, he shows how much he adores her, he only has praise for her ("I like this kid, she is weird!", "She has a magnetic personality!", "You are a good person, Mabel!"), and openly trusted her with a crossbow and sent her to a mission to protect the Shack. This one is openly hostile to Mabel, refusing to wear her sweater because it's hot (WTF, you are LITTERALLY wearing one!), downright telling her he doesn't trust her when he did before, and even saying he likes Dipper because he listens and obeys blindly. Ford LOVES these kids and always showed it, and yet the man in this episode doesn't seem to give a crap about anyone's feelings by being a jerk without a logical reason.

Which brings me to the next point: his reunion with Fiddleford makes NO sense considering that we saw Ford BLAMING himself over and over for what happened to Fiddleford, we litterally see him thinking he hates him and actually displaying remorse, and Fiddleford showing compassion and forgiveness. Instead here, we see Ford treating Fiddleford like dirt just like he did before the portal incident 30 years ago. And Mcgucket doesn't act like Mcgucket himself either, not to mention how the writing ignores how unstable he can be, ("Dude, Mcgucket would never do that!", sure, let's ignore this is the same guy that creates huge terrifying destructive robots that reck the town on a wim like his son not paying attention to him, his wife divorcing and not getting invited to a friend's party).

The entire episode's narrative and characters bash Ford for his trust issues and traumatic experiences instead of tackling down his trauma propperly: I mean, the show EXPECTS Ford to ignore ALL his traumas for over 3 decades and trust not just Mabel, which would have been understandable, but Soos and Wendy, who he doesn't even know, with the rift, you know, the thing that can destroy them all, and then gets punished for not doing so, and paint him as an ilogical paranoid that puts down everyone around him. None of them show any empathy towards him, and they are quick to antagonize him over it and directly blame him for EVERYTHING that happened in Gravity Falls, and the narrative reassures that they are in the right, pointedly ignoring not just all Ford's trauma but everyone's own actions into all the mess that happened over the summer. For crying out loud, the narrative shows more compassion, understanding and sympathy towards the fricking Shapeshifter and blames Ford for the experiment's fate, the monster ACTUALLY having the gal to say that Ford can't change, that he promises to change but then backtracks and keeps going (ironic that this is accused to Ford, of all characters in this episode) and then getting a fricking REDEMPTION and romance partner that he didn't deserve while ignoring he tried to kill Ford and Fiddleford back in the day, traumatizing the latest one, and tried the same with Dipper, Mabel, Soos and Wendy. But hey, nevermind, he just needed some love, he deserves to be happy, NOT YOU, FORD!....I swear, I can't with this.

And that fricking final...WHERE do I even start with that? Ford was affected and TRAUMATIZED because of the ray gun, he was a victim of it, he was the one who tried to stop Fiddleford from using it on himself MULTIPLE times, and who struggled to do it with Stan and broke down after being forced to do so, to his own brother, and only felt a bit relieved after they got his memories back. And you're fricking telling me he would use it on his 12 year old NIECE and friends AFTER they patched things up and he came clear, breaking THEIR trust?! No, sorry, no, that's just so out of character from Ford I don't even know where to start. I know this was done by force in an attempt to make it fit with the canon story, but it just doesn't match not just because of being completely out of character from Ford, but because it still causes bigger issues: he didn't use it on Mcgucket, therefore Mcgucket KNOWS about the rift and about Ford, therefore it breaks the canon of their reunion in Take Back the Falls since in Ford's words, "Fiddleford, I didn't see you since we parted ways, you must hate me". And then the famous lines of "How am I gonna protect the rift?" Honestly, this entire scene, if not the entire episode, just felt like the writers were just trying so hard to take any accountability from Mabel in handling the rift and just blame it on Ford and screaming "SEE?! YOU SEE HOW MUCH OF A JERK FORD IS?! MABEL DID NO WRONG, IT'S FORD'S FAULT FOR ERASING HER MEMORIES, HE IS THE JERK AND THE MAIN ANTAGONIST OF THE SERIES, WHAT A JERK!". And sorry, this still doesn't fix it, because while Mabel didn't know what the rift was, she still KNEW it belonged to Ford (Blendin told her) and that it belonged to his expedition for, in her own words, "Save the world or whatever", and Blendin telling her to steal it ("your grunkle won't even know it's gone missing!") and she agrees. So yeah, while she didn't fully know what she was taking, the fact that she knew it was something that belonged to her grunkle and that he took to his expedition was enough for her to know to NOT to take away, specially without his consent. This episode just tries so hard to paint Ford like the biggest asshole just to place Mabel and the others in a better light and ignore anything they do, so much that it breaks canon.

And Dipper's and Stan's subplot...I dunno, it felt completely unused, and once again, placing the ball on Dipper, Stan accusing him of ignoring him for a month (which makes zero sense because, Ford came out of the portal barely 2 weeks before Weirdmaggedon, there's no way a month went by, and on the top of that not making any sense considering this happened POST Dungeons, Dungeons and more Dungeons where these two had patched up, so this argument makes zero sense). This one specially dissappointed me because, the same way I wanted to see Ford and Mabel bonding, I wanted more scenes like that with Stan and Dipper, specially when we seemed to finally address the fact that yes, Stan and Dipper didn't spend that much time with him. The problem is that the narrative of the episode blames Dipper entirely and ignores whatever Stan has done wrong in regardless of their relationship that easily made Dipper distant with him: not the teasing, not the hard work to "tought him up", not his unfair treatment towards him in comparison to Mabel, not the fact that he LIED to him for the entire summer and broke his trust, nothing. In fact, just when Dipper loses his patience and actually starts to understandably tell him off putting ALL of these examples, Dipper's callout falls on deaf ears, litterally, because Stan doesn't pay attention to Dipper and is panicked due to the monster behind him. Then after that, ALL of that is forgotten, they don't patch things up, and Dipper is the one who has to apologize to Stan, after Stan, once again, not just kept him from hanging out with Ford, after he had promised he would let him go in Dungeons, Dungeons and more Dungeons, but also lied to him and got them into a bigger mess. But no, Dipper is the one who apologizes and is supposed to trust Stan...because of reasons, even if they didn't talk anything out or solved anything really.

The jokes honestly also felt flat and I only honestly enjoyed the Shrek 2 reference.

So yes, while I think that from terms of art, voice cast and edition this episode is amazing, the narrative, the characterization of the main cast and the development is attrocious. Honestly, it feels more like a bad fanfic hating on Ford (and to some extent, Dipper) and portraying him as the biggest jackass on earth and the reason of everything going wrong. This is not how the characters behave. I seriously have to wonder if the writers even watched the show, let alone read Journal 3 and Lost Legends.

[not-eli]

fuck you *writes healthy coderra*

When Sierra got told she could participate to the new season of her favourite show, the poor girl almost didn't believe it: her dream was finally coming true! How awsome was that?

While Chris introduced the contestants, she couldn't help but jump up and down in excitement, her smile going from year to year. The other new guy, Alejandro, gave her a quick, concerned look before he got out of the bus and smiled charmingly at the cameras.

"She is a super sugar addicted fan with thousands of blongs, Sierra!"

"Oh my god, oh my god, oh my god!" Sierra exclaimed quickly, stepping out of the vehicle and looking around frantically. "I love you all guys I can't believe I'm here this is the best day of my life!!!" she said a little too quickly, almost hyperventilating. She gasped and rushed to her favourite contestant. "Oh my Gosh Cody! I've dreamt of meeting you."

"You... did?" The little man asked, surprise and confusion both reflecting in his eyes.

Sierra nodded. "Indeed! You're my favourite all time, you've always been. It's truly a shame you got eliminated so quickly in the first season, I'm sure that if you didn't get those injuries-"

Her speech was soon interrupted by a giant, bad rotting looking plane landed right in front of them.

On the plane galley, Cody cleared his throat. "By the way... did you really mean that?"

Sierra blinked. "Uh?"

"That I could win.... I mean-"

"Oh!" She smiled sweetly. "Of course you can, Cody! And you know what?" She took his hands. "I'll help you."

"You don't have to-"

"I want to." She assured him. He smiled.

"Thank you then."

The way he was looking at her made her feel funny, like someone was dancing in her stomach. Her heart pounded.

For the rest of the season, Sierra spent all the time possible supporting Cody in many different ways. The little man's eyes were always dedicated to the goth girl, but she didn't mind more than much.

The season would last long. He would learn to notice her, wouldn't he?

[doostyaudi]

My employer headcanons? Real?

So, what do i make of the employers in general? Well i think i should start at their purpose! Id like to think of them as being likened to angels in way, granted they aren't, but i think that's the closest words i can use for them. Their general purpose is to make sure the world is in check, as well as the "plot", they're assistants of The Higher Powers in this way as the Higher Powers r busy doing their own things.

Employers do not care for humanity, they honestly quite dislike humanity, finding them "barbaric", "emotional", and any other word u can find to describe humanity, i guess.

Employers are siblings, they are one hell of a messy family

They follow a "code", it doesn't have an official name, but most refer to it simply as the "Employer Code". I wish i had a full list of what these are, all i really have a vague idea what they would be. I have a few that are solid codes: don't hurt/kill another employer, don't go against the higher powers (questioning them n such), and attempting to "run away" (not doing your job in an act of defiance, faking ur death, ect). If an employer breaks any of the codes, they will be given massive restrictions, if its bad enough they will be straight up exiled/killed.

The employers have their own realm they hang out in, it's really just a chill zone for them. They all have their own sections for their respective employers, basically their own house in a way lol. Usually retired employers live here

Yes, employers can be retired, it depends on what their purpose was

Employers are considered souls in a way since they aren't physical and can only interact with people/objects cuz of weird dimensional logic n stuff.

Okay! Individual employers! Right!

Auditor - the employer ever, honestly, we love auditor, dni if u don't /j. Auditor is probably gonna have the biggest write-up out of any of the other employers, not only because we know the most abt her, but also because she's my fave AHSHSHDHD. Oh. Yea. I hc Auditor as genderfluid and npd haver, i am a genderfluid auditor truther, so if u see me using fluctuating pronouns for her, that's why! Ill try and make it as comprehensive as possible tho lol. Uhm. Anyways! Auditor is the second youngest employer, her purpose is to "keep things in check" in short terms. Ironically enough, she has had a hand in not doing this, fucking up Nevada cuz she felt like it. This is NOT her job and the other employers are MAD at her for it, they do not like auditor and try to distance themselves from her. Fortunately for auditor, she doesn't like them either! She's Nevada's biggest hater and hates anyone who hates her, ur either with her or against her. She's impulsive, quick to anger, rash, unprofessional, and does everything in her power to make sure everyone knows she's cool and awsome and amazing and not to be messed with!!!! Then she trips over herself. Despite this, she's good at making plans, is very organized, best on the battlefield than any other employer, and is extremely protective of the ones she cares abt (it's. Very few but it's obvious who her favorites are). She has some control over hell, being able to have little minions of the sorts that keep an eye on things in there for her. People do not fear her, but they rather not deal with her. Oh also she loves sugar-filled food/drinks, she has a sweet-tooth lol.

Deliberator - the youngest employer. Despite his age, he is the smartest out of the employer, constantly doing research into different topics, making sure he's 10 steps ahead of everyone. He's the complete opposite of auditor in a way as he thinks more on logic than emotion. Ironically, hes very empathetic and tends to care for others he logically knows he shouldn't. He most definitely cares for humanity more than the others because of this, also he can't ever get himself to truly hate Auditor like the others do. He was most likely made to keep auditor "in check", being able to predict what auditor can and will do and using that against her, making sure she doesn't do more damage than she already has. Id like to think he has an interest in birds tho, nothing makes me think that, he just seems like a bird lover to me!

Conductor - the 3rd eldest employer. Her job is quite straightforward, she makes sure everything is perfect and in tip-top shape, cleaning up any mess others make. Because of this she is quite bossy and a complete perfectionist, freaking out whenever something goes against her perfectly made plans, even if it's completely insignificant. She can sometimes get in over her head about plans and how everyone is going to manage it, obsessing over small details. She tends to be more backhanded than the other employees, very passive-aggressive if u will, rarely letting others know how she truly feels about something. Also id like to think she likes to gossip with Stygian and Deliberator alot.

Stygian - the eldest employer. His job is to maintain the spirit realm and help lost souls to the others side. He maintains purgatory and the parts of hell Auditor doesn't have control over. Its a quite simple job compared to the others as it doesn't need as much thought and 4D chess playing to do, though who says guiding lost souls and making sure they don't get fucked up is an easy job? Knowing how Nevada is today, Stygian must be one hell of a busy guy. He's quite emotionally distant and tends to just do what he needs to do. Like. If you tell him a joke he'll just. *look* at you, he may have found it humorous but he doesn't laugh. People find him quite cold and distant because of this, though he's just am old man who wants to be left alone, but doesn't mind the company of his siblings every once in a while.

Uhhh yea i think that's everything.... It was nice to let that out of my system... I might have missed a few things/misinterpreted something... Sorry if i have! It's been a while since I've re-watched anything.. I honestly tried playing mpn2 again but i remembered why i stopped playing it! It set my computer on fire! O.o (not literally!! It was just so incredibly hot after only 20 minutes!! Sigh...)

U may not agree with everything ive said, and that's okay! Just don't be a jerk abt it, ok?

[slytherinslut0]

"When you're not fed love off a silver fucking spoon, you learn to lick it off knives."

My whole body shivered at this right here, the relatability, the emotion. And Raven’s response about him becoming the knife was perfect.

You’re absolutely great at writing real complicated characters, as much as they wish to show some parts of themselves, the walls are already too high to climb.

Raven might be Mattheo’s weak spot; but that doesn’t make him any less guarded, this is PTSD at it best.

They’re not easy people to love, and Raven understands that by insisting, it might open him up, but it’s going to be painful.

Thank you so much for the accuracy of violent behaviour as a result of trauma.

Awsome chapter as always !!! Lots of love 💕

🫶🏻💖OH MY GOSH😭 I WANT TO HUG EVERY SINGLE ONE OF YALL TN HOLY SHIT.

Y’all are honestly being so unbelievably amazing I can’t even begin to tell you how thankful I am. I seriously STRUGGLED with this chapter so every ounce of fucking support and love for it means so damn much to me.

There’s a reason why Raven has dedicated life to her studies and has chosen to be alone, never seeking a partner. There is something that comes from that. There is far more to ravens story than meets the eye, hence why she’s so damn strong and unfazed by anyone’s harsh words that are thrown her way.

Mattheo doesn’t need nor does he want to be babied. He doesn’t want someone to hold his hand and pity him. Raven knows this.

In order for Mattheo to actually open up to someone, he needs to be challenged, pushed. Him opening up will not be easy, Raven will push his limits and test him, he will resist at every turn, but God, when it finally happens, it’s going to be beautiful.

Idk idk idk. I hope I’m doing an ok job at portraying this. They are complicated. They are messy. Their story is the furthest thing from easy.

Anyways, thanks for coming to my little rant. Love you endless baby.

[mahou-furbies]

That's it for the favourite Precure poll! Thanks to everyone who voted. It was 141 votes total, of which one vote was removed because it had the same character more than once (which, if kept in, would have affected the middle of the following top 20 list but not the top 5).

So La Mer got both the most votes and most points, while Milky got the most first place votes. Also even with so many contestants, almost every Cure got at least one point, which is nice. And it shows that while some of them clearly got more votes than others, there's still plenty of variance of opinions in the fandom (which is also nice).

Overall I think this was a fun poll and having it be about the top 5 made it more interesting than expecting everyone to pick just one favourite. Originally it even had a top 10, but I ended up cutting it because I worried that google forms is such a cumbersome platform for a poll like this that people might ragequit halfway through.

Finally sorry about the Parfait situation again, if I ever have the same poll in a few years I'll be sure to remember to include her. She did get some write-in votes but I wonder if she got more if voting for her didn't require extra hassle.

(And even more finally, under cut are the comments)

Great poll ^^

Cure Rosetta is SO underrated

Yeah needless to say I currently have Only Got Into It Recently bias, but: Nodoka, my chronically ill girl <3Sorry Parfait & Waffle

Melody + Rhythm are a pair DO NOT separate them please!!!!!!!!!!!!!!!!!!!

i still love the star twink team a ton, but i needed to give some votes to the new 'abnormal' cures. (Butterfly and Wing being different ages ranges and genders from the normal cures, I mean.)

Even though he is not my favorite, it brought me great joy that you included Cure Waffle. He really should've been a TRUE Pretty Cure!

I believe you forgot Parfait. Hey, no judgement from me there’s a whole lot of them.

Thank you for including my boy Cure Waffle 🙏🙏🙏 The guy ever

I love you Cure Muse, even if you'll never be as popular as you deserve

I didn't mention any of the GoPri Cures but I love Flora, Mermaid and Twinkle a lot too!! And Cure Mofurun!!

Oh my god this was still so hard.

I know Cure Miracle doesn't have a chance of winning but by God will I vote for her

I wish I could vote yum yum more then once 😭😖what about cure kururun

My first choice is Parfait. Not Lumiere (I just put her because Parfait is not here XD)

Dark cure dream is great too

Please have a nice day :)

Bless your heart for including Cure Infini.

flamingosweep probably won't happen but i cheer fo her regardless

Cure Parfait for 1st favorite :D

I could give points to Takumi (Black Pepper) and Rio/Pikario ("Cure Waffles") ?

vote for 2nd is cure parfait pls

it's awsome to have another precure poll. one day though michiru and kaoru will be recognized as cures T^T [note: they will be included in future polls!]

I've only seen tropre and hirogaru so i know I'm heavily biased

[00belle00lovely00]

ok uhmm... This is a bit akward🥲 but can you make Bobby x Picky headcanons? Plss I need more content of them😭😭😭 Im starving😭😭😭😭

ALR YALL

LEMME RISE UP FROM HELL TO RESPOND TO ALL THESE AWSOME HEADCANONS!

AFTER A FEW MORE, LIKE A FEW 4 OR SO... I.... I UH... I DON'T KNOW IF I WANT TO DO THIS ANYMORE.

TOO MANY HEADCANONS YA'LL.

I DON'T LIKE MAKING YA'LL WAIT DAYS FOR THIS IM SO SORRY

🍎❤️🩷❤️🍎🩷🍎❤️🩷❤️🍎🩷🍎❤️🩷❤️🍎🩷🍎❤️🩷❤️

The chef x the mfer who is putting love potions inside the food.

OKAY- I HAD TO THINK ABOUT THE SHIP NAME FOR SO LONG THAT I THINK I GOT IT. WHAT YA'LL THINK ABOUT ✨FILLING-LOVE✨ AS IN- FEELING LOVE AND FILLING WITH EATING TOO MUCH ARTFSUDHJGFASJDGFALSJDGFAISDHF.

They'd be watching any cooking show that has ABSOLUTELY TERRIBLE DRAMA BUT IT WOULD BE FUNNY AS HELL HOW BAD THEY MESS UP THE FOOD TO THEM

Lovey-dovey and sucker for romance pansexual x "that's my lady right there you'll, can't get better than this you guys" lesbian and food enjoyer

Alright, hear me out on this one you guys. Bobby + chocolates + giving them to picky = INSTANT GIRLFRIEND!

Live laugh love country Picky. We all want a home girl to have an Applejack kind of accent. And as for Bobby?... HMMMM... I KINDA WANT HER TO BE FRENCH. IT WOULD MAKE SENSE, RIGHT? (pls, don't go after me in the comments I'm Hispanic-french myself.)

WE ALL KNOW. WE ALL KNOW PICKY GOTTA CARRY MISS LOVERGAL LIKE THE STRONG GIRL SHE IS. SHE GOTTA!!!!

let's all just agree that picky GOTTA snort when she laughs.

I always like to think that Picky is an in-denial hypocrite, especially when it comes to eating. She's the one in the group always scolding everyone for not eating healthy as it is, yet SHE is the one that sneaks on 3 AM in the middle of the night to each last week's cake from Kickin's party. And yet... rather coincidentally and out of pure chances, Bobby is a sucker for sweets too. So they just work each other out in helping each other with eating problems AND/OR trying to make an excuse to eat dessert before dinner.

PDA?... is that even a question with Bobby around?

THEY'RE SO GAY AND IN LOVE IT MAKES ME WANNA GO ARTUYIGFYDSJKAOIGFYUDJSAKJHUFVDBNSDBHJDIOFOAIHSOASJBCKJSDJFKKWJEF-

WAIT OML, THIS IS OUT OF CONTEXT BUT, I JUST THOUGHT OF SOMETHING. WHAT IF BOBBY LIKED GREEK MYTHOLOGY- O H... OH, SHE WOULD ABSOLUTELY ADORE EROS AND PSYCHE. GREAT ROMANCE STORY, I TELL YOU. Well, of course, it gotta be, Eros is literally in the early stages of Cupid's image.

Once again, I bestow before you one of my favourite headcanons; Bobby has separation anxiety. And BECAUSE of that she would be messaging/spamming on Picky phone about where she was, if she would come over, if she wanted HER to come over, if they wanted to hang out, etc. What was Picky doing meanwhile? The simple answer passed out on the floor after thinking it was a good idea to try to mix all fast foods known to man into a single meal.

they're both dumb but they don't know it/know it.

YOU GUYS. EVEN BOBBY WRITES FANFICS ABOUT HERSELF AND HER LOVERS. CHANGE MY MIND. YOU GUYS KNOW IT.

Picky would be so proud of pulling up Cupid herself lmao.

YOU GUYS. 👏BOBBY👏WOULD👏TOTALLY👏BOOP👏PICKY'S👏SNOUT.👏 IT GOTTA HAPPEN. EITHER A BOOP OR A KISS IT'S OUTTA HAPPEN.

I think Bobby would treat this relationship like they were in some romantic novel.

@11sugarplum11 (since you ALSO asked for it! Dw didn't forget about you!)

That's it you guys, maybe I'll be answering a few 4 or less but I'm REALLY stressed about catching up to all the commissions. I hope im not breaking anybody's hopes for all of their headcanons to be answered.

I STILL HAVE 8 MORE TO ANSWER YOU GUYS... PLEASE- I NEED TO FINISH A LOT OF STUFF.

🙏

PLEASE. PLEASE- PLEASE DONT HATE ME YALL PLEASE-

[therese-lokidottir]

You know laly from moon Knight tv series, she basically like Sylvie (an oc and mixed characters from comics) but layla more likeable and she had personalities and her own story, her existence not just for make main male character look weak and pathetic and she look awsome. No, she had flaws and well written than Sylvie. More important she not taking spotlight from the main character

she and Marc are equal and help each other

And more importantly that she exist inside comics (even just moon Knight comics). Comics writer finding her more interesting than Sylvie. Sylvie is not popular and bland to be written inside comics. HA TAKE THAT

It's all about looking at the background and intent around the creation and writing of these characters. Layla just takes the place of the character Marlene Alraune from the comics. Layla was written to be a supporting character. Layla was created and made Egyptian because the creators wanted to add diversity and also avoid the problems that come with white archaeologist characters. They also wanted a character that had agency and was proactive as to make her more than just shallow love interest, but it's never so much the story stops being about Mark/Steven.

So like a huge problem with Sylvie is actually with the very script of the series. It's no secret at this point that the Loki2021 story was bases was on Waldron unproduced screenplay Worst Guy Of All Time and Sylvie is just the character Dixie. When rewriting they just hodgepodged a bunch of characters together to fit.

That's the difference Layla was created to be Moon Knight character. Sylvie is a square peg shoved in a round hole. No offence to fans of Marlene from the comics but Amora is much more important and popular so having an OC take Amora is far more disappointing.

As you said Loki being dragged to make their OC look better results in Sylvie coming of as more obnoxious. The fact they seem more focused on their OC than the title character is obnoxious. But I do find it hilarious ironic that it's Layla that has been incorporated into mainstream marvel comics while no one the least bit interested in using Sylvie.

[suallenparker]

Okay, for the fic writer asks, I am curious about a lot of them for you but feel free to pick and choose which ones you answer. xD

2. A character whose POV you’re currently exploring?

7. Your preferred writing fonts?

9. Start to finish, how long did it take you to write the last fic you posted?

19. The most interesting topic you’ve researched for a fic?

23. Pick three keywords that describe your writing.

27. What’s your favourite part of the writing process?

Ohhh, thank you so much for sending those in!

2. I just rewatched Demonology again and I wrote some dialogue today where Emily shows up at his place after walking through the snow at the end of the episode because she wants him to know the truth about her too. And I want to explore his POV here. They haven't known each other for too long, he isn't divorced for this long and just in general, he plays most things very very close to the vest. So I'm looking forward to writing that yearning for her as he acts all calm and collected. That fic will be canon-compliant, so there will be no kiss, just a little add on.

7. before I got my new laptop and switched to using Ellipsus to write (by the way, that program is awsome!) I used Comic Sans because I read an article, that the silly font helps the brain relax, so you actually write more. Now I'm using Literata, which is the standard font in Ellipsus.

9. I acutally don't know! I took breaks between working on Sin to Win to finish off other stories, but maybe work time was four days or something? Procrastination included, of course. ;)

19. I'm mostly too lazy to do actual research. Sorry!

23. Hm, three words for my writing. This one is hard! - Maybe humor, because I love adding humor to scenes, character-focused and smut?

27. I love writing dialogue. It's where stories usually start on the page for me as I write down what the characters are saying in my brain-cinema. But I also like adding to the scene to give some lines a completely different implication for the character I'm writing, if that makes sense. - I don't really enjoy describing the surroundings. I've gotten better with adding descriptions, but yeah, not my fav.