#but then i remembered that IT'S *MY* STORY and I can write a scene about a vamp bat hitting a window

[dduane]

I have been trying to write fic (well, smut) set in a world where certain things are slightly different to serve the fic's plot.

However, each time I try I have run into a problem: my head insists I need to justify the changes - I need to know comprehensive details about how the world works so I can ensure everything is consistent and not too f'd up.

So I get bogged down, and don't write a word. What do?

In your position, I’d sit down and write myself a bible.

This is how I did my prep for Barbie: Fairytopia.* And how I’ve done it for various works of fic presently on AO3… and how I’m doing it right now for the new Sherlock Holmes and the Giant Rats of Sumatra III project. I was taught this art by my animation story editors at Hanna-Barbera, and it’s stood me in good stead. (Peter and I pulled down our first miniseries assignment from a company that told us “we gave great bible.” And that was true.) 😄

When I say “bible” I don’t necessarily mean something that thick! (Though some of mine have been pretty hefty, with one TV project’s bible running more than a hundred pages… because I knew I had skeptical and underinformed TV execs to convince about something historical.) For the kind of purpose we’re describing here, your prep bible could be quite short: maybe looking like a bullet-pointed “shopping list”, five or ten pages long. It can be just as long or short as it needs to be to cover all your salient points.

The idea is simply to put down, in concrete form, a list of the main “different things” you need to know and remember about your alternate universe when you’re working in it. This is where you do your justification work, in as much or as little detail as you need to convince yourself you’ve got the necessary bases covered. The virtual “stage manager” who sits at the back of the theater of the Writing Department in your mind, judging when things are right, will be your guide here, and will advise you as to when you’ve got enough and it’s time to stop. And once this stuff is down on the page, you’ll be a position to judge critically whether everything makes enough sense to work with, and slots together correctly.

This is also a bit like (for the prose part of a project) outlining, in that it’s incredibly freeing. Once you’ve got this background nailed down, you know you can safely turn your attention away from it and get down to the serious business: drama, and the character interactions that express it. (And inevitably as you’re doing the bible writing, you start getting ideas for how the substrate you’re laying down is going to affect the conflicts between and among the characters. The bible stage can be incredibly fruitful this way.)

It would be facile to describe the bibling process as “getting the easy part over with first”. Because sometimes it’s not easy! But it’s worth doing first, because having done this first relieves you of the ongoing anxiety caused by knowing you may have to keep inventing or rationalizing stuff on the fly. (Which can produce the kind of micro-blocks that a writer can generally really do without.) …Not that you’re not going to be inventing things on the fly anyway: that’s a normal part of the writing process. But the biggest and most obvious issues will have been handled already, and you’ll know they have; which is always a weight off one’s mind. And the fewer of those weights you have loading you down, when you’re in the midst of the labor of composition, the better.

Anyway, give it a shot and see how it works for you. And then you can, like the rest of us smut writers, get on to the really pressing business: making sure you haven’t lost track of where all the characters’ arms and legs (and things) are when you’re writing those hot steamy sex scenes. 😏

Hope this helps!

*ETA: My remit on this job did include creating a bible for them. But I write a rough-draft one for myself first, including various meta that I needed but they didn't.

[thewriteadviceforwriters]

Beginners Guide to Descriptive Sentences

Hi writers.

I’m Rin T, and in this post I’m excited to share with you a detailed guide on how to craft vivid descriptions and descriptive sentences for your writing. I’ve long believed that descriptive writing is the magic that turns ordinary text into an immersive experience. When done well, every sentence acts like a brushstroke that paints a scene in the reader’s mind.

──────────────────────────── Why Descriptive Writing Matters ────────────────────────────

I have seen how powerful descriptions can engage readers and establish a strong connection with the narrative. Descriptive writing is not simply about decorating your work; it is about building an atmosphere that transports your reader to a world. your world.

When you write descriptions, remember:

You are setting the tone.

You are building a world.

You are evoking emotions.

You are inviting your readers to experience your story with all their senses.

──────────────────────────── Step-by-Step: Crafting Vivid Descriptions ────────────────────────────

Below are my personal tips and tricks to help you build detailed and captivating descriptions:

Begin With the Senses

Description does not solely depend on what the eyes can see. Consider sound, smell, taste, and touch. For instance, instead of writing “The witch’s hut was eerie,” try elaborating: “The witch’s hut exuded an eerie aura. The creaking timber and distant echoes of whispering winds mingled with the pungent aroma of burnt sage and mysterious herbs.” In this way, you help the reader not only see the scene but also feel it.

Choose Precise and Evocative Language

Precision in language is vital. Replace generic adjectives with specific details to boost clarity and imagery. Rather than “The forest was dark,” consider: “The forest was a labyrinth of shadowed boughs and muted undergrowth, where the light barely touched the spindly branches, and every step unveiled whispers of ancient spells.” Specific details create tangible images that stay with readers.

Show, Don’t Just Tell

A common mistake is to “tell” the reader how to feel, rather than “showing” it through context and detail. Instead of writing “It was a spooky night,” immerse your reader: “Under a pallid crescent moon, the night unfurled like a canvas of foreboding whispers; broken branches and rustling leaves narrated the secrets of a long-forgotten curse.” By showing the elements, you invite the reader to experience the fear and mystery firsthand. (You don't need to be as dramatic as my examples, but this is simply for inspiration)

Use Figurative Language Thoughtfully

Metaphors, similes, and other figures of speech lend an artistic flair to your descriptions. When writing about a scene in a magical world, you might say: “Her eyes shone like twin beacons of moonlit silver, cutting through the gloom as if to part the veil of night itself.” Such comparisons evoke emotions and deepen the reader’s connection with the scene. However, be cautious not to overdo it; a little figurative language can go a long way.

Strike a Balance Between Details and Pacing

While elaborate descriptions are alluring, too many details can weigh down your narrative. Consider introducing the broader scene first and then focusing on key elements that define the mood. For instance, start with an overview: “The village lay nestled between ancient stone arches and mist-covered hills.” Then, zoom into details: “A solitary, ivy-clad tower sent spiraling tendrils of mist into the twilight, as if guarding secrets of a long-lost incantation.” This technique creates a rhythm, drawing readers in gradually.

──────────────────────────── Practical Exercises to Enhance Your Descriptive Writing ────────────────────────────

To help you practice these techniques, try the following exercises:

Sensory Detail Drill: Select a familiar scene from your fantasy world (for example, a witch’s secluded garden). Write a short paragraph focusing on each of the five senses. What do you taste as you bite into a magical fruit? What sounds resonate in the quiet of the enchanted night? This drill helps you to avoid flat descriptions and encourages you to integrate sensory experiences.

Revision and Refinement: Take a simple sentence like “The night was cold,” and transform it using the advice above. Rework it into something like, “The night was a canvas of shimmering frost and darkness, where every breath of the wind carried a hint of winter’s sorrow.” Compare the two, and notice how minor adjustments can dramatically heighten the mood.

Peer Review Sessions: Sharing your work can offer invaluable insights. Exchange your descriptions with fellow writers and ask for focused feedback, Does the description evoke the intended emotion? Does it deliver a clear image? Use these sessions as opportunities to improve and refine your craft.

──────────────────────────── Common Pitfalls and How to Avoid Them ────────────────────────────

Through my years of writing, I've learned that even the most passionate writers can stumble. Here are some pitfalls to watch out for:

Overloading With Adjectives: While it’s tempting to create elaborate descriptions, too many adjectives and adverbs can distract rather than enhance. Aim for clarity and purpose in every word. Instead of “a very dark, spooky, frightening forest filled with creepy sounds,” try “a forest shrouded in ominous silence, where every rustle hinted at unseen mysteries.”

Falling Into Clichés: Familiar images can sometimes render your work predictable. Try to avoid worn phrases. Instead of “as dark as night,” imagine “as impenetrable as the void that separates worlds.” Unique expressions capture attention and create lasting impressions.

Neglecting the Flow: Descriptions are vital, but the narrative must continue to drive forward. Check that your detailed passages serve to enhance the storyline rather than bog it down. Ask yourself: Does this description bring the reader closer to the action, or does it detract from the momentum of the narrative?

──────────────────────────── Advanced Techniques for the Aspiring Writer ────────────────────────────

Once you’re comfortable with the basics, consider these advanced methods to elevate your descriptions into artful prose:

Integrate Descriptions Seamlessly: Instead of isolating your descriptions, weave them into dialogue and action. For example, as a witch brews her potion, you might describe the bubbling cauldron and swirling mists as part of her incantation, not just as a standalone scene. “As she whispered the ancient words, the cauldron responded, its surface rippling like a dark mirror reflecting centuries of secrets.”

Reflect Character Perspectives: Let your characters’ emotions color the scene. If a character fears a looming threat, their perception will add a layer of tension to the environment. “I entered the dim corridor with trepidation, my heart pounding as the flickering torchlight revealed spectral figures dancing along the walls.” This technique makes the description both situational and personal.

Use Rhythm: The cadence of your sentences can mirror the pace of your narrative. In high-tension moments, short, abrupt sentences heighten the urgency. Conversely, in serene scenes, longer, flowing sentences can create a tranquil atmosphere. Experiment with sentence structure until you find a balance that suits both your style and the mood you wish to convey.

──────────────────────────── Final Thoughts and Encouragement ────────────────────────────

your narrative is your unique creation. you too will find your distinctive voice. I encourage you to keep experimenting with different techniques until your descriptions feel both natural and mesmerizing. Write freely, revise diligently, and most importantly, let your creative spirit shine through every line.

Thank you for joining me. I hope these tips can help you.

[maenefa]

Ok, so if Eowyn wants to die in battle to avoid a worse fate at the hands of the enemy, why is it so easy to miss that??? Why does Tolkien misdirect us?

I could write a whole essay on Tolkien’s love of understatement, of meaningful silence, of “glimpses of untold stories,” but let’s focus on Eowyn for now.

Tolkien creates a suffocating bubble of silence around Eowyn. It’s brilliant and horrible and I love it and I hate it.

Faramir tells Eowyn what he thinks about her motives: “You desired to have the love of the Lord Aragorn…. But when he gave you only understanding and pity, then you desired to have nothing, unless a brave death in battle.” And Eowyn doesn’t correct him! She just looks at him silently. And she declares her love for him during this scene.

Eowyn is often described as “frozen” or “cold,” and it’s clear that she has to hide her true feelings a lot of the time. Tolkien REALLY hits us over the head with the silencing of Eowyn in the Houses of Healing, when all the men are staring at her unconscious body and wondering why she was so unhappy. Eomer is positive that her crush on Aragorn was the problem; Aragorn doesn’t want to take the blame. Finally Gandalf speaks up:

“My friend, you had horses, and deeds of arms, and the free fields; but she, being born in the body of a maid, had a spirit and courage at least the match of yours.”

And then he says this:

“My lord, if your sister’s love for you, and her will still bent to her duty, had not restrained her lips, you might have heard even such things as these escape them. But who knows what she spoke to the darkness, alone, in the bitter watches of the night, when all her life seemed shrinking, and the walls of her bower closing in about her, a hutch to trammel some wild thing in?”

Gandalf has just made the most openly feminist statement in the novel (aside from Eowyn and her “burned in the house” speech), but he follows it by saying that Eowyn has private thoughts that he cannot or will not explain. It is up to the men to decide if they want to know more. Eomer is deeply struck by Gandalf’s words and silently rethinks his entire life with Eowyn.

And then Aragorn has a truly infuriating bros-before-hoes moment: he breaks the uncomfortable silence by reassuring Eomer that yeah, maybe Eowyn’s crush on him was actually the problem after all. Just a minute earlier, he had denied responsibility for Eowyn’s despair. But he hates to see his friend, his brother in arms, feeling shamed. So he jumps in to rescue Eomer from his negative emotions. And Eowyn is RIGHT THERE, silent and unable to defend herself.

We already know that Aragorn is reluctant to know more about Eowyn’s problems. During their confrontation in Dunharrow, Aragorn dodges all of Eowyn’s attempts to make him see her point of view.

“A time may come soon,” said he, “when none will return. Then there will be need of valour without renown, for none shall remember the deeds that are done in the last defence of your homes. Yet the deeds will not be less valiant because they are unpraised.”

And she answered: “All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honor, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.”

“What do you fear, lady?” he asked.

Neither Aragorn nor Eowyn want to talk about what will happen to her if the enemy wins; this is why there is so much misdirection about Eowyn’s motives! Aragorn glosses over the atrocities that are likely to happen and tells Eowyn she can have a heroic last stand, as a treat. Eowyn is infuriated by his poetic vagueness and spits out this horrifying image of being burned alive—but then she fiercely insists that she is a warrior and fears neither pain nor death. She doesn’t want to perform feminine vulnerability to get Aragorn to listen to her. Eowyn is proud and dignified, which makes it especially painful when she resorts to kneeling and begging Aragorn to let her fight. As she tells Faramir, she desires no man’s pity.

I have to give a shoutout to @balrogballs, who has written about this subject extensively:

The cultural fantasy of the female victim of violence often traps women in an unyielding present tense, positioning them as symbols of sentimentality. These women are objectified and become sites of social intervention, their suffering the focal point of external pity and mourning. The narrative demands their pain be witnessed, but rarely offers a way forward, reducing them to objects for emotional consumption rather than subjects of their own story.

This is exactly what Eowyn is trying to avoid. She wants to be remembered as a hero, not a victim.

Tolkien embroiders this theme very cunningly by having Faramir give Eowyn a cloak that belonged to his mother, Finduilas, who died when he was five. Faramir thinks the cloak is “fitting for the beauty and sadness of Eowyn,” which has a deeper meaning that he probably does not intend. Finduilas is also the name of an elf maiden from the Silmarillion, who was captured by orcs and killed with a spear. In Tolkien’s work, both Finduilases exist mainly to provide tragic backstories for male protagonists. Oh, and Arwen’s name was originally Finduilas as well. To be a Finduilas is to be beautiful and passive, and to die tragically. A fate that Eowyn rages against.

(The Finduilas thing becomes even more absurdly cryptic when you recall that only Tolkien knew about the tragic connotation of the name at the time LotR was published. But he did this kind of thing!!! Recall Elrond and his warning against oaths.)

I have always wondered why Eowyn didn’t challenge Faramir when he informed her that she was suicidal because of Aragorn. Perhaps she simply wanted to put the whole nightmare behind her.

But the most painful silence, to me, involves Theoden. Gandalf reveals that Wormtongue was planning to rape Eowyn, and Theoden says nothing. Eomer grabs his sword and has to be restrained from killing Wormtongue, but Theoden actually offers Wormtongue a second chance to prove his loyalty:

"Do you hear this, Wormtongue?" said Theoden. "This is your choice: to ride with me to war, and let us see in battle whether you are true; or to go now, whither you will. But then, if ever we meet again, I shall not be merciful."

This betrayal of Eowyn happens so fast that it is easy to miss. None of the characters comment on it, and the narrative moves on. There’s something horribly realistic about a powerful man with a beloved image casually offering a second chance to a sexual predator and everyone, including the reader, being unable to process what is happening.

The silences in Eowyn’s story come from the male characters and from Eowyn herself. Theoden and Aragorn want to avoid talking about the type of violence that threatens her, and they ignore her desires. Eowyn doesn’t want to be trauma porn; she resents having to explain herself. And this silence offers readers the freedom to empathize with her, like Eomer, or to fall back on sexist explanations, like Aragorn.

[cain-e-brookman]

Hey y'all, @creatingblackcharacters has created a challenge for Black History Month and I thought I'd share my entry. I'd like to tag @topazadine @illarian-rambling @mx-ryder and @spideronthesun for the challenge as well!

Uthyr is the main character of my current WIP: The Name, Witch. His is a story of healing, of putting down shame, and of being true to the spirit of what created you, no matter how the world wants you to bend. This is a scene that takes place about 10 years before we meet him in this same garden. Uthyr's greatest victory is always against despair. Uthyr's strength is in his conviction to himself, the culture and virtues that were passed onto him, and his love for the world around him. In my writing, I want my Black audience to see their own resilience in Uthyr. I want to highlight Black men in roles that are softer, but no less strong.

I also sincerely hope that this book can be a long shout out to my Black autistic sibs who are also obsessed with bugs, amphibians, and/or reptiles. I gave my hyperfixation to Uthyr, and I hope you feel seen with it as well. As I said in the comments to a very needed check, joy is just as important as resiliency, and I hope you find as much happiness as Uthyr does in with cold little buddies!

---

perhaps on the crest of each stiff blade of grass hangs the eternal name of someone who was once loved but is now vanished and just another name in an endless field of names that is newly remembered with each return trip of the eager nose...

-Hanif Abdurraqib from "The Crown Ain't Worth Much

The hydrangea bush to the north of his house was the first thing Uthyr put into the soil in his soon-to-be garden. An old witch tradition. The color of the flowers changed with the humors of the soil. Uthyr didn’t know which color he hoped for, just that it grew to be strong. He hoped the plant would grant him the same blessing.

The last thirty-some years of Uthyr’s life had left behind the cooled pyres of his family, and the last two since the death of his mother had left him adrift. The first, a long year where he’d traveled to nowhere in particular, stayed where he found place to stay, and searched desperately for a purpose. At the end of that long year, he realized, exuberantly, there was none. No end to rush to, no greater deed to be done. He would not be rewarded for suffering, would not reach some peak where it became all worth it. He would not find a purpose, nor would he make his own. He would, instead, simply live. Live brightly, now. Live fearlessly, now. He didn't know where he would go, but he knew where he would start.

He practiced his healing for the first time since his father died. A young girl had taken a fall in the small town in which he was staying. He'd gone to her without a thought, placed his hands around the break, and reached out where he knew the magic still laid. The feel of bone knitting beneath his fingers nearly had him in tears. He could hear his father’s warm, heavy voice as he worked:

Bone remembers its home, just not the way back. Remind it gently, and its journey will be painless.

The little girl hadn’t even cried. He’d pulled a dandelion seed that had stuck itself on his cloak and grew it into a miniature sun before placing it behind her ear for bravery. The Sun Goddess rarely answered his beckons for fire, and his stubbornness never won out over the Stone’s, but neither skill brought about the smiles of gratitude he’d seen in all his time healing. He wished it hadn’t taken him so long to appreciate that part of himself, that part of his father’s influence.

Then, after a long while of fighting with his own head, he finally chose himself. Two weeks in a temple to the God of the Golden Moon saw him leaving behind the word “daughter,” to be replaced with a name that held responsibility to no one but himself. Uthyr of the Asphodels, First of His Name. His mother’s now held nothing a burden of failure on his shoulders. He could have been better for her. Should have been better. But he could not make the dead proud, so he cast off the guilt. It no longer served either of them. 

He changed his hair. Spent a long day removing neat rows of braids from his head, combing and washing then rolling his hair like he’d seen his uncle do so many times. At the end of it all, he had sore arms and a deep satisfaction. The start of those locs still stuck oddly from his head in their awkward stage.

“Ugly stage,” his mother used to tease Uncle Callum when they recounted stories of their youth. His uncle would always raise an eyebrow and inform her in no uncertain terms that he’d never been ugly a day in his life. Uthyr planted snapdragons by his window for them both; their favorites. Yellow for his mom. Purple for his uncle. The seeds had been expensive for the paltry savings he’d kept from his brief stint of odd-job healing around the surrounding towns, but the memory of the two exchanging plants on their shared birthday had Uthyr lightening his coin purse without a second thought.

He continued with a few more plots around his house. A smattering of pansies for color, some herbs for healing, then some more for cooking… 

A single row of daffodils by his doorway. For his father. His birthday would be soon. Uthyr would cut one and light a candle. Pray the Death God pass on his love.

I’m alright, he’d tell his father. It’s hard and I’m tired, but it’s alright. I’ve got good soil under my feet and good hands to dig.

The anemones he planted on the shaded side of his house were for himself, though. They were delicate things, but right now so was his heart and that needed just as much care. He’d stay strong for them and they’d do the same for him. Water and sunlight. The start, his uncle would say, to any life worth living. 

And hope, Uthyr thought. Half of it was always hope.

When Uthyr finished for the day the sun was drawing long shadows across the forest floor. All but his pansies would not see color or flower for a long while, but as Uthyr dusted soil off the dark skin of his hands and forearms, he could already see the future it held. He would get some roses. Maybe not this year. He needed to plant his vegetable garden first. Maybe splurge on a fruit sapling. Tonight he would sit in his mostly empty home, cook a small pot of soup with ingredients from a garden that wasn’t his, and plan recipes for when his own produce grew. But as for now, he felt the waking breath of spring on his face, the softness of the grass under his legs as he dug his toes into the cool earth below him. 

A tentative peace was forming in his chest, walking haltingly like a newly born fawn. He’d found a creek not far from where he sat. He wondered if the tadpoles had yet grown legs.

---

And now, my excited rambling: the title of the poem before the cut is Notes On Waiting for the Dog to Find the Perfect Place to Take a Shit While Morning Cuts Through the Sky, Fresh From Another Darkness, which is quite possibly one of Abdurraqib's best titles and also a wonderful poem. I saw When I Say Loving Me Is Like Being a Chicago Bulls Fan posted on facebook at one point and I've been in love with his poetry since. The way he weaves pain and hope with his anger and his love in a way that criticizes a society that doesn't value himself or people like him, while celebrating his identity is both masterful and cutting. Listen to the man and buy his books! His essay collection, A Little Devil in America: In Praise of Black Performance is going to be my read for my essay collection square for the 2025 book bingo, and I'm really excited to finally get to it!

[fangel]

YVE !! ♡ my angel, your feedback means more than all the stars in the sky ଘ꒰ ॣ´͈ ᵕ `͈ ॣ꒱ଓ i’m going to scream with you under the cut

starting with the synopsis alskdwlmzap i mean who doesn’t see sunghoon and #WantThat ?! i fear he wouldn’t leave a room with me in one piece

as an evil, weird, off putting girl myself i had to represent !! she was so easy to write bc i was half self-inserting during this story 😭 i love her idc ! she never did wrong !!

m*n are rotten, and i wholeheartedly agree that 100 random m*n should be sacrificed monthly. honestly, put them all in jail to start until deemed worthy of being free ! ~ the father / reverend is the true evil here. absolute terrible man (but necessary for the plot) i love how you dragged him every chance you got LMAO he deserves all the hate “it’s time for you to die” IJBOL, so real

it was hitting real close to home while writing ㅠㅠ and you’re so right - she wasn’t born resilient, she had to become resilient because of the environment she grew up in !! and omg your comments about her made me realize how sad and angsty this story is (i didn’t even think it was that depressing while writing but ohmygod it really is ajskakf)

NOT THE “it’s nice to be seen, noticed” being a theme in my works 😭 am i exposing myself ?!? (yes)

sidenote — I LOVE ALL THE LIL MEMES AND GIFS SO MUCH HAHA the debby ryan ones always get me

i live love laugh when one of the love interests is a lil scared. yes, fear me, i love you but am also out to get you (in many ways, this adds to the mystery hehe) likkkke sunghoon doesn’t know what to do with all that !! … or does he?

THANK YOU! i pride myself in my weird creativity and no it’s not weird, it just means you’re a Real One. be giddy and excited !!!

you’re freaky comments kslakdpalb #REAL

soooo much religious trauma in this story. i’m the biggest nerd when it comes to theology and religious media (i honestly don’t know why, i don’t love or hate religion and im not religious (anymore), but something about it i’m always itching to write). i think it’s perfect for wanting to write about a relationship dealing with unlearning shame and guilt etc idk ! you get it? yeah, you do

reader is 100000% projecting her feelings / trauma onto him. she doesn’t even realize that until later and how ironically she kind of was acting like her father in a way. and you’re on the money again ! she does like ruining sunghoon and having power over something but eventually realizes she likes the company much more after being alone most her life

omg ty ily for loving my ‘evil’ mc :( 🤍 she’s so complex and so very human. loved how you described her because that’s exactly how i wanted her to come across. yeah she’s a little mean but how can we blame her 😔

NO YOU ARE CORRECT !!! jake in HoP is also jake from attic angel. just them as college students (tbh i don’t remember all my details from attic angel, but i did want him to make a cameo here so yes this is my multiverse)

FATHERLESS BEHAVIOR ! i screamed. but sunghoon is sooooo cute. i had to bring the babygirl hoon agenda to light bc he’s so sweet and loser boy coded to me

YES THE TEDDY BEAR SCENE it’s actually my favorite part of the whole story 😭 because she’s finally opening up to him and being somewhat vulnerable. tender intimate moments >> anything else. I LOVE SLOW BURN, AND I MEANT IT !! before writing on this account angst and slow burn was always my go to :)) also the blood oath scene is one of my favs. it was supposed to be longer but was lazy lol

(i have to reply to the comment, sorry not sorry) but i had to gut you open to blow on the boo-boos </3 i needed that fluff to feel extra rewarding after the angst

IM SOOOO HAPPY you feel this was made for you because it was !! it really truly was. you’re more than likely a lot like me and this story was a love letter to all the people that the world made me feel small. we are seen and we can and will be loved just as tenderly as we wish regardless of how negative we feel about ourselves or what others think, etc 🤍 (i swear i have no cameras watching you!! unless.. JK)

NOT YOU CALLING ME OUT ABOUT THE ROOMS HAHA college boys are truly a mess, you got me there. i remember my guy friends dorms and it was horrid. sunghoon would never tho..

i could reply to everything you said (i totally did out loud to myself while giggling and kicking my feet with a fat grin) but i’ll end with THANK YOUUUUU SO MUCH FOR TAKING YOUR TIME TO READ MY STORY AND EVEN MAKE COMMENTS WITH ALL THE PICTURES AND WHAT NOT IT MEANS THE WORLD TO ME HOW YOU PUT EFFORT INTO YOUR RESPONSES. I LOVE YOU SO BAD AND ITS BC YOU I ENJOY WRITING AND SHARING MY WORK EVEN MORE <3 !!!!!!! may the most tender, kind, and warm love find you.

harvest of purity — sunghoon [ 박성훈 ]

pairing ⦂ sunghoon ⨯ fem. reader

synopsis ⦂ au in which an innocent, shy, and faithful sunghoon takes a summer job as a farmhand. he’s never indulged on his desires until the farmer’s daughter shows him a taste of sin. although riddled with guilt, he cannot deny or escape the new rousing feelings that impurify him. especially when she's set on ruining him every chance she gets.

genre ⦂ smut, slow burn romance, strangers to lovers word count ⦂ 29k tags ⦂ fluff and angst, repressed desires, innocence loss, guilt and shame, exploring relationships, falling in love, southern gothic vibes, summer au, clingy down bad sunghoon, ‘mean’ morally gray reader, both are weirdo loser freaks content advisory ⦂ mdni ! dark-ish content ⚠︎ sexually explicit content in four scenes: handjob, oral (m. rec.), dry humping, thigh fucking, unprotected sex, virginity loss, corruption!kink, degradation!kink, praise!kink, switch!hoon, he whines whimpers and cries; religious themes, concepts, corruption, and criticism; manipulation, animal death, blood, intense scenes, abusive parenting, gun mention and use

note ⦂ poured my heart out. i hope you love it as much as i do. dedicated to my other evil, off-putting, and/or weird girls┊reblogs and feedback encouraged ⇀ playlist ⸝⸝ masterlist 🌾

　You’re not sure what life in your small town was like before you were born. You can imagine it’s not too different from what it is now though. The thing about old country towns is they never seem to change. Open fields and miles of farmland. Two gas stations, one grocery store, a few family owned vegetable stands or in-home produce product shops. Only one notable neighborhood where the majority of the townspeople lived if not hidden somewhere else in the countryside. And too many churches to keep track of if the abandoned ones were included in the count. 

You like to think your parents were happy before you too. Hopeful and optimistic when offered to take over your uncle’s farm. Excited for the next step in their relationship after their marriage. They were the ideal family dream coming to life: high school lovers, engaged after graduation, married, a career handed to them through family with a large property of land and lovely farmhouse. All that was left was to grow that family. To have children to not only help tend the fields and animals but run around barefoot, all smiles, and wide eyed. 

You were positive that it was something they wanted. 

But life couldn’t have been that easy for them; it would’ve been too gratuitous of a blessing.

The day you were born, your father knew there was something greatly wrong with you. He claimed that on the day you ripped your mother open, screaming and crying, that God spoke to him for the first time. He called it divine intervention. Believing the birth of your soul was a red-herring of all that was set to come but God would show him the light, the truth: that you were nothing short of evil and needed saving. 

That year on the farm there was nothing but death. It only furthered your father’s harsh thinking of you. The crops and produce either died or rotted before it had the chance to grow or ripe. The animals were dropping dead from unknown illnesses. Every female livestock that gave birth passed in doing so. Barely any profits were made that year. Taxes were rising and so were the prices of nearly everything. It was a huge toll for your family, especially when raising their first child. Before you were even conscious of the situation everything was already deemed your fault. 

Through the harrowing struggle, your father’s optimism turned to resentment. He claimed that bringing you to the farm was not like bringing a daughter home, but a corrosive parasite. He believed that you were the reason for the life being sucked away from their perfect farm life. So, he turned to the only thing that he could trust to save the family from your curse: God. Begging and pleading through prayers every morning and night to the sky for a better season. 

He studied religion here and there before taking over his brother-in-law's farm but with the farm failing for the first time, he took a change of career paths. He was already well known among the locals, close with the church goers in the community. And somewhere along the way, he managed to start preaching himself. Nearly every christian in your town moved churches to follow where he went. Like sheep to a shepherd. 

If only they knew what you did, what he was truly like behind the closed doors of your home. How his devotion was turning to violence. Day by day, becoming uglier. 

While your father busied himself with his new found family, often away from home on the farm, the crops and animals began to thrive again. Slowly but surely, growing and regaining health. He would say it’s God’s doing, a small taste of His salvation. 

Your early years were mostly troubled by the relationship of your parents. Too young to fully understand their disputes, drawing at the kitchen table with their yelling sounding the house. It was always about you, that much you knew. Because you watch and you listen. Quick to learn that they tried for another child but never had any success. They wanted someone else to be their baby. Something that felt more like a blessing than you. Your father constantly spitting in your mother’s face that you were the rot to the fruit of her womb. And then he would always end up leaving by slamming the door and your mother would always join you at the table with tears and a bottle of wine. You always just watched, listening in silence. Perhaps just born resilient.

Growing up was different for you compared to most of the kids in your town. You never had the opportunity to make many friends being homeschooled. The only time that was spent around others your age was kindergarten. Kindergarten was short lived because of your behavior; the teachers at school were concerned about you. How you were mean, rough, and sinister with your actions towards others. Picking on the kids you were simply interested in because of how different from you they were. Drawing pictures of gutted cattle or dead, half developed baby chicks still in their shell and giving them as gifts to the teachers. Sharing to classmates the cruelty of farm life and why it was pretty with a smile. 

Your father loved to find out about this, you could see it in his eyes. The way they were wicked and screamed I told you so to your mother. You didn’t understand why it was bad or caused trouble. You were only having fun for the first time. The way the kids ran away crying or the teachers wore faces of shocked horror, it made your insides light up in joy. A new feeling—a sense of excitement. You didn’t know it was sick. And of course, it was taken from you. You were removed from school and your mother became your teacher. Your classmates became stuffed animals and the real ones in the barns. It was hard for you to find that joy you briefly felt with others. 

Sometimes you had a glimpse of it again when your father would punish you. But even that you grew sick of. The mess, the stench of it all. Sticky and red, worse in the heat of summer. He drilled the sick moto for his actions into your head, “I know no punishment, only mercy.”

Father took you both to church more often after that. He had a false image to uphold afterall, one of a happy, God loving family. In his ego he had to prove that his preaching and prayers could fix you, save you. But that was only admitted at home, loud and scary to your mother. Your poor mother, weak and defensive of you, eventually waved her white flag. You wished she kept fighting for you and that she wouldn’t begin to see you the way your father did. 

Childhood and adolescence was a string of questions about yourself. Never quite finding out what made you so bad to be seen as devilish when all you thought of yourself was curious. Perhaps just unlucky to be correlated with negative happenings on and off the farm, always gone without a chance of understanding. Despite it all, you knew well enough the way your parents talked and looked at you was without unconditional love. 

On your 17th birthday, the family dynamic made the biggest shift to be experienced. 

At this age, you had such a strong sense of independence and with the lack of parental guidance and monitoring, you would leave town when you could. Ride your bike down the long road to the bus stop at the center of town and take the bus into the city over. Your mother was generous with allowance and you saved your money well, only spending it on books or trips to the movie theater. A form of escape that allowed you to learn more about the world and all the things your parents tried to keep hidden from you. A way to learn how to be human. 

So when your father was tearing your room apart in search of the same gift he re-gifts you every year, he found some things that made his stomach churn. Every year for your birthday he rewrapped the same, first ever, bible he’d given you. Funny enough that he gave you anything at all considering he never even referred to it as your day, only his day of revelation. And to his disgust, on his sacred day, he found books and journals of explicitly detailed copulation and debauchery. 

He almost fainted. Stumbling over his own feet, hands shaking as he couldn’t tear his eyes away from the words on the pages. That was the only time you smiled on that day. Just for a second. And then a glimpse of hell broke loose. 

In a rage, he destroyed everything. Your mother stood next to you in tears, telling him to stop and stop. Her hands covered her face but she saw everything through her fingers. You only watched in silence, hands balled in fists by your side. A silent hatred and anger coursed in you. He called you names that no man of God should, especially to his own daughter. 

“You’re a disgraceful deviant of Satan! I should’ve known. My own day of revelation is a curse!” You watched him rip pages apart, his voice booming through the house. “Years spent praying for you and this is how you turn out?! Succumbing to nothing but a dreaming whore?!”

A part of you liked his mean words. It was so rare for him to use such colorful language. 

You knew what would come next. He was going to have you ‘cleansed’. Something he always did when he discovered something new and sacrilegious of you. 

But it didn’t come. Because there was no dying, old sheep on the farm at the time. He did make a promise to not forget though. A promise to have you washed in sacrificial, blessed blood on a day you least expected. 

Your father left after that, leaving you and your mother behind. He moved to the city to continue his preaching at a larger church. He became known as the closest reverend to God for miles and miles. Lost in his ways, he only made visits when he needed to sort things out for the business of the farm.

You were content with his departure, yet couldn’t quite understand why your mother missed him. As far as you’ve seen, he was never kind towards either of you. 

　But now, it’s several years later. And although you’re free of your father’s heavy presence and homilies, he still makes his trips to the farm. You can feel the air change whenever he does, as if you’ve gained a sixth sense for his coming. Naturally intuitive to things having spent your childhood walking on eggshells in your own home. 

And today, the air feels particularly chill for summer. The breeze sweeps in through your open window. The forecast called for nothing but sunshine all week, yet there’s an angry, dark cloud hanging over your farm. A foreboding feeling shivers through you, and you know he’s going to fulfill his promise today. You sigh and slide out of bed. “Let’s get this over with.”

You spend the morning doing your usual routine. Brushing teeth, washing your face, then dressing in farm work attire. Your breakfast consists of tea and your mothers homemade strawberry scone. Next is tending to the animals. Your mother usually takes care of the crops and gardening. It’s a quiet and early morning, as most are. The both of you keep to yourselves, just doing what needs to be done day by day. 

The sound of a car is heard coming down to the long dirt road and you know who it is by the sound. It’s a fancier vehicle than the one he left this property with years ago. A meaner part of you likes to think his greedy hands got into that mega church’s donations but you’re too self aware of the successful farm your family owns. 

Your father parks in front of the house and your mother is quick to rush over to him, presumably with many questions: How have you been? Are you hungry? Thirsty? What brings you here so early in the month? 

You roll your eyes at her desperation to cling onto the relationship that clearly ended when you were a child. 

You place a hand on your hip, leaning your weight to the side that isn’t carrying the heavy bucket of chicken feed. Walking away from the coops and back towards the shed by the house, you make eye contact with your father despite only taking a glance. 

He watches you with narrow eyes from the lowered window of the car he’s still sitting in, very much not listening to a word your mother is saying. 

He calls your name before you can open the shed. Spinning on the heels of your boots, you turn around with raised brows of questioning. 

He mouths the words sacrificial tree as he exits the car. Your mother sees this. She wears pained disappointment as she scurries away. Presumably to the barn where the sheeps and lambs are kept. She might as well be a sheep too, you think. 

The bucket slips from your fingers and drops to the patchy dirt grass by your feet with a thud, spilling over in a mess that will be cleaned later. 

You don’t bother giving him a nod of understanding. You just turn around and begin your walk to the tree line where the man made path is. Knowing it would take some time for his preparations, you walk to the lake that’s hidden behind the farmland. 

It’s a brief walk through your familiar woods. Once at the short wooden dock, you sit down at the end, taking in the gloomy summer scenery. A light fog hugs over the water. You bring your knees to your chest, in your sitting position, and hug yourself the same way. 

This is your favorite place out of all the land your family owns. It’s serene, mostly. Always quiet. You’re the only one who comes here. And it’s nice to swim with when the weather warrants it. There’s a feeling here that’s hard to feel anywhere else you find yourself. Sometimes you imagine what it would be like with someone else, but you doubt it would be as nice. Trouble has a way of following you, it seems. You frown at the thought. 

It’s silent like this for a few minutes, just you trying to find a sense of calmness before the impending chastisement. Then you hear some rustling of leaves, heavy footsteps following. You don’t turn around yet, you only wait for the call of your name. Your time of tranquility is too brief. You sigh before giving yourself a squeezing hug. 

“It’s time,” the reverend calls out loudly, “quickly now, we have new farmhands arriving soon.” The sound of his feet walking away is when you stand. You wave a goodbye to the foggy lake before parting ways. Your feet move unconsciously, taking to where your body knows to go. 

Leaves crinkle underneath your boots and twigs snap. The trees’ branches sway in the gentle morning breezes that pass. 

In the mix of the small forest, man made crosses of sticks or plywood are spaciously scattered. Like a graveyard to all your bad doings. Most small but one large. Old rotted wood that stands crooked and begging to fall over right next to the largest, strongest tree. Your eyes, that are trained to ground, move upwards the cross and then to the tree. Your father stands there with a large knife in hand. Your mother waits cautiously not too far away. Her demeanor is frightful as if this is the first time. Coward.

An old sheep hangs by its hind legs from a sturdy tree branch. Unmoving and defenseless. Big beady, dumb eyes look in all directions but you. You think it must feel the same guilt as yourself, sorry that its life purpose is to embarrass you, make you hate what you are. 

“God told me to make a sacrifice to prove my faith. He guides my hand in washing your soul clean of sin. So here I am with our blessed, dying lamb.” He’s said this every time. His voice is always miserably rehearsed and preacher-esque. 

You thought long ago that this was their, the lambs, only use on the farm. It’s a shame. All that devotion has made him so ugly and violent. 

You make small steps closer to the lamb. It’s whining in bleat baas and mehs. Does it know what’s happening? Is it scared? You like the lambs, sheeps. Pure white, soft, and docile. They never fight back. They just take it. I doubt they need restraints. You could hold them above me just the same and they’d never resist. 

“Move faster, for the love of God. Yeah, stand right there underneath like you know how to.” He instructs you, annoyed. His patience running thin as the distant sounds of a truck makes way down the dirt road to the farm property. 

“Okay…” You don’t fight him, with arms crossed behind your back and a hand squeezing around your own wrist, you move closer. Maybe you’re a lamb too. 

Maybe all your father really was is the executioner. 

He raises the knife as he begins to speak, it slides over its cotton, white throat but does not cut, “Revelation 7:13-17 Then he told me, ‘These are those who come from the great tribulation, and they’ve washed their robes, scrubbed them clean in the blood of the Lamb. That’s why they’re standing before God’s Throne. They serve him day and night in his Temple. The One on the Throne will pitch his tent there for them: no more hunger, no more thirst, no more scorching heat. The Lamb on the Throne will shepherd them, will lead them to spring waters of Life. And God will wipe every last tear from their eyes.’” He slits its throat in a quick, harsh movement. The blood spills just as fast, squirting spurts of red before it comes pouring down onto you. “Face up,” you obey even though it brings you rage, “it ought to cleanse those unholy thoughts I know that are still in there.” 

Head raised to the sky with eyes and mouth squeezed shut, you let it consume you. Warm, thick and wet washes down from your head onto your clothes then down to your feet. The smell of animal, metallic iron covers you. It’s sticking to your hair, eyebrows and lashes. You can already feel your clothes clinging to your skin in the dirtiest ways. 

You stand there, drenching in the its blood. Your father speaks again, firm and slow, “Say it with me now, ‘I know no punishment, only mercy.’” All you feel is the animal’s rain of life flooding you.

You open your mouth to speak but are quick to spit and cough out the blood that manages to get into your mouth. Smack. 

“I don’t have time for this,” his voice sounds like an echo, your head is ringing from the harsh swing of his hand. The skin of your cheek stings. He hits like a bitch, you think. “Say it with me now, dammit!” You can feel him wipe his bloodied hand on the side of your shirt. 

You step back from under the red shower. “I know no punishment, only mercy.” Your words align with his in the perfect paced harmony you’re trained to do so. Enunciated, slow and strong, through gritted teeth.

There’s a beat of silence before the sound of your parents footsteps walking away. 

Standing there in red, yet to open your eyes, you breathe out a shaky sigh of defeat. It sounds more like a growl. With the mostly clean hands you kept safely behind you, you bring them up to wipe the blood from your face. You don’t dare to look at the dead animal in front of you. Being covered in it is enough alone to make you feel sick. 

You think of going back to the lake, jumping in and letting the blood wash off you there, but knowing you’d either walk back with further drenched clothes or naked didn’t seem like options you wanted to deal with either. So you just head back to the house. It’s a slower walk than need be, but you just felt like avoiding the eyes of the newcomers, hoping they’d be off in the fields or in a barn by the time you walk through. You feel numb. 

You’re wrong though, by the time you’re passing the barns and coops, the group of new farmhands are already lined up outside the horses’ stable. Your mother is talking to them, although not all are paying attention. Only a few pairs of wide eyes follow you. Catching the sight of you must really shock them but you can’t blame them. Something about this makes you excited. You stop in your tracks and look around to see if your father’s car is gone. It is. The realization feels like a wave of relief and it suddenly feels brighter outside already. 

You take a glance down to your disheveled appearance. Shirt, pants, and boots painted like the barns. You look back to the group, brushing the soiled hair back from your face. Some pieces stay stuck, in the early stages of drying against your skin.

It’s safe to have a little fun. 

You begin a slow walk over to the group. You take a headcount and there’s five of them. Two younger men, closer to your age. The other three look a bit older, not by much but definitely older. Your mother is yet to turn around from whatever rundown she’s giving them. Too dense to even recognize that now none of them were paying any attention to her. 

You creep up beside her and open with, “Hello,” your voice is louder than even you’ve heard it be in a long time. It’s nice to be heard, noticed. You usually avoided the farmhands, but this summer was going to be different. You decided this on the walk over. 

Being cooped up on the farm for so long made you different, it’s obvious to anybody. Not properly socialized in your developmental years caused you to be an anomaly to the ones who did come across you. Enigmatic from far away and up close. Now isn’t the greatest example though, the situation is too clear as to why. 

Your mother turns to you, gasping and jumping back slightly in the shock of your gross state and sudden introduction. “My goodness, girl, whatta ya doin’ here like this?” Her voice is hushed, clearly unsettled with the situation. 

They all just stare at you, open mouthed and bewildered. You take the time to get a good look at each of them up close. Your eyes follow their faces individually down the line. And then they stop. 

At the end of the line is a man more beautiful than the ones you’ve seen in the movies. You feel stuck in time, left with parted lips, staring at the man before you. And far too intently for your character. He stands tall, sharp, pale, and elegant. What is a boy like this doing here? He averts his eyes from you, clearly uncomfortable by what’s before him. He looks uneasy, shifting his weight foot to foot with his hands behind his back. His pretty eyes glance around from you to your mother to the other men and the ground. He simply doesn’t know what to do with himself. You find it dangerously darling of him. 

You don’t even realize the small smile that takes your lips. You step closer to him and he steps back, now looking at you with wide eyes of small fear. You extend your hand to him, it’s coated in drying blood. He gulps and the sight, his adam’s apple bobbing in such a biteable neck stirs something in you. This will be far more fun than you intended. 

You say your name softly for introduction and step a little closer, “Nice to meet you," you feign cuteness as much as you can, looking up at him through your blood clumped lashes. It’s clear to everyone there is something off; there’s little to no real emotion behind your voice and face. 

Your mother eyes you suspiciously as you corner the handsome man, but she says nothing. Sometimes she fears you too. 

He looks from your eyes to your hand, having an internal battle with himself on what to do, “Ah, I am Sunghoon... Nice to meet you too.” His politeness must be stronger than his frighteness, because he takes his hand in yours and shakes it gently. His hand is large in yours, nearly covering it entirely. You squeeze it hard, your eyes never leaving his, trapping him in the scene. 

He wants to look away, to hide somewhere. The way his skin crawls tells him he’s a prey already in the mouth of a predator. And you know he’s nervous under your intense gaze because your hand feels like a lamb is still bleeding above you. His palms are sweating, and it’s nowhere near hot enough for that yet. Your smile grows to a smirk. 

Although you’re wearing the lamb, having Sunghoon’s hand in yours made you feel like a wolf. 

　Sunghoon’s first day of his summer job starts off duller than he imagined. The sun isn’t out this morning and it only intensifies his anxiousness, as if the grey skies reflect his inner emotions. He’s already new to the area, away from home and staying in an apartment not far from his college in the city. A private, christian school that he studied hard to get into with his friend. He wishes his best friend and roommate, Jake, was joining him in this job, but Jake already had plans to teach at a summer soccer camp for kids through their school. 

He found this opportunity through the college church they attend together. A reverend from another church in the city came to visit one Sunday, handing out flyers to the young men in hopes of finding farm help. The pay is good and the bus fairs to the small town over where the farm’s located is covered. He’s never done work like it before, nevertheless was he going to let a simple offer pass him up. 

Things are going smoothly to start, being told how to care for, clean, and feed the animals to crop preservation. Everyone would have their own specific roles on the farm. Sunghoon was assigned the easier of the tasks, either feeding animals or watering and fertilizing the vegetables and fruits crops. He learns there are already regular farm workers that would come throughout the week to collect produce, material, and use the machinery for the more laborious work. And if she wasn't around when needed then they could ask any of the regular employees for assistance or find her at the house. 

As the farm owner is about to give details on the horses’ maintenance, a girl saunters in. And the anxious feelings become of Sunghoon all over again. His eyes are wide, taking in her appearance. The smell of the farm dissipates and putrid copper takes over. The worst part is how calm she appears, and the fact that she’s unbothered with all that she wears. 

He thinks his brain short circuits, everything seeming muffled and unreal. He doesn’t even realize he introduced himself or touched her. It all was too quick and unfamiliar for him to grasp. 

He watches as she walks away, back to the house that sits slightly over the hills and valleys of the property. His expression is blank, blinking slowly at the strange girl then down to his hand that’s stained red too. 

“Don’t pay her no mind,” the woman speaks up, she sounds as if she’s warning them. “Just get yer work done and when everyone’s finished y’all can head back home. I won’t ask too much of ya in yer first month here, alright? That might be a different story later.” She tries to end the statements in humor with her forced laugh. 

Sunghoon nods but his eyes don’t leave his dirty hand. The other men nod along too and give their ‘yes, ma’ams’ in return. 

The woman continues walking them around the farm, listing rules and guidelines they must follow, along with advice and tips for the work they’ll be doing. 

The day flows as easy as it can for Sunghoon. He doesn’t talk much with the other farmhands. He also doesn’t know them well enough to be comfortable in their conversations, so he just exists in awkward silence, sometimes reacting. While they can joke around and find fun in the work, his mind keeps wandering off to the girl from earlier, to you. How your empty eyes held onto his and small hand even tighter. He thinks the palm of his hand still burns from the interaction. 

Around the afternoon time, Sunghoon and the guys are sitting around a picnic table near the house. The sun is beating down on them all now while they chug down water and eat their lunch. The owner was kind enough to provide their refreshments and meals. They were all thankful. 

She adds that there’s a small lodge up the dirt road. It’s a little old but homey and has space with two spare bedrooms if they need to wash up or rest at any time. It was originally built for the farm workers that worked late and needed a place to stay if need be. 

Once done, the boys stand up and talk about what they have left to do. The next bus back to the city isn’t running for another two hours so they speak of taking some leisure time and exploring the farm property. Meanwhile Sunghoon is still sitting, watching them huddled in conversation. He wipes some sweat off his forehead with the back of his hand as they begin walking towards the fields.

Sunghoon, taking what the farm owner had mentioned previously, decides that he’d like to stay inside to get away from the beating sun for a while. So he gathers his trash to throw away in the bin by the road near the house’s mailbox and begins his walk to the lodge. 

Once inside he takes in the rustic, outdated furniture. It’s a little dusty and the floorboards creak beneath his feet but he finds it somewhat comforting. The living space has two couches by an old stone fireplace, a center table with board games and cards, a kitchenette, and a large dining table with enough space to seat six people. 

The decor is very farmers-life-esque. From a cow print rug in the small kitchen area to the antlers mounted on the wall near the dining table. There’s scenic southern paintings hung up along with antique crosses and prints of bible verses, all adoring the faded and peeling floral wallpaper. Above the fireplace hangs a painting depicting Jesus healing a blind man. 

He walks down the only short hall in the lodge to find the two spare bedrooms the woman had mentioned along with a bathroom. He takes this time to wash his hands thoroughly and splash some cold water on his face. With his hands resting on the sink, he stares at himself in the mirror. The cold drops of water slip down his face, jaw, and back into the sink. 

In his mind he’s questioning whether or not he’s sure of this job. It’s all too different from what he knows and he can’t help but feel out of place here. With a sigh, he drops his head and watches the water slip down the sink. 

He jumps slightly at the sudden sound of the front door opening and closing, not expecting the others to join him here quite yet. No noise follows the action for a moment, not even footsteps. Then there’s the sound of a click, like the door is being locked. He straightens his posture and peaks out the bathroom door, listening for their voices or any sound other than silence. It offers nothing to him so he begins to feel tense. 

“Hello?” Sunghoon calls out skittishly, but there’s no response. His heart rate picks up a little and he starts to think the boys are trying to pull some sort of childish prank on him. He leaves the room and makes slow steps down the hallway to the main area of the lodging house. 

As he rounds the corner he doesn’t find any of the boys there though, he just sees you. His heart jumps at the realization. Sitting on the couch, in overall shorts and nothing else. Bare legs crossed and hands against the couch by your sides as you watch him peer around the corner with apprehension. You’re  just sitting there, leaning forward and waiting for him to come find you. 

Cowardly, Sunghoon makes a half turn. He presses his back against the wall of the hallway as if he could hide away or disappear into it. He even closes his eyes, thinking of a quick prayer to save him from this circumstance. 

“Are you pretending to be shy or are you really this cute?” Your voice is teasing, and he can hear the wicked smile in it without seeing. 

Feeling caught, he just sighs and slowly makes his way to the living area. He tries not to look at you, thinking you are too revealing. So he looks everywhere else and then to large windows that give view to the farm; none of the guys are in sight. Most likely somewhere goofing off. All he can see is the fields and farm buildings standing large in the distance. 

He doesn’t move and speaks softly, “I should probably go find the others-”

You speak before he can finish his attempt of an excuse, “Come sit with me.” You pat the space on the couch next to yourself. Your voice sounds welcoming but he knows there’s an undertone of mischief. 

He makes a quick glance to you and sucks in a breath at the view of your body that’s exposed from your overalls. The glimpse of the curve of your breast disappearing under the denim already makes him feel like he’s seen too much of you. And he has. He’s never seen such bare skin on a girl and he’s never been alone in a room with one either. 

“Come sit with me, now.” You’re more stern this time, demanding in a gentle way. Your hand makes small movements, soothing over the material of the couch like you’re warming the space for him. 

He visibly swallows as he makes his hesitant steps over to you. His heart is racing and with every beat there is a question of his strength. He sits down on the same sofa but not directly next to you like you want. You smirk nonetheless and turn to face him, sitting with your legs criss-cross now. 

With your elbows to your knees you hold your head in your hands, watching the side of his face. You’re again realizing how sculpted his features are. Dark thick hair on his head, eyebrows and lashes too. An array of moles sprinkle his pale face. A sharp nose that sits above pink, full lips. You wonder if he knows of his own beauty. It’s fascinating to see such a person like him in front of you. 

He’s sitting with perfect posture, not relaxing into the couch. Alert like a deer that’s waiting for too sudden of movement to pounce away. His eyes just watch the table, reading through the names of the board games that lay there as a way of distracting himself. He’s awkward. 

“Uhm… d-does your family own this farm?” he tries for small talk to break the silence. His bottom lip finds itself between his teeth as he makes one quick look over to you. Luckily your overalls sit high up or he’d have a full view of your chest. He can’t help but think of the fact and it makes him shift uncomfortably. 

“Do I make you nervous?” you question, seriously so. Brows pulled tight in a furrow with a straight face. You lean in even closer to him, watching for every change on his face. 

“Yes,” his response is honestly quick and ends with a tight lip, like he’s holding his breath. He is yet to comprehend what is happening, still in a whirlwind of thoughts of what could—will—happen. 

“Why?” Your head tilts slightly to the side, it makes him think of his roommate briefly. And man does he wish he were here to ease the tension. 

He doesn’t want to admit that he’s never been in such close proximity with a girl alone before, so he just clears his throat and remains quiet after doing so. 

Curiously, you bring a hand up with a pointed finger and brush the tip of it over the mole on the side of his nose. He jolts back at the sudden touch, his cheeks flushing a warm pink. His eyes now watch you with gentle confusion. He touches the same spot you did with a trembling hand. 

“You have a constellation on your face. So many moles… Do you have a girlfriend?” 

His face burns a little more, both from the observation and the question. He shakes his head, sitting himself further into the couch and further away from you. He can’t quite understand the situation. Are you messing with him? You seem too serious for such. Maybe you’re just weird like he initially thought. Either way he can feel his faith slipping; he is cupping holy water in hands during an earthquake. 

“Did I do somethin’ wrong? Am I not pretty?” You pout to be playful with him, acting as if his actions are offending you. He takes it literally though. 

“No!” his hands rest on his knees and he holds them hard, trying to find stability despite sitting down. “Y-you are… pretty,” his words grow quieter, like he’s sharing a secret. “I just don’t know you or why you want to talk to me.” 

“Hm.” You lean your head back against the couch. With your eyes still on his face, you speak just as quietly, “I’m still trying to figure that out too.” After some beats of muted air you speak up again, but with more presence, “You came to work here. Why?” 

“A man was handing out flyer ads at the church. I wanted a summer job.” 

Is he always this direct and boring? And church, of fucking course. You roll your eyes, pushing yourself off the back cushion and even closer to the man. Your knees touch the side of his body and his thigh. He looks like he’s trying to control his breathing, to feign lack of disturbance, but his face says everything you need to know. 

You place a hand on his thigh and his whole body stiffens at the action. Your smirk to yourself. It’s only resting there on the top of his jeans. “You act like a girl has never touched you before.” You give him a soft squeeze and he sucks in a sharp breath. “Well? Has a girl ever touched you?” 

He shakes his head quickly, “No,” he breaks, feeling overwhelmed and wrong, “and I don’t think you should be. It’s against the churches values-”

“At your age you still follow the rules?” Your hand slides lower and back up his thigh, it’s a slow and teasing motion. There’s enjoyment in how scared he’s becoming. 

Sunghoon knows that this is only going to lead him down a path he swore to God not to take. And if his parents were to know that in his first year away from home in the summer since college was locked in a lodge with a promiscuous girl he’d have it handed to him. The thought of their wrath makes him shiver all the more. 

“I just don’t want to sin.” His eyes close and he bites down onto his lip again. He no longer cares if a stranger sees him as a loser or prude. His virtue is being tested in real time, and he’s feared facing this battle many times in the night because even in his dreams he loses. 

“I’m only touching you. How is it a sin?” The tone of your voice changes, it’s soft like the hand that moves closer to in between his thighs. Your fingertips press into his clothed skin here and there, curiously feeling him up. You just try to get a reaction out of him. There’s a warm feeling in your stomach that you don’t recognize; it’s faintly familiar. 

“Your hand isn’t supposed to be… there.” He makes a strained sound, something like a low whine, as your hand ghosts over his cock. 

You look down to your movements for the first time and realize he’s sporting a half chub. You snicker quietly, cupping him in your palm. “Then why are you getting hard, Sunghoon? Do you like the way I’m touching you? I bet you’ve thought about doing this before too.” 

He makes another noise, a whimper. He can’t bring himself to open his eyes and accept what’s happening. He also can’t find it in himself to stop you, or get up and leave. This wasn’t just a struggle with evil’s temptation but his own biological nature. Something yet to be explored, something that’s been scratching at his ribcage for years to be fed. 

There’s too much he can’t admit in this moment. Starting with how he enjoys the sound of your voice, the slight accent and dialect difference he picks up. How the way his name leaves your lips makes him want to crumble like a burning church. And how he silently likes the fact he can’t control the way his body is reacting to your hands on him. 

It’s all wrong, wrong, wrong. And he is weak.

“Answer me, Sunghoon.” Your hand presses down on him, feeling the growing hardness under your palm. You give him a small squeeze, massaging over the bulge. To your surprise he feels big. Your eyebrows quirk at this and then you look back to his face. A single tear runs down his face and you find satisfaction in it. “Lying is a sin too,” you remind him. 

“I’m sorry,” he whispers, his hands fist the couch cushions at his sides. He grips the material so tight that his knuckles turn pink through the pale of his skin. His chest rises and falls through slow and deep breaths. 

“You shouldn’t feel sorry for something that makes you feel good.” You palm over him a few more times, drawing out little moans and whimpers from him. He’s struggling to sit still. You can even feel him try not to push his hips back up into you; if only he would admit that he wants it. He’s practically pulsing beneath you, like there’s never been such a rush of blood to his cock in his life. You sigh dramatically and pull your hand away from him, sitting back to give him space. “That’s too bad. A good dog will always be loyal, huh?”

His eyes shoot open when he feels your hand is gone. He looks at you desperately with wet eyes, a small pout to his lips. You make him feel sick for wanting to ask why you stopped, or if he did something bad for you to take away his short-lived pleasure. 

You smirk at his expression, so pitifully beautiful with want. “Have you ever touched yourself?” you ask, placing your hand over his that hasn’t let go of the couch. It takes you back when he flips his hand around to hold onto yours, clingy and wretched. His thumb brushes over your knuckles. Repulsed, you react quickly and take your hand away from him at his impulsive intimacy. It makes him frown with a meek whimper. 

He shakes his head slowly, looking down to his lap. “I can’t.” He knows he’s not allowed to. His father was adamant through his puberty that he mustn’t succumb to his body’s natural taste for sin. He was told that sometimes the devil had a funny way of sneaking into a man’s mind. That Satan would haunt boys in their sleep to wake them up with guilt of uncontrollable lust to be like him. 

“But you like when I do it, right?” You rest your head on his shoulder and look up at him. His eyes look from your face to the thin opening of your overalls where your chest can be seen from the angle. He bites down hard and nods slowly. You coo, moving your hand back to his still hard, clothed cock. “I can make it go away if you want. You want that?” 

He’s battling all the repressed things he’s been too afraid to explore; fearful of the swing of his parents belt he felt once long ago after being caught in a misunderstanding. In spite of it, he nods again. “It hurts.. Please, help me.” His voice is so quiet. Even he doesn’t want to hear his own pathetic begging. 

Your fingers find the zipper of his jeans then you tug it down slowly as you stare at him. “You have to pull them down for me, okay? I can’t help you with just this.”

Sunghoon freezes for a second knowing he has control over being the one to take out his own cock. Yet apprehension leaves in a breath. Then he’s pulling the clothing down to his knees with frantic haste. You didn’t expect him to take everything off so fast but there’s a sense of pride in how eager you’ve made him become in such a short time. 

You weren’t sure what to expect, but it certainly wasn’t this. His cock is as beautiful as him. Pale and raging pink, crying at the tip much like his eyes. He’s also big, bigger than you knew dicks could be. You thought they’d be ugly, gross and worm-like. But his is clean and pretty. It’s your first time seeing one in person; you wouldn’t let him know that. 

You take him bare in your hands, feeling him like a foreign object. More curious of his body than in his pleasure in the moment. His body tenses then relaxes against the couch. A shaky, breathy moan leaves his lips. His eyes flutter at the contact of skin. 

You squeeze him, making his moan weakly again. It’s heavy in your hand. Truly just a stick of warm flesh. A part of you wants to squeeze him as hard as you can just to see if it can break, but you withhold on hurting him for now. Not wanting to scare him too much in hopes of exploring him further through the summer. 

Your hand wraps around the length as much as it can, pads of fingertips brushing over every vein and curve as you slowly move your hand up and down. When your thumb circles around his tip and flicks the leaking hole, his body lurches forward with a loud cry of a moan from him. You wonder if he’ll cum in the next few seconds of simply touching him. 

“I think you’re a slut for a little pleasure, Sunghoon.” You use your palm to gather his precum, circling over the tip to smear the thick cream around. Then you drag it back down himself, wetting his cock in his own prerelease. It slides easier now, your hand. You move faster, jerking him off in lazy, inexperienced motions. Not that he would know anyways. “You gave into lust so easily, didn’t you? Must’ve wanted this for so long. Your body’s nasty, eager for it.”

In his ears, you make the nasty words sound delicious. And he wants to devour more and more, like the starved man he is. His hips snap up into your hard, sudden and rough. You wrap your free arm over his shoulders, a hand sneaking up into his hair to tug aggressively on the thick dark locks. You’re pulling his head back, forcing him to look at you. “Don’t be a whore. I’m helping you. I didn’t say fuck my hand.” 

“Ahsh- I’m sorry, I’m sorry…” he whines, tears burning his eyes, “it, it f-feels good. I feel so good.” His head falls to lean against yours, face burying into your hair. His head makes little shakes as he begins to cry, telling himself no, no. 

“Shut up...” You don’t like how close he is to you. You only like doing so to tease him, but when he does it, it makes you feel a fiery anger in your chest and belly. Uncomfortable. Smothering.

Your hand works in sloppy motions. Pumping his pulsing cock to reach his orgasm. At the tip your wrist makes flicks with your thumb, working him up further and further. 

He stutters out incoherent apologies into your hair throughout his sobs of wanton, whimpering moans. Everything about his body is sensitive to the new sensations. He can’t help but move his hips up into your hand, humping the small fist that’s fucking down onto him. 

Confused by the warm, tight feeling flexing of his abdomen he whines against you, “I can’t- I can’t take it. My body feels weird now. Mmph, ‘m sorry. I don’t know what’s h-happening.” His body feels volcanic, ready to burst. 

You continue your movements, jerking his reflexing length until he’s cumming into your hand. It’s a heavy load of thick, creamy mess. His voice is too close to your ear as he moans a drawn out needy sound. Your face remains plain while you pump him until he’s milked dry. His body flinches and curls into yours through the aftershocks, clearly overstimulated and over-sensitive. His arms snake around your waist to pull you against him.  

You stare down at your hand that was earlier covered in the blood of a lamb and now the cum of a virgin. It looks like fucking snot, you realize with repulse. Without thinking you bring your hand up and lick the strange release. Your face scowls at the unknown taste so you just wipe the rest on your overalls. “You are disgusting,” you mutter. 

Sunghoon remains silent aside from his sniffles, eyes peeking through his bangs to watch what you’re doing. He still hasn’t stopped clinging to your side, as if you could save him from his first lustful sin. 

You push yourself up and off the couch, his body slightly falls to the side where he was leaning on you but he catches himself. He watches you with sad, scared eyes. You stare blankly in return then look out the window to see the group of men walking around the picnic table they ate at earlier. 

“Farmhands will be leaving soon. Clean yourself up in the bathroom.” You don’t spare him another look, you just walk to the front door, unlock it, and leave. You ignore the way he looked like a sad abandoned puppy. Something about it angered you in the same way he was being clingy. 

You walk back to your house with a slight skip to your steps. As you step through your front door, you’re about to head upstairs to your room but stop in your tracks because your mother speaks.

“Hate him all ya want,” your mothers words slur, she speaks slowly and tired-like, “but he was a good man. He used to love me… And then you came along.” You turn to the living room on your left where your mother lays on the couch, wine glass in hand and eyes heavy lidded. “I know what yer capable of. I’ve seen the things ya do on this farm, in this home.. When ya think no one is watching.. He just might be right about you.” You glare at her now. “There is something evil in ya, child. Leave that boy outta yer wickedness.” 

Her wine glass falls to the floor from her fingers and she groans, turning to her side. You stare at her for a moment before walking up to your room. 

Meanwhile Sunghoon spends his next 20 minutes in a spiral of guilt and shame. He cleans himself up in the restroom like you told him to. Then waits, watching outside the window for when the boys are gathered around the truck they drove in from the bus stop to leave in. It was hard for him to get the tears to end. He fell right into sin’s lustful trap and it made him feel so- No, it only made him feel hurt. Stupid. Bad. 

On his bus ride back into the city he prays. Sitting in back, alone with his indignity, and head bowed low so no one could see his red rimmed, glossy eyes. Time goes by so fast that he nearly misses his stop to get off. 

He ignores his roommate when he’s home. Jake, excited and curious of Sunghoon’s first day, is left cold. Sunghoon showers for longer than usual. He scrubs so harshly at his skin he turns red; unable to feel clean no matter how much he washes. He doesn’t eat dinner because he feels he doesn’t deserve to. He gets into bed earlier than most days too. He tries to sleep but the day haunts him, keeping him awake. 

He’s up all night in tears, face in his pillow with the blanket thrown over his head, trying to hide from He who watches. The begs of forgiveness seem endless. 

“Dear God,” he whimpers, “Forgive me, Father, for I have sinned.” He doesn’t sleep much that night because he can’t find it in himself to stop humping into his mattress in hopes to chase and achieve the feeling you gave him earlier. His hips rock his aching hard cock into the bed, anguished yet titillated. “Please, forgive me. Forgive me. I’m so sorry.” He continues to cry, drowning in his pillow, knowing he will do it again. 

　The next day on the farm is an early morning for everyone. Sunghoon sits quietly in the truck with the other summer volunteer farmharms. They talk amongst each other about the day’s schedule of duties and tasks. He struggles to keep his eyes open, head leaning against the window despite its bumps from the uneven dirt road. He thought about calling it quits on the whole job after yesterday, but couldn’t bring himself to. It’s for selfish reasons too. The ones that deepen his guilt. 

The arrival to the farm is quicker than anticipated. Sunghoon forces himself to be more alert and awake, starting to pick up on the conversations between the others as he exits the parked truck. 

“Do you think it’s still hanging there?” One says. “The lamb of slaughter?” Another dumbly asks with a snort. “Well yeah, dipshit. You guys think that girl did it? She was weird as hell.” A third voice chimes in, “Being covered in blood and then leaving a dead animal hanging from a tree is creepy as fuck. The lady was right, stay the hell away from her.” He laughs. The others walk away in continuous chatter, leaving Sunghoon by the truck. 

Sunghoon is confused by this conversation and deeply disturbed. He doesn’t follow or press them with questions though. But it will give him much to think about for the day. He’s so exhausted from the lack of sleep, he wonders if he even heard them all correctly at all. Yeah, your whole introduction was strange but killing an animal and acting like nothing happened and then toying with him on the same day? Was all that really something a girl like you would do? He can’t say for sure because he doesn’t know you. 

He goes about his morning tasks lazily. His mind is too busy with the thoughts of you. He thinks of when or if he’ll see you today. You haven’t shown around the farm all day. It’s only an hour before noon, he tries to rationalize with himself. He still ponders throughout his work. What time will you come? Will you mysteriously show up like yesterday? Will you touch him again? Will you let him feel good? Is he forgivable or going to burn in hell for wanting more?

He shakes his head to rid it of the thoughts. Perhaps he’s too hopeful. After lunch time he goes back to the farmers lodge to take a nap. At least that’s the realistic excuse he used. He struggles to even fall asleep because he’s so anxious about listening for any sound of you possibly coming back here. 

His eyes, sullen and tired, just can’t stay open after half an hour of waiting. So eventually he does fall asleep. You never show up. When he wakes up from his long needed nap he somehow feels worse knowing you didn’t visit than he did committing his first sin. 

The following day of work is a repeat. He doesn’t see you at all yet you occupy all of his thoughts. He thinks badly of himself for many reasons. 

　On the fourth day, you finally decide it’s time to check up on the poor boy. You watched Sunghoon mope around the farm for two days and it was cute at first but you’re getting bored again. You did like how his eyes were always searching around, hopeful that every sound he heard from behind or around corners was you. Knowing you had such an effect on him made you wonder how much more you could do to him. 

From the window of your room, you watch when they all arrive. Your mother greets them like she does in the mornings and gives them all tasks that need to be completed for the day. It’s Thursday which means she’ll be out for a few hours to go into town and sort out business for products: cow and goat milk processing for cheeses and soaps. At least you assume considering you overheard her phone call about such the day prior. 

You spend the morning around the house, reading and snacking on fruits, waiting for your mother to leave so you can proceed with your plan. There was some effort into your appearance today. You wear a spaghetti strapped white babydoll dress, lined at the bottom with sewn embroideries. It’s simple and flows nicely above your knees when you walk. You hate it because it alludes to soft purity but at least it feels good to dress light in the summer heat. And it might make you all the more approachable to feeble Sunghoon. 

After about an hour, your mother finally leaves. You give it about 10 minutes before you’re shoving on your boots and leaving the house. Some of the blood from earlier in the week still stains the brown leather; you did clean them off but clearly not to the best extent. You’re okay with that though, it seems prettier this way to you. 

Looking and walking around the property, you see the scattered farmhands busy with different things. The sun isn’t kind today, it’s piercing in brightness and temperature. The sweat begins to seep from your pores in a matter of minutes, making you feel sticky. You run a hand through your tangled hair, fingers getting caught in unbrushed knots that you yank through anyways. You don’t see Sunghoon anywhere that’s directly under the sun. You continue to search around the farm, gaining a few cautious looks from the other workers. As you walk past their gazes you wear a wry smile with a tilt to your head. They look away quickly after being caught staring. 

Some wandering in and out of the different barns and coops are done. He wasn’t in any of them though.  You greet the animals you pass by and give pats to some of the cows. “Have you guys seen him nearby? I’m not a fan of hide and seek.” You mumble to one of the goats, scratching lightly beneath its chin while it chews away at grains and hay. It maas in return. You pull your hand back out from the stable then leave to continue the manhunt. 

It’s when you’re walking by the horses’ stables that you see they’ve already been cared for, telling you that someone was here already. You glance to the smaller shed nearby, having a suspicious inkling that it's where Sunghoon is. You walk to the shed and see yourself inside. And he is. He has his back turned to you, standing at a work bench table and cleaning something off. 

You walk up behind him, the sound of your footsteps being dulled by the scattered hay on the wooden floors; he doesn’t notice that you entered the space, clearly lost in his own thoughts. You tap his shoulder which makes him spin around in surprise, dropping the brushes he was cleaning. 

Sunghoon’s eyes are wide at the sight of you standing so close to him. You can tell he’s lost sleep by the dark circles around his eyes and how his complexion is impossibly paler. His mouth is stuttering to find words, opening and closing. 

You step closer to him and he steps back, his backside now pressing against the table. It wobbles on the uneven wooden stilts that hold it up. Reflexively, his hands reach back to hold onto the table, but he’s using it for his own stability. You simply stand there in between his legs, staring up at his face and taking in all the details that differ from the last time you saw him. He swallows, quietly watching your face in return. 

“I haven’t seen you around.” Sunghoon speaks first, his voice a soft surrender. You feel his breath on your face. 

“I know. I saw you though. You missed me.” You state bluntly, taking note of the little fangs he has for teeth. He probably bites good, you think, licking the back of your own teeth. 

“If you saw me then why didn’t you…” he trails off into a quiet again, closing his eyes for a moment with a sigh. “I wouldn’t call it that.” His eyes open again as he feels your hands on his chest, sliding up his white tank and underneath the sleeves of his denim jacket to his shoulders. He bites down, suddenly stiff. 

Ignoring his response you continue, “How can you wear this when it’s so warm out?” Your hands slide over his shoulders and down his toned arms, the jacket slips down to reveal the toned limbs. Your eyebrows raise at the sight yet your face remains relatively blank. “You’ve got muscle. Good for farm work.” Small hands continue to run over the smooth milk-like skin, learning every curve of his lean built physique. It’s not sexual, just exploratory. 

Sunghoon sucks in a breath, watching you inspect him. He begins to feel flustered, relishing in the contact of skin on his. You notice his tense body and ask him if it’s okay, to which replies a raspy stutter, “Y-yeah.” Your hands slide down his arms and back up to his shoulders. Then down his chest and body to stop at the waistline of his jeans. He has a nice body; he must be athletic. You don’t care to ask in what ways. Your fingers dip into his jeans just slightly to pull him in closer to you, he gasps, his growing cock pressing against your stomach. 

“Sunghoon,” You ridicule him, tsking under your breath at the pressure you feel of his arousal. “Already?” You look up at him but he can’t meet your eyes, feeling embarrassed. You play with the waistline, your fingertips running back and forth between the denim and his skin. “Is this sinning?” It’s a soft question yet mocking. He only shakes his head, nervously gnawing at his bottom lip. “Do you want to?” He whimpers, slowly nodding his head. You take your hands off him, crossing your arms. “You have to tell me. Look at me and tell me.” 

He looks back at you dispirited. He knows that you know what he wants. And here you are making him admit it outloud, both to you and God. “Please.” He begs quietly, hoping it only reaches your ears and not the sky’s. “I want you.” 

There’s that feeling again. The lit match that falls from your throat to the gasoline of your stomach that erupts in flames. Fire to your abdomen and loins; it’s an angry feeling, sparked by his honest admit of want, and for you specifically. You watch him with narrowed eyes while mumbling, “you revolt me.” 

He doesn’t reply to your venomous insult. It stings to hear the degrading words in both his heart and pants; he thinks himself disgraceful too. 

You drop to your knees, hands finding place back on his jeans to undo his zipper. He stares down at you in bated breath, hands still gripping tight on the table behind him. His are pulled down slowly, purposely so. You watch him writher, body and face. “Did you do it again?” you question, looking up at him from below. He would never avow to how the sight of you on your knees alone makes him ache all the more. 

He wants to tear his eyes away from you but he can’t. The image of you in your white dress on the ground before him needs to be burned into his memory. He stutters a mumble of words but you don’t catch anything, if he even said a coherent response at all. You ask again, pinching his thigh. He tries to hum over the strained noise in the back of his throat, “Yes.. I mean no! B-but I didn’t touch myself.”

You try not to giggle, biting the inside of your cheek. Knowing he wanted to feel that way again but couldn’t on his own gave you a funny sense of power over him. One of your hands traces the outline of his hard cock through his boxer briefs. “You make a mess?” He shivers at the feeling of your breath on his suffocating length. He breathes out a ‘no’ while you lick a strip over the material. “Why not? I showed you how.”

He moans softly, trying not to let his hips chase after the feeling that he’s been after for days. “You know I can’t,” he exhales. You roll your eyes, mouthing and licking at him languidly. Your hands are still half tugging at the material that keeps him hidden. A faint pool of precum quickly stains his boxers. 

“Sunghoon,” you look up at him with your chin resting on the bulge. He swallows hard, acknowledging you with a hum. “You will never be free from it. The sin I let you taste will forever linger on the tip of your tongue, begging and licking to taste more in crave. No holy blessed water can possibly cleanse you even if you drown in it.” 

His bottom lip pouts out with a little droning whine. He should defend himself, say that his faith is stronger than he is and that his soul is saveable by mercy. But a part of him also feels that doesn’t want to be. His eyes begin to well with tears. 

“Not even a god could make you pure again,” you give him a small smile and pat his naked thigh before pulling down his underwear. His cock now free slaps his stomach to which he breathes out heavily. You grab him with both hands, giving him one last look before taking the leaking head into your mouth. Hands working on him steadily. 

“T-that’s dirty!” he leans forward with a low sounding moan, his hands on your head and in your hair. Your eyes go wide at this. “Why would you put that in your mouth?!” he gasps, the warm wetness around his tip making him dizzy. “This is so vulgar, oh God, forgive me.” he cries, not pulling your mouth off of him but holding you there. 

You circle your tongue around the tip and over his leaking slit, licking the beads of precum that leak out. It makes your grimace before you lean back, a wet pop as your mouth leaves. “Enough of your penitence, and take your hands off me.” It sounds like a warning to which he complies without question, only a hushed apology. He’s the one who wants to be touched anyways, not you. 

You take him into your mouth again, your lips wrap around him in a painful stretch to accommodate his size. He sits heavy on your tongue that lays flat underneath, doing what you can with it. Your hands at the base work around him, jerking and squeezing him like you did before. You weren’t really sure what you were doing, mainly just mocking the actions you read about in books. It seems to be working for Sunghoon regardless because he can barely hold himself together. Whining and whimpering through fat tears, whole body shuddering from the overwhelming wet heat of your mouth. 

His jaw goes slack, mouth hung open only to elicit a breathless moan. His head rolls back on his neck and his eyes flutter to a close. The feeling of your mouth wrapping around him is hot heaven. His body trembles with the new, sweeping sensation. Stomach already tight with contracting muscles. He thinks he could pass out. 

Watching his face, him, discover and feel pleasurable sin is slightly euphoric to you. You’ve seen it in movies and read of it in books, but it was something you never quite fully explored yourself. There’s been a few instances that you did touch yourself; it always felt empty or like something was always missing. There’s little to no excitement when doing it alone in shameful hiding. Witnessing, causing such debauchery is different somehow. Safer in ways you didn’t dwell in thought on. You do wish he would stop crying about it, you find it pathetic of him in a provoked way. 

Involuntarily, he thrusts himself down your throat with a guttural groan. You gag and cough around him, tears sting your eyes that make you squeeze them shut—refusing to let a single one dare to escape. Now it felt like a challenge. One to which you wouldn’t back down in fear of looking weak. 

Your hands hold his thighs roughly, bruisingly so if you had the strength. You move his body in a small back and forth motion, encouraging him to continue his movements. You’re looking up at him with glazed over eyes and a slight nod. He chokes a sob at the sight, you on your knees not to pray but to devour him.

“Ah, I- I’m sorry. Your mouth is so wet, so warm.” He starts off with shallow thrusts, dragging his cock along your wet muscle. His hips stutter while his world seems to be crashing down. “This is so dirty. You look so dirty. And—ngh—it’s.. it’s so good. It’s so good,” he babbles, pushing himself as far down into your mouth as he can. His tip kisses the back of your throat making you gag around him. Your nails digging into the flesh of his strong legs. He can’t stop moaning and whimpering, becoming a slave to pleasure. 

He watches your face. Hollowed cheeks sucking and swallowing around him, the tightness of your throat around him hugging and contracting through chokes that reverberate your body to his cock. The spit that leaks from your lips and all over him is obscene, such a sinful mess. He so badly wants to grab your head and force himself down further, but his nails dig into the wood of the table instead. 

“Hm, I can’t—” he moans your name, thrusting rougher now. His whole body crumbling in on itself, chasing the feeling of release. 

Then there’s the sound of footsteps and a few voices that follow. Sunghoon sucks in a deep breath, taking a fist to his mouth to bite down onto. He looks at you in fear because of the proximity of the other farmhands right outside. This only makes you smirk around him, a glint of evil in your eyes. He shakes his head hurriedly, stopping his movements—as if that would make you both disappear. 

You push yourself off his cock, licking over your cracked and saliva covered lips. You bring a finger to your lips and shush him. “Be quiet or they’ll find out what a nasty whore you are. Unless you want that.” Your voice is quiet and raspy from the abuse of him fucking himself down your throat. You stare into his eyes intently before taking him back in. He glances from you to the door of the shed, his body shaking. 

You slurp and suck him up, purposely loud and sloppy. A hand jerking off the base that doesn’t quite fit in your mouth. He cries quietly with his mouth open, meek and desperate sounds escape that he can’t withhold. “Please…” He’s whimpering, begging for something that he doesn’t know the context of. 

“Do you think the extra feed is in this one?” A voice questions, the door being opened just a crack. 

Sunghoon quickly tries to bend down for his jeans but you slap his hand away, pushing him back into the table. You grip his thighs and force yourself to take all of him down. You gag around him, eyes never leaving his panicky and fucked out face. His face silently begs for you that enough is enough but you don’t stop, because a part of you knows he doesn’t want you to either. 

“It doesn’t hurt to check, does it?” The other replies with a light chuckle. “Could take a break for some shade too while we’re at it.” The door opens slowly with an agonizing creak, sunlight barely pouring. 

Each passing second feels like an eternity to him. The door is still only cracked, not enough for them to see inside but it’s cutting it close. His cock twitches at the thought of being caught with his dick down the throat of the farmer’s daughter. A blazing adrenaline rushes through him. 

Sunghoon can’t bear it any longer. His hands find purchase on the back of your head, pushing himself completely into your mouth. His hips stutter with a whimper on his lips as the hot cum pours down your throat. “Ah, sh- ngh!” You smack at his legs for him to release the hold, choking for air to breathe. You instinctively swallow around him, consuming his load of sin.  

“You dumbass! The horses are already fed, let’s just go for a water break.” The door slams back on itself to a close. Their footsteps can be heard walking away. 

Sunghoon breathes heavily, letting go of you. His body instantly relaxing back with his elbows on the table to support him. Meanwhile you fall onto your ass, a hand around your throat while you gasp for air through rough coughs. “What the fuck did I say about putting your hands on me?” You rasp before coughing again. The taste of him sits on the back of your tongue no matter how much you swallow. 

“I’m sorry,” he whispers, “we shouldn’t get caught.” He pulls his pants and boxers back up then extends a hand to you, an offering to help you stand back up. 

You scoff, ignoring his hand and stand up on your own. You brush the dirt and stray strands of hay from your knees. “Whatever. We both got what we wanted.” You start to turn for the door to leave the shed with the thought of brushing your teeth in mind. 

Sunghoon, confused as to what you could’ve gotten out of helping him, just reaches for your hand. He grabs you and pulls you back to look at him. His eyes are sad, maybe even a little afraid by your haste to leave. “Y-you’re just going to leave me again?” He sounds broken by the fact. 

“What?” You can’t help but breathe a laugh, “Did you expect me to do more?” You ask with raised brows. 

“No! No, not like that.. But..” He swallows his pride, “I- I don’t know. Just don’t leave yet. Please.” 

You blink at him, scanning his features like a robot in calculation. The pleading of his expression and his words aggravate you. A fiery burning to your insides and the skin that he touches, that he reached for. You look down to his tight grip on your hand before yanking it away. You don’t say anything more, and neither does he. He wipes his eyes from whatever salty wetness is still there. 

A moment of silence solidifies your decision. You beckon him to follow you out and he does. 

For the rest of his work day you remain. You try not to think about why. But subconsciously you know it’s because for the first time someone willingly wants to be by your side. At first you imagine it’s because of what you’ve done for him—gave him what any man desires: pleasure. A man falling into temptation is far too easy. 

Though he doesn’t ask for more and he doesn’t bring it up. Almost like it never happened. 

It seems like he really just wants to be around you. There’s little said between each other. It’s just idle farm work with company. And it’s more peaceful than you expected it to be. He didn’t touch you, question you, or do much at all to bother you in general. 

Sometimes he stares at you, but you do the same to him. He even gives a sheepish smile when he catches you; it doesn’t get returned. That doesn’t bother him though. He thinks you look beautiful on the farm in your dress with dirt covered hands and hair messy from the wind. He hopes to tell you that one day but for now he stays shy, still weary and afraid. 

The sun shines relentlessly unless a cloud mercifully passes by. The breeze is rare yet kind. The animals make their sounds to sing a collective song. The trees and crops sway like waving hands of hellos and goodbyes, depending on where you’re headed to or from. It’s not so bad. 

　Two weeks go by. Time flies by for both you and Sunghoon. He comes to work during the week, and he spends his weekends missing you. He doesn’t know what you two are to each other, and he’s too scared to ask. There’s definitely been changes to the dynamic, however. Subtly so. You still don’t smile, or let him touch you. You roll your eyes and insult him if he’s too emotional. But you’re there. 

Certainly not everyday, but most, you spend his work days with him. It’s easier to be around one another. There can be small talk, usually about the farm or the weather. Still much to be learned about on a personal level, but he’s fine with the pace of the relationship (outside of the unholy acts that are committed). Sometimes you even end up helping him. Or at least he thinks of it that way. In reality you don’t like how he does things and take over to do it yourself. 

You still tease him in your cruel ways. Always ending with him in a mess because he’s easily worked up by your handsy curiosity. He caves into you every time because he can’t fight the divinity that you show him. 

There are other times where you confuse him. You suggest a water break knowing he’d gone hours without hydration under the summer heat. You insist on having him take a break under a roof away from the sun when his skin gets too sweaty or red. Which is followed by a reminder that sunscreen is important if he wishes to keep his milky complexion. It’s critical statements that you provide him, but he can’t help to think it’s a weird way of showing you care. 

Sure, it could be seen as you selfishly saying these things because it’s what you want for yourself, but in the back of his mind he’s very aware of how you watch and cater to him. It makes his heart jump every time and butterflies swarm his stomach. He can’t help it. The little things, the small acts of kindness—that you might not even intend—make him delusionally overthink. 

On the third weekend since starting his summer job, Jake can’t help all the questions he’s been building up and dying to ask. Jake doesn’t understand what Sunghoon has been going through, especially when his moods change so drastically. At first, Sunghoon was self isolating and pouty, clearly in his own head and sulking. But then he would come home from work beaming with an afterglow to his aura. And then on the weekends he was back to his reclusive, depressed state. 

Sick of being left out of Sunghoon’s inner turmoil, Jake finally pesters his friend. 

“When are you going to tell me what’s going on?” Jake stands in the doorway of Sunghoon’s room, staring at his friend who’s laying face down in his bed. 

“I don’t know…” Sunghoon’s words are muffled in his pillow. 

Jake walks in with a sigh and sits at the end of the bed. He playfully slaps Sunghoon’s leg. “Dude, just tell me. You’re obviously going through something. You know I can keep a secret. I won’t judge.” 

Sunghoon rolls over on his back, his hands clasped together over his stomach as he stares up to the ceiling. He confides in Jake, telling his story from the beginning of when he first met you. He stutters over his words when he admits to the sinful acts he partook in with you. He tells Jake of his guilty conscience and how he enjoyed indulging in the feelings. Then he tells Jake about how he simply likes your company even without the sexual circumstances involved. How he’s mystified by your complex personality and only wishes to know you more. However, he does leave out the viciousness of your nature, since a part of him doesn’t quite believe in it. 

“It seems like you’re starting to develop a crush.” Jake laughs lightly, “And if it’s about religion, don’t overthink it too much. Nobody dies completely pure.” He reassures him. “You should show her more of you. That you like her too.” 

Sunghoon groans and covers his face at the terrifying suggestion. If only you were that easy to approach in such a vulnerable way. “I guess… I’ll consider it.” 

The next day is Sunday. Jake and Sunghoon attend church as normal. Sunghoon participates less in his prayers and songs than usual. His mind is too preoccupied with all he has going on in life. He feels guilt and frustration. 

Sunghoon, lost in his own world, fails to realize that his best friend—Jake—battles something similar internally. 

You’re never as alone as you think you are if you take a better look around. Everyone is riddled with their own self disgust, guilt, or shame. How else would the churches be so full? 

　Entering the fourth week of summer should feel easier than it does for Sunghoon. The work seems to be picking up regarding responsibilities. The weather is only becoming less forgivable. The peak is yet to hit, but that only means the seasonal storms are right around the corner. More care is needed in the fields and barns in terms of protection in case of unpredictable weather. 

Aside from the work, Sunghoon is anxious because of you. He hasn’t seen you yet today and he feels nervous about it. Perhaps he has grown too clingy, finding close comfort in knowing you’re there with him on the farm. There’s a sense of safety when you’re in the line of sight; you make things easier for him and he enjoys the presence. 

While he’s watering plants and checking the sprinklings through the fields, an older man approaches him. It’s a familiar face that he’s seen around a few times over the past month. The man waves with a smile and Sunghoon does the same. 

“It’s amazing what you’ve done, boy.” The man begins, Sunghoon questions where he’s going with the start because he’s just an extra hand of help and doesn’t feel he’s accomplished or improved the farm in drastic ways. “I’ve worked here, hm, well I’ll be damned! Nearly 15 years! And I’ve never once seen that farm girl talk to anyone. Much less spend time.” the man chuckles. 

“Oh!” Sunghoon blushes and hopes it’s only mistaken as feverish from the summer. He smiles small and stares down to the bundle of plants he brought with him to the farm today. He feels special knowing this much of you. “She’s something…” 

“Sometimes I’d see her talk to herself and the animals.” The man pulls out a cigarette and lighter to smoke. “She’d walk around aimlessly like a ghost. Used to scare the hell outta me.” As he laughs, smoke escapes his lungs. He wheezes a little before continuing, “But now she follows and watches you like she’s worshipin’. If only she did the same with her daddy. Although with a face like yours, I can’t blame the girl.” 

“Pardon? What do you mean by that?” Sunghoon, bemused, watches the man smoke and laugh between weak coughs. “She has a dad?” His last question is overroad by the man who speaks over him. 

“You keep up your work, kid. I outta get back to mines too.” And then he’s walking away with a low chuckle, shaking his head to himself. 

Sunghoon’s aware of your mother. He always thought it was just the two of you running things. He’s never once seen a man, your father, leave the house or so much so be around it. This gives him more to think about, especially on the fact that he still doesn't know much about you at all. You’re still an enigma to him, but he wants everything. 

By the afternoon when all the guys are finishing up their break, you finally come out of the house. With the sound of the front door opening, Sunghoon is quick to straighten his posture and find your eyes. You’re already looking at him, watching him and his surroundings with no expression. His cheeks burn and he can’t help the smile forming on his lips. 

Two and a half days without seeing you feels like so much longer. 

He stands up from the picnic table, grabbing his newspaper wrapped bundle of greenery and shyly hiding it behind his back. He walks over to you, tripping over his feet as he approaches the porch steps to the house. You stand there in front of the door but at the top of the few stairs, arms crossed and amused. 

He’s diffident, arms behind him and modestly attempting to hide how nervous he feels on the inside. His stomach is doing flips, his heart racing. On top of already sweating. He feels like he could throw up his lunch right in front of your feet. He swallows thickly before slowly bringing his hands out in front of himself. 

“I,” he clears his throat, “ehem, I got these for you.” With outstretched arms, the bundle of flowers shake in his trembling hands. He suddenly feels he’s too nervous to even meet your eyes, so he watches the chipped paint wood of the front porch steps. 

You just stand there, watching him with wide eyes and your heart in your throat. Your mouth is lost for words, glancing around at the few farmhands who haven’t left yet and are staring at Sunghoon’s exchange in a similar bewilderment. Some are trying to keep themselves from bursting out into laughter.

“Are you some kind of stupid?” You whisper harshly for only him to hear, snatching the flowers out of his hands. “Why the hell would you do this?” Your words like your tone are mean, but in your chest there’s a raging pounding. It’s a seething raw emotion that doesn’t know how to be dealt with. You’ve only just stepped out of the house and your body feels like it’s inside a furnace. 

Sunghoon’s head shoots back up to look at you, his face and heart drop. “I-I’ve never had a girlfriend before so I wasn’t sure what to do.. This is what boyfriends do, right?” He takes a hand to scratch at the back of his head. Inner turmoil takes over and he thinks he’s fucked up. He bites at his lip, doing his best not to instantly cry in regret. 

You notice this and sigh, irritated. You look from the neatly wrapped white roses and tulips and back to Sunghoon. “So you are stupid,” you mumble before taking your own bottom lip between your teeth. A part of you wants to sneer, but you spin on your heels to hide the warmth that floods your face in substitution. “I’m throwing them away,” you announce, opening the door and walking back inside your house. 

Sunghoon, broken, just drops his head and turns back. A few of the farmhands are snickering from not too far away, chattering among each other and eyeing Sunghoon. He wishes God would smite him on the spot from the humiliation. 

Wanting to avoid everything for a little while, he thinks of heading to the lodge to lay down in hiding. But before he can walk away, the front door of your house swings open once more. He glances back at you, meeting your eyes like he always seems to do. 

“Done for the day already?” You call over to him, now leaning over the banister of the porch with crossed arms. 

Sunghoon, unable to refute you, offers a weak smile and shakes his head. “No.” 

He walks back over to you and you meet him halfway. You don’t say anything else. You don’t bring up the fact that he had bought you flowers or confused the odd relationship you share for dating. It’s cute in all its blind innocence, but that just goes to show you that you have more work to do with him. 

You don’t think of messing with him today. He’s distinctly grown too clingy with how much time you’ve spent with him. Yet you can’t ignore him either. The two of you carry out the rest of the day’s farm work in silence. The inner fury you feel with him doesn’t seem to go away, despite how he hasn’t said much or even brushed skin with you. 

You don’t know how you’re remaining pacific by his side. The rampaging of your heart strings tug like a screaming instrument just from being next to him. How he can keep walking tall, stare at you when he thinks you aren’t looking, or even smile at you is beyond what you know is capable of humans. Men like him only existed in books and movies. You wonder if he’s perhaps playing a game like you.

By the time he’s in the truck to go back to town to catch a bus into the city, you’re sitting at the lake dock. Criss crossed legs, a bouncing knee, and fingernails being ripped at by your teeth. You stare blankly at the water, hoping for that sense of serenity to encapsulate you. It never seems to come. It just feels cold.

So you decide on punishing him for making you feel this way. 

You don’t leave your house for the next three days. You don’t make yourself known, heard or seen. However, you’re peeking out every window of your house to get any chance of a view of him. You hate yourself for being so curious of him in the first place. What was supposed to be good fun has only left you feeling angry. Taking his innocence was never going to heal you, or even make him like yourself. In fact, it’s making you sicker.

And on the night of the fourth Thursday, you’re laying in bed staring at your ceiling. A stuffed animal is hugged tightly to your chest. You can’t sleep and you can’t stop thinking about someone for the first time in your life. No amount of tossing and turning, counting sheep, or button presses to your distorted singing, stuffed bear made it easier. 

Somehow, you ended up punishing yourself. You always had a knack for that, historically, but this time felt different. It actually kind of hurt. Being alone came naturally to you, but tonight it hits you just how lonely you’ve always been. 

　Friday, the farmhands are huddled on the front porch of your house. All the animals are safely away in their designated homes thanks to their help. It started to storm in a heavy downpour only minutes ago. What started out as a dark gray gloom and windy rain quickly turned into an early flooded property, illuminated by strikes of flashing lightning and roaring thunder. 

You stand dry under the protection of the porch roof by the front door. Watching and listening to your mother suggest the shaking cold, soaked men take shelter in the lodge until the sky lets up so they can head home. 

Sunghoon hasn’t spared a look to you all day, but you know that he feels his eyes on you. It’s in the way he shifts awkwardly amongst the men that ignore him. How his eyes are trained low and unfocused yet always trying to move in your direction. His wet hair falls over his face, concealing his emotions you wish to dissect. He comes off as stoic but you know he wears his heart on his sleeve; how his body language speaks volumes. 

Your mother pushes past you to get back inside, saying she’ll check the basement for a spare heater that the boys could use at the lodge. There’s something in you that makes you move without thinking. Suddenly a hand is tugging at the bottom of Sunghoon’s damp jacket for his attention. The material is too thin for this weather and the thought of him becoming sick crosses your mind. 

“It’s warmer here,” your words, for once, came out soft. Too much so, being lost in the cracking sound of thunder. He looks at you through his bangs. The wave of alleviation from whatever he was dealing with is palpable. His eyes and body almost look relaxed. You tug him towards you once more, insinuating that he follows you. 

He does. Like whatever subconscious emotion made you approach him also made him follow you in. As he steps in, he notices the indistinguishable vibes of the farmer’s lodge. It’s updated and cleaner, but similar in aesthetics. A shotgun sits leaning up against the wall by the front door. His brows furrow and eyes narrow. “Those aren’t safe to have lying around…” he mumbles. 

You tug him towards the staircase to walk up, “It’s protection. Only my mother and I are here,” is mumbled back as you lead him up the wooden, creaking stairs. Your feet move light and quick, like a mouse in a home not theirs. If your mother saw you, there would be unnecessary consequences. And the possibility of your father’s involvement would only worsen such. 

Sunghoon cautiously steps into your bedroom, his body tenses at the sound of you shutting and locking the door. He feels on edge, wrapping his arms around his shivering body and soaked clothes. You move around him to sit on your bed, telling him to remove his sopping attire. He does so with shaking hands, leaving him in nothing but his underwear. He shyly looks around the room while using his hands to cover his manhoon. 

His eyes scan over you, sitting quietly on your bed with a look of contemplation that stares past him. A wooden cross hangs on the wall above your bed, the dark wood matches the decadent bed frame. The nightstand nearby has a pile of books and journals with a low light lamp and unlit candle. 

The large window has sheer white curtains drawn open and a vase on the windowsill. A glass vase filled with the flowers he gave you earlier in the week. His heart aches at the sight of the still healthy white roses and tulips, and a smile graces his lips. You liar! You kept them! Is what runs through his thoughts. 

Without Sunghoon realizing, you got up to grab a towel and drape over the back of his shoulders. He’s taken aback by your ghost-like actions, but offers you a small smile of appreciation. “Thanks…” 

You nod for response and glance from him to the vase of flowers he was lost in thought over. You didn’t have it in to explain yourself, mostly because you didn’t understand why you had done so either. 

He dries himself off and finds a place to sit at the end of your bed. You’re on the other end with your back pressed to the headboard, watching him, counting every mole you can find on his pale canvas. The stuffed animal you sleep with is being mindlessly fumbled around in your hands. 

Sunghoon turns to face you directly, he reaches a hand out, eyes shifting from your face and the winged bear. You shoot him a mean look at first, only holding it closer to yourself before your face softens to slowly extend it out to him. 

He takes it with careful hands and looks down to inspect the old toy. Its cream colored fur is dirtied and matted with age. The holographic satin wings on the back have loose stitching and its halo is crooked. Across the chest of the bear reads ‘Jesus Loves Me’ but it’s obvious the sewn name Jesus has been ripped away at. One paw has a red heart embroidered saying ‘press me’. His thumb brushes over the button heart before pressing down. The bear sings in a distorted happy voice the lullaby of Jesus loves me. 

“His name is Saint Michael,” you say quietly and he almost doesn’t catch it. Sunghoon can only breathe a laugh because he finds the dichotomy cute. You almost laugh too, but bite your tongue and look back to your empty hands. You don’t know it but he can see you try to fight your little smile. To him, this moment means more than anything; he’s starting to see you’re more tender than you realize. It brings him a sense of surety in knowing that he can break you like you to do him. 

Silly as it may seem for a troubled girl, the bear was the only comfort you had throughout childhood. There was no kindness from your father, no solace from your mother, no guide in knowing life or love. But there was Saint Michael, the stuffed angel bear; he may not have defended you in battle but he hugged you back, and that was enough to cherish him like a deity. 

Sunghoon crawls across the bed and sits himself next to you, too close for your liking, but you don’t push him away. He hands the stuffie back to you and you place it on the nightstand to face away from you. You lower yourself in the bed, shuffling under the covers of the blanket and he does the same. His skin naked bare yearns for more warmth, yours specifically. 

You feel him turn on his side next to you, pressing up against you despite there being enough space on the bed. His movements are awkward and nervous like he is. You feel a certain pressure against your thigh that isn’t his bones or limbs. You spare him a glance, he doesn’t know if it’s a warning or dare. 

“...Have I ruined you?” You wonder aloud, looking back to the ceiling. 

“No,” he answers quickly, shaking his head against your shoulder. The way he’s missed you in his desire to touch you, hands tingling with want to snake around your waist and pull you in tight. “I think I just want you all the time now. I can’t help it, m’sorry.” He sounds ashamed in his soft mumbles. 

“I’ll only keep stripping all that purity from you. Once it’s mine it’ll remain mine, you know that right?” You look back at him before brushing some of his drying hair from his eyes. He tries to lean up into the touch but your hand is taken back. “And I will pretend it’s healing all that’s missing from me. Do you really want to be mine, Sunghoon?” Your words are so gentle yet laced with threat. 

“Yes,” he exhales, “I want to be yours. Let me be yours please.” It’s hushed, a secret prayer with hope. His hips push further into the skin of your leg, where the hip meets the thigh. He wouldn’t mind going to Hell if it meant more time with you. 

“You beg like a needy barn animal in heat.” You use a hand to cup his face, he sighs into the hold as he eyes flutter to a close. You push your leg in between his, terribly close to his exposed and vibrating body. “So hump me like one.” 

“W-what?” he stutters out before licking over his lips, his thighs squeezing around the plush of yours now trapped in his. His eyes already wet with desperate want, staring back at yours.

“Do it. Like it’s mating season and you want to claim me before anyone else.” 

A cracked voice whine falls from his lips and he begins to roll his growing bulge against you. You watch as he sucks in breaths between quiet breathy moans. His pink, plump lips pursing and falling open. His eyes try to stay on your face, how close you are to him, but they fall shut sometimes in his basking of rapture. It’s a slutty sight of a faith-sickened boy. 

He loves the little to no proximity that there is. His hands find place on your waist, and he’s aware of how that makes you feel, but he can’t stop it. He wants more and more of you. His hands slide up under your shirt, the feeling on your bare skin in his hands makes his body shudder. Untouched, warm flesh for his large hands to explore and learn every curve of. 

Even you stiffen at his exploration, holding in your breath as if you’ve forgotten how to breathe. Your shirt lifts up more with his hands and the exposure is daunting like you’re revealing your insides. 

The pit of your stomach lights up and you're frozen under his clutch. The pads of his fingers hold you so tight as if he’s scared you’ll disappear. His cock is raging and you can feel every pulse of blood that his heart beat floods to. He’s humping into you desperately, chasing the euphoria that he could never find on his own. Such a delicate, shy boy now driven by lust and longing. 

���You’re pathetic and disgusting. You’re practically fucking me through our clothes,” you murmur while you try to push his hands down off you, but his grip won’t let up. Instead his nails dig further into you, a barely sounding broken noise escapes you from the pain. This makes his body collapse further into you, his head dropping between your shoulder and neck. His movements are sloppy and rushed. 

“N-no, I’m still good. You make me feel good, I am so good,” he whines, tears beginning to fall from his eyes to your shoulder. You try to imagine his holy water is washing you clean but it only singes. 

“Tell me that only I make you feel good, that you’re only good for me.” 

“Only you—can only be you to make me good,” he cries against your warmth, rocking himself into you roughly. His leaking cock begins to twitch against you and his hips won’t quit their stuttered jerks. 

You hum lightly and run a hand through his hair, pushing it back from his face. He looks up at you with those desperate, wet, dark eyes and you can’t help but acknowledge how pretty he is like this. His puffy cheeks are flushed pink as the tip of his nose. “Only for me,” you mumble.

“Yes, thank you, I am yours. Yes.” His breaths are jagged and heavy. There’s a coiling in his abdomen that feels borderline explosive. You were right, he craves this feeling. It’s surreal to him how he’s gone so long without it. His arms wrap around you completely now, holding you down while his body rolls on top of yours, situated between your legs. His heart hammers against your chest; he wants to mold into you, to become a singular rot. 

You squeak a gasp, being caged down by him. Your heart beats with the same veracity. One of your arms wraps around his waist to hold his back while the other holds the back of his head that hasn’t left the safety of your neck. He continuously sobs through meek moans. His hair tickles your skin like sparks while his lips brush over your jaw and neck making the tingle feel like crackling flames. 

Under his weight you feel yourself slipping in both confidence and dominance, your body wanting to sink down in submission from the unknown comfort of his control. Your heart aches and you feel something you’ve never felt before. You think you’re scared of it, yet your body pulls him closer. Hand in his hair, tugging with fearful aggression. Nails piercing the skin of his shoulder blade. You’re pliant under his heavy thrusts and sounds of sin. 

The rain pours harder outside with whips of harsh winds smacking the window. It’s almost like God’s wrath is screaming to be seen, to shout that He is watching. 

Sunghoon’s hard cock is relentless against your core. The rough grind of him is stimulating in ways   you’ve never felt before, your body sensitive and starving for more. You squeeze your eyes shut and moan within your closed mouth, hating yourself for feeling this way because it was never supposed to be about you. You are betraying yourself more than your fathers.

The sounds you try to withhold make Sunghoon weaker. He feels uncontrollable, only becoming needier and hungrier with his movements, “I can’t stop. I can’t stop.” He whines, begging for you to vocalize how you feel it too. 

You feel like you’re breaking underneath him, and it feels shameful. Like every harsh word your father ever spat at you was true now that you’re a part of the experience and not just the cause. Everything is too much. It takes every ounce of strength you have to turn both of your bodies over. Now sitting up on top of his lap, you can finally breathe again, sighing in relief. He whimpers at the distance between you both but also from the view of you. 

He moans your name softly as he grips your hips, pushing himself up into your clothed pussy like he’s fucking you. Your hands push down on his shoulders. You stare into his eyes with a plain expression and contrasting sharp eyes, grinding your hips back down on top of him. It’s hard to ignore the way it makes you feel, watching him fall apart beneath you as his pulsing cock fucks against you, but you manage. 

“Cum for me,” you demand quietly, “make a mess and imagine it’s inside me.” 

“Holy fu—ngh,” his entire body spasms and shudders with a low groan falling from his open lips. His movements slow down only to become lazier and uncoordinated. You can feel the warm wetness he spills soak through your thin pajama shorts and underwear. 

“You’re right. You are good for me,” you coo softly, cupping his face and using your thumbs to wipe away the tears. Your hips circle and swivel slowly on him until his quivering cock finishes cumming. 

Sunghoon has a sparkle to his wet eyes. The way the gentle praise left your lips makes him melt, and he can’t stop the flickering glance between your eyes and lips. He breathes heavily through his post clarity. Still he basks in your touch with a hopeful look in his eyes. His tongue slides over his lips before he’s leaning up towards your face, hands affixed to your waist to pull you closer to him. 

This makes a wave of panic wash over you, knowing what he wants to do. You shake your head no and pull yourself away, slipping off of his lap only to turn away from him. 

“None of that. It’s not what-” 

And then there’s a press of lips to your cheek. Your face burns as if a hot coal was what kissed your face. Your eyes go wide, turning to see the boy sitting up next to you. He only wears a shy smile as he sees your reaction.

“I’ve wanted to do that for a week now,” he admits with a small laugh. “Not exactly there but that’s fine. I wish you would let me help you feel good too.” he whispers, looking back to the windowsill where the gifted flowers stood in their vase with the raging storm as their backdrop. 

“That’s dumb and I don’t need to,” you reply, still watching him stare forward. Your chest feels painful; it’s an ache like shattered glass trying to piece together in the wrong ways. Stabbing but trying.

“I think you deserve to,” he argues. “But I understand if it’s not what you want. I was really touchy and I shouldn’t have been because you don’t seem like it. I was too caught up in the moment.” His mind goes to the mess he’s still sitting in and he feels self-conscious all over again. “Is it embarrassing how much I need you?”

You blink at him, swallowing the words that were never going to come out because you didn’t even know what they should or would be. So you settle with a simple, “No.”

You think it would kill you to admit how much you actually always wished to be wanted, needed, or loved. A bigger part of you didn’t think you were worthy of it, let alone capable. The world had such a way of saying otherwise. Until it brought Sunghoon to you; the boy who showed you feelings and experiences you never thought possible. 

As if he could read your mind, he asks, “Why did you choose me out of everyone?” He falls back onto the bed, laying down and pulling the blanket over himself. 

“I think you reminded me of a lamb.” 

“Pardon?” His brows furrow. 

You lay back down next to him, facing him like he is to you. “Pretty, white, and docile. You were so nervous when I first saw you—sometimes you still are.” You even laugh a little. “When you shook my hand I knew I could do anything to you because you’d let me.” 

“You think I’m pretty?” He smiles wide, scooting closer to you. 

You scoff with an eye roll, leaning further away from him. “Oh shut up, you’ve seen a mirror.” 

And then it’s his turn to laugh a little. He looks at you like you’re the reason the sun rises and falls. It kind of hurts you to see him like this because it reminds you of your initial rotten intentions and how they’re dissipating the more you’re with him. 

Time passes faster than the two of you realize. There’s light banter and easy conversations. You learn more about Sunghoon. Where he goes to school, what he studies, and who his friends are. He tells you of the sports he used to do and what he does in free time with his best friend. The more you learn about him, the more you understand his naivety and how despite what you’ve done, he won’t change. There’s something lovely about it. 

You don’t have much to share about your life the way he does, at least not in the same light. But you show him your favorite books, drawings you made over the years, and share the stories of movies you found interesting. He savors the moment of you simply confiding, enjoying the more he can know about you. 

The storm passes later in the evening. So caught up in borrowing time, the rain has slowed down to a simple pitter patter. The clouds dispersed and the setting sun only came through to say goodbye to the day. 

The sound of the truck that the farmhands use to take back to town is heard roaring to life, signalling you and Sunghoon that it’s safe and time to head out. 

Sunghoon jumps out of bed but by the time he’s shoving himself into his still damp jeans and looking out the window, the truck is already speeding down the dirt, now mud riddled road. 

“They just left without me,” he breathes out. “I’m used to them leaving me out, but t-this is.. How am I going to get home?” He looks back to you with sad eyes, not the light they had earlier. He’s not shocked by their actions, but he is disappointed. A hand runs through his hair in his stress. 

“Should I kill them?” Your question is brazen, body and voice eerily still in your seriousness. 

“W-what?!” he whispers in shock, freezing for a moment. 

“I’m joking.” You sit up and watch Sunghoon resume getting dressed. “I think you should head back to the lodge for the night. There’s a washer and dryer for your clothes. And spare food for dinner too.” 

Sunghoon nods slightly, “your jokes are weird, but okay.” He looks like he’s thinking of something, taking his bottom lip between his teeth in thought before speaking again. “Can you stay with me for the night at least?” he asks shyly. 

“No,” comes out quicker than you intended. “...But I guess I can walk with you there.” 

He nods again but now with his signature small dimpled smile. You almost forgot about being angry at the other farmhands for taking it away. 

You have to make sure the coast is clear before leaving the house. You tiptoe down the halls and stairs, weary of where your mother is inside the house. To your luck, she’s in her usual state. She’s passed out on the couch with two empty bottles of wine on the floor. The television volume is low, playing a rerun of the reverend’s sermon; the devil himself of your childhood, preaching about how he lost his child to the otherside. 

With a finger to your lips, you silently signal for Sunghoon to be quiet and to follow you out. 

Once safely out of the front door, you take his hand in yours and start running for the lodge. The tall boy is behind you, so you don’t get to see the bright smile on his lips or in his eyes as you run through the light run towards the lodge. 

Now standing in the front doorway of the farmer’s lodge, wet from the sky all over again and still hand in hand, Sunghoon bravely speaks up.

“I don’t like it when you disappear on me,” he breathes out shakily, honestly. “Nobody else sees me like you do,” he squeezes your hand tighter in his, feeling you begin to pull away. “Come with me into the city tomorrow. We can- I’m not sure yet, but I’m sure I want more time with you.” 

His eye contact is unwavering, begging. Both of his strong hands hold onto yours. You glance from your hand then back to his pleading expression. He will always remain so sweet, no matter what you do to him. 

“I felt less lonely before I met you,” you confess, eyes unblinking as you stare up at him for a long pause. “I’ll meet you here in the morning.” 

In only seconds, he’s pulling you into a hug. His arms wrap around you so tightly as he holds you to his chest. You go stiff in his arms, forgetting how to breathe for a moment. What feels suffocating at first turns into a warmth you’ve become all too familiar with, and it was never anger. The indignation you always wear is just a hand me down from your parents; it doesn’t fit you right even though it’s comfortable. 

With a shaky exhale, you wrap your arms around him too. The hug surrounds you like a blanket of unknown comfort. Your ear pressed to his chest listens to the sound of his racing heart. You can feel the pound throughout his entire body too. Every emotion held within is trying and fighting to be seen. It’s still so cold from the rain but he feels contrast, only warm. His lips press a kiss to the top of your head, making your body burn even more and your hold all the tighter. 

　True to your word, you meet Sunghoon at the farmer’s lodge the next morning. He seems happier than usual. Very giddy to be spending a weekend day with you without work in the way. No distractions or excuses to leave. Just the two of you and a new day with zero obligations.

Because you had a spare bike, you both are able to peddle towards town to the bus stop together. Having made these frequent trips alone, you’re familiar with the owner of the gas station at the stop. He’s a deaf older man, and it surprises Sunghoon that you know how to sign and ask him to hold onto the bikes until you’re back. You tell Sunghoon that you learned some basics from reading a book you bought a long time ago. 

Stunned, Sunghoon realizes that you went out of your way to do so for one man who watches your bike while you endure solo trips. You, the odd girl who was mean and sinful, used your money and learned a language for one man who did a simple favor. He’s learning more to admire you for by the day, and it’s crazy to him how you don’t see your own charm. 

Sunghoon pays your bus fares even though you insisted on being capable of doing so yourself. Sat in the middle of the bus that’s only barely half filled, he asks if there’s anything you’d like to do for the day while in the city. Nobody has ever asked you such an effortless thing, and you like it more than you imagined. Just uncomplicated curiosity of your wishes. 

“The book store. The small yellow one on main street. Maybe see a movie if anything is worth seeing.” You shrug, spewing out the usual things you do. Looking around the taken bus seats, you notice some familiar faces. 

“That sounds nice,” he smiles, “our first real date! I think there’s a cafe near that book store too. Do you like coffee?” 

Your cheeks burn as you stare at him in bewilderment, “you think we’re going on a date?!” 

“Of course we are,” he laughs like it’s obvious and wraps an arm around your shoulder, looking out of the window. All that the town can offer him other than you passes by. “I’m a fan of americanos. You seem like you’d take your coffee black.” 

“I don’t even like coffee,” you mumble, turning your attention out of the window as well. “Tea is nice though.” You add in, crossing your arms over your chest. 

“Hm. I can see that too,” he hums as he pulls you closer into his side. 

So much can change in such little time. You’ve experienced this many times in one life. How one day can open a new door to a path otherwise not taken. Showing Sunghoon more of you has made him bloom into a larger ray of light. He seems more comfortable, and now you’ve become the awkward one. 

The ride to the city doesn’t normally take this long, or at least you don’t think it does. Every second with him by your side makes the experience feel brand new. The theme of time being unreal is common with him, you’ve discovered. It’s when you’re in the bookstore and see a holiday sale that you realize it’s not even June anymore. 

While Sunghoon looks for books for his upcoming college semester, you find yourself in genre sections you never really cared for before. The dark and racy ones were fun to bring home, sure. But innocent, cliche romance was always something cringey to you. Now if you change your perspective to that of research then it’s less daunting, right? Perhaps you’d make sense of all the things you’re discovering about yourself and him. Yeah, that’s convincing enough. 

He teases you at the checkout counter when he sees what you picked out. Your face flushes in embarrassment and you can’t even bite back at him or defend your choices. So you smack him with the book on the way out while he laughs and makes jokes that aren’t very funny. 

The two of you do manage to catch a movie. You honestly didn’t care to see one, but having to sit silently in a theater for at least an hour and half seemed like enough time for him to, hopefully, forget and drop the whole book situation. It’s a summer slasher film. A group of teens go camping and the plot is very ‘who done it’ style. Overall, it’s a fun choice. You have your turn to laugh and joke when Sunghoon gets jumpy or scared. 

After the movie, you both end up at the cafe Sunghoon mentioned while on the bus. There was something painfully intimate about everything today. But especially sitting down to eat with him. Not even your mother could meet you at the table anymore. 

“You seem softer today,” Sunghoon states, setting his half-drunk coffee down. “Almost nervous. Is it because we’re out together for our first date? Or just the people in general?” 

You raise a brow at his brazen curiosity and observation. “Maybe you’re rubbing off on me,” you play with your fork to move around the barely touched food in front of you. “Or maybe it’s a bit of both.” 

“If you come to the city enough to know sign language for the man who watches your bike, do you like it better than the countryside?” 

“Don’t know. I’m used to the quiet life, but leaving it behind and pretending it’s not there is nice too.” 

“What keeps you there?” 

“The scenery. The air. The lake. Being friends with the animals.” You look up from the plate to Sunghoon who is watching you like a lecture: attentive and learning. “I’m not very good with people, so I think it suits me alright.” 

“You’re good with me though,” he argues softly.

“No, not really. I wish I was more like everyone else,” you inhale deeply as your eyes wander around the bustling cafe. There’s a choir of laughter, conversations, and social dynamics you would have to study to master. “If I were a good person, everything would be easier.” 

“...but I like you as you are,” he mumbles loud enough for you to hear, watching you shift in your seat. He doesn’t think you’re not a good person, and it hurts that you see yourself as such. 

As Sunghoon speaks, there’s a chime that follows as the front door of the cafe is swung open. A disheveled man stumbles inside, heavy feet stomping the tile floor to attempt to stabilize his disorientation. The man burps obnoxiously loud, and many eyes find him with the grand entrance. 

He scratches at his lengthy, unkept beard as he looks around. When his sunken eyes find you sitting at the table nearby his eyes grow wide and his mouth falls open. His hand shakes with a pointed finger in your direction, “y-you! The girl from the reverend’s sermon!” He’s loud, capturing the attention of everyone now. His sloppy movements make way towards you and Sunghoon; you feel everything within you freeze, and your heart knocks at your chest fast and hard with anxiety.  

He slams his hands on the table, causing your plates and drinks to rattle. He reeks badly of alcohol and his crazed eyes never leave yours. You swallow thickly, fight or flight mode still trying to understand the situation before you. Meanwhile Sunghoon, worried and confused, slowly begins to stand up and grab your bags. 

But you, you’re frozen staring at the messy man who talks of your greatest hate. Your hands tremble on the table. 

“I thought the reverend made you up for stories, but my God! You’re the real living thing just like the pictures; his only sin,” he laughs boisterously in your face and you try not to gag. “I saw him a little whiles earlier, ya know,” his voice goes quieter, it’s taunting even. You wish to remain calm but your eyes tremble and a frown takes your face. “I should go find him and tell him you’re here. He really-”

Sunghoon takes your hand, practically dragging you away from the table. You almost fall from your seat, like a baby deer just learning to walk, there’s little strength to your legs. 

“It’s not too late! You can be on the right side of things!” his voice ricochets off the walls of the now quiet cafe. “If I can be saved by his preaching, so can you! Look at me!” His mad laughter follows you and Sunghoon outside. 

Sunghoon watches you stand on uneasy feet, zoned out staring at the sidewalk. It didn’t take much to put the pieces together that the drunken man was talking about your father. Your father being a reverend who’s not in the picture gave him much to wonder about, but now isn’t the time. He just wanted to get you somewhere away from this memory. 

He crouches down in front of you. You slowly blink back to reality, now looking down at his back. You don’t want to speak so you poke his shoulder in questioning.

“Hop on. Let’s go somewhere else.”

“What if I’m heavy?” you look at the bags he’s already holding, feeling that you too are a burdened weight he doesn’t need to hold. 

“I’ve got good muscles, remember? Good for farm work,” he’s patient and calm with you while his eyes watch the man from outside the glass cafe windows. “Come on, baby.”

Without thinking, you end up on his back. He carries you on his back, strong arms holding your legs while yours are loosely around his neck. Your insides are a flared up hurricane but at least that allows your body to forget the empty ache you left at the cafe. With your chin hooked over his shoulder, you watch the many people and downtown stores that pass by.

Sunghoon doesn’t exactly know where he’s walking, but thinks it’s best to end the day here and return you to the bus stop. He’s never seen that look on your face before—the one you had when the man was loud in your face. He didn’t like it, and he’s sure you hated it. You looked intimidated, or afraid. 

“Would you kill him for me?” you watch the side of his face, “the reverend, I mean.” 

He stops in his tracks and turns his head to look back at you, “w-what? I can’t kill someone… and you should joke like that.” he panics, looking around to see if someone was listening to the wild conversation and request.

“Yeah, I know. I’m fucking with you,” you look away to hide your smirk, “and only half joking.”

“Did you believe him before?” He starts walking again, but this time at a slower pace knowing the bus stop isn’t too far now. 

“Who? My dad or Our Father?” There’s a use of air quotes at the end of your question. 

“Both?” his head tilts. 

“Neither,” you confirm. There’s a pause for thought and Sunghoon waits for you to further explain. “My relationship with both is too similar. They’ve both known me my whole life, right? Seen all of my wrong doings and in return shown wrath through unnecessary punishments called forgiveness. In what good world is tolerance violent?”

“What do you mean? What did he do?”

“Sometimes, after my mother set the table for dinner, he would knock my plate to the floor. Tell me to eat off the ground like the animal I was or starve.” Sunghoon frowns at this, coming to a slow stop when he sees the bus shelter bench. “Sometimes I had days and nights locked in the barns, but he switched it up to the basement when I was too close with the animals.” You laugh a little, but he senses the pain behind it. “I watched him kill the animals, too, only to smother me in their blood. Beatings were rare, but I think only because he despised the thought of even touching me.”

Sunghoon slowly sets you down to the ground and breathes out your name safely, taking your hands into his. He looks at you with sorrow, like he was the one who endured it with you. 

“God’s orders, am I right? My father, the church goers, speak of God like they’ve seen his face and heard his voice, but they haven’t. I would’ve by now too.” 

If He was really in everything, all around, why did He always turn a blind eye? Why does He pretend to not know you? It only made it harder to believe in—something that would bring you here, torture you then watch you suffer for not living how it pleases. God wants to be believed in, but so do you. Only you would never beg for compassion. 

Sunghoon squeezes your hands in his, “I don’t think you should stay there. You never deserved that… even if you’re volatile and strange… because you’re also kind and caring. It’s why I like you. It’s their fault for not seeing that,” he reassures. “I haven’t been through what you have, and I can’t understand. I-I mean I can try to, ya know… it’s not like I’d leave if I didn’t.” His words begin to stumble nervously, not confident in its sympathy reaching you where needed.

You laugh nervously, trying to tug your hands away from his grip that doesn’t let up. “Okay sure whatever, this is really embarrassing now…” You swallow hard and find difficulty in meeting his eyes. 

That’s all that matters, what he said to you, but you didn’t have it in you to say it. He already knows it though, smiling small and holding your hands still. Without words or excessive displays he can still see it in your eyes, the subtle comfort of acceptance. 

He could never blame you for your nature. He sees your anger as you just trying to be strong all while being sad. Whether you are his lover or executioner, he would accept you as you are every time with open arms, receiving hands. Even more readily, now.

　Even more time has passed since knowing Sunghoon. Summer has never flown by so fast. The calendar doesn’t exist to you anymore. It’s only the days you see him and the days that you don’t. The season will be wrapping up in the next few weeks, but only for him. He has to return to his regular scheduled routine of pursuing education while you will stay here, on the farm. It’s rare for you to feel this emotion: fear. You are scared of losing him. And the concept is something you do your best to avoid thinking about because it makes your skin itch with anxiety. It crawls over you like something that needs to be cut out. 

And then an idea hits you. Something far more deep-seated than everything else you’ve done with Sunghoon that would solidify that this summer is real and yours. Something that will always stay; a reminder that good things are possible despite how the world has made you. 

It’s a damn near perfect day. The sun is so bright, and only peers down onto you both through the gaps of the trees. It’s just warm enough. Just quiet enough aside from the sound of Sunghoon’s gentle breathing and natural composition of the nature that surrounds. Rustling of leaves, chirps of birds, and scurrying of whatever life that wishes to not be seen. 

You both sit criss cross at the wooden dock by the lake, simply enjoying the scenery and all it has to offer. His large knee is affixed to yours. If this was early June, you would have moved away. But now it’s a week into August and you wouldn’t have it anywhere else. Just like you always imagined, and secretly wanted, the view is nicer with someone else. 

He didn’t bother asking why you never brought him here before, or why it is that you chose to now. He’s just happy that you decided to at all. 

You slip a hand into your boot and pull out a pocket knife. You flick it open and do a brief inspection of the cleaned blade. The sun glints off the metal as you turn it. 

“Sunghoon, do you trust me?” 

His eyes flicker from your blank face to the blade. He nods slowly with a swallow, “of course.” There’s a subtle apprehension to him. You hand him the small blade and leave your palm facing up, open to him. 

“Cut a diagonal line down my hand,” you point and draw a line down the middle of your palm. 

“Huh, seriously?” he takes the blade confused and concerned with what you’re asking of him. “Why? I can’t hurt you.”

“Do it. Don’t think of it as hurting me, but still do it deep enough to leave a scar.” 

He struggles to understand the situation, but you’re so serious and clearly waiting for him to do as you asked. He exhales deeply, taking your hand in his while the other holds the knife just above the bared skin. Hesitant and slow, the tip of the knife pressed down into your flesh. You wince a little, which makes him pause. You nod, encouraging him to continue and he does despite hating the act. He slices the palm of your hand open just as you wanted. You hate blood, but it’s not so bad when caused by him.

“Shit, it stings,” you swallow through the pain. The feel of open flesh burning and stinging. “Your turn,” you exhale while taking the knife back with your free, unharmed hand. 

“My turn,” he agrees as if all logic has left him and readily displays his palm to you. Deep down, he feels guilty for hurting you, so to make it even he wants to feel the same.

Just as hesitant and careful, you create a matching wound in his hand. A deep enough, bleeding, lesion in his left hand to match  your right one. He cringes at the sight and the pain before looking back to your face. Your expression is so soft yet attentive, almost awestruck. 

“Even when you hurt me you’re gentle,” he remarks, watching you in amazement with a meek smile. 

“I am not gentle. I have sullied you,” you remind him, your eyes attempt to glare but they’re too bright in his. 

“In the softest way, why?” His voice is delicate and still like the lake that sits before you. You blink slowly at him because there are no words to be found. He continues, “I never thought of you as a bad person,” he pauses as you drop the red stained knife, unsure if he should continue at first but does regardless. “And, uhm, I’ve thought a lot about this summer. What I've learned from you. Purity is constructive—like something made to bring shame.” You don’t move, watching him. “I don’t have to be clean to be good…and your hands never made me dirty. Because they never were either.” 

Like an excavator to your tall, strong built walls Sunghoon has knocked your shield down. The facade of your character is breaking down, crumbling into the broken pieces that made it. A single tear escapes your eye and runs down your cheek. It’s rare for you to cry and you’re disgusted with the reality as to why it’s now that you break. Simply falling apart from kind words. 

You try to use everything in you to ignore the heat in your body, to show the anger you think you’re feeling inside. So your eyes remain sharp and strong, boring into his, as they still water. You swallow the dry lump in your throat and without a word, you take his hand into yours to join in a mix of blood. 

At first, you had one goal; one similar to murder. The sparkle he had in his eyes, you wanted to eat—to make them empty—and see the world ugly and godless like you. Yet somehow, somewhere along the way, his eyes shone even brighter. You only wanted to take and take of the innocent boy, but in this moment you realize, maybe I just wanted to give him some of me. 

You wipe the wet drop away from your face with haste, pretending as if it was never there. Whatever blood oath you’re making with Sunghoon allows you to feel something indescribable. You don’t know if it’s deserved, but you smile anyways. Because the indescribable feeling feels like it’s an unknown, unspoken promise. 

He’s seen you smile before with insidious malice, but this time, for the first time, you are really smiling. It’s a raw expression of surfacing emotions, and he returns the emotion like the sun. He thought of you beautiful before but with your brightness finally peering through your clouds, he believes you to be heaven sent. A part of him always wanted to see you cry—usually it was him with tears in his eyes; which is funny, because he wasn’t much of a cryer himself. You just had that way of breaking him down. He knows now he does for you too. And he can tell that you’re probably the type of person who needs to cry the most. 

His hand squeezes yours tighter, a grip so loving, as you bind in one. Neither of your eyes or smiles leave each other until the bleeding stops. 

　A week later, Sunghoon asks you on a date. The summer fair is in town. It’s something like a festival where all the locals from towns around the city come to visit and join in on festivities from carnival games, rides, food, and uncommon entertainments. You think of being mean, denying him the acceptance of the date, but you have always wanted to go. So you said yes without your words: took his scarred hand in yours and nodded. 

The evening sky is a watercolor of warm tones as the sun begins to lay down for the night. The bright lights of the fair illuminate the large open field turned carnival. There’s a sea of people here tonight, and although it makes you nervous inside, having Sunghoon by your side makes the ordeal easier to handle. 

The line for the ticket booth is lengthy but it passes by. You approach the booth, standing a little behind Sunghoon who takes out his wallet to buy your entrance wristband passes and tickets. You look around at the many people: families, friends, and couples, all immersed in their own experience as the music and sounds blend in the background of conversations. 

“Oh wow! You’re really handsome,” the girl at the ticket booth gawks at Sunghoon. She straightens her posture and fixes her hair from her face, “one ticke-?”

Catching this, you step forward and snatch Sunghoon’s wallet from his hands, “he already knows that. Do your job or I’ll feed you to pigs.” You slap the cash amount for what you need down onto the table top with a straight face and mean eyes. 

Her eyes go wide and she hushes an apology, quickly giving you both wristbands and tickets for the evening. She even threw in extra tickets as you stared her down. 

Sunghoon watches you with a flushed face, even the tips of his ears burn red at your jealous threat. You both walk off into the fair, a sheepish smile on his face as he leads you through the crowd with an arm wrapped around your back and hand to your waist. 

“Was that one of your jokes too?” he grins down at you.

“Nope,” you glance at him with a small smile. You weren’t sure what came over you in the moment, but it was something internally deep, and territorial. An innate reaction to someone trying to appeal to something that belongs to you. It felt ugly and you didn’t like it. 

The idea that he could possibly be taken from you was a phenomenon you’ve thought of for a while now. Knowing he has an existing life outside you, outside of this summer, that he would return you made you sick. You’re far from perfect, or the right thing for him, and he could find a safer option if he ever pleased. Pushing the thoughts away is harder than you imagine, so you cling to his side even more. 

You and Sunghoon use up your spare tickets for carnival games. You toss rings around bottles, shoot water guns into the mouth of a clown frame, and throw darts at balloons. The both of you aren’t very skilled at any of the games, but it's fun enough to enjoy the time without winning a prize to show for it. 

Eventually, Sunghoon does find frustration within the ‘rigged’ set up of the games. He even pulls out his wallet for cash when the tickets are gone. You’re surprised at how competitive he is; his determined nature is something that stirs your insides around. You don’t know if you’ve ever smiled so much in your life. 

After 3 rounds of throwing a ball to knock over a moving target, he does manage to win. Going 3 for 3 and not missing a single shot. The excitement you feel when he succeeds takes over and you’re proud, doing little jumps in place and clapping your hands together. 

“You did it! You won!” you exclaim, hugging onto his side. 

He can only smile down at your joyfulness. A fire burns in his heart and he hugs you back, kissing your forehead. “All for you. Which prize do you want?” 

“It’s yours, you should pick it,” you blush, elbowing his side with a shy smile while your eyes keep looking up to the stuffed white lamb with a lace ribbon around its neck and a cushion gold bell adoring the throat. 

Of course, that’s the prize he ends up choosing. It might not be Saint Michael the stuffed bear, but it’s something far happier, cleaner, and softer. 

The stuffed animal never leaves your hold throughout the rest of the evening. It rides the many rides you and Sunghoon do. And sits at the picnic table with you both as you share fair snacks. Popcorn and cotton candy was never so sweet for either of you. Like contentment melting on your tongues. 

Cliche as ever, Sunghoon wants to end the night there with a round on the ferris wheel. The line moves quickly and when it’s your turn to step into the carriage, he takes your hand and sits you down the seat next to him. 

It moves slowly and rocks back and forth with shaky movements that have you gripping the side handles. With an arm around your shoulder, he holds you close to him. The array of flickering colorful lights and people below you feels almost magical. 

Taking your eyes from the heightened difference between you and the ground, you look back to the boy beside you who is already looking at you. The reflection of rainbow luminescence glistens in his eyes. It’s even prettier than the view from the top of the little world you’re in. You give him a shy smile, finding it impossible to look away. 

He says your name in a whisper, taking your chin between your fingers. “Thank you for choosing to let me in.” 

Confused and wide eyed, you watch him lean into your face. You gasp when his lips meet yours before returning the notion. With eyes closed, you melt into his kiss. It’s sweet as all the things you’ve experienced today because of him. 

It’s also as clumsy and messy as a kiss can be for two people who’ve never done so before. However, human nature and desire take over and ease the rest for you both. Lips move over another in a gentle waltz, careful and slow. 

And as if the situation couldn’t get anymore cliche, fireworks light up the sky. At first you thought it was just your imagination and all the books you’ve read flooding your consciousness, but the booming sounds and cheers of the crowd are too loud to not be real. 

You pull away from him first, and he’s already wearing a shit eating grin so wide that you can’t help but roll your eyes, fighting the urge to smile back at him. Your face burns in both embarrassment and adrenaline from the kiss. 

After that, you don’t leave the city like you should. The bus takes you both back downtown but neither you or Sunghoon feel it’s time for goodbye. So, for the first time, he takes you back to his apartment. You’ve never been to anybody else's home before, and it’s nerve wracking to say the least. The complex is large and somewhat modern, housing many of the second and third year private college students.

When you step inside, it’s quite plain but at least clean. You’re immediately greeted by a boy shorter than Sunghoon. He has a big mouth smile and shining dark eyes. His hair is shaggy but it suits him. He’s practically bouncing on his toes. You shift yourself behind Sunghoon and hold onto his shirt, hiding slightly from the excited puppy-like roommate. 

“How did it go? Oh, and nice to finally meet you,” he rambles out quickly, “I’m Jake. The best friend and roommate. I’ve heard a lot about you.” He shoots Sunghoon a wink before grinning back at you. He extends a hand for you to shake but you don’t reach out. Something about his eyes doesn’t sit right with you. 

“She’s shy,” Sunghoon laughs a little as he guides you past Jake and towards his room. “It was fun though. I recommend going before it’s gone.”

“Ah, you got yourself a nice little angel, huh?” Jake leans over the kitchen island, watching you both. His smile falters. “I’ll have one of my own some day.” For some reason, you think of him as a secret pervert.

Sunghoon laughs his comment off and tells Jake goodnight before showing you to his room. His room is neat and as simple as a college boy’s room can be. A bed, desk, dresser, closet, and bathroom. One poster of a musician you’ve never listened to and a window with unopened blinds. 

You sit yourself at the end of his bed and he sits down next to you. There’s some awkward silence as you look around, unsure of what you’re supposed to do. He feels similarly to your internal dilemma. 

“I-I’ve never had-”

“It’s okay,” you cut him off. Of course he’s never had a girl over. And of course you’ve never been over to a boys house. 

“Are you tired?” he asks, and you lie by nodding your head. So you both get ready for bed. He gives you a shirt to borrow for bed that change into in his bathroom while he changes into sweats and a t-shirt in his room. 

In minutes you’re both laying in his bed under the covers and staring up at his ceiling in the dark room. Not a word is said as you both lay there wide awake and untouching. But you know he’s wanting to by the way his body is shifting and turning, inching closer with every minute movement. 

And before you know it, although expected, his body is nestled closely to yours. His arms wrap around you, pulling you into an embrace. For the most part, he usually does keep his space. Knowing how you are when it comes to physical touch that feels too sudden or invading. But with barriers breaking down more over time, he thinks you’re learning to handle the comfort better. 

“I thought you were tired?” he mumbles, head on your shoulder. His hands trace up and down your arms that are wrapped around yourself like a guard. 

“I lied,” you whisper. Your eyes can’t look at him yet, so they remain aimless to the ceiling. Some moonlight slips through his cracked window blinds, giving you enough view of the spinning ceiling fan. 

“I had fun today. Mostly because you did. I like seeing you happy,” he smiles after kissing your shoulder that’s exposed in the neckline of his shirt too big for you. “And… I liked when you kissed me back,” his voice is quiet and shy-like. 

“Do you want to do it again?” Your eyes shift to him and you can barely see the warm flush to his cheeks. He’s cute. 

Taken aback at first, he just blinks at you with a parted mouth. Then he nods his head slowly, licking over his lips. 

You turn over onto your side to face him and his hands don’t leave your waist. Unsure of what to do with your own, you wrap them around his neck. Good thing they sit behind him and it’s dark in the room because it would kill you for him to notice the slight tremor in your fingers. 

With a scarily racing heart and stiff, trembling body you surge forward to kiss him. His lips are quick to capture yours. Soft and pillow-like, they mold into yours in waves. What starts off as clumsy and unskilled turns into hunger. Something desperate and needy. His grip feels bruising to your hips but in a nice way. In a way you want it to hurt more. 

His nails digging further into your flesh to keep you impossibly close make your lips gasp, or maybe it’s the lack of air, or just both. And instinctively his tongue is licking its way past your lips and into your mouth. He kisses you like he’s starved for it. His wet tongue drags over yours, and your teeth, then as far as it can inside of you. He whimpers, pressing his already hard cock to you as he licks and kisses you open. 

Your stomach has never burned this way before, and you feel the hot sensation all over then down to your core that aches like it’s hungry too. You feel disgusted by yourself but can’t fight the hum you make as you devour him right back. You’re getting wetter every second he’s in your mouth. 

This time, he pulls away first. Panting for air and staring at you with glazed over dark eyes. He licks over his wet lips again, savoring the taste of you on himself. He bites down onto it and a part of you wishes it was you he sunk his teeth in. 

“Can I do what I did last time?” he breathes out, his hips involuntarily jerking up against you at the thought alone. 

While trying to act like you’re not catching your breath too, you say quietly, “do whatever you want.” 

He kisses you again but with more desperation. You try to do the same but you can feel your heart and your head preparing for battle. The way he’s feeling you up and grinding himself on you is in no way unwanted, and that’s part of the reason you’re struggling to maintain presence. 

It’s so much happening so quickly, but you’d be lying to yourself if you said you didn’t imagine this happening eventually. Sex was inevitable. The way his body yearns to be one with yours makes you feel special almost. He’s already engraved into you but in his mind he has to be inside of you and it hurts so badly how you think the same. 

But is the last thing that keeps him pure really yours to take? You’ve stripped so much away from him for all the wrong reasons before and now it feels strange. You are no good and that’s all he is. 

The only thing keeping you here, in the moment, is him. His exploratory and gentle yet rough hands, his body grinding into you, his lips that can’t leave yours or your skin for even a second, and the weak wanting sounds that leave them. 

“I need more, please. I want- I need to feel good with you. Please,” he’s whining into your ear. Then pressing kisses along your jaw and neck that are all so tender, slow, and deliberate. Large hands caress you like you’re breakable, as if not already just a body of fragmented pieces made whole and called a person. 

Your still shaking hand reaches down between your two bodies and slips past his sweats. He had the nerve to go commando and you wish you could tease him, but you can’t. You’re lucky you’re even here right now and breathing his air. Your hand wraps around his aching length and gives him a few tugs to which he’s quick to moan. He kicks off his sweatpants while you bring him closer to you. The plush of your thighs trap him; he whimpers against the soft heat of your flesh. 

Your hips grind up into him once, showing him what he should do too. He’s slow to start, rocking himself between your thighs. Slutty and hopeless sounds leave him in a string of his want. His leaking hard cock is so close to your core. Only the thin layer of your underwear keeps him from feeling your clear need for him too. 

Wrapped in each other's arms, you bury your head to his shoulder. You can feel the pulse of his aching desire rubbing and grinding against you. It makes you shiver in sensitivity and cower further into his neck. You don’t bite down onto your lip, but his neck. There’s a sting to your eyes because you hate it—the wet warmth that pools out of you. Your sin sticks to your underwear and your skin like the red raining life of all the animals you made leave the earth; your haunting subconscious correlates with your growing pleasure. 

You know you’re not religious yet every time Sunghoon touches you there’s a divinity to it and it makes your hands want to join in prayer to thank the universe for sending someone like him to you. Because his hands roam your body as if they have in every world; as if there is not one timeline where you have not been made for him. Like you were carved from his rib every time. 

Your body smolders in that angry way it always did whenever Sunghoon got too close to you. Whenever his words were too kind, his touch too gentle, or god forbid when he just smiled at you. That fire is just the divine nature of your relationship, lighting up everywhere he touches and leaving flames in the wake. You thought it was your body rejecting his purity, but you were only denying the likeness. He made you feel good. And in the most ironic way possible. You just didn’t think you deserved it. 

Yet an anguished moan leaves you, rumbling against his skin as you bite down harder. Regardless of it all, he is yours right now. 

The feeling of your sinking teeth in him, the sounds you’re now making, and the damp heat between your legs he can’t stop chasing all makes his head spin. He bites down onto you just the same and it only makes you moan louder. 

“Please,” he’s whining again through the bite. His voice a needy tremble while his hips stutter and thrust between your legs that only squeeze tighter together. The way the fat of your legs hug his raging cock through his desperate grinds makes him chase more and more for that feeling he just can’t seem to reach. The crying tip kisses and pushes up then past your leaking folds every time. It drives you both insane. 

If your body is the fiery lake of creation's deepest pit, then he is the cleanest ocean of earth’s highest point. If anyone could extinguish you, and possibly make you feel whole, it was Sunghoon. 

This is the most horrifying reality you’ve come face to face with. Not just intimacy, but a stronger driving emotion. You have to open yourself, rip open your chest and bare your beating heart in all its naked vulnerability. Let it scream out I like being with you. You have allowed this person into your world that nobody else has dared to step foot in. To see you in such ugly ways yet still extend their arms for you. It’s a terrifying level of closeness that you’ve never once experienced and you don’t know what to do with. You’re beyond perplexed by what he’s done to you, in both terror and awe.  

You pull back from Sunghoon and he pauses everything for a moment to look at you, noticing your wet eyes. Before he can ask what’s wrong you reach down and slip off your underwear. You shift your body and maneuver him as best you can until he’s on top of you. Rattled with concealed embarrassment you remove his shirt and toss it somewhere to the floor, and he does the same. 

You take a deep breath and reach back down to his cock, lining it up with your pussy. You blink and swallow away all the things trying to stop you from allowing yourself him. Pliant beneath him, you grab his shoulders and pull him down to you for a quick kiss. Foreheads now pressed together with lips ghosting over the others, you tell him, “I hate you.” 

Sunghoon only smiles down at you before kissing you once more. With his arms caged around you, he slowly pushes himself forward. The fat tip of his cock fails to go through you, only sliding up and past the wet folds. He whines feeling the warm slick coat the head; his entire body shudders. He nearly cums from that alone. 

He looks at you confused, and nod once while trying to shift your hips around for a better angle. It’s not like you to be so quiet during things like this. It only tells him that for once, you’re nervous about new things the way he was. 

So he tries again, this time a little rougher. He thrusts his hips forward, the tip pushing past the tight walls but still barely in. You whimper at the intrusion and the feeling of you being stretched open. Your hands squeeze hold onto his biceps for purchase. 

The tight sensation of your pussy squeezing his tip feels otherworldly to him. He can’t help but need to sink deeper into you. His cock pushes in further at an agonizing pace until he’s as deep as he can possibly go. His arms shake while he tries to maintain his strength and keep himself from collapsing onto you completely. The wet walls that surround him flutter and try to pull him further inside, making him feel lightheaded. His moans are so needy it’s almost like he’s crying from the feeling. 

“Oh, f-fuck!” you whimper. Having Sunghoon completely inside of you feels so full. You’re stuffed with him and it hurts so good. “You gotta move, Hoon. Feels like you’re splitting me open.”

“You're so tight, mm.” His hips stutter from your words alone and he whimpers again. He pulls himself out halfway while your gummy walls kiss around him in an attempt to suck him back to be filled again. He begins to rock himself in and out of you. It’s inexperienced and awkward, but he gets the hang of it quickly. Doing what feels best for him and what seems to be the best for you too. 

“I hate you. I fucking hate you,” you whisper harshly, looking up at him with tear filled eyes. It all burns while feeling like heaven. Never have you been so full, held so gently, or seen than this summer. You bite back the breaking moans and whimpers. You claw at his skin. You even begin to cry when your hips can’t stop chasing his thrusts. 

“I love you too,” he whispers back. A kiss is pressed to your forehead as his cock pistons you. Sunghoon is smart enough to know you’re a liar. Your mean words that used to hurt him, he now understands. You’re not really a bad person. And you don’t hate him. You were just really damaged and if he’s damned for trying to heal that then he’s fine with that too. 

“I mean it,” your body shudders, feeling his tip pound so far and deep in places inside you that you didn’t know reachable. His fat cock drags out and forces through your tight hole, making you cream all over him more and more. The sounds that leave your body, the sounds your bodies are making, it’s so obscene. Fighting off the disgust and focusing on how he makes you feel is war. It’s so hard for you to win. 

“No you don’t,” he shifts himself to sit on his knees, taking your legs and wrapping them around his waist. He leans forward and kisses both of your cheeks before fucking himself into you again, only harder and faster than before. 

“Ngh,” you moan again through broken sobs, blinking away the tears as you stare up at him. “I’m t-trying to.” 

“I know, baby.” he mumbles before capturing your wobbling lips into a searing kiss. “It’s okay, haah, don’t cry. You’re good. You’re so good for me,” he says against your wet lips. You can only sniffle and try to turn your head away from him in your embarrassment. “No, no.” he takes your chin with his thumb and finger, forcing you to look back at him. His thrusts never letting up during his care. “Look at me. You’re so good to me.” He reminds you over and over. “We’re so good together. I’m yours. you’re mine.” 

“Say it again,” you sniffle through little sounds of sin. Your hand finds a place on his cheek, and your thumb rubs over his lips that wear a smile. 

“You’re so good, good for me. We are so good together. I am yours. And you are mine,” he says softly. His eyes are so filled with love, and if you could see your reflection in his then you would know yours are too. “Say you’re good, baby, it’s okay.”

“I’m good,” you sob through your whimpers, “I’m yours.”

To Sunghoon, the idea of sex was always sacred. Something that’s only done and shared between lovers bound by marriage of the church. But now, he thinks differently. He knows that there is no shame in him loving you now or years later. And he was more than happy to make love to you all night until you believed it too. 

　Perhaps there was a thing such as divine intervention and if God’s timing was alway right, he knew how to be evil with it too. Because the next day, when Sunghoon takes you home, he’s met with your maker. 

Your mother, aware of the frequent trips you’ve been making and how close you’ve grown to the summer farmhand boy, is quick to make a call to your father the night you don’t return home. It wasn’t necessarily because she cared for your well being. You’re more than capable of handling yourself. But it was an excuse to try and get him to come back. Only it doesn’t go how she wanted.

When you see the reverend’s car parked in front of your house, your heart drops. Sunghoon picks up on your tension, He sees how you go blank at the sight and slowly turn back into the empty girl he met months ago. He tries to hold your hand but your fingers can’t move, can’t return the embrace. 

When the reverend walks out of the house with his infamous weapon of sacrificial forgiveness, you know what to do. Your body moves on its own, leaving Sunghoon to reach out for you that walks towards the woods. He goes to follow you and the desolate man that stalks behind, but your mother stops him. She’s hysterical as she drags him towards your house saying, “it’s going to be okay.” But she’s crying. 

Once out of their sight, the reverend takes you by the hair. He yanks your head around, pulling you towards that cursed tree. He’s uncharacteristically rough and your scalp screams for a release but you don’t show it. You don’t even look at the man. Not even when he’s tossing your body to the ground. 

“So you’re whoring around with my employees now, huh? Was ruining this farm not enough for you?” His words mean nothing to you. You dust off the dirt and go to stand again, but he kicks you back down. You tsk under your breath as he speaks again, “I’ve seen all the things you’ve done. Seen you leave my barns with red hands and smile. Cut heads off chickens like an anatomy project. Is he next? That church boy?” 

Now you look up to glare at him. Seeing the reverend was aggravating enough, but to say something about Sunghoon was infuriating to you. “I am not a killer. You are! And those animals were already dead.” You spit at his black leather church shoes. 

“Oh, you disgusting little devient,” he laughs lowly, untying the rope from the tree. “Your cruelty shouldn’t bring you joy. Sick and twisted, I should’ve dealt with you sooner regardless of what your drunk bitch mother protested. I can save the boy when you’re gone.” 

“What?” you shuffle backwards from him, angry and confused as he stalks closer to you until you’re backed against the tree. “All those things I did was because of you. Your righteousness made me rotten!” Your hands shake, gripping at the dirt ground for anything to make the fear stop. You glance up to the empty tree branch then the rope in his hands. Where is the lamb? You think briefly before it hits you. “You’re crazy,” you whisper, “I will not be your martyr… not now what I’m finally-”

“Condemn me to Hell for all I care,” he crouches down in front of you, “This is the last time I’ll be a killer.” He throws the rope to your lap and tells you to tether yourself. 

“Why do you hate me?” The words scratch at your throat. When you were younger, you did want the reverend to hate you. It was when he noticed you most, and it’s all you really knew. But now you’re older, and his disdain never made sense. 

You can’t bring yourself to move even if you wanted to. Was this His plan? To allow you one good thing in life before ending it? Was ruining Sunghoon your final sin? 

The rope shakes with your fingers as you stare down at it. The twine of the rope burns over the palm of your hand where Sunghoon carved his promise. Your throat feels dry, tight and suffocating; choking on everything you’ve ever done. And your eyes still puffy from the night before well with tears all over again. 

“I just do,” he thinks of slicing your neck open right there. So fuck tying you down, you were always secretly another lamb anyways. He raises his knife and the metal sits cold under your chin as he lifts your head up to look back at him. 

“Okay…” you swallow. 

Your eyes squeeze shut and so does your mouth, as you raise your head to the sky with an exposed throat. Why isn’t this easy? Unlike the animals, you do know what’s coming. And it’s scary. Scary not because of death, but because you aren’t ready. You haven’t told Sunghoon goodbye or that you love him back. And the thought of him finding something in this world to hate, is such an ugly feeling to die with. 

And then there’s a loud noise. A booming bang, followed by unsteady feet falling back and the ground rumbling with a thud. 

You open your eyes and your father is on his back clutching his abdomen. He coughs and gasps before raising his hand. It’s dripping in deep red. And you can’t help but smile with tears in your eyes as you exhale a jagged breath.

You turn your head and Sunghoon stands there with the shotgun in hand, open mouthed and wide eyed. 

“Sunghoon!” you scramble to your feet and run over to him, taking the gun from his hands as he’s frozen in shock. 

“H-he was going to- he was about to hurt you. I had to-!” he stutters, his eyes already crying and hands shaking, still feeling the weight and recoil of the gun. 

“It’s okay,” you coo softly. “Just- go back to the house and I’ll be right there, okay?” You rush out. Still in shock and dazed, he blindly trusts you and does as you say. 

When he’s no longer close by, you walk over to the reverend with a blank face. You stare down at him as he tries to crawl away, dirty and bleeding. The smile you make doesn’t reach your eyes. 

You point the gun back down at him, and place your foot over the shot wound Sunghoon created. The man gasps and tries to swat at your leg but you only press the gun further into his face, making him surrender. 

“Divine intervention, huh? Say it with me now. I know no punishment, only mercy.” Your voice is quiet, calm, and mocking of his tone. With the barrel to his forehead, you watch him writhe in pain and cough up a little blood. 

“Go to Hell,” he spits his words like venom. 

“If you say it, I’ll let you live. But if you show your face to me or Sunghoon again, I’ll shoot you right between the eyes.” Your foot presses down harder. You can feel that angry little girl inside of you jumping with joy.. Knowing his God demands to be bled for, and making him know the sacrificial suffering, well it feels good to say the least. “Say it. With me. Now.” Each word pronounced with the growing applied pressure to his shot wound. And then he begs for forgiveness. He’s never seen you smile the way you did when he was below you with those words. Empty eyes were never so alive for him either. He cries and chants ‘I know no punishment, only mercy’ over and over. It was like the most beautiful hymn.

　There wasn’t much to be said about that day. Sunghoon and you just pretend you shared a nightmare. Neither of you talked about it. It was just another thing that tied you together. 

Sitting there in the peak of summer’s heat. A day before Sunghoon returns to college classes. Birds chirp. The leaves of the tall trees thistle in the light breezes that pass by. Sunghoon sits criss crossed and while you have your feet hanging off the edge of the dock, kicking in the water. 

“I’m sorry,” you break the silence. Shocked, he looks over to you. He never would have expected you to apologize for anything. “I was selfish when I approached you. I wanted to take all that goodness out of you and keep it for myself. I thought I wanted to hurt you, but after sharing all this time with you, I realized I was wrong. It’s weird to say it out loud,” you laugh small, awkward, “but I really am sorry. I love you more than even I know.” You stare down to your feet in the water that has gone still. A tear falls from your eye, and down to your cheek. 

“I know. I love you too,” he wraps an arm around your waist. “But now the same sins bind us.” You hiccup silently and turn to look up at him. “Harvest all of my purity, farmer’s daughter.” 

For the first time, you really laugh. It’s bright and loud like the big smile he’s seeing for the first time on his favorite face. It’s morning sunlight that whispers through trees to kiss the forest floor. Birds that sing songs of hope to awake life into a new day. Nostalgic, expansive days of childhood where the concept of time doesn’t exist. To him, you look like the epitome of summer; he doesn’t want this season to end. 

You were never the lamb. Or the wolf. Not an animal at all. Nothing like the ones you grew up with. You were just a girl, scared and alone. But not anymore. Because it’s your last day on this farm, and tomorrow is the first with only Sunghoon. 

“Your humor is poetry.” you continue to laugh until tears prick your eyes all over again. You love it. 

“It wasn’t supposed to be funny.” he looks away shyly, blushing. It only makes your giggle more, but you stop to press a kiss to his cheek. He blushes harder. 

“I’ll keep doing it, harvesting all of your purity, for as long as you’re good.” you say with a smile. 

“Do you promise? I am always good, especially with you, so it could be a long while.” He bumps your shoulder playfully with a laugh. 

You take his scarred hand in yours and you laugh like he did, pure and true, “I do.”

© fangel ┊ do not copy, repost, modify or translate my content ໒꒱ tysm for reading, ⌗unlearn shame ⌇ taglist @tinycatharsis @simjaexy @leehsngs @511rkive @beomluvrr @jjongsaengzz @slvtella @jaerisdiction @kkamismom12 @rayofsunshineeee @nshmrarki @m3wkledreamy @hanjisbeloved @filmnings @stercul1a @hooniesfvngs @moriwori @sleepyhoon

[boyfriendyke]

there r a lot of things about the myth of psyche and eros that makes me a little insane but one of them has always been the tasks from aphrodite and the unfairness of it. they're not intended to be possible. they're so obviously not meant to be possible, and psyche isn't fucking hercules, you know, she's not a demigod or whatever, she's mortal and these aren't mortal tasks!! it's why psyche has to be helped with each one, fucking by like ants and river gods and shit. and so like. idk. i know ppl see psyche and eros as like a story about love and shit which obviously it is but as a kid psyche and eros always felt like a story about being able to accept help

[liquidstar]

a friend who'd wait :)

[vulpes-nothus]

Just saying, it doesn't even have to be hard to design. The game was called Dungeons & Dragons for a reason.

See, it's not hard to make a floor plan with multiple ways to get in, out, or around a room. And those ways in and out can be as hard or easy to access as you want, as long as you remember to mix up hard and easy. Like, if a room has a locked door, a secret door, and a hallway going past that room to another one, this allows the players to move forward even if they never find the secret door or blow their checks to bust down or unlock the door. It only sucks if the room is the only way forward for some reason, so just... don't do that.

Best part? Rooms don't have to be rooms! Doors don't have to be doors! You can free your mind and dungeon anything if you really want!

I did this with a murder mystery (kinda. Actually it was skeletons tasked with solving the mystery of who brought the mummy mayor back to life, and rekilling the mayor.) I didn't have a script or scenes written out. I just wrote out some rooms and sets with clues, write down what those clues were and where they led, and just set the players loose. Did they find every clue and every scene? Fuck no. But they didn't need to. They found clues and navigated my mystery dungeon and got to the end: the Mayor was Santa all along, and he was rescued by Christmas Elves! They did good, and the adventure was set up so that even if they never put together a single clue, they still would have had fun bungling about and exploring every failure area I had prepped. Because it wasn't a murder mystery story. It was just rooms in a dungeon, set up like a mystery.

Actually, when I think about it, in the context of most traditional challenge-based TTRPGs (your Calls of Cthulhu, Dungeonses & Dragonses, and Rolesmaster) "no consequences for failure" doesn't really track as a system criticism but more as an adventure design issue. Okay, it's also a bit of a system issue, but I digress.

In most official Call of Cthulhu and Delta Green scenarios I've read the authors seem to consider their story a bit too precious not to have it happen, so they build a bunch of fail-safes to make sure that the investigators get funneled towards some kind of satisfying outcome, which comes off as feeling very inorganic. And I don't necessarily mean fail-safes like "multiple paths of clues to follow," instead I mean "if the investigators are struggling with finding information let them make IDEA or LUCK rolls!"

This same is true of D&D adventure design starting already in the early eighties but really coming to fore in the AD&D 2e era. Some of AD&D 2e's adventure modules are the absolute dregs in this regard, with the player characters literally as spectators to a linear succession of events that have a great effect on the metaplot, and with combat encounters sprinkled in. It's not even that without the player characters the story won't happen, it's that without the player characters there will be no one to watch the actual story happen. (This is a good campaign design question by the way: are you writing a campaign where the player characters are always reacting, always running after the bad guys who have already done a bad deed, always rushing to prevent a bad thing from being done, or are the player characters actual agents causing things to happen in the world?)

But anyway, that's not great. The mystery that has to be solved or the player characters won't get to see the exciting climax or the caravan moving through a series of plot points will make failure feel bad, because within that kind of adventure design failure can only ever feel like "the player characters must take a scenic route to victory."

But it actually is possible to have an adventure which accommodates for failure even when mechanically failure itself only means "the character didn't do the thing." It's the character-driven challenge game, best exemplified by the dungeon crawl.

"How do I make sure the characters find all the clues" becomes a non-issue once you accept that they might not find all the clues and the consequences of that can be as interesting as finding all the clues. "What if this fight is too hard" well then the characters can choose not to engage, and if they do engage and find it too difficult they can retreat.

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[waywardsalt]

im actually going to tear into totk’s dragon’s tears/ memories rn bc i remember feeling distinctly unsatisfied with them when i got all of them so im just going to write some general bullet points about them, about what i dislike or maybe what i do actually like about them, leaving out both master sword scenes and the mummydorf one because i’m here to talk about the stuff in the past not that

- off the bat (i play this game in english btw so all of this is based on the english text and translation i am aware some stuff is slightly different in other languages) im not really a fan of how the descriptions of all of the tears is just a literal description of what happens?? i think my issue with it is that some of the text is a little bit too in depth, as in it just tells you literally everything about the scene. this might be nitpick-y but i personally dont like it

- what’s up with zelda saying ‘but that must mean...!’ at the end of the scene. is it suggesting that she’s made the realization that rauru and sonia are the first king and queen of hyrule? because they literally tell her that like ten seconds before. i guess it’s suggesting she’s realizing she’s in the past but... idk the texts says ‘she’s left startled by a suspicion that she’s heard those names before’ yeah theyre the first king and queen of hyrule?? they tell her that. they tell her their names and that they are the first leaders of hyrule is she just now connecting the dots that she’s in the past? that’s what the next cutscene implies. but all of the surrounding dialogue and the description don’t suggest that that’s what she’s realizing i feel like this was kind of muddled in the translation

- why did sonia elbow rauru he was just standing weird he didnt say anything this isnt a nitpick im just confused. is it because he’s not being very empathetic towards what zelda’s going through? she elbows him and then she goes and talks to zelda why even elbow rauru. ordinarily you elbow someone like that if you mean for them to go do something why elbow someone if you’re going to do the thing you want anyways

- why doesnt zelda offer to help with the purah pad or anything like that. what happened to her sheikah tech fascination from botw. not even as someone actually familiar with the technology who could give mineru some points as to how it works

- what are sonia and zelda doing behind rauru when he shoots that insane fucking beam at the mulduga swarm they’re clearly doing something with their stones but like... are they amplifying rauru’s power somehow?? what do time powers have to do with the beam of light i dont- what were they doing please the text description only mentions him using his powers so are sonia and zelda just... supporting his powers? idk man

- dragon tear #5 is a whole can of worms with its worse-than-oot reenactment of that one scene from oot. why the focus on sonia and her tear btw. i mean yeah she dies to motivate rauru and zelda but like. why not aim for the new girl who probably doesn’t know how to use it as much and is probably more likely to be separate from the king who can shot insane lasers. im really not a fan of this scene for how strongly the game sides with rauru and zelda being passive and judgemental but ganondorf is literally the best part of it there’s a lot of character in just how he picks up his sword and stands up to leave

- putting memories 6 and 7 together just because of how there was just. no fucking care put into the idea of zelda learning to use her time powers. memory 6 zelda talks about wanting to use her time powers and sonia gives her tips on how she could use it and visualize the use of it and then in memory 7 she can just use it perfectly with great control and timing. why even bother talking about her nothing yet understanding how to use it when the very next scene she just uses it like it’s nothing. how much time has passed we get nothing to show us zelda trying to practice this power just. nope. she’s good she can use it perfectly. also more awkward dialogue sonia saying ‘what a picture zelda paints of him’ as she is. looking directly at zelda. change the line to like, ‘what a picture you paint of him’ she is literally looking right at zelda so why would she say it like that

- generally i feel like memory six should have been before 4 and 5 (4 being where she uses some power to... support??? rauru and it being before memory 5 so that there isnt this weird break in between the memories concerning ganondorf.) memory 6 does not have anything to do with memory 4 or 5 so just put it earlier so there isnt a weird shift in focus between the two big ganondorf scenes

- good god they introduce the idea of sonia and zelda being aware of ganondorf using a fake zelda but theres literally nothing about it having been a problem or them having experience or like. anything. they just TELL you that they know and suggest that it’s been like. a thing for a bit??? also obligatory ganondorf’s face model rigging is fucked comment he’s still the best part

- the pacing of these memories is just weird in general, memories 7 and 8 being separate but the same scene is strange when other memories are long as fuck but cover one event each, plus theres clearly barely any passage of time between memories 7 and 8 it almost feels like they were split up to fill space or just because otherwise it’d be... too long? man idk

- ‘queen sonia needs you!’ girl she is DEAD good fucking luck doing anything to help her

- ganondorf’s horse and its armor both look sick as fuck i really wish you got to see more of it outside the memory it appears in

- everything about the original sages honestly sucks. they aren’t characters they’re just walking macguffins. they have no names and are not relevant or mentioned or make any appearance until they are needed by the story. why does the zora sage talk about getting word about the attacked gerudo village in this scene when like. they’ve all met up and have clearly. been together for a bit. when she gives them the news it’s clearly the first they’ve heard of it... but... why would she wait until this moments to give this info unless for the benefit of the player watching the scene. why does the ZORA sage have this news and not... the gerudo sage?? what’s with the masks. they’re all made of zonaite or whatever sure theyre gifts from rauru but like. i hate that it kind of denotes them being subservient and lower than him and the zonai. honestly i really hate this scene in general mostly because of the uncomfortable showing of how rauru absolutely holds power over them and despite them being leaders as well they are expected to be wholly blindly loyal to him. rauru only gives them these stones when he needs their aid and they swear loyalty too him soon after but you also see that sonia and mineru have stones, too, so they’re clearly withholding these things despite it being kind of reasonable for him to give each race their own secret stone as further proof of their pact? there is so much shit to be said about the imperialistic themes or whatever in this fucking story and i really hate it

- i do kinda like how the next scene shows you that the one rock in the corner of that first hidden room in the forgotten temple is sonia’s grave

- zelda’s phrasing and description of how she and link found ganondorf is weird to me ‘he’s still alive’ ‘he lives on’ girl that was a mummy. he was not moving until you got there. he’s undead at best as far as you know. this is def a nitpick but eh. also the reliance on link is a... bit odd when zelda does not actually know that link is safe until she gets the master sword. its fine but still. also her shell-shocked expression after rauru talks about her being in the past for a reason is a bit... it doesn’t fit her emotion it’s kind of similar to the expression she had when sonia was killed

- the memory about the imprisoning war starts with practically the whole story up until now being repeated back to you by mineru with a decent amount of bias on mineru’s part and while it’s fine because of some of the extra stuff you learn but it does a lot more telling rather than showing when it comes to the actual imprisoning war and... idk the whole thing about their ‘fight’ kind of falls flat when you don’t actually see any fighting you just see that the sages have gotten their asses beat. i think it would have been a little interesting if in the god-awful repetitive sage-awakening scenes they had actually showed you the og sages fighting ganondorf instead of just. slow-mo freeze-frames for whatever. once again ganondorf if the best part of the scene

- the rest of the memories are fine idc

i get the feeling that the japanese-to-english translation was either all-around rough or somehow rushed, because some of the phrases in the game as well as some of the dialogue is really awkward and... could have been better. i don’t know how it works but it feels like a lot of it was very literal, direct translation and no one at noa thought that it ought to be tweaked just a little bit

these memories also do a fuck-ton of telling rather than showing and it really is like they don’t really trust you to connect the dots, and some of it does come off like they either didn’t want to make more memories or ran out of time or something. i felt like the memory of ganondorf just summoning his monsters and riding on his cool horse could have been a bit longer to actually show us the forces of hyrule fighting him and having a hard time with it

a lot of the character animations doesn’t have a whole lot of personality to them, ganondorf is the character who had the most distinct and interesting movements. rauru and sonia had their... singular movement (rauru putting a hand to his chin and sonia taking zelda’s hands) and zelda was kind of just... standing around and reacting to stuff, and neither mineru nor any of the other sages had any really interesting animations asides from mineru’s coughing fit in memory 16 (plus her reclining chair that was a nice touch). very few of their movements really express anything about the characters besides some really baseline values or traits.

the ordering of some memories is kind of odd, the excessive flashbacks in memory 17 are a bit much, the telling rather than showing, the sometimes awkward dialogue, a lot of the scenes are characters just... talking at each other, you don’t actually see very much of hyrule in the past or any characters beyond the main four, and it really did nothing to actually get me to care about these characters at all.

tldr i dont like totk’s dragon tears

[kneworder]

i have all these draft documents of half finished fics full of lines i love but that are so fundamentally flawed i can't figure out how to finish them and can't kill my darlings mercilessly enough to get past the roadblocks so i just reread them over and over and think damn this is kinda fire. wish it was anywhere near shareable.

[jeanjauthor]

Sticky notes can also help.

A typical A4 paper (8.5x11) can hold about 9 typical sticky notes (3x3 inch). What you do is get a stack of sticky notes, write down each individual plot point, plot thread, specific phrase that a character needs to say, or something they need to mention.

As you write out each one, arrange those on the sheets of paper to try to come up with a coherent order of revelation and/or resolution.

Don't be afraid to add more sticky notes.

Don't be afraid to remove some of those sticky notes.

Also: Remember to number the pages the sticky notes are on so you can keep them in a semblance of chronological order. (Let's just say I learned that lesson the hard (confused) way.)

Yes yes there are programs that supposedly do the same thing--technically you can even just cut-and-paste in a word document--but the act of moving those sticky notes gives your psyche something tangible to grasp, both literally and metaphorically.

More importantly, because each regular letter-sized page can only hold 9 sticky notes, it allows your brain to focus on what needs to be written immediately / next...without losing all of your other notes. They're just farther down in the stacks of pages.

It should be noted that just by staring at a sticky note and going, "Who needs to say / do / experience this?" is just as important as "How do I get this cool idea into my story, as well as when, & where?" Sometimes, I'll color-coordinate the sticky note paper to indicate something has to be said / done / experienced by a specific person, which can also be helpful.

For my Sons of Destiny series (eight novels), I had well over a dozen pages full of sticky notes, 9 to a sheet and sometimes up to 12 to a sheet, per book. It was 21 pages by the time I got to the 8th book, because I had 8 novels of plot threads that needed to either be woven fully into the story or tied off in an attractive fringe that technically weren't fully integrated, but also technically weren't any loose ends, either.

For my Theirs Not To Reason Why series (five novels), by the time I got to the 5th book, I was putting in 2 sticky notes for every 1 that I wrote out and got to remove from the sheets. I managed to pull it all together, too.

Of course, I don't always need the sticky notes for every single story or series, but it has been a godsend of keeping track of plot threads.

It's important to write them down and space them out when you first conceive of the story, but it's also important to write them down and tuck them in when you get an idea, or you remember something, and especially when you do a re-read of the manuscript to refresh your memories on how plot points A, C, D, and G are important for moments later on in scenes or plot points M, S, T, and V.

...In your case, do a re-read of the whole series and your plot notes, and mark down the important bits on your read-through. Start arranging them by where they should go chronologically, or in which book they should be addressed, or by whichever character needs to be (or simply could be) entangled in that plot point / whatever.

Hi DD! I'm about mid-way through the most complex writing project I've ever done (several stories with some red thread storylines progressing in the background, so a sort of interwoven structure). I have an outline of the major plot beats, but the problem is, I've gotten about 2/3 of the way through, and this is where I've started to have trouble bringing my many threads together. The further I go, the the harder keeping it all clear and elegant becomes. Any advice for working at this stage?

It may seem counterintuitive, but once I'd found myself in a situation like this, I would immediately start working backwards.

It's difficult to describe what I mean here except semi-graphically—sort of in terms of one of those strings-pinned-to-the-wall diagrams so familiar to a lot of us from the various evidence-wall memes.

If we're imagining your present as-yet-unconnected threads as more or less progressing left to right, I would "stick pins in them" at their current furthest range and then move straight out to the far right side of the diagram.

For each thread I would then get busy establishing a detailed "end state" for the work: meaning a sense of what you want each of those through-line of plot to look like when you're done in terms of characters, situations, etc. I'd make very sure that all the major through-lines were covered, and (in passing) take a long look at how they'll stand in relationship to one another when all the action's finished.

Then I would start working back along each line toward the center of the matrix—looking to see what the next-to-last thing was that needed to happen to produce the final result on a given through-line. And then the third-to-last. ...And so forth.

I would try to work through the whole set of through-lines for each given step or stage before progressing any further backwards—unless, of course, some leap of logic occurs that makes an obvious connection between two different through-lines, or an earlier stage in the same TL that hadn't been obvious before.

(Is this making sense? God, I hope so.)

My experience with this kind of situation in the past is that it doesn't take too long before, on one or two of the lines you're constructing backwards, you'll hit something fairly major that somehow hadn't come up for consideration previously, or had simply slipped or fallen off the structural "radar" because so much other stuff had been going on around it. That event or piece of data, once perceived, will very often either immediately connect itself back to one or more of the "pinned" through-lines, or promote one of the other incomplete ones into growing connections to other adjacent lines of plot material. It's a little like watching neural tissue developing alternate pathways for itself after an injury.

...Anyway, give this approach a shot and see how it works for you. There are times when simply the act of reversing direction on the plot build will shake something loose in the business surrounding the building-it-forward part. It's worth a try to see what happens.

Hope this helps!

[windfighter]

Working at a smile

Prompt: False smile | Holding back tears | ”I said I’m fine.”

--------

Gabriel looked around the classroom. He could see David disappear through the door and cursed. He had wanted to speak with him, make some arrangement about the World War I-project they should be working on. He quickly shoved his books into his bag, grabbed his crutches and hurried to catch up. Oskar put a leg infront of Gabriel’s feet and Gabriel hit him with one of the crutches.

”Not today, please.”

”Going after your lover~?” Oskar teased.

”Why, are you jealous?”

Oskar made a disgusted sound and turned away again. Gabriel waved goodbye to Mikaela and left the classroom. Hurried through the corridor. David had already disappeared. Gabriel’s crutches hit the floor with way too much force as he continued through the school, out through the entrance. David was disappearing into the crowd, his body getting more and more obscured for every second.

”David!” Gabriel called.

He lifted one hand and waved, but David didn’t turn around. Determined, stressed. Scared? Gabriel shook his head, took a few deep breaths and went down the stairs, across the yard. People moved out of the way when they saw him. Made if faster for him to traverse the yard then for David.

”Hey!”

Gabriel caught up. David stopped. Almost… trembled? Gabriel’s heart beat fast and he grabbed David’s sleeve to not lose him again.

”Hang on, lemme… catch my breath…”

David nodded. Smiled at him. Something was off with the smile. A milimeter too big, the way David’s teeth showed between the lips. Gabriel couldn’t pinpoint whatwas wrong, just that something was.

”You didn’t need to run”, David said and laughed.

The laughter was just this side of panic. Gabriel recognized it from himself, when he busted his knee. He let go of David’s sleeve, pulled a hand through his hair and gripped the crutch again instead.

”Are you okay?” he asked. ”You’ve been ignoring us lately.”

”I’m fine.”

But his eyes glanced around, like he was being chased. Gabriel shrugged.

”Okay then. Can I come with you? We need to work on our project.”

David’s smile disappeared. Reappeared, but tenser. Gabriel pulled at the straps to his backpack.

”Or we can go to my place?”

”I don’t…”

David seemed to fold into himself. His shoulders sank, he shrunk, his face turned towards his feet. He shuffled his feet. The sentence died out and disappeared with the wind. Gabriel tried to not let out a sigh, but David flinched. Gabriel never knew what he did wrong, why David felt so scared around him.

Gabriel gestured to a bench, tried to not look threatening despite having no idea how to even begin threatening anyone.

”Can we sit down? My knee’s still fucked up.”

David’s cheeks turned red. He nodded, sat down on the bench. Stared at his knees. Gabriel crutched over and sat down as well. Put his backpack next to himself. He let out a relieved sigh as he could take all the weight away from his knee. David opened his mouth, closed it again. Gabriel was pretty sure what he had wanted to ask, because everyone asked that.

”Two more weeks, then I’ll be free”, he said. ”It’s mostly painfree by now, as long as I don’t walk too much.”

He nudged David’s side.

”You’d know if you stopped avoiding us”, he said with a smile.

David looked away. Gabriel grabbed a small notebook from his backpack. Better just get to the point.

”I’m guessing today’s not a good day to work?” he said.

David nodded. Gabriel opened the notebook.

”So when’s a good time for you? My schedule’s flexible now when I can’t do anything.”

David snickered and Gabriel smiled. He was getting somewhere.

”M…” David’s voice trembled. ”Maybe tomorrow? Over lunch?”

The urge to say something sarcastic about missing their lunchbreak was huge, but Gabriel pushed it down. He was trying to befriend David, not push him further away.

”Yeah, sounds good. The library will be empty so we’ll have all the books to ourselves! Eat with us tomorrow, then we’ll go there.”

David tensed up again. Gabriel wrote down the plan in the notebook.

”We’ll see how far we get and if we need to do some after school-work after tomorrow, I guess.”

He put the notebook in the backpack, looked at David. He was still tense.

”...Benjamin won’t be there, just me, Lisa and Maria. You can relax.”

David smiled. Nodded. Gabriel tilted his head.

”...So are you okay?” he asked.

”I said I’m fine”, David answered, but his voice was tense. ”I… I’m fine. Everything’s handled. Just…”

He looked around in a way Gabriel had seen Benjamin do so many times. Searching, trying to find the perfect white lie. Or Bullshit lie as it most often was in Benjamin’s case.

”...lots of schoolwork.”

Gabriel decided to accept the lie for now. He nodded, stood up again.

”Lisa is smarter, but if you need help you can always ask me”, he said. ”I mean… I think my highest grade is a B, but I can try.”

He laughed. David stood up, shook his head.

”It… it’s fine. Thanks though. I gotta go home now.”

”Alright, see….”

David was already bolting down the street. Gabriel grabbed his backpack.

”...you later.”

He shook his head, put the backpack on his back and grabbed his crutches. Started walking home. Maybe tomorrow he’d be able to get some better answers. Because something was wrong and he wanted to figure out how to help.

[purplebass]

I hate when I'm trying to write something and it reminds me of something else I've written and I suddenly don't want to write anymore because I don't want to repeat/copy myself

and I want to come up with something new so it's not similar to other works of mine

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[mila-carat]

Even INI noticed that Takumi and Yudai's hug scene was a little bit "🤨🏳️‍🌈?" and to be honest i'm glad I'm not the only one...