#but the songs and animation and attention to detail really sell the like

[softpaladin]

sorry ive fallen back into fandom shit lol

[animehouse-moe]

Shangri-La Frontier Episode 1: What Do You Play Games For?

What happens when a gamer who only plays shitty games decides to pick up a so called god-tier game? Shangri-La Frontier is the answer to that and provides an insane opening episode for the concept. I'm just so excited to get 2 whole cours of this, and I really want to explain why.

Also, SiM's vocalist (MAH) on the OP with FZMZ? And Chico on the ending song? This series was made for me man.

First of all, C2C is an incredibly underrated studio considering the quality of the projects that they enjoy. This is one such project. Right from the start the quality is insane. 2D camera movement, detailed animation and character acting, the whole nine yards. Just look at this walking cycle! There's no 3D and their shoulders move!

It's just crazy to see the detail they put into these pieces early on. Walking cycles are super neglected due to how "plain" they are, but there's just something incredible about seeing that effort put into it with stuff like these examples.

And then there's this (sort of misleading) litmus test. Does your anime have really good art for a random cut? Odds are the production's doing really well. And, well, there's this really good looking beetle shown early on in the episode.

Anyways, to Shangri-La Frontier the game. The direction understands the assignment right away. This is a video game, we need to know it's a video game. So they show us it's a video game. First person perspective is our very first cut shown in the welcome screen and once we enter the world, setting the tone perfectly for what's to come.

But of course, a video game has more to it then just first person perspective, and of course C2C grasp that as well. Slow motion (which you'll see later), and more importantly camera movement are important in establishing that feel. The slow draw towards an endless expanse of world, the bird's eye view of a landmark or feature as the camera slowly rotates. It gets it, and it's able to create a living, breathing trailer for Shangri-La during the episode because of that.

And then, there's the fact that it's a video game. There's talks of skills and abilities and levels and whatnot, but I think most understand that that's a "staple" and that C2C/Shangri-La handle it quite well.

Let's talk about the good stuff, let's talk about action. C2C nails it. They put incredible effort into video game-styled choreography, and it pays off in spades. The slow motion, the harsh camera angles to accentuate the fight, the camera rotation, the way that attacks linger in the air. It's incredible stuff that's augmented by insane animation and visual effects. Seriously, pay attention to the fight and you'll see that they did an impact frame for a crit. Not in the traditional sense, but that the impact frame was the crit. This sort of stuff just makes me so excited because of how well it's handled.

And then there's the worldbuilding. The OP comes into play as well of course, but the details are super great. The enemies Sunraku faces in the starting forest are (mostly) beginner enemies. A goblin with a stone axe and some sort of large pig seem to be the "typical", but there's more to it than that. The Vorpal bunny is a "rare" enemy which makes sense, but the pig enemy only appears as Sunraku ventures closer to the second town rather than the first.

There's considerable detail and effort placed in the creation and appearances of these creatures in the world. The Vorpal Bunny featuring a better crafted weapon than the others that most likely came from somewhere else. Don't forget - we saw a rabbit in the opening.

It's just insanely cool stuff. The world is already shown to be more broad and deep than "it's a big video game world!". There's all sorts of little pieces like this peppered about, and it's just so damn good. Even the concept of Sunraku's "Wanderer" dropping him in a forest rather than the starter town. The detail to really sell this game as god-tier is so damn good.

But it's important to not forget, the god-tier part of the game is only one part of the puzzle. Sunraku here is famous for playing garbage games.

And it's a great way to offset the story and provide a fun angle, I'm serious. It allows them to add fun commentary and responses in regards to frustration from playing bad games, and at the same time provide a novel and excitable approach to a genuinely good game. The best of both worlds that sets the perfect stage for how they want to explore this story.

So, understandably so, I'm very excited about two cours of this and everybody else should be too. C2C is showing us they've got the potential to make the absolute most of Shangri-La Frontier and it's fun and surprisingly unique concept. Can't wait to see what they bring with the next episode!

[taravangianlistenstothebeachboys]

Some notes from watching Ghibli's Tales from Earthsea:

I guess they were hoping having Lebannen be a killer runaway would make him more engaging a character than he was in Le Guin's books. Certainly its a more exciting introduction than "was sent to Roke and Ged decided he should tag along." But this is hampered by how Lebannen and all these characters have maybe two character traits between them.

No matter how bad the movie is, if its a Ghibli film its gonna be beautiful. The background artists for this should be given a medal. Hork town especially is incredible:

Although these are clearly Ghibli asthetics more than Earthsea aesthetics. We got all your Ghibli staples: the weird mammals that are almost real animals, the random fighterpilot elements in the costume design, that one weird type of hood, etc.

I do like the action scene of Lebannen dealing with the slavers. Only well-paced part of the film I've seen.

The shadow "visiting" Lebannen while he rests was done very well. The color dimming, the shadow on the water, the rushing wind towards him, its all great. I'm especially a fan of how when Lebannen looks over his shoulder, he sees nothing but a stream of water coming out of a wall. Fits with what's actually happening on in the dryland very well.

The "Ged rescues Lebannen but only takes the chains off the other slaves" is a weird detail to keep in the adaptation, though I guess it's less an obviously dick move when the slaves aren't trapped on a boat with their former captors.

I feel mixed about this version of Cob? Making him the slaver lord isn't a bad choice, though it does kind of positions slavery in Earthsea as "the bad thing that the one bad guy is doing" instead of, y'know, a cornerstone of Hork Town's economy.

They don't make him an especially originally villain either. He's literally introduced with the old "flash of villains castle, lieutenant comes in nervously to report on escape, almost gets killed until he mentions something important" trope. They did kind of flatten him into the stock fantasy big bad.

But Cob from the books didn't really have a lot going on character-wise either, so its less offensive a flattening than some of the other characters. And I do like his character design alot. That eye makeup is some Hot Topic Shit but it works. The thin lips and tall everything is a type of exaggeration I don't see in Ghibli's character design very often.

Christ, Ged's monologue about the balance and true names is really just plopped on the audience's lap like a dead mouse. The bridge from "why does a wizard like farming" to "everything has a true name that wizard's use for its power" is nonexistent. They really couldn't find another place to explain the basics of the magic system? Couldn't seed it with Ged using true names while freeing the slaves? No? Lord.

The ghibli food twitters aren't gonna touch this movie. No love was put into that cheese.

Oh this depiction of the dry lands fucks. Love how the sky is a completely different artstyle than anything else in this movie, really sells this as a weird and alien place.

Hare and two suspicious women clutching each other and going "they're not from around here" are the only time this movie has felt like it knew what it was doing. They're giving them banter and the actors are being allowed to put emotion into their voices. They're actually breaking out facial expressions for these guys.

God all the dialogue is so bad.

WHEN IS THIS SONG GONNA FUCKING END

What the fuck is Lebannen and Tehanu's relationship. None of their emotional beats have any real connection.

The thing haunting Lebannen (are they giving him the gebbeth plotline?) always makes the best scenes. Lebannen struggling to wade through the muck while the shadow casually strolls atop the water's surface creates such great tension and horror.

Tenar keeps talking about being rescued from the tombs and pausing like there's about to be a flashback. Why are they bringing so much attention to that detail if they're not gonna tie it in to anything. Either have it be an aside to make the world feel richer without it being a thing your constantly gesturing at, or don't bring it up at all.

It really was a choice to take the worst Earthsea book as the main thing they're adapting. All the "life without death is no life" rubbish and not even Le Guin's prose to save it. It's not even a theme the rest of the movie seems concerned with.

Why are they taking something called "Earthsea" and making 90% the outskirts of Hork Town. We saw the ocean like twice. This supposedly expansive fantasy world feels twenty feet across.

Having Tehanu follow the gebbeth to the castle is honestly a really cool adaptational choice. I do like the weird conflict they set up between the gebbeth and Cob over who gets to have Lebannen.

Great shot of Cob getting amputated. Thats some Mononoke-level satisfying gore.

See when Ged didn't do shit for most of The Far Shore it was fine, because it was the third book in the series and the reader already knew why he was a big deal. Here we keep hearing how cool and powerful he is but get shown nothing.

2D has grown odd in his old age.

They have not set up dragons as a thing (or connectd them to Tehanu) nearly enough for this ending to work. Having Tehanu transform instead of calling Kalesin works adaptation-wise though.

Final analysis: I liked Hork Town. I like how the dragons trail sparks from their eyes. I like Cob going all gooey. I like Hare. These were the isolated pockets in an otherwise bland experience. The plot was barely held together and I can't imagine someone who hadn't read the books would be able to enjoy this at all.

[dogwittaablog]

You opened this can of sardines for me the topic of employed Nolan/what is he gonna do now. Buckle in Buckaroos as I spout some nonsense.

1. He can go work for the NHL (kinda unlikely at this point imo). Despite not being able to play he seems to actually enjoy hockey still. His dad back in his early career had always said that he was a very analytical watcher, replaying parts of games over and over again to figure out what they were doing. I can see him somewhat settling behind a bench as a playmaker, and being a little shit about it. Like making the most annoying but legal plays. I can also see him becoming a bit of an advocate for players and head injuries considering what he's had to go through.

Even if not directly behind the bench or in the NHL there is a possibility for him to work with a smaller team or a more behind the scenes role. It would be private enough for him I feel.

2. Hunting (more likely). Even in pre NHL interviews he constantly brought up his love for the wilderness and hunting and possibly being a hunting guide. This I feel is the most likely possibility. Opening like a little Patrick's hunting guides venture. If I'm being a bit more optimistic and whimsical, an actual hunting store to sell supplies.

This might also mean more social media pat as he promotes himself. He's an advocate for ethical hunting and consuming so I can see him pushing that angle and teaching about how to respect and use the animals.

3. He has a tiktok, "Why the flyers can eat my ass (NHL exposed) Part 1 of 12.

4. Joins Mt. Joy (this is the crack fic one). He's close to the band, can play guitar. Why not? Write a few songs for them, date their pianist (I think that's her role?) Would b cute.

Sorry for rambling, but I do genuinely hope he ends up okay in the end and settles down well after everything he's been through. He doesn't seem like a bad guy and holy fuck has he been put through the wringer. I want him to be okay and succeed in something and not have everything he does be over analyzed by everyone ya know.

(Imma tack this on at the end, I agree at what he was getting with with the mailloux thing cause Trudeau absolutely sucks, but my god man has poor wording choices.)

Hahahaha living for the in detail post! Feel free to ramble I’m all ears.

I think jumping in an NHL job after what he had to go through would be pouring salt on an open wound, for now at least. Realistically it’d be a solid real job to have, tho it’s probably still gonna be way too much attention for him even if it’s behind the scenes. It’d give people too much to talk about. Would be pre sweet if he even took up coaching for a local team, whatever age really.

Please if dude was desperate for money or just to do something I was even thinking how he would probably debate joining his dad in real estate and work for him 😭😭😭😭

Don’t think money is an issue tho, cause he gives me vibes he’s pretty frugal and just living life lmao. Also Manitoba isn’t the most expensive place to live in to what I’m aware of.

Conclusion I really don’t think hes finding a job that’s about $$$ but something he enjoys and what he aligns with, so the hunting and fishing guide is 100% Though he has so many resources to branch out in multiple things.

[smokeybrandreviews]

Feasting

Another season of anime is upon us an i am surprised by how much I've been enjoying it. Like, this year, so far, is on of the best in recent memory. It feels like that we’ve finally found a bit of normalcy after the Great Plague the still continues to Plague. It’s been some time since I've written one of these, mostly because there wasn’t anything that’s really caught my eye, but this season, i ended up following a decent amount of shows. So, for the first time in probably years, i wanted to take some time and give a heads up to the content on my ever-growing list of anime recommendations this season. There might be a few from last on here, too, because some of those were really good, too. My Dress Up Darling, I'm looking at you!

Uncle From Another World

Isekai Ojisan was one that i was curious about for a bit. I am a passing fan of the manga and have been following it for years. I didn’t see how that thing would translate to TV but, i must say, i am happily incorrect. Uncle is f*cking hilarious. I think that the actual kineticism of animation lends itself to the slapstick and exaggerated humor of those old comic panels. This thing was made for top quality animation and, so far, that’s exactly what we’re getting. This sh*t ain’t Mappa, UFOtable, or Madhouse levels fluid but it’s much better than it has any right to be, making this one of the better looking shows of the season so far.

Vermeil in Gold

Vermeil is a mixed bag for me so far. The manga is rather action packed and has a bombshell of a main heroine but, so far, the show is a little lacking. It’s gorgeously animated, it have to be to capitalize on the sex-in-heels that is Vermeil, but the plot is cliche as f*ck. It does get better, recently there have been a few revelations in the book that have kept my attention, but that doesn’t fee like something we’ll get to in one season, which is concerning. Vermeil is a slow burn and it’s wildly derivative of the content coming out today. I’m a fan of the manga so I'm trying my best to hang on but i can’t see this thing picking up enough steam to keep me interested for an entire season. It' a shame because this feels like a throwback anime from the late Nineties or early Aughts. I miss that sh*t. Still, the show is mad pretty to look at, not even going to lie about that.

Call of the Night

Song of the Night Walkers is everything i hoped it would be. It’s animated beautifully, has a spot on voice cast, and looks unique enough to stand out as pure art. I love this show but i was already going into it as a fan of the book. It was a soft sell for me to tune into Nazuna and Kou’s weekly midnight madness but then to see this thing delivered with such attention to detail? Bro, if Overlord didn’t exist, this one would be my anime of the season, easy. It’s wild to say that out loud because i can’t stand Dagashi Kashi at all and Call is written by the same author. That said, i am a sucker for vampires so that might play into it a little bit. Probably.

Harem in the Labyrinth of Another World

So this is the one that is rather... polarizing for me. I am a massive fan of the manga version of Slave Harem. I don’t think i like the show all that much, though. The preview of this show made the animation look amazing. Roxanne was throttling some jobber monster and i was taken aback by it’s fluidity. She was properly thicc and properly deadly. That was dope. The first three episodes of this show have no Roxanne and even less of that high quality action. I remember that it took a while for the manga to catch up and start doing things but, after three episodes, dude just bought her. That means they’re wither about to cut out a ton of content to get the plot rolling, world building stuff like the buying of their house or the explanation of the other Labyrinths, or they won’t and this thing is going to be a slog with dog tits occasionally. Like, there is no reason why the murder of all those bandits should have been so underwhelming but it was.

Danmachi IV

I was a massive shill for the first season of this show. It was animated with care and really resonated on a character level. I remember watching Bell overcome that Minotaur and feeling thing about it. Like, i legit had a moment and, to this day, every time i see that sh*t, it hits me right in the feels. I have not felt the same about this show since then. I’ve watched every season, every special, and while they are entertaining, this series has never been able to capture the same intensity i felt in that one episode from so long ago. It’s wild to say that out loud because i generally enjoy these characters. Hell, my favorite one, Haruhime, was the catalyst of the principal conflict for and was added at the end of, season two. I still don’t care. I’m watching season four more because I'm basically committed at this point as opposed to actually enjoying the show anymore. We’re only one episode into season IV at the time of this essay so we’ll see how this shakes out.

Black Summoner

This one was a surprise. I did not expect Kuro no Shoukanshi to get an adaption. I literally JUST picked this manga up, read the first four chapters, and then powered through the rest over the course of three days. It’s exceptional and i highly recommend getting into it. I was literally going to write a whole essay about my love for this book and then, quite by accident, i stumbled on the anime. It is top tier. The animation, the characterization, the world building; All of it is on point. We’re three episodes in so far and i am having the best time with it.

The Devil is a Part-Timer II

Listen, the first season was a surprise for me. I ended u enjoying ti way more than i thought i would and was mad bummed out that it never got the return it earned. Like, that first season earned a second and then nothing. For years. All of a sudden, there’s this resurgence of shows that died a painful death. I got a second season for Tanya the Evil and even BLEACH is coming back to finish what Kubo couldn’t in the manga. I’ve only watched one episode so far, there’s two available, but this thing feels like it hasn’t lost a step. Part-Timer was one of my favorites when it aired the first time and, so far, this one is stacking up to be just as endearing.

Overlord IV

Of the top, Overlord IV is my “must see.” I love Ainz and his rag tag band of misfit monsters. I’ve loved them since the very beginning all those years ago. Literally anytime there is an adaption to be released, I'm on it, even if the quality is a little lacking. Lord Momunga and Rimuru Tempest have that in common, actually. Season II was a bit of a let down, if i recall, but IV is ramping up to be something special. We’re three episodes in and i am having a goddamn blast. The first episode was a little rough around the edges in terms of animation, most episodes coming back from such a long hiatus tend to be, but this show has continued to get better with each, successive, outing. We Albedo fans are eating good!

That’s it for the current Summer season of anime. There are a few that i am still curious about but haven’t officially started to watch. Lucifer and the Biscuit Hammer, The Maid I Hired Recently Is Mysterious, and Lycoris Recoil all look interesting and i might pick them up as the season progresses. We’ll see. I already have a full plate with eight shows on the watch list. That’s the most I've had in probably a decade. However, this entire year has been solid as f*ck for anime and i wanted to just highlight a few standouts that have made an impression since the Winter season.

Spy x Family

Its rare that i say this but the hype for Spy x Family is real as f*ck. I mean, Yor replaced Marin as the “It Girl” fairly quickly but the show, itself, matched Sono Bisque in quality, too. I was mad surprised by how much i ended up enjoying this thing and i wanted to drop it after the first episode! I am so glad i didn’t because this thing turned out to be one of the best anime i have ever had the pleasure of experiencing.

My Dress Up Darling

Look, i loved this show, alright? It’s adorable, gorgeously animated, and the sweetest f*cking thing I've seen since Ore Monogatari. Most people don’t know this about me but i am a sucker for a cute love story, man. I’ve been a closest CLAMP fan for decades and absolutely adore Chi from Chobits. Marin gives her a run for her money as top tier dandere material. Plus, i mean, the narrative is so endearing. It captures what it feels like to be so youthful and energetic about life. The passion Gojou and Marin have for their hobbies mirrors my own when it comes to writing and art. I absolutely identify with that.

Skeleton Knight In Another World

Gaikotsu Kishi-sama, Tadaima Isekai e Odekake-chuu got an anime adaption and it was everything i dreamed of. It feels a lot like TenSura but i am fine with that, I love me some Slime which makes it very easy to love me some Bones. I generally enjoyed the cuts and changes made to the narrative i remember from the manga, too. It’s the same plot just kind of remixed a little bit, to make it more palatable to a wider audience. In all honesty, I'm a little surprised this one didn’t have more backlash because there are some notes that can be seen as problematic here in the States. Hopefully, we get a second season with this one because i rather enjoyed my time with Skeleton Knight.

It’s as if the new year started and Japan decided to drop a constant blaze of hot fire. I mean, these three are just the cream of the crop for me but there are a ton of other shows that i ended up checking out, most of which I'll circle back around and finish later. Summer Time Rendering, The Executioner and Her Way of Life, The Rising of the Shield Hero II, Life With an Ordinary Guy Who Reincarnated Into a Total Fantasy Knockout, Bastard!!, and I’m Quitting Heroing, all could have made this short list but i wanted to highlight these three specifically because, goddamn, were they excellent! And the year isn’t even over! I mentioned the return of my darling Tanya Degurechaff and Ichicgo Kurosaki, but Mappa is putting something special together for their Chainsaw Man adaption and i cannot wait! 2022 just might go down as one of the best years in anime, ever!

[vavuska]

CRUELLA, THE STORY OF A PUPPY SLAUGHTER (Part 2)

Here for part 1:

Part 1 - Summary:

In the previous part we saw how was originally described Cruella de Vil in Dodie Smith's 101 Dalmatians: a rich heiress, bossy, cruel toward animals, obsessed with fancy jewls, luxury and also fur coats. Cruella met Anita at school, they were in friendly terms, even if Anita described Cruella as a menacing student, expelled from school for drinking ink. Dodie Smith wrote that Cruella comes from a troublesome family: her ancestor was a serial killer, with the supernatural ability to summon storms and a tail (reference to Bram Stoker's Dracula and the devil). Cruella has strange eating habits (uses a lot of pepper, the Devil's spice) and is usually cold (as a corpse or a vampire). Cruella was so obsessed with fur to marry a furrier not for love but only for his job. Cruella's husband is weak and she is the dominant element in the couple, she also forced him to take her surname after their marriage.

We saw also the rapresentation of Cruella in 1961 cartoon version of 101 Dalmatians. Cruella is still a old friend of Anita. Her main colors are red (her loudy red car is the fist thing we see of Cruella) — expressing blood, anger, determination and passion — and green (she is always surrounded by nasty green smoke that comes from her cigarette) that rapresents envy, sickness and greed.

Her appearance is very particular, because she looks like a skeleton and her skin is very white - pale, very different from the healthy pink one of the other characters. She looks like a corpse, she looks sick in this 1961 version of 101 Dalmatians.

Her entrance is accompanied by a song, written by Roger, in which he anticipates the evil intention of Cruella and underlight the disturbing connotations of her surname (Count de Ville is one of Dracula's alias; Cruella de Vil is a pun name on “cruel devil”).

3 - Cruella in 1996

The 1996 live action of 101 Dalmatians the entrance of Cruella is anticipated by a sequence in which we heard a news London Zoo discovered the excoriated carcass of its prized 3-year-old female Siberian tiger, then the news reporter says that according to animal protection groups that monitor the international trade that a white Siberian tiger's fur is so rare that the offer of a pelt would surely draw the attention in contraband. And then the journalist ask “Who cold do something so horrible?”

Then enters Cruella. She wears veiled garment complete with Balenciaga-inspired extreme shoulders and floor-length black and white fur cape.

We saw this mysterious woman with veiled face and a long fur coat - we doesn't know she is Cruella yet - , exiting from her black and white 1974 Panther Deville, license plate “De Vil”. This version of the car is more closed to the book's one.

In Dodie Smith's book, Cruella's chauffeur-driven car is black-and-white striped, which Mr. Dearly describes as “a moving zebra crossing”, and Cruella boasts that it has the loudest horn in London, which she insists on sounding for the Dearly couple.

We saw Cruella shaking the ashes of her cigarette on the shiny and impeccable shoes of her vallet Alzonzo, while he tries to not look bothered by this lack of respect, and then we saw Cruella entering in a luxurious place called “House of De Vil”. Her red cigarette holder — switching from the turquoise the 1966 animated version favored — matched with her brilliant red lipstick, makes a great contrast to her black and white attire and also underlight the psychology of color typical of Disney villains: red is associated with malice, evil (hell and the devil), blood, danger, strength, power, determination and passion.

Now we have a sight of this long railway-like white hallway surrounded by exotic fur-clothes. Now we know she is a stylist and that she is maybe the one who cold be interested in the fur of the dead Siberian tiger.

A crowd of terrified / adoring employees hurry to greet the woman: “Good morning, Miss De Vil”.

Finally Cruella enters in her office and takes off her hat with veil, reveling her double-colored hair. She is Cruella De Vil in all her glory.

This sequence recalls openly the Devil Wears Prada.

This version of Cruella played by Glenn Close is much more human that the 1961 version. She is more charismatic too and also more fashionable. Her entrance is not as scary as the 1961 version, but shows her obsession for fur, her violation of the law and abuse on animals (also at those at risk of extinction) and her high level stylist house of fashion.

She isn't Anita's friend anymore, she is Anita's boss.

While walking to her office, Cruella meets Anita, played by Joely Richardson. She spots that Anita is working on a new model (no more white tiger stripes, but dalmatian's spots). Anita's design catches her eyes and interest, as well as Anita's dog, Perdi: they had a strange chat about Perdi's fur. That, knowing already the plot of the movie and the news details Roger and Pongo were hearing in the previous scene, well, this conversation sounds a lot disturbing.

Cruella: “Anita, darling.”

Anita: “Good morning, Cruella.”

Cruella: “What a charming dog.”

Anita: “Thank you.”

Cruella: “Spots?”

Anita: “Yes, she’s dalmatian.”

Cruella: “lnspiration?”

Anita: “Yes.”

Cruella: “Long hair or short?”

Anita: “Short.”

Cruella: “Coarse or fine?”

Anita: “l’m afraid it is a little coarse.”

Cruella: “Pity!”

Anita: “But it was very fine when she was a puppy.”

Cruella: “Redemption! We need to have a little girl talk. Come to my office. Bring the drawing.”

Ok. The next scene contains a very popular quote from this movie.

We are in Cruella's office: she has just invited Anita to talk about her design. Cruella wants a new coat and would love to wear the one that has just see at Anita's desk. Let's remeber she doesn't want to wear Anita's puppies already, for now is just an abstract idea about someone else's puppies, but they are still talking about Dalmatians' spots, compared with leopard ones and Anita seems to be perfectly fine. I don't think she knows already of Cruella's criminal way to obtain fur from animals at risk of extinction that her henchmen steal from Zoos, but Anita works for a woman who loves to wear REAL fur. I just can't imagine Cruella wearing any faux fur coat. This is not a crime, because it's legal wear fur coats made of mink, sable and ermine and such, but I found very weird that Anita is not having any suspect about Cruella's intention, because she is working on a model of striped tiger fur and Cruella lives for fur, worship fur. She just could not accept to wear faux fur.

However, Anita doesn't seem bothered at all by this strange talk about her dog's fur (yes, dog are not coats), but as a woman who works for fashion/fur industry and loves dogs she should know that in some parts of the world it is legal using cat and dogs to make clothes. I simply can't understand why she is not having any reaction at Cruella's strage interest about Perdi's fur.

Cruella and Anita talk about their work and Cruella makes lovely appreciation for Anita's drawings: she says she is talented and she doesn't want to risk to lose her pen.

That's now that Anita says she would not left Cruella's House for another job, she would left only if she decided to be a stay-at-home mother and wife. Well, no, she talks more genericly of "plans" with a hypothetical, for now, husband/boyfriend, and this could means everything, for example moving to another city, the assumption about marriage is an association made by Cruella that told us a lot of things about how producers would she looks, compared with the family-oriented Disney business plan. This is a very relevant issue we was also in her 1961 version: the losing comparison between Anita's family's oriented live choice and Cruella's — who is sigle, rich and indipendent — one. Cruella loves only her fur coats, while Anita have an husband, a simple house and also a lot of dogs. Cruella is alone, evil, ugly, wears a lot of make up, and not happy, while Anita is married, preatty but in a natural way and happy of her simple lifestyle with her husband and their dogs.

Cruella: “Now, darling, tell me more about these spots. l did leopard spots in the ‘80s. Well, dalmatian spots are a little different, aren’t they? Cozy. Classic.”

Anita: “Cuddly. Less trashy.”

Cruella: “Exactly! Do you like spots, Frederick?”

Frederick: “Oh, l don’t believe so, Madame. l thought we liked stripes this year.”

Cruella: “What kind of sycophant are you?”

Frederick: “Um, what kind of sycophant would you like me to be?”

Cruella: “Frederick… l’m beginning to see spots. What would it cost us to start again on next year’s line?”

Frederick: “Millions.”

Cruella: “Can we afford it?”

Frederick: “Well, yes--”

Cruella: “Pay it, darling. Now go away. l have to talk to Anita.”

(...)

Cruella: “Sit down, please. How long have you been working for me?”

Anita: “Uh, two years last August.”

Cruella: “And you’ve done wonderful work in that time.”

Anita: “Thank you.”

Cruella: “l don’t see you socially, do l?”

Anita: No.

Cruella: “And you’re not very well-known, despite your obvious talent.”

Anita: “Well, notoriety doesn’t mean very much to me.”

Cruella: “Your work is fresh and clean, unfettered, unpretentious. lt sells. And one of these days… my competitors are going to suss out who you are… and they’re going to try to steal you away.”

Anita: “Oh, no. lf l left, it wouldn’t be for another job.”

Cruella: “Oh, really?bWhat would it be for?”

Anita: “Well, l don’t know. Um, if l met someone, if working here didn’t fit in with our plans.”

Cruella: “Marriage.”

Anita: “Perhaps.”

Cruella: “More good women have been lost to marriage… than to war, famine, disease and disaster. You have talent, darling. Don’t squander it.”

Anita: “Well, l don’t think that it’s something we have to worry about. l don’t have any prospects.”

Cruella: “Thank God.”

Cruella makes a very cynical — but historically appropriate and also very sharable — critic about marriage. She was right, expecially because of what we saw about her 1960s version and how she is rooted in anti-feminism and in an open condamn of women's growing emancipation from the “traditional family role” imposed by media in the 1950s and 1960s, rapresented by 1961's Anita. However, Cruella is a cruel, evil villaness, so what she says to Anita is just a condamn made by Disney on women who choose career over family and love.

But, here, Cruella is not a friend of Anita who gives her a kind and appreciable life advice (if we ignore that Cruella is evil), Cruella is Anita's boss and doesn't want to lose a valuable and talented employee, so from this point of view her statement sounds a lot more controversial: women in the 50s lost their job if they got married, they were fired because most of the time bosses made them sign a contract with a marriage bar that allow employers to withdraw from the contract, so their contract would terminate on marriage, or said in a simple way: employers used to fire the soon-to-be wife, because it was clear for them that a wife should focus more on family and house care than on a career (that's because the soon-to-be wife is going to have an husband, the bread-giver of the family).

Nowdays, it's a bitter different, but women that want to have also a family are discriminated in workplaces: employers ask constantly in job interviews of they plan to have a family, if they have some relationships or if they are single. That's because employers would lose money paying for maternity leaves to their female employees that cannot work for some month. A young woman in fertile age with a stable relationship is a risk for a employer more than a young man in fertile age with a stable relationship. A newly mom is more closed to chose a lesser paid job or a part time one compatible to her family then a newly dad.

And also this quote, remember we are talking about the 90s, gives a clear flashback on women's unstable careers back then, but also puts in highlines some stereotypes about women who menage to balance both work and family: their quility of work is lower than before (this is said by Cruella to the new-mom Anita, we will see it below), they are not productive enough, they makes employers lose money, ecc. Nowadays, unlike in the 90s there is a constant svalutation of women who chose to put family first: they have no free time, they have no a social life (well, some shy single woman like Anita doesn't have a frizzy social life too), some kind of lifes are better than others (luxury and exotics vacation are better than reading books, dancing and going to bars with friends is better than playing sports or painting, ecc.) and if they dare to go out with their friends or take time for themselves and their hobbies, society is still ready to shame them for “not being good mothers”. That's not right: everyone should be able to live their life as they want, to have a frizzy social life or just enjoying a little time for themselves, without receiving criticism of any sort.

In the US the marriage bar, the practice of restricting the employment of married women was never explicitly eliminated by federal laws. Marriage bars were widely relaxed in wartime, during World War I and World War II due to an increase in the demand for labor in the assistance of war efforts (mostly because men were at the front).

Since the 1960s, the practice has widely been regarded as employment inequality and sexual discrimination, and has been either discontinued or outlawed by anti-discrimination laws. For example, in Italy marriage bar is declared illegal with law nr. 7 of 1963, that establishes the prohibition of dismissal of female workers for reasons of marriage (later extended also to male workers), and law nr. 1204 of 1971 prohibited dismissal of the working mother within the first year of the child's age (maternity bar).

The main reason of the bar is that married women were supported by their husbands, therefore they did not need jobs. However, marriage bars provided more opportunity for those whom proponents viewed as "actually" needing employment, such as single women or married men (needed to support the family).

Discrimination against married female teachers in the US was not terminated until 1964 with the passing of the Civil Rights Act.

Marriage bars generally affected educated, middle-class married women, particularly native-born white women. Their occupations were that of teaching and clerical work. Lower class women and women of color who took jobs in manufacturing, waitressing, and domestic servants were often unaffected by marriage bars.

However, some State law provides protection for people discriminated for their marital status. For example, in California, discrimination in employment based on marital status is against the law. Under the California Fair Employment and Housing Act (FEHA), it is illegal for an employer to discriminate based on an applicant’s marital status or perceived marital status.

Under the FEHA, it is an unlawful employment practice for an employer to treat an applicant or employee differently based on the employee’s marital status. This includes: Refusing to hire or employ, Refusing to select a person for a training program, Firing, bearing, or discharging an employee, Discriminating against a person in compensation or in terms, conditions, or privileges of employment.

Marital status could refer to whether an individual is married or not, has been married, or plans to get married. This includes: Currently married, Divorced, Married to a same-sex partner or opposite-sex partner, Engaged to be married, Married but separated, Married but seeking a divorce, Widowed, Annulled marriage, Plans to get married someday, Plans to never get married, Other marital states.

Forty years ago, on October 31, 1978, the Pregnancy Discrimination Act (PDA) was signed into law to prohibit discrimination in the workplace on the basis of pregnancy, childbirth, or related medical conditions. Since its passage, more women have been able to continue working while pregnant; they have also been able to work further into their pregnancies without being forced to leave their jobs.

Pregnancy discrimination involves treating a woman (an applicant or employee) unfavorably because of pregnancy, childbirth or a medical condition related to pregnancy or childbirth. The Pregnancy Discrimination Act (PDA) forbids discrimination based on pregnancy when it comes to any aspect of employment, including hiring, firing, pay, job assignments, promotions, layoff, training, fringe benefits, such as leave and health insurance and any other term or condition of employment. Pregnancy discrimination also includes perceived bias when expectant employees experience subtly hostile behaviors such as social isolation, negative stereotyping and negative or rude interpersonal treatment such as lower performance expectations, transferring the pregnant employee to less-desirable shifts or assignments or inappropriate jokes and intrusive comments.

Claims of pregnancy discrimination filed with the U.S. Equal Employment Opportunity Commission (EEOC) increased sharply in the 1990s and 2000s, and pregnancy discrimination remains a widespread problem across all industries and regions of the United States. Yet statistics show that in the last 10 years, more than 50,000 pregnancy discrimination claims were filed with the Equal Employment Opportunity Commission and Fair Employment Practices Agencies in the United States.

So, yes. Disney here touched a lot of points in about two levels:

Family is more important than a career (successful, unmarried stylist Cruella is the evil one) and if you, a working woman, put career over family you are wrong. Nowday, we know that there isn't anything wrong about putting career first, but also we know that there isn't anything wrong also on putting family first or find a balance between the two. The important thing we should remember is that if we have not equality in working places, we should have not real free choices about our dream life;

It's perfectly fine excluding women in stable relationships or women with children from workplaces, because their work would not be at the level of a single woman, that can sacrifice her free time working late (employers exploitation logic deny free time);

Only child-free single women should be allowed to work, but only until they meet a soul mate (reminiscent of the old Disney penchant for old traditional gender roles).

However, returning at the plot, after that Anita reassures Cruella that she has no marriage prospects on the horizon, Cruella asked to Alonzo to bring Anita's drawings to her and the two women start to discuss about Anita's work, because Cruella want to add a long fur stole to Anita's original model: “I look wonderful in spots”, says Cruella,“we could do this in linen. It would be stunning in fur”. Then Anita remarks that would not be appropriate wearing fur in April, so Cruella give her famous lines: “But it’s my only true love, darling. l live for fur. l worship fur. After all, is there a woman in all this wretched world who doesn’t?” and then makes a joke that anticipates what she will plan to Anita's puppies more over in the movie: “lt is rather amusing, isn’t it? (...) If we make this coat... it would be as if l were wearing your dog.”

Then Anita and Perdi meet Roger (Jeff Daniels) and his dog Pongo, they fall in love and get married. Cruella doesn't like this. Obviously. We see a very enraged Cruella, wearing a black cellophane velvet with black and white coque feather trim, screaming against Anita's “betrayal”, when she read Anita and Roger's wedding publication on a newspaper.

Her anger toward Roger for stealing her best employee, maybe envy for Anita's love (well, it’s Disney), are promptly consoled, when her two henchmen bring her a little present from Mr. Skinner (Nomen omen, this surname fits perfectly creepy scared guy that work as furrier): it's the Siberian tiger found dead and excoriated in the London Zoo at the beginning of the movie. It was Cruella that wanted her fur and at the end she obtained it.

This Mr. Skinner (John Shrapnel) is a sadic taxidermist that enjoys killing and skinning animals alive, just like he did to the female white tiger at the London Zoo. He doesn't speak beacause when he was young, a dog attacked him by tearing open his throat and ripping out his vocal cords in the process, leaving him with a bad scar on his neck and is a little based on Mr. de Vil, Cruella's husband in Dodie Smith's book, but with the difference that Mr. Skinner has a more strong and menacing personality, while Mr. de Vil was weak and totally dependent by Cruella's desires.

Near the end of the movie, we will see in a crescendo of more explicit references to animal abuse, this charming version of Cruella de Vill ordering Cruella De Vil to Mr. Skinner to kill the dogs, because she fells that the police's suspicion are mounting against her: “poison them,” says Cruella “drown them, bash them on the head. Got any chloroform? I don't care how you kill the little beasts, just do it, and do it now!”

(See here for references: X and X)

In second relevant scene, Roger and Anita are out, walking the dogs, when Anita spots Cruella's car. In fact, as happen at the beginning the black and white 1974 Panther Deville is the first element we see in this scene and anticipate the entrance of Cruella. Recognizing the car, Anita runs to home and there she found Cruella. She welcomes in a very lovely way Anita in her own home, but she is very rude with Roger, who tries his best to be polite during the whole scene. Cruella then mocks Roger about his job (he is a videogame designer, a well paid job nowadays, but that in the 90s can just make snobbish people like Cruella turn up their noses, it's not the classical respectable professions “to make money”). Anita and Roger are just returned from their honeymoon and Creulla acts very nicely toward Anita, she says she missed her and their exchange of ideas, but she isn't happy when Roger announce they are going to have a baby, but Cruella remarks that “she has no use for children”, but she is very interested in Pongo and Perdi's puppies.

Unlike her cartoon version Cruella during the movie shows a lot of different, hiconic and fashionable outfits: at her visit at Anita and Roger's house, she wears a zebra coat dress with mink sleeves with matching Russian-inspired hat, red PVC boots that match with gloves in the same color and material (long fake red nails on each finger) and her red cigarette holder. Her dress also features a practical detail: a cigarette case paired with ammo cartridges as if they are military medals. The zebra stripes also give off the impression of bones or a rib cage for that extra goth vibe. Her lips are permanently stained the color of crimson, while her winged eyeliner adds to her high drama aesthetic.

Despite being set in contemporary London, everything about Cruella's closet defies a specific time period. It is as if she stepped in from the '60s of the original story combined with a century's worth of high fashion references. This is very logic: people have a lot of clothes and is natural for a very fashionable stylist to have and wear a lot of haute couture outfits.

Cruella: “And you must be Rufus.”

Roger: “No, it’s-- it’s Roger. And it’s a pleasure, Miss De Vil.”

Cruella: “What’s a pleasure?”

Roger: “Uh, making your acquaintance.”

Cruella: “Such a sweet thought. l wish l could reciprocate. Tell me, darling, you married him for his dog. Oh, darling, l’ve missed you so. l hate that you’ve taken leave.”

Anita: “But l’m still working. Um, you’ve been getting my sketches?”

Cruella: “Well, it’s not the same thing. l miss the interaction-- And what is it that you do… that allows you to support Anita in such… splendor?”

Roger: “l design video games.”

Cruella: “Video games? ls he having me on?”

Anita: “Oh, no, he’s very good at it. Um, and it’s a growing business.”

Cruella: “Those horrible noisy things that children play with on their televisions?Someone designs them? What a senseless thing to do with your life.”

Roger: “Oh, did Anita tell you the news? She’s going to have a baby.”

Cruella: “ls this true?”

Anita: “Yes.”

Cruella: “Oh, you poor thing! l’m so sorry.”

Anita: “We’re very excited about it, Cruella.”

Cruella: “You can’t be serious.”

Roger: “She is!”

Cruella: “Well, what can l say? Accidents will happen.”

Anita: “We’re having puppies, too!”

Cruella: “Puppies! You have been a busy boy. Well, l must say, that’s somewhat better news. l adore puppies! l’ll expect a decline in your work product.”

Anita: “Oh, l shouldn’t think so.”

Cruella: “Be sure to let me know when the blessed event occurs.”

Anita: “Oh, well, it won’t be for another eight months.”

Cruella: “The puppies, darling. l’ve no use for babies.”

Again here we have a remark of how horrible is Cruella as boss (she says to Anita she expect a decline in her work, and this would make her useless and less precious for Cruella's House) and as person: according to Disney people who doesn't like children are horrible and cruel, but there is a double meaning in Cruella's word: “Iʼve no use for babies” could mean both that she is not interested in maternity (that's perfectly legit, not all like children, are comfortable with them or just dream to have children someday) but also that she couldn't find any material use of babies, while for puppies we know she knows well how to use them: as material for a new fur coat.

The next scene is a classical recall to the original Disney cartoon of 1961: it's a stormy night and during the lightning flash for a few frames only, we see Cruella as a complete silhouette while few second after she opens the door and enters in Anita and Roger's house, with a big menacing smile on her face.

Pattern clashing will not only stand, but it is also encouraged, as the tiger cape with a leopard lining reveals. Paired with a leather skirt and tiger bodice featuring claw clasps

Again there is the recurring joke about Cruella misnaming Roger (Rufus, Rupert, Roland), if it's intentional (and this version of Cruella doesn't seem to left anything casual) it's a clear remark about how she dislikes Roger, the guy that stole her best designer, if it's not intentional, shows how Cruella find him irrelevant for her purpose at the point she doesn't even bother to rember his name to flatter him. Cruella is not polite or kind to Roger as she is with Anita. She doesn't need Roger, she need Anita and hates Roger for turning down Anita's value for her interests.

In this scene Cruella uses the same words she uses in the 1961 version (“How marvelous. How marvelous! How perfect... Oh, the devil take it! They’re mongrels! No spots! No spots at all! What horrible little white rats!”), but with something new that shows her uncaring nature (“All right, put them in a bag. l’ll take them with me now.”) and again mocks Roger for his “strange” and not prestigious job, when he firstly deny her offer for the puppies (“Oh? You’ve come into some money, have you? Did you design some silly game… that will drive the delinquent kiddies into frenzies of video delight?”).

However, compared to her 1961 alter ego, this Anita is more assertive and talks for herself, saying a determinated “no” to Cruella. Anita also starts to be a bit suspicious about Cruella's intentions (“But, Cruella, what would you do with 15 puppies?”). Roger and Anita this time seems to be equally determinated to refuse Cruella's business proposals.

Cruella crescent rage is underlight by the sounds effects of thunderclaps and it is Anita who says the final “no”.

“All right, keep the little beasts. Do what you like with them. Drown them, for all l care! You’re a fool, Anita! l’ve no use for fools. You’re fired! You’re finished! You’ll never work in fashion again! l’m through with all of you! l’ll get even! Just wait! You’ll be sorry, you fools! You idiots!”

When Roger and Anita refused to sell the puppies, Cruella's rage exploded as happened in the cartoon version (she screams and insults Roger and Anita, she tears the check into a thousand pieces and throws them in Roger's face), but let's remeber she is Anita's boss now: she uses her power and fired Anita's too, now that Anita and Roger refused to Cruella what she want, Anita become immediately useless. In fact Cruella has yet the design for her new outfit, from Anita needed only the puppies and if she cannot obtain them with good manner, well, as happened in the cartoon version, she will steal them.

In the previous part we saw how in the 101 Dalmatians of 1961, the car was the alter ego of Cruella, well, in this 1996 live action, her personality and her obsession is channeled into her outfits. Before it all goes to hell for the fashion maven, her rotation of zebra, leopard, and tiger print reveal she wasn't bluffing when she exclaimed of her fur obsession.

The costumes as designed by three-time Oscar winner Anthony Powell (co-designed with Rosemary Burrows) take Cruella's love of all things animal print to the extreme, delivering jaw-dropping results.

Cruella's entire life is a performance supported by her wardrobe, makeup, and hair. Cruella increases the level of red (it's the outburst of her bloody determination to obtain what se want, it's her mad passion for furs that determinated her end) during the climax with her fur coat of choice, which will soon be ruined by some farm animals. That smell is going to be hard to get rid of, and there aren’t any dry cleaners in prison.

As we saw in the previous part, Cruella's change of luck is well rapresented by her ruined clothes: she is going to jail, her life and career are over, her clothes aren't perfect and fancy anymore.

This happens also in the 102 Dalmatians live action of 2000: red clothing anticipates Cruella's criminal climax, while her ruined clothes are the sign of her defeat.

Nearly at the end of the movie, when her plans are finally reveled, Cruella wears a very unique red “flames” dress: the bodice is organza and silk satin beaded, sequined with a beaded net collar. The skirt is silk satin and nylon net beaded and sequined, lines in ostrich feathers. The headdress is tiered flames made of mirror, metal and painted glass. While her attire during her final metch with the Dalmatian is a black dress with large shoulders that recall Balenciaga, a black lather waist belt and a Gothic necklace with rubies, pearls and diamonds. The fur coat is floor-length black and red, while her headdress is a little hat with black and red feathers.

(See here for references: X and X)

4 - Cruella in Once Upon A Time

More recent version of Cruella can be founded in the ABC TV show Once Upon A Time. I will not make a summary of the themes of the TV because it has a very complex plot and that is not relevant for our comparison. So, let's say only that is a show who feature the adventure of Emma Swan, Snow White (Ginnifer Goodwin) and Prince Charming (Josh Dallas)'s daughter, and her biological son Henry (who was adopted by Regina Mills, the Evil Queen, now mayor of Story Brook) to break the magic curse that turned Enchanted Forest to a modern day Maine town called Storybrook, in which live all the characters from the popular fairy tales we know from Disney adaptations, unaware of their true identities.

Cruella is introduced in Season 4. The evil Rumpelstinskin (Robert Carlyle) recruited her and some other evil lady to regain his Dark Lord magic powers and take his revenge on the people of Storybrook as well as his happy ending.

The first we saw Cruella is at her ungodly hour: she is divorcing from a guy called Mr. Feinberg, strongly in debt and FBI is repossessing her husband's belongings, including her fancy fur coats, her big mansion in Long Island, New York, and her other goods. (See here for references: X)

Cruella plays little importance in the plot, until the Author is released from the book; unable to kill him herself, she pretends to threaten Henry Mills's (Jared S. Gilmore) life to force Emma (Jennifer Morrison) and Regina/Evil Queen (Lana Parrilla) to do so. However, Emma confronts her, not knowing the restriction the Author placed on Cruella, and magically blasts her off a cliff to her death.

The actress chosed to play Cruella de Vil is Victoria Smurfit and her appearance recalls more the 1961 version than Glenn Close. She wears a black night gown with paillettes or little pearls, long red PVC gloves and a white fur coat, but drives her black and white 1974 Panther Deville. However, during the show she is seen also wearing leather black pants, red boots matching with her gloves and several different types of fur coats. Cruella's phone case has dalmatian spot patterns.

Rumplestiltskin/Mr. Gold snarkily remarks that he recognized Cruella's scent as “desperation and gin”, somewhat suggesting or implying that Cruella is an alcoholic of sorts. Cruella later confirms this, having blamed her misfortunes on “bad judgment and gin”.

Unlike her other version, this Cruella has some a very limited magic powers, and has only been known to accomplish a few specific spells. Her most remarkable power is the ability to control any animal, whether it be a Dalmatian or a Dragon. The green smoke that comes out of Cruella's mouth when she uses persuasion magic on animals is designed to reflect Cruella's green and yellow cigarette smoke in Disney's 101 Dalmatians.

Her other main power is a very limited telekinesis: Cruella is able to enchant her car to drive itself around.

In the 5 Season, after her death, Cruella ends up in the Underworld, a purgatory run by the deity Hades (Gregory Germann). She makes a deal with Hades, who offer her to rule Underworld in his absence and help trap the heroes there. Delighted with the idea of getting to torment souls for eternity, Cruella agrees to the deal. This makes even more evident the similarities with the goddess Hela from Norse Mythology, as both ruled the underworld and have half-black half-white hair.

However, the most important episode about Cruella is “Sympathy for the Devil”, in which we learn about her true story.

"Sympathy for the De Vil" Season 04, Episode 18

In 1920s England, a young and blonde Cruella De Vil (played by Milli Wilkinson as child and Victoria Smurfit as adult) is being mistreated by her mother Madeline (Anna Galvin) as she instructs her Dalmatians to chase her daughter, and is locked in the attic in the same setting that resembles the 1979 Gothic novel Flowers in the Attic by V. C. Andrews. The room where Cruella is locked up is filled with her mother's dog statuettes and dog show trophies. Fast forward to several years later, and that a reporter, who is revealed to be the Author (Patrick Fischler) but is using an alias by the name of Isaac Heller, is paying a visit to the home pretending to seek out a story after having seen Cruella from the attic, only to have Madeline warning him to stay away. Isaac returns and helps Cruella escape from the attic. He then takes Cruella out for a date that includes dinner and dancing. Cruella reveals to Isaac that the reason she was kept in the attic was that she witnessed her mother kill her father and her succeeding husbands; Isaac then reveals to Cruella that he was more than just a reporter and has the ability to use his pen and ink to create magical stories. Isaac proposes that they run away together, and uses his quill and ink to give Cruella her persuasion powers to control animals.

(See here for references: X, X, X and X)

However, for Isaac, his future with Cruella would later take a unique twist that will put his future in danger. When Madeline pays a visit to see him, she tells him that Cruella had lied to him about what actually happened to her husbands: as child Cruella killed her own father, Madeline's first husband, by putting a poisonous flower in his tea. Cruella was a troubled child and her parents had hoped she would grow out of her disturbing behavior. But after Cruella murders her father, her mother fears that Cruella's murderous tendencies will get worse and will become a full fledged serial killer. Not wanting anyone else to get hurt or killed by Cruella and not wanting her daughter to go to prison, Madeline had no choice but to lock her Cruella away from the outside world and keep her close to try to snap Cruella out of her disturbed mind. However Madeline's intentions were in vain as Cruella ended up poisoning her next two husbands. Terrified that Isaac will set her daughter free and start killing more people, Madeline warns Issac to stay away from her, because she is dangerous and can not be saved, while Isaac doesn't believe her, Madeline tells Isaac that Cruella takes everything someone loves and destroys it and tells him to stay away from her or he will suffer the same fate as her two husbands and lose all he holds dear.

(See here for references: X)

When Madeline returns home, Cruella was ready for her, and eventually kills her mother by controlling her Dalmatians and commanding them to attack her.

Afterwards, Isaac discovers that Cruella has stolen his pen, and goes back to her house to find out that Cruella used her ability to control animals to make her mother's pet Dalmatians turn against her and rip her to shreds, before Cruella herself slaughtered the Dalmatians and made a fur coat out of them.

«Some people struggle not to be drawn into the darkness. But ever since I was a little girl, I've said... "Why not splash in and have fun?"», says Cruella to an astonished Isaac.

Horrified, Isaac makes a dash for the pen to stop her, but during a struggle the magic ink is spilled onto Cruella. She accidentally ingests some and the ink shows her true colors. As Cruella is about to kill him, Issac uses his powers as the Author to make it so that Cruella can never kill anyone ever again by writing it down on a piece of paper "Cruella De Vil can no longer take away the life of another." As he leaves, Cruella tells him she's not done.

Cruella kept this secret, as intimidation would still work for her needs.

This episode have a lot of Disney reference to the old 1961 version of 101 Dalmatians:

Madeline's car is similar in design and color to Cruella's car from One Hundred and One Dalmatians.

The song that Cruella hears on the radio is a jazz instrumental version of the song "Cruella De Vil", from One Hundred and One Dalmatians.

Ink spills on Cruella, just like Cruella spilled ink on Roger Radcliffe and Pongo in the movie. (One Hundred and One Dalmatians, 1961)

When Cruella uses persuasion magic, the magic comes out of her mouth in the form of green smoke, which is designed to reflect the green and yellow cigarette smoke that Cruella puffs in the movie. (One Hundred and One Dalmatians, 1961)

This 1920s version of Cruella de Vil we see in Once Upon a Time is inspired by Zelda Fitzgerald, the wife of writer F. Scott Fitzgerald. Interestingly, in "Sympathy for the De Vil", Isaac can be seen reading F. Scott Fitzgerald's novel The Great Gatsby. While he is captive in Mr. Gold's cabin, Isaac reads F. Scott Fitzgerald's The Great Gatsby. And largely recall what we already saw of Cruella's original version in the book by Dodie Smith: Cruella is a cruel serial killer. She is smart and manipulative, shows no empathy and emotions and uses people for her own needs. She uses Dalmatians as her own weapons to take her revenge on her mother: she turned her own dogs against her and finally removes the last obstacle to her own freedom. Is important to notice that Cruella slaughters and skins the Dalmatians to create a new dalmatian fur coat for her own, that wears victoriously under Isaac horrified eyes. The Dalmatian fur coat is her trophy. Killers like to take trophies and souvenirs from their victims. Keeping some memento — a lock of hair, jewelry, piece of clothing, newspaper clips of the crime — helps prolong, even nourish, their fantasy of the crime or to relive the crime over and over in their minds. Cruella at the end fully reveals herself as the serial killer she is.

When Cruella drinks accidentally Author's ink that transforms her hair black and white, is another reference to the novel The Hundred and One Dalmatians by Dodie Smith, in which is said that Cruella used to drink ink as a child. The dress Cruella is wearing at the jazz club is the dress Bérénice Bajo wears in the the famous 2011 comedy-drama film The Artist. Also the dancing scene between Cruella and Isaac recalls the one between Bérénice Bajo and Jean Dujardin, when play the role of actors Peppy Miller and George Valentin filming a ball scene for a mute movie.

Conclusion

As we saw, all the version of Cruella that were developed time by time, still share the characteristics of a sadic, cruel villaness.

Glenn Close version of Cruella doesn't care about animals' lifes, doesn't care about workers rights or other person's life projects. She uses creepy hanchmen to obtain what she wants, she steals and plot the death of even rare animals for their fur. She uses and manipulates people.

Victoria Smurfit's Cruella is a real serial killer. She is selfish, cunning, manipulative and the violence against animals is just a moment on her murderous revenge on her mother: she used Madeline's pretious dogs to kill her and then kept their skins as souvenir, as serial killers do.

There's no doubt that all those versions of Cruella are evil and Disney simply can not create any positive emotional connection with a woman who murders dogs. It's simply impossible to explain why Cruella hates dog in a way that can justify abuse toward animals. That is why this Cruella movie with Emma Stone is a huge mistake.

As conclusion, I will borrow again the words of composer Bill Lee from the 60s animated version of 101 Dalmatians to say what I think of trailer with Emma Stone as Cruella:

This vampire bat, this inhuman beast

The world was such a wholesome place until

She ought to be locked up and never released

Cruella, Cruella de Vil

[lilred8220]

Well, yet another fic no one asked for😃

I wanted to write this because some time go, I was watching the fireworks when this song started to play↓↓↓

And I just thought how romantic it would be if I wasn't forever alone 🙃 so, I build a story around that. I hope you enjoy it!

P.s. This is a F!MC

--

I had been so excited for this day! In the human realm, my hometown this time of year had a huge festival ending with a huge firework show. I had asked to go a week in advance but due to being in the Devildom for the exchange program, I couldn't go. It definitely was a disappointment. However Diavolo, seeing me upset and now curious about the tradition, asked all about it and he thought it sounded fun. Thanks to him always wanting to do anything new, he immediately decided to do the same here in the Devildom.

So through the long week, he asked about everything we would do at the event to make it much more fun and quickly get everything ready to make this last second festival. It somehow all came together and it feels almost exactly like the festival from the human realm. The food, sweets and all! Now it was the time to enjoy the festival!

The brothers couldn't understand why I was so excited for this. Though we all went to festivals and saw fireworks, It was just something that I would always look forward to this time of the year and it's just more special this time around. It kinda feels as if I'm sharing something that I love with everyone I care about in a place where I like to call my new home. Hopefully they'll come to enjoy this as much as I do.

"So, this is called an Elephant ear?“ Beel asked, drooling at the large fried sweet in front of him.

I laugh, as I grab a piece before he can scarf the treat whole, "Yeah, it's just fried dough with powdered sugar on it. They usually sell these at any carnival or festival." I pop the elephant ear in my mouth, savoring the amazing taste.

The brothers each had something to eat as we took a break from all the festival games littered around. We all take two picnic benches for the 8 of us, well, us and Beel's giant pile of food he got. Everyone had won something from the games…well everyone but me and Mammon. Mammon was determined to win a game, yet his luck seemed to be the worse for wear today and all the games we'd gone to all ended up with one of the other brothers winning the game. My luck honestly wasn't any better due to playing the same games that the others had won.

"I'm telling ya! Those games are rigged! The people runnin 'em are just a bunch of con artists!“ Mammon yells, clearly frustrated that he hasn't gotten anything.

"Or maybe you just suck lol" Levi says, holding a Ruri-chan plush to his chest.

"Honestly, you really shouldn't be surprised, you were pretty terrible at all those games since you had no choice but to play fair." Satan adds on, which all the brothers nod in agreement.

Asmo laughs, "Well, what do you expect from a scumbag?"

I start to get annoyed as the brothers all start to bash on Mammon. He seems fine on the surface but I've been around him long enough, with him basically living in my room and all, to see all his little ticks. Like when he's excited, his hand gestures are more dramatic, to emphasize his point or how his eyes light up when something catches his attention, like something to make a quick buck. However, right now, with the way his mouth slightly twitches and his hand shoved into his pockets, he's upset. He really only does this when the brothers throw insult after insult at him, like right now.

I sigh as they continue their assault on him. But an idea comes to mind and it'll be easy enough to pull off.

"Does...that all that stuff apply to me too? Since I didn't win anything either, after all..." I say, putting on my best pouting face and looking down at the ground.

Immediately, the brothers started to panic, trying to reassure me that it wasn't true, successfully drawing their attention away from Mammon. I slightly looked up, passed the frantic brothers to lock eyes with Mammon. He stood there for a moment, a bit confused by my sudden comment. I flash him a quick smirk before looking up at the brothers, accepting their apologies. The brothers seemed to relax and drop the topic after that, returning to the food they have. Mammon, who had seemingly understood what my intentions really were, looked at me, with his face slightly flushed, then stared down at his food.

In Mammon's mind, he honestly doesn't know what force sent Y/N here but, she is honestly the best thing that has ever happened to him. At first, he hated the idea of being her guardian due to all of the extra work he was given. But, as days turned to weeks, her treatment towards him was nothing but sweet and loving. It honestly was a huge adjustment for him, since everyone treated him like scum or useless, having her place so much faith in him, even defending him and doing little gestures like this, it makes his head spin. He honestly couldn't pinpoint when it happened, but, his feelings for her drastically changed, he couldn't deny it now, how he longed for her, wanted her all to himself. How he loved her unconditionally.

I smile, quickly finish eating my food then stand up, "Ok! Time to get back to the games!“ I say, excitedly.

"Y/N, I'm glad you are excited but some of us still need to eat." Lucifer says, glancing at Beel and his mountain of food.

"Awww, come on Lucifer, I wanna try to win something before the fireworks start." I plop down again, putting my chin in my hands.

"Well, I'm sure we'll have plenty of time." Lucifer tries to cheer me up, eating some fries.

Mammon looks up at Y/N, upon seeing her upset. He honestly hated seeing Y/N upset, even if for something so small as to wait for everyone to finish eating. He wanted nothing more than to see her smile everyday, it honestly was one of his favorite parts of the day to see her smile so sweetly. He'll do anything to make her happy. He sits up and scarfs down his food before standing up. "Ok, how 'bout this,' ' Mammon gets up and walks over to me, ' ' since I haven't won anythin', I'm gonna go play some more games and I'll meet ya guys later. Y/N, ya can come if ya want to." Mammon starts to walk away, at a slower pace than he usually would.

"Yeah! Ok!" Before any of the other brothers could protest, I quickly got up and hurried over to Mammon. I can hear the brothers stumbling to get up to follow us.

"Hey! Mammon is stealing Y/N!"

"That's not fair!“

"That scumbag..."

I hear some of the things they're saying as they seem to be trying to catch up.

I grab Mammon's hand and start to make a run for it. "Come on!" I glanced back at Mammon, who seemed shocked. He looks back to see the brothers in hot pursuit of us. Getting the hint, Mammon picks up the pace. We high tail it out of there, laughing like a bunch of kids all the while.

--

Me and Mammon finally stop and I flop on the floor, trying to catch my breath as Mammon puts his hands on his knees.

"I…I think we lost 'em" Mammon pants, out of breath from running around.

"I…I think so…jeez, how…how do you always do this when you get in trouble?“ I wheeze out, my human body not used to running as much as a demon. Especially if that demon is Mammon.

Mammon straightens up, finally catching his breath, "Well, I'm not usually running from ALL of my brothers, just Lucifer mostly."

Mammon reaches his hand to me and after a moment, I let him help me up. He helps me to my feet and when I look up, his face is very close to mine. We stare at each other for a moment before both of our faces turn more flushed than we already were.

His bright blue eyes that have a hint of that golden yellow has me in a trance. When I first met Mammon, it was the first thing that drew my attention, it's honestly something that I always find myself staring at all of the time. They are very beautiful to me and never fail to make me feel relaxed when I see them. But not only that, he is a very handsome man. His rich caramel skin with his pure white hair makes his face stand out even more. He is just so captivating to look at, however his personality is what truly makes him shine. Even if he tries, and fails, to hide his true feelings, he always has his heart on his sleeve, rather if he realizes that or not. He tries so hard to help me or to even make my day brighter when I'm not feeling my best. He even tries to protect his brothers and is always there for them. He honestly is the most caring person I've ever met and I can't help but fall for him because of that.

Mammon looked down at her face, he honestly couldn't help but stare. In his mind, she was more beautiful than anyone he's ever seen. Her beauty not only stopped at her looks but the person she was. She was a true wonder to him, too good to be true yet, here she was, defying all logic. All he wanted to do was look at every detail of her face, her eyes as they shine, her soft skin as the blush covers her face, her parted lips as her breath finally slows down. Mammon was the first to turn away, catching himself now staring at nothing but her lips.

He clears his throat. "W-Well since we're here, let's get to some games!" Mammon says, his fangs flash with his grin.

We made our way to the nearest game booth, both of us looking at the various prizes. The booth in question is a simple ring toss, the bottles are organized by colors which show what size prize you can get. There are the ridiculously large stuffed bears that are taller than me to the very small animal plushies. Scanning all the prizes, one catches my attention, a black plush crow with a yellow tag on it. It was big enough to hold in your arms, it's wings dangled at its sides. It had its beak opened slightly to look like a smile. I glance over at Mammon, who is currently eyeing a plushie of a grimm, that also has a yellow tag hanging off of it. I laugh, thinking of how that plush crow reminded me of him.

Mammon looks at me, slightly confused, "What are ya laughing at?"

"Oh nothing, though I know what prize I want." I smile, looking back at the crow plush.

Mammon follows my eyes over to the plush, he tilts his head at my choice, "Ya sure that's what ya want? There are plenty of things better than that ol' crow."

I nod enthusiastically, "Yeah, I think it's cute, like someone else I know." I playfully push him.

His ears turn a dark red but he laughs, "Well, I know what I want so, let's go and win some prizes!“

We pay the demon running the game and start trying to make the rings reach its mark. However, as in most carnaval games, the rings in question are only slightly bigger than the top of the bottles, making it much harder to win. Not to mention the bottles for the better prizes are further back, making it much harder. As we try a couple times, we don't get much luck and we're running out of grimms to play. However as we reach our last game, even though I end up with nothing, Mammon manages to sink a ring on a yellow bottle.

"We have a winner!“ the demon behind the booth says, walking over to grab the ring.

"Yeah! This was nothin' for the Great Mammon!" Mammon threw his hands in the air, and I cheered with him, "You did it! You won!“

The demon walks back over to us, "Alrighty, you can pick a prize with a yellow tag. Which will it be?"

Mammon's eyes flick to the plush he was eyeing earlier and he goes to speak, but an announcement rings through the speakers all around the festival, "The firework show will be starting in 15 minutes, marking the end of the festival! So hurry and grab a seat to enjoy the show!“ a cheery voice says before the music from before starts to play again. Mammon looks down at me for a moment before a small smile appears on his face.

Mammon looks at the demon and points at the plush crow, "I'll take that one."

I look up at Mammon, "But, I thought you wanted-“ I get cut off by the demon swift return, "Here you go." The demon hands him the crow plush.

Mammon takes the plush from the demon with his usual bright smile and starts walking off, I quickly follow, still confused. Once I catch up, he looks at me with a blush on his face and holds out the crow to me.

"W-well, there wasn't really anythin' I wanted, so I figured I'd get this ol' crow since ya seemed to want it so bad." He says with his usual bravado, yet it was a bit more shy than normal.

"But, you said…" I start to say as I take the plush but, cut my thought short.

Even though I know he wanted something, that much he's been saying all day, he still got me this crow plush. Knowing how he struggles to do these things and becoming a stuttering mess when it's pointed out, I choose to not question him. Yet, I can't help but love him even more, him knowing that I wanted something as well and that he'll be going back home later with nothing. I'll have to repay him later but for now, I'll just enjoy the rest of the festival with him.

I shake my head and give him a smile, one that shows how much I truly appreciate and love him, "Thank you so much, Mammon." I hold the crow close to myself.

Mammon feels all the air in his lungs escape him. Y/N's smile, the sparkle of joy and something more…intimate in her eyes. Honestly, for a split second, he found himself jealous of that crow, seeing Y/N holding it so lovingly. He wanted, no, needed to show her how much he loves her. If not tonight, it'll drive him insane.

--

After looking a bit, me and Mammon found a perfect spot to watch the fireworks. We sat on a hill that was a bit further away from the festival and luckily, we could still hear the music playing from one of the speakers nearby. We sat in a comfortable silence, waiting for the fireworks to begin. Which based on the amount of time it took to find this isolated spot, it should start at any moment.

Mammon is resting his arms on his knees as I sit with my legs crossed, the plush crow close to my chest. I watch all the demons in the distance hurrying to find a spot to watch the show as well. Thankfully, none of them seem to look in this direction. So right now, it's just us, alone.

After a few moments, Mammon looks over at me and shyly starts to speak, "H-hey, Y/N?"

I look back at Mammon, noticing his face slowly forming a blush, "Yes?"

"I…I wanted to tell ya-" Mammon gets cut off by the first firework going off.

We slightly jump, but my eyes widen as the firework show starts, "It's starting!"

I watch as the firework starts to make the usual dark Devildom sky shine bright with many different colors. All the while, a familiar song starts to play on the speakers, making this a moment that I want to treasure always. It was a song from the human realm and it was a song that made this moment feel more intimate. I honestly couldn't ask for a better day, I got to go to the festival with all my favorite people and I even had, dare I say it, a wonderful date with Mammon. The thought of going on a date with Mammon makes my cheeks burn but I truly wish that this day would never end.

Mammon's heart starts to pound in his chest, his gaze never leaving Y/N. He watches as her eyes glow with wonder, watching the fireworks as if it were the first time. She never looked more beautiful, more perfect than right now. If he was ever gonna make his move, it had to be now. Mammon opened his mouth to speak but he couldn't find it in himself to break her trance. However, his greed for her attention, her voice, her touch, for nothing but her, was growing. So, he closes his mouth and takes a deep breath. He leans closer to her as his shaky hand gently touches her cheek to turn her face towards him.

When I suddenly feel a light touch on my face, I snap back to reality. Before I can react, I feel my face being turned and suddenly, Mammon leans in, his eyes close and gently presses his lips on mine, like he's afraid that I'll break. My eyes widen, taking a moment to realize what is happening. Mammon, feeling me not move, starts to move away, most likely worried he did something wrong. But, not wanting to lose the moment, I quickly filled in the space he left, pressing my lips a bit harder than he did. Mammon tenses at my sudden movement but quickly melts into the kiss, holding my face with his hands. I place the plush to the side, momentarily forgotten, I place my hands on his chest for support.

The air stills, the world around us starts to disappear. The only thing to keep us from forgetting the world completely is the sound of fireworks and the song playing so sweetly.

I snake my arms around Mammon's neck, then he takes the chance to pull me in closer by my waist, closing the gap between us. Even though he was nervous at first, he seems to have relaxed, even nips at my bottom lip, causing me to gasp. He swiftly slips his tongue in my mouth, tangling it with mine, deepening the kiss. We held each other close, like we were afraid that the other would vanish.

Needing to breathe, we lean away slightly. I'm not sure when it happened, but I managed to end up on Mammon's lap. Mammon seems to also realize the position we're in and his breath hitches.

His hand comes up and holds my face, "I love ya, Y/N."

My heart flutters and I lean into his touch, "I love you too, Mammon. I…I always have."

"Y/N, I care about ya so much and I…I don't want anyone else trying to steal my most precious treasure from me. The thought of it kills me, because I'm yer first man." Mammon stops, becoming more shy, "I w-want ya to be mine and…I'll be yers…if ya want me."

I feel as though all of the butterflies in my stomach would explode out of me. I can't stop the big smile that appears on my face, "Mammon," I hold his face in my hands, "no one could ever take me away. And not only that but…" I bite my lip, feeling a bit bashful, "You already have me. Now and forever."

If Mammon could, his eyes would have hearts in them. He looked at me with such lovestruck eyes, his face is probably the most peaceful expression I've ever seen. I look back at him in awe, honestly have never seen him so happy, like he's on cloud nine.

A smile is plastered on his face, "I promise that I will be with ya till the end of time. I gotta be the luckiest demon in the whole festival, no, the Devildom. But, I guess I did win something at the festival after all." His smile suddenly turns into a smirk, "What do ya say we go somewhere more private and we can continue…this?"

My face turns red, but I nod. We stand up, I grab my plushie so that we can leave when I suddenly hear someone, or rather, some people, running this way.

"MAMMON!"

We spin around, both of us knowing too well who that voice belongs to. Lucifer and the rest of the brothers are running at full sprint in our direction.

"Oh shit!" Mammon yells out, quickly sweeping me off my feet, making a run for it.

Startled, I grabbed on to Mammon's jacket, making sure to not drop my crow plush, "Ah! M-Mammon!“

He looks down at me, " Well, I might get strung up later, but I'm yer man now. I want ya all to myself and I don't know about ya, but I'm not ready for tonight to end." He flashes his signature smile.

I can't help but laugh, as we make yet another escape from the brothers. This is truly the best day I could have asked for.

[takerfoxx]

Some stuff from 2020 that I actually liked

Okay, so 2020 was a godawful year, we all agree. But a lot of good did happen to keep us sane, so I want to go ahead and list everything that made me happy last year. Also, note that some of these things actually debuted earlier than 2020, but I came across it in 2020, so it counts for me.

TV!

-The Hollow.

The Hollow is a truly underappreciated show. A cool premise and interesting characters that just got better every episode.

The Dark Crystal: Age of Resistance.

This is one of the best single-season shows I’ve ever seen. Absolutely brilliant, and fuck you Netflix for pulling the plug!

Keep Your Hands Off Eizouken!

This show is not my thing by any means, and I would never have checked it out if the opening wasn’t so attention-grabbing. Glad I did, because it gave me genuine joy. Though it probably should have debuted later in the year, since it seems custom-made for the quarantine months. 

She-Ra and the Princesses of Power: Season 5

What more can I say? One of my favorite shows of all time going out with a fantastic bang. God, I love this show.

Honorable mentions: Kipo and the Age of the Wunderbeasts, The Owl House, Magia Record, and SSSS Gridman.

MOVIES

There wasn’t a lot of movies worth talking about this year, and fewer that I actually saw. This one had the good fortune to drop just in time to dominate the box office right before quarintine shut everything down. And for a film with such an uninspired premise, such a problematic production, and being a video game movie no less, it just brought me so much joy.

VIDEO GAMES

Stinkoman 20x6: Level 10

Homestar Runner was my first favorite thing on the internet, and I spent many hours playing through Stinkoman 20x6 well over a decade ago. So when they finally announced the final level mere days before flash died forever, it was a big of closure I never thought I would get.

A Hat in Time

This game was a surreal delight. More like this, please!

Hollow Knight

On the other end of the spectrum, good lord was exploring the world of Hollownest a joy. Can’t wait for Silksong!

Honorable mention: Orri and the Blind Forest

PRO WRESTLING

Tetsuya Naito achieves his Destino

I’ve already got into detail why this moment was so special, so I won’t repeat myself here. But man, was it incredible.

Kota Ibushi, back-to-back G1 winner!

If it were anyone else, I would be annoyed. But it’s Kota.

I started watching Lucha Underground!

This show is years old, but I only started watching it this year, and I’m glad that I did, because it is so much fun. It’s basically Mortal Kombat as a wrestling show!

Honorable mentions: the Firefly Funhouse match, Roman Reigns turning heel, Kenny Omega and Jon Moxley’s AEW championship wins

LITERATURE

Two Dresden Books

The Dresden Files is my favorite book series, and after waiting so long for it to return, getting two books in the same year was a real treat

Dance in the Vampire Bund

This is probably my guiltiest of guilty pleasures, because unlike other guilty pleasures like To Love-Ru or the Hollywood Undead in which their unashamed schlockiness is part of the charm DitVB is largely a fantastic vampire story with a richly drawn world, great characters, a compelling plot, and some truly great action. It just has that one really gross aspect that overshadows everything else, and unfortunately is promoted as its main selling point. That being said, I was happy to see it return.

PERSONAL WRITING

Returning to fanfiction

Ah, IM and RD, how I’ve missed thee. Sure, my heyday may be over, but it’s still wonderful to return to old stories

Finishing both Walpurgis Nights and Restless

These two were both passion projects that have been taking up space in my head for years, so finishing both was a dream come true, no pun intended

Getting Blood Island going

I have no idea how my future in original fiction will go, but I hope it’s good.

MUSIC

DemonDice

Yes, we all know who she is now, but finding Calliope’s older stuff kind of makes me mad about how unappreciated she was. 

Mystery Skulls - Ultra Rare vol. 2

I remember asking Mystery Skulls right after vol 1 dropped if a vol 2 was in the worlds, and he said definitely. It took a while, but it’s finally here.

Skyhill returns

God, Howling at the Moon came when I needed it the most.

K/DA All Out

I found out that this was coming out literally days before it dropped, and it ROCKED!

Ken Ashcorp

Why yes, I would like more incredibly catchy, shamelessly horny songs about nerdy stuff that I like, thank you very much.

Honorable Mentions: Hybrid Theory deluxe edition, In This Moment, Gorillaz Song Machine

Misc.

hololive

This is the era of the Vtuber. I still don’t fully understand why these cute but psycho anime girls bring me so much joy, but I’m glad that they do. 

And finally...

Donald Trump gets voted out of office.

Fuck you, you narcissistic, fascist piece of shit. You losing didn’t make up for such an awful year or for the four years in which you ran this country into the ground, but it was a good start!

[missingjackklinehours]

run alone (until i bring you home)

Out of each pleasant memory of Gabriel trying and ultimately succeeding in graciously brightening his mood, Raphael holds a certain memory close to his heart.

Rating: Gen

No warnings apply.

Fic & Playlist available on AO3! (however, feel free to read under the cut.)

@spnarchangelweek <3

Asters indubitably remind Raphael of Heaven's Messenger; his younger brother, Gabriel.

Bold yet delicate petals that sway amiably in the breeze. Gabriel, the animated fledgling who would joyously dance when he was feeling down, carefree giggles falling from his flushed lips when he stumbled. Father forbid if one of Gabriel's elder brothers had a mere smudge of gloom present in their actions—The jubilant fledgling would've been dead set on a clear-cut mission: doing absolutely anything in his power to cheer up his brothers. Gabriel had always been his brothers' little ball of sunshine, much like the vibrant citrine center of an aster flower.

Out of each pleasant memory of Gabriel trying and ultimately succeeding in graciously brightening his mood, Raphael holds a certain memory close to his heart. He wouldn't forget it, even if his mind permitted so.

.•° ✿ °•.

Morning skies were always Raphael's favorite. The dawn of a new day, the faint ghost of the moon stuck stubbornly to the yellow skies like a splendid dream with far too much detail. He would spend countless hours just watching the stars fade.

This particular morning was radically different.

Raphael had just lost his childhood friend, the kind black swallowtail butterfly that had captivated him with her bulging eyes as a meek fledgling. She always met Raphael in his garden, sucking away at the supple nectar within the flushed milkweed flowers he'd grown specifically for her. However, it had been a few days since she'd returned from her lengthy adventure to find a mate, and Raphael was growing increasingly worried.

The dawn skies echoed glum without her fragile wings fluttering across them. The milkweeds looked to weep.

Raphael had never been an expressive angel, quite the contrary. It was all about subtlety with him, something only his closest brothers—archangelic—had knowledge of. He himself hadn't even noticed his mistake: He'd forgotten his watering can before he'd embarked on the short trip to his garden.

It was such a trivial feat that Raphael hadn't cared enough to realize it was missing, until he'd long since reached his garden and after he checked if his swallowtail friend had reappeared; She hadn't. It was like the cherry on top of his sick discontentment—He would have to trudge back to the familial archangel nest with a heavy heart and convoluted thoughts.

At least, he thought he would. A too-familiar presence had abruptly stumbled upon him, and Raphael slightly turned in a befuddled daze towards the nearing sensation of Gabriel's easily-recognizable grace.

Gabriel was supposed to be in combat training with Michael that day. There was no particular reason the youngest archangel should have been approaching Raphael's garden. Raphael blankly watched Gabriel land with a small crash—Gabriel hadn't mastered flight at that point in time.

Raphael couldn't help the nearly-imperceptible upward tug of his lips at the sight of his youngest brother now covered in soil and scrambling to stand up, trying to smoothly act as if he hadn't almost knocked himself out. In his jittery hands glimmered Raphael's steel watering can. Raphael peered at it with interest, his stare flicking up to his brother. Gabriel, after briefly maneuvering his head to the side to spit stray grains of dirt out of his mouth, wiped his lips with his arm before flashing a toothy beam at his older brother.

"You still have soil in your teeth," Raphael had remarked.

He observed Gabriel's expression switch from gaiety to dismayed surprise. The younger angel's hand shot up to scrub frantically at his teeth. Raphael's attention reverted to the spot behind Gabriel, the spot where his brother had crash-landed, and he softly sighed in dissatisfaction when his eyes scanned over the healthy aster bush his brother had crushed.

"... And, you ruined my flowers."

Gabriel's scrubbing stopped in an instant to offer Raphael an apologetic look.

"Sorry, dude," Gabriel once again displayed his bright beam, continuing to speak through his smile with a muffled tone, "Did I get it all?"

Raphael transiently paused his assessment of his brother's accidental floral destruction to sweep his sight over Gabriel's smiling teeth—Nothing but pearly whites. A chaste nod followed, and Gabriel's simper dimmed to a close-mouthed one. Raphael continued to eye the watering can curiously, prompting Gabriel to brighten, as if he'd completely forgotten what he'd come for in the first place. The youngest archangel tilted his head sweetly as he merrily extended his hands, presenting the steel watering can in all its glory. Raphael concisely inspected it, his gaze jumping back to Gabriel's face with slight suspicion.

"Aren't you supposed to be with Michael today?" Raphael hesitantly took his watering can from Gabriel's hands. His younger brother pulled his arms back, the grin on his face morphing into the signature pout that Raphael's mind always regressed to when thinking of Gabriel.

"Exactly right! I'm supposed to." Gabriel shuffled in place, his rascal pout never budging. "Let's just say this is a detour, okie dokie?"

Raphael's prodding eyes slanted in both incredulity and curiosity. Gabriel passively considered his brother's expression before swiveling on his heel, facing the aster bush he'd indirectly demolished. Raphael studied him silently, off-put by the lack of mischief that always seemed to follow his youngest archangelic brother.

"I can help replant these!'' Gabriel's voice was jam-packed with genuine enthusiasm. Raphael's suspicion has reached its peak, and he dubiously stepped forward to stand next to his younger brother. Side-by-side, the pair of archangels skimmed over the crumpled mess of lavender petals and evergreen leaves.

"Firstly, you're terrible at gardening," Raphael calmly stated, and Gabriel cocked his head to peer at Raphael with what was probably slight offense prominent on his face. Raphael ignored him as he spoke. "And secondly, why are you really here?"

Raphael marginally pivoted to watch his brother's expression. Gabriel's features didn't take long to fall, and Raphael's entire being peaked in both interest and concern. The Messenger briskly looked away with a hint of timidity, his eyes of sky falling back to the flattened plant before them.

"You forgot your watering can," He said meekly, as if afraid to speak its silly truth. He added even softer, "You never do that."

Raphael's stare simply bore more intensely into his brother, utterly bewildered. Gabriel continued, an anxiety-prompted ramble.

"And you came home late yesterday. I'm worried, Raph," The youngest archangel admitted, releasing a massive sigh as he did so. Gabriel seemed relieved, like the thought had been plaguing his mind significantly. Raphael immediately softened, quick to soothe his brother. His lips moved on their own, and a blatant white lie tumbled out.

"There's no reason to worry, Gabriel," Raphael delusively assured, and he slightly jumped when the Messenger's head snapped back up; Raphael could now physically see the uneasiness present on his brother's face.

"Y'know, you could at least try to sell it a little better," Gabriel whined with a tenuous smile, and Raphael offered an apologetic look in response. A couple beats of silence enveloped the pair, with neither one of the angels bearing the right words to say. Gabriel's abstracted gaze gingerly drifted elsewhere.

Raphael attentively followed his brother's now-fixated stare. The older angel's being subtly slumped purely out of sheer impulse when his eyes lay on the faded coral color of milkweeds—They seemed terribly empty without a familiar pair of miniature black and blue butterfly wings atop them. A flit of acquainted worry spread like a consuming disease over his grace, a halfhearted wash of paltry waves over a burning embodiment of celestial light.

A physically inaudible hum of lamented harmony buzzed from the grace beside him, and a gentle touch brushed against his shoulder. The sudden sorrow within Raphael fleeted away as quickly as it had birthed when the warmth was perceived. With a meager twist of his head, Raphael’s pale eyes once again met the now-sympathetic azure irises of his brother. Gabriel wore a modest frown, his face contorted in enhanced concern.

"Does it have something to do with Basil?" Gabriel's expression grew more worried when the words left him, and hearing it aloud somehow made it more real to both of them. "Is she okay?"

Raphael's movements delayed, and his own uncertainty seemed to float rapidly to the surface at the sight of Gabriel's shared fear. Gabriel had met Basil, Raphael's befriended swallowtail butterfly, a couple years after Raphael had become close with her; Gabriel had happily insisted that he wanted to introduce himself to his big brother's childhood friend.

Raphael's face remained stone as he hesitantly nodded. Gabriel's concern transformed into what looked to be frightened grief.

"Is she…"

"I'm not sure. She hasn't returned from her journey to find a mate." Raphael stated weakly, briefly glancing back at the milkweeds that lowly drooped in melancholy without the swallowtail. The wind drifted through their petals, calling out to her.

At this, Gabriel looked to be a bit relieved. The youngest archangel's face broke into a soft smile after a couple of seconds, and Raphael's eyes ever-so-slightly slanted in inquisition. Gabriel's simper never faltered as he kneeled down in front of the destroyed aster bush.

Raphael watched curiously as his brother began to speak in an upbeat, sing-song tone that was so… Gabriel. He simply turned towards Raphael again with a blinding flash of happily smiling teeth.

"If you say I'm that bad at gardening… then help me replant these! Let's surprise Basil with them when she comes back from her trip!"

A stunned pause ensued on Raphael's end, but never on Gabriel's; His younger brother's essence remained in a harmonizing melody, a sweet positivity radiating from his grace like comfortable currents of summery morning light.

Always so bright. Always so cheerful.

Raphael returned Gabriel's smile.

°•. ✿ .•°

It's silent without Gabriel.

Still. Empty. Void. Overpowering, almost.

And within that silence, thousands of words still seem to be spoken. Shrieked. Wailed. Raphael blindly listens, unaware it's merely a cold reflection of Heaven—of himself.

A muted cry of fear, a tremble of loneliness echoed across space and time. Velvet petals of lull lilac petals mirror the agonized harmony in pity. The aster bush he and Gabriel planted together distantly watches Raphael mourn.

Asters indubitably remind Raphael of Heaven's Messenger—his younger brother, Gabriel. And within the stillness, they remind him of Gabriel's absence.

Lavender beauty blooms quick, and wilts quicker. Raphael replants them every year.

He's counting.

It's as if the flowers hold a piece of Gabriel that Raphael refuses to let go of ever since his baby brother left Heaven. A pout perhaps, or a cheery bliss. A crack of golden morning light within their stamens, a careless dance in the wind. It's all so… Gabriel.

Raphael smiles in their presence, he can't help it.

In Heaven's soil, he plants aster flowers each day in hopes for his brother Gabriel's return.

[hydraulicfluidinmyteapot]

Pirates of the Caribbean

This is an ask from @shrigma-male​, but i accidentally deleted the ask.. so sorry! I am high key excited to get an ask about this topic, as the Pirates of the Caribbean ride is probably one of my earliest animatronic centric obsessions. not only is it one of the earliest and most impressive feats of Imagineering, it also remains solid to this day. it houses a great many iconic animatronic figurines, all of which work together in perfect harmony to capture beautifully life filled scenes of a cohesive storyline. Its individual ride concept was so strong that it birthed a line of clones and even a famous movie franchise. isn’t that sick? a RIDE was the key source material for a whole movie series! but it’s unsurprising, with the time and care poured into the ride. Unfortunately, or fortunately depending on how you think about it, the ride is JAM PACKED so there is a LOT to talk about. This will only be a super brief post information-wise, but who knows? There may be more to come if this performs well. Apologies, my life’s not going great at the moment and i don’t have a lot of spare time so this is not as high a quality as i would like it to be.

Here’s my fast fact file on it!

Debut: March 16, 1967

Withdrawal: All rides are still operating

Attraction: The Pirates of the Caribbean 

Locations: Disneyland, Magic Kingdom, Tokyo Disneyland, Disneyland Paris, Shanghai Disney (but this one’s heavily modified)

Attraction Type: Dark ride

Riders Per Vehicle: 23–24

Number of vehicles:  50

Animatronics: 119 ish but it depends on the ride version

Ride videos: The entire ride varies from version to version and different people want to see different parts. i’m leaving you guys to find your own ride videos. it’s a very popular ride, just type on in to youtube and you’ll find heaps of nice high quality ones. 

The thing that stands out about this ride is the theming and the sheer amount of effort put in to creating an immersive environment. the ride houses an impressive 119 audio animatronics, 53 of which are animals. There are 630,000 gallons of water in the ride (original Disneyland) and takes three whole days to drain. there are over 40,000 gold coins in the treasure room scene alone. It holds what could possibly be considered Disney’s first themed restaurant which can be seen at the start of the ride. It is objectively one of the coolest things I’ve ever ridden. I want to call specific attention to the boat scene, where cannons fare at each other from opposite ships, creating glowing impacts and throwing water about. the first time I rode it it ensnared my attention and completely suspended my disbelief.The ride system is based on the one used in it’s a small world, due to that rides incredible success in debuting a boat-based transport system. Although I hate it’s a small world with a burning passion and refuse to write anything on it, I must be forced to admit that it did wonders as a test on how to create a good dark ride, emphasising key features such as a high rider capacity, boat-based transport system, and proving that animatronics are an incredibly attractive key event. Since the 60’s when it debuted, the Pirates of the Caribbean ride has gone through many changes throughout its location, including entire scenes being added and removed. but what it has maintained throughout its historic run time is its notoriety and splendour. the key change that I will bring up is the 2006 and 2007 renovations that include more theming from the very successful movie franchise. slightly unrelated, but the song “Yo ho, a pirate’s life for me” was actually first written for the ride. The rides are all being constantly updated in minor ways whether it’s slightly improving the animatronics, touching up background details or changing costuming. I’ll attach here a brief sort of timeline of the ride that I’ve whipped up here, but it only touches on the most notable modifications. sorry about how crap-tier it is..

Now, to talk more specifically about animatronics. The animatronics used on this ride are some of the earliest made by Disney. some are really quite basic, with their full range of motions being a singular full body action such as raising and lowering out of a barrel, but others move heads and arms in (sort of) lifelike actions. Some are newer, (specifically captain Jack Sparrow), but most are the original ones from the 60’s. One of my (and everyone’s tbh) favourites is the redheaded lady. She is (very originally) named Redd. Previously she was being sold off for auction, but in 2018 she was swapped to being an auctioneer. She has stunning red curls and a beautiful dress to match, and now holds a gun. here’s a little before and after.

 in the same refurbishment that changed her the mist screen in the tunnel before the fort battle was removed and replaced with a pirate in a cage who turns into a skeleton via an optical trick as well as an octopus playing with some medallions, along with the original 1967 narration about cursed treasure being restored. Her new version is based off none other than Anne Bonny herself (worth a google, she’s a fucking BOSS (like seriously!! Queer history icon!!! LOOK 👏 HER 👏 UP 👏 )) . She’s also displayed in dead man’s cove in a portrait, which I think is kinda neat. Her Paris version is completely silent, but the others yell about selling rum. Sadly I have never actually seen the new Redd in person, as I have only ridden the ride in Tokyo (where she is still being sold).

Now, the barker bird! oh how I love him so <3 he’s a little green pirate parrot, who spent his days crying about the ride. he was originally in the queue area but got kicked outside eventually to help deal with crowd control. he was then gotten rid of in 2006 in the big movie refurb. He was remarkably similar to the original barker bird who resided outside of the Enchanted Tikki Room; however, the pirate version has a peg leg, eye patch, tattoo on his chest and wondrously villainous hat. he was originally based off of Captain Flint, the parrot from Treasure Island. It is theorised that he has a skeletal clone inside the ride; the parrot belonging to “the Dirty Feet pirate”. 

When you first get on the ride, the first animatronic you come across is Old Joe. he is an animatronic character used in multiple different attractions, including Liberty Belle Riverboat, The Western River and Mark Twain Riverboat. in each version, he lives in a shack and is associated with the banjo. I say associated because it is actually a really common misconception that he actually plays the banjo. he does not, it is just a dark scene and there is banjo music playing around him. you can see the tip of his pipe glowing as you approach it in the ride, lit up alongside the fireflies. he is a small taste of what is to come.

Barbossa replaced the original pirate captain of The Wicked Wench in the boat battle scene in the mass movie renovation. he is my tied favourite with the redhead, as his dialog adds so much to the scene. his character moves in a beautiful fashion, lit up by a spotlight. His face is artfully painted, capturing what I believe to be the most human expression in the entire ride. His boat is fighting a Castillo del Morro fortress of Isla Tesoro, whilst busy searching for treasure and presumably captain jack sparrow. in 2011 his WDW version’s outfit was swapped over to his privateer uniform from On Stranger Tides, to keep the ride tied to the movies. What can be considered quite odd is that in Paris’s later renovation, the Captain did not replace the Wicked Wench captain, and was rather added in to a scene at the end of the ride, in the skeleton grotto. he is standing on the shipwreck beside the skeleton helmsman, carrying a lantern. 

The auctioneer. I don’t like him. greasy man. his eyes are wild. He’s originally voiced by Paul Frees (an icon, a legend) and is inspired by Captain Bartholomew Roberts (considered the most successful pirate in the golden age of piracy. He is also a pirate from the ship The Wicked Wench, and his auction is set up near a canteen called "La Cantina”. very creative. He was originally selling brides (human trafficking, not very snazzy) but now he sells chickens he stole from townspeople. however, this is unsuccessful. In the Paris version, instead of the chickens he is trying to sell a painting of Jean Laffite. Funnily enough, Jean is one of Disney’s sort of “stand in” pirate characters that they frequently just use whenever they need a pirate to slide in. Unfortunately, the auctioneer is always kept relatively up to date with the shiniest, newest technology that Disney can spare, and is always one of the most advanced figures on the ride. doesn’t deserve it, he’s slimy and I don’t like him. I should probably mention that he doesn’t actually have a name other than the auctioneer. There’s also a clone of him used in the haunted mansion for the duelling animatronics. loser. 

This is a very long post, so I shall cut it here. I will leave you with an image gallery, further reading and a possible promise of a part two if this post does well. Thank you!

(ok so i actually haven’t got any further reading gathered yet. give me like 6 hours and ill fix it in an edit. i promise. i just want to get this post out asap)

[moon3500]

For the last year, I've been unhappy with the career I was studying. I was in art college for animation and I lost passion for it very quickly (I literally hate drawing, wtf was I doing there). My love has always resided in film. Filmmaking and editing:

Touching a camera, lighting a scene, placing the mics; then having to select the correct footage and sync it with the perfect song, fix the audio and correct the color to the perfect levels, so when you look back at the piece of art you've created, you've learned and grown and are proud of every single detail you paid attention to, that nobody will notice. But you will.

Those feelings are what I fell in love with when I started doing music videos at age 14 and later when I joined the TV production class in high school.

That's why, this semester I'm starting over in a new college, a film production program. I should've been graduating with my Bachelor's Degree in 2023. In fact, all my middle school friends back home will graduate in a couple of months. I, on the other hand, will be graduating in May of 2025, at the GROWN age of 24 years old and 9 months.

I am very conscious that every person goes at their own speed, and that my timing is mine and nobody else's... but people will have 3 YEARS of experience at my age when I'll just be a fresh-out-of-college 25-year-old!

I do have a plan, though. I'm going to take every summer 'off' and take an internship in different film production companies. I'll be the assistant of the assistant of the assistant. I don't care, as long as I'm there.

Oh, and the video. I forgot there's a video on this post!

I've been wanting to do documentary filmmaking for a while (I am currently working on a doc), but recently I've picked up a love that I had left forgotten. I do (trust me, I do) hate consumerism culture, but I can't help but LOVE well-made fashion films and creative commercials.

When I was in high school, I wanted to be a publicity director, or just do spots for a living, IDK, something related to making commercials. However, I don't think I would really enjoy working in marketing (it's not out of the picture, but it's not in the picture if you know what I mean). I love the creative side of filmmaking so much more, without having to focus on selling a product.

This video is one of the many that made me fall in love again with short-form filmmaking. You watch it, and it's not shoving any product in your face, but then it finishes and it says L'Oreal Paris and it's like, 'oh yeah, all their hair was styled beautifully, I get how this is selling hair products', but EVERYTHING was beautiful, so it didn't necessarily stand out. It's a beautiful commercial, very gently done, and I love that.

I'm still pursuing documentary film. I love the genre and the MANY different ways you can approach it, but I love short and fashion films just as much (and I'm sure it'll be easier to land a job in that lol).

[letterboxd]

Puppet Love.

Puppeteer Sarah Thomson relives her childhood through the new Sesame Street documentary Street Gang, and recommends 20 more puppetry films for both felt novices and reticulated foam professionals.

To an Antipodean of a certain age, the brownstones of Spike Lee’s Do The Right Thing looked incredibly familiar. Not because we’d ever visited Stuyvesant Avenue, Brooklyn, or even New York, but because they looked like Sesame Street.

Such was the reach and power of the Children’s Television Workshop phenomenon. In making a concerted effort to connect with inner-city children in post-war America’s lower socio-economic neighborhoods, Sesame Street not only platformed and validated those same inner-city neighborhoods within American homes, but had also broadcast a version of them to the rest of the world.

I grew up in New Zealand with a version of that neighborhood as my kind-of babysitter, courtesy of well-worn VHS tapes of Sesame Street and The Muppet Show. And, when I saw Lee’s aforementioned classic (at probably too young of an age), detailing racial tensions and police brutality, wondered whether Oscar the Grouch was in Mookie’s trash can. I also grew up to be a puppeteer. Funny that.

Trailblazing ‘Sesame Street’ producer Joan Ganz Cooney and friends on set.

The notion that entertainment for children could be both educational and compelling; both targeted and of broad appeal, is a notion that has been core to all the children’s entertainment I’ve ever been lucky enough to be involved with. And as Street Gang: How We Got to Sesame Street lovingly shows, it was Children’s Television Workshop—and force-of-nature producer Joan Ganz Cooney—who really wrote that playbook. Making television with heart and attention to detail, but also with all the audience testing and social sciences usually reserved for Madison-Avenue clients, Sesame Street was, as one archival talk-show clip puts it, “what television would do if it loved people, instead of trying to sell to people”.

Not all felt and warm fuzzies, there’s also a bittersweetness to Street Gang. Interviews with the children of seminal figure Jon Stone, composer Joe Raposo, and the legendary Jim Henson lean more than a little into the idea that teaching the world’s children might often come at the expense of your own. And the permeating, unifying political ideology shown in its wonderful archival footage of the Street’s early days is a little lacking on modern Sesame Street, with Frank Oz (the original Bert, Grover and Cookie Monster, as well as Miss Piggy, Animal, and Yoda) dubbing it a “shadow of what it was”.

Jim Henson, Frank Oz and ‘Sesame Street’ director Jon Stone. / Photo by Robert Fuhring courtesy Sesame Workshop

But when it was great, god it was great: Stevie Wonder and Grover; Big Bird learning about mortality; Oz and Henson’s sublime Bert and Ernie comic interplay; The Pointer Sisters teaching you to count; hilarious parody; jaw-dropping guest stars; sensational music; and (don’t tell my Muppet family, but) Kermit the Frog’s personal theme isn’t ‘Rainbow Connection’, it’s Joe Raposo’s beautiful, multi-layered ‘It’s Not Easy Being Green’.

Street Gang: How We Got to Sesame Street—based on the book of the almost-same name by Michael Davis, and very much focused on the early years of a show now into its sixth decade—oozes with the same heart and care that the first decades of its subject are full of. Marilyn Agrelo’s film, produced by Trevor Crafts and Ellen Scherer Crafts, is a real love letter to the potential of creativity in education and state-funded content that prioritizes people over profit.

“I am somebody!” Reverend Jesse Jackson and kids on ‘Sesame Street’.

Before he appeared on Sesame Street in 1971, Reverend Jesse Jackson compelled the readers of his column not to miss the 1970 Sesame Street Cast Tour:

“Children shouldn’t miss this as it is one of the most creative and innovative education forms in mass media today. What ought to make you happy is that Black people are involved from the outset. They are everything from production editors and writers to actors and the message of Sesame Street is that children don’t live in a little lily-white world but on streets and in real neighborhoods, in cities as well as suburbs that all types of people are involved in making real.”

48 years later, in 2018, the Sesame Street gang came 8,944 miles to my neighborhood, with Oscar-winning ‘Man or Muppet’ composer Bret McKenzie as their human song partner (the show was in his hometown, handily). Performing live, the characters onstage had helped raise the adults in the audience, now present in great numbers, with their own enthralled children in tow. The gang’s a little different these days (most heritage characters are now in new pairs of very caring hands) but the song remains the same: one of laughter, inclusion and compassion.

In an increasingly fragmented world, with an ever-growing focus on the individual, perhaps the most radical thing we can continue to ask children might just still be: “who are the people in your neighborhood?”.

Not enough puppetry in your media diet? Whether you’re a felt novice or a reticulated foam professional, here is a list of twenty further places to travel into the magical realm of puppets.

Related content

Andre’s list of 100 Best Stop Motion, Puppets, Marionettes and Gekimation

Brianna’s Worlds of Puppetry mega-list and dozens more puppetry documentaries

Tom’s list of Muppets feature films and specials

Puppet Movies (That Aren’t The Muppets), a list by TheDude3445

A Filmmaker Five from puppet-loving director Quentin Dupieux

Follow Sarah on Letterboxd

‘Street Gang: How We Got to Sesame Street’ is screening in select theaters and is streaming now on VOD.

[purplesurveys]

1232

Did you make any money today?  Not today, because it’s a weekend.

What was the highest place you've ever jumped from?  I’m not too sure, actually. I tend to be cautious when it comes to jumping just because I always have this fear at the back of my head that I could possibly snap my legs in half upon landing lol.

Have you ever gone swimming in a river?  I don’t think I have.

Is there something you really want to buy at the moment?  I want a jumbo RJ doll but it’s quite expensive and not one of my priorities at the moment. 

Would you ever consider culinary school?  I want to learn how to cook but not passionate enough about it to enroll in culinary school altogether, so no.

What was the last souvenir someone got you?  It’s been a while since anyone went anywhere...

Do you have a favorite remix of a song?  I’ve never enjoyed remixes and just stick to original versions of songs. The one remix I’ll give a pass to is BTS’ Mic Drop with Steve Aoki just because that one includes a dance break that sounds really nice and gets me all hyped up.

Has the power gone out recently?  Yeah, like two weeks ago. I was working from home then so it had been a huge bother, but fortunately I had been charging my devices all day and also had enough data on my phone so I was able to continue.

Do you like driving at night?  It’s ok and actually pretty relaxing if it’s LATE late at night and there’s barely any cars. Driving in the evening during rush hour, on the other hand, is just fucking stressful.

What do you think is the most saddest sounding instrument?  Depending on how it’s played, probably the piano or violin.

Do you really pay attention to the ratings on movies?  Yes. It’s a pretty influential factor.

Have you ever snuck in to a theater/dance/bar etc?  No.

If given the chance, would you go to Ireland?  I mean, it’s not really on top of my bucket list but for the sake of travelling and experiencing a different place and culture I definitely would go to Ireland.

Are you afraid of standing on the edge of hills/skyscrapers/cliffs etc?  I am scared but whenever I’m given the chance to do this I kind of scrap that fear first and live in the moment.

Do you have a favorite species of wild cat (tiger/lion/cougar etc)?  No.

Do you have an absolute favorite name (boy or girl)? Alessandra, 120%. It is so beautiful-sounding, plus I love that you can use "Alessa" as a nickname. My Silent Hill obsession is quite thrilled by that, ha ha. < I love that name too, now that I think about it. For now, I think Olivia still tops my list.

Are you good at pronouncing foreign words?  My English is alright.

When listening to music, do you usually tap your foot etc to the beat?  I tap my fingers more than my foot.

Have you ever literally cried on a friend's shoulder?  Yeah but they were also my significant other then, so I dunno if that counts. I’m not super into physical touch so this isn’t something I’d do towards a friend, no matter how close we are.

Would you ever consider being a DJ at a party if you were paid?  Nah, I would suck.

Do strapless bras work for you?  No, my boobs are too small. 

Has anyone told you that they wanted to marry you/were planning on it/etc?  No.

Do you feel comfortable enough to wear short shorts?  Yeah, I just never really have the opportunity to wear them.

Have a favorite actor/actress from Old Hollywood? (Marilyn Munroe, etc) AUDREY HEPBURNNNNNNNNNN

What's your opinion on people who stretch their ears?  They can do whatever they want lol. I’m personally not a fan of the look but that’s my own problem to deal with.

Do you think tattoos are expressive art or unattractive?  Expressive.

What is your school mascot?  None of the schools I attended have one.

Have you ever seen a bear in the wild? I have never seen a bear.

What's the book you're currently reading?  Not reading anything at the moment.

Can you recall the most disturbing movie you've ever seen?  Eraserhead. Requiem For A Dream is also stressful to watch, even on your 2nd or 45th rewatch.

Has anyone you know gotten mono?  Possibly, but I can’t place names at the moment.

Have you ever picked an apple off the tree and eaten it?  No. Aside from the fact that I don’t eat fruits, apple trees aren’t native here so I’ve never actually seen one.

Can you say yes/no in different languages?  Oo/hindi, ne/ani.

Out of the traditional superheroes, which one is your favorite?  I don’t like superheroes.

Ever peed in your pants after the age of 10?  Not in my pants but my bed, but fortunately it just happened once.

Had any surgeries? What kind?  I have not.

Ever told your parents you hated them?  I had it written down on my journal when I was going through those rebellious puberty years, but it was only directed towards my mom because that had also been the peak of her emotionally/mentally abusive days. It’s funny because she snooped through my stuff then and saw the entry and ended up crying...and I didn’t even feel bad about it because 1) I meant what I wrote, and 2) she literally went through my shit. I still don’t feel bad about it.

Do you let your pets on your furniture?  Yes they can get on the couch and my bed.

How do you feel about kettle cooked chips?  I don’t really have an opinion lmao. If they are chips then they are going in my mouth.

How strong do you like your coffee?  I like milky/creamy coffee best tbh. When it comes to how strong they are I don’t have a preference.

Would you rather see someone of the opposite sex naked or nicely dressed?  Idk.

Would you ever consider visiting Texas?  I have relatives based in San Antonio and we’re pretty close to that side of the family, so yeah. 

If you could make a movie, what would it be about?  I’ve never been one for creative writing.

If you were kicked out of your current residence whom would you call?  My grandma or one of my aunts.

Do you want a boyfriend or girlfriend?  Not at this point in my life.

Do you prefer broccoli or asparagus?  Oooooohh I love both!

Was the last person you kissed attractive?  Objectively yes, but I no longer feel the attraction I once held for her.

Are you racist at all?  No.

Do you read creepypasta? If not, you should.  No thanks.

Have you ever vandalized?  Yeah some desks when I was in grade school.

Would you ever scuba dive in shark-infested waters if you had the chance? Most likely not. And by the way, they do not "infest" waters. That's their home. I hate that phrase so much. < This is a good point and I’d like to keep it here. Anywho, yeah I’m willing to do this but as far as I know they keep you in a cage when you go down in the water. I’d only do it if this was guaranteed lol.

Have you ever been drunk at work?  Hungover, yes. Drunk while at work, hell no.

Have you ever hit a parked car with your car?  No. My mom has done this with my parked car though -____- She had been backing up and I kept honking as she inched closer to my car, but she heeded me no mind until she finally hit me.

Have you ever slept on the floor with someone you like?  We probably had but I don’t remember the details anymore.

Which do you prefer: french toast, bagels, or cereal?  Bagels.

Do you prefer light or dark haired?  Dark.

Have you ever read any of the Chicken Soup for the Soul books?  Yes, I liked reading those in like grade school and high school.

Would you be prepared to do a job that you didn’t like, if it paid well?  I haven’t been placed in that situation yet, so I’m not actually sure how I would handle it. Depends on how much the money is, I guess.

Do you think age is needed for maturity?  No.

Do you believe the future is predetermined?  I don’t think so.

What words are most comforting to you?  Words of reassurance, like, “I’m just here,” “You don’t have to apologize.”

How important is money to you?  It is generally pretty important to me and I’m usually good at saving...I’ve just hit a road bump the last few months because getting into K-Pop means wanting to get something out of every new merch drop hahahaha. I went alarmingly crazy from April to June, but I made a vow to calm down starting this July; and so far, aside from pre-ordering the new Memories of 2020 DVD and buying some merch from the pop-up store, I haven’t bought anything else.

Is there anything you want to last forever?  Cold weather in the Philippines.

List three of your passions:  Writing, food, and museums.

How old do you want to live to? Just because I’m competitive even until age, I want to make it to 100 lmao.

What kind of love do you value the most?  Very comfortable platonic love. I highly value friendships where I can pretty much treat them like an SO hahaha.

If you could control one element, what would it be?  I don’t care.

Do you prefer foxes or wolves?  No preferences.

Could you ever deliver a baby?  OMG no I would be terrible and would for sure bring more harm than good to the mother.

Do you think suits are sexy?  Uh yeah.

Ever been called babe?  Yeah.

How old is your youngest sibling?  18.

Who in your phone has a heart after their name?  Angela.

Favorite boy’s name?  I guess I have several preferences, but I dunno if I have favorite boy’s names. I like the sounds of Lucas, Jacob, Liam, and Mason.

Are your parents together, separated, divorced, never married, what?  Married.

Do you go online every day?  For sure.

What is the best quality in the last guy you kissed?  I’ve never kissed a guy.

What do you usually do during a kiss? Depends on how passionate it is? < Yeah.

Do you have an older brother?  Technically no, but I have a cousin that I pretty much see as one.

You’re offered free tickets to a Justin Bieber concert. What do you do?  I love Biebs, but I would probably sell them. Some extra money is always good hahaha.

What’s the genre of the current song you’re listening to?  K-Pop, R&B.

Would you ever keep your favorite animal as a pet?  Yeah, I already have two of them.

Would you ever sell your soul?  Erm, I guess not.

[chenvs3000]

The Periodic Table of Elements and Whales.

I once remembered the entire periodic table of elements because of the “Periodic Table Song” song on YouTube posted by asapScience... if you know you know. In grade 11 my chemistry teacher (Mr. Blackmore) had an end-of the year competition where the student who could remember the most elements from the periodic table won a box of Timbits... safe to say I memorized the song and I won. Mr. Blackmore and Mrs. Hargrove were my two science teachers in high school and they are probably the two most influential teachers I have ever had, especially in respect to my academic path in life. Mrs. Hargrove wrote her own songs to help us remember the Kreb’s cycle – which is quite literally awful to learn about and memorize. I have always used acronyms, mnemonics, and acoustics to help me remember information. Both these teachers used these tools to help teach lessons. But of course, not everyone learns the same so maybe I have more aural learning style. Musical learning style, also known as the aural (auditory-musical-rhythmic), is one of Howard Gardner's eight types of intelligence defined in his theory of Multiple Intelligences. Songs are a great way to make words and facts stick in people's brains. Songs can be extremely catchy, and I’m sure you’ve asked yourself how you can remember every word to the That’s So Raven theme song (or whatever your favourite TV show was as a kid), but you can’t remember half the details we learned about in first year physics even though we were tested on them. Songs can be catchy and make us remember the lyrics long after the performance is over.  

Capture from the visuals used in asapScience’s Periodic Table Song, available here on YouTube. 

Tilden's 4th principle of interpretation states that “the chief aim of interpretation is not instruction, but provocation”. It can be difficult to spread a message about a boring topic, or something the majority of society seems not to care about.  More, maybe the content itself isn’t uninteresting, but you just really want to get a key point across. Provocation is an approach use to invoke certain emotions or reactions, and can capture your audience’s attention. Music plays a larger role in nature interpretation other than just providing a catchy sequence of words for us to remember. It promotes a response because it – on some basic human level – connects to our emotions. We can’t touch or hear sounds like we can a tree or a rock – but we can feel it. The emotions tied to music are what make it a powerful tool. Don’t believe me? The whales basically saved themselves by singing.

In the mid-20th century, whalers were causing whale populations to dwindle – killing more than 50,000 a year. But in the 1960’s, underwater equipment recorded a sound that had never been heard before – whale songs. These songs changed and had distinguishable themes and emotions that changed over time. Robert Payne, one of the early scientists who helped share this discovery said; "These sounds are, with no exception that I can think of, the most evocative, most beautiful sounds made by any animal on Earth,". Any repeating sound is technically part of a composed song. Crickets and birds use songs, but the songs sung by whales are arguably the most complex and emotional songs sung by any animal on earth.  

"Do you make cat food out of composer-poets? I think that's a crime." - Robert Payne, biologist/cetologist

Robert Payne gave one of the whale recordings to Judy Collins. I know her best from the famously North American song “This Land is Your Land” (which in and of itself is a perfect example of how music can capture the essence and history of a place and era all at once – but that’s a blog post for another time. This song takes me right back to bonfire at my cottage and nights at summer camp). "It was very emotional," she says. "Angst for being a human being on a planet where they also live. Guilt for doing what we do to them. And that they're so smart and they have been here so long, and they certainly might have some insights about what we could do to live a better way.” In the following decade, she included a song called "Farewell to Tarwathie" on her 1970 album Whales and Nightingales. This song is an adaptation of a traditional whale song and it actually features whales singing throughout the song! The record was a hit and introduced millions of people to the songs sung by humpback whales. In the same year she released her album, Capitol Records released Payne's recording of humpback whale songs, which is still the best-selling natural sounds album to date. Songs like Judy Collins’ "Farewell to Tarwathie", and the songs sung by the whales themselves, show that there is both music in nature and nature in music. And the best part – the campaign using the whale songs worked so well that only 5 countries still hunt whales today.

"It certainly was a huge factor in convincing us that the whales were an intelligent species here on planet Earth and actually made music, made art, created an aesthetic." - Former Greenpeace director Rex Weyler

Sources:

Beck, L., Cable, T., & Knudson, D. (2018). Interpreting cultural and natural heritage for a better world. Sagamore-Venture Publishing.

Hooykaas, A. (2021). Unit 7: Nature Interpretation Through Music. In Lecture Notes. University of Guelph. https://courselink.uoguelph.ca/d2l/le/content/666945/viewContent/2593375/View

May, M. (2014). Recordings That Made Waves: The Songs That Saved The Whales. National Public Radio. https://www.npr.org/2014/12/26/373303726/recordings-that-made-waves-the-songs-that-saved-the-whales

[cravingmarvel]

Kill All Your Friends - Chapter Five (End)

Pairing: Bucky Barnes x Fem!Reader Warnings: Heartbreak Summary: You loved so many things about your boyfriend Steve. One thing is his passion to help people! But what you don’t know is that the person who needs his help would become your pain in the ass. Bucky Barnes is stubborn, selfish and messy! But as Steve is whisked away on a business trip, both of you are stuck living with each other for the weekend. But, what you both come to find out, is that you have more in common than you think. Bucky wakes something in you, that’s been missing for years…  A/N: This is the end of this little series... I loved writing this so much. I hope you all love this too. 

Please feel free to share and comment.. let’s chat!

MASTERLIST

Kill All Your Friends – Chapter Five

“Y/n, will you marry me?”

Your cheeks started to turn an awful shade of red, the air in your lungs disappearing with every second that passed. Your thoughts were passing by too quickly to register one of them. Were you even ready to get married? A question you never thought you’d ask yourself while thinking of Steve. Your relationship so secure, you thought it would be like that forever.

Your legs hurt but you didn’t care, in fact, you didn’t care about a lot of things right now. Not the cold air passing your cheeks, the pit in your stomach or the hairs standing up on your entire body.

You were running too fast to care, regretting not getting in your car and deciding that running would be better. On one hand it was, letting off steam this way felt good, but on the other hand you haven’t worked out in quite a while so your body could barely handle all this running.

The streetlights were your only company and the buildings your compass. Barely remembering the way there, but certain you’d find it. With each familiar building you knew you were almost there.

And there it was, neon lights glowing between the dark veil of the night. Slowing down as you reached the door, you put your hands on your knees, trying to catch your breath. A few girls standing to your left looked at you weirdly, you just smiled at them giving them a quick wave.

You stumbled into the bar, your legs still tingling from running so far. The bar was like the first time you walked in here with Bucky. Sill a little run down, alcohol weaved into the air and a warmth hugging your body, threatening sweat to roll down your neck.

You walked over to the bar, signalling to the bartender that you wanted a shot. The loud music overthrowing your voice. You watched as she took a shot glass from the shelve behind her, gripping the Frangelico bottle by the neck, letting the golden liquid flow into the glass. She placed it in front of you, immediately tending to the other guests seemingly without being able to catch her breath.

You threw back the hazelnut flavoured liquid, feeling the sweetness run down your throat. Frangelico was still your favourite kind of alcohol out there.

You stumbled through the crowd of people, walking deeper into the bar. You glanced over to your right, seeing Bucky’s friends sitting at the same table than last time. And there was Bucky, sitting next to Tony, his head hung low, staring down into the glass sat in front of him.

You took a deep breath, walking to the left side of the bar, towards the stage. You waited until the band finished their song, when you tugged at the jeans of the bassist, trying to catch his attention. He looked down to you, confusion written on his face. You signalled for him to bend down and as he did you brought your face closer to his ear so he could understand you over the loud noises in the room.

You asked your question and his face lit up, helping on the stage with his hand. He introduced himself as Jack before he went over to the lead singer, explaining what was going on. The singer slipped off his electric guitar handing it to you. Feeling the weight of what you were about to do, you looked everywhere other than him.

You stood in front of the microphone, hands shaking as you gripped the strings like Bucky taught you how to. As you strummed the first notes, no one looked your way, not even Bucky. You began to sing the lyrics you’ve sung so many times.

'Cause we are a bunch of liars

Tell me baby who do you wanna be?

And we are all about to sell it

'Cause it's tragic with a capital T

Let it be, let it be, let it be!

 The other band member joined you, a little sloppy at first, but as you reached the chorus, you blended in with the others. You kept your eyes away from Bucky, not wanting to see his face, afraid he might’ve even left. You knew you couldn’t stray away from his gaze forever, but right now, all you wanted was to get through the nerves.

 'Cause we all wanna party when the funeral ends

And we all get together when we bury our friends

It's been 8 bitter years since I've been seeing your face

And you're walking away

And I will die in this place

 Sometimes you scrape and sink so low

I'm shocked at you're capable of

And if this a coronation

I ain't feeling the love

'Cause we're all a bunch of animals

That never payed attention in school

So tell me all about your problems

I was killing before killing was cool

You're so cool, you're so cool

 You looked at Bucky for the first time since starting the song. He was looking at you, mouth wide open. You looked at him, wanting to make sure he knew that you were doing this because of him. You wanted him to know without saying it. If only he knew what you were feeling inside, the weight on your chest. The fact that you got proposed to an hour ago. The relationship you let go of for him.

Bucky’s face lit up suddenly, his wide smile setting the butterflies in your stomach loose. You smiled back at him, feeling more confident.

 'Cause we all wanna party when the funeral ends

And we all get together when we bury our friends

It's been 9 bitter years since I've been seeing your face

And you're walking away

And I will die in this place

 As soon as Bucky stood up from his seat, you handed back the guitar, the song continuing without you. You jumped off the stage, looking at Bucky as you made your way through the people. Bucky wrapped his arms around you as soon as he reached you.

“I love you, James Barnes.”

He unwrapped his arms, leaning his forehead on yours. “And I love you.” It was barely audible, but you knew what he said. “What happened to Steve?”

The question caught you off guard, but them you remembered that they are in fact friends.

 -

 You stared at him, still not sure if You really heard what he had said. But he did, he said it. His smile lingered making your stomach turn over. You stared at him; afraid you were about to say something wrong. The letters in your head forming and tangling, not making any sense.  You were afraid to break his heart, knowing what you had done and what you were going to do.

“Steve.” You breathed out, slowly speaking his name like trying not to step on a mine.

His smile didn’t falter though, he still kneeled before you, still content and still hopeful.

“I can’t.” You watched his eyes falter, the smile slowly and painfully fading away.

“What do you mean?” Steve still kneeled in front of you, his arm with the ring in his hand dropping to his side.

You swallowed hard, trying to push down the lump in your throat, but tears swelled up in your eyes making it harder to see. “I… fell in love with- with Bucky.” Your words left your lips like a whisper. Like you wanted them to sound so soft it wouldn’t hurt Steve as much.

He rose to his feet, sitting back down on the chair. Steve placed the box on the table. “Did you cheat on me?” He looked at you. “Please be honest, I think I deserve that much.”

You pondered for a second, you knew there was no way the words wouldn’t hurt him, no matter how softly you’d say them. “Yes.”

Steve turned his face away from you. It didn’t matter how much detail you’d tell him, that it was only a kiss. You couldn’t decide what hurt more, his silence or that he didn’t look at you.

“Steve, please talk to me.”

“What am I supposed to say?” Steve said, slowly turning to you. “I leave you alone with him few a few days and you decide you’re in love with him. You’ve been with me for years and you’re willing to throwing it all away for what?”

 -

 You finished telling him what had happened after Steve proposed, Bucky’s head tilting slightly to the side.

“Oh god. Are you ok?” Bucky took your face in his hands, softly caressing your cheek with his thumb.

“I will be. It was a lot seeing him like that, but I couldn’t say yes when I knew I love someone else; it just wouldn’t be fair to him either.”

You searched Bucky’s face for any regret he might be having. After all, Steve was his friend. But a smile grazed his lips, moving closer inch by inch, stopping right before your lips touched his.

“I’ll have to talk to him too, to resolve any tension. But right now, all I want is to kiss you.”

You chuckled, tilting your head. “Then what are you waiting for?”

Bucky dissolved the space between you two, moving one of his hands from your cheek around your waist. The cheering of his friends didn’t go unnoticed, and as you pulled away from Bucky you saw them standing at the table, smiling.

“I think we’ll have to kill all your friends.” You said, staring up to Bucky’s eyes.

“Or we could get out of here?” Bucky grinned, taking your hand in his. You simply nodded in approval, letting him guide you out of the bar.

You sat in Bucky’s car; the music cranked up so loud not even both of you shouting the lyrics could be heard. The night seemed to last forever. The two of you driving endlessly through the city, relishing the mutual affection you shared, stolen kisses and bodies tangled together.

Of course, all that was playing that night was My Chemical Romance.

It became a habit of telling the story of how you serenaded Bucky in that bar, even Steve enjoyed hearing it. He never knew you could play the guitar. That night became a bedtime story and your two children never got tired of hearing it. Never.

-

Fin!

[endysgirl]

Sailor Mars Birthday Tribute

I am so late on posting this but I just did not have time to edit. For Mars I wanted to talk about her 90s anime version and her much better manga version.

Let me start by laying my bias wide open. I never liked Sailor Mars. As a kid I thought she was unnecessarily mean. She was and still is my least favorite, besides ChibiMoon. She’s beautiful, and her powers and attacks are awesome. As for how she fits into the overall scheme of things, I have major issues with how the anime portrayed her compared to how Naoko intentioned her. Frankly, I can’t help but view 90s anime Rei as an imposter and I’ll explain why...

Ok, first let’s talk about 90’s anime-Rei. We know she’s very hard working, goes to an elite girls’s Catholic school and wants to be an independent career woman when she grows up. Yet, for some reason (*cough*patriarchy) she sees Mamoru in season one and thinks he’s perfect so she’s gotta have him. She embarrasses herself going all boy crazy over him (he literally steps on her head and just walks away) and he seems like a typical clueless dude who doesn’t realize she *likes* him. I relate hardcore to Mamoru here. She’s so thirsty and he is so not. Then fast forward to after Endymion gets taken and Rei slaps Usagi calling her a coward. It’s meant to be some great emotional scene that some fans latch on to. Yet, it’s not Rei’s slap that motivates Usagi. It just hurts her. Go watch it again (epi35); it’s the voice of Mask from her memory, gently and patiently encouraging her, as always, that she is strong and can fight that spurs Moon into action. We’ve seen over and over that Usagi responds to patient encouragement over violence, just like when she does when she faces the baddest villains. Yet, the 90s anime always has Rei cutting her down. As far as I’m concerned, it’s just the patriarchy at work, trying to convince young girls that the boy or girl who’s mean to you really does care about you. It’s toxic and just plain stupid.

Now, am I saying 90s anime Rei doesn’t really care about Usagi? No. Not at all. She’s her Senshi and they share the same heart and the same dream to protect those they love together. Of course she loves Usagi. My issue is how the 90s anime portrays that dynamic. It’s spreading toxicity within female friendships and trying to sell it as genuine. I also understand that Mars’s fiery personality is what a lot of her fans love about her. I’m not saying that’s bad either, even if it’s an inaccurate representation of the character Naoko created. Apparently, it was Ikuhara that wanted the anime to change her cold and aloof personality to “fiery”. To perpetuate the patriarchal tropes I’ve mentioned, the anime tried to paint her as Usagi’s bff of the group, usurping Minako’s place. In the manga, Minako is the Leader of the Senshi and the one closest to Usagi in personality and in her role as the Leader of Serenity’s guards. Yet the anime is constantly trying to make Mars the one that is extra special to Usagi. Case in point, at the end of Stars the first voice we hear address Eternal Moon after she defeats Galaxia is Rei but in the manga, Usagi is drawn hugging Minako first. These little moments bother me, probably a little too much.

Then there’s the love triangle they tried to created with her and Mamoru. Fucking kill me. The love triangle garbage is just typical, patriarchal tropism within the storyline that has no place in the SM story in regards to Mars. Let’s make two friends like the same dude bc that’s drama that people have been conditioned to enjoy. It’s lame as far as I’m concerned. Let’s take a moment to remember the random, stupid and pointless scene in the curry episode where ChibiUsa and Mamoru run into Rei and after a moment of awkwardness they decide to go find Usagi together. Tell me that’s not the patriarchy trying to validate one woman’s place by using another woman as comparison instead of letting her stand on her own. 😒 And they’re trying to backtrack on the whole Rei liking Mamoru episode. This isn’t Rei’s fault obviously, I’m just using this scene to explicate why I don’t like the dynamic the anime created, and why that makes Mars a difficult one for me to get excited about.

There’s no way you can convince me that Mars’s bitchiness wasn’t a direct result of a “male perspective” (as Naoko called it). The idea that female bffs bully each other and cat fight all the time is ludicrous. As a 32yo woman (and lifelong Moonie) with a tight circle of girlfriends, there isn’t a single one of us who would tolerate such toxicity from the other, even at 14yo. It just isn’t realistic, unless it’s a bad relationship. I’ll give the anime credit for getting one thing right - her bravery. In both the manga and the anime, Mars is fearless. She charges into battle and gives it her all. She doesn’t let any doubt get in her way. She does not hesitate or dwell on self-doubt. And that alone is reason enough to love her.

Now, let’s discuss Manga-Rei. Because Adult-Moonie-Me LOVES manga-Mars. She actually appears in Codename Sailor V outside the arcade. She says the atmosphere is “disquieting” and leaves. In the manga, she’s very quiet and reserved. There is no bickering or cat fighting between her and Usagi. She’s also probably the most objectively beautiful of the Inners. She’s suppose to be “slender”, with long black hair and brown eyes which are sometimes seen as purple. When Usagi first sees her on the bus, she thinks she’s soooo beautiful. And another time, when they’re at the beach/pool, guys keep buying Rei drinks but she’s not flirting or giving them any attention, bc she is not boy crazy. Sis is enjoying those drinks tho.

Her awakening in the manga is very similar to the anime with the exception that’s she sees a premonition of Usagi and Jadeite that makes her go find the bus. Like the other Senshi, she is drawn to Usagi.

In her manga profile, her dislikes are television, modern society (the anime has her immersed in pop culture, going so far as to make her write her own songs and dance at the school festival), canned asparagus and men. It’s implied that she doesn’t like men or care for them bc of her father. He never had time for her and she doesn’t have a good relationship with him. Plus in a short story, she has a guy she likes but he chooses to follow her father’s footsteps into politics. So she kisses him and is like, boy, bye. ✌🏽 She considers men emotionally weak, untrustworthy and is generally disinterested in them, even if they’re buying her drinks and fawning over her. Same, Sis.

She is described as beautiful and “reserved”, but “scary” when she’s angry. She so beautiful that when Mamoru’s underclassman, Asanuma, sees her, he thinks she would be the perfect girlfriend for Mamoru (who Asanuma thinks is perfect) and that she should be Mamoru’s ideal type. He’s really surprised that Usagi is so *ordinary*.

Rei has strong precognition and has an affinity to fire. Ironically, there is nothing in Shintoism about fire reading, so that must just be a shoutout to the Greek influence on the manga. I love her psychic abilities in both the anime and the manga. Random fun fact: Naoko worked at a Shinto temple for a while before or maybe during college.

Mars is one of the only Senshi, like Michiru, who can use an item as an attack in her civilian and Senshi form. Her “ofuda” (Shinto talismans) are powerful enough to disperse evil and make regular people faint (remember anime epi w/Unazuki’s mouth getting sealed and in the manga/crystal she accidentally “purifies” Usagi, causing her to faint). Mikos (shrine maidens) are known to use archery attacks, so civilian Rei was already proficient in archery before awakening as Mars. Also, just like Jupiter’s earrings stay on her when she transforms, Mars is always wearing a pendant and when she transforms, it attaches at the waist to her fuku.

Mars also, uniquely, has her own guardians: the Crows, Phobos and Deimos. In the anime, the crows never take human form as they do in the manga. In the Dead Moon arc, Jupiter and Mercury power up by speaking with their inner consciousness. But Mars powers up by speaking with the human forms of her crows. This is a great moment in the manga bc Phobos and Deimos basically tell Rei that’s it’s ok to not want or desire men and marriage. She is the asexual goddess everyone overlooks and I love this aspect to her personality. The Crows are the ones to give her the Mars Crystal which is her starseed. We also find out here that Mars pledged a vow of Chastity to Serenity in the SilMill. They don’t explain the reasons behind the vow, but considering Rei’s spirituality and serious conservatism, it’s understandable. Also, while Phobos and Deimos are named after the moons on Mars, in the Stars Arc it’s revealed that they’re from the Coronis and were acquainted with Sailor Lead Crow.

For the most part, Rei in the manga seems more boring than Rei in the 90s anime, but personally, I don’t think so. Reading the manga in middle school and seeing a female not *give*a*fuck* about marriage was awesome to me. She’s also kinder and she has far more respect for Usagi. She’s extremely popular at her school and has her own fan club. She carries herself with a certain dignity that reminds me of Michiru. She’s second in command after Venus. And let me end this by saying that Crystal gave Rei justice, and for that I am happy.

Happy Birthday, Mars! 🔥 🌙 ⭐️

P. S. Check out Allison Yarrow’s book “90’s Bitch: Media, Culture and the Failed Promise of Gender Equality” for more detailed analysis on how women in the 90s who wanted to have a home and a career got turned into the bitchy boss, bitchy girlfriend or bitchy best friend to subvert their quest for gender equality. I think Rei is the perfect example of this narrative. Especially when you consider men changed her nature in the anime from what her female creator intended for her. Also, check out the podcast on it https://podcasts.apple.com/us/podcast/unladylike/id1333193523?i=1000432317654 (podcast name: Unladylike episode 45. how to free the 90s Bitch)

Thanks for reading all this you wonderful Moonies!!!