#but then why was he doing literally everything else?

[sceletaflores]

well, all right i’m bad, but then you’re no prize either…

pair: joel miller x fem!reader

wc: 8.6k

contains: 18+ SMUT MDNI, no ellie, general violence (only referenced), age gap (56/26), swearing, so many spacers lmao, not quite friends to lovers and not quite enemies to lovers but a weird other thing, kinda mean!joel for a good sec, dressing wounds, joel miller TUMMY, loss of virginity (reader is a virgin but she's not completely oblivious and weirdly infantile about it lmao), fingering (fem!receiving), p in v, unprotected sex whoops, size kink, belly bulging, pussy pronouns, porn with a tiny plot, no use of y/n.

nat’s note: well, i finally caved y’all. baby’s first tlou fic! this literally took me forever to write and even longer to post cause i was so terrified LMAO so please give me some grace if it’s shit and he’s ooc and timelines are a little fuzzy cause i barely know what i’m doing. thank you chickens love you mwah mwah mwah. kisses!

dividers by lovely @saradika-graphics!

joel found a lodge house…

You don’t know what you did to make Joel Miller hate you so much.

He's never outright said it, but you know it’s there—in every sharp glance, every clipped word, every deliberate avoidance.

Besides, his silence is worse than anything he could say. A quiet condemnation that settles in your chest like stone.

You tell yourself it doesn’t matter, that you don’t care what he thinks, but the truth is harder to swallow.

You do care—more than you want to admit. His approval, his respect, hell, even a sliver of kindness from him feels like an impossible prize you’ll never win.

And you hate yourself for wanting it. For needing it.

It's not just the weight of his disdain that eats at you, it's the not knowing why. God, do you wish you could ask him why.

What did you do to make him look at you like you’re some necessary evil he has to tolerate. Why does he hold some unspoken grudge that's manifested itself into something you couldn't dream of ever comprehending.

But the thought of confronting Joel feels like standing on the edge of a cliff, staring down into a void that might swallow you whole.

So instead, you do what you've always done. You keep your distance, try to match his indifference with your own, and tell yourself it’s better this way.

You were young when the outbreak hit, six years old.

You’re sure that’s part of it. That that’s how Joel sees you, as some bumbling, naive child who’s more of a hassle than anything else.

Another mouth to feed, another back to watch, baggage.

You've been with him for almost seven months now, traveling side by side when you may have well been miles apart. Trekking through abandoned cities, overgrown highways, and every godforsaken patch of wilderness in between.

In the beginning, you did everything you could to prove him wrong.

You pushed yourself past your limits, hunted, scavenged, fought, kept up. You did everything that needed to be done without hesitation.

All to show that you were more than what he made you out to be. It never seemed to matter much.

After you lost your parents in the early days of the outbreak, it was just you and your sister. She taught you everything you know, taught you how to survive.

It's because of her that you know how to shoot a rifle, how to skin a rabbit, how to start a fire with nothing but sticks and dried moss, how to snap bones and locate which vital arteries bleed out the quickest.

It's because of her that you've been able to hone some sick skill in the maiming of clickers.

A skill you never thought you'd need to use on her.

You were supposed to be safe in the QZ. You weren't supposed to be fifteen years old, aiming a gun at the one person you had left.

Your own flesh and blood wasn't supposed to be the very first in a long list of red tallies under your belt.

It’s been years and you’ve still never forgotten that day. December 19th, 2012, the date burned into your brain like someone took a branding iron to the tissue.

You can’t count the amount of times you’ve been ripped from your sleep drenched in a cold sweat with the tail end of a scream tearing at the skin of your throat.

The image of what was left of your sister, slumped on the ground lifeless as her blood painted the wall behind her flashing behind your closed eyelids. The sound of her last labored breath ringing in your ears louder than any shotgun blast.

You ran that same night, with the weight of her death on your shoulders.

Your entire world spinning out around you as you clawed through barbed wire fencing, not caring where you were going or what would happen to you—just needing to escape.

There was nothing left for you to do after that but survive. And that’s what you did, for years, scraping by in a world that had already chewed you up and spit you out a mangled mess.

You learned how to be ruthless because of it.

How to harden yourself against the loss, the pain, the brutality. But there were cracks, too. Cracks you hid well, buried deep beneath layers of stubbornness and distance.

The endless days blurred into each other. Empty houses, hollow streets. A life reduced to scavenging, hiding, and the occasional, fleeting moment of human connection that inevitably ended in loss. 

And then you found yourself with Joel.

You hadn’t exactly found him, though. More like crashed into his orbit by accident.

A few desperate days spent scavenging through the ruins of a small town, a chance encounter that left you both wary and unwilling to turn your backs.

But, inexplicably, you somehow became part of his traveling routine.

He wasn’t like any of the others you’d met before. At first, you thought he might be different. A man who seemed broken, but different nonetheless.

As the days turned into weeks, and weeks into months, you began to see the truth. Joel Miller wasn’t concerned with you. He didn’t need you. And, more than that, he didn’t want you around. 

You didn’t know what to do with that.

It’s a bitter kind of irony. You’ve survived all this time completely on your own, fought tooth and nail to stay alive, but with him, you might just crumble.

Joel found a lodge house. It's a small, weathered place tucked away in the dense trees of the wood surrounding it.

He only deemed it suitable after an extensive perimeter check and a thorough sweep of the interior.

It's not much—just another run-down place in the middle of nowhere—but for the first time in what feels like forever, it’s a roof over your head for the night.

The walls are sturdy, though the windows are cracked and half of the floorboards creak like they're about to give out at any moment.

You explored the second floor alone, creeping through the desolate rooms and taking in all that was left behind.

Old family photographs covered in thick layers of dust, worn clothes riddled with holes still hung in the few closets you stumble across.

The oddest of all was an old jewelry box tucked away in a dresser draw, tarnished silver dull and muddy.

The sound of familiar footsteps comes from somewhere behind you. The door creaks open slowly.

Joel. Of course.

He clears his throat, the sound abrasive in the quiet of the house.  

“Fire’s low,” he says, voice rough from its lack of use today.

You don’t turn around, not yet. You take the box in your gloved hand, running your fingers across the intricate design of the lid, touch trailing over winding vines and small roses.

“Okay,” you mutter, your voice coming out quieter than you intended. “I’ll grab some more wood later.”

Another beat of silence. Then, “It’s gettin’ cold out, I’ll go.”

Your fingers pause their ministrations, moving to flip the lid open. Empty.

“Suit yourself,” you reply after a moment, your tone just as neutral as his.

Joel doesn’t leave right away. You hear the floorboards groan beneath his weight, his presence lingering in the doorway. 

You wonder what he’s waiting for, or if he’s waiting at all.

Finally, he speaks. “Don’t touch anything.”

With that he turns and leaves the room, you wait until you can’t hear his footsteps trailing down the stairs anymore to let out the scoff festering in your chest.

You snap the jewelry lid shut with a little more force than necessary. “Asshole.”

Joel's been gone for a while now. Longer than it takes to chop a few logs for firewood.

You came down from the upstairs a few minutes after hearing the tell-tale sound of the heavy door opening and closing. The main room is quiet, save for the soft crackle of the dwindling fire.

You're perched on an old armchair near the entrance, peering out the dirty window that has the best view of the treeline as you nervously pick the skin around your nails.

You tell yourself not to worry. He’s probably fine, he’s been doing this a lot longer than you. And if Joel is anything, it’s annoyingly competent.

Still, a nagging doubt itches at the back of your mind. It's been at least half an hour, maybe more.

You’re just about to grab your own pack and go looking for him when the front door creaks open.

Joel stumbles inside, the frigid evening air rushing in behind him before he slams the door shut. At first glance, he looks fine—no more haggard than usual. 

But then you notice the way he favors his left side, the way his free hand is pressed against his ribs, blood seeping through his fingers and staining his torn undershirt.

You’re on your feet in an instant.

“Fuck,” you say, voice sharper than you expected. “What the hell happened?”

“Raiders.” Is the only explanation you get as he tries to brush past you like it’s nothing. The stiff way he moves and the tightens of his jaw betray him. “S’just a scratch.”

“Bullshit,” you snap, stepping in front of him and blocking his path to the fire. “Sit. Now.”

He gives you a look, one of those deep, withering glares you’ve seen him use to intimidate countless others into submission. But you stand your ground, chin raised and jaw set–defiant. 

His stubbornness finally meeting its match in your own. 

Finally, with a low growl of frustration, he drops onto the couch. “Happy now?”

"Not until you let me take care of that." You motion toward his side, where the blood is still spreading.

“I’m fine,” he mutters, lolling his head back to rest more heavily on the couch.

“Sure you are,” you snap, crossing the room to rifle through your bag. “And I’m the fucking Queen of England.”

"Said I’m fine," he bites through gritted teeth, but you’re already moving, heading back to him with the first aid kit from your pack.

"You want to bleed out on this ugly-ass couch? Be my guest," you shoot back, dropping to your knees in front of him. "Otherwise, shut up and let me help."

Joel surprisingly doesn’t argue any further, just sighs heavily and reluctantly sinks further into the couch cushions.

You push the front of his jacket open to slide it off his shoulders as gently as you can, peeling back the layer of his flannel next.

The smell of blood hits you immediately.

The gash is about five inches long, trailing the span of his ribcage. It’s deep—but not fatal—just an angry red and oozing blood.

Definitely not the simple 'scratch' he made it out to be.

Your stomach churns at the sight, but you push it down. No time for that.

“Jesus, Joel,” you mutter under your breath, reaching for the alcohol in your kit. “You really know how to underplay a situation, huh?”

He doesn’t respond, just watches you with those dark, calculating eyes of his. Always watching, always assessing.

It’s unnerving, but you focus on the task at hand, grabbing a clean cloth and soaking it with alcohol.

“This is gonna hurt,” you warn, though there’s a part of you that doesn’t mind the idea of causing him a little discomfort.

A petty, vindictive part that still stings from all the scorn he’s thrown your way.

“Just get it over with,” Joel grits out, his voice low and gravelly.

You don’t give him any more warnings as you wipe the soaked cloth over the wound. He flinches, a harsh curse slipping through clenched teeth, but he doesn’t pull away.

You work as quickly as you can, wiping away the blood and dirt with steady hands, your movements as gentle as possible given the situation.

You let out an annoyed huff when the torn fabric of his shirt gets in the way of your hands for a second time.

You lean back on your heels, glancing up at Joel. “You need to take your shirt off.”

Joel raises a brow at you, his lips pressing into a thin line. “That really necessary?”

“Yes, it’s necessary, Joel,” you huff, already losing patience. “Unless you want me to sit here and cut around every thread of this ratty thing while you bleed out, then by all means—”

He sighs heavily, cutting you off as he shifts forward and grabs the hem of his shirt. He tugs at the fabric, grunting in pain each time it strains his ribs.

You roll your eyes at how slow he’s moving, and your patience—already worn thin by the day's events—snaps.

“Jesus Christ, let me help,” you huff, reaching forward and grabbing the fabric.

Joel jerks back slightly, his hand shooting up to stop yours mid-motion. “I got it,” he growls, a sharp edge in his voice.

You glare at him, your hand still caught in his grip. His palm is calloused, his hold firm enough to make your pulse jump unexpectedly. 

For a moment, the two of you just sit there, locked in a silent standoff.

Then he releases your hand and pulls the shirt over his head himself, wincing as the movement pulls at his side.

You wait with your arms crossed, trying to ignore the awkward flutter of nerves in your stomach as the fabric peels away to reveal his chest.

Joel’s broad, solid frame isn’t new to you. You’ve seen him shirtless before—brief glimpses when bathing in rivers or changing in run down houses between stops.

But this time feels different, more intimate somehow.

You’re staring, and you know it.

The firelight cast shadows over his skin, illuminating old scars, faint lines of muscle, the barely there jut of his stomach over the hem of his jeans.

You had been getting more game kills recently, two hunters are always better than one.

Joel clears his throat, dragging your focus back to the present. “You gonna gawk all night, or can we move this along?”

You snap out of it, scowling to cover your embarrassment. “Yeah, yeah. Don’t get your panties in a twist.”

You finish cleaning the gash and grab the small needle and thread lying next to you.

“This’ll hurt worse than the alcohol,” you say, threading the needle easily.

Joel snorts, a rare sound. “Figures.”

The needle pierces his skin, and this time, you catch the smallest hitch in his breath. He doesn’t make a sound, but his jaw tightens, the veins in his neck standing out like cords.

His hands grip the edge of the couch hard enough that his knuckles turn white with it, but he doesn’t tell you to stop or slow down.

He’s too damn proud for that.

You shift closer, your knee brushing against his leg as you position yourself to work from a better angle. You feel his eyes on you, that intense, scrutinizing stare that makes your skin prickle.

“You’ve done this before,” Joel says after a moment, his tone less sharp than before. It’s not quite a question, more of an observation.

You shrug, keeping your hands steady. “Of course I have.”

“Who taught you?”

The question catches you off guard, Joel’s never shown much interest in what your life was before you met him. You glance up briefly, catching his gaze. There’s no malice there, no judgment—just curiosity.

You swallow hard, dragging your eyes back to stitches, half way done now. “My sister.”

You don’t elaborate and Joel doesn’t push.

Maybe it’s the sudden tightness in your tone or the look you know must be clouding your face that keeps him quiet.

You finish off the stitching, tearing the thin strand of thread with your hands before you’re leaning away again.

“Good as new,” you say, dabbing some more alcohol on your own hands to disinfect. “Try not to tear these open anytime soon.”

Joel leans back, strong arms spread across the back of the couch, his face unreadable as he peers down at the fresh stitching on his side. 

“Could’ve done it myself,” he mutters, but the edge in his voice is gone, replaced with something softer, almost resigned. 

You roll your eyes with a scoff, not even trying to hide your irritation as you rise from the floor. “Sure you could’ve, right before you passed out. You’re welcome by the way.”

You gather your supplies and turn to head back to your bag, but Joel’s voice stops you in your tracks.

“You’re always like this, y’know,” he says, and the words carry that same gravelly drawl, but there’s something new there—something heavier.

You pause, your hands tightening around the kit in your grasp. “Like what?”

“Pushy. Stubborn,” he replies, his tone cutting, though it lacks the usual venom. “Like you’ve got somethin’ to prove all the damn time.”

You whip around, your patience officially gone. “You think I’m stubborn?” you shoot back, your voice rising. “Coming from the guy who would rather bleed out on a fucking couch than admit he needs help?”

Joel’s jaw tightens, and his hands flex against the couch cushions, but you don’t stop. Not now. Not after months of this.

“I’ve been busting my ass since day one to prove that I’m not dead weight to you. I’ve fought for us, for you. And for what? Just to get more of your bullshit attitude?”

“You don’t know what the hell you’re talkin’ about,” Joel snaps, pushing himself upright despite the obvious strain it puts on his freshly stitched wound. “You don’t know a goddamn thing about me.”

“Because you won’t let me!” you fire back, stepping closer, your voice rising. “All you do is look at me like I’m some burden you can’t wait to get rid of.”

Joel’s glare sharpens, his lips parting as if to respond, but you cut him off.

You really can’t stop yourself now that you started, all the anger and frustration reaching a fever pitch hot enough to burst the tight lid you’ve kept on your emotions.

“If I’m such a hassle, why didn’t you just leave me back there, huh? Why didn’t you just walk away like I know you wanted to?”

Joel’s breathing is heavier now,  his broad chest rising and falling as his dark eyes bore into yours.

For a moment, he doesn’t say anything. Then, he stands, and the sheer size of him forces you to tilt your chin up slightly to keep your glare fixed on his face.

“You think I wanted this, kid?” he growls, his voice low and strained, like he’s barely holding himself together. “You think I wanted to be responsible for someone else? To have someone else’s fuckin’ life on me?”

“Don’t call me kid,” you spit, shoving a finger into his chest, ignoring the way his jaw ticks at the contact. “I’m not a fucking kid.”

He scoffs, casting his eyes to the ceiling disbelievingly. “Could’ve fooled me.”

“Fuck you, Joel,” you growl, fists clenching at your side. “If you hate me that much, why the hell are you still here? Why didn’t you tell me to fuck off the second you met me?”

“Because I couldn’t!” Joel snaps, booming voice filling the small space.

The confession slips out like it pains him. His fists clench at his sides, and for a moment, he looks like he might break something.

You’ve never been scared of Joel, even though you’ve seen first hand just how scary he can be.

Now, as he looms in front of you, eyes blazing and jaw working furiously beneath his skin, it’s the closest to scared you’ve felt.

“I’ve seen you out there,” he continues, tone low and dark. “You’ve got a fuckin’ death wish. You’re too damn stubborn to just stop, and I’m not gonna let you go so you can run off and get yourself fuckin’ killed.”

Your heart pounds in your chest, his words hitting far too close to home.

“I’m just trying to survive, Joel,” you snap, your voice shaking. “That’s what we do, isn’t it? Survive.”

“Survive,” Joel repeats bitterly, his gaze burning into yours. “That what you call it? Throwin’ yourself into every goddamn fight, gettin’ stabbed and shot right fuckin’ in front of me and expecting me to brush that shit off?”

You let out a humorless laugh, nodding your head exasperatedly. “Yes, yes I do expect you to just brush it off, because that’s what you always do.” 

“Well I can’t,” he grates out, taking a step closer. “I can’t ‘cause despite whatever it is that you may think about me, I don’t hate you. I care about you too damn much and that's my goddamn problem.”

That shuts you up, your mouth snapping closed with a sharp click of your teeth as you stare at him, shocked.

Joel holds your gaze, lips pressed into a thin line. “That what you wanted to hear?”

It’s in that moment that the fire finally fizzles out, the dull hiss of it the only sound left in the room.

You’re quiet for a beat, stunned into silence. The heat of his anger, his frustration, it radiates off him, and you realize suddenly that this isn’t just about you. 

It never was.

“Then show me,” you challenge softly, your heart pounding in your chest. “Show me that you don’t hate me.”

Joel’s eyes darken, his head cocking to the side as he searches your face for a sign. You don’t say anything, you only square your shoulders and raise your chin, your eyes just as hard as his own.

“I want you to prove it.”

The tension snaps like a rubber band stretched too far. 

You shouldn’t—this shouldn’t—happen. Not like this. Not after everything that’s been said.

But when Joel’s lips crash against yours, hot and desperate and urgent, it makes everything blur into nothing. 

It’s not gentle, not soft—this is anger and longing and frustration all wrapped into one. It’s messy, frantic, like a fight that’s been brewing for too long.

He grips your arm, pulling you closer, almost too roughly, but it feels like it’s everything you’ve both been avoiding.

His other hand moves to cup the back of your neck, grounding you as his lips press harder against yours, like he’s trying to pour everything he can’t say into this single moment.

You respond just as fiercely, nails digging into the skin of his shoulders as you kiss him back with all the pent-up emotion that’s been simmering beneath the surface.

The coarse hair of his beard scrapes against the skin of your chin deliciously, the scent of blood and firewood filling your senses as his arm wraps around your waist, dragging you impossibly closer.

Close enough that you can feel the wild beat of his heart booming against your chest.

You pull away for a second, breathless, both of you looking at each other, your eyes wide and pupils blown.

“Goddamn it,” Joel mutters, his voice thick with frustration and something else you can’t place. He presses his forehead to yours, the deep brown of his eyes dark than before. “What the hell are we doing?”

You don’t have an answer. You’re not sure if you even want one.

You reach for him again, arms looping around his neck to drag his mouth back to yours.

This kiss is nothing like the first, it isn’t a clash of frustration–it’s filthier, rawer. A near feral thing, all teeth and tongue, a surge of hunger and need that borders on violence. 

Joel groans into your mouth, a low, guttural sound that sends a shiver racing down your spine. His teeth catch your bottom lip, pulling just hard enough to make you gasp.

He takes advantage of the sound, his tongue sweeping into your mouth to slide against yours with wet, messy desperation, like he’s trying to claim every inch of you.

The taste of him—salt and iron and something distinctly Joel—makes your head spin. 

Your fingers knot into the chocolaty curls at the nape of his neck, surprisingly soft to the touch. His own hands roam the soft curves of your body, rough and insistent, like he can’t decide where he wants to touch you most.

“Joel—” His name spills from your lips like a plea, and he answers with a deep, guttural noise that sends heat pooling low in your belly. His tongue follows the path of his teeth, soothing the bites with lazy, deliberate strokes that make your knees weak.

You’re moving before you even realize it. Joel dragging you across the room and down onto the couch with him, using the strength he’s built up after all these years to manhandle you until your thighs are spread wide on either side of his lap.

“Joel,” you gasp again, rearing back enough to break the kiss. “Your stitches–”

He cuts you off with a sharp nip to the sensitive spot behind your ear, tearing a high whine from your throat. “Can hardly feel ‘em.”

You make a displeased sound, but it’s undermined by the way you tilt your head to give his wandering lips more room. His hands find a home on your hips, one slipping beneath your shirt to press against the soft skin of your stomach. 

His fingers splay wide across your skin, his palm callused and rough. His pinky just barely brushes the underside of your breast, and you’re suddenly rearing back. 

“Wait,” you say, your voice barely a whisper.

Joel’s hands immediately loosen their grip on your hips, his brows knitting together in concern. “You okay?”

You nod quickly, your heart pounding in your chest. “I just...I need to tell you something.”

His jaw tightens slightly, but he stays quiet, waiting for you to speak.

You take a beat, chewing at the skin of your bottom lip nervously.

“I’ve never...” You pause, swallowing hard as your cheeks heat up. “I’ve never done this before. I mean, I’ve never been with anyone like this.”

Joel pulls back slightly, his expression unreadable as he processes your words. For a moment, you think he might pull away completely, but then he exhales a long, slow breath.

“Christ,” he mutters, scrubbing a hand down his face. “You’re tellin’ me this now?”

“I didn’t exactly plan for this to happen,” you snap back, crossing your arms over your chest defensively. “It’s not like I had the luxury of a high school sweetheart to pop my cherry out here.”

Joel’s gaze softens at your tone, and he reaches out to cup your cheek, his thumb brushing against your skin. “Hey, hey, I didn’t mean it like that.”

You glance away, suddenly feeling self-conscious under the weight of his stare. “I just...I wanted you to know. But I want this, Joel. I want you.”

His thumb stills against your cheek, and he swallows hard, his adam’s apple bobbing as he considers your words.

“I don’t...” He pauses, the most hesitant you’ve ever heard him. “I don’t want to hurt you.”

It’s the most vulnerable he’s been around you, round eyes shining with something so raw and so earnest it makes your heart ache in your chest. 

“You won’t,” you insist, your voice steady despite the nerves fluttering in your stomach. “I trust you.”

Joel’s jaw clenches, and for a moment, he looks like he’s going to argue. But then he nods, his shoulders relaxing as he cups the back of your neck, pulling you closer until your foreheads touch again.

“At least let me do this right,” he murmurs, his voice so soft you almost don’t hear it. “Not here. Not on some goddamn couch.”

You blink up at him, surprised by the tenderness in his tone. “What?”

“Upstairs,” he says, his thumb tracing lazy circles against the side of your neck. “There’s a bed up there. It ain’t much, but it’s better than this.”

You can’t do anything but nod, your pulse racing beneath your skin fast enough to combat the cold night air seeping through the walls.

“Okay,” you say softly, voice barely above a whisper. “Upstairs.”

Joel stands, gently pulling you to feet and taking your hand in his. He leads you upstairs, each step feeling heavier with anticipation. The small bedroom is dimly lit, the faint glow of moonlight filtering through a broken blind. 

The bed isn’t much—an old mattress on a worn frame, covered with a patched-up blanket—but it doesn’t matter.

Joel shuts the door behind you, the sound of the latch clicking into place sending a shiver down your spine.

“Last chance,” he says, his voice a low rumble. “You say the word, and we stop. No questions asked.”

Your throat tightens at the sincerity in his tone, the way he’s giving you an out even though you can see the strain in every line of his body, the way his hands flex at his sides like he wants nothing more than to reach out and touch you.

But you don’t hesitate.

You step closer, placing your hands on his bare chest. You bite back a smile at the goosebumps that break out all along his skin at your touch. 

“Jesus, Miller,” you mumble teasingly, nails lightly scratching through the salt and pepper hair scattered along his chest. “How long are you gonna drag this out before you get it through your thick skull that I want to fuck you?”

"Christ." Joel huffs, shaking his head as the corners of his lips turn up in a small grin. “Like I fuckin’ said,” he starts, big hands kneading the meat of your hips. “Pushy.”

Joel walks you backward until the backs of your knees hit the edge of the bed, and you fall onto it with a soft gasp.

He follows you immediately, crawling over you, his body covering yours, his weight a comforting pressure. “I’ll take care of you,” he murmurs, his lips brushing yours. “I’ll make it good for you, I swear.”

His fingers are everywhere, unbuttoning your shirt with a practiced ease that has your pulse racing. His lips follow the path of his hands, each touch a branding mark, each kiss leaving you wanting more.

“Pretty girl,” he mutters softly, pressing a kiss right between the valley of your breasts.

You feel his cock stirring against your stomach, and it makes the ache between your legs flare to life, the weight of it, the hardness of it, driving you crazy with need. 

You want him so badly you can barely think straight, but when his lips graze over your collarbone, you can’t stop the quiet whine that escapes your throat.

Joel growls in response, a sound that resonates deep in his chest, and you know then that he’s as far gone as you are. His hands slide down to the waistband of your pants, tugging them down your legs with urgency. 

As your skin is exposed to the cool air, you can feel the heat of his gaze on you, like he’s memorizing every inch of you.

“You’re fuckin' perfect,” he mutters, his voice thick with desire.

Joel's hands find your thighs, parting them with a deliberate slowness that makes your breath catch in your throat. He positions himself between your legs, his body weight pressing you into the mattress, his chest rising and falling with the same frantic rhythm as yours. 

The anticipation is almost unbearable as his fingers trace the line of your panties, the fabric damp with want.

“Jesus, she’s drippin’ for me already,” he mutters, voice rough, as he slides the material to the side, his thumb brushing over the sensitive swell of your clit.

Your body jerks at the contact, a desperate sound escaping your lips, but Joel doesn’t relent.

“You touch yourself down here, baby?” he asks, working tortuously slow circles over your clit.

"Please," you beg, your hands grasping at the sheets, pulling at them as if they can anchor you to the moment.

He looks up at you, his gaze dark and filled with an intensity that makes your stomach tighten. “Asked you a question, honey.”

You whine, high and loud in your throat as your thighs clench desperately around his wrist. “Yes, I touch myself.”

Joel’s lips curl into a satisfied grin, sliding his thick index finger through the messy wetness to slip inside your clenching hole, making you gasp. Your hands grasp at the sheets, pulling at them as if they can anchor you to the moment.

“Good girl,” he breathes, eyes darkening at the broken moan that bursts from your lips. “When’s the last time you touched yourself?”

Your brain feels hazy as you search for the answer, pleasure clouding your mind slow and sweet as molasses. “A–a few nights ago.”

Joel hums idly, slipping a second finger alongside the first. The stretch has you whining, his fingers a lot more to take than your own.

Your hands come up to claw at his shoulders, relishing in the way his broad muscle ripples and shifts beneath your greedy palms.

“Joel,” you whine, hips canting down against his hand impatiently.

He just shushes you softly, free hand brushing soothing circles along the skin of your inner thigh. “I know, honey,” he mutters, the pace fingers speeding up. “But I gotta get her nice and ready if you wanna take my cock.”

The gush of your pussy around his fingers is loud in the stillness of the room, a filthy wet noise that burns your ears each time he plunges them into your aching hole.

“I am ready.” Your breath hitches as your body begins to tremble beneath him. “Please, Joel—fuck—please, I need—”

“Need what?” His voice is thick with dark amusement, but there's a hunger in his eyes that has your stomach twisting. “Tell me, baby. What do you need?”

“I need you,” you rasp, your nails digging little crescent moons into his skin, your body pleading for release. “I need you inside me.”

Your hands grab at his hair, pulling him back up to meet your lips in a feverish kiss. 

The pressure of his body on yours, the way his hard cock grinds against your trembling thigh, drives you to the brink of madness. 

Your hands trail down his chest, past the waistband of his jeans, finally reaching the bulge straining against the fabric.

Joel groans when you rub him through his pants, feeling his cock twitch in response. He pulls back, breathing heavily, his lips curling into a smirk. 

“Yeah?” he asks, his voice thick with lust. “You want my cock in this pretty pussy? Want me to show you how good it feels to be fucked?”

“God, yes,” you answer, desperation lacing your tone as your hand moves to unbuckle his jeans. “Want it so bad.”

He lets you push his pants down just enough to free his cock, and you gasp, your eyes drawn to the way his length stands, thick and hard, just waiting for you. The tip flushed an angry red, drooling pre-come onto the scratchy sheets.

Joel pulls his fingers from you, using his hands spreading your legs wider, positioning himself between them with such careful precision that you can barely stand it.

The head of his cock drags through the mess between your legs, slipping all the way down till it catches on your soaked entrance.

Joel pauses, looking down at you, waiting for your signal, but the only answer you give is a pleading whimper, your hands pulling at his shoulders, urging him to move.

His mouth captures yours once again as he slowly slides into you, the stretch of his cock filling you steadily, making you gasp into his mouth. 

The slow burn of him carving a place for himself inside of you is almost too much, your body trembling as you adjust to the feeling of him.

“Fuck, baby,” Joel mutters against your lips. “You’re so tight, so fuckin’ perfect for me.”

As he sinks deeper into you, his thick cock finally buried to the hilt inside of you, the feeling is overwhelming. You gasp, nails digging into his back as the pain slowly shifts into pleasure.

Joel groans into your mouth, his hands moving to your hips, guiding you as he rocks gently against you. 

The rhythm is slow at first, deliberate, as if he's savoring every inch of you. Your body quivers beneath him, every inch of your skin tingling with sensation. You clutch at him, your legs tightening around his waist, needing more, wanting more.

"That's it," he murmurs, his voice thick with desire. "Take it, baby."

You screw your eyes shut tightly, trying to steady yourself as he thrusts deeper, harder. The angle shifts just enough to make your breath catch in your throat. 

Every stroke feels like it’s hitting the deepest part of you, sparking heat in places you never knew could burn so hot.

"Fuck," you gasp, the sensation too overwhelming, too much in the best way. "Joel... please..."

"Please what, sweetheart?" He pulls back slightly, teasing you with a slow roll of his hips before driving back in with a grunt.

Your nails dig into his shoulders, urging him to move faster, harder. "Don’t stop," you breathe, your voice trembling. "I need you to fuck me, Joel. Faster. Harder. Please."

The sound of skin slapping against skin fills the room as Joel finally picks up the pace, each thrust harder and deeper than the last.

Your back arches off the bed, chest pressing flush to his as your body coils tighter and tighter, already so close to the edge.

Joel reaches up to take your wrist in his, dragging your hand down to press flat against your lower stomach.

“Feel that?” he asks breathlessly, the speed of his hips knocking the dingy bed frame into the wall with every thrust. “You feel how deep I am?”

His own hand blankets yours, pushing down so you can feel the way his cock punches up against your palm on the next thrust.

Your pussy clenches desperately around him at the feeling, your slick lips dropping open on a loud moan.

You can barely hold on. The heat in your stomach tightens, coiling painfully as your free hand scrambles to find purchase on his skin. "I can't—I'm gonna—"

He grits his teeth, his jaw clenched as he drives deeper, pushing you closer and closer to the edge. "Come for me, baby," he growls, his voice dark and commanding. "Let me feel it."

With a strangled cry, you finally release, your body clenching around him, every nerve igniting in a white-hot explosion of pleasure. 

You’re lost in it, your world spinning, your senses overwhelmed by the sensation of Joel’s body pounding into yours, the way his cock brushes against that sweet spot behind your clit enough to make sparks go off behind your eyelids.

Joel pulls out of your velvety warmth, hand coming up to fist his dripping length until he’s bowing over you tightly and coming with a deep groan of your name.

His release paints your stomach with milky strands of white, rope after rope of warm come claiming you in a way no one has before.

He finally collapses against you with one last shuddering breath, both of you breathing heavily, your chests rising and falling together in the quiet aftermath.

For a few moments, neither of you speaks, the only sounds are the soft creak of the bed and the quiet hum of your racing hearts. 

Joel rests his head against your shoulder, his breath warm against your skin, and you can feel the tension begin to slip away, the weight of everything that’s happened between you both settling into something new—something different, but still there.

Your hand slips down the sweaty expanse of your stomach, your fingers swiping through the sticky mess of his release curiously.

“Christ, quit that,” Joel groans, tearing his eyes away from the sight to press his forehead against your shoulder.

“Why?” you hum, brow raised in amusement as you drop your hand back to the mattress. “Can you even get it up again?”

Joel pinches your side hard enough to make you squeal, your body flinching away from him as a surprised laugh bubbles from your chest.

“Watch it,” he warns, though there’s no bite to his tone. You only laugh in response.

The two of you settle into a comfortable silence, wrapped in each other as crickets chirp from outside the window.

Then Joel clears his throat, fingers idly tracing different shapes on the skin of your hip as he gathers the courage to speak.

A circle, a square, a diamond, a circle, a heart, a heart, a heart.

“I’m…” he starts, trailing off softly. “I’m sorry. I’ve been a real fuckin’ prick, and you didn’t deserve it. You never did.”

You turn your own gaze to his chest, hand coming up so you can trail your fingers along the jagged scar decorating his shoulder. Your touch featherlight over the rough patch of skin.

All the anger seeps from your body, a heavy weight gone until you feel so light you could float off the mattress and into the cold night air.

“It’s okay,” you whisper softly, so soft you think it gets lost in the quiet darkness of the room. “I understand now.”

And for the first time in what feels like forever, you both just lay there, tangled in each other, not worrying about the world outside, about the chaos that waits. 

Just you, him, and the soft glow of moonlight.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

mini nat's note: should i add joel to my taglist...i do kinda want to write more for him in the future but i'm not sure yet...lmk chickens <3 bee tee dubs sorry the ending absolutely sucks i could not for the life of me figure out how to end this LMAO

[avatarofthetired]

Since listing these brings joy to me

I bring to you

An ever growing masterpost of random absurd tma shit that just can’t be real /pos

- Martin actually has no middle name and added the K because he wanted to

- Jon spelling out LOL in his professional voice

- Jon singing. Brief singing

- “baaaaa” -Jonathan Sims

- Bug sex statement

- Bug sex two electric boogaloo

- Jon and Martin BOTH lied about their ages in order to seem more credible and professional

- Martin lied his way into the most dangerous job

- Jonas master plan relied on Jon being Gay As Fuck

- Being Compeled makes Elias aroused???

- that one plumber who walked into a Stranger site and was just so oblivious that Nikola called in Jude Perry so they could make fun of him and called him to come BACK

- Tim was sleeping with both a man and woman at the police station for information and records

- Tim thought Jon and Basira were sleeping together at first

- There was a guy who used a haunted coffin as his coffee table without realizing

- Bone Apple Teeth

- the existence of monster pig

- salesa was just living unbothered in the apocalypse with a woman he knew was going to kill him at some point

- the entirety of skeptic Jon (oh it’s normal that his body was fully encased in web, oh it’s normal that Sasha’s off to a wax museum every day with her boyfriend that looks like a stock photo)

- Jon asking Why Do You Sound Like That before asking if someone is going to kill him

- there was a guy who got trapped in a spiral maze and just left because he had dinner plans with his mom

- there was a girl who had a ghost in her house burning and she just went back to sleep

- homophobic vase

- real elias the nepo baby pothead who’s worst fear was being caught high

- Elías does his scheduling on Wednesday, he may be a monster but this is where he draws the line

- the s1 archive crew literally just commits crimes for Jon’s follow ups

- Sasha has hacked all of the s1 crews computers because she can

- Jon has never been on drugs but gets offended if you say he would never and also blames everything on drugs

- door man with knife hands

- there’s a guy who sells fucky items that screw people over and everybody still gets shit from him

- Jon was kidnapped three times like a little princess peach

- Gerry and his colorful shirt and shitty dyed hair and eye tattoos on vacation

- Jon keeps the rib that he got extracted by the guy who does fucky shit with your bones in his desk

- Peter Lukas got cancelled

- Peter Lukas only gave his ritual a name because he thought they were supposed to and everyone else was doing it

- Tim Stoker and his audible bisexual finger guns

[purseowner4thequalityanimation]

SMT Boardgame Kickstarter Smells Like Suspicious Fish

There's an SMT boardgame. Curb your enthusiasm, you shouldn't back it. And if you did, lower your pledge to like a buck until they clear things up, because as it stands it seems like an incredibly suspect product.

Checking through the Kickstarter comments and Japanese Tweets about the boardgame makes the entire thing seem poorly planned at best. I'll summarize as best I can;

The designer is incredibly infamous in the boardgame community

Naoki Matsunaga, a self-described "board game sommelier", is the designer. You'll find tweets lamenting that "the board game sommelier is involved". Why is he so hated? This thread goes into detail: co_boze on twitter. Part of it is they bashed Werewolf over one game they saw of it, another is they took on a kind of public-face role for boardgames appearing on late night TV shows to talk about them in ways that annoyed boardgamers. They seem to have designed a boardgame based on "The 7 Habits of Highly Effective People" which ripped off Sid Sackson's 'I'm the Boss". But it's what co_boze talks about next that's really bizarre. The game was apparently banned from most board game cafes and playing spaces. Seminars where people could play the game were hosted, but the venues that hosted these seminars all closed down.

If you keep looking through comments, you start finding claims that his company does multi-level marketing (ie pyramid schemes). To be honest, I don't know if this is true. But even if it isn't, it is really not hard to find people who know of this guy and would really really really REALLY prefer he was not involved.

"Oh fuck, it's THIS guy" is not a reaction that inspires confidence

2. Questionable development and presentation issues.

A regular collaborator with Atlus recently tweeted "The use of AI in Atlus works or derivative works is stictly prohibited." He responded to a reply asking if this was about a board game.

The staff running the SMT BG Kickstarter later clarified the actual -game- wouldn't use AI graphics... but from the looks of it, the promotional materials do.

Dig that... generic metal pipe aesthetic. Nothing screams MegaTen like black plumbing to nowhere.

In totally unrelated news, a board game manufacturer recently tweeted that a Kickstarter used their name without permission, and they're not sure why.

Quote tweets on the post would suggest it was the SMT board game. The comment they are loosely referring to is this:

In a follow-up post, they do specify "The product figures will be made of PVC." and "We will be manufacturing the games in partnership with a factory in China that has a proven track record... " "Figure director Kimura Yuzuru has over 10 years of experience..." and other boring development stuff that I have no issue with. What I do have issue with is how they can say things like they're "considering" which manufacturer to use and namedropping other companies that they're unrelated with. (While I was typing this post, they posted an update that clarified the CMON issue and literally nothing else: here.)

The boardgame is being presented with machine translated English printed on the same cards as the Japanese. But the actual game will have a translator check everything.

they hire translators to localize all game content

Additionally, there was a week long radio silence on the Kickstarter. For reference, Kickstarters are normally very active with the project planners dropping updates, responding to feedback and clearing up any concerns.

Some of the concerns were "How does the game actually play?", a question that would be best answered by dropping a rulebook for people to look at, or better yet showing them an entire run of the game. The SMT BG Kickstarter has boldly chosen neither. Devs have commented the game is on Version 11 and plays well, which makes it strange that they can't share any of it with anyone else.

Actually, when you compare this to how most Kickstarters are run, it becomes very clear the SMT BG Kickstarter is, uh, kinda failing in all possible regards. The first Backer Goal is "Jack Frost Dice" at 2000 backers (not funds raised, BACKERS). Despite getting 300%(!!!) of the initial pledge needed, there are no bonuses or unlocks.

Mind, this lack of information comes after they already delayed the start to supposedly improve Backer Goals and other aspects.

There aren't a shortage of issues - it's ICREA's first boardgame (but not their first tango with SMT; they made the SMT30th Logo, for instance.) The timeline seems totally wack. The staff have been incredibly slow to respond. Cards with tiny font and two languages printed on them. Etc, etc. Maybe individually these issues wouldn't be too concerning. But all of them combined make the product seem incompetently run at best, and at worst an actual scam.

I'm hardly a big influencer in the SMT scene (my biggest contribution is when that fucking succubus gif gets 36k likes on Twitter every 5 months) but I haven't seen any English speaking sources discuss this in detail, when there really should be at least some noise about all of this. Still. if just one of you end up saving 600 bucks on what ends up being a trashfire carcrash project because of this post, then that'll have made the past 30 minutes of typing this shit worth it.

[lost-romantique]

I need to say this now, so I don't get too ahead of myself, but then like I do anyway...

So a close friend of mine is subscribed to Viv's Patreon, and apparently back in August Viv hosted a Q&A where someone raised an interesting question: We've seen all the Sins and Stolas' ultimate demon form, but do other demons of the lower caste, such as succubus and imps also have another demon form?

And this is what my friend stated that Viv said: I'm so excited to be asked this question because YEA, and you'll get to see it real soon.

Viv, what does this mean? Don't just say "Yeah, and you'll see it real soon" without elaborating! I am clawing at the doors of my cage here.

That "Yeah, you'll see it real soon" could literally be Stolas turning the page of a big fancy book and all we see are two images of a regular imp and said regular imp's demon form. Like, it could be that lame...

But Viv, please...

If you're telling me that I can dream of Blitz having his OWN DEMON FORM I am going to scream. Please! Like, I will drop everything, my entire paycheck to make that dream a reality! Like, FUCK everything else, LET ME SEE THIS MAN...

THIS MOTHERFUCKER!

SHOW THE ENTIRETY OF HELL WHY HE IS THE BOSS!

[moonandstarshyuck]

"Always."

lando norris x gn!bf!reader

notes: I haven’t written since 2019, so bear with me. I’ve found myself thinking about a little blurb for Lando recently (actually a lot of ideas, but this one is sticking with me more than the others at the moment).

For some context, Lando’s been receiving a huge amount of hate online (and in-person) recently. I haven’t been a fan for that long—I got into F1 this summer, in 2024—but I’ve grown to care about him. I was there for Lando losing the championship, and while I think we all knew it would come to this (Max winning felt inevitable) but I’m proud of Lando for pushing so hard this entire year.

Still, with all the hate directed at him, I’m seeing a new side of him, and I’m learning that he’s a person with feelings like anyone else. I can tell he doesn’t always have the highest opinion of himself and tends to take the blame for anything that goes wrong during his races. What struck me about this is how much I relate to it. I blame myself for things out of my control or when I mess up. What sucks with Lando is that his small, human errors are what so many people focus on to criticize him—whether it’s why he didn’t win the championship or why they think he’s a bad person (which he absolutely isn’t).

The inspiration for this came from an interview he did after the Brazilian GP. At that point, everyone knew it was almost mathematically impossible for Lando to win the championship, and he talked about struggling in the aftermath: “I literally couldn’t sleep for the first two days…So I did like, what, 36-40 hours straight. So that probably made everything worse. When you’re tired, you’re more moody, and that kind of thing…I was just sat at home alone. It probably would have been better if I had been with my friends. But they don’t live in Monaco. They also have lives and are busy doing other things. And I’m a big overthinker, so like the whole flight home, the whole week, it just played over and over in my head. What could I have done differently? Why did I do that? Why did I not do this? You start thinking of all the scenarios that you kind of blame yourself for, why it’s now not possible, that kind of thing. And yeah, because I overthink and I struggle with that kind of thing, that took a bigger toll in the days after. It wasn’t an easy time.”

And I keep on finding myself wishing someone could have been there for him in person, so that he was okay. So, I wrote this. The reader in this is dating Lando but is written as a gender-neutral character that uses They/Them pronouns. The reader also has a service dog, a Bernese Mountain Dog named Thunder, to help with their own depression and anxiety (I’m not an expert on service dogs, so this many not be 100% accurate).

They woke up that early morning to the sunlight shining on their face, streaming in from the window outside. The bliss of sleep clung to them as they lay there, cocooned in warmth, the covers snug around their body. They stretched lazily, blinking their eyes open.

Instinctively, they turned to look beside them—only to find the space next to them empty. It’s too early in the morning to be anywhere else but in bed, even for training, they thought. Lando should still be here.

The realization pulled them out of their sleepy haze. The past couple of days had been not kind to Lando. They knew that he had a tendency to keep his feelings bottled up and beat himself up over his perceived failures. They understood that feeling all too well—the guilt, the constant sense of disappointment, the nagging thought that were never good enough. They had wrestled with those feelings since they were a child.

It wasn’t something that had an easy fix. If they had found the answer, they would have shared it with Lando years ago. But they had learned that the best way to fight those thoughts wasn’t isolation. Talking to someone, writing feelings down, even simple positive affirmations—thought they might sound silly—could help push back against the negative spiral. They had told Lando this countless times.

But Lando had a problem with not wanting to “inconvenience” anyone with his emotions. No matter how many times they reassured him that they were always there for him, he struggled to let himself. They didn’t blame him—it was human to struggle against your own mind.

What made everything worse was the constant online hate. Every little mistake or sarcastic comment from Lando seemed to turn into an avalanche of criticism. They remembered the first time they’d seen him like a hateful comment about himself on Instagram—the little heart next to a cruel statement, paired with note: “Creator liked this.” It had broken their heart. How could the Lando they loved ever believe such awful things about himself?

After Brazil, it had been clear that he wasn’t okay. He’d barely spoken since coming home, choosing instead to himself. They had given him space, hoping he’d find a way to process his feelings. But by the second morning, when he still hadn’t come to bed—almost forty hours after returning home—they knew they couldn’t stand by any longer.

That morning, they rose slowly from the bed, a plan beginning to form in their mind. Lanod needed someone to step in—someone to remind him he didn’t have to face his struggles alone. They were determined to be that person for him.  They couldn’t take it anymore, seeing the person they loved so badly, punishing himself over his ‘failures.’

The first step was to confirm where he was. Grabbing their phone, they opened Twitch and navigated to Max’s stream. After a few moments of watching, they heard Lando’s voice—tired, strained, but unmistakably his. He was joking with Max, his words clipped, like he was holding himself together with sheer willpower. It was enough to break their heart. They opened their messages with Max.

Thunder's Owner

Lan’s streaming with you rn?

Sent at 7:48 AM.

After a few seconds, Max replied.

Maximilian

Yeah he’s on voice-only.

Sent at 7:50 AM.

Gonna do something about him?

Sent at 7:50 AM.

Max knew. Of course he did. He probably heard the exhaustion in Lando’s voice, the edge self-loathing that came with overthinking. They typed back quickly:

Thunder's Owner

Yeah

Sent 7:52 AM.

Going to unplug his setup and drag him out of there.

Sent 7:52 AM.

Maximilian

Lol.

Sent 7:52 AM.

I’ll keep an eye out for when he disappears.

Sent 7:53 AM.

Thunder's Owner

Thx

Sent 7:54 AM.

They quietly made their way to Lando’s gaming room and eased the door open. Lando sat at his desk, controller in hand, headset clamped over messy curls.  He looked worn down, his shoulders slumped as he focused on the screen. His voice through, muted put playful, as he bantered with Max.

For a moment, they just watched him. Even now, he was handsome, but the tiredness in his expression made their chest ache. He deserved rest. He deserved to feel okay. And he wasn’t going to get that by sitting here punishing himself.

As soon as Lando died in-game and leaned back in his chair, they seized the opportunity. They crossed the room, catching his attention when they came into view.

“Why’re you—” Lando began, frowning, but they didn’t let him finish. Reaching down, they unplugged everything from the wall.

“What the hell—” he exclaimed, spinning around in his chair.

“No,” they said firmly, cutting him off. “I’m not you hurt yourself anymore. Get up.”

Lando blinked, clearly taken aback. “You can’t just do that!” he protested, but they were already tugging gently at him arm, urging him out of his chair.

“Angel, what are you—”

“No,” they repeated, their voice steady. “Get up,”

Lando hesitated for a moment before letting out a resigned sigh and standing. They took his hand, leading him out of the gaming room and down the hall to the living room. He didn’t resist, but he followed like a man in a daze. Once they reached the couch, they turned to him. “Sit,” they said, pointing at the cushions. Lando raised an eyebrow, opening his mouth to argue, but they shook their head. “Stay.”

They turned to Thunder, who had been waiting for them in the hallway, and told him, “Thunder, guard,” while pointing at Lando.

The dog immediately moved into position, standing alert in front of the couch. Lando’s eyes widened slightly as Thunder fixed him with an unblinking stare. He shifted as if to get up, but Thunder’s stance didn’t waver.

“Jeez, I wasn’t going to get up,” he mumbled to Thunder, but Thunder just sat there and watched him until he fully relaxed back into the couch.

The thought ran through Lando’s head, how he had honestly forgotten how menacing his own dog could look. He knew Thunder was trained, saw reminders of it daily with how he interacted with his partner, but he was still shocked at how trained Thunder really was at that moment.

Thunder was still staring at him when he pulled out his phone from his pocket, opening up his texts with Max.

LN

I was just dragged out of my gaming room and told to sit on the couch and like a dog.

Sent at 8:05 AM.

Not against it, but how tf did they get so determined?

Sent at 8:05 AM.

Thunder’s watching me right now.

Sent at 8:06 AM.

I forgot how menacing he could be.

Sent at 8:06 AM.

*Picture attached.*

Lol.

Sent at 8:06 AM.

Max (The 1st One)

He’s like ‘try me, I dare you’

Sent at 8:06 AM.

LN

Yeah, I don’t particularly want to try him

Sent at 8:07 AM.

Max (The 1st One)

Lol.

Sent at 8:07 AM.

They told me before they did it

Sent at 8:07 AM.

I just let them. Lol.

Sent at 8:07 AM.

LN

Helpful. What if they were trying to  kill me?

Sent at 8:08 AM.

They wouldn’t have had to if you kept doing what you were doing.

Sent at 8:09 AM.

Lando’s let out a quiet sigh, Max’s words sinking in. He glanced at Thunder, who hadn’t moved, and felt a pang of guilt. He’d pushed himself too far again, and this time it had clearly worried his partner.

A few minutes later, his partner walked back into their living room. He thought they looked beautiful, wearing one of his old t-shirts and a pair of boxers. They were entirely focused on the bowl they were carrying, and only looked up when they got close enough to hand it to him. He gently took the bowl, looked into it and saw it was one of his prep meals. While not his favorite breakfast, he knew he just needed to eat first, so he started taking bites.

He glanced up every so often, and each time he did, his partner was just sitting there and watching him eat. Lando almost chuckled at his own thought that they looked just like Thunder when watching him, and he smiled into his bowl at the thought. His partner didn’t see his smile, but he continued to eat until he had finished the bowl.

When he was done eating, he set the bowl down, and his partner again pulled him up by the crook of his arm. He just let them do so, having a thought of what was going to happen next.

His partner led them both down the hallway to their bedroom, and opened the door, leading him to sit on their bed, then they turned around and went to close their blinds and draw their black-out curtains to cover up the sunlight from the window. They had turned on their bedside lamp earlier, and the soft orange glow of the lamp permeated the room. They walked past him again, going to close the door after letting Thunder in, then they walked back to their side of the bed, and pulled him to lie down against them.

As he settled against their chest, he felt a bit odd, it being a bit of a difference to feel how much he was loved by them. How much they cared for him. And he finally spoke again, “Thank you.”

“Always, Lan. Always.” They replied, pressing a kiss to his hair.

And for the first time in days, he let himself sleep.

author's note: got inspired to actually write something for once...ty @koalapastries for the inspiration (unknowing inspiration but ty) (also sorry for using your layout outline

comments & reblogs appreciated

and i made the dividers :)

[judesmoonbeauty]

𝕁𝕦𝕕𝕖 𝕁𝕒𝕫𝕫𝕒'𝕤 𝕄𝕒𝕚𝕟 𝕊𝕥𝕠𝕣𝕪: ℂ𝕙𝕒𝕡𝕥𝕖𝕣 𝟚

This is a fan translation only. Please expect grammatical errors and translation inaccuracies. This is a full translation. Creative liberties are taken for characterization and smoother translation process. Cybird owns everything. Re-blogs are appreciated, but please do not post my translation elsewhere. Thank you for your support! ☾.

One morning, after I made my unbreakable promise with Jude.

Kate: [Screen Jolt] Uwaah!

I woke up with a shock.

Kate: W-w-w-why….

Jude: How long ya gonna sleep, damned commoner?

Kate: You’re in my room!

As Jude grabbed me by my chin and locked with my flustered gaze, another face peeks out from the corner of my eye.

Ellis: Good morning, Kate. Hehe, your bangs are sticking up, it’s so cute.

(Ellis?!)

Kate: Hey, hey…..what’s going on?

Jude: Get ready in three seconds.

He roughly tossed me away by my chin, and I bounced back onto the bed.

Kate: Three seconds? Where are we going?

Ellis: To our other workplace.

(Other….workplace?)

We entered a building marked Raven Co.

Kate: ….Raven Company.

This is the trading company run by Jude.

They have branches overseas, and do an extensive range of business….That’s what Ellis told me along the way.

(Jude’s the president and Ellis is his employee.)

(I heard that Ellis is Jude’s assistant….)

The original line translates: “I heard that Ellis assists the company president, Jude.” I felt this was redundant, so I removed it.

It’s a amazing that he’s the president of such a prestigious company, and works for Crown.

As the three of us are walking inside, I listen to Ellis as he explains everything about the company….

Cheerful Young Man: President, Ellis, g‘mornin’.

Theodore also speaks in the kansai/osaka-ben dialect.

A young man with his hair tied up, bows slightly, and greets Jude and Ellis.

Jude: Mornin’.

Ellis: Good morning.

(Perhaps he’s an employee….)

Kate: Good morning.

When the young man spotted me behind them….

Cheerful Young Man: Whoa, what a real pretty youn’ lady! I see, ya must be Ellis’ girl.

Kate: Oh, no I…

Cheerful Young Man: Yer not? Then, couldja be the president’s?!

Cheerful Young Man: Ah —……That’s an unusual taste. Ugh!

The moment Jude kicked the young man, he crouched down, his face distorted with pain.

Jude: You’ve been twaddlin’ on all mornin’.

Jude: Why dontcha use that yappin’ gob of yers ‘n snatch us a sale?

Jude: Unless ya want a pay cut, then that’s a different story.

Cheerful Young Man: No! I can’t endure somethin’ like that.

The young man hopped up and enthusiastically waved both arms.

Cheerful Young Man: Well, I’m gonna go slave away for Raven company today tooo. See ya later!

(He was a very lively and cheerful person.)

Ellis: That’s Theodore Walker. He’s 21 years old and works in the sales department.

Kate: Hehe, he seems like a very kind person.

I can’t help but smile as I imagine his work-style.

(Now that I think about it, I’d like to learn more about the other employees and their jobs….)

Kate: Ellis, you’re the president’s assistant, right? What are your responsibilities?

When I asked Ellis so I could learn more about those around me, he told me as he recalled them.

Ellis: That’s right. Guarding, visiting clients, procurement confirmation, raiding….

(Uhhh? I heard some pretty troubling words just now….)

Kate: You sound busy. Anything else that you do?

Ellis: After that, there’s debt collections, fighting, and retaliation.

(That’s even more troubling…!)

Kate: I feel like I’m listening to the stories of new hires that got hired unintentionally at an unscrupulous company…

Swallowing the words “Criminal Organization,” I expressed my thoughts as tactfully as possible.

They literally have “Anti-Social Forces” written in English and it’s used in Japan to denote individuals or organized criminal groups, (AKA Yakuza and/or syndicates). I changed this to fit the setting of England.

Jude: The president of that unscrupulous company’s given ya a job.

Kate: Hey, you were listening?

Jude: Can ya not speak like yer interested? ‘Sides ya were shoutin.’

Jude: If ya got time to shout, then review these.

In front of Jude, there were lines of letter bins that were overflowing.

The mail that couldn’t fit in the bins were piled messily all over the desk.

Kate: Do you by chance, want me to organize all of this….

Jude: If ya were a postal worker, sortin’ letters should be a piece o’ cake.

Kate: Still, this is way too much for one person to handle!

(Even if I did this non-stop, it’ll take the the whole day…)

Jude: I’m leavin’ it to ya, so don’t complain.

[Answer: Option 3 - At least explain the job +4/+4]

Kate: You can at least explain the procedures, so I know what to do.

Jude: This’s what happens when yer raised a sheltered princess. Use yer head, are yer brains packed with sawdust?

His eyes looked down on me with contempt.

(Well, I’d rather accept the challenge than be made to look like an idiot.)

Kate: I’ll do it!

When I reflexively declared that, a thin smile formed on his lips.

Jude: Great. Be sure to finish by the time I get back.

Jude smiled in satisfaction and then turned on his heel.

Kate: Um, where’s Jude going?

Ellis: Business meeting in the VIP room with British department store.

Jude: Don’t mind ya taggin’ along, if ya think ya can be useful?

(He knows that I won’t be even a millimeter of a bit useful…..)

Kate: ….I’ll stick to sorting the mail.

Jude: Ha.

Jude scoffed and walked away.

(What’s with this sense of defeat….)

Ellis: Kate, would you like my help?

Kate: Ellis…..thanks.

The only thing that saved me - was Ellis’ gentle, encouraging smile.

In an empty room, I silently sorted the letters.

The faint scent of his preferred cigarettes wafted in the air as I kept my hands moving…..

Kate: This goes here, that goes there……hah! All finished!

When I spontaneously dropped myself onto the desk, Ellis, who’d been working on a task on the other side of a partition, applauded me.

Ellis: Nice work, Kate.

Ellis: You’re such a hard worker, that’s great.

Kate: It’s all thanks to you helping me during your free time, that I was able to finish so quickly, Ellis.

Ellis: I only helped a little bit.

Ellis: Kate, you did most of the work on your own, so give yourself some credit.

(Ellis is so sweet.)

(His angelic smile is so healing, and I get a little bashful when I see him….)

Being with him makes me feel like I’m immersed in a meltingly sweet jam.

(Now that I think about it, I still haven’t heard the reason why Ellis joined Crown.)

I wonder why such a kind person like Ellis is a part of the assassination organization “Crown”, that conquers evil with evil.

Kate: Hey, Ellis. Can I ask you something? It’s just a fairytale keeper question, but..

Ellis: You just finished work, and now you’re working as the fairytale keeper? Haha, you’re so eager about your work.

Ellis: Go ahead, ask me anything.

Kate: …..Why are you at Crown, Ellis?

Ellis: Hmm….I guess because Victor asked Jude, and Jude said okay?

Ellis: I met Jude before we entered Crown, and we’ve been together ever since.

Kate: So, that’s why you chose to follow Jude?

Ellis: Yeah.

(But, why did Jude accept the invitation?)

— To imagine his thought process.

Perhaps he thought that if he worked for Her Majesty, beneficial information for Raven would pour in.

(Be that as it may.)

Kate: I’m glad you didn’t get caught up in it Ellis…..

Ellis: But - we made a promise.

Ellis tenderly narrowed his eyes as he said that.

Kate: …..A promise?

Ellis: I’m waiting for the happiest moment of Jude’s life.

Ellis: In order to witness it, I must stay by his side.

Kate: Will that promise be fulfilled once Jude becomes his happiest?

Ellis: Yeah, that’s right.

(Jude’s happiest moment…..)

I try to imagine it, but I can’t imagine his happiest moment in the slightest because I’ve never seen him with a proper smile.

Kate: Ellis, what’s the promise you want to fulfill?

Ellis just smiled and evaded my question.

Ellis: But, it seems like that moment will never come. …..Jude’s always unhappy.

Jude: Yer bein’ noisy.

When Jude opened the door, he stood there with a sour look on his face.

The line directly translates: "When Jude opened the door, he stood there like he just crushed a bitter bug.” Nigamushi - means to give a soured look, as if one has swallowed a bitter bug. I altered the line.

Ellis: Oh, welcome back Jude.

Jude: Don’t yammer ‘bout unnecessary things.

Ellis: But, we have to cooperate with her fairytale keeper work, right?

Ellis winks at me and it encourages me also.

Kate: Jude, I’ve also got a question for you!

Kate: Why do you keep Ellis by your side?

Jude: Ain’t none of yer business what I do.

Ellis: Jude, Kate is your exclusive fairytale keeper. I think it has to do with that.

With Ellis’ support, Jude gave in with a deep sigh…..

Jude: This guy’s athletic abilities ‘n cursed power’re worth usin’. There’s no way I’d let valuable labor slip past me.

Jude: He’s definitely touched in the head though.

(He answered me…!)

Kate: Thanks for letting me know, Jude.

(Jude uses Ellis as a tool.)

(Ellis wants to fulfill a promise to Jude.)

Each are by the other’s side for the sake of their own benefit.

— The relationship between the two can be called a “contractual relationship”.

That day, I learned some important information about Jude for the first time.

[Main Story Master List] [Chapter 3]

I would just like to say that I was wheezing this chapter when I first read it. They really went into her room like that HELP! Also, I LOVE Theodore, he is this ball of sunshine that's total opposites to our grumpy prez.

Dividers: @.natimiles Tags list: @sh0jun @theimaginativelyreticent @sapphire-323 @velisle @nateko @greatwitchsongsinger @cosmowgyrall. @lunaaka

If you wish to be added or removed from my translations tag list, please let me know!

[mllemaenad]

Huh. Well, now I'm very annoyed. Bioware couldn't be arsed to keep track of the world state changes anymore, so they're just torching everything. And the thing is, this is exactly what those world state imports are for.

You can certainly critique Mass Effect 3, but I've always felt it used its save import well. The world is very literally ending in that game and any reasonable player is immediately going to ask: where are my friends? Your companions foremost, obviously, but also NPCs you've helped or who helped you, or even just random people you encountered. You start doing a head count day one. Some characters made actual appearances, but there were also emails and ambient dialogue. Sometimes you found out that a character was fine – and that was a delightful relief. Sometimes you found out that they weren't – and that hurt. The point is, it made it feel as though your world was ending. Not just a world.

This is the moment where every change you've saved across the previous three games comes into play.

I'm certainly not saying this must be the last Dragon Age game. But it does feel like the end of an arc. We're answering all the big questions first posed in Origins: where did the Blight come from; what became of Arlathan, why are the dwarves in a constant apocalyptic state? Any new game will be about something else.

And here, as in Mass Effect 3, we are facing the end of the world.

The thing is. The thing is. I did not explicitly prep for this scenario. But bloody hell am I prepped for this scenario.

The King of Ferelden and the White Divine are both veterans of the Fifth Blight. The Hero of Ferelden is alive and well (since they have not told me otherwise) and well prepared at Amaranthine – and her sister is queen in Orzammar. She also has Awakened darkspawn allies to call on. The Grey Wardens were not expelled from the south, so should be on hand to face the crisis. And hey – the leader of the newly freed College of Enchanters is herself a former Warden. We are as Blight ready as it's possible to be!

I want to hear about how the king worked out that Denerim was beyond saving in time to evacuate the civilians because he could sense the oncoming horde well before anyone else could.

I want to hear how Warden-Commander Brosca, flanked by Nathaniel Howe and Sigrun, came out to lead the refugees to safety.

I want to hear that Prince Endrin led the Orzammar reinforcements that saved Redcliffe, and his aunt beamed with pride.

I want to hear that the Divine herself took command of the defence of Val Royeaux, and that the mages came out in force to assist the woman who backed their fight for freedom.

I want to hear that the Champion of Kirkwall returned with her Warden lover in the city's darkest hour, defending the people as they fled, and that with Merrill's assistance the alienage elves made it onto the last ship to escape the harbour.

If we're going to bloody Starkhaven, of all places, I want an acknowledgement that the Blight has forced a reconciliation – because last I heard Sebastian was getting his arse handed to him by Aveline.

I want to hear that the Grey Wardens are everywhere, because they never left.

I want to hear about intelligence gathered from Awakened darkspawn, and their bewildered frustration that these new invaders are different.

I'm not going to work out who lives and who dies right now, because this is new information and I'm still processing it. And in any case, it's not my point.

If they're destroying the world, I want it to be my Thedas, not a Thedas. I want these stories to have mattered.

[sleepyparalysisdmon]

Ateez comforting a stressed partner

Requested? Yes! Request: ‘ateez members comforting stressed out reader’

Hongjoong Also a stressed workaholic, so I fully believe he’ll plan something for you both to unwind. The moment you both have some shared time off, even if it’s just for a night, he’s demanding that you both shut out work for the time being. Calls will go to voicemail and texts will be unread as you both have a nice, big dinner and lie on the couch together. Absolutely does not matter that you both might be asleep at an insanely early hour because you both deserve it.

Seonghwa So gentle about pulling you away from work for a breather. Encourages you to schedule breaks during the day. Asks multiple times a day if you’ve eaten, even if those are the only messages he’s gotten to send that day. Sneakily turns off or changes your alarms when you have the opportunity to sleep in. Will blink innocently if you ever get frustrated by these gentle reminders.

Yunho Not gentle at all about pulling you away from work for a breather. Lets you burn the midnight oil for a couple nights, but by the third, he’s taking your computer from you to save your work and shut it down. Then he’ll feed you and carry you to bed if he has to. Really just wants you to take care of yourself, but doesn’t have an in between. Either lets you overwork without a word or physically pulls you away kicking and screaming.

Yeosang Admires your work ethic and knows he can’t always stop you from taking too much on. But cups of coffee or tea will magically appear in front of you while you work. Dinner is made and leftovers are packed up for lunch tomorrow. Your clothes are laundered and an outfit is laid out for the morning. Totally silent about these little things because he really just wants to worry about the important things if you have to worry at all.

San Worried for your health when you get stressed like this. Will try to be gentle at first, planning some fun things to get out and do away from your stressors. If those things don’t help you unwind a little, then prepare for a serious conversation about taking care of yourself. Will beg you to take a few days off or take on fewer responsibilities, or at the very least be reasonable about what you can accomplish in a day.

Mingi Will do his best to help you with the things your stressed about. If you’re dreading a big project around the house, he’ll be there to do the heavy lifting. If you’re worried about money, he’s offering to help pay for it. If you’re stressed about work, well… he might not be able to help, but will certainly sit with you and keep you company while you work. Doesn’t want you to feel like you have to carry any of that burden by yourself.

Wooyoung Another one that’s not gentle about this. Will straight up turn off your alarms and call your boss to tell them you’re sick and can’t make it in. When you wake up in a panic, he takes absolutely no lip about it and tells you to get ready. Then he’s taking you somewhere to relax and do something for yourself - a massage or a facial, getting your hair or nails done, or maybe some retail therapy. Whatever you like, doesn’t matter because you’re going. Will not let the thought of work enter your mind because he’s too busy yapping about literally anything else.

Jongho Simultaneously sympathetic and totally unimpressed. Will raise an eyebrow at you when you insist you need to get some things done. “Do you? Why?” Will make you tell him why and counter everything you say with an argument. You’re so irritated by the argument that you’re no longer stressed about anything else anymore. Will look pretty smug when he recognizes he’s won and drags you to the couch or to bed for some well deserved rest.

[yandere-daydreams]

Daytrip Illumi my beloved... and poor Darling. You capture how unnerving and unsettling he should be so well!

Illumi should be Strange and Uncanny even at his mildest(? not sure if an Illumi in love could be 'mild', but idk if it could be called volatile either. Darling was right, you can't ever tell with him); man was cosplaying Pinhead for a week. He could talk the whole time but just literally rattled at people. And poor Ghost, my stomach just dropped because everything so far was downright too tame and too thoughtful for a Yandere.

Aside from the porn, I was waiting for that drop. Darling really can't have nice things, can't she? Or rather, she can't have anything he's not able to take. Whether a Darling is defiant (Obedience Training, Ingress) or submissive (Daytrip) he's always going to pile on the trauma.

But the moment he started mouthing and groping at her in the car, I knew he was out of patience. Everything else that day was window dressing and foreplay, and the bit where she picks a cute, frilly, puff-sleeved dress really sold the toy and doll comparison later, she was so right at the observation that Illumi took her as a ballerina for his music box. In the end, the daytrip really wasn't for her to enjoy: he ripped up her dream dress, dashed her hope that her cat was doing well without her, and didn't get to eat anything at the picnic aside from the morsel he gave her. Girl couldn't even enjoy the scenery cause he blocked it off with himself. The end was so despondent in comparison to the beginning where she resolves to take any out that presents itself, falling asleep and giving into the dark (Illumi) swallowing her.

And meanwhile, Illumi's just had an epiphany on why his parents kept having kids even after the designated heir Killua. And also patting himself on the back cause he checked off all the boxes on his 'perfect romantic date to-do list', and gotten the *ideal* ending of having finally lost his v-card. 10/10, Great Day. Would do again sometime (but not too soon).

The juxtapostion between her opinion of how the daytrip went and his opinion of how it went must be... something. I almost don't want to know, and I don't know how to properly describe what this made me feel, but it's visceral.

i love it when you people treat my silly little fics like they need to be studied under a microscope,,,, i will be living on this ask for weeks thank you anon <3

illumi just makes me,,, yeah. i feel like there's so little you can do to actually fight against him (running's not an option when he has you under surveillance 24/7, fighting a seasoned hitman won't end well, etc.), but good behavior only makes him more likely to proceed with the awful things he would've done anyway, had you spent every minute from your inevitably kidnapping kicking, screaming, and cursing his name. he's got a running checklist of uncomfortable positions he'd like to see you in, and it's less a question of when you'll be ready for it and more what he'll have to do to make you compliant enough to be, if not a willing participant, than a docile one. i think he does care about your feelings and you loving him back, but your priorities are so drastically different that you two are never actually going to end up on the same page. in his mind, he's done his research (i.e. played roughly a hundred hours of the most popular dating sims he could get his hands on), been a good partner, and taken very good care of his beloved doll/pet/captive. in yours, you've been violated and abused by the man who both kidnapped you and admitted to killing your cat without blinking, and there's very little reconciliation from there.

[crabs-with-sticks]

Trick Q+A on the solavellan ending

Haven't seen this going around much, I'm guessing because it was originally posted when everybody had their veilguard spoiler defenses up. But I did find it interesting.

Trick is answering some questions over on Bluesky and here are the questions and answers decoded from the rot13 cipher. Hopefully this provides more clarity and eases people's anxieties here and we can move forward in a more positive light with discussions: Q: Will where Solas and Inky end up in the Fade be strictly regret-themed or will her joining and their love influence it into something a bit less bleak (hence the specific elven phrasing)? rooting for my girl not to be in fade jail A: She's speaking both romantically and literally. It won't be terrible if they're in there together. Q: In the Solavellan ending, it says that Solas is Lavellan's true love. I know you've said she represents his future, but do you think she's his true love also? A: Yes. We framed it the way we did because the Inquisitor was your character last game, and because some people, we imagined, were doing this to give the Inquisitor the happy ever after she deserved, not Solas. Q: Did solas just Fade-mail it to her and it appeared? A: Inky and Morrigan have their ways. Q: Could you please tell us, if it is possible, why it was only Mythal's words that allowed Solas to stop this train of endless regrets from rolling into the abyss? I'm sorry, but it seemed too easy to me after so many centuries. Perhaps I don't understand the core of their relationship. A: That's what he needed to hear. Not because he loved Mythal more, but because she was the reason everything went wrong. She, the past, tells him to let go of all the mistakes of the past. And then the Inquisitor he wanted to be with is there to show him a better future. Q: Does Solas love Lavellan as much as he loves Mythal? I know Mythal is kinda all things to him- leader, oldest friend, maybe lover, and that's hard to overcome. On the other hand, his love for Lavellan seems less all-consuming, but purer. Anyway, love to hear your thoughts! A: Mythal is his past, where he made terrible mistakes. A romanced Lavellan is a bright future he doesn't think he deserves until he fixes all of those past mistakes. Q: When Solas tells Lavellan that the place he is going is terrible, where exactly sre they going? Back to the regret prison or somewhere else? A: The implication is that he's going back to the prison, and now that he'll be working to try to heal the blight while he's there.

Source (its to a reddit thread not the actual original quotes, and I'm going to trust that they did their due diligence because I don't have the energy to do it myself lol)

[gay-mousebites-md]

THE BEST EPISODE OF MERLIN!!!

This is such simple story telling, a proper ghost story, lots of jump scares - and, like many horror genre stories, a strong queer subtext.

So, I'm currently getting to the end of Merlin and oh my god is it the gayest thing in the world, where was it when I needed it? Why didn't I watch it? It was literally on telly when I was being homophobically rejected by my family? I've always been an idiot, this is clear. Series 5, Episode 3, The Death Song of Uther Pendragon

“I will not allow you to destroy all that I have built! Camelot must come before all else. Even you.” — Uther to Arthur

This is what homophobic family rejection feels like. To your family, you are a destructive force. Your feelings are a demolition ball. Your peace and happiness means nothing. It is the family image, and the hopes and expectations of the parents that matters more then anything else. You must suffer in the dark. You cannot hope to see the light. It doesn't matter if you're still breathing.

The relationship between Arthur and Merlin in this episode felt like the closest we've seen yet - and this is just after they have fallen asleep in a net trap, with their faces squished together, so that's pretty darn close. (Let's not forget, they are 'more than friends, more than brothers'.) And as they demonstrate closeness, they are assailed by the ghost of Arthur's father. (It's homophobia, guys.) Arthur says repeatedly he has so many things he wanted to say to Uther, that he didn't get to say to him when he was alive. What are these unsaid things? These secrets? What does Arthur wish that Uther had known - and accepted? That he's a beautiful gay boy in love with Merlin? In the land of the dead, Uther does not allow Arthur to speak, but instead details his shame. He is talking about Gwen, but he says: "There are certain things that are more important than love." All of Arthur's actions have been made out of love - his decision to knight the unnoble, to marry 'beneath him' rather then make a strategic alliance. Uther says "How can I be proud of a son who ignores everything I taught him? Who is destroying my legacy?" Uther, over the course of the episode, makes it clear he would rather see Arthur dead before he allowed him the freedom and grace to follow his true will. (HOMOPHOBIA!!!)

Merlin's 'magic' (*wink*) is revealed to Uther - he is, true to form, appalled and repulsed by it. Uther Pendragon: You have magic? Merlin: [quivering with anger] I was born with it! Uther Pendragon: I made you Arthur's servant. You are a sorcerer? Merlin: Even while you were king, there was magic at the heart of Camelot! Uther Pendragon: I will not allow you and your kind to poison… Merlin: You're wrong. Uther Pendragon: …my kingdom! Uther remembers that it was he himself that gave Merlin access to Arthur in close quarters. I think the reading that to 'have magic' is to 'be gay' - a motif anchoring the show, resounds so strongly in this episode. And here, Uther continues in death to rage against allowing magical people to 'poison' the kingdom - in the way that homophobic rhetoric implies homosexuality can be inborn or acquired, but it always corrupts, seduces, pollutes and recruits. Uther is appalled that he positioned Merlin by Arthur's side, and opened him to this poison. Uther, like all ghosts, is vengeful. He has deep shame for the choices Arthur has made, and is making... Uther's attempts to hurt, maim or kill anything that is outside of his conservative approval... if that's not an allegory for homophobic parental rejection, I don't know what is.

Do you have magic? ARE YOU GAY!?

But this episode is bright! And funny! Merlin and Arthur are in each others pockets in this episode. They are always engaging in 'horseplay' but there is so much of it here. There is this act of boundary crossing that causes them both to pause.

ARTHUR: When do I hit you?

MERLIN: All the time.

ARTHUR: That's not hitting, Merlin, that's merely friendly slaps. It's horseplay.

MERLIN: So can I give you a 'friendly slap'?

ARTHUR: You can certainly try.

MERLIN grabs one of Arthur's leather gloves and thwacks him on the back of the head with it. His face is one of immediate regret.

ARTHUR: (Amused) What the hell was that?

MERLIN: It was, um, horseplay.

ARTHUR: No, Merlin, you're doing it all wrong. Why don't I show you? "WHY DON'T I SHOW YOU?"!!!!!!!!!! There is no heterosexual explanation for this one, boys:

There's rough horseplay. There's also tenderness. Arthur can't get enough of Merlin 'teaching him poetry'.

Sir Leon: I'll leave you to your poetry, then, my Lord. Arthur: Poetry? That's the best you could come up with? Merlin: What did you want me to say? Arthur: I don't know. Something that didn't make me sound like a love struck girl. Merlin, could you disguise our behaviour and our surprise, in a way that doesn't position me as 'love struck' and in a reversed gender role? Not today! Subtle as a brick.

And I am LIVING for the moment Uther, positioned between Arthur and Merlin, is forcibly sent back to the land of the dead. In true Merlin style, it is both comedic and devastating. Uther shouts 'MERLIN HAS...!!' before disappearing in a gasp. It's like he's pathetically shouting 'GAYLORD!' as Arthur blows his (own) trumpet and in doing so, drowns him out, and removes him as an obstacle in the way of Merlin. And then Arthur and Merlin are panting and in tears together. I think it is impossible to go through homophobic parental rejection and not be moved by this moment. I was in tears with them ... and laughing! This is a great show.

10 out of 10. I don't know how this thing ends (well, I've read the Thomas Malory...) but this episode alone is one of the best TV things I've seen.

[femmeleatherface]

@caiteaz i was going to make this a reply but then it ran away from me, so sorry for the delayed response!

first up i just want to say that your interpretation of them a brotherly relationship is awesome and i love it. when all is said and done i'm personally open to really any interpretation of their dynamic, ultimately they are fictional characters and we have better things to do than argue over fake people. that's part of why i kept the romance mention in the tags rather than in the post itself

that said i am one of the people on the romance train so. i will explain my take on it!

realistically i think the main reason erik/the daroga as a ship exists is because of the susan kay novel. idk if you've read it but they are. very gay in that. it's been a while since i read it, but if i remember right at one point erik nearly steals diamonds--aka the stuff they make wedding rings out of--to give them to nadir (the daroga's name in this version). and then i remember VERY vividly erik even ponders if nadir is going to be his lover but then decides nah because erik can't comprehend the concept of bisexuality (despite clearly being open to the concept himself)

also more obscure but beloved by me if nobody else, there's the 1991 musical where the daroga swoops in at the end, plants himself on erik's bed, tries to comfort him because he's sad about christine leaving, then talks about how he's followed erik from the ends of the earth and will continue to follow him until the end of time. and then they smile and clash swords together (this is not a euphemism but sounds like it)

but in terms of the leroux novel, then for me the romantic interpretation of erik/the daroga comes from two approaches: fun reading-between-the lines of their interactions, and speculating the concept of such a relationship based on the characters themselves

from the between-the-lines approach, in the leruox novel they're antagonistic, but close. they feel almost like exes who are still kind of a little in love with each other, but also broke up for really good reasons, but also still understand each other better than everyone on the planet. i don't even read them as exes, i just think they have the vibe all on their own because their chemistry is so fun

basically, they annoy each other, but also clearly still care about each other. from erik's side of things, he doesn't drown the daroga in the lake (but is very okay drowning anyone else), and when he's at death's door at the end it's the daroga he goes to so he can tell him what happened with christine and get help fulfilling his burial wishes. and the daroga, despite literally losing everything and being exiled from his homeland because of erik, still follows erik to paris and keeps in touch with him and stalks him, really, the way erik stalks christine. (i'm a simple person, i see any parallels between same-gender relationships that are totally not romantic and hetero ones that totally are and i immediately raise my speculative gay eyebrow)

and obviously there's multiple ways that kind of relationship can be interpreted. i don't even know if leroux intended for us to read them as friends considering the daroga repeatedly calls erik a monster and they clearly get on each other's nerves. this is why i have a second approach, speculating on the concept of them

like, think about leroux erik. he desperately wants to be loved but also his relationship with christine is super unhealthy. i mean... someone who knows what he looks like and what horrors he is capable of and who still hasn't abandoned him despite losing everything for him is RIGHT THERE

and the daroga. he literally saved erik's life ages ago and never seems to regret it no matter how much evil erik commits. prior to christine's kiss, the daroga seems to have an recognition of erik's inherent worth as a human being when no one else does, even with all the times he calls him a monster. he wants erik to be alive and wants him to be happy, but also knows when to step in because he's gone too far. also he himself is an outsider in paris because he is an immigrant who is distrusted by the people around him because of his appearance, giving him a degree of empathy for what erik has been through as an "other." (i would argue christine also has this potential because she's swedish and this is even why she and the daroga are the two people able to get the most close to erik, but that's another post)

even if all that's not romantic love that's still got to be some kind of love. and considering romantic love and the so-called "intrinsic need" for it is a huge part of the novel, the romantic interpretation just makes sense theme-wise

anyway. sorry for the long post but i hope that answered your question. like i said, that's just my take. i'm sure others have different opinions because art is wonderful and subjective that way

the relationship between erik and the daroga is great because while yes, erik is the bane of the daroga's existence, the daroga is EQUALLY obnoxious to erik. for every gray hair the daroga receives from erik causing mayhem, erik receives one split end of what little hair he has left from the daroga stalking his house, butting his nose into his private life, and all around being a major buzzkill by reminding him of promises he made forever ago like "no more murders" or whatever

[uniquecellest]

I like movie Moira McTaggert. I dislike how they give her so little sustance but that's also what I love?

"she's charles's love interest" In First Class she isn't given much with Charles (which yay love interest wise bc she can do better and nay in their lame attempt to make them seem romantically compatible) but she and Charles are close in like a best friends way but some other CIA agents assume it's more (they go with it bc 60s) meanwhile she's actually closer to Raven and imo it's Moira not Erik Raven goes to when she wants to know if someone can kiss her without her looking normal, Moira reassures her (Moira tells Hank off later then laughs when he comes in blue and furry before leaving for Cuba in like ironic you wouldn't kiss a naturally blue girl but now you're blue way)

where was she in DoFP which is where I imagine maybe she was there in 63 when Erik got arrested (workoholic bastard *affectionate*) and sure she doesn't remember Erik clearly but she kind of knows him so she may be sticks her neck out and gets him into the underground plastic cell (the other option was death and she just knows that that can't happen. Not only bc of the brotherhood but she vaguely remembers Charles's presence and knows Charles will not handle that shit well) and the reason why her course of action is accepted instead of dismissed or stolen by one of her male colleagues is bc Lady Kennedy spoke up for her, agreed to it, and was adamant in letting it be known that I was Moira's idea.

Then in Apocalypse she and Charles meet again (I'm re-writting the cringe ass meeting). In post DoFP with Charles and Hank re-opening the school he invites her over prior to the school opening that is when he gives her back her memories, she keeps the school quiet. Eventually she out-ranks Stryker and that pisses him off but oh well. Anyways he calls her over to Westchester because he knows something is wrong and she is the main one (aside from Lady Kennedy bc Lady Kennedy was a frequent visitor and writer to Erik) that has kept tabs on him at least where he lives and asks her to try contact him but then Apocalypse happens (Alex survives in my version) they all go and save Charles, Moira goes with Raven and Peter to knock some sense into Erik - in Moira's case literally. idk how but she does. Everything else follows in-verse minus Moira getting her memories back. Turns out Magda and Nina were alive and had been kidnapped but Magda and Erik divorce amicably as he doesn't want to put her in danger again and she has now seen first hand some shit that can happen to and around him. Nina goes to the Xavier school

(I'm making up a different movie in place of Phoenix) in the 90s they find out Banshee and Angel and some others are alive. They find out that the sentinals that killed them didn't kill them but teleported them somewhere else where Amahl Faruk finds them and brainwashes them into working for him. Hank, Raven, and Alex feel as though it is their duty - as the ones closest to them - to bring them back but Amahl is after Ororo and Charles. Hank, Raven, and Alex sneak out when the others are on a field trip overnight in like DC or something. in DC Moira is talking with Charles and Erik about a new mutant disturbance which throws them off as neither have detected any mutants in weeks which startles Moira bc how can the two strongest mutants not know. Amahl then hypnotizes Ororo and Charles - Academic he is still being up - feels that something is off and sees Storm but she doesn't feel right telepathically he calls to her to no avail, going after her Charles and Storm are kidnapped. Moira goes to the DC CIA office to gather Intel on what happened and threatens to cut everyone there a new one (Erik's with her and any beef they have, squashed. She's his bestie now) and with CIA Intel and plane they set off to save Charles and Ororo. (I can make this thing a whole post alone so I'm gonna stop here for now.)

but we still get the Paris proposal (Raven is also alive) Moira and Hank are Charles's Best Woman/Man, Raven is ordaining, with Magda and Angel as Erik's and Sean and Nina as the flower throwers (metal so Erik can reuse them later and make them last longer) and turns out Moira's son is a mutant (which for some explain her advocacy aside from her friendship with Charles) that becomes the ring bearer. And Alex is the first person to give a speech at the reception that makes everyone do a spit take

[jmdbjk]

Hello, everyone.

I came by to say something important: I got sidetracked by nekkid Jimin searching for a specific cranberry sauce recipe on Pinterest. You're welcome.

Why is nekkid Jimin on my Pinterest you say? Welllll.... maybe you need to ask Pinterest that question.

Needless to say, I was thrilled to see Jimin's words on Weverse. And then even more thrilled to see Jungkook being typically adorable. It's really hard to put into words the beauty of it all that I see in my mind. It is reassuring to see evidence that where ever they are, whatever they are doing every day, has not changed them at all. And Jin and Hobi jumping in trying to keep up with those two.

Speaking of Jin and Hobi, so it appears they will bring back a little taste of Bangtan Chaos™️ in the next episode of Run Jin. The kidnapping episode of Run Jin looks like it will be about getting Hobi to do the Running Wild dance challenge. Perhaps Hobi will launch his Tiktok after that, by now surely he's found a handle that hasn't already been taken by Armys (heh heh)

Namjoon... oh, Namjoon... I never thought he'd so openly pine for BTS. He can't wait and neither can we.

It snowed a lot in Seoul today, setting records not seen in over 100 years. Those memories from Japan they could recall during their enlistment... and also JK posted snowy pics of Bam that his caretakers sent to him.

Anyway. I didn't mean to stay away from here for so long but after Hobi came back, it seemed difficult to put thoughts into words. There was a lot going on in the world and in my personal life... still is... but during these last six weeks, a lot of stuff also rearranged itself in my mind. A lot of things became more clear. Maybe I can get some of it down in coherent paragraphs at some point soon but trying not to think too hard about it all because that takes the fun out of everything. Know what I mean?

As we wait for the Bing X V White Christmas song and literally in a few hours, Tae's little cinematic MV for Winter Ahead, I want to wish those celebrating the Thanksgiving holiday in the U.S. a Happy Thanksgiving! And everyone else, I hope you all have a great rest of the week and weekend.

[timid-owl]

Viktor's character through The Line lyrics

I can't fight this time, now.

How tired do you think Viktor is of pain, of having to constantly bear his ill, weak, failing body that has been dragging him down for so many years? How hard has it been that he's so tired he can't fight it any longer?

Honestly, I thought I was fully prepared for the threshold in store.

I guess I never really faced my fears before.

How scared do you think he is of losing himself one final time and for good? Is it why he has conjured the Hex-Sky, to remind himself of who he was and what he stood for? To keep him on course? Like an echo of himself, that now he has to abandon?

Stay with me.

Keep the memories of who I was before.

I think that's really heart-wrenching how he's equally scared and doesn't want to face it alone, and at the same time, he's trying to keep a part of himself alive somewhere, even in someone else's mind.

Did I disappoint you?

I do interpret the whole song as both a dialogue with himself and with Jayce. I like to think that after their Council room session, they kept some mental connection, and here it's Viktor asking the question to both Jayce and himself.

Stay your pretty eyes on course.

Do you think it's the first time Viktor refers to Jayce's eyes as pretty? Do you think, if it is in fact a dialogue, it feels like a slap to Jayce? Like he can't breathe, like it hurts, like he wants to scream but there is no air as it is far too late.

I guess I never really faced my fears before.

Now you may say, "But Viktor was once literally prepared to die." Sure, but that time he would have died before losing himself. That was the whole point: leave while still remaining precisely who he was. And now he's at the verge of completely destroying everything his very self is and going against his every principle, which is precisely the worst of his fears.

Now to the angstiest parts.

Sure, there's nothing left to try?

I do believe that is meant like a question, same as "stay with me?" Like a final cry for help, like he's hoping Jayce — or something — might save him after all. Like if maybe Jayce would have intervened right here, right now, while they're all gathered around Viktor's hex-egg thing, he would have changed his mind immediately. Which is also why it's sort of full of contradictions and questions like he's babbling - stay with me but I'd rather you not, will they let me over if a do that... But there is no answer, and nobody is there for him anymore.

Will they still let me over?

This I tend to interpret in quite a biblical way, as in "people who, let's say, cross the line are not let into heaven." So... yeah, they won't, and even if there is I guess no details on Piltover's religion it's still ment in a rhetorical way as Viktor knows they won't, there is no possible redemption after this. And what Viktor is worrying about is not "crossing the line of shroom genocide" but more "crossing the line of not existing anymore" (I again think it's literally in the text, barely an interpretation). Like he is leaving his final note, and while he's writing it, he tries to find something, anything, that would keep him from doing the thing. But, again, there is nothing left aside from the light on his face.

Again, for me, this being a dialogue, I also feel like the "stay your pretty eyes on course" is his way of shutting Jayce up when the su*c*de metaphor gets too close to the surface. Like Jayce would start to protest, and Viktor would shush him. It even translates in the rhythm of the lyrics:

What could be, my final form Stay your pretty eyes on course

Honestly, I thought I was fully prepared for The threshold in store Stay your pretty eyes on course.

So yeah, I think the way it's so tender but also so devastating and desperate is probably one of the most beautiful, brilliant things the show gave us.

[arttsuka]

Ok here are my thoughts about arcane season 2, buckle up

I wana say, I liked the second season, less about what we saw, more about the story they wanted to tell.

It started fine but as soon as episode 4 came the problem was clear. The pacing was bad. Everything was happening too fast, there was no time for smaller moments. A lot of character development was off screen too.

I've heard they were supposed to have more seasons but decided last minute to cut the show short because 'there are more stories to be told'.

Caitlyn had most of her arc off screen which is such a shame, I really wanted to see how she realized she was being manipulated, I wanted to see her dictatorship era. But we got none of that, it's implied it happened but we didn't get to see it.

Sevika was relevant up until ep4 and then we see her again in ep8. I don't think she has any speaking lines after ep4. Such a waste of her character, she was really interesting.

Isha. She came to the series as suddenly as she left. I have a lot of problems with her character, one of them being that she wasn't introduced organically. She randomly fell on Jinx (by accident). Arcane relies way too much on 'right place right time', on coincidences so, when that can be avoided, it definitely should. Make her fall on top of the first person that passed through on purpose so she won't get hurt (that person being Jinx is the only coincidence here). Her sacrifice felt a bit unearned because we didn't get to see her a lot, and after ep6, they never speak of her again (it affected Jinx sure but they don't even mention her once).

Mel. They did her dirty this season. They speedruned her arc (and the whole thing felt so out of place). I've heard that maybe the next show was going to be focused on Noxus etc which, if it turns out to be true, would be a bad decision. If they are actually planning on making something about Noxus, I'd at least expect Ambessa to be there and also, it would be a great opportunity to learn about Mel and her powers in greater detail instead of whatever we got.

Viktor as the herald, ultimate life form or whatever was so short lived. Make you wonder why they decided to include it only in the last episode instead of implementing a bit earlier.

Vi was also so, useless this season. She did almost nothing. She was a punching bag for the most of it.

Jinx felt a bit ooc, less about what she was doing and more about how there wasn't any time to see her get over Silco's death. Silco had such a negative effect on her mental health (all these hallucinations from s01) but he dies and boom, mentally stable? I would have liked to see her become healthier (it would also tie nicely with getting to know Isha better).

Vander. They brought him back. It was actually foreshadowed in the first season. Him being back is not my problem, on the contrary I think it was a great way to naturally bring Vi and Jinx back together. My problem was how we see him for 2 episodes (and then he 'dies'). It felt like a waste of time honestly, time that could have been used to see something else.

Episode 6 has to be the worst episode of the whole show. The pacing is pretty bad. The events that take place in it feel like 3 episodes, not 1. We get not 1 but 2 different artstyle montages, making the episode look, weird...

The best episodes were probably ep03 and ep07. Both had nice pacing (especially ep07, it felt like it was straight out of s01) and the story explored in them was pretty captivating. But I do have a problem with ep07. It's where Ekko got his 'time powers' from and honestly, they were pretty underwhelming? Also not at all well implemented to the story. We literally see him use them 3 times. 1: when he finds out about them, 2: when he saves Jinx and 3: when he goes back to try not to get captured by Viktor's mannequins. The last 2 on the same episode. That 4-second-limit was never really relevant (at least I don't think it's was). They wasted an entire episode giving him powers only for him to never really use them and for the machine to act as a bomb.

Also I didn't like the dancing scene with Powder and Ekko. I understand the vision behind it but I felt like my TV was dropping frames. It felt choppy, cheap (such a shame for a beautiful scene).

Now, I liked the lesbian sex scene in ep8, I really did, but it felt so out of place. Jinx basically implied she was going to kill herself, Vi was on the verge of tears because she was insecure about how she seemed to only make the wrong choices and then, that scene happens. It leaves a bitter taste in my mouth. I've seen people compare it to the s01 'Jayce/Mel vs Viktor dying' scene and while I understand where the comparison is coming from it's definitely not the same. In that scene, Jayce didn't know Viktor was dying (he knew about his deteriorating health, but he was clearly shocked and left Mel to go check out on him etc etc).

Also, Caitlyn should have gone down on Vi. I think they image would have been stronger. Vi was at the bottom of the barrel her entire life (literal plot point, being from the undercity etc) so seeing Caitlyn, someone of higher status and power, being the one to 'bow' would just be more powerful. Just a thought.

I just feel like I liked their relationship and dynamics more in s01. They had more casual moments, more natural dialogue. Yes we won but at what cost? Their relationship was so sweet in s01. In s02 it started sweet, turned out to be manipulative on Caitlyns side*, they break up and then they're fine again.

*in ep3 it's clearly shown that while Caitlyn loves Vi she's willing to manipulate her to reach her own goals. That first kiss we see was definitely more of a 'I'm gonna play with your emotions so you don't doubt me' rather than 'let's just kiss now'.

I liked how Jinx cut her hair. The whole 'hair holds memories' and how she was ready to move on. Too sad that scene didn't have the proper gravity it deserved because the lesbian sex was happening (probably) the same time.

Ep9 was, something. I'm conflicted about it. On one hand I really liked how they tied up Viktor's and Jayce's plot lines, on the other hand everything else was so rushed. Caitlyn and Mel were a team (they didn't feel like one honestly), they fought Ambessa and then she randomly died from the black rose. It felt like they just wanted an excuse to kill her. 'She needed to die so Mel could become the wolf' no, not really. She could still be alive, have Mel 'spare her life' or something. It would be more on track with Mel's ideals that way.

Jinx sacrificing herself to save Vi was also so forced**. It felt specifically written so she could 'die'. I do believe that 'Jinx is alive' theory because Caitlyn looking at the vents while holding that monkey head Jinx's bomb had + that air balloon Powder said she'd fly away with are all too specific to be coincidences.

**her sacrifice was forced but foreshadowed. Isha was acting as an 'archetype' of what Jinx had to become. Her whole existence in the show was so Jinx could become an icon for Zauns revolution and for her to sacrifice herself so Jinx could see and do the same, break the cycle.

What really bothered me was how Jayce and Viktor seemed to be the only characters who had a complete story, everyone else had a lot missing scenes (they did too but way less, there never was a point where I thought 'where does this come from?', everythingwas explained about them. I wish I could say the same about the 'arcane', magic). It's so unfair, on the female lead show about 2 sisters for the male characters to be the final focus. Also another thing that bothered me how they did a seemingly better job at writing Ekko/Powder, the straight ship we got to see for 1 episode on a different timeline, rather that Vi/Caitlyn, the lesbian ship AND main focus since they're both main characters from the timeline were following.

Something else, I feel like the score for s01 was better/more memorable than s02. Sure s02 has some pretty good songs but s01 felt more diverse on that? Maybe that's just me.

Kinda lazy how they used the same song for the opening credits while using visuals way too similar (if not the same) to the artstyle of the show. Although, truth to be told, the s01 opening was way too good for any standards, it would be very hard if not impossible to make something better. Still, I feel like they could have done a better job.

Also maybe that's just me but there were a lot of predicable moments. Sometimes a scene would start playing and I'd know exactly where it was going (something I can't say for season 1).

I really liked in s01 how in each episode, before the opening, we got to see some glimpses from the past of each character. It was a great way not to have too many random flashbacks and include these scenes organically in each episode. In season 2 we don't get that. I understand that we already know these characters but it's still something I adored from s01.

What made s01 so appealing was how they handled the story, didn't rush things. How they took their time to make us understand and like the characters. With s02 we didn't get that luxury.

Season 1 was a masterpiece and unfortunately, season 2 didn't meet the expectations.

I still enjoyed watching it but it was definitely not as good as the experience of watching s01.