#but then i remembered that IT'S *MY* STORY and I can write a scene about a vamp bat hitting a window

[happysparklingshadows]

A Certain Hunger (4/?)

Chapter 3 ✿ Chapter 5

Summary: It's been a few weeks in this cabin, and thinking about being saved is getting a little bit bleak. So, you have a good idea for everyone to find a job to make things easier for your time being in Canada. You pick up a fishing rod, and everyone else picks up the gun to see who will become the hunter. You reconnect with a childhood friend and start to accept your new home.

Pairing: Surviving!Poly! Yellowjackets x reader (slow burn)

Warnings: Smut, HOMOSEXUAL SEXXX, Lowkey controversial entirely written sex scene with a character yall wouldn't guess lol, depictions of a threeway, Lowkey mean reader, Depiction of a terminal illness and death of a mother, 90s setting with the views of the time, homophobia and internal homophobia, Homophobic slurs, Alcohol/drug use, gore and blood, depictions of mental health, depictions of death, 90s slang is used (411 means giving the tea or details of a situation to someone).

Taglist: @zhivaxo @h-doodles @homopheli @bigtimesalt8196 @juniperjean @scatorccioz @juniperjean @yaakooi @lottieswebs @juchily @freezinggay @deathly710-blog @ghostoflesbianism @marvelous-wandanatangel @errriiie @anskkks @deathvidal @slutforhotpeople @thursdayygrrrl @day-ziez @evewasheretoday @mayasaurusss @captainbabybear @eleanormall @mommyeater2000 @leonchef @mikititta @tigersarrcool @nyasbae @dykepvppy @jax1118 @oakwave @mmiah @dvrkhcld @swiftin0f @opheliadeservedbetter-27 @psychicdreamwonderland @pinkmoonzzz @under-your-bed-not-in-it @sadsapphic-rose @fictitious-sapphic

Word count: 13.4k

Notes: I want to apologize for my hiatus, but it was for good reason. I needed to care for my father, who got very sick around September last year when I was going to write the 4th chapter, and he has since been better. Sadly, I lost my motivation, but I have detailed notes for the following 8 chapters, and I will be trying to finish seasons 1 and two of the story as soon as I can before the third season airs! This year, for NANOWRIMO, I have decided to write for this story and see how far I can go within the next month or two. Thank you to everyone who was so kind and understanding about my disappearance and still loves my story!

“(Y/n), what the fuck is a ratio?” Jackie whispers to you loud enough for Shauna to hear beside you in a lull in math class. Mrs. Goldberg had to leave the class for some reason, you don’t remember why. You smile over at Jackie with her lovely brown eyes and take a good look at her. She’s as beautiful as you remember.  

You chuckle as you look into your notes and say, “From what Mrs. Goldmen wrote, an ordered pair of numbers a and b, written a / b where b does not equal 0.” You read from your notes as Shauna and Jackie looked blankly up at you from the obtuse definition. You laugh with them, “Whatever the fuck that means!” 

Jackie and Shauna laugh with you, but Jackie groans in frustration at the last question. 

Taissa, behind you, leans forward and smiles, “What’s wrong?” 

Jackie turns dramatically to Taissa as she pulls her paper over to Taissa; she just wants the answer now. You look at Jackie moving around as Van pulls your attention with a hand on your shoulder. 

“Hey, (y/n), can you help me with the first question? Jackie stole my answer key.” She joked as you turned to help her. 

You giggle at her joke as you look down at the paper. 

It was blank. 

There weren’t even questions printed onto the page like you thought. You looked at your paper again, flipping it around but finding that it had nothing written on it either. It didn’t have the answers you thought you were writing on it.

You furrow your brows as you look up to Van, but the redhead isn’t there. Neither were the others. A chill runs down your spine as you start to remember. 

The door of your old math teacher's class slams open, causing you to squeal and jump from your desk. That then was the only desk in the room. It was as if when your eyes looked away from something, it disappeared. 

Mrs. Goldmen looks at you with a sad, sympathetic smile as she leads you to the hallway; you don’t have any control at the moment as your legs walk you down the hallway with her. Mrs. Goldmen's hand is on your shoulder as she says words that have been etched into the gray matter of your brain. “Honey, your mother has gone to the hospital, and your father is here to pick you up.” 

You remember this. This was the day your mother’s health got so much worse. The day you became her caretaker. 

Fat tears run down your eyes as you walk to the office door. Mrs. Goldman disappears when her hand leaves your shoulder. You look around for her; the hallways of your old high school are empty, and liminal darkness creeps in the corners of the walls. You felt an urge to go into the office. 

You held the cold handle and turned the knob to the left to open the office door. 

It wasn’t right. 

You are met with the darkness of the woods, which has claimed you as its own. You turn, and the hallways no longer protect you from the cold forest. You scream as you are surrounded by woods again; the door stands alone with its hinges.  

 You feel the ripe cold air coming up your legs and arms; you hug yourself. 

Howls from the trees start to chant above you. Every corner was a howl from a freakish, unnatural octave, and you started to feel the snow melt under your toes and the nip of the winter bite at the skin of your arms. Unbearable and cutting is how it felt—hunger in the air. 

You look down at yourself and see something that drops your heart. 

The gold heart necklace from Jackie’s Sweet 16. 

You don’t think before you run. You run straight and away from trees as the howls follow you. Helpless as sticks and bushes stopped you as you rushed through the 4ft of snow. 

You sob and run, knowing you are coming to an end. You are going to die. You should just stay still and watch with open eyes as they slice your throat, shoot you with an arrow, or stab you with a spear. So why would you run? 

But you ran anyway. 

Raw, cold toes feel the crunching of the snow. Twigs tickle between your toes and scratch when you lift your feet. 

You don’t hear anything anymore. You are in the heart of the woods; the tree watches you as you finally fall onto a mound of snow. Nothing makes any sense. You cry and feel yourself shake with adrenaline; you need to keep going. 

A chanting comes to your ears. You freeze in the moment; you hear yourself. 

You crawl towards the song, French humming and chanting from a distance. 

Over the hill, you see yourself dressed in your old headdress, the pink stain furs of a white rabbit made into a cloak with the head of a doe adorn on the top. You circle the campfire that cooks the meat; the others dressed in their cloaks watch with stabbing eyes. 

The queen in the center watches a younger you dance around the fire. The Antler queen nods her head and looks around the circle. 

You watch yourself take a satisfying bite of the fatty meat from the pan that cooked the chunks. The others immediately rush to the pan and take their share of the meat. The grease shines on your satisfied smirk on the younger self, bubbling in your stomach. “Wake up, " you blurt out to yourself in a panic. 

You gag as your eyes fill with tears. 

No. 

No. You don’t want to remember this. 

This wasn’t even the worst of it. 

Stop. 

Wake up (y/n) wake up wake up wake up wake up-

‘21

You wake up violently from your dream. You feel yourself lean harder onto the surface you were on and feel a darting pain from a rod in your neck. You gasp as you look around, realizing you weren’t in your house again. 

The tree whispers to you again. You know it. 

You stand in the wooded area behind your home. It was always comforting to hide in the trees and smell the sun's sweet earth, playing pirates or whispering about boys you never liked with Shauna and Jackie. This was your hideout as a child. You played fox and hounds and painted nails as you watched the sunset. You hate it now. It screams at you, and it itches your skin to be surrounded again; you need a little distance. Your breath is short again. 

Your hands cling to the tree behind you, and you feel something in your hand: your pocket knife. You turn around to look at what you have done again. You stare back at the symbol. Even when you dream, you seem to find a way to protect yourself, even a little bit. 

You put the knife in your nightgown pocket. And you backed away. Slowly accepting the fact that this is something you will never stop doing, no matter the pills, sleep therapy, or drinking, can make you stop sleepwalking to the trees when you think about them. It follows closely behind, no matter the distance. 

Fucking Shauna. 

When you went to her house last night, you weren’t planning on sleeping with her. Or Jeff. 

You were sitting at her island drinking coffee like you usually do. Ever since you returned from New York to Wiskayok, you reconnected with Shauna because of the brunches with Jackie's parents. You have been coming over for coffee to talk about your lives like regular people. It was refreshing to look at Shauna and see an adult woman instead of the girl you grew up with and survived with. Not seeing Shauna was especially hard after coming home from the wilderness because you were the closest to her before the crash, even before you knew who you were. You still don’t know who you are without her in some ways. 

You both talk about the upcoming brunch, how you'll get a rabbit as a present, and how Jackie’s parents will talk down to you like they always do. But as the conversation continues, Shauna confesses that she and Jeff are in a deep dry spell. They haven’t touched each other in a long time, and how Shauna has not been touched in a long time. Then, without even thinking about it, you two start kissing each other. 

Then, something instinctually comes over you as you kiss and touch each other. You didn’t even notice when Jeff got there, but the planned 40-minute coffee became hours of love-making. You have made love with Shauna and Jeff before, and this wasn’t anything short of the other times you were with the married couple. 

But as soon as the passion ended, you left. You felt satisfied and a little weird from your desperation with Shauna. You got dressed and kissed both of them goodbye. You remember feeling so grateful Callie was sleeping over at her friend's house. 

When you drove home, all you thought about was your day with Misty and Natalie, Travis killing himself, and making love with Shauna. It was a blast from the past. As you entered your driveway, an intrusive thought came to mind: the image of a pan over an open fire frying chunks of meat.

You shouldn’t have gone to bed thinking about the past. This only happens when the team creeps into your space; they always do that if you give them a chance. 

You thought grumpily as you walked back to your backdoor. Your cat, Ginger, rubs on your legs when you get into your backyard. Your nightgown has mud at the ends, and your feet are dirty; your toenails have dirt under them. 

A black van passes by as you walk into your home. It hisses in the wind as it drives by. You look at it, worried someone will see the dirt on your nightgown and think you are some senile old woman. 

You get back into your home and sigh. Rubbing the ache in the back of your neck, you start a pot of coffee for yourself before you start your day. You needed a moment for yourself before you had to act all day, masking all your quirks and characteristics to seem normal. 

“You don’t think people can notice you’re a little crazy, right?” 

You froze as you put your cup of coffee on the counter. You know that voice. 

“I mean, I love you for how crazy you are, but you have been losing it a lot lately.” Jackie’s voice says behind you. She always stands in her yellowjacket uniform with curled hair; she looks precisely how she should be remembered. “Don’t want you to bite someone on accident.”

“I’ll try not to, Jackie. But you never know; someone might not know not to put their hand so close to my mouth.” You say back at her. You feel your eyes well; she was always so sad to remember even more when you see her. Her phantom has been long accepted and dreaded, but something that no one could stop. You didn’t know if you even would want her spirit to leave you. 

“Well, you should comb your hair and take a bath. You look like death… smell like it too,” Jackie says, and as if she was never there, she was gone. 

You sigh and rub your eyes. You turn back for your coffee and pour sugar inside of it, “It’s too early for this shit.” You mutter to yourself. You can’t get angry at this. It’s your best hallucination, and you couldn’t get mad with Jackie, never with her. You got to leave, but Jackie never got to the chance to live out of the cedar and butterfly weeds. 

‘96

“Lottie, I know it is… fucking weird as shit. But we can’t pass up a house in the woods, okay? I didn’t see any books wrapped in human skin.” You say softly to Lottie as everyone finishes their breakfast of berries and gossip. You rub the stinging at the back of your neck that can’t go away. 

“I know, but it just doesn’t feel right being in the same house as a dead body,” Lottie says back. 

“Well, maybe we can make something for the house to ease, you know, the energies.” 

“Like charms?” 

“Maybe? I have never dealt with this situation, but I trust you can settle the energies here. You are so good at being a peacekeeper.” You say to her and put your hand on her shoulder; you take it off quickly because you still don’t know where you stand with her after last night's kiss. Because you know if the others were to look at you and check if you were gay, you would be quickly exposed. 

“Thank you, (Y/n)...” She says, looking down at her shoes.”Are we okay? I didn’t mean to make things weird. I don’t even know what I was thinking.”

You smile, hiding the hurt, and quickly say, “Oh, my god, yeah, we are, Lottie. I get it. We have been through a lot, and we just wanted some comfort. It’s not a big deal.” 

Lottie chuckles out of relief and pats your arm; she nods. “Okay, good; I didn’t want anything to be weird.” 

“No, nothing is weird, Lottie.” You reassure her as you move yourself away. You want to peel your skin off, and a sudden loneliness surrounds you. 

The morning moves on quickly. Travis sits on the porch with a gun, and you just stare at him as you walk to the campfire in front of the cabin with the angler's box and pole. 

“Okay, everyone! We need to talk plans!” You announce in your loudest voice. Everyone circles the fire and the porch to listen to you; every morning since the crash, you have made an effort to set goals for the day and get through the days until rescue. “Okay, so we’ve been in these woods for ten days. We are low on food but shouldn’t worry too much longer. We now have a fishing line and a working pole with the help of Lottie and Shauna,” You say as you smile at the two. The others do the same, giving little thanks to the two blushing girls. “So, we’re not hopeless right now; anyone who wants to learn how to fish can come with me and see if you want to do that. But does anyone know how to use the rifle?” You ask the group and consider your list of things to speak about today. 

Couch Ben clears his throat and says, “I went hunting with family before, so I can teach people who want to.” 

You nod your head at him and say, “Okay! Everyone should try it out to see who is the best with a gun. We’ve been out here for a little bit, and I am sure we will have to take care of ourselves until they get here-”

Jackie interrupts, “So, we shouldn’t worry about the food because they must be close by now?” 

You look over at her; you know why she is talking. She doesn’t want a job, and she doesn’t want to worry about getting saved. But it has been 11 days since the crash; you don’t want to kill hope. 

“Well, kind of. We should be prepared if it takes them a few more weeks to find us in these woods. Jackie, we’re in the thick of it right now, so it would be better if we all tried to use the gun and see if we can hunt-” 

“Well, are you going to try out the gun?” She asked you with crossed arms and a well-known tone of annoyance. 

You suck your teeth and tilt your head to her, “No, I am going out fishing. I know I am good at it, so I will do that. You can try to see if you are good at hunting. It’s just a tryout.” To end this small conversation, you say, “Okay, so the goal for today is to find some food and learn some skills tonight. Mari, Laura, and Krystal have already volunteered to clean and do the projects we have started at the cabin, alright? Anything else?”. 

No one else had anything to say. You nod as you hold up the fisher pole and say, “I am going to the beach to fish and make a little project. if anyone wants to come with me, you will find me.” You say this as you see that no one will move to fish with you for some reason. You nod and start heading out of the campsite and walking down Natalie's trail to the lake. A few nights ago, Natalie took the time to crave a path to the beach and plane with small crosses on the trees. She wanted everyone to be able to tell where they were in the woods without getting lost.

The days have gone by quickly lately since you all have found the cabin, and it's been getting to you a little bit. You didn't like the feeling of being able to find your way around the woods, even though it was convenient. It still would never replace your home. You missed home, and you can't tell anyone else about it. 

As you walk down the trail deep in thought, the sun hits your eyes through the leaves, it reminds you of your backyard. It’s precisely like where your tree house stands just outside your home, where you can look out the window and see your mother washing dishes. God, you missed your mom. And as of an hour ago, she should have taken her morning medicine and had her legs messaged because she can’t walk around too much. You feel your throat tighten, and your body has a wave of emotional nausea. 

“Hey, Wait up!” Shauna called from behind you on the trail. 

You stop and smile at her, “Hey, Shauna. You coming with me?” you ask. 

“Yeah, I don’t want to touch the gun. I don’t want to kill anything.” 

“I get it. I hate fish, so I like killing them.” You joke to her with the best deadpan voice you can muster. 

Shauna chuckles and shakes her head softly, “You’re a freak, you know that?” 

“Oh yeah? You’re not going to say that when I get a fish.” You cackled. “You can just journal if you want; I am just going to make you help me make a lazy fisherman.” 

“What’s that?” 

“It’s a heavy stick supported with rocks with a hook and line attached. It just catches fish without anyone doing anything. You just raise the line, and hopefully, a fish is hooked.” 

“We have hooks? What was in that box?” 

“Not a lot, but it had a bait hook and a lure for the pole. It had some rusty hooks and oil for the pole. I made some hooks from the pop things on top of the cans.” 

“The tab?”

“Yeah, I kinda cut them and made them like hooks. I’m thinking about making a net while we’re here.” 

“You think we’ll be here long enough for that?” 

“I don’t know; all I know is I will go crazy if I sit still too much. I overthink, you know.” You confess to Shauna as you come across a wide river a little off the trail from the lake. You and Shauna make some marks on the trees to make a path back to the trail. 

After a while, the two of you settle up after making a lazy fisherman. It was easy to be around Shauna. You’ve been sandbox friends, and that kind of love never dies. You mainly talked about school and the annoying people you knew, like Randy. The biggest meathead you’ve ever met. 

“Randy smells like Salmi and is cold to the touch but also is very hot when you stand near him.” You say to Shauna as you cast a line with a little bug at the end. You sit on the river's edge with Shauna sitting against a tree. 

Shauna laughs out loud as she hugs her journal to her chest. And you keep going on your rant. 

“Honestly, girl, If I ever hear him say the words Faggot or Dyke again, to Misty or Kevin or whoever. I’ll write a story about him eating Jeff’s ass and finally getting to feel Jeff’s sweet touch. Because you can’t tell me he isn’t in love with that guy.” You say with a laugh in your tone as you can’t talk straight. It’s ridiculous, but it was so funny to both of you. Shauna is snorting like a pig next to you, making you fall on your back, laughing. 

“What the fuck?!” 

“He thinks about gay people too much to not be gay!” You laugh louder. Both of you laugh until your sides hurt. It felt nice just to be girls for a moment in the woods, and you pretend you were at the back of your house with Shauna. 

It lulls for a moment before Shauna asks, “Randy called Misty a dyke?” 

“Yeah. At the Spring Fling.” You said with a little bit of sadness going through. You felt so bad for Misty in moments like that. “I remember when me, you, and Jackie got there after getting ready seeing Misty-”

“In that big puffy pink dress,” Shauna says, pointing a finger at you. She remembers, and she smirks a little. At the time, unfortunately, you laughed at her dress for being out of date and seemed to be “trying too hard.” 

“Yeah… But Misty was just there and- I mean, I am not going to say Misty is cool or that she isn’t weird. Sometimes, I don’t know if she isn’t an alien, but she isn’t mean or disgusting.” You say as you gently rile in the line. You feel yourself frown a little bit. “She was standing in the corner without a date and any friends, and Randy just comes up to her and calls her an ugly dyke.” You say a little quieter. 

“Oh my god, that is so horrible; why didn’t you tell me the 411?” 

“I mean, I only knew because she cried when I went into the bathroom. I was a shoulder to cry on; I didn’t want to make it a thing if Misty didn’t want to. I wish I could have done something. Fuck Randy.” 

“Fuck Randy!” Shauna agreed. Shauna looks at you fish peacefully as the sound of gunshots rings in the distance. You look over to her and think about the next thing to discuss. 

“So, Jackie is mad at me, isn’t she? Jackie learning how to shoot a gun?” You ask her, point her to talk to you about Jackie. You love Jackie deeply, but she usually causes drama within the trio. 

“Yeah, she is being a bitch lately.” 

“Yeah, I think she has the worst attitude out of everyone, but I can’t be upset that she is trying to come to terms with the crash.” 

“Okay, but she doesn’t have to fight everything you ask her to do. You’re just trying to help everyone.” 

“Thank you. And yeah, I hope she will stop fighting me every step of the way, but we just don’t know how long we’ll be out here, so I just don’t think we should be so argumentative…” You sigh and look at her with wary eyes, “I’ll talk to her. Like I always do. It’ll be okay. We love each other. No fucking gun will get in the way.” 

“You’re right. It’ll be okay. We must be here for each other before we’re rescued.” 

“You're right.” You say as you keep watching your line in the water. Praying for a fish to take a bite

‘21

You smile as your father laughs at the TV. You rub your hands to apply lotion to his shaking ones. You and he were watching “I Love Lucy” because it was his favorite childhood show. 

He doesn’t have fully solid days constantly anymore, and it's the reason you have him in the nursing home. Somedays, he was just like you when you returned from the wilderness. He wouldn’t eat or do anything but watch TV. He would sit in his chair and watch TV; when it was off, he didn’t know where he was anymore. One day, he forgot where the bathroom was in the home he had lived in for 45 years, and he wet himself before you found him in the living room looking in the china cabinet, thinking it was the bathroom. But other days, he was as sharp as nails, playing chess and talking about things from the 70s like it was yesterday. 

You felt your heart drop to your stomach when he was diagnosed with Parkinson’s and early-set dementia, but you were calm. You were now an adult with savings and a career, and you had the means to care for him now. To repay him for him nursing you after you came back. 

You remember the nights he would pet your hair back after you vomited from episodes of PTSD. How he would sit in your bedroom holding you in his lap with tears in his eyes, listening to you scream in his chest. He just sat there with you and let you sob; no words were needed. He just stood there and let you cling like a little girl again. He let you yell at him and berate him as if he were the wilderness himself because he knew you weren’t yelling at him. He knew when to push you forward and when you needed to be held. 

He helped you through the 5 years of healing after you were found. You had a total of 3 surgeries to make your brain's blood vessels normal again. You had to wear a splint on your neck for 1 year. You had to have countless MRIs throughout your life. Countless painful nights as your neck stabbed at you and caused you to feel no comfort. Your dad was always there with you, sitting beside you at every doctor's appointment and every event. He would only sit outside the waiting room for your therapy sessions. 

Your father looks at you with (e/c) eyes and a soft smile, “I’m so happy to see you, peanut.  How is your job?”

“Well, I'm still stuck around the last few chapters of my trilogy, Trying to fight my publisher for more time," you say as you let his shaking hand down and go to his other to lotion them. They were callous and dry. Your father's hard work was shown in his battered hands, which shivered. “You took a shower already?”

“Yeah, I wanted to look nice for you.” He rasps with a chuckle, his wrinkled face still holding his cheeky smile. He had the same soul as he always had, and moments like these make you think of happy memories of being in the woods with him and your mom. 

“Oh, thank you, dad! I was going to say it didn’t smell like a caveman in here.” You chuckle back with him as you finish rubbing the lotion on his other hand. 

“Oh, hush, you!” He slowly pokes your side and cheek, holding a smile. 

“No.” You giggle back at him as you stand up, your hands moving to comb his hair. “Have the nurses been kind to you?”

“Sweethearts. Kirsta, the night shift nurse, is very kind. She comes in here when I sleep and never has a bad attitude.” He said as he leisurely scratches his nose, “Don’t hate the food.” 

“Well, that's good, Dad.” You say as you look down at him. He looked clean and comfortable in his recliner. “I should get going. I need to get a few words down before I go to bed.” 

“Alright, Peanut.” He says and takes you in. He grabs your hand gingerly and says, “I love you. Be safe. Text me when you get home.” 

You chuckle and nod your head. You find it adorable that your father still wants you to tell him whenever you leave him. Even when you lived with him at your grown age, he wanted to know you were safe. “Of course, Dad! Don’t worry.” 

“You better, " he says as he points at you with a shaking finger. He was so cute to you at that moment. You just laugh and nod your head to him. “I will!” you state back with a big smile.

You leave his room and start walking down the hallway of the nursing home. Walking down the halls, you can hear the other residents talking and watching TV.

You hear a ping on your phone and see Shauna texting you again. You sigh as you click on the notification. 

Shauna  Okay so I did something bad.  You  Like what? Did you rear-end someone again? Shauna  No  Shauna Dinner You Omg you went to the dinner? What happened? Shauna Jeff is cheating  Shauna Jeff is cheating on me, and he isn’t trying to fix some fucking data system. I am just so done. Shauna So I went to dinner.  Shauna  And I stayed for dessert.  You  Omg you didn’t Shauna Yep, and I am going to see him again tonight. You  Shit Shauna!  You I mean, get your lick back but don’t go too far. 

As you approached the front of the nursing home, which had a large circle desk for the nurses, you turned on the curve and accidentally tripped over another woman. 

You look at the woman with a smile, which drops for a second because you know her. It was Misty. You didn’t realize she worked here, where your father is, but you quickly perk your lips up again.

“Oh my god, Misty!” 

“(Y/n)! What are you doing here?” 

“Oh, well. My dad has been here for a while, and I am here to visit! I didn’t know we were going to meet again so soon.” 

“I was picking up my Tupperware, which I left yesterday.” She shows you her red-top Tupperware in her oversized purse. “I was going to ask you if you wanted to have Chocolate Martinis at Antonio’s; they are outstanding.” 

You didn’t want to. You have been seeing the team too much again, and you had sex with Shauna last night. You become increasingly like how you used to be when you get around these women. 

“Sure! You wanna pick me up from my house?” You blurt without a second to stop yourself. You wanted to kick yourself, but you couldn’t stop it. 

“Great!” Misty beams with a big smile as you both leave the nursing home. “I’ll tell you about the Travis situation, " she adds as she walks beside you. 

‘96

You and Shauna sat beside the riverbank for a long time, talking about everything and nothing. It didn’t feel like you were doing anything as you and she gossiped about the others in the wilderness. It was relaxing and pleasing. You kept looking down to your now two fishing lines for any signs of fish. The sounds of gunfire going off in the distance, in an odd way, were comforting because you knew where everyone else was while being far away. 

While waiting for the fish, you started talking about school and dances- anything to keep your mind busy. 

“So, after my mom curled my hair and did my makeup, she left me to get my dress on. You remember the one purple one with the ruffles.” 

“Sophmore year homecoming, right?” Shauna asks as she points to you, trying to remember. 

“Yeah, that one. I don’t know if I have ever told you, but the zipper popped open when I put on the dress.” You said with a smile hurting your cheeks as you laughed loudly from your gut at your story. It used to make you cry thinking about that time, but now it is funny. Shauna bubbled in laughter beside you as you continued, “She was yelling at me, crying and sobbing, that I was going to that dance whether I liked it or not. She just started sewing me into the dress.” 

“No fucking way your mom sewed you into a dress!” Shauna laughed with you as she grabbed your arm. Her eyes water with tears as she laughs with you. 

“No, she did! It was the last time I ever got anything from Macy’s.” You giggle as you glance back to the fishing line one more time. 

Shauna began to chuckle softly, her eyes crinkling slightly as she listened to your story. It made her miss everyday life before the crash. "God, homecoming. I wish we were back there instead of this," Shauna motioned to the wilderness around us with a sigh.

"Yeah, same. I would much rather be crying about being fat over this any day." You sign as you lean on Shauna’s shoulder. You try to keep the good vibes that were made, so you smile and nudge her, "But, hey, we have each other, and people are looking for us. They have to be."

Shauna smiled softly as you moved closer to her. She smiled at you, but inside, she wasn't sure if she believed you'd be found. But she didn't want to worry you. "Yeah, of course. Maybe we're already on the news," she added, attempting to sound optimistic.

"Oh yeah, I don't know how people haven't heard about us,” You said quickly after she finished because you believed you were headline news. “ All our families must be doing everything to find us, and they would have known as soon as the plane didn't land." You added a lump in your throat growing as you said families. You thought about your family's reaction and everyone’s family’s reaction to them being missing. You couldn't imagine the fear and worry they must be experiencing, not knowing where you all were. But you tried hard to push those thoughts to the back of your mind, needing to remain strong.

"I'm sure they're out there looking for us. They'll find us," she said, mostly trying to persuade herself and you. 

"They will, and all we have to do is wait until they do." You nudge her again and smile, saying, “Besides, we have good company.”

As you move your head back, you see the lure dramatically dunking into the water. You quickly grab your pole and start to reel in the fish. As ywou start to move, you can feel how heavy the fish is on the other end. 

“Whoa, oh my god, did you catch a fish?” Shauna asks in excitement as she sits up on her knees beside you and looks at the water. 

“Trying to!” You say back as you keep reeling in the fish. 

Suddenly, after struggling with the reel a little bit, you pull up two fish on one hook. You squeal in happiness as you quickly grab the two fish with pride. Shauna squeals with you as you hold the two big fish. 

You and Shauna hug each other happily as you hold the pole up, ��Holy shit! Holy shit Shauna!” 

“They are fucking huge!” Shauna gushed as she grabbed one of the fish and immediately cringed at the feeling of the fish’s slimy-scaled skin. “Gross” 

“I know, right? Come on, let's get this back to the cabin before we get some more,” you say with a big smile. You feel relieved. You all will eat tonight and be full tonight. Your dad would be very proud of you. 

You walk back to the cabin in triumph as you laugh and talk with Shauna all the way up the trail. Before too long, you arrive at the cabin, and everyone starts to finish off firing the gun. 

Van's face brightens like a light bulb as she sees you two walk to the cabin with dinner: “Whoa! Look at you!” 

Everyone’s attention turns to you, and they cheer for you both on for the find. 

“You got a fish!” Jackie squealed as she sat up from her seat on the cabin steps. Mari came over and grabbed the fish with a big smile, holding the fish from the mouth with her finger. “No, they caught two fish!” Mari said back, she looked into its lifeless eye. 

“I didn’t do anything.” Shauna chuckled as you shook your head, wanting to share the praise with her. 

You roll your eyes and look back to Mari. You notice behind Mari that Natalie is looking at you with a serious face that you can’t place in your mind. You couldn’t tell if Natalie was angry, happy, or disgusted by the fish. 

“Yeah, the pole still works, thank god.” You chuckle as you put the pole on the wood seat you all have made around the fireplace. You add, “I think it’s a good sign we got two fish. Maybe it’s the woods telling us we’ll be okay until we’re found.” 

You look up to the group, and your eyes meet Lottie’s as if you were saying, “See, told you so” with your eyes. She warily smiles at you and looks down as you silently converse with just the context from earlier. 

“You are you trying to sound like Miss Cleo? Wanna read my future?” Jackie jokes and snickers at your comments, dismissing them as stupid. You chuckle and shake your head, “No, Jackie, I’m being hopeful! I can overread a thing or two.” You say as you push her shoulder; she looks at you and chuckles. 

You and Mari let the fish rest on the cabin table before you descaled them for dinner tonight. There was more than enough for everyone to eat, and it made you feel so proud to be able to provide dinner for everyone. And because you were going to wait anyway, you both put a bowl on top of the fish to keep it fresh until you return from everyone testing out shooting on cans. 

You didn’t care much for the gun or the loud noise of it going off, it unsettled you deeply. It made you feel uncomfortable and cringe at the ringing in your ears. 

Lottie and Van placed the old cans on a log infront of the group, quickly retreating into the brush of the woods. With your arms crossed, you lean against a tree, waiting for everyone to finish practicing there. 

“Team, this is how this will go down—one final round for all the marbles. You got five targets, five shots each. Mari, can you start us off?’ 

“Um, just a thought. Shouldn’t we be saving bullets, you know?” Laura Lee added with concern in her voice. 

“Uh, yeah, in theory, but lucky for us, the nutjob who lived here before was apparently hoarding for the apocalypse.” Couch Ben reassured as best he could. You could tell he didn’t want to be here, but he was putting up as much of a front as he could.

Mari fires a shot at the cans. You quickly cover your ears as you cringe at the boom. She missed the can, and you recoil before she goes again. 

“The cans,” Travis mocks as he looks at her with narrowed, judgemental eyes. You couldn’t stand him in any way lately. His mere voice made you wish it was a gunshot. “You’re-You’re aiming for the cans.” 

“Shut up,” Mari snapped at him as she cocks the gun, still holding it to the cans. 

“Do you like being this way?” Natalie says to Travis, her eyes slowly rolling to him in annoyance. Waiting for the gunshot, you haven’t moved your hands from your ears. 

“If you shit the bed again, you gonna ask for another do-over?” 

Natalie shakes her head at him quietly as you glare at him. You just want him to shut up with his edgy and macho persona so everyone can get on with this stupid practice. You added, “You don’t ask for a do-over, you just clean your fucking bed, we are shooting cans, idiot.” 

Your hands aren’t as firmly over your ears as Mari fires again. You flinch again as you cover them. Your eyes locked in a broad expression as you looked at the cans; the startling way the sound ripped through you, made you freeze like a deer in the woods, hoping the bullet wasn’t for them. 

And she fires again quickly, this time hitting a can. You smile and nod at her, keeping your hands over your ears. You now see the eyes on you as you react to the sounds. You feel a blush over your body as embarrassment comes over you, but you can’t bring yourself to pull your hands down. “Hey. All right.” Couch Ben says calmly but clearly happy she finally hit a can. “Good job, Mari.”  Everyone slowly claps for her. She smiles, and as she walks back to Akilah, she thrusts the Gun into Travis’s hands. 

Travis immediately starts preparing to shoot at the cans, and he hits four cans until he misses his first. 

“So close, flex.” Natalie teased him from behind. You looked at her with a snicker at her comment. 

Suddenly, Travis turns around with the gun ready in his hand, and he aims it at Natalie’s face. “Don’t fucking call me that!”

“Whoa!” You gasp as you step closer to Natalie out of instinct to protect your friend, your eyes as wide as saucers. 

“Travis! Put the gun down.” Couch Ben shouts demands at him, His eyes wide with panic because he can’t stand and take it away from him. 

You don’t even think as you yell, “Put the fucking gun down, Travis! What the fuck are you doing?” 

He then turns around and shoots at the cans after an intense silence. You cringe again at the sound of his gun. 

“All right, that’s, uh-yeah, that’s good shooting, Martinez. Don’t ever do that again.” Couch Ben says awkwardly as everyone quietly watches on with tension in their shoulders. You felt yourself seething with anger bubbling in your stomach. 

“Don’t choke. Again.” He says to Natalie with an antagonistic glare. 

He then backs away and stands near you. You look at him with disgust as you spit at his feet, “Stand away from me, asshole.” You hiss at him.

He looks at you in surprise that you are still so angry at him that you just keep your mean mug on him, and he steps away. He was surprised at your sudden outburst, as did everyone behind you because you were known for being overly friendly, but you ensured he knew not to be near you. 

You look at Natalie and nod, “You got this, girl.” you say. You cover your ears quickly before she does anything else.

Natalie looks at Travis with the same intensity as you and takes a smooth, deep breath. She then puts the gun to her shoulder and hits each can without hesitation. One by One, they drop to the forest floor. She then smiles slowly as she finishes. Everyone cheers and applauds her for showing Travis up.

You snicker as you look at her. Natalie moves her head towards you first. Meeting your eyes with happy eyes and a big smile, she looks at you quickly over and looks away to the other. You blush quickly, trying not to overthink about her looking for your approval first and your praise, and you don’t think much about her looking you over. She sure wasn’t checking you out. 

After the gun practice, everyone searched for berries and mushrooms in the woods. Travis left to the cabin with his tail tucked between his legs after you kept telling him to go away. He left after you said that you don’t trust him and no one should because he acts like a brat. He looked hurt and looked around at the other girls with eyes that screamed he regretted what he did with the gun, but no one had his back. He just stepped back, and you shook your head as you turned to the others. 

“Are any of these, like, Maple syrup trees?” Laura Lee asks as she looks up at the tall sycamore tree.

“What?” Tai questions as she walks behind her, towards the clearing a few feet away. 

“I don’t know,” Laura Lee mumbled as she walked away. She softly touched your shoulder as she walked by, needing you to stabilize her from the trail's incline. 

You found some chestnuts on the ground. They were fresh and not ready yet, and you put them in your pocket as you heard Akilah smack Misty’s hand. 

“Don’t eat that kind,” Akilah panicked as she pushed the mushroom in Misty’s hand on the forest floor. “It’s poisonous.” 

Misty looks at her with big eyes and a little shaky hands. 

Van says, sarcastically, “Like “Kill you” poisonous, or like, “trip your balls off” poisonous?”

“What? I don’t know. My Girl Scout leader didn’t get all that specific about it.” 

” (y/n)?” Taissa asks as she kneels to the ground with Mari.

You look over to Taissa, looking at tiny button-like mushrooms that grow from decaying animals. 

“Don’t eat that one either. That's a dead mushroom. It is too new to eat if we could eat it. It would be like eating rotting meat. Don’t even touch.” You say as you look for more nuts on the forest ground. “Try to look for nuts. They are on the ground. If it has a hole, just drop it for the animals.” 

“Well, could you just show us something edible so we can get going?” Misty asks kindly, impatiently—this is the first time you have heard her sound like that. 

Taissa looks behind her to Misty, rising to stand over her, “What’s the big furry?” 

“Coach needs a sponge bath?” Van teases Misty with a smirk, and you feel one grow on your lips at the joke, too. Everyone pauses to look at Misty, animals looking down at the runt. As a snicker comes to their lips, Taissa fully laughs, covering her mouth. 

“That’s-That’s so mean.” Taissa laughs as she looks to the ground. Everyone softly holds their laughs as Misty storms off. Van laughs as Misty rushes past and giggles out, “I’m sorry. Whatever.” 

Van puts her arm around Taissa’s shoulders, and you look at them. Jealousy courses through you. Why couldn’t you have someone like they do? 

“Get off me!” Taissa patted Van’s arm away. In response, Van smears a smash berry she hid on her finger on Taissa’s face. “Did you put a berry on me?”

“I did.” Van said, taking her arm off her, and moved herself towards you. 

“Okay, so, everyone, we just need to focus. We know we can’t touch those and those ones.” Taissa spoke to the group, trying to lead them back on track,

“No mushrooms, No mushrooms.” Van says as she starts to look up the trees for the chestnuts. 

“Uh, Guys…” Jackie called out from a few yards away. You all moved quickly to her voice out of concern that she had encountered a wild animal in the woods.

 “Jackie? “What is it?” you called back as you rushed to her. 

“Guys, come here!” Jackie laughed.

“Look! Holy Shit!” Jackie exclaimed. You come over some trees and bushes to see Jackie slapping the door of a small personal plane that has vines and moss growing on it. The woods themselves are almost swallowing it, as it has had overgrowth for at least a decade, only covering and trapping it in place.

“W-what is this doing here?” Van asks in disbelief. 

“It must have been the dead guy’s.” Jackie says as she looks at the wheels being stuck in the mud. 

Laura Lee quickly finds the door and opens it, “I wonder if It still works?” Laura Lee questioned to no one in particular. 

Van gently spins the propeller, “Holy fuck!” 

Laura Lee is inside the plane, messing around loudly. You don’t want to get near that thing. You never want to be near a plane again. You stand away as you watch them touch the plane in excitement, everyone else coming closer to the plane.

Suddenly, as your anxieties manifested themselves to life, the plane started from Van’s spinning the propeller and Laura Lee messing around inside. The engine started with a startling rattle as it crept forward. 

“Holy shit.” Van says as she steps back in shock. Jackie is wholly frozen until she suddenly pushes Van out of the way of the plane. 

“Back away! What the fuck?” Jackie says as she is frozen in place.

“Stop the fucking plane!” You scream out to the plane. You feel yourself planted to the ground. You didn’t even react when Van fell to the ground. Everyone yells to stop the plane, and Laura Lee panics inside the plane, crying out, “I’m trying! I’m trying!” 

The plane stopped just in time to avoid harming Jackie. She looked at the plane with buggy, big eyes and took a deep breath of relief. 

Everyone pauses after the intense change of events. You stand frozen in silence as you look down at the wheels and wings. You had an intrusive thought creep into your mind, but you quieted quickly before speaking it out. 

Lottie looks on, almost disassociated, as she says, “It didn’t want him to leave.” 

You turn your head to her and look at her deeply concernedly. She says what you had thought. Maybe the wilderness didn’t want the mummy to leave. That's why he did what he did in the attic and why the air was so suffocating. 

‘21

You giggle at Misty’s goofy joke about old men as you try not to spit out the chocolate martini in your mouth. Earlier today, Misty called you to ask how you were doing after the road trip because she thought the air between you and Natalie was off. She just wanted to check up. It ended up with you sitting across from her at an Italian restaurant. 

“Yeah, so I just turned off the oxygen tank.” She says to add on to the joke, which kind of makes you laugh harder because you can see her doing that. 

“Stop, you didn’t!” You giggle again as you try to hide your face with a napkin; your face is red hot. 

“I didn’t-” Misty laughs with you as she sips on her chocolate martini. She says, “I wouldn’t do that to anyone.” 

“No, you wouldn’t.” You say it with some sternness from Misty’s character. You make her feel more supported if you sometimes reaffirm what she wants to be seen as. You see her in that way. No one likes to be told who they are. 

You notice her laugh, look slightly behind you briefly, and note it. 

“Well, So, How is your work? Any new boos” Misty asks as she takes another sip of her martini. You feel yourself smile at the question and know she asks for more profound reasons. 

“No, no, nothing special about work. And just little flings here and there. Keep the bed warm,” you say as you look at Misty’s eyes intently. You feel a little tense when you ask, “And you? How is it going with Kevin?” You ask with a soft joke about the last time you saw each other. 

Misty became slightly flustered momentarily and shook her head, “I was trying to get Natalie out of her comfort zone.” Looking behind you again, she says, “But more or less the same. No one special enough to say they dated Misty Quigley.” 

You chuckle and smile at Misty’s last comment, but you look behind you as soon as she finishes talking out of curiosity. You see behind a window of the inside of the restaurant. Dressed up nice, Misty is holding her head on her fist, listening to the man across from her, Natalie. Misty is following Natalie. 

“Misty-”

“I can explain!” Misty says as she blabbers on, “I was trying to keep an eye on her and make sure she is okay after seeing Travis because she might do something crazy or relapse.” 

You quietly listen to Misty explain herself with a soft smile as you scoff softly, pulling out your phone, “And here I thought you wanted to spend time with little old me.” 

Misty squeals, “I did want to see you. I wanted to get a drink.” 

“It’s okay.” You chuckle softly and say, “Sometimes you trade friends out for a night out. It’s alright, girl.” 

Suddenly, Misty straightens her back and smiles softly. She lifts her drink to her lips as Natalie rushes to your table. You lean back on your chair with wide eyes, holding your chocolate martini. 

“What the fuck are you doing here?” Natalie hissed to Misty, standing in a black dress. She was clearly on a fate tonight, and you couldn’t help but feel a mumbling jealousy in your stomach as you looked at her.  

“Okay, so, don’t look now, but,” Misty lowers her voice to a whisper and says, “that reporter, Jessica Roberts, is sitting at the bar right now. She’s watching you.” 

“And what are you doing?” Natalie tilted her head to the side as she looked at Misty with suspicious eyes, her tone clear of annoyance. 

“I’m having your back.” Misty stated. 

“Y-you’re having my…” Natalie is in disbelief. “How did you even know I was even here?” 

“I’m a citizen detective, " Misty said, looking at Natalie with big, innocent eyes. 

“I hate to break it to you, but we’re not Rizzoli and Isles. I don’t need you.” 

“Yeah, but, Natalie-” 

“Go the fuck home.” Natalie spat. 

“Alright, you need to stop talking to Misty like that-” You finally cut yourself into the conversation.

“Who are you speaking to?” Natalie snapped her head to you and said, “I expect this from Misty, but you? I don’t understand why you are here.” 

“I’m here, having a drink with Misty. I saw her at her job, and we decided to get drinks.” 

“Oh please, you came here to spy on me! How fucking pathetic. Don’t you have to write a book about rubbing off a genie?” She hissed at you and looked daggers into you. She went too far in your eyes now, and you lean on your elbow on the table as you look back into her eyes. 

“Oh, aren’t you so strong and high mighty?” You hiss lowly to Natalie. Ever since the night in the woods with Natalie, you have had difficulty holding back your teeth when you feel cornered, even a little. “Misty is here protecting you and having your back like always. Because Jessica,” You point to the bar, Jessica looking to the bartender to order another drink, “Is here waiting for you to relapse to spill the beans about it. Stop biting at people trying to be there for you; you might not be so alone. Now go drink, and go on your date with goth freak Kevin Tang.” You cut coldly as you look into Natalie’s blue eyes. You grab your drink, lean back in your chair, take a sip.

“Make sure you don’t go too far. You might need to get another one of your coins, right? What does that make it 9 times you have gotten a sobriety coin?” you stab at her and mention her many times in AA. You didn’t care how hurtful or unnecessary your anger was to her. You must say it to her, and she needed to hear it. She needed to back off Misty. 

It was intense, and it was real. 

You didn’t need to bite so hard. But she didn’t need to bite first.

You two hold a glare as Natalie steps back and scowls at you. She doesn’t say a word. You know why. 

It’s because you are right.   

You feel Misty touching your hand and saying, “Are you alright? That was pretty harsh.” Once, Natalie returned to her table with a perfect smile mask. 

“I’m alright. But I think we should go now.” You say softly as you touch Misty’s hand back, 

Misty holds your hand with a squeeze quickly. She wants to hold you. You have protected her yet again from the wolves in the group. 

You both held the heavy silence as you softly panted a bit.  You felt it in the car; it was surrounding and whole. You were happy and open, as always. 

In the car, you look over to Misty, noticing the flustered face she holds. She was always awkward, but you always found her adoring. As you both drive down to your home, the trees that pass hypnotize you into a calm place. You feel your body, and with each breath you take, cold air enters your nose, and an image of last night's dream comes to your mind. Running past trees, you felt as if you were back there somehow. Maybe it was because of the anniversary, the reporter, or Travis’s death; you couldn’t pinpoint it, but you felt a forgotten hunger you hadn’t felt in a long time. You let it take over like it did them because of the exciting thrill of it all again. It felt youthful and intense. 

“Misty.” 

“Yes?” 

“Do you miss me?” You ask her as you softly touch a lint off her shoulder.

“W-what do you mean? I have been with you for the past two hours.” She says as she drives down your street. 

“No. No, Misty.” You chuckle, and the hunger comes over you. You want to feel warm; you have been far too cold lately. “Have you missed me and the warmth we shared?”

You don’t understand yourself. You sound like you did all those years ago in the woods. How sexual you became without trying. It felt like the air around us darkened into lustful wants and licks. How natural you were with your body. 

Misty was caught off guard by how quickly your words changed the car's atmosphere. The memories of the wilderness and how you looked her over suddenly brought back feelings that she thought were long gone. Misty’s throat tightened, and her heart quickened as she glanced over at you, taking in the expression on your face as you asked her the question. She slowly parked the car, her hands gripping the steering wheel tight “Y-yeah, I did…”

Your hand snakes onto Misty’s inner thigh, and your thumb rubs the fabric of her jeans. Your eyes stare down at your hand. 

“Would you like to feel my heat again?” you whisper, feeling your hot breath hitting off her cheek. You don’t understand the tingling and desperatiness your cunt feels at this moment. You shouldn’t have touched her, spoken to her, or even considered thinking about her. You knew better than to let yourself cave into your primal instincts, instincts you have because of the wilderness with them. All the hurt in the woods manifested into want as it always did.   

Misty’s breath hitches at the feeling of your hand on her thigh, and her heartbeat quickens in her chest as her skin tingles under your touch. It's almost as if no time has passed at all. Your words and desperate tone send a shiver down her spine as she glances over at you, her eyes darkening with lust and need. “Yes… please.” She whispered back, her voice filled with want. Your hand moves up her thigh and softly rubs the fabric at the crotch of her jeans. You could feel her heat underneath. 

You lunged at Misty, cupping her cheeks with your hands. You pulled her into your face and kissed her. Your lips met and mashed together as your hands moved closer to her, pushing her back against the driver’s side door. Thank God you live on a dirt road. 

Misty lets a small gasp into the kiss as your hand moves up her thigh. Her body already feels as if it's on fire. She responds to the kiss passionately, her desire for you growing with each passing second. She reaches up and grips your hair, pulling you closer as she deepens the kiss, her tongue exploring your mouth with desperate need.

(y/n) hands quickly work to unbutton Misty's jeans. You move your kisses off Misty's lips to her jaw and neck. Misty lets out a small moan as your lips move down her jaw. She leans her head back and closes her eyes, surrendering herself to the feel of your lips on her skin. The feel of your tongue moving down her neck, sending small licks and nips here and there, makes her shiver in pleasure. You softly growl in lust as you start to pull the jeans and underwear down her pale legs, your thumb touching the bare skin. She spreads her legs farther apart, allowing you to pull her jeans and underwear down, her breathing getting more labored with each passing second. 

You quickly push your two fingers inside of Misty’s weeping cunt, and she dramatically moves her leg to the center console for you to have more of her. You move her head from her neck and just look at her as you push inside of her, a gasp rattling the car escapes from her. 

You look into her brown eyes for a moment as you see when pleasure takes over her being as you feel her walls tighten around your fingers. You feel her pink, wet hole flex and twitch to your fingers; it feels like she hasn’t had sex in a long time as you start to pump your fingers into her. 

Her hand locks into your hair, or more so your head, as she rubs her other hand on your shoulder. She softly pushes you down to her cunt as she rolls her head back in a deep moan. You feel the vibration on the pads of your pointer and middle fingers. You feel the hotness of her cunt as you lean down, her musk clouding your judgment and making you think of only one thing. 

You lean down, pushing your body to the floor of the passenger’s seat, licking her cunt. You taste her flavor and wetness leaking from her clit. You circle your tongue around the bulb with reckless abandon. You feel her gushing onto your fingers, and her loud moans only encourage you to go harder. 

“(y-y/n)! Honey- right there, yeah!” Misty’s needy, desperate moans fill the car up with hot air. Her legs shake as she rolls her eyes.  She panted like an animal as you tongue into her, sucking up all her wetness as you could. You felt throbbing in your wrist as you curled your fingers up to touch her soft spot. You could have been here for days and not cared. 

Misty grabs her breast as she arches her back to your mouth. She moaned louder and louder to tell you she was going to cum, but you didn’t care. You kept licking and sucking her juices. 

“Sweet Jesus!” Misty whispers to the air as she feels you fuck her harder with your mouth. She finally lets out a high-pitched, needy groan as her feet curl, legs twitching. Her eyes closed as her head hit the glass of her door, and she leaned back to relish in the feeling. You bury yourself in her folds, looking up from her lap, and watch as she shivers, as your tongue doesn’t stop. 

You move your mouth up to her clit again and your fingers into her hole, pounding her with an elemental need to feel your fingers caress her cervix. You don’t move again. You don’t care how uncomfortable it felt as your legs were pinched into the floor, or how the cupholder stabbed into your rib, or that your neck was throbbing so that you could hear your heartbeat. You wanted her, and you wanted to feel her ultimately come undone to your fingers again.

‘96 

The clattering of some forks and spoons scrap across the plates, people talking over everyone else, and the heat of the fire warm the cabin’s first floor. Everyone was in a better mood after shooting practice and settling for the night. Travis sits alone in the corner of the room, rejected by everyone tonight as punishment. You felt yourself thinking about him being sad and alone in the corner. “Good.” 

Jackie and Shauna sit beside you at the table, your attention entirely on them and their discussion about how Pamala Anderson’s sex tape scandal. 

“I mean, she shouldn’t have been a slut and done it, is all I have to say.” Jackie shrugged and took a bite of the white fish, and her face cringed when she pulled out a small bone. 

“No!” You say with a chuckle and shake of your head, “Someone shouldn’t have robbed their safe and sold the sex tape.” 

“She shouldn’t have even done it. Like, who just does a porno if they are not a slut?” 

“She was with her husband. Who else are you supposed to have a sex tape with?” Shauna asked as she shook her head at Jackie.

“No one! No one should ever do a porn! It's so degrading.”  

“I don’t know, I don’t know how someone would want to make one, but she wasn’t with a whole lot of guys.  She’s married to Tommy Lee. And it was supposed to be his thing for tour.”

“Yeah, who wouldn’t think a Mötley Crüe member would have a sex tape? I wouldn’t be surprised if they taped the many other women they have fucked,” You say as you delightfully eat the fish. It was fresh and delicious after days of only eating berries and leftover snacks you could find from the crash. You are having meat, and it feels like a real treat as you haven’t tasted anything as delicious in weeks. 

Before you could continue, Van touched your shoulder as you looked at Jackie. You turned to her as she said, “Hey, do you have a sweater I can burrow? I don’t think anyone else has anything I can wear.” 

You smiled big at Vanessa, nodding your head, and stood up. “Yeah, I have a few.” 

“Where are you going?” Jackie asks sassily as you get up. She tilts her eyes at you. 

Shauna looks up at you and is slightly confused, but she also asks, “Are you coming back?” 

“Yeah, just getting something for Van, hold up.” You say as you start to walk away. 

“Thanks, (y/n). You're a lifesaver.” Van beams as her smile moves with you. You touch her shoulder as you walk past her, and you walk over to the other side of the cabin to the bags. 

You were one of the lucky ones that found all your luggage. You had your carry-on, luggage, and purse still intact and untouched from the fire. You were so happy to have your journal and book you haven’t finished, but you felt bad for everyone still looking for their things. Van could only find her carry-on; some didn’t have anything they packed. You all carried every bag you could find, but some still had missing clothes. Because of that, Van has been coming to you to burrow clothes as the only other heavy girl much smaller than you, so you let her burrow your shirts and hoodies since the crash.

 A small sandwich bag falls to the floor as you open the bag and grab the heavy yellowjackets sweatshirt. It was your stash of weed with the rolling papers and filters. You blush as you quickly grab the bag from the ground and put it into your jeans pocket. You look behind you to see if anyone has seen that, with embarrassment painted all over your face.

You walk back over to Van and hand her the hoodie. You smile widely as you sit down. You didn’t want everyone to know you had weed, but you think that tonight would be the best night to do anything. You smile as you whisper into Jackie’s ear, “I have weed.” 

She stops eating instantly, and her eyes bug out. She looks over at you and laughs, “What?” 

You hit her shoulder softly as she laughs again, “You have what?” 

“What?” Shauna asks, besides Jackie, and when you two make eye contact, it makes you laugh. 

You whisper in Jackie’s ear again. “I have weed. Would we like a joint?” Jackie laughs and hits you on the shoulder, her mouth wide open in shock and amusement. She nods her head and whispers to Shauna, and you turn your head to Van, “Hey, I have a joint-” 

“What?” Van asks as she leans her ear towards your lips. Your lips accidentally graze her ear, and you say, “I have a joint. Tell the other seniors. Don’t be suspicious; don’t tell the underclassmen.” 

Van smirk grew wide on her freckled face as she nods her head, she says. “Okay, I’ll let them know. When are we doing this?” 

“When everyone is asleep, " you tell her, knowing that if anyone overhears you, they will not understand what you are discussing. 

 You light the joint with a twig, puffing the air out of the end of the filter. You hear muffled giggles from Jackie and Shauna beside you. " Stop laughing,” you snicker back and pull the joint from your lips. You pull Shauna and Jackie to the back of the cabin and show them the weed you packed on the plane. You all decide to roll one out. 

“Didn’t know you would have the good stuff,” Jackie smirks with an amused laugh in her voice. She takes a puff and hands it to Shauna with a muffled cough. 

Shauna laughs softly as she also smokes and coughs in response to inhaling the smoke. She covers her mouth with her elbow, and you laugh at her. 

Van moves behind the cabin's hunter shed, and Taissa, Natalie, and Lottie follow her. 

“Hey!" you say to them as you take a hit of the joint and blow the smoke quickly.

Natalie says to you, “Damn, (y/n). Didn’t know you were such a criminal. Hand that over to me.”

You giggle happily as you hand it over to Natalie. You look up at her from your spot on the log. She looks down at you with heavy eyes as she takes a hit. She slowly looks over your face again before handing it over to Van. You felt a blush come over you again as you felt her eyes scan over your features, and you didn’t know what to do. You felt insecure and flattered at the attention but still deeply hesitated to meet her eyes. 

Natalie, who never passes up a joint, reaches out her hand to take it from you while Taissa eyes it. Lottie looks at the joint and then at you with a tiny bit of concern; the others knew she’d probably be the one most concerned about the joint.

“Where’d you get that from?” Nat asks as she inhales the joint.

You felt yourself joke, “Where do you think I got weed from?’ 

“I don’t know. A drug dealer.” Van jokes to you with a scrunch of her freckled nose. 

“Sort of. My mom is the one who has the weed. She has a weed card since she got diagnosed with cancer.” You said without realizing the words from your throat. You hadn’t thought about your mom almost all day, “She grows some behind our house in the woods, Natalie,” You point at her jokingly, “Don’t get any ideas. You have to buy that shit.” 

Everyone laughs loudly at your joke. Lottie takes the joint and smiles, holding the smoke in her mouth. You look at your feet, and suddenly, your mother comes to mind. You think about your mom, and a lump grows in your throat. Did she take her night medicine? Is she watching Frasier? Is she worrying about you?  

From the side of the shed, there is a crunch of leaves and twigs, and a petite figure comes from behind the shed. Natalie turns herself and turns back to face you. She gives you a face of “fuck it's her again.” 

Misty comes from the shed, pushing a curl behind her ear as she looks at the group. You smile at her as Jackie rolls her eyes, smoking the joint beside you. 

“Hey Misty! What are you doing here?” 

“H-hi. I was going to the bathroom. What are you guys doing?” she asks nervously as she approaches the group. 

��Drugs.” Lottie says as she looks at Misty with a humorous tone. 

You laugh as you take the joint from Jackie and wave your hand to Misty to enter the circle, “Come closer, it’s okay; it’s legal here.” You joke, and it makes everyone laugh with bloodshot eyes. Misty chuckles and looks around at everyone in approval. Sometimes, it was painful to see her so desperate for some kind of friendship that it made you feel bad, so in your intoxicated state, you pulled your hand out for her, “You can try it if you want to, Misty. Sit.” 

Misty’s eyes looked wide as everyone turned their head towards you as you invited her into the smoke circle, but no one stopped you. They seemed also to want to see what Misty does. 

“I-I can? Is it safe?” she asks as she approaches the log beside you. 

Jackie snickered and looked at Misty with narrow eyes, “No, that’s why we are all smoking on it.” She condescended. 

You shake your head and take Misty’s hand. “Ignore her. Just don’t take a huge hit. You gotta get used to it, then you’ll want more,” You told Misty gently. You puff the joint before it goes out in the wind. Your body is starting to relax and calm in the woods, and your neck doesn’t hurt as much as it did earlier. 

You hand Misty the joint, and everyone watching the scene plays out with amused eyes. You gently hold your hand over hers to guide her. “Have you ever smoked a cigarette?” 

“No, they’re bad for you.” 

You chuckle and nod, “Yes, but they are just like weed. You take small inhales, not like you're trying to breathe it in, but sip on a drink with a straw, okay? Baby puff.” You say, pulling the joint back to your lips and showing her. 

Your lips wrap around the filter softly as you take a quarter breath in. You then dramatically hold it out and show that you take the rest of the breath through your mouth. You hold the smoke in for a moment and then let it out for her to understand. “You get it now?” you cough. 

“I-I think.” she says as she takes the joint from you, holding it between shaky fingers. She takes a puff and then starts coughing furiously. Natalie took the joint from Misty’s shaking hand before it fell to the ground, she takes a puff inbetween her laughs. 

Misty holds her fist to her lips as she tries to get all the smoke out of her lungs. Everyone laughs happily and claps for her when she does it, enjoying seeing Misty try something for the first time. You put your hand on her back to pat it gently. She seems to relax at your touch momentarily before finally getting her coughing under control.

“You finally tried marijuana for the first time!” You exclaim and rub a circle on Misty’s back, her cheeks crimson. 

“It was amazing,” Misty breathlessly says as she looks at everyone else. Everyone is very high now, and their eyes are bloodshot and dry. You smack your lips, longing for a drink. 

“Misty, have you ever drank?” Lottie asks as she sits with her knees to her chest. She tilts her head to the sides and watches Misty’s facial expressions. You didn’t understand the feeling you felt from her eyes. It felt almost like she was studying and calculating Misty. You have never seen that look on someone. 

Misty studders and says, “Y-Yeah, I have. I stole some sherry from my mother’s cabinet.” 

Van laughs a little “whoa” out as a joke about how mild Misty’s confession was, the smoke of the joint coming out of her mouth like the hot breath of a hunger wolf, and she says, “I’ve done crazier.” 

Taissa looks at Van with a playful glare and says, “Like what?” 

“I stole a whole bottle fo whiskey from my mom. And she didn’t even find out. She didn’t even realize she didn’t drink it, so she just got more for herself.” Van confesses with a smug smirk on her face, and Natalie chuckles and nods her head like she’s done that before to her mom. You felt a little wrong about what Van said because it made you feel like her mom had a nasty drinking problem. 

“I did that before with my mom’s cigarettes.” Natalie says, “They never notice if you just take a few here and there.” 

Jackie smirked and said, “I know every one of my mom's pills in the bathroom cabinet. I took a few for the trip. She’s never caught me before.” 

“My dad is very strict with those things. I don’t think I can do anything without my parents knowing,” Lottie said, looking to the ground with a severe expression. You couldn’t put your finger on it, it her confession felt like it had a little more then she was letting on. Lately she has been off and talking more vague about things, and confessing more things about her life. Lottie’s parents were strict but the more you hear about them it sounds like they hover over Lottie’s every move.  

“My mom just grows the shit, and I just take it.” You blurt out with your words softly slurring because you are high, and you realize you talked about your mom again. Was she okay? 

Everyone laughs at how you talk and starts to laugh at their words sounding like yours—slurred and funny to hear. 

You felt a sudden wave come over you as you laughed with your friends. It felt good—maybe too good—so good that it made you think about your mother. Was she okay? Did she get her pills on time? Did she bathe? Did she go to chemo?

In your laughter, your laughs turn to sobs in a second. You cover your mouth as heavy sobs leave your throat. You couldn’t help yourself. You couldn’t stop yourself. 

Everyone slowly realized that your sounds weren’t in glee anymore; they were out of sorrow and a moment of weakness. 

When you look, you see brown eyes, concerns, and worry on all the faces. You let out one thing that you knew was going to hurt them. Your body didn’t stop itself from letting out deep-seated sorrow. 

“I’m sorry. I really miss my parents and momm- mom so much.” You whimpered as you wiped your tears. You had a full belly and a fire keeping you warm. But inside, you have never been so cold and helpless in these woods. 

Everyone’s faces soften and twist in their sadness. We all know what we are feeling, and they also start tearing up. Everyone missed their parents, and you felt like an asshole even saying anything. 

You sniffle and try to stop your tears. Being strong has worn you down, but you have a “strong shoulder.” Like your father always said, you can handle the hurt. 

You say to everyone, “I think we all need some love right now. Group hug. Please.” Standing up, throwing the dying joint into the fire, moving your plush arms around to urge them to you.  

One by one, they stood, hovered over you, and hugged you and each other—a moment of shared pain and joy. Being strong was hard, but as you felt them hold you, you felt a second wind. You have to get yourself and the others out of here. Out of these fucking woods. 

Note 2: Sorry to anyone who wanted to be on the taglist and I couldn’t add you! I hope you still find this fic!

[pickled0ctopus]

No spoiler personal and honest opinion about Dragon Age the Veilguard

[😀]

Battle is really fun. Even though I love DAO, I’m not typically a fan of tactical combat, and this might be the first DA game where I actually enjoyed the battle.

I like the expanded companion quests. I loved Lucanis' the most.

Semi-realistic comic style works better than I’d expected. The visuals and animations were solid overall, at least for me (still thinking about how Lucanis looked at Rook in that romance scene 👁️👁️). Except for the heavy filters and flashy effects; those were a bit much.

[😐]

Too much repetition. The game recaps constantly, which becomes dull. Like they worried old DA fans won’t remember what just happened a minute ago.

Romance isn’t big compare to previous games. Honestly feels like the weakest romance content of any DA game (well I only remember how much I loved and giggled so much in the old games). Maybe it’s because events in this game unfold so quickly? Just don't expect the same level of content as in DAI. Though, this is just my issue—if you don’t care about romance, it’s fine.

Unfinished story potential. There’s good material here, but it feels half-done. A shame... really.

Choices feel fake. You get three dialogue options, but they’re just slight tone variations of the same line. If you like to playing a jerk in BioWare games, you might be disappointed.

Inconsistent story details. I’m not a lore expert and don’t remember all the characters, but even I noticed some parts didn’t add up well—almost like the writers forgot details from past games too so they just brushed them off. Also removing many choices from earlier games didn’t help; it only made things more questionable.

It’s a fun game that I enjoyed a lot and will replay it just to see Solas again, but do I love it as a DA? I'm not sure.

It’s not about new setting or tone. I was fine with a fresh protag. But now, after finishing this, keeping the Inquisitor as the protag for this end of the Dread Wolf saga would’ve made much more sense to me. I would’ve loved to see the old, ragged Inquisitor raging again like in Trespasser, and give a proper farewell to both the Inquisitor and Solas, whether you swore to save him or not. The writing in this game seems just lacking. In any case, I was just glad to see Solas again and listen to him talking💓 Gareth really nailed it again. The emotion in his voice, I just 😭 I swear Garrus and Solas can send me with their voice alone. Now, I'll just go and sobbing in the corner👍

[lemotmo]

No clue if you've received this one yet but I like this one a lot.

Q. You can hate him but you really don't think that breakup came out of nowhere? It was insanely fast. And weird and just strange overall.

A. The pacing of the entire episode was fast. But that's because they tried to work in too many calls amongst the personal stories and they shouldn't have done that. The only reason they used the cut call from 7x4 was because without it Athena wouldn't' have been in the episode at all. There is no other explanation for why they had to use that call. There were too many calls. That was the problem. Sometimes a character driven episode is needed and good and that should have been a character driven episode only. But for whatever reason they're trying to work in all of these calls that call back to bigger Buck or Eddie calls. They're doing it again next week. With the lightning and rollercoaster callback. What we don't yet know is why. But you all are trying to find depth in a breakup for a relationship that had no depth. It was a relationship in name only. It existed only to get Buck out. The entire point of Tommy's character was his dialogue in the breakup scene. Everything else in that scene was irrelevant. But even Buck's part of the conversation made sense for Buck's character. He's not sure what he feels so he decided to overcommit and just jump instead of trying to figure out what it is he really feels. That's relationship Buck through and through. Nothing about him was weird in that scene. Most of us have said from the beginning that all Tommy is is Buck's male Abby. The show allowed Buck to confirm that. They literally had him say she was a transformative relationship for me and so are you. Abby was his introduction to adult relationships. Tommy was his introduction to male relationships. That's it. It's not deeper than that. So there's no need for their breakup to be deeper than that. Buck only sounded crazy because there are only two people in the world who speak Buckense and their names are Evan Buckley and Eddie Diaz. So even though what Buck was saying made perfect sense to him, and story wise, it sounded insane to Tommy and the audience.

It feels more like Tim extended the Tommy part longer than he should have or meant too and they reached a point where they ran out of later. I feel like they're headed towards a particular story point and for whatever reason they needed some time between Buck being single and whatever is coming in the mid season finale. But the breakup has been signposted since day one. So calling it rushed is incorrect. The anniversary date was a disaster. The writing was on the wall. There was no need to drag it out.

Thank you Nonny! 🤗

Yep, all of this makes perfect sense. Nothing to add here.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

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If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[gotskamstuff]

Maybe I need to write my own S5 fanfic in which JJ comes back and Kiara is by his side again, just to get over this… ‘cause I gotta be honest, one of the things that’s crushing my soul the most is how at the moment I can’t even read Jiara fics, I can’t see JJ’s face on my timeline and not even read his name without seeing him die in front of my eyes and remember that he doesn’t have happiness anymore.

It just makes me so fucking sad that I can’t even think about my comfort character not even in ff anymore and not even watch his scenes back in my comfort show because all I can think about is how he doesn’t exist anymore and he can never be there anymore, never be part of the story anymore and never have that beautiful future we all imagined for him. They took what brought the most happiness to us and turned it into what brings us the most pain. That’s why I don’t even find enjoyment in OBX anymore altogether, they took away what brought that joy.

What I hate the most is how what was my comfort and one of the things I was most passionate about just some days ago, now it’s completely ruined for me. I loved writing and reading for Jiara, it brought me so much comfort and joy and now I can’t bring myself to do it, one of my favorite things to actually do in my daily life and one of the pieces of fiction I was most attached to just ripped away in 5 minutes.

I’ll have to try and write an alternative version in which JJ is still here and has that life he deserves just to cope, even just for myself so I can go back to connect with my comfort character and go back to enjoy those stories in which HE LIVES LIFE and that I loved through the years and that spark my writing.

Maybe I’m wrong and I should just be speaking for myself but I think that for many of us they killed Outer Banks with JJ.

[goldsnek]

So, I saw the question about tips for aspiring comic artists and it actually reminded me that I am curious about the topic as well😅

I like to write stories and I like to draw so it seemed logically for me to try my hand at comics as well but I'm struggling extremely with the layout.

It's seems very daunting when you sit in front of the empty page and you have to consider how to arrange the panels.

I'm the kind of artist that sometimes does big changes to almost finished works, so the idea of having to make a final decision before I even start with the actual drawing process, is kind of terrifying for me.

Long story short, how do you put your drawings into panels?

Do you really have to make a final panel layout at the beginning, the way I've been attempting to, or are there other possibilities I simply haven't thought of?

Last but not least, I want you to know that I absolutely love your comic, both because of your spectacular art and the amazing story! ❤️

Hello! Okay this is going to be long but I'll try my best to explain and be concise (and truly sorry for the english!) So, the first rule you need to have in mind is that you don't imagine the scene PER PAGE but PER SEQUENCE. What I mean is, you don't have to imagine a comic (like ''what I'm putting in this page'') but you have to imagine it as a video in your head, like you're directing a movie ( movies and comics are a lot more similar than we think as a media) For example, try to imagine someone waking up and going to open their window, that's a full sequence. it can be done in various ways, depending on what your character is doing and what's the ''mood'' of the scene. Remember always that your character emotions sets the mood for the entire scene. A thing that helps me a lot is ( like I said XD) watching movies, I focus on the mini sequences, a kiss scene, a fight, I pause the movie and rewatch that scenes various times, trying to understand the mood of the scene and how is shot. A sequence can even take 3 or 4 pages or even 10, it depends from whats happening, even more if it's a fight! But like I said the number of pages comes later. another importart thing to remember is that your characters needs ''a place to live'' If you make a story and never show a single panel with a background, the story is gonna lack something 100%; and I know... backgrounds are hard (I hate them) but you need at least 1 panel where you show the places your characters are living in. That is called establishing shot and it needs to be used when your character are moving to other locations. (or if you're talking about other characters in your comic and they are somewhere else) I'll show u some establishing shots now:

Took 3 different comics (narratively and stylistic speaking) Bone, Batman and TinTin to show you that even if the setting of the panels is extremely different, they still all have an establishing shot. Now, of course you don't have to put this in EVERY page, but like I said at least at the start of your comic, or when the characters are moving somewhere else, it's very important to show that. Also remember that the biggest panel you need to have in your sequence is the one where the most important action is happening. For example, if two people are fighting and someone gets slapped, that's the most impactful scene, so that's the scene that will need the biggest panel on your sequence, because it's the most important. Another rule is to make the camera breathe. Let me explain this properly, you, as a comic artist, are like a movie director with a camera. You need to turn the camera in various ways, up and down left and right, but always remember this : Never make a page of faces only. example, here are character A and B having a conversation, a page like this is extremely wrong, because the camera is basically attached to the character face and the viewer/reader is going to feel like they're suffocating in the room with the story characters :

You as an artist have the power to zoom the camera in and out, showing extremely tiny details or making a big panel that shows how Idk... beautiful or eerie or mysterious the background is. The biggest advice I can give you is to read a lot of comics, try to find series you love and study them, see how they make the panels, how the sequence are shown etc. The last rule (there are a lot more so if you have more specific questions just ask) I can give you and this is about your question in specific is that: Yes. Unfortunately you have to make the structure first and that has to be your final decision, if you make a 10 pages comic for example and you decide you don't like some stuff anymore and decide to change all the pages, you're just gonna end up in a endless cycle of always fixing and fixing and never be satisfied. Remeber this: The sketches and layout of the pages are the MOST important thing in a comic. The coloring, lineart, etc... it's just decoration. So hang on and start making layouts, and focus only on those for a period of time and then when you're 100% satisfied with the structure, you go and start adding the ''decorations'' Hope this helps! I'm not very good at explaining , especially in another language, but I tried my best XD

[jadehaven]

OP is smart. OP is reading between the lines.

In regards to the brother/sister bond, erm, I think JD and Patrick would’ve made it clear if that’s where it lies by

A) not giving them a literal kiss on the mouth and

B) describing their bond as “family love” rather than just “more than best friends love”

For example, Rob has described it as love, but also said she’s like a “family member he loves”. Which, get w the program Rob, cuz I don’t kiss my siblings like that (brb gonna go barf at that thought now).

Remember cast members are NOT the writers and although they can provide feedback and input during filming, they do not dictate how the story goes and likely are just as oblivious to potential foreshadowing as we are.

To add to my case, when Payne and Mckay were asked about the dark wizard being Saruman, they gave a firm “No” to the possibility. They don’t want people’s wrong conclusions to cause a bad rap on their story and therefore are doing damage control.

But for Elrondriel? Tell me where is The Damage Control, for I much desire to know IF IT EVEN EXISTS.

Every interview they’ve done with a question regarding the nature of Elrond and Galadriel has been a chance to confirm or deny their intentions. They have done neither. If anything, they’re doing damage control the opposite way by not having Robert and Morfydd in any interviews together in order to avoid mix up of intentions. Seriously— they paired her with Sam Hazeldine. Not that I’m complaining, but it seems to me like they’re trying to scoot around any romance allegations.

The only interview I’ve come across is one that was posted by Nerd of the Rings I believe, where JD says that Elrond loves her platonically. But even that sentence would still fall in line with the “forced to kiss” trope, because it’s meant to serve as an awakening. We really won’t know until season 3. Though if it weren’t for that ring scene, I’d be more skeptical. Foreshadowing doesn’t get any more obvious than that IMO.

Looking back at season 1, there’s so many obvious lines as to who Sauron is. It’s clearly intentional. I predict many viewers will be able to do the same later on with Elrondriel, though not until after there has been confirmation on screen of their romance.

Final thought, Arwen being Galadriel’s mother would solve the problem yes, though you’re right, it would make purists go mad. But also, majority of TROP audience are either new tolkien fans like myself, or more familiar with the movies than the source material. That means that the majority of viewers have only had a handful of minutes to get to know Celeborn, and none at all for Celebrian. What they have seen is Elrond rescuing Galadriel, Elrond and Galadriel communicating telepathically, and Arwen choosing to forsake Valinor when she had the chance, with Elrond being the one who tried to convince her to go in the first place, but ultimately gave her grace for staying and choosing what she believed was right. Ring any bells, anyone?

To be honest, I see this as the safest and smartest way to go about the timeline fix. Really that’s what it comes down to, I believe, because they’re still working within the lines of Tolkien lore. If people are upset about Celebrian not existing, then they should be equally as upset with other inconsistencies such as Isildur being alive while the elven rings are made. Technically they’re skipping multiple generations in order to do that, we just don’t get to physically see it.

Anyways, I wanted to share because I keep getting flack from redditors saying that I’m just “overthinking the kiss and it meant nothing.” Let this brief essay be my case and point. I’ve seen it from season 1– they’ve followed all the predictable plot points for a slow burn friends to lovers trope, just as they followed all the reluctant allies to (almost)lovers plot points in season 1 for Haladriel. This is actually something that has made me appreciate the writing team all the more— they clearly know what they’re doing when it comes to the relationship arcs. The story on its own makes sense. The original-to-a-T-lore does not(Not saying I don’t agree with the lore or don’t appreciate it, but that it’s somewhat separate from TROP in itself, as it is in ways with the PJ movies and every other adaptation ever made).

Remember that everything we’ve seen so far has the stamp of approval from the Tolkien estate. If that isn’t enough for purists, well, they’re just going to have to raise Tolkien himself up from the dead and get him to put it right. Smh. Tolkien ain’t Jesus y’all.

Elrondriel is real. Its happening. Might as well join the club now because most inevitably will. I mean look at them— how could you not love it? Gahh. If only Tolkien could see them now 🥹.

Interview of JD Payne and Patrick McKay, about Elrond's decision to put on Nenya to save Galadriel :

Am I the only one who doesn't understand "best friend is maybe reducing their relationship too much. Say the person for whom he has so much love (...)" as the show runners saying that Elrond loves Galadriel romantically ?

Idk, it's like when anti Haladriel shippers take Charlie's comment that what Galadriel and Sauron have is "more than a romance" as a claim that it's not romance at all.

I may be stupid, but as far as I'm concerned, if you tell me that Galadriel is "more than a best friend" for Elrond, I interpret it as you saying that their bond is extremely strong, almost like a sister/brother bond. It's even stronger than a classic friendship. Stronger than his friendship with Durin, probably.

If you tell me that Galadriel and Sauron's relationship is "more than romance", I will interpret it as you saying that it goes beyond anything I can imagine in terms of earthly romance, and not as you saying that there aren't elements of romance in it.

I don't know where this generally admitted that "romantic love" is superior to "platonic love" comes from, but I'm tired af of seeing it. "They're more than best friends" = "they're in love". Why ? Why would romance be the superior step ? Some people have friendships that last all their life, while they had multiple romantic partners because romantic love almost always fades at some point. How is romantic love superior to friendship then? Why would a romantic partner count more than a best friend who you knew most of your life.

THAT SAID, LOL, I wonder how I can still kid myself. These people are probably right, as there was definitely an Elrondriel agenda behind Galadriel and Elrond's relationship in season 2. There was nothing platonic about *that* kiss, and it can't have been a pure esthetic choice, after *that* kiss, that Elrond acted as if he was marrying Galadriel in the finals.

He's even got only one ring, on his left hand, so this picture gives even more wedding vibes lmao.

It could even be said that it was foreshadowed in season 1, even if their interactions seemed very platonic to me. I'm quite certain that Elrondriel would have been a much more popular ship if Elrond wasn't supposed to marry Galadriel's daughter.

Will it lead them to erase Celebrian from history and make Galadriel Arwen's mother ? It was Tolkien's original idea, after all. It would make certain very agressive fans of the bland NPC mad, which I wouldn't be against tbh, and it would resolve the "wtf do we do with the NPC problem, at least. Because, it's definitely a problem. 8 episodes per season, a character who has no utility in the story except to be the main character's husband, but who has to be introduced in a way that the audience understands why he was presumed dead and suddenly shows up... Make Elrond Galadriel's husband, and you solve the problem !

I'm only half-joking, folks. It would considerably break the lore, but would it be a big deal, really ? I'm not sure I'd be against it, tbh. Anything's better for me than "Elrond's secretly in love with Galadriel, they will never act on it but since he can't have the mother, he'll settle for her daughter" future the show seems to have set up.

[boyfriendyke]

there r a lot of things about the myth of psyche and eros that makes me a little insane but one of them has always been the tasks from aphrodite and the unfairness of it. they're not intended to be possible. they're so obviously not meant to be possible, and psyche isn't fucking hercules, you know, she's not a demigod or whatever, she's mortal and these aren't mortal tasks!! it's why psyche has to be helped with each one, fucking by like ants and river gods and shit. and so like. idk. i know ppl see psyche and eros as like a story about love and shit which obviously it is but as a kid psyche and eros always felt like a story about being able to accept help

[liquidstar]

a friend who'd wait :)

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[samarecharm]

Random question about the “they should make persona for people who like good games” post. Do people think the persona series is that bad? I know they aren’t perfect but I wouldn’t call them bad games.

I had a wholeass essay written out before i realized im too tired to make it sound coherent. AND my only experience is p 4 and 5, so my opinion on it means jack shit. All i can say is that the most recent titles suffer from bad writing. (And repetitive gameplay, but thats a different issue). Be it poorly written characters and dialogue, or poorly written interactions and plot, it is hard to take some of the stuff in the more recent games at face value. One could argue that that just means the game is subpar, not necessarily bad, but thats subjective; bad means different things to different people. And i say this as someone who thinks this game is Not the best but still found it incredibly engaging and entertaining.

[waywardsalt]

im actually going to tear into totk’s dragon’s tears/ memories rn bc i remember feeling distinctly unsatisfied with them when i got all of them so im just going to write some general bullet points about them, about what i dislike or maybe what i do actually like about them, leaving out both master sword scenes and the mummydorf one because i’m here to talk about the stuff in the past not that

- off the bat (i play this game in english btw so all of this is based on the english text and translation i am aware some stuff is slightly different in other languages) im not really a fan of how the descriptions of all of the tears is just a literal description of what happens?? i think my issue with it is that some of the text is a little bit too in depth, as in it just tells you literally everything about the scene. this might be nitpick-y but i personally dont like it

- what’s up with zelda saying ‘but that must mean...!’ at the end of the scene. is it suggesting that she’s made the realization that rauru and sonia are the first king and queen of hyrule? because they literally tell her that like ten seconds before. i guess it’s suggesting she’s realizing she’s in the past but... idk the texts says ‘she’s left startled by a suspicion that she’s heard those names before’ yeah theyre the first king and queen of hyrule?? they tell her that. they tell her their names and that they are the first leaders of hyrule is she just now connecting the dots that she’s in the past? that’s what the next cutscene implies. but all of the surrounding dialogue and the description don’t suggest that that’s what she’s realizing i feel like this was kind of muddled in the translation

- why did sonia elbow rauru he was just standing weird he didnt say anything this isnt a nitpick im just confused. is it because he’s not being very empathetic towards what zelda’s going through? she elbows him and then she goes and talks to zelda why even elbow rauru. ordinarily you elbow someone like that if you mean for them to go do something why elbow someone if you’re going to do the thing you want anyways

- why doesnt zelda offer to help with the purah pad or anything like that. what happened to her sheikah tech fascination from botw. not even as someone actually familiar with the technology who could give mineru some points as to how it works

- what are sonia and zelda doing behind rauru when he shoots that insane fucking beam at the mulduga swarm they’re clearly doing something with their stones but like... are they amplifying rauru’s power somehow?? what do time powers have to do with the beam of light i dont- what were they doing please the text description only mentions him using his powers so are sonia and zelda just... supporting his powers? idk man

- dragon tear #5 is a whole can of worms with its worse-than-oot reenactment of that one scene from oot. why the focus on sonia and her tear btw. i mean yeah she dies to motivate rauru and zelda but like. why not aim for the new girl who probably doesn’t know how to use it as much and is probably more likely to be separate from the king who can shot insane lasers. im really not a fan of this scene for how strongly the game sides with rauru and zelda being passive and judgemental but ganondorf is literally the best part of it there’s a lot of character in just how he picks up his sword and stands up to leave

- putting memories 6 and 7 together just because of how there was just. no fucking care put into the idea of zelda learning to use her time powers. memory 6 zelda talks about wanting to use her time powers and sonia gives her tips on how she could use it and visualize the use of it and then in memory 7 she can just use it perfectly with great control and timing. why even bother talking about her nothing yet understanding how to use it when the very next scene she just uses it like it’s nothing. how much time has passed we get nothing to show us zelda trying to practice this power just. nope. she’s good she can use it perfectly. also more awkward dialogue sonia saying ‘what a picture zelda paints of him’ as she is. looking directly at zelda. change the line to like, ‘what a picture you paint of him’ she is literally looking right at zelda so why would she say it like that

- generally i feel like memory six should have been before 4 and 5 (4 being where she uses some power to... support??? rauru and it being before memory 5 so that there isnt this weird break in between the memories concerning ganondorf.) memory 6 does not have anything to do with memory 4 or 5 so just put it earlier so there isnt a weird shift in focus between the two big ganondorf scenes

- good god they introduce the idea of sonia and zelda being aware of ganondorf using a fake zelda but theres literally nothing about it having been a problem or them having experience or like. anything. they just TELL you that they know and suggest that it’s been like. a thing for a bit??? also obligatory ganondorf’s face model rigging is fucked comment he’s still the best part

- the pacing of these memories is just weird in general, memories 7 and 8 being separate but the same scene is strange when other memories are long as fuck but cover one event each, plus theres clearly barely any passage of time between memories 7 and 8 it almost feels like they were split up to fill space or just because otherwise it’d be... too long? man idk

- ‘queen sonia needs you!’ girl she is DEAD good fucking luck doing anything to help her

- ganondorf’s horse and its armor both look sick as fuck i really wish you got to see more of it outside the memory it appears in

- everything about the original sages honestly sucks. they aren’t characters they’re just walking macguffins. they have no names and are not relevant or mentioned or make any appearance until they are needed by the story. why does the zora sage talk about getting word about the attacked gerudo village in this scene when like. they’ve all met up and have clearly. been together for a bit. when she gives them the news it’s clearly the first they’ve heard of it... but... why would she wait until this moments to give this info unless for the benefit of the player watching the scene. why does the ZORA sage have this news and not... the gerudo sage?? what’s with the masks. they’re all made of zonaite or whatever sure theyre gifts from rauru but like. i hate that it kind of denotes them being subservient and lower than him and the zonai. honestly i really hate this scene in general mostly because of the uncomfortable showing of how rauru absolutely holds power over them and despite them being leaders as well they are expected to be wholly blindly loyal to him. rauru only gives them these stones when he needs their aid and they swear loyalty too him soon after but you also see that sonia and mineru have stones, too, so they’re clearly withholding these things despite it being kind of reasonable for him to give each race their own secret stone as further proof of their pact? there is so much shit to be said about the imperialistic themes or whatever in this fucking story and i really hate it

- i do kinda like how the next scene shows you that the one rock in the corner of that first hidden room in the forgotten temple is sonia’s grave

- zelda’s phrasing and description of how she and link found ganondorf is weird to me ‘he’s still alive’ ‘he lives on’ girl that was a mummy. he was not moving until you got there. he’s undead at best as far as you know. this is def a nitpick but eh. also the reliance on link is a... bit odd when zelda does not actually know that link is safe until she gets the master sword. its fine but still. also her shell-shocked expression after rauru talks about her being in the past for a reason is a bit... it doesn’t fit her emotion it’s kind of similar to the expression she had when sonia was killed

- the memory about the imprisoning war starts with practically the whole story up until now being repeated back to you by mineru with a decent amount of bias on mineru’s part and while it’s fine because of some of the extra stuff you learn but it does a lot more telling rather than showing when it comes to the actual imprisoning war and... idk the whole thing about their ‘fight’ kind of falls flat when you don’t actually see any fighting you just see that the sages have gotten their asses beat. i think it would have been a little interesting if in the god-awful repetitive sage-awakening scenes they had actually showed you the og sages fighting ganondorf instead of just. slow-mo freeze-frames for whatever. once again ganondorf if the best part of the scene

- the rest of the memories are fine idc

i get the feeling that the japanese-to-english translation was either all-around rough or somehow rushed, because some of the phrases in the game as well as some of the dialogue is really awkward and... could have been better. i don’t know how it works but it feels like a lot of it was very literal, direct translation and no one at noa thought that it ought to be tweaked just a little bit

these memories also do a fuck-ton of telling rather than showing and it really is like they don’t really trust you to connect the dots, and some of it does come off like they either didn’t want to make more memories or ran out of time or something. i felt like the memory of ganondorf just summoning his monsters and riding on his cool horse could have been a bit longer to actually show us the forces of hyrule fighting him and having a hard time with it

a lot of the character animations doesn’t have a whole lot of personality to them, ganondorf is the character who had the most distinct and interesting movements. rauru and sonia had their... singular movement (rauru putting a hand to his chin and sonia taking zelda’s hands) and zelda was kind of just... standing around and reacting to stuff, and neither mineru nor any of the other sages had any really interesting animations asides from mineru’s coughing fit in memory 16 (plus her reclining chair that was a nice touch). very few of their movements really express anything about the characters besides some really baseline values or traits.

the ordering of some memories is kind of odd, the excessive flashbacks in memory 17 are a bit much, the telling rather than showing, the sometimes awkward dialogue, a lot of the scenes are characters just... talking at each other, you don’t actually see very much of hyrule in the past or any characters beyond the main four, and it really did nothing to actually get me to care about these characters at all.

tldr i dont like totk’s dragon tears

[kneworder]

i have all these draft documents of half finished fics full of lines i love but that are so fundamentally flawed i can't figure out how to finish them and can't kill my darlings mercilessly enough to get past the roadblocks so i just reread them over and over and think damn this is kinda fire. wish it was anywhere near shareable.

[battywitch]

I've just had the delightful realization (again) that this is my story, and I can put whatever I want into it. Including a shape changing vampire.

[windfighter]

Working at a smile

Prompt: False smile | Holding back tears | ”I said I’m fine.”

--------

Gabriel looked around the classroom. He could see David disappear through the door and cursed. He had wanted to speak with him, make some arrangement about the World War I-project they should be working on. He quickly shoved his books into his bag, grabbed his crutches and hurried to catch up. Oskar put a leg infront of Gabriel’s feet and Gabriel hit him with one of the crutches.

”Not today, please.”

”Going after your lover~?” Oskar teased.

”Why, are you jealous?”

Oskar made a disgusted sound and turned away again. Gabriel waved goodbye to Mikaela and left the classroom. Hurried through the corridor. David had already disappeared. Gabriel’s crutches hit the floor with way too much force as he continued through the school, out through the entrance. David was disappearing into the crowd, his body getting more and more obscured for every second.

”David!” Gabriel called.

He lifted one hand and waved, but David didn’t turn around. Determined, stressed. Scared? Gabriel shook his head, took a few deep breaths and went down the stairs, across the yard. People moved out of the way when they saw him. Made if faster for him to traverse the yard then for David.

”Hey!”

Gabriel caught up. David stopped. Almost… trembled? Gabriel’s heart beat fast and he grabbed David’s sleeve to not lose him again.

”Hang on, lemme… catch my breath…”

David nodded. Smiled at him. Something was off with the smile. A milimeter too big, the way David’s teeth showed between the lips. Gabriel couldn’t pinpoint whatwas wrong, just that something was.

”You didn’t need to run”, David said and laughed.

The laughter was just this side of panic. Gabriel recognized it from himself, when he busted his knee. He let go of David’s sleeve, pulled a hand through his hair and gripped the crutch again instead.

”Are you okay?” he asked. ”You’ve been ignoring us lately.”

”I’m fine.”

But his eyes glanced around, like he was being chased. Gabriel shrugged.

”Okay then. Can I come with you? We need to work on our project.”

David’s smile disappeared. Reappeared, but tenser. Gabriel pulled at the straps to his backpack.

”Or we can go to my place?”

”I don’t…”

David seemed to fold into himself. His shoulders sank, he shrunk, his face turned towards his feet. He shuffled his feet. The sentence died out and disappeared with the wind. Gabriel tried to not let out a sigh, but David flinched. Gabriel never knew what he did wrong, why David felt so scared around him.

Gabriel gestured to a bench, tried to not look threatening despite having no idea how to even begin threatening anyone.

”Can we sit down? My knee’s still fucked up.”

David’s cheeks turned red. He nodded, sat down on the bench. Stared at his knees. Gabriel crutched over and sat down as well. Put his backpack next to himself. He let out a relieved sigh as he could take all the weight away from his knee. David opened his mouth, closed it again. Gabriel was pretty sure what he had wanted to ask, because everyone asked that.

”Two more weeks, then I’ll be free”, he said. ”It’s mostly painfree by now, as long as I don’t walk too much.”

He nudged David’s side.

”You’d know if you stopped avoiding us”, he said with a smile.

David looked away. Gabriel grabbed a small notebook from his backpack. Better just get to the point.

”I’m guessing today’s not a good day to work?” he said.

David nodded. Gabriel opened the notebook.

”So when’s a good time for you? My schedule’s flexible now when I can’t do anything.”

David snickered and Gabriel smiled. He was getting somewhere.

”M…” David’s voice trembled. ”Maybe tomorrow? Over lunch?”

The urge to say something sarcastic about missing their lunchbreak was huge, but Gabriel pushed it down. He was trying to befriend David, not push him further away.

”Yeah, sounds good. The library will be empty so we’ll have all the books to ourselves! Eat with us tomorrow, then we’ll go there.”

David tensed up again. Gabriel wrote down the plan in the notebook.

”We’ll see how far we get and if we need to do some after school-work after tomorrow, I guess.”

He put the notebook in the backpack, looked at David. He was still tense.

”...Benjamin won’t be there, just me, Lisa and Maria. You can relax.”

David smiled. Nodded. Gabriel tilted his head.

”...So are you okay?” he asked.

”I said I’m fine”, David answered, but his voice was tense. ”I… I’m fine. Everything’s handled. Just…”

He looked around in a way Gabriel had seen Benjamin do so many times. Searching, trying to find the perfect white lie. Or Bullshit lie as it most often was in Benjamin’s case.

”...lots of schoolwork.”

Gabriel decided to accept the lie for now. He nodded, stood up again.

”Lisa is smarter, but if you need help you can always ask me”, he said. ”I mean… I think my highest grade is a B, but I can try.”

He laughed. David stood up, shook his head.

”It… it’s fine. Thanks though. I gotta go home now.”

”Alright, see….”

David was already bolting down the street. Gabriel grabbed his backpack.

”...you later.”

He shook his head, put the backpack on his back and grabbed his crutches. Started walking home. Maybe tomorrow he’d be able to get some better answers. Because something was wrong and he wanted to figure out how to help.

[purplebass]

I hate when I'm trying to write something and it reminds me of something else I've written and I suddenly don't want to write anymore because I don't want to repeat/copy myself

and I want to come up with something new so it's not similar to other works of mine

[noxtivagus]

no thoughts only fiction fr i want to write 🫣