I think my OC and Sun Wukong's entire relationship dynamic is that both don't think much about marriage or love or relationships, but they both clearly act like they have been married for 50 years with the way the bicker and banter but also just be there for each other but they'd totally get married and claim because it just made life easier for both of them like yeah the celestial court and all the others are getting off his back now and she has an extra layer of protection and they insist this is a marriage of convenience and yeah they're best friends ofc they love each other plus this is ancient china every second person gets married for convenience not out of love how is that any different than our marriage but outsiders can just see how loyal and head over heels they are for each other and yes there was that one accidentall kiss incident but only because Wukong was hanging upside down from the tree and she turned around too fast and their lips met each other but that doesn't mean anything-
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something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.
this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.
Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.
The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?
It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.
TLDR;
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gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)
Like. This guy's establishing character moment is, in order:
he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament
turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter
(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)
(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)
proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)
gloats evilly
opens chest, unleashing a whole bunch of monsters
exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass
RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line
completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)
petrifies her
(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)
(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)
looks in the chest
there's no light force
considering his stated goals he might be as confused as you are about the monsters tbh
uhhh
evil laugh
teleports the fuck out
He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.
None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.
(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)
Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.
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