#but this has been on my mind a lot

[woahcloudpawz]

absolutely adore the meet the cast thing for the graphic novels but y’all cannot fricking write cinderpaw’s bio (or smth) like as if she’s actually becoming a warrior THEY KNOW WHAT’S GONNA HAPPEN

[rustyvanburace]

A lot of time when I see people talk about aging and comings of age, it is often said that your 30s is when your life really starts becoming the best. And I'm happy that this is true for many people. But for me, soon to turn 31 this year, it hasn't been.

Nearly all my life progress I made in the last couple years have been instantly regressed shortly after turning 30 with little hope of regaining them back. A lot of dreams were broken too. And while turning 30 wasn't the catalyst for all that, it honestly feels like a big let down from everything I've heard about "it gets better after your 20s."

I'm not saying all that to "crush" anyone's hopes for the future. I genuinely hope you all can have a happy, better future. It is just, where is all the support for those whose lives still aren't altogether in their 30s despite trying? Is it really even fair to make such promises as "it gets better when you're x age" when everyone's circumstances and outcomes are different?

Maybe I've just been let down way too many times in my life that it has made me frustrated with all this.

[ruporas]

dragon meat, you, and me

[bloggingboutburgers]

Quick reminder since apparently it bears reminding in both directions: if bigoted people, closed-minded people overall, or your own internalized insecurities misinterpret a queer person’s message in a way that hurts/endangers you, yeah, it sucks, but it’s not the fault of the queer person in question, nor should it be a reason for them to silence themselves. They’re probably as hurt/pissed as you are that someone misinterpreted and misused their message to do harm.

Of course sadly there’ll still be queer people that actually DO mean harm and dismissal to other queer people – I ain’t speaking for those and it’s not the best way to ensure their and others’ wellbeing imo. I’m just saying – not all people will be like that. That’s what I want to believe. So hopefully let’s not put everyone in the same bag, keep supporting each other, WHILE allowing each other to advocate for our own visibility, without having to self-erase or self-censor to accomodate to what haters might say.

It’ll be tougher this way, maybe, because humans seem to like to draw extreme conclusions very quick, but I don’t believe there’s any better way for us all to be alright and stay alright on the long run.

[s3rrrpentine]

ouhh husbant,,,,, we're no longer homeless,,, because you and i are home,, <3

the reference lol

[that-wildwolf]

hey, remember being 18 years old and playing mass effect for the first time and it's got this like intense aura of being very small and very insignificant in a very big, very empty galaxy? remember playing mass effect for the first time and everything all of this is so new and mysterious, and it's 2am and you're sitting in a dark room in the light from your tv and you're playing through feros for the first time and you feel that this is someting very old and very ancient and you are somewhere you shouldn't be and you don't know what's going to happen or where you're going but you keep on. there's a tingling in your stomach and you're playing mass effect for the first time. the thorian is a milennia old sentient plant being. the rachni queen is old and telepathic and a hive mind and in pain. sovereign is an ancient machine that has not been built but is, and has always been, and this is something so alien and so unlike and beyond anything your human mind can comprehend, and this is something unexplainable and huge and as uncaring and indifferent as the empty galaxy around you. you're playing mass effect for the first time and you're walking on the surface of an almost completely empty planet with nothing but your two companions silently walking beside you and everything is so huge and empty and silent and you're so small and insignificant and it's so beautiful and so scary and you feel like you are on a rollercoaster about to drop down. you are playing mass effect for the first time and you're playing the mission on the moon and you stop and just look up at earth visible in the sky. you know this. this is home. you are playing mass effect for the first time, and the galaxy is so big, and you are so tiny, and everything is about to change for you.

[poorly-drawn-mdzs]

At your side [End of Season 2]

[First] Prev <–-> Next

[kazz-brekker]

tolkien's tendency to leave women off of family trees is annoying to me not just because it's an overall trend in fantasy novels that i wish wasn't a thing (to quote arya stark, the woman is important too!) but also because i desperately need to know who celebrimbor's mom was and which elf lady made the bold yet fantastically bad decision to marry into the house of feanor.

[philtstone]

psych is all about contradictory truths and every character embodies that theme in a different way but i think gus may be my favorite one. of all the characters he’s the most obviously afraid — of death, of blood, of creatures and spooky things — but at the same time one of his defining traits is being an honest and candid yet very kind friend. to be real with your friends out of love for them without worrying about repercussions requires a lot of bravery and gus displays that emotional bravery more than every other character on the show. it makes him such a good and reliable friend and an excellent foil to shawn in a distinct but perfect way. in this essay i will

[astronomodome]

ur doing the hermit swap thing right? could i request an eldritch gem? i think she deserves it

something in the water

[justafriend-ql]

reminder to all gifmakers that your work is always a unique, valuable contribution to the community. even if someone has already giffed that scene. even if you're not 100% happy with the coloring. even if it doesn't get many notes because sometimes people only look at the 'top' posts in the tags (which are usually just the first posts on the scene after an episode drops).

frankly, the culture of expecting gifs to be made within 15 minutes of an episode airing and only reblogging posts made within that timeframe is stressful and unsustainable for creators, and it prevents people from discovering and appreciating the wonderful diversity and abundance of work that can be found here.

follow your favorite gifmakers, reblog generously, and have some compassion for people that devote their time to making beautiful things <3

[milkamel]

A small headcanon related to Cross: he looks quite intimidating and cold to strangers even though he doesn't mean it but when he's with people he's comfortable with he's loud and can't hide his emotions at all- he's easily excited, he can't keep that serious royal guard persona

Though now that I think about it even when he's trying to look intimidating he's adorable I'm SORRY I CAN'T TAKE HIM SERIOUSLY I LOVE HIM A LOT

Btw I literally drew this as quickly as I could so it's messy but I had to convey my vision before heading off to bed

Killer belongs to rahafwabas Cross belongs to jakei Nightmare belongs to jokublog

[ruporas]

birthday party (id in alt)

[wyllaztopia]

2025 is coming so i let my friend @kayseeye [new agdt mod and assistant!!] clear agdt's askbox

as devastating as it was to see a bunch of creative remarks and asks go down the drain - let's be real, i won't have time to answer them with how linear the story is becoming for ease of access [goodbye 500 asks... though kacey took screenshots of drawings you guys sent in our inbox!!!]

hooowever, there's also another key reason we had to clear the inbox

[^ satire btw]

very long and convoluted psa/ramble about this matter ahead! but also slightly important and i encourage you to read it if you think about using agdt's inbox as a way to vent or share things about your irl troubles

some people treat the blog's inbox as a venting area

it doesn't really make me uncomfortable, it's just something i prefer not seeing. i don't like sharing or being shared personal information especially from an anon or a stranger

this doesn't go for just agdt - it goes for all blogs you interact with: please don't make yourself vulnerable to a stranger on the internet. you are putting yourself in a dangerous spot.

if you need escapism or help, turn to a professional or someone close - going to a stranger can go horribly wrong in two ways: you make them uncomfortable and subject them to a responsibility they never signed up for, or you let someone use your vulnerabilities and personal information against you.

i can probably count like 100 or so asks of people sharing something overly personal and asking for comfort. i don't hate it, i'm not mad, i'm just worried and i hope the people who send them become aware that they should not send those asks knowing that if they're answered, they could be answered publicly with everyone and their mama being able to see that vulnerable moment in that ask.

"just ignore them, wyll! besides, you didn't have any rules abt yo blog anyway, yo!"

nah, i'd win

can't exactly ignore them when it's been almost a year of young impressionable users over sharing to a stranger who answers asks publicly [along with the fact that i hardly see people talk about this matter when it comes to rp/ask blogs.] also so they don't do this to another askblog that has another impressionable youngin running it and publicizes asks that contain personal life info.

we don't add rules to asks on agdt because we can pick and choose which ones we answer. a set of rules isn't going to stop an asshole from breaking them so i'm not wasting my time trying to enforce one. and that's not what i'm trying to do in this post either. i'm putting this out there because i don't want people making the irrational decision of making their life and weakest moments accessible to people who want to use it against them.

i'm not trying to make a big deal out of this either. i can just skip or delete asks that i know i shouldn't answer or won't be able to. but that's my side of responsibility as someone with a platform. i want to make it clear that the audience that decides to interact with these kinds of blogs should be aware that just because you're behind a screen and concealed by an internet persona, that doesn't mean you're any safer from other people using your vulnerabilities against you.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[comeonblub]