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ataleofcrowns · 1 year ago

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Chapter 12 Progress [08/APR]

Hey gang, I've started posting updates on my Patreon now that I'm actually making some damn progress on this chapter, so I figured to cross-post the latest update here as well. These are usually for members only but it's been sooo long, the ones I'm posting in April are all going to be for free 🙏🏼

This progress report focuses on a specific section of what I'm working on regarding CH12 and, more specifically, Kham.

About Kham

This one is turning out to be a bigger branching route than I expected. For those not in the know, I described in my dev sneak peek from last month how the opening scene of CH12 will involve the Crown dealing (or not dealing?) with Kham. It will be a bit of a culmination of all the choices you've made regarding Kham so far: did you inform her of the assassins in CH5, did you decide to trust her/were you honest with her in CH6, and did you choose to ask her to mediate for you in CH10?

Particularly that last decision will lead to the biggest difference in scenery: if you asked for Kham's help, you will get a scene at the palace involving her and the peri trader. If you decided not to ask her, however, the story will instead see you investigating the peri trader personally.

Initially, these were both two very clear branching paths with two very clear-cut consequences, but I decided it made more sense to offer additional variation. Choosing not to ask for her help with the peri trader will NOT lock you out of being able to ally with her... but the circumstances of it will be quite different compared to a player who has trusted Kham from the start and asked for her help.

You can, of course, decide not to ally with her on either branch as well, if you don't think she can be trusted. In which case, you should be prepared to make an enemy out of her: there's no fence-sitting on this one, and there won't be any chances to make an ally of her later on in the story. Similarly, if she turns out to be untrustworthy, and you make an ally out of her now, there won't be any takebacksies later... so you might end up stabbed in the back.

This is your one and only shot, so choose wisely.

About D and X

I'm currently working on the branch of the Crown dealing with the peri trader without Kham's involvement, and it's a pretty fun variation. There are some undercover detective vibes going on, and it's nice to write a scene set in the city as opposed to the palace for some variety. Though I've also dabbled in the route with Kham's help, and the Crown really flexes their royal authority in that one. Can go no wrong with either option in terms of entertainment, imo!

What's also been fun to explore further is how the main LI's subplot is starting to affect things in the story. I do have to note that for the branching sequence with the Kham choice, there's a bit of a spotlight on D and X since those two were gone for a whole chapter, so they get to spend some special time with the Crown in the first half of CH12. But R and A will be back for the rest of it!

I'll give you some D and X route crumbs this week since I've been chipping away at that one first, and hopefully I'll also have some on R and A next time:

For people who aren't on D's route, they'll get to find out something special about D that D romancers became privy to in CH11. It doesn't change much for the Crown on those routes, just some D lore you may enjoy and an opportunity to grow your friendship further.

As for D romancers, you all may or may not get a potentially devastating sequence depending on how your Crown handled their little court scene in CH11. If you managed to protect D, then all the better, but if you couldn't stamp out the court's protests... well, let's just say your Crown is going to have to be the one to inform D of any bad news.

Plus there's that damned letter to worry about. I'm sure that won't become any kind of problem at all.

For people who aren't on X's route, things are peachy! Honestly, all of the drama that happens for X romancers is not a big deal for everyone else, since X's romance with the Crown is the thing that causes them to act out. X friendship players are coasting in that regard, you just enjoy seeing X get to be their usual menace self.

For people who are romancing X, people on their low route might start noticing something different about them. Their actions in the high and low romances will be the exact same, but the vibes on the low route will be off, to say the least. You can still recover to a high route! But it will require having to pierce through that mask X is so fond of wearing...

High romancers: kick back, relax, and enjoy your upcoming romance content guilt-free LMAO

That was it for this week!! I wish I could give you an estimated release window, but I've been wrestling with this chapter, and I'm frankly deeply afraid I won't be able to finish it before summer rolls in 💀

Please keep your local struggling writer in your thoughts and prayers, and as always thank you for your patience and support 🙏🏼

#progress report

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cy-cyborg · 1 year ago

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Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

#writing disability With Cy Cyborg #very long post #I could have sworn I talked about this trope already but I couldn't find the post. Apparently I had a lot more to say anyway lol #long post #disability #Disabled #Disability representation #Physical Disability #disability Tropes #Writing #Writeblr #Authors #Disabled Rep #Writing Advice #writing Tips #Disabled Characters #writing disability

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pruneunfair · 4 months ago

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Ranking all the OI and manhwa I've read part 2: the moderate.

The decent stories. Just a little better than average

The tyrants only perfumer

My favorite fast food webcomic to this very day. It's characters are tolerable and there's just something some satisfying looking at the perfume bottles, the little bottles remind me of those DIY kits they'd sell at target. That being said it's still a fast food manhwa, the characters are flat, the plot goes too quick and the villains are easily defeated so as much as I enjoy it when I just want to read something quick and light, it's not a good option for something more serious.

The empress wants to avoid the Emperor.

This was actually one of my very first manhwas I've ever read. I thought it was one of the greatest stories ever told when I was still in my revenge phase and it's definitely not terrible when I reread but it's not the greatest piece of literature either. Still for a basic revenge story at least Louise actually gets away her fuckass husband.

Tears of a withered flower

I like it, just not as much as everyone else likes it. I've already made a few posts on it and my current opinions still stay the same but besides all the self insert this and the predictable that the dialog definitely improves from cartoony to poetic. I'm just hoping the rampant misogyny problem in TOAWF is only a fandom problem and not something the author is planning on incorporating into every other woman that isn't Hae Soo

I will divorce the female leads brother

Okay I won't lie this one is kinda funny given how it calls out the absurdity of protagonist centered morality in a better way. Ethel as a protagonist is okay as protagonists go and while the villains are played off as stupid thats because the story actually plays into how idiotic they are instead of claiming they are the smartest around when they aren't, specifically the brothers and father. Also the Og fl of this one has by far the ugliest designs I've ever seen. It's the kind of design where you can tell the artist did not like her at all and gave her the Miku special with those unflattering color combos. I think the weirdest part is the implied incestuous feelings the family has for Reina but once again, it's meant to be seen as vile so it gets a little pass.

Into the light once again

The pain I went through when I realized the 14 year old Aisha was being paired up with guys way to old her with this one because it was so good before it just ruined what could've been 😔. Outside of the obvious I adore both Aisha and Marianne as polar opposites and characters that aren't immediately nice or honesty to Aisha aren't put to death, for the most part at least, they are allowed to grow as better people and get character development. The magic system is pretty easy to remember though I think Aisha can sometimes get too deep in her "super powerful nice girl" archetype but it's not to the point of being awful.

The empresses lipstick

more of a comedy than a traditional rofan but it works, it's one of the first I've seen to get the rococo style a little bit better than others. (It's still not the greatest accuracy but since it's meant to be silly it has more leeway) however it sadly is brought down by the fact that Jane is heavily implied to be on the younger side when her mom bugs her about school and implies that she'll be going INTO high-school implying she's 15-16 based on Korean school systems and she's already being paired up to marry male leads older than her.. damn you age gap trope and damn you 18th century for reminding me of gross yet true history. If it weren't for the fact that I can't remember anything about the ML's age this would be lower.

The villainess turns the hourglass.

What I think of when someone asks me to think of the OG era for manhwa. The concept of the hourglass is easy to follow and it actually comes with a drawback so Aria can't be too overpowered, the bright colors make it all pop and having an actual villain for the FL in a villainess story ties it all in, people can complain about how awful she is but villainess is literally in the title so..you get what you bargained for. There are still cons though about it I don't care for, first of all I wish Mielle could be an actual threat so there would be a fun ongoing mental battle between two evil women, Isis and Mielle could've been smarter as a duo, Asher could've had a little more personality and the twist that Aria was actually of noble descent all along really killed the charm of her being a commoner who could prove she was just as smart as the aristocracy.

Perks of being the villainess

Deborah's already climbing up the ranks of one of the prettiest FL in my opinion because that shade of purple is DIVINE! The plots rather basic as most villainess manhwa tend to go. Deborah is hated by everyone except instead of a backstory claiming she's misunderstood, the og Deborah was actually an asshole to everyone she met except for Pilav so it gave her an actual obstacle. I do think some of them went too fast but I'm just glad we actually got to see the effort being done at all. I'll admit this was better then I thought so it moved up on my tier list. My only complaints are that the chapters can sometimes drag on and on to the point of being bottle episodes.

I shall master this family

I would like this so much more but it drags on so much! Florentia was nice at first but as the chapters went on and on I was less impressed and just thinking "yeah this is just getting boring" with how many times you know she's gonna best her opponents, don't hate her but shes becoming a little too meh right now. That said I like reading it, definitely suffering from a overpowered MC that could use some work but when it comes to politics it's so much more interesting if you can get past that one major issue.

Pretty good: almost better then average but I either haven't read all of it to place it higher or if there's just better

I will become the villains poison taster

I love my underrated girlie's ✊️ the plot is certainly unique, Giselle has the strange of ability of being not only immune to poison but the poison also tastes like fruity snacks/drinks. It deserves a little more traction then what it gets, the ML Reniel actually has emotions instead of stoicism plus actual critical thinking skills because the FL acts nothing like the OG villainess and Giselle, despite how it may seem, isn't the born sexy yesterday trope, she's just allowed to be a sweet heart while still being a person. It's not much but it's still pretty good.

Serena

Fashion and character designs are absolute peak but plot comes before art. At first I was pretty harsh on Serena but when I actually read more of it to form a more concrete opinion I realized it's not the worst and actually got a little entertaining. As a FL Serena isn't bad, I like that she comes across as a nepo baby who needs to work hard to uphold her predecessors legacy so we have flaws to work with here and at the very least the story seems to be kinda self aware that Serena isn't a terrific person. It's also a drama not a romance so while I don't like either Eiser or Frederick as love interests at least Serena can say the romance isn't supposed to be the center of the plot.

Your throne

After so many people telling me how good it was I finally caved in and began reading last week but I already got spoiled so I know most of what happens. Obviously I like the fact that Medea and Psyche actually team up instead of hating eachother and even though it's through spoilers Psyche is my favorite. It's so dang long though it's probably gonna be a while before I make any your throne related posts. Only cons is it can sometimes get too boring to follow.

Seducing the villains father

Proof you can make a stereotypical rofan and it can still work. Yerenica is the perfect balance of girl failure and likeability where her flaws are very common for most people and yes while she is kinda dumb she's not so dumb it makes me wanna slam my head against the wall. Erudian is pretty good as ML's are concerned, just a tad basic and the villain Soleia isn't dumbed down either. Love the second half of the story which gives a little more focus on Yenis family instead of just her love life and while it does get cringe inducing and the plot tracks off from time to time, I still like it.

The crownless queen

The FL is a recently retired history expert who transmigrated in her daughters inaccurate novel and because of those inaccuracies, there are new problems to face while Delia has to survive in a world where Barons and Dukes are switched and she has to climb to social latter. There's little things that really prove how much thought was put into it (such as Delia not knowing the exact date in time shes set in since she's in a different world)

Beware of the villainess.

A little similar to your throne but it keeps my attention longer then the former. Once again women working together instead of being forced into enemies! Really like that! The Yuri baiting though? Boo 👎, don't tease the audience like that (especially considering the og fl is literally called Yuri) can be over the top but I think that's what makes it stand out, it means to be funny and in your face with Melissa's antics but the best character by far is Yona, home girl just wants that check and I can understand that feeling.

Another typical fantasy romance

I gotta stop procrastinating and finish this one!! 😭 first off, Pellus is my 2nd favorite ML with his design being my number 1 favorite in terms of character design. For once we have an actual cold duke who accurately looks intimidating instead of basic BTS member. Best part though: it is one of the greenest of green flag relationships to the point where Lithera and Pellus are worthy candidates to face off Pereshati and Therdeo in terms of who's the best manhwa couple. Actual communication instead of miscommunication that goes on for chapters, relationship actually has steady progression that's just in the middle of how they get to together and Lithera is a great FL. Then I found a bunch of other manhwa and forgot about this one until it came up in my head while I made my first tier list. It'll probably go up once I complete the story.

This one took longer then I expected but part 2 is finally out and now I have to start rereading for part 3.

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inuxi · 4 months ago

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that ask was rude of me, i should've just blocked you instead of telling you about it, i'm sorry. i'm aroace and sex+romance repulsed, and i guess i thought alastor was gonna be something i could enjoy for once like everyone else gets to without feeling like i'm intruding on a conversation i have no right to be part of. i'm on ios so i can't use browser extensions to actually get rid of all the alastor ship posts like i want, and i'm not sure my problem even has a solution short of just giving up trying, because so far i have found exactly zero blogs that are 1.) still active at all, 2.) still post about Hazbin, 3.) aren't actually 12 years old, and 4.) don't post about fucking Alastor ships. i got so excited seeing such good, recent art i haven't nuked yet considering how old every other post i can still see is, and i'm not kidding when i say i sent that ask through tears. it was rude and unacceptable either way, and i'm sorry.

i've blocked over 200 different people and i'm not exaggerating that number even a little bit. i would rather put a gun to my head and pull the trigger myself than see them so much as breathe next to each other ever again. i am so. so so so so so sick of searching and searching and searching and finding nothing.

the thing i've learned from alastor's aroace representation is that not only is the world as a whole not made to accommodate me, fandom space isn't either. i am an alien on a planet i was never made to fit into, and i don't even get to escape that through fiction like everyone else does. no amount of filtering and blocking and searching will bring into existence a community for me that simply does not exist, and it is futile for me to try. that's what this fandom has taught me.

i think the chances of me sticking around in this fandom are slim, so at least it won't be an issue for anyone else anymore. i think being excluded from conversations about an aroace character sting a lot more than just not being represented at all to be honest.

Okay, listen.

First of all, Alastor is officially an Ace, NOT an aroace. That means he can still be interested in any romantic things or finding a couple. No one is stopping you from seeing him exclusively as an aroace. But shaming people who don't share your point of view is a bad idea.

Secondly, I am an aroace artist myself. Romantic and sexual themes are virtually non-existent in my art. I can joke about it, but almost all of my drawings explore completely different things. And you come to me and try to talk about how hard it is to feel socially comfortable being an aroace? I understand your worries, but, again, trying to shame other people because they don't share your point of view is NOT a healthy coping mechanism.

Third, I have done THREE drawings in all my time that include a romanticized Alastor. Two of them were collabs, and the third was asked to be drawn by people. And these three drawings made you give up on my art, which you said you really liked?

The community is too heavily oriented towards romantic and sexual themes, it's true. People like us are often uncomfortable in that environment, that's also true. But aroace people can't just come in and ban others from having fun just because we don't find that fun or interesting.

Man, I'm not even Alastor's artist! What the kind of Alastor shipper am I? And you picked me out of a thousand people to block? Oh my God, that's as funny as it is sad.

In case you haven't looked at my art, I am a Lucifer artist. I very rarely draw Alastor, simply because I don't find him interesting enough. And because of that, I find it so funny to be labeled an “Alastor shipper”

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chimggukchim · 3 months ago

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Share our @s so we can be bullied in our inboxes till kingdom come and be ostracized by you lot? No, thank you. I'm a Jikooker too and I've seen it happen to other Jikookers too many times just because their view of Jikook isn't "they are 100% together and practically married and monogamous towards each other for more than 10 years now"

Unfortunately this space has become too cult-like where one just can't have a slightly differing opinion about Jimin and Jungkook's relationship or express how they personally truly observe it without Jikookers losing their minds or accusing them of things, the way you guys are doing right now.

There's literally no difference between this community and the Taekooker community anymore - I've seen that crazy side turn on their own just because they had the audacity to point out the ITS talk made sense to them because for a while prior to that even they felt things weren't the same between Taekook anymore. And now it's Jikookers doing the same to other Jikookers🤦🏻‍♀

People can believe that Jikook is real while still pointing out the things they feel contradict that belief, or they can believe they were together and no longer are but still think they are special to each other, or they can believe they aren't together in what one would consider the "conventional, traditional" sense.

Taekook can never be real. That is a ship that has no real substance and was literally formed on aesthetics and vibes and had a whole false narrative attached to it that became lore over the years. A lot of people say just Jikook's existence alone cancels out Taekook, but I think even if Jimin and Jung kook didn't have the kind of dynamic they have and/or they didn't exist as a duo, Taekook still wouldn't be real. Please there's fuckall there.

I am someone who believes there's something more than platonic between Jimin and Jungkook and that Jungkook is deeply in love with Jimin, but still I agree with everything the last anon's(s') said. They *are* different from how they were before and the last few years make it hard to believe in the kind of image of them that Jikook shippers have painted for years.

We are Jikookers, we are here, we exist. Accusing us of being Taekookers won't make that shit true. We don't have to be a monolith.

First thing's first - YOU may not be a taekooker in disguise, but the other anon most likely was. And most with dumb takes are as they have a knack of using the SAME rhetoric and examples every single time, not to mention, always managing to slip in Tae somehow. Let's get that out of the way.

Now, here's the thing, anon.

I understand completely, the feelings of confusion and second-guessing whether jikook are really together or not. I have been there before, on multiple occasions. There were things in the past as it happened that made me doubt whether my suspicions about the true nature of their relationship was right. I get it.

So don't go putting words into my mouth and think that you can assume 'what kind of jikooker' I am.

Cause like I've said on multiple occasions now, I did not start out in the ARMY fandom space either as a jikooker or as a shipper. I had no clue what shipping was. And til this day, I remain an ARMY supporting all of our boys as a group before any sort of shipping enters my mind. Whenever I watch BTS content, jikook as a couple is never at the forefront of my mind. I watch them as a part of Bangtan.

There are certain moments that jikookers put on a pedestal as concrete 'proof' of a relationship, that I side-eye and hence, make no post or comment on because it does not make sense.

If tomorrow, Jimin and Jungkook were to announce they were both dating other people, I would still be happy for them because before anything, I want them to be happy. If that's with other people, so be it.

So I know me and how I perceive Jimin and Jungkook's relationship. I trust my objectivity of their relationship over yours, thank you.

Now to what you have accused most in this community of...I have honestly yet to see to the extent that you have indicated. Harassing? Bullying? Cult-like? Well, I've got news for you. You're in the wrong side of town, deary. And people who go looking there, clearly want to find what they're looking for. (toxicity, by the way)

And the way you spoke of taekookers and knowing how they behave and treat each other?...Honey, the 'normal' jikooker would NEVER EVER find themselves anywhere near taekooker spaces willingly. But you have apparently. That says a lot.

You're looking for trouble. You're going to find it.

Also...my sympathy for you lessened when you compared jikookers to the cult. Because the last time I checked, jikookers didn't go around literally harassing Tae's and JK's FAMILIES AND FRIENDS in real frigging life. So miss me with that similarity nonsense. Point out all you want about SOME jikookers not being able to handle different takes of others all you want, that's fair. I'm sure there may be the immature ones like that in this community, I'm not denying it. I assure you, they're in the minority. But the minute you go comparing any shipping community's behaviour to THAT CULT...it clearly shows loose objectivity.

So with my sincerest heart, I would advise you to change your space. You're clearly in toxic spaces, jikook and taekook-wise. This is bound to influence how you view not only jikook but more importantly, the jikook community.

There is a reason why I don't answer or comment on toxic asks. It's because it brings negativity to the jikook space. And I don't want that. I have found myself probably treading on that territory these days with this discourse. But I'll work it out to bring back the space to positivity and just focusing on Jimin and Jungkook.

Anyway, the final thing I'm going to bring up is that you all keep speaking about Jungkook and Jimin's relationship changing with no actual evidence. You all simply point out things happening now but fail to actually show a proper comparison to the past to highlight the 'CHANGE'. That's not how that works.

For instance, I can say their relationship changed in that Jungkook became a lot bolder with JImin publicly as opposed to years ago. He actively flirts with Jimin on stage when, for instance, during the Red Bullet Tour (back in 2014-2015), he didn't. Jimin did. See how easy that is? Comparison.

If you have any sound comparisons...with proper context, by all means, share. I'm up to hearing it.

PS. This does not include "they don't see each other as much" because we are not privy to how much they actually saw each other back then nor how much they did in 2022/2023.

Anyway, that's all from me. Peace!

#jikook #kookmin #mingguk #jimin and jungkook #minkook

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neil-gaiman · 2 years ago

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hi neil! me again. won't be asking you for friend of dorothy origin sources this time promise. i also saw your talks at slu w a friend but they seem to have lost my question card so ill try here!

as someone whomst ppl seem incapable of being normal about, either worshipping the ground you walk on or despising you w a level of vitriol that seems disproportionate to your flaws, what advice do you have for aspiring writers who themselves might garner similar audiences on how to navigate intense parasocial relationships?

I guess the biggest piece of advice I have is it's only Chinatown. And for Chinatown, you can substitute Twitter or Tumblr or whatever.

I remember about seven years ago watching a post I'd made on Twitter turning into a dogpile. And it was particularly weird because in order for people to get upset enough to dogpile they had to pretend I meant something that I obviously didn't by it. And there were lots of people in the dogpile going "well, it would be rational not to take this absolutely literally but we now need to get shouty" and I was about to get very upset when my newish baby flipped himself onto his back for the very first time. And the Twitter nonsense became very trivial. And a day or two later it was forgotten.

There are people who have a relationship of some kind with someone they think I am, and those people don't really know me. And they aren't really part of my life. Whether they hate me or they love me. My friends are and my family are.

Or to put it another way, I remember a decade ago posting on Twitter that I was lonely. I had gone off on my own to write and I hadn't seen anyone in a few weeks. Someone replied incredulous that I could be lonely with hundreds of thousands of people following me and replying on Twitter, and I replied asking if anyone could bring me a cup of tea. But nobody did.

Nobody will.

And that's okay.

(And that's not to diminish actual relationships where you haven't met the person you are talking to in the flesh. But it's also, as the many catfish scams demonstrate, also not always the relationship you think you are in.)

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sciderman · 8 months ago

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This may be a cold take, but looking back at the living with Aunt May arc, I honestly don't like the idea of Peter hitting Wade being played off as a joke. Even though ppl won't see it that way cus they're both men, it still just rubs off as abusive. I mean, imagine the same scene but what if Wade was a woman? I don't mean to come off as dramatic or rude & I'm truly sorry if I am. I just never understood why couples hitting one another was usually meant to be taken as funny. A nudge or something like that is fine. But full blown hitting or elbow drops kinda sit wrong with me

i think the "what if wade was a woman" line of thought is silly because. sometimes he is a woman. you're throwing a very silly line of thinking at me.

i do think if you're not prepared to see two guys beat the snot out of each other then you probably shouldn't be reading superhero comics. that's kind of what superheroes do. i think "violence is always bad" is a very strange stance for a spider-man and / or deadpool fan to have. i think you're in the wrong place.

most couples aren't spider-man and deadpool. spider-man and deadpool who use violence to communicate because they're bad with words. the text is aware of it.

the text is aware that what Spider-Man and Deadpool have is Not healthy. I’ve never made any allusions to them being healthy. the whole point is that they’re not healthy.

but I kind of only really see a relationship as abusive if there’s a power imbalance. wade is highly trained in like. every martial art known to man. if he didn't want peter to strangle him, peter would be on the floor. he is cool with being strangled. he probably thinks it's funny.

all couples are different. what if they’re a couple of wrestlers and wrassling is something they enjoy and bond over? which is the case for wade and peter. they are superheroes. of course they enjoy to wrassle. I think either of them could easily call it off and say it’s going too far. But they enjoy it and expect it from each other. again. it’s kind of how they communicate. and i think they know each other's limits.

I think they probably have a safeword that they use for any kind of physical thing they have going on, be it sex or wrassling. it might even be “uncle” that seems like it’d be a hilarious way to stop peter in his tracks.

4) what’s depicted in the post you’re being critical of is more tonally akin to like. siblings fighting. it’s a valid way humans interact, like any other. cats play-fight. it’s kind of similar. they’re not actually hurting each other.

(as you can tell by their body language, neither of their tails are wagging, and they’re both smiling, so this is not cruel behaviour. just natural enrichment for spider-men and deadpools to engage in.)

i think a sign of a healthy relationship is knowing each other's boundaries and not crossing them. so maybe there's someone i affectionately put in a headlock. and they think it's funny and they're okay with it. it's part of our language. it's fine if we expect it from each other and we're okay with it. fighting isn't always bad. couples insult each other all the time. if you're not aiming to hurt them, really, it's just fine. not everything is black and white. wade spars with all his partners. they beat each other up. they're boys. let them play.

#sci speaks #your take is utterly freezing anon #imagine. spider-man and deadpool dating and not? beating each other up every now and again? are you kidding? it gets them off.#they love beating the shit out of each other. and it's wholly consensual.

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satosugusandwich · 1 year ago

Text

𝔏𝔢𝔱 𝔐𝔢 𝔖𝔢𝔢 𝔜𝔬𝔲’𝔯𝔢 𝔐𝔢𝔞𝔫…

True Form!Sukuna x Fem!Afab!Reader (This is an AU!!! Sukuna is not a homicidal maniac cannibalistic murderer! I think he’s sexy and my morals say no dick from crazy murderer BUT dick from crazy 😍)

CW: violence in this chapter, threats, bloodiness, implied sexual violence and objectification

Description: You've been friends with Yuji Itadori for some time now and have seen the best, the worst, and the strange in all your years of knowing him. You've never thought he was one to have any crazy secrets and well... you were wrong. And now the demon bound to Yuji is bound to you too! How fun! Good thing that you aren't stupid and won't fall for a being that by no means should you have ever interacted with! Right? Right...?

*despite this being an aged up version of yuji, there will be no sexual stuff involving him, also the violence is only in the first chapter with a few mentions after that!!! Cross posted on Ao3 under Spicycrunchroll! THERE WILL BE LOTS OF SMUT LATER ON!*

Chapter 1: Never Again.

Poor you, stuck with a gay best friend and his gay boyfriend and exclusively terrible, gross men. The struggle of getting a good man was hard enough, let alone getting some good dick. Even gay men will tell you how bad some dudes are. Its one thing to finish in 2 minutes and cry after, at least there's sympathy, but a whole other thing to just be kicked out of the guy's house immediately and left wearing d r y panties with cum on your shorts. Yeah, never hooking up again, you tell yourself each time. Now, you found yourself wiping the oil off your face with a clammy hand while dialing Yuji's number, having just been booted out this guys house in the middle of the night. It rang only about twice before he picked up.

"Please don't tell me something bad happened." He said on the other line.

You sighed, walking to the end of your date's driveway and sitting on the ground. "Worse than usual. Can you pick me up? I'll send you the address." Your head hung low and your eyes felt heavy, wanting to cry but not having the energy to do so. At this point, you're never fucking anyone again. Let alone agreeing to suck them off before you get off. "I should've known that all his talk were lies."

You could hear him breathe in. "Yeah, I'm coming. Wanna stay over?" He asked jubilantly, as if to raise your spirits.

You smiled softly. "Could you stay at my place instead?"

"Hell yeah!"

You said your goodbyes and opened your phone, aimlessly scrolling on social media while looking for something to distract you from the disappointment of being used up and left to the corner, dehumanized again by a shitty man with a big ego. God, it made you sick. It wouldn't take long for Yuji to get to you, but it wasn't fun waiting either. Each minute ticked on by as if an hour had passed and all you wanted to do was throw away your shorts and shower off the stench of vape juice and alcohol. You didn't want to get in his car and start sobbing about how you wished you never did what you did, not because Yuji wouldn't listen, but because of your own embarrassment. Itadori has always been kind and much more level-headed (at least with this, he's usually just as stupid as you) so its extra embarrassing to have to tell him you sucked off a guy who didn't even get you wet. At least he was clean, you tell yourself, deleting Tinder from your phone for the last time. Never again will you take subpar dick from grown men who act like children! No, from now on, your body only allows worthy men, men that would worship you like you'd worship them!

After sulking for another five minutes, the engine of a car in the distance rumbled in your ear. Straightening your back, your head turned in the direction of where it’s approaching. It’s approaching way too fast for a regular suburban neighborhood. Rising to your feet to take a step back, it already turned down the street you happened to be on and you could hear sirens go off in your head, especially as you noticed that none of their lights were on and they definitely didn’t have tags. The van sped past you but they started to slow down before they reached the end of the street. You felt your heart rate surge when you realized they came to a complete stop. At that moment you realized that they were turning around.

Quickly, your legs brought you to the house you had just left and you banged on the door for a few seconds and screamed.

“Hey! Let me back in!!! It’s not safe!” The roar of the car started again and your intuition told you to run so that’s what you did.

Fuck, who knows who these mother fuckers are! Your mind is racing thinking about what they could potentially do if they caught you. Did they know you were here? Did they just happen to see you? Or… did the motherfucker inside of that house tell them you were here? Oh fuck… that’s why he kicked you out.

Tears started falling from your eyes as you ran through these people’s yards, you could see lights coming on in some houses, but it was no use because the car behind you stopped and three men came out the side door. You prayed that your human survival instincts would kick in and catapult you to go faster than you were, but they were bigger than you and right on your tail. Your legs ached and burned, practically sprinting and trying not to trip in the road. You didn’t dare look behind you, scared to slow yourself down, and scared of them. You kept on running and running until you reached the end of the road and saw headlights.

“Yuji!” You screamed, recognizing the shape and color of his car. With you out in the road, he stopped abruptly and you could see his body jerk with the impact. The men behind you cursed themselves but you felt hands on you faster than Yuji could process what was going on.

“Get her now! He’s coming behind us we’ll throw her in!” The man lifted you and you screamed again, but a hand swiftly covered your mouth. Yuji was out of the car and lunged at the guy holding you captive but was quickly stopped and apprehended by the other two.

“The kid has some fucking balls!” The biggest of the guys holding Yuji shouted, earning a strong blow to the chin. You thrashed against the man’s body as the large van from earlier came up right behind you.

Yuji looked at you as blood dripped from his nose. “Y/n! I got it, I promise!”

You held out hope and believed him even as you were thrown inside the van and the driver pulled away from the scene, leaving the two men with Yuji and you with a man wearing all black pressing you into the floor of the van. Tears spilled from your eyes, angered and terrified at the same time.

“Looks like we got a real good catch!” The driver harrumphed. “Bet she’ll go for a pretty penny.”

Your mind practically stopped when you heard those words. You were going to be sold, like an object, like a slave. The horror of it all made your body go numb and eyes go wide and then you closed them.

“Please.” You begged. “Please let me go.” Your voice was hoarse and you could taste your own tears as your mouth opened.

“No can do. We were told that you’d fetch a high price with your skills. Don’t worry, some girls get a good owner.” His voice was menacing and cold, but he spoke as though he actually fucking believed it. He didn’t even laugh at your pain like a monster would, he was just indifferent, emotionless.

“Please.” You begged again. “I can’t do it, please let me out!” This time your voice raised. “Help!” Your mouth was stuffed with cloth and your face was buried more into the floor as he bound your wrists.

The driver started to chastise the other man. “Why didn’t you gag her right away, the dumb bitch is louder than a dying cat!”

The other man cussed back. “Shut the fuck up, there isn’t nobody coming after us!”

The van stopped so fast you and the man were flung to the front of the car, colliding with the back of the front seats.

“What the fuck!” The man that was holding you down swore. His arms were now off you and the bindings he attempted were loose enough that you released your wrists and went for your gag. “No you don’t!” He reached for your clothes, yanking you back. Before you were held against your will again, the entire van split down the middle, from door to door. The back half of the van was flung off to the side before it became a cut up mess in the middle of the road.

Then you saw him. His hair was the same color as Yuji’s but was much less controlled. You could see what looked like four arms and a giant smiling mouth in the middle of his stomach. Every single person in the van went still and silent, staring at him. The creature looked inside and dead at you, bright red eyes gleaming in the moonlight. All four of them. Even the two on the side of his face that looked almost like a mask. He can’t be real. The tattoos all over his body were arranged in such a pattern that it was beautiful but something that scared you even more.

The creature spoke. “Now.” His gaze shifted from you to the man holding you. “I prefer it when I can get a good fight out of my opponents, but you lot are pathetic.” He looked disappointed. “Normal humans…”

No one spoke and he pouted. “Not a single retort? None of you pathetic excuses of flesh can say a word? You had a lot to say about selling the woman, can’t you entertain me? Or are your brains so simple you can’t think outside of making money off selling one of your own?”

Their own? Did he mean… humans?

The man behind you was shaking. And you could definitely feel his pants getting wet.

The creature before you sucked his teeth. “Boooring.” He narrowed his eyes. “And pathetic.” The vehicle was slashed once again, this time cutting into thirds, leaving you and the man holding you isolated in the middle while the other two thirds, including the driver collapsed around you. You heard squelches of flesh from the front and gasping. “You said she sounded like a dying cat, hm? Since you prefer the quiet so much, I thought I’d help you.” The creature chuckled.

The man holding you finally let you go, and he turned around to see the driver. You didn’t look. You knew what the creature did. Scurrying away, you realized headlights were approaching again and… it was Yuji!

“Ahhh, the brats already here. Well, I can’t kill you lot so how about I leave the piss-soaked one with a lesson.”

You didn’t know if you should thank the monster or run from him. You decided to run toward Yuji’s car.

Another crack resounded in your ears and then a gut-chortling scream resounded from behind you. “There we are. Something nice and fast. I hope they don’t find you until the morning.” You didn’t want to know what he did, you didn’t want to dare to turn around, all you cared about was the car door opening for you and Yuji’s comforting presence.

He looked so relieved to see you. “Y/n. I’m sorry I didn’t get here sooner. Don’t worry about those guys. I got you now. Sukuna won’t kill them, he can’t, but they’ll never ever do anything like that again to anyone.” Those were the first words to meet your ears. You didn’t say anything, all you did was sob in the seat next to him as he drove off and away from the scene. You didn’t ask anything. You didn’t want to. All that mattered was getting the fuck away from this and home and into a clean bed.

You could care about this later.

“I would’ve killed them if it wasn’t for this contract.” Your heart jumped out of your chest as the monster’s voice resounded in the backseat. “Sorry you don’t get the pleasure of knowing they’re dead.”

#jjk #jjk x reader #Sukuna x reader #Sukuna smut #sukuna #ryomen sukuna #sukuna ryoumen smut #Sukuna x reader smut #jjk smut #yuji itadori

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rainbowolfe · 2 months ago

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Shamura-centric Headcanons

I can't believe I've never made one of these kinds of posts before.

They're a vegetarian. They're not super strict about it, as they still eat meat occasionally for the health benefits. But even in those cases, the meat has to be pretty heavily disguised/concealed. They're sensitive to the iron found in blood, so meat tastes excessively metallic.

Towards the end of their reign, eating Followers became a requirement they deeply resented. Devotion began to wane despite everything they tried to avoid it, and what they got wasn't enough to live on—let alone thrive. What is perceived as sadism by onlookers is really just them childishly picking at their food because they don't want to eat it.

They routinely spread misinformation. Sometimes for a greater purpose, mostly because they find it amusing. Entire wars have broken out because of a slanderous lie they told a decade ago that changed the course of a village's doctrine.

A gracious winner, but an incredibly sore loser. Shamura simply doesn't know how to lose with dignity, because they've spent their entire life winning. Except for the portion of their life that felt like an endless lose-streak, but they don't talk about that. They are still invited to game night, as it's mostly just pouting, being despondent, and leaving early if they do happen to lose. Though they have flipped the board a few times during particularly frustrating games.

In battle, however? It is far less tolerable for those around them. God forbid they have to surrender for one of their siblings' sake. They'll do it, no doubts. But they aren't happy about it, to put it lightly.

They have mommy issues. They deny this fact.

Has amnesia, but is otherwise functional. The Crown stores memories within it, so remembering the past is actually fairly easy. The only downside is the headaches. Their problem is that they're so preoccupied with ruminating about the past and making sure they remember it, that they're not at all present. It's as if they're in a trance that their siblings have long since given up on trying to pull them out of.

Without their Crown, they're forced to be more present in the moment since they don't have the luxury of reliving their past memories anymore. Not that anyone can really tell the difference. When it comes to the present, they are a goldfish.

[Follower Specific]

Impressively socially inept. Convinced themselves they weren't, but it was really just that their only social interactions after the war came from either Followers or their siblings. Both of which were just used to Shamura's inability to make small talk and their over-familiarity (over-formality for Followers). All they know is "give gift", "share fun fact", and "trauma dump". Turns out preaching and socializing are two very different skill sets.

They are so deeply uncomfortable with expressing their needs. Really, they always have been, but it wasn't a problem when they were a blessed god with unfathomable power. They could do almost everything themselves, and the things they couldn't? Kallamar and Narinder got pretty good at intuiting when they needed something. Heket certainly tried, but she's not great at reading the room period.

As a Follower they'll just. Needlessly suffer, to put it simply. It's most egregious when their siblings are particularly busy or sent on a mission. Times when they're paying less attention to Shamura than usual.

Lamb is aware of this behavior but also doesn't want to encourage it. So they're often "on standby" with whatever Shamura needs (the information is gained via mind reading), but won't make that fact known or give it to them until they ask for it. Exceptions made for situations that are dangerous or when they start crashing out.

#cult of the lamb #cotl shamura #cult of the lamb shamura #bishop shamura #follower shamura #cotl headcanons

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sheenashifts1217 · 7 months ago

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Pick A Pile #2

Message From Your DR S/O

This is what won the pole so here you guys go (:

Welcome to my second pick a pile! This is a collective reading, so take what resonates, leave what doesn't. For a more in depth and personalized reading, check out my pinned post <3

Close your eyes and take a deep breath. Open them. Which photo are you most drawn to?

Pile 1 (butterfly drink)

Lyrics standing out:

"dark room

time moved too fast (I can see you coming home or back to a hotel room after a late night out. The wind blows the curtains as you open the door. They wrap their arms around you and kiss you as you lay back on the bed)

Your shoulders brush

You can hear it in the silence

see it with the lights out

Burnt toast, you keep his shirt

One step, said enough

You're my best friend

Spent my whole life trying to put it into words

round and round, downtown

the way home

you're in love"

Hello beautiful Pile 1! I'm picking up a more masculine energy from your S/O, but they still have a very healthy relationship with their feminine side as well. You are what they have been looking for their entire life. They see you as the "invisible string" in their life. You've always been right in each other's faces but you just now realized it. They wish they would've acted on their feelings sooner so that there was never that period of hurt or miscommunication. It feels like you were either enemies to lovers or childhood friends to lovers, or maybe even just lived in the same town but didn't really talk much. Either way, there is some kind of history there between the two of you that you're s/o is very grateful for, but they regret not acting sooner. I heard them say "We're a couple of fools, aren't we?". They're showing me the two of you playing with chalk on the side walk as children and then the two of you coming back to that same spot now that you're older. You're holding hands and wearing the bracelets you made/gave each other. Like it's really giving those Hallmark movies where one of them leaves for whatever reason and it goes south so they come home and realize they needed their person all along. It's super adorable.

Your s/o wants you to know that you are their home, their safe place, their haven. No one in the world makes them feel the way you do. Again, the only regret they have with you, is not being yours sooner. They love coming home to you and I feel like they also really like when you wear flowy dresses. You're both children at heart, so not only are they your s/o, but they're your best friend. They say to remember how special you are and "you're my butterfly". (that blew my mind since this is the butterfly drink pile). The only future they see, is one with you in it. They hate to be away from you and are telling you to hurry up because they "need cuddles". Movie nights may be a thing for you guys.

confirmation: purple, 333, butterflies, "time flies when you're having fun", "here comes the sun", school bus, clouds, jump ropes

Pile Two (Hearts)

Lyrics standing out:

"Won't you look my way

What you got to say

Everybody talks

Made my lips hurt, I could hear the chit chat

Everybody talks back

It started with a whisper

Mama's always gotta back track

Got in the way

What you gotta say"

Hello my lovely pile 2! When this sing started playing, I was immediately shown some type of dinner and lots of dancing. Your DR could possibly be set in the 50's or 60's or 80's. It could also be a fame DR and you're filming a movie set in one of those periods. Either way, you and your s/o dance a lot. They are amazed by the way your body moves and sometimes find themselves having dirty thoughts about you. This feels like more of a slow burn trope and you all may not be together yet. They are YEARNING so badly for you. They feel frustrated, "why don't you see me". They're afraid that they're in the friendzone, when in reality, you both need to use your words and tell each other the truth. You may be holding back from confessing your feelings because you fear what others or the public will say. Or you worry that they worry about what others may say. They may be a poet of some sort because they just said, "your eyes shine, lips so divine, gotta be mine". Told you they're yearning.

"Why won't you love me? Let me in", they have grown tired of the games and the cat and mouse. Your s/o is ready for you, so be ready for them. They just want you to see how beautiful you are and really believe it. They say, "You're brilliant, you're a genius baby", and the kiss you're cheek. I can see you looking back at them kind of shocked and that breaks their heart. They really just want you guys to communicate so you can be how you're meant to. They want you to know that you deserve all of your hearts desires.

confirmation: 5 Seconds of Summer, Luke Hemmings, blue, turtles, the beach, bad girl, Jojo siwa, 444, dirt, sprout, plants, spiral, mcdonald's play area

Pile 3 (the flower)

Lyrics standing out:

"You were in college working part time

Why we bother with love if it never lasts

I can see it now

You put your arm around me for the first time

There's a drawer of my things at your place

We'll never make my parents mistakes

City lights

Made a rebel of a careful man's careful daughter

You took me by surprise

I'll never leave you alone

Every time I look at you, it's like the first time

I fell in love

she is the best thing that's ever been mine

Hold on, make it last

I can see it now"

Hello my gorgeous pile 3! You and your s/o know how to have fun together, you don't mind to get your hands dirty. Some of you may have a "Twisters" DR, I keep seeing Glen Powell. Your s/o is ready to take you on an adventure, show you places and things you've never seen. You guys are attached at the hip. You're that couple that is always together and has the best humor. Your s/o likes PDA. Not so much where it makes people uncomfortable, but they like to show everyone who they belong to. They may have their hand on your thigh when you're out at dinner or their hand on your hip at the store. They are chivilrous. They like to open doors for you and get your seat or take your coat. If your s/o is male, it's giving gentleman vibes.

I kept seeing a bowling alley and a truck bed while I was listening to this song, they want to take you on a simple, fun date, just for a good time. They want you to realize that loving you is like breathing air for them. Stop being so hard on yourself. They're not going to leave you. If you're going through something, they just want to help. Let them in, that's why they're your partner. They love you for all that you are. I heard "something isn't worth having if you didn't have to work for it. I see a field of daisy's, they may call you "miss daisy". You're so is telling you to let yourself be loved, not liked. Love isn't about being likeable, it's about relationship and teamwork. You will get through this and grow stronger. We sometimes need obsticals to build our strength. Look at the problem in front of you and face it. You've got this and you are loved. Relax.

confirmation: Thanos, infinity stones, avengers, doctor strange, donuts, The Simpsons, Pepsi, Cigarettes, trailor park, South park, Eric Cartman, red, beanie, lavender plant

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amiizuki · 9 months ago

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(a 2 weeks late repost of my comment from this Reddit post, cause I forgor)

things RWBY "teaches":

if someone lies and hides info from you – beat them up, yell at them, and then proceed to later do the exact same thing they did to someone else. except this time consider whoever tries to call you out for lying evil

if, after you run away without explanation, one of your friends decides to follow you and try to help – slap them in the face repeatedly and berate them loudly

if a person, who previously helped you and your friends multiple times without expecting much in return, is on edge and looks like they're on the verge of a panic attack – scowl at them the whole time, like they murdered your family or something (add bonus scowling and start thinking of them as pure evil, if said person also starts to call you out for betraying and lying to him earlier)

when it comes to forgiving and offering redemption – only offer it if the person in question is female; if the person is male then continue villainizing them or kill them altogether

if your overly stressed sibling is having a meltdown in front of you – scowl at them, while protecting your date from said sibling, as if they were an insane lunatic ready to kill

if you see your friend/sibling commit sudoku, once again, in front of you – watch it happen, without even attempting to stop them, and then spend some time having a group hug with your friends, before remembering about your dead friend/sibling

bonus stuff, that were said by other people in that same comment thread:

also a somewhat long addendum to the 3rd point, because rewatching the Gravity scene, to grab screenshots of Yang's face, somehow made me angrier than it did the first time I saw it:

lemme fucking tell you, that Yang did not start to scowl at Ironwood after he called RWBY out for being lying hypocrites. her angry face, in fact, appeared the moment he started talking! sure, at first it looked more like a slightly confused scowl, but a scowl nonetheless. girl even had her hands in fists already, like c'mon (at least during the moment when Ruby realizes Cinder was the one who left the chess piece, Yang's hands aren't visible in earlier shots, so I can't tell if she had them like that the whole time or not)

so this potato sack looking cunt, who supposedly had PTSD and should supposedly know how it looks and feels like, saw this overly stressed man, who ALSO has PTSD, and who just got faced with an image reminding him of one of the most traumatic events in his life, starting to freak out about the safety of his people and kingdom, and, again, overall looking like he's about to have a full on panic attack, and her gigabrain idea was to fucking SCOWL the whole time he's talking. wowww Yang, what a nice and kind thing you're doing there! I can feel soooo much sympathy coming towards this distressed general, who you actively lied to with no remorse by the way, from your ugly ass scowl. this will definitely help to deescalate the situation and calm Ironwood down, and it definitely won't make him call you out for being a lying shithead and throw your desaturated blonde ass out of the window.

oh, but I guess Ironwood isn't a cute catgirl named Blake, so he doesn't deserve anything more than an angry look from Yang. makes sense, considering Ruby isn't a cute catgirl named Blake either, and so Yang constantly forgets that she exists, only remembering Ruby when it's time to scowl at her, call whatever she's planning dumb, or when it's time to go drink boba and go shopping with her, instead of spending that time planning on how to defeat Salem who has 2 or 3 relics.

#rwde #♤mizu.txt #also kinda funny that most of the things that I listed here were done by Yang #not surprising though

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goodluckclove · 1 year ago

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I've been meaning to say something. (100 follower hot take)

Hey! Thanks for stopping by. I hope you've had a nice day. Why don't you rest with me for a while? I made some chocolate chip cookies - with shortening instead of butter, so they're very soft and very chocolatey. I made way too many and they aren't my wife's favorite, so I could use some help in eating them.

You're probably a writer, right? Or maybe you think about how you could be. Browse the tags here, or on other social media platforms. Maybe you used to write stories as a kid. I bet those were fun. Teachers might've thought they were impressive, or they dissected them line by line until the words didn't make sense in your head anymore. Either way, if you're here you're probably here for a reason.

(rant alert)

I dipped a toe in online writing communities on and off. My last attempt was forty-five minutes scrolling through the writing hashtag on Youtube Shorts (so TikTok, I guess? I don't know). I didn't like it. I really didn't. The thing that sticks out the strongest in my mind is one particular video where a woman claims that every story needs a second act plot twist.

Huh? Every story? All of them? Why? Since when? Who are you? What qualifications do you have to make a statement like that?

That's the common thread that makes a lot of writing spaces very uncomfortable for me. Successful writers are really only successful in their genre and for the given moment, so they don't have that much objective authority in the craft. And yet I see a lot of people deciding the things that you can't do in writing. Or the things you have to do, and how you have to do them. It was so much of Writeblr at first glance that I almost dipped out once again. I didn't, though, and I'm glad I didn't because now I get to watch some of the next great storytellers from across the world grow and examine and forge their way forward.

No one can teach you how to write. No, that's not true. Teachers teach literacy. Handwriting. Typing maybe - do schools still teach typing? Let me try saying it in a different way - no one, not one single person on this goddamned planet, has the right to tell you how to make a story.

I was supposed to get my MFA in creative writing before my first breakdown. My uncle stayed in the program I was meant to be in, and a few years after I dropped out he graduated. Recently I had the thought to look up his thesis novella, and as I searched I found myself regretting my decision to leave school. If I stayed and got to develop my writing in an actual class, with other writers and a knowledgeable professor, how much further along would I be than where I am right now?

It was bad. His novella was terrible. It was so bad I had a small existential crisis for, like, three days. He spent so much money on years and years of professional education and came out with a truly soulless story that read as if you prompted an AI to write the next Great American Novel. So if you think you need a writing degree to be a legitimate author, it could help connections-wise, but it ultimately won't be the thing that does the work for you.

Not all advice I see online on writing is bad. I find the people who are able to capture the "I" statements of therapy and phrase advice as things that have worked for them, or things that they personally enjoy, to be fine. Some writing advice can spark inspiration.

But if someone is the type of person to boil every story down to troupes and cliches, and then immediately say that every story that uses the trait they don't like is automatically bad for everyone? I'm dropping the kindness for a second - that's trash. That's a trash take and I see far too many writers use it as a reason to stop before they begin.

I don't like whump. I say my reasons in previous posts if you go back through my blog. But you will never hear me say that any story with whump in it is bad, because I don't know that. You might prove me wrong. I am an adult human being and I have the humility to admit that I can like something I didn't expect to. I genuinely enjoy the direction of The Human Centipede (only the first one) and if you cringed just now that probably means you haven't seen it.

There are so many types of books and movies and plays and comics out there. To enjoy a specific genre is fine, to ignore the existence of everything else is a really, really, really odd thing to do. Maybe someone will hate your story because they think everything should be Neil Gaiman, and therefore have no way to understand your epistolary high-Western. You are not the wrong end of that situation just for existing.

And at there is a definite threshold on how many writing tips you can gather before they stop being useful. If you find them interesting, that's one thing. That's fine. But if the culture of creativity online has made you feel like you need to educate yourself on every possible angle before you can write a story, you are actively harming yourself.

Imagine taking the level of structure you put on yourself in that way and putting it on children playing pretend in the backyard. Oh, Susie, don't you know that it's overdone for your Kitsune have dead parents? Xyler, shouldn't you ask someone else before you decide how Spiderman would react to this? It would make no sense and they do not need it. Kids will make a whole world out of nothing and it's the most fucked thing in my heart that at some point they get access to Reddit and dipshits start insisting that's wrong.

They aren't wrong and you aren't either. Your favorite creative influencer can't tell you your story, strangers on the internet can't tell you your story, your teachers and loved ones can't tell you your story. They can influence it, but they can't write it honestly the way you can.

You do that. That's the thing you do.

Man that makes me upset. I can't tell you how to make a story, either. If anyone sends me asks for writing advice the most I'll do is say what I've done before hopping into your DMs and starting a direct conversation. it's so personal to each individual artist, and I'd like to think that the people selling these classes and software and promoting these platforms haven't thought about that before. Otherwise it does feel manipulative. If you have a willingness to practice and imagine and really experiment with the possibilities, you are ready to write your story.

And if it doesn't work? Try again. That's what you do.

Stephen King has written roughly a thousand books and maybe five of them have decent endings. He is unimaginably successful.

I'm rambling now. I think I got that out of my system. I was really worried to say this out of fear of being too weird or somehow reverse-gatekeeping so hard that it circles back into also being a bad thing. I've just spoken to a lot of people who I still think of throughout my day, and I truly ache for them to get past the fear of creation. Because it's worth it. It's worth it and it's fun, even when it's messy and you're tired.

Let it Be just came on. Beatles. I haven't listened to The Beatles in a long time. Feels a little apropos.

I love you, reader. Reader, Writer, Colleague. Take care of yourself. Especially the little you, still sitting there in the backyard of your soul, bathing in the sun with their bare feet in the damp earth.

Consider joining them, maybe.

#writeblr #writing community #writers on tumblr #queer writers #authors of tumblr #on writing #writing #actually writing #writing resources #writing tips #writing help #writing advice #how to write #writing tips and tricks #writers supporting writers

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nonverbalnaji · 1 month ago

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Merfolk Anatomy and Worldbuilding for my Jayvik Mermaid AU

Cross posting from the threads I did over on Bluesky into one place for ease with some wording adjusted for clarity. This is what I've done for my fic The Ebb and Flow of You which is on Ao3.

Please note before you read on that I will be discussing physical speculative anatomy, the impacts of that on society, culture, and gender, as well as information about reproduction. Additionally, in my fic I tweak how Viktor's disabilities present, and he doesn't have a terminal illness. (Tooth-rotting Fluff is a big tag for my fic aha).

Setting - Undercity Underwater

So in this story, Zaun is the underwater city/region for merfolk and Piltover is much the same but spanning over both sides of the bridge. Topside/Bottomside and Undercity are still used as terms between them

Zaun is made up of three levels in Runeterra and Arcane. The Promenade (where the warehouse is), the Entresol level (the lane), and the Sump (the fissures and mines). Fissures were easy to nod to underwater, while the Promenade and Entresol is more about proximity to the city than levels of depth.

While Vander isn't a Baron in the show, he still holds a position of power that felt analogous to here. He and Silco still had a fight, but in a slightly different context with the scarring becoming promenant due to Gray toxins which is a mixture of underwater gases and pollutants from Topside.

While I figure an air-based and water-based pollutant would work differently, I've gone with the assumption that the Gray is still trapped in certain areas or zones that affect the livability due to the toxicity affecting food sources and farming potential, as well as being a risk to construction.

Merfolk Anatomy and Viktor

A thread on the merfolk anatomy I have in The Ebb and Flow of You. While this was based on the amazing art by Snow Le Art, it was as early as chapter 1 that I realized that there would be some differences that I wanted to make logical sense (or at least to me) in regards to fins and organs.

As a quick aside, Silco is half merfolk and half Sharfin (shak fin with constant elision) hence why he has a sharp sense of smell. It's also thanks to discussing logisitics of mpreg with my partner that 'seataurs' were coined since we were talking about how seahorses aren't actually viviparous.

We'll get to that topic in another thread but this will be covering fins and why Viktor has hearing issues. When I wrote this thread initially, I realize I've hit a bit of a plot hole perhaps, but I'm going with he learnt to talk and the issues were a later development from being born in the Gray.

In my mind, merfolk have: a pair of pelvic fins, one on each hip; an underfin that starts at the edge of their 'seam' or 'pouch' and ends where their tail has a knee-like bone (idk maybe); their dorsal fin extends from their scales and there's a slight colouration there and where scales end.

Viktor was born with a twisted spine, and as such this is shown with his dorsal fin. One of the important functions of a dorsal fin is to keep fish from rolling belly up, so Viktor needed to compensate for this, he swims slower than other mer and with a tilt if he's not moving his hips as he swims

This was to nod to his leg like in the show, even though the injury to his tail fin is also analogous. While he won't be dying in this fic, the delayed impact of breathing the Gray was a usable reason for what I will get to in the fic regarding his hearing which might sound strange buuuttttt

There are some Amazonian fish that have enlarged swim bladders (used to breathe and buoyancy) that have evolved to have *lung tissue* and so they breathe air. Perfect for merfolk! THEN I came across something called the Weberian Apparatus, which connects the swim bladder to the auditory system...

This apparatus uses the swim bladder as a kind of resonance chamber, so my logic here is that it's either not fully developed for Viktor or there's some issues that need investigating perhaps, you'll have to read on to find out but it was a neat find to adapt his lung issues to hearing issues

When I word it like that it sounds weird XD Worldbuilder things though.

Merfolk Reproduction - the Hear Me Out

So. Cloacas. Hear me out. In part, it was from a 'Why Not Both' moment but also because I was trying to figure out if merfolk would have a similar separation of uh, passages like we humans do. For fish, their anal or cloacal fin (which I've dubbed as underfin) can separate these passages.

It also made sense that even without a cloaca that there would be a pouch or sorts to protect uh, appendages. While it's more so amphibians and non-bony fish that can have cloacas, technically by definitions, merfolk *are* a kind of amphibian, being able to breathe both under water and in air.

In the previous thread I mentioned Seataurs or Seahorses being ovoviviparous. Instead of this live birth like mammals, this means that they hold eggs that develop internally before birthing them. Otherwise, fish are ovoparous, in that they lay eggs and either fertilized before or after.

I decided to have both as an option, taking into account environmental and social safety as both can have advantages and disadvantages. While carrying an egg can make sure it's safe, it does put the birthing parent at risk, but laying eggs is also risky depending on where the eggs are laid.

The other thing I wanted to explore was the impact of this physiology on gender identity and expression. And at least in a fantasy setting, accessibility for transfolks and any diversity is a no-brainer to me. So while this story won't focus on the humans, the city of progress is progressive here.

This is also nodding to what I've read about fish that change their reproductive anatomy in response to environmental circumstances as well as some fish like clown fish who literally transition from male to female as part of maturing. So in this fic, merfolk are androgynous and change as they grow

This means that modelling of diversity and education is important for understanding. It wouldn't be a sudden change say from the ages of roughly 12-25, and experimentation with pronouns and expression would be a norm. Viktor's case, he has leant masculine but not too far from androgyny out of choice

The flexibility and choice in part is because I like the idea of Viktor being able to have a space where he can experiment and explore, living his best life vibes. Even when he falls pregnant, that won't make him any less masculine, just like with any seahorse dad. Hopefully I can write this well <3

And if this all sounds interesting, you can find this fic over on Ao3 here:

#Mermaid AU #Jayvik #Mermaid Viktor #Merfolk Viktor #Jayce Talis #Viktor Arcane #Jayce x Viktor #Naji Yaps #Worldbuilding #Fanfiction #Archive of Our Own #Arcane fanfiction

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