#but the symbolism guys... the symbolism...

[thefirstpaleontologist]

I am CACKLING at these tags oh my days

Whenever Bill sees KingOfNJ's fics through Stan's eyes he just thinks they have the same taste in fanfiction (disgusting. unthinkable)

[zephyrchama]

Do you guys think that maybe, when the demon brothers have so much paperwork to do and their hands get tired from holding a pen all day, they sign off on documents with their sin symbols instead of their names? Or when they're in a huge rush and have to leave a note, but writing their name is too much of a hassle? Their names are kind of long. A little simplified, shorthand drawing of their sin is surely much faster in the long run.

[syl-stormblessed]

why haven’t i seen a SINGLE post about Isha she’s everything to me

[highly-flammable]

I still have so many thoughts about this scene.

It’s very interesting how regardless of what you think of Sauron’s motivations here, his emotions are completely genuine. Galadriel is someone who has believed in him, who has pushed him and revitalized him, and that feeling, that high he could chase forever. We see how lonely Sauron as a character is in S2, how he has felt betrayed at the hand of Adar, and how normal people (like Diarmid) don’t do anything for him. It takes someone like Galadriel with her level of power and wisdom, and that hint of darkness, to finally feel like he is not alone. That he has somehow been made better.

At the same time, you have to wonder why this is the moment that he chose to open up to Galadriel like this. In the scene right before, he seemed almost calculating as he called her name and stopped her from killing Adar. I, for one, am averse to having too much of a charitable opinion of this guy. To me, part of the beauty of this character in TROP is that he says and does many things that come from an emotionally honest place, but they end up serving his goals in little ways.

As I see it, both things are true: he could genuinely feel a connection to her and felt like communicating it (you can almost feel the words spilling out of him), and he also saw how this moment was absolutely ripe for Galadriel to know they were firm friends and therefore get bound to him. Their fight was seemingly over and he knew she was going to have to leave soon. He had to give her a reason to still have him around, and here he tries to do that. Galadriel is someone who has spent centuries looking for him so that she could destroy him, and this is when he sees that opening where he could get through to her and somehow make her feel that they did not have to be enemies. Sauron’s good at choosing the moments for planting seeds which will bear fruit later, and we will indeed see him referring to this interaction multiple times in the future.

Sidenote: Charlie Vickers has very soulful, expressive eyes.

Moving on to what I personally find even more interesting: Galadriel’s feelings. Morfydd once mentioned in an interview that when Galadriel meets Halbrand, she is desperate to feel anything other than grief. She has been drowning in it for centuries, and when Sauron pulls her out of the ocean in the middle of the tempest, their resurfacing is symbolic of a rebirth. As brash and headstrong and disrespectful as she finds Halbrand, she enjoys his audacity and his wit. She admires that he feels alive and seems to grasp at opportunities. He wakes her up, as much as she does it for him.

But between the two of them, Galadriel is the one still dealing with overwhelming loss. She is mourning so many of her kinsmen, particularly Finrod, who was clearly her guiding light, and also Celeborn. Different shipper camps will have their interpretations of Galadriel and Celeborn’s relationship, but I don’t think it’s up for debate that she had been quietly grieving him. It wasn’t enough to divert her from hunting down Sauron, but the grief itself is clear in 1x07 when she mentions him. Galadriel’s story has been a tapestry of different kinds of loss - the ones that are unexpected and come as a heavy blow like Finrod’s, and the ones where the realization slowly seeps in like poison and eats away at you.

It’s downright painful for her to admit here that she felt something poignant with regard to Halbrand, perhaps simply because she is so afraid of loss again. It must have been ages since she last let someone new in, and this person has rescued her and stood by her (aside from all the playing hard to get) when she was utterly alone. This is the moment where it truly hits her how much he has begun to mean to her, and having gone through what she has, you have to assume she is downright terrified of it, particularly because as per her knowledge, this is a mortal man, with no enhanced lifespan even, his time on middle-earth a mere blink against the ages she has endured and will continue to.

Their relationship has been coded as romantic from the very beginning (I would say right from the moment Sauron first tries to separate from the rest of the castaways in 1x02 and clearly plans to join her). But I don’t believe Galadriel in this scene would ever admit to herself if she felt anything romantic. It would be too much for her, and I don’t believe she is even in the headspace to think about these things . I have to say Morfydd and Charlie are right about one thing: romance alone doesn’t cover whatever they were trying to sell here. For both characters, this is a moment of a tremendous wall breaking down emotionally, and both of them realizing they have met their kindreds. This is the moment that understandably keeps haunting both of them, and I suppose will continue to for multiple reasons.

Sidenote 2: Galadriel’s little shaky breaths and subtly pained expressions are so masterfully done here by Morfydd. You almost feel like you are watching someone’s wounds being slowly, excruciatingly cut open again.

[annabelle--cane]

door. door motif symbolism. have you guys ever thought about door motif symbolism. because I have.

[binglepringle]

MAPS COSTUME YAH

Well 1/3rd of it… maybe I’ll have a better picture of the whole thing later… also hi it’s my not-really-face reveal! In which I don’t show my face at all! But hey, at least now you can sleep at night knowing I’m not a bald middle aged man! 🌼

[mourninglamby]

I have always loved your character designs, they're not only generally gorgeous and balanced but also so interesting, like there's this constant itch to "solve" the potential symbolism behind it. It feels carefully crafted and so understanding, so even when you lean into horror (and youre damn good at portraying unease, ill tell you), It seems to be wrapping me with some odd sense of comfort, like yeah, this guy gets me, everythings fine.

If you're ready for it... Could you maybe tell us a little info on your new(?) ocs?

this is so so sweet omg …. Well I kinda wanna keep these characters story to myself for the time being but I will say it’s like … if challengers and natural born losers had a baby and it was raised by a Surgeon. Crime drama psychological thriller love story meld type deal. Angie is a 21 going in 22 year old nursing student and 25 year old Kit is a film school dropout who filmed amateur porn in Alabama because he didn’t wanna face his father after dropping out. However, his father’s sudden passing forces him back to his hometown of Hearth, where Angie resides under the support of a mysterious but prestigious benefactor, and where he is framed for a murder before he could even reach a funeral home. Angie is obsessed with stalking serial killers because of her own trauma, so she knows Kit’s not the killer. through protecting and getting to know Kit as they search for the object of Angie’s obsession and to prove Kit’s innocence … Angie is starting to realize she is in more trouble than she bargained for (PSYCHOLOGICAL INSANITY ENSUES

ANYWAYS Here’s a drawing of Angie’s bff and the famous MySpace queen Cheryl!!

She really loves hamsters

[ramshackle-roach]

gang im going insane i love firework duo so much. The way both of them were executed by each other by another persons suggestion. the way tubbo is constantly pitted against discs (INANIMATE OBJECTS) and techno is constantly compared to a blade, a weapon. The way theyre both constantly betrayed. Techno hoards wither as Tubbo hoards nukes. Unwillingly being symbols of causes and ideals. Tubbo grinding for hours with eret in early lmanburg only to be betrayed and lose everything, the way Techno grinded for hours in Pogtopia and was betrayed and lost pretty much everything. Techno retired and starts keeping bees. Tubbo retired and starts keeping bees. They both constantly fall to peer pressure. Such clear reflections of each other, constantly being pitted against one another. Unrelated note any of you guys listened to Cops and Robbers by The Hoosiers??

[shimylli]

So after some time to think about it, I will share my own though on Solavellan ending in Dragon Age The Veilguard, so SPOILER ahead.

ON ROOK AND SOLAS

First I would like to share a bit about them, because I really enjoyed their dynamics on the game.

« – Letting the veil collapse... – ... Is what you want. Making amend isn't about what you want. »

I wish so bad those words, and the whole cinematic would have been from my Inquisitor perspective. That she could be the one angry, and also saying the right word, she derseved it, after all this time.

But I am not angry at all, because like I said, I enjoy Rook and Solas relationship.

Solas treat Rook the way he would have never treated Lavellan. There is such a cruelty in trapping someone in an eternal and lonely prison, and Rook - specially if you play it as a supportive and forgiveful one - is one of the least to deserve it.

Rook see the manipulative, abusive and cruel side of the Trickser god. Solas never really let is guard down this time, He doesn't allow it considering how close he was to stop everything by the time of Inquisition.

Rook forgiving and believing in Solas, still, despite everything he has done to her, was also really impactful and satisfying. And for Solas, it was the first step through healing.

INQUISITOR INTERVENTION

As he still proceed on his plan, he hear the voice of the Inquisitor, and turn so fast.

It is so hearbeaking, and after all this time, he still calls her " Vhenan ".

And for her, he lets his guard down, again.

« – You think you've come too far to come back, but you're wrong. »

Lavellan plays a really mature and forgiving part, and I think it makes sense. In Inquisition, I played an angry Lavellan, the one who scream in elvish and then say " I would have had you trust me " while angrily entering his personal space. But it has been 10 years, and like us, she had time to think about it, to take distance and make peace about their relationship.

Solas is looking for every way to proove that he is undeserving of her forgiveness, give many excuses.

«– I forgive you ! »

I was so happy about the Voice Acting, when Lavellan assertively cut him and scream at him this sentence. She already failed 8 years ago to convince him to stay, and she will not let her second chance pass.

And then...

MYTHAL AND SOLAS

Ugh. Where to start.

I like what they did with Solas and Mythal relationship, seeing how abusive and manipulative Mythal was. In a way, it makes the time between Solas and Lavellan in Inquisition even softer, as she accepted him for the person he was and wanted to be. A person who gave advice and share his wisdom. An equal.

I also don't think that Mythal and Solas were romantically involved, and it would have been better to avoid the companions comment about it, making it moreconfusing. Actually, it would have been even better to not have the team reuniting to watch and comment the really personal memories of Solas like a TV Show.

Mythal is the third to offer forgiveness by sharing the weight of their mistakes, and even so I wish she would have been an optional intervention, I have to recognise that the scene is intense and painful - positevily - to watch.

This is the moment the Lost Elf theme start to play as the same time as the main DA TV theme with violin, they managed to make it even sader.

His body language. He is breaking, getting crushed by the weight from his pain. To see him, so vulnerable, so small, it was heartbreaking. And when Mythal release him, say the last word that finally free him, is like he can no longer stand, he fall crying.

Obviously, he was no longer bounded to Mythal since long, and every bad decision he took in the past were taken freely. Still, metaphorically, it was really symbolic. The guy has been suffering for thousand years.

SOLAS AND LAVELLAN

«– Banal Nadas Ar lath'ma Vhenan. »

And then Lavellan walks slowly towards him, and softly kneel to look him in the eyes. She is caring and supportive, and start saying reassuring words in elvhen. I feel like them speaking in elvhen makes so much sench, has it is kind of their tongue of truth and sincerity.

I love that Lavellan grew to be this person Solas could trust, and could be there for him, show compassion. She does not look submissive, but caring. She definitely is in control of the situation, and she chose to be here for him. Despite everything.

And again, the animation. The emotion in their looks. The tears in Solas' eyes.

The sadness of his gaze while he decide to take the hardest decision, and pay the consequences of his actions.

And while Rook and Morrigan look at him, proudly, there is this little frame.

Lavellan, smiling, lookind down. A bit of sadness in her eyes. I think it is the moment she realise that she have to take a decision. See him take his responsability, keeping him as dear memory, or leave everything to be by his side. And my head still remember what she said to him after the Well of Sorrow mission : " No matter what, you will be by my side. ".

I am not upsed by the ending. This is exactly what I had envision before the release of Veilguard.

Sure, Solas was the victime of Mythal abuse, but the pain and suffering he caused around him were all from decisions he took freely. He needed to make amend, and not a sacrificial reparation. The decision is even harder as it mirrors his fear that we know. Dying alone.

Every other ending is painful to watch when you remember that.

So for him to take his responsability, knowing that he would lead him to a life of solitude. Only, when he chose this path, with the end that awaits him, does it makes sens that the Inquisitor offer to follow him. The world is saved, she leave it in the good hands of people she trust, and she deserve to finally take a break.

And again, the game let you decide if you want to follow him, you can have a Lavellan who think that it was too much for her. But to me, it is the culminent point of their story taking a mythical level.

«– Ar ghilas vir banal. »

Solas speaking elvhen sounds so beautiful. Again, he rejects her, telling her that only terrible thing awaits her if she follow him. He wants to protect her, she doesn't have to face the same consequences as him, she has done nothing but trying to repare his mistakes. I think it shows that he still care, that he would not make her selfishly take the same burden as him.

I know, it is not a grand gesture, but the way he looks at her. I do believe she means everything to him.

And the kiss was so soft. I think us, solavellan fan are not use to it. And it bugged me also, as we had in the past more intimate scene. I think I would have prefere if he at least hugged her while kissing. Still, I think it goes well with the caring and softness of Lavellan, in this specific situation, who is in front of a bruised man.

I kind of count on the artist to make something more emotional.

So far, I enjoyed the ending, I just have a problem with the execution, and now that I am writting all of it, I realise that I even enjoyed the cinematic, I just think I was expecting more. A Trespasser level ending, that would feel more personal.

But I am also in peace with the ending, this is exactly what I wanted for them, and I am sure that they will make of this fade prison a special place for them to grow happy.

And again, thanks to the Solavellan fan to provide us with content that should be in the game. The way he looks at her :

I think this picture alone help me make peace with the end.

And I will just finish with my Lavellan and Rook smiling. I love them so much.

[space-station-nursery]

◜ 🕯️𓂃 Happy Diwali! ‧ 🪷◞

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Happy Diwali to those who celebrate ! I hope your diwali was filled with laughter, joy and love! I wish you all a prosperous year full of health, and prosperity. Whilst this post is a little late, i would like to tell you all what diwali is !

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╰╮What is Diwali? ﹕✦

Diwali [or Dipawali] is India's largest holiday, The festival gets its name from the row (avali) of clay lamps (deepa) that Indians light outside their homes to symbolize the inner light that protects from spiritual darkness. . It's as important to Hindus as Christmas to Christians and is enjoyed by non-Hindu communities.

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╰╮How is it celebrated? ﹕✦

Diwali is celebrated over the course of 5 days:

⧼ 1 ⧽ Dhanteras

During this day, many are focused on cleaning the home and shopping for golden items which is thought to bring good fortune. Lakshmi is the focus of worship on this day!

�� 2 ⧽ Naraka Chaturdashi or Choti Diwali

On the second day, People begin to decorate with clay lights, and designs called rangoli on the floor with sand or colored powders. Prayers are also offered for the souls of ancestors

⧼ 3 ⧽ Lakshmi Puja

The main day of the Diwali festival! This is a time for families to seek blessings from Lakshmi, light diyas, candles, and fireworks. They also will visit temples on this day, and have bountiful feasts

⧼ 4 ⧽ Govardhan Puja

Also known as Balipratipada or Annakut is the fourth day of Diwali ! This day commemorates Krishna's victory over Indra[king of the gods] and the start of the Hindu new year. Friends and relatives visit with gifts and best wishes for the season.

⧼ 5 ⧽ Bhai Dooj

Also known as Bhai Tika or Bhai Bij, is the last day of Diwali. On this day, everyone celebrates the bonds between their siblings, and sisters will pray for the prosperity, success, and well-beings of their brothers

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╰╮Diwali Fun! ﹕✦

Before finishing up, i would like to give you guys some diwali worksheets ! The top one is Diwali vocab with pictures !! Which will help you in all the rest 💗

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18+ blogs // DD!LG, AB!DL and variants [even "SFW"] // 27 and older // DNI

Fact OTD: The Chamber of Knowledge used to be called the Chamber of Mysteries.

[foreficfandom]

Let's Be Hazbin Hotel "Critical":

Rushed pacing → concise pacing

Visual clutter → Stimulating visual sensory

Bastardized biblical narrative of sacred texts → satirical critique of Christian morals

Flawed representation of sexual and racial minorities → diverse expanse of demographics in various stages of life

My point? There's a difference between an objective critique versus what kind of penmanship you'd rather see on screen. You don't order a milkshake at a home depot. You don't offer an honest critique that aims to make a vision less of what it is, as opposed to a critique aimed to better its goal.

A fair critique: Alastor's magic sometimes has random vevè floating around. Louisiana Voodoo is a closed practice, which makes the creative use of its symbols appropriation. Iwa beacons don't suddenly manifest and fly around like sparkles according to Voodoo religion.

A fair critique: The relationship between Alastor's mixed race, his association with Voodoo, his cannibalism, his violence, his poppet imagery, it aligns very close to real-life lawful persecution of New Orleans Voodoo, which was broadcasted to include cannibalism and blood sacrifices.

A fair critique: The large, bell-shaped stiffness of Alastor's coat means that the animators have to struggle with compromising its starch-stiff form. Do they have it swing like fabric should? Or do we have it pop into place whenever Alastor turns around, and have it conspicuously and awkwardly look like botched animation timing?

A "critique": Alastor's head is bigger than his torso, you can't see his antlers clearly, and having him on the side of the good guys is glorifying ___.

I'm not saying people shouldn't express their own preferences, their gripes, and their biased criticism. Far from it.

But this might be your wake-up call to realizing that your 'criticism' has been biased gripes all along, and not the fair perspective you thought it was.

[vampireghostlawyer]

what do you guys think the symbolism of that piltover kid who got gassed looking exactly like viktor is.

[kaddyssammlung]

I want to share some thoughts with you.

I really like all the new content that is coming in at the moment. But I posted two pics (so far) that I was very hesitant to post (pic 1 and pic 2). The thing about them is the elephant in the room. It's what you can see in them. His scars....

That catwalk and the new angles and everything and many now seeing what I always could....well...I'm rambling.

Hiding from here on because some topics are not for everyone. Vessel and self-harm….those words alone can get you blocked other places. Recently I talked to so many of you about that topic because I received a lot of messages about that topic (here and other places) and that made me think. I just want to share some thoughts and some links to YouTube channels that deal with topics like these. That's all.

To me this is almost nothing special in a way. I have struggled with this myself for many years. Mostly from when I was 14 into my early 20s. I know many other humans (real life and online) who dealt with the same issues. What I fail to realize is though: not everyone knows someone who struggled with this or knows something about this topic in general. That's why so many seem concerned or don't even know what to do with all of this. I wrote some stuff about it when I analyized the lyrics but that's just me talking about myself rather then about Vessel. He has suffered but like he says we all have suffered. The whole album “Take Me Back To Eden” symbolizes a journey of regaining inner strength. “We step into my suffering” it's what I do in my energy work session. I step into my suffering and face it in order to heal it and turn it into strength or something else that's positive. Not that important. We can learn from our suffering…well..this is actually not what I wanted to talk about. I just wanted to share some online resources that I like.

Psych2go has all sorts of videos about mental health. The videos are short and focus on what's important so that you can maybe understand a topic better.

Another video that I really like “Heartstopper Gets Therapized” (that Netflix show and that guy is a therapist). It deals with that topic, too and explain it really well.

another video that YouTube suggested to me and that I like

Why do people self-harm?

it explains the biology (in the brain) behind it. But it's more about the link between self-harm and BPD. So...it was meant for me because it's what I have.

I have no idea why Vessel did what he did but I'm sure that he is much better now. Of course I don't know that but seeing how much fun he has on stage these days....and also his voice. There is so much strength in it. You can't sing with strength when you feel weak. I find his transformation inspiring.

I do understand why other places treat this topic like the plague but for me personally that's not how I want to treat this. If you have questions you can aks btw. that's what I mean with this.

And also...I keep seeing so much cool stuff that I want to post but I'm not even sure what to post anymore because of how visible they are. Or if I should put a trigger warning in the tags or if I should just not do anything about it. I would not hide my scars on stage btw. I would wear what I want to wear and when they are in pics then I just would not care. I don't care that much about them anymore. They are just here.

[itsnothingofinterest]

Well I'm sorry you feel that way but this is the impression the story of MHA gave me in it's final arc. Not through ignoring themes or events, but through scrutinizing them thoroughly.

To start off with All Might's independence, you say he normally worked solo and the big operation for the last day of his work isn't indicative of the other 40 years; but the thing is, working solo is actually normal for most heroes (unless they're on a team of heroes like the WWPC). See Kamui Woods & Mt. Lady competing over handling the purse snatcher from chapter 1 as an example of normal hero operation. They only really work together with non-sidekicks for big operations, and even non-League-based operations like the Overhaul raid can pull top heroes like Ryukyu & Fatgum. And when the Kamino raid is the only real big operation we see during All Might's tenure at all (unless you count the USJ rescue, which also played out just like Deku's experience in the final arc), I don't see a reason to assume it was atypical of All Might.

The reason society felt to nearly fall apart with All Might's retirement wasn't because he worked solo all the time; it was because he was so many miles better than the next best guy that he became the basis for the heroes reputation; so his departure sowed doubt in their credibility.

~

As for Deku getting non-hero help; the help from civilians amounted to first aid kits & shirts and stuff. Things civilians were largely already willing to part with to help heroes even before society collapsed; see the old lady insisting Bakugou take some food right before Shigaraki woke up in Jaku. This is really not the radical change it's presented as. Past that, they just stayed on the sidelines waiting for the fight to be over and then helped clean up, same as ever with the last Symbol.

And as for the villains who helped him; well one was already a former hero, 2 others were a minor offenders asked to help catch much worse criminals, which is pretty standard law enforcement behaviour, and Stain. That's just 4 villains helping; 4 total people helping the heroes in ways not expected of them. And there's no big sign that greater society noticed their contribution anyway; Stain in particular felt forgotten after he died.

(Also, it was a whole plot point no help arrived from elsewhere in the world at all for the final battle. Least of all in a way that affect's public perception.)

So my problem persists that I don't understand why this battle against/beatdown of the big bad villain is supposed to be so different & special from the perspective of the masses.

~

Next, as for Deku trying to find a non-lethal resolution, well I guess it might depend on your definition of "lethal" but:

The evidence does suggest Deku wanted to "break them both"; that he was intending for Tomura to wind up in the same state AFO was in at the time, and he certainly wasn't looking to save that guy.

And as for the being obvious to everyone who witnessed it...how do you figure that? Deku barely had any dialogue spoken aloud to Shigaraki to begin with in the final fight, and most of that was for the portion when he was on his own and no one else could hear him. It's not like his actions could speak for him either, he was just throwing punches the whole time. Counting only after everyone arrived, he basically just recounted what happened to Aizawa, got his arms healed, and started charging AFO to deliver a one-hit-kill-punch while everyone told him to do his best because he's the only one who can deliver a meaningful hit. It's been a while since I reread the whole arc, but I don't remember Deku ever telling anyone he intended to save Tomura anyway besides the vestiges & All Might, and he only talked about it for us to see with the latter after Tomura died.

What part of that series of events makes you think anyone but Deku & AM was in on any intention of saving Shigaraki? When did anyone else treat Shigaraki as anything but a villain that needed beating? Why would that be a wake up call to society instead of just the 4th and final defeat of AFO?

~

And lastly; as for the lethal option being unavoidable. Well maybe it was for Deku, but we know it wasn't impossible to save Tomura at all (similar to how Touya could have been saved, but Enji never could have saved him); because Spinner managed it. And enough of Tomura's spirit was still around that we can safely say a repeat should have been possible. So that Deku failed to save someone we know was save-able; hell, that he failed to save someone he vowed to save at all (and do not try to tell me he saved his heart based on a 2-panel speech on hand-holding), undercuts the storytelling now matter how you slice it.

Deku failed to save Tomura and complete the objective he set for the final 3rd of the series, failed to do anything truly different from All Might before him...and everything just turns out way better anyway. There's no way around this feeling is contrived and unearned.

I think the thing that ultimately gets me about how Deku has supposedly inspired away everything that'd lead to more Tenkos turning into Tomuras is...just "why?" Like, why did this:

Happen differently this time? I mean that's a fair question to ask, isn't it? The Walk was effectively the true inciting incident for Tomura, leader of the League, to hate hero society; you'd want a really solid answer as to why that won't happen again I would think.

The narration from Hawks and accompanying imagery implies it's because Deku inspired folks to not sit on the sidelines anymore, further implied to be a Hero Society-wide effect Deku has had that'll supposedly eliminate the bystander effect that led us here and give heroes more free time.

But like...Why is that different from what we've seen of heroes before now? All Might was around for 40 years and Deku, in the end, didn't really do anything AM didn't do; he punched out the big bad for the world to see. And All Might did also inspire people like the origin trio to action...by becoming heroes. Yet civilians like the old lady were inspired to go about her day because a hero would handle it, while Deku inspired her to reach out a hand herself. Why?

I've heard some suggest it's because Deku was less independent, had more of a teamwork focus in his big moment. But I’ve said this before, I think those people assume All Might was a lot more independent than he really was, and Deku a lot less. I mean a lot of Deku's fight was broadcast, including big portions where he was fighting the big bad solo just like All Might in Kamino. And then both fights ended with more heroes coming in to lend support.

So I'm just not seeing why public effect is so radically different.

And it's just that, I have been waiting to see what would prevent more Tomuras from crawling out of the woodworks to destroy even more since MVA; what measures would be taken to prevent that? Perhaps Tomura would destroy hero society, not just its buildings but its corrupt ideals, leadership, & figureheads; and maybe when he was beaten there would be room to rebuild it better from scratch? No, he didn't really destroy much at all actually, and things are being rebuilt just as they were. Would Deku and Tomura perhaps team up going forward after he's saved; with the latter's eyes for what's wrong in the world and the former's ability to fix it without violence? No, Deku kills Tomura because he was just too unforgivable, it's implied he was just after a tasteful way to do that the whole fight. Well, would Deku at least listen to what drove Tomura to villainy and do something about any of that? Nope, if it wasn't his final words to Spinner or their talk about hand holding, it was in one ear and out the other for Deku; and there's no sign he's told many people what little he did learn.

So what saves the Teknos of the world? Well Deku kills the big bad on live TV and it's really inspiring. Why is that different from the past 40 years? ...Horikoshi is to burnt out to answer. That's the ultimate answer to the question I've been asking for nearly 200 chapters.

Well I guess I always knew that if Deku couldn't save Tomura, it'd mean he couldn't save anyone like him. And well, he didn't save Tomura. It's why this plot point of "but they get saved anyway" rings so hollow; it's unearned, unfair, unrealistic, and outright contrived & unbelievable as things have been set-up. I just cannot believe it would work out this way; it is honestly 100 times more believable to suppose the old lady was a guilt-fuelled one-off and most Tenkos will die in the streets or turn to villainy. Especially once this "the villain is dead" high has passed. Because as it is; this resolution as-presented feels as reasonable as our finale in chapter 430 suggesting Deku was so inspirational that no one was ever a villain again either.

[mysterialistic]

Guys, do you think this symbolizes the number of times Cheng Xiaoshi has died, or is it a symbol for the people who have died in his place due to Lu Guang's interventions?

[gingergofastboatsmojito]

Syd is the pattern breaker

Which is great news in terms of Sydcarmy ENDGAME.

It's not like we all, Sydcarmy truthers, haven't seen that one coming. Of course, we have always known this lady came to turn it all around in Carmy's world from the very get-go, it was always painfully obvious.

BUT

Here is another pattern that she has come to erase from the life of Carmy (and the show)

(He's fighting it like a champ, I must say)

Storer likes strong women who take charge and take the initiative to go after the men they love so the man doesn’t have to (in fiction, IDK about his real life). The guy is the one who gets to decide whether he accepts her advances or innuendos and responds to them, but he doesn’t really take the first step; she does.

Refer to my napkins theory (handkerchief section) please.

Exhibit A: Jess

Jess made it clear she was into Richie in 2x7. Also, at Syd's party. She is up for it and made it clear, even when Richie has not picked up her handkerchief yet.

I don't know about Tiff, nor do I care

Exhibit B: The C person

He created the C person and I will not elaborate on that one. Fuck her!

Exhibit C: Sugar

He created Sugar who is clearly the one who wears the pants in the relationship, and taking into account Pete’s personality, was probably the one who was all over him from day 1, and he was just like: “Yeah Nat, whatever you say, you’re so great, ILY.”

Exhibit D: Tina

He created Tina, same energy as Nat but her husband is no Pete, so I’m not sure about how her relationship with her husband began, I can only safely assume she always speaks her mind. So I’m sure she was open about her feelings when she met her husband, no riddles.

Exhibit E: Donna

He created Donna and same, there’s no version of the story where Donna was ever shy or quiet and not open, if not too open, about her feelings when she met Carmy’s dad (like you know who: the C person) and that’s probably why they got together to begin with and also one of the reasons why he left her eventually. She’s overwhelmingly vocal about how she feels for ppl because the excessive booze removes any social boundaries and barriers and she’s always ready to shout it in everyone’s face. That’s changing though. But that's how she was written into existence by Storer, to begin with.

The game changer → Sydney Adamu

So, that takes us to Syd who never openly flirted with Carmy, unless we count Pasta 2x2 (which I don’t).

And never really read the awkward signs he was trying to give her (which I hate but totally understand because they are business partners and she's a professional).

And so… we have a pattern breaker here. That in Storer’s book means MEAT.

We've reached the meat of the matter, chefs! YAY!

So, there are about a zillion foreshadowing leads we could analyze of how that game change in terms of the female role in the courtship dynamic will play out SOON, Storer wasn't precisely slick throughout the series, but the most obvious and recent one was brought to us hidden in plain sight, in S3 -3x5- and I already went over it here (my own RB notes from 7/27):

The point is that as the post it says: "ALL QUESTIONS ASK SYDNEY!"

That means that dynamic will have to be reversed for Sydcarmy to happen, CARMY WILL HAVE TO POP THE QUESTION. LOL!

No, not that question. Well... maybe eventually, but I'm actually talking about the CONFESSION and asking her out, asking her out on a date or something and I don't mean a symbolic date like the fucking funeral he completely ignored her at and where he then ditched her too. I'm talking about really and openly telling her how he feels for her, and exposing himself to her rejection. Not the other way around.

She has to enable this, of course, so in a sense, she will have to break her patterns for Carmy too, because love is an act of mirroring, as we all know by now.

But it´s Carmy who will have to grow a pair and put into words what has remained unspoken between them and is starting to decay inside -and it's ruining their whole relationship-. He will have to turn the dynamic around and take the role that Storer usually puts "strong women" in, and open up and go after who he wants. He will have to be the strong one and say it out loud. ASK ALL THE QUESTIONS because Syd has all the answers and her answers are the game changers of the show.

I wish it went like this (let's imagine Tanner is either Shapiro or Luca):

Fun fact: Demian Lewis said that he characterized Bobby Axelrod by playing him like a wild animal, tapping into that energy and bringing in it on set every day to play his scenes. He didn't say the beast was a bear though.

Bonus track: Ayo Edebiri. Ayo´s pattern is to be the pattern breaker of the plot. The → plot twist.

Ayo always plays the game-changer character. In Omni Loop, she did too, I'm sure her next movie with Luca Guadagnino will be the same thing. She is drawn to that type of characters and plays them beautifully.

Remember to follow my tag #Gingerpovs💋