#but that's clearly not the story he's trying to write

[merchantziro]

Hey thanks, I'm just really passionate about writing as someone who's written his fair share of fanfics.

Truth be told at this point though, I'm just electing to ignore him. We've had a few backs and forth on our beliefs regarding fanfiction for a few posts by this point. Backs and forth, that if I didn't finally back off after seeing the futility of it, could have probably gone on until the heat death of the universe.

But when you watch him derail a post about Fright Knight being an Al Ghul and passing the title and sword down to Damian for Ghost King Danny, with him arguing it should have Scarecrow because he's the fear guy and even escalating a suggestion of Scarecrow stealing it from Damian to saying he should kill Damian with it with no way of resurrecting him...

Yeah... I kinda finally realized the kind of person I was dealing with. The kind that will never be satisfied and it's easier to ignore them.

Though weirdly enough, to give Jedi even an ounce of credit at all instead of spending a post trashing on the guy, those discussions were a bit eye opening as they led to me finally finding the words to figure out what I value in fanfiction.

For example, the above points in my prior reblog regarding powerscaling in the context of writing a story and why it is so incredibly important.

Truth be told, I also kinda enjoyed the debate a fair bit because it's an interesting perspective and I kinda understand the general idea of WHERE he's coming from regarding his stance on DC Fics and how they "fuck up" on writing the DC Characters.

I believe it's mainly due to a combination of his age (he is not shy about admitting to the fact he was one of the people who had called in on the Jason Todd Vote to kill or save Jason back in 1988 during A Death in the Family which was 36 years ago as of the time of writing in 2024) and the fact his arguments seems to come from a place of love for the DC Comics he's grown up with that he at least wants people to, in his eyes, respect the source material. At least that's my understanding.

I also understand my perspective will always be very different as someone born around the turn of the millennium in the early 2000s, we both clearly grew up with different DC Media (for me I mainly consumed DC through TV Shows and Video Games such as the 2003 Teen Titans cartoon and the Lego Batman games)

Either way, I believe he is entitled to that opinion just as much as I am entitled to my own, even if he does often try to get those opinions across in the most aggravating and asshole-ish ways possible and I still don't agree with his points in general as I've made clear in my past reblogs.

Overall in short, I'm annoyed by his bullshit as much as everyone else, but I also believe despite how much he's made me think that he's not worth arguing with anymore regardless.

I love how Danny is the DPxDC fandom's (at this point is its own fandom) personal Barbie

He's the ghost king, he's a mechanic, he's a runaway, he's an ancient, he's an engineer, he's a barista, he's a regular guy, he's an eldritch being, he has trauma beyond comparison, he has no trauma at all, he's a child, he's a teenager, he's in his 40's, he's gay, he's straight, he's bisexual, he's whatever suits the character he's being shipped with, he's Damian's twin, he's a clone, he's Dani's dad, he's Dani's brother, he's both at the same time

He's truly made of play dough

[nonsensology]

Later at the wish granting ceremony, CEO Magnifico announces he’s greenlit Ice Age 6 and five more live-action remakes.

_ _ _ _ _ _ _

There are so many cancelled and unrealized projects that Disney is sitting on, that they do not benefit from in any way by keeping them locked up tight. They really ought to just let them go if they don't have any intentions of doing anything with them.

Incidentally, I could never agree with the mentality of “Magnifico is actually the hero, and Asha is the TRUE villain” that a lot of people seem to have. I drew my comic based on this post. I feel like if more people had been aware of this possible interpretation, they wouldn’t have sympathized with Magnifico.

Does Wish have bad writing? Yes, it does. And it’s because of that bad writing that every single character suffers. What I think happened is that, as a result of said bad writing, Asha became a character that’s so uncompelling and lacks uniqueness that she ends up a blank slate for audiences to project their frustrations with the movie onto. King Magnifico on the other hand, is probably the most interesting and entertaining character, due in no small part to Chris Pine’s performance, and so the audience is much more sympathetic towards him and willing to ignore his flaws.

One of Asha’s problems as a character is that she doesn’t really contribute much to the story. By contrast, Magnifico’s downfall is brought about entirely as a result of his own actions. Magnifico is in fact not a good leader, because he gives in to paranoia and temptation, acts in a very unprofessional manner, and escalates the conflict to an absurd degree.

Please note, Asha does not get upset that Magnifico refuses to grant her grandfather’s wish, nor does she ever demand that Magnifico needs to grant every wish. She gets upset that he insinuates that her grandfather might have dangerous intentions, and because he does not have a convincing reason why he doesn’t return wishes that he won’t grant. Rather than calmly explaining his reasoning to her, Magnifico rudely dismisses Asha and then blows up at her.

If Magnifico were a good leader, he would have explained to each person WHY he won’t grant their wish, and given them advice on alternatives. As it stands, he knows full well that everyone expects their wish to be granted. It’s why they even came to Rosas in the first place, it is the literal reason he even built his kingdom. He clearly makes a big spectacle out of the wish granting ceremonies, which every citizen visibly goes wild for. Not to mention, he literally tells Asha, "People think wishes are just ideas. But no, no, they are a part of your heart. The very best part." He knows, for a fact, how important wishes are to everyone. But the movie's awful writing makes him think the best solution to dealing with wishes that MIGHT have dangerous consequences, is to just hoard them. All that returning the ungranted wishes will accomplish is returning the memory of what the wish even is, that's literally it, and the people will be no better off than they were before they gave Magnifico their wish.

I dunno about you guys, but whenever I watched stories that preached “be careful what you wish for”, my takeaway was never “your desires could be dangerous and you should never pursue them for fear of disaster”, I always thought the stories were telling us, “beware of anything that promises instant gratification, because it’s usually too good to be true, and will cost you more than you will gain”. While the things you want in life may have disastrous consequences, you won’t really know until you try to pursue them through your own honest efforts, and not through “magical” shortcuts. That’s how we learn and grow, through trial and error. 

As it currently stands from my point of view, when people say "Magnifico has every right to keep ungranted wishes" it looks like they're unintentionally saying, “The Disney Corporation has every right to keep your work and ideas, because you willingly and legally handed them over. Tough luck if you regret the deal you were given. No takesies backsies!”

While I have found no evidence to confirm that the filmmakers intended for Magnifico to be a criticism of Corporate Disney, considering the inclusion of the animation sweatshop scene in Pixar's Inside Out 2, I think the probability is likely. (Not to mention, when Asha shows Magnifico her little flipbook animation, he remarks “Do we consider that a talent?”)

Please note, everyone is free to rewrite and reinterpret Magnifico however they want. He's just a fictional character after all, and fan content is supposed to be for fun. I just think it's funny how defensive people get over him. They say he deserved better, and I agree, but we have very different ideas of what "better" means. In fact, I think every character in Wish deserved better, because again, they were all victims of bad writing. My problem isn't that they took a good man and made him arbitrarily "evil", it's that they didn't make him evil enough from the very beginning. Remember those deleted scenes featuring a villainous Magnifico with better writing, along with an evil Amaya that he can play off of? I'm fairly certain that everyone unanimously agreed these deleted scenes were much better than the final movie, and yet some still insist that Magnifico should have been a hero all along. I dunno, it's a funny dichotomy. 

[raven-at-the-writing-desk]

huh...

Recently I was researching Malleus in preparation to write some things for my "10 years later" blog event. And you know what I noticed?

MALLEUS SEEMS TO HAVE LIKE NO CLEARLY STATED POLICY POSITIONS WHATSOEVER 💀 Across 4+ years of content (voice lines, vignettes, events, main story, etc.), Malleus does not really indicate how he plans to rule once he ascends to the throne. I keep thinking I missed something and go back to comb over everything, but I swear to you that it was pretty threadbare. The closest examples I could find were him being familiar with the concept of noblesse oblige (those of higher status have a duty to aid the weak), thinking it prudent to maintain friendly relationships with representatives of foreign lands, and going along with various traditions and ceremonies. I guess you can also throw in Malleus saying he was told by his grandma that the Draconias are meant to use their powers to protect the smiles of their people? But there's nothing concrete, like how exactly Malleus would achieve his goals once in power or what his specific goals are. (This is not counting fan speculation, such as him potentially eliminating the current senate due to how they treated Lilia so callously.)

Malleus will often talk about how the things he's experiencing are different than what he knows of back home. Malleus will talk about how others wait on him (his birthday is a national holiday, he has private chefs and tutors, etc.). But he doesn't talk about how he would rule. That's like... so wild to me considering that he's the crown prince of Briar Valley. I would have expected at least one or two dedicated voice lines about such a BIG for Malleus, especially with how often he speaks about himself being a royal and being groomed for the position of future ruler of his nation. Malleus sometimes shares about his grandmother, who is the current ruler, but again never specifies what her ruling style is like or what her policies are like. It's also strange to me that Sebek, Silver, and Lilia also never speak about Malleus's positions on anything. The best we get is Lilia trying to encourage Malleus to get out of his comfort zone more and to make the most of his time to learn about his non-fae peers. That doesn't speak to any of his current thoughts though, only what Lilia hopes will enhance Malleus's understanding now and perhaps inform his decisions in the future. We're mostly left to assume how Briar Valley's political landscape works--but even then, there's not much to make of it, besides being aware of the senate, a reliance on magic, and the general adversity to humans and technology.

Compare this to Leona, the other prince of the cast (not counting Silver, since he learns of his prince heritage very late into the main story and may not even feasibly have a country or people to his name anymore). Leona is the second prince of Sunset Savanna, meaning he's not even expected to become king someday--yet we consistently hear what his thoughts on policies and political planning are. He comments that he worries for his country's future due to how lax, kind-hearted, and extravagant his older brother and acting king Falena is. On top of that, Leona's own views on what would most benefit his country are explicitly laid out. He doesn't care much for stuffy traditions or living in harmony with nature (a value many of his countrymen have); he prioritizes progress and thinks proactively about it. Even on his own birthday, Leona talks about how the gift he received from Falena could be better served as a gift to a neighboring country to bolster the relationship between their nations. The mining and energy internship he chooses in book 7 is also geared towards making sustainable advancements back home (presumably to make use of his country’s natural resources while minimizing damage to the land). We get a very clear sense of how Leona would go about improving his country, even if not from the position of king and even if his ideas wouldn’t be received well by his people or by the land. (If this topic interests you, then please check out this post, where I discuss Leona vs Falena's priorities and ruling styles.)

So what's up with Malleus, an actual king-to-be, not talking about politics at all????? Is it maybe just something Malleus is not thinking about (it's possible that he could become king much later in life, since he’s not considered an “adult” until 1000 years old)? Is he maybe focusing on his current school experience? Or is it that he just... keeps the plans to himself since they aren't immediately relevant? Or is it that he feels he doesn't need to implement many changes once he does become king (since he seems to already be accustomed to his grandmother's way of ruling), so there's no need for him to consider it now? (Briar Valley itself and Malleus are particularly old-fashioned and appear to have issues adapting or changing with the times.) Is it that Malleus secretly dreads his ascension because it means he can no longer go back to his carefree school days? Maybe it's just the Twst devs intentionally keeping Briar Valley vague for meta reasons/to maintain Diasomnia's mystique??? It could be any combination of reasons.

I guess I'm a little frustrated myself at this realization because a personal gripe I have with Malleus is how he's treated and talked about like he's a great leader (especially by Diasomnia; *stares at Sebek shouting and Lilia's book 2 speech*), but we never get real instances of him acting like that great leader he supposedly is. It feels like lip service (think about how often Diasomnia and the general cast hypes him up) without him being able to back it up. When has Malleus led anyone in a serious group effort? How does he intend to lead in the future? I feel like it's mostly him wandering off to do his own thing or to clear the challenge with his OP-ness. But if Twst is really going to sell us on Malleus being a "great leader", then he should be given more chances to be one. It's such a wasted opportunity that we don't get to know more about this. The only instance I can think of (off the top of my head) where Malleus "leads" is GloMasq, and even then I don't know if I would count it??? Because Malleus isn't really leading the group so much as he is tagging along with them because there's safety in numbers given the situation. Everyone else throws themselves out there to protect him and the other event SSRs... and the way Malleus acts kind of implies he would march up that tower and try to decimate Rollo with or without anyone's help if he could. That doesn't really read to me as him taking charge, even if he's technically going to these great lengths to protect his country, which primarily relies on magic (ie their way of life would be destroyed if Rollo's plan succeeds). Maybe I'm missing something though??? If you can think of any examples of Malleus being a leader and/or times when he mentions how he'd rule Briar Valley, let me know. it's very possible that I have overlooked an example, given the extensive amount of content out at the moment. Sharing general thoughts on this topic is also fine.

[javierpena-inatacvest]

Chapter 6- Undeniable

Summary: when your car breaks down, you’re forced to ask Frankie for help. You’re not sure what you hate more- that you have to ask him for help, or that there’s a part of you that maybe can tolerate him

Word count: 6.2k

Pairing: Frankie Morales x f!reader (reader has a name/nickname, no use of y/n)

Warnings: Angst, tension (in a good way??!!), yearning (AHHH), teenage Frankie (and current day Frankie, for that matter) are down so bad, Santi and Benny play Dr. Phil

A/N: okay I said there would be smut this chapter, but I am a liar, and I am sorry 🤥 I flip flopped some scenes around and it ended up making more sense for some ✨things✨ to happen next chapter instead 🤷🏼‍♀️ I seriously love these two more and more every chapter, and this may have been my favorite one to write so far!! Thank you SO much for all the kind things you’ve had to say about this story- it really means more to me than you know 🥺💛 (sorry for any errors, I didn't have time to edit this chapter as well as I should have!)

All The Things We Never Said Masterlist

Previous Chapter Next Chapter

Frankie, Age 18, Summer of 2007

“Jesus Christ, Morales, you got bricks for feet, or what?”

The Garcia’s newly installed basketball hoop had been a welcome addition to the neighborhood rotation of afterschool hangouts. Santi knows just as well as Frankie and Benny that it’s really nothing but a ploy to keep the boys occupied and out their parent’s hair, but the three have gladly accepted the olive branch Santi’s parents have extended to them, regardless of motive.

Now that the heat of late May has begun to sear off the pavement of Everett Street and the dwindling motivation of senior year is in full force, basketball has quickly taken over as the new after school activity.

Benny and Santi love it because it gives them a chance to get out the competitive angst they’ve had locked away since football season has come to a close.

Frankie loves it because it gives him something to keep him occupied until you come home from soccer practice.

Even then, he still finds himself anxiously counting down the minutes until your car pulls into the driveway, stepping out of the driver’s seat to give him that same goofy wave of approval that frees him from his friends’ constant bickering about where the three point line lays on the cement.

Ever since he told you he was leaving, there’s a part of him that debates forgoing basketball all together, just so he can make it to your house that much quicker when you get home. Now more than ever, he’s hyper aware of every second he has left with you, the internal countdown constantly nagging in the back of his mind before it’s four hundred miles that separate the two of you, not four houses.

Because now, not only does he have 74 days left to figure out how to say goodbye to his best friend, he has 74 days left to figure out how to tell her that he’s head over heels in love with her.

That’s what’s on Frankie’s mind as the pass Santi’s thrown at him rolls right past his shoes and down the driveway.

No shit, he’s got bricks for feet.

“Helloooooo? Earth to Frankie? You gonna get the fuckin’ ball, or what?” Santi shouts, wildly waving his arms, trying to snap his friend out of whatever weird daydream he’s stuck in.

“Oh, y-yeah. Yeah, sorry.” Frankie stammers, half jogging for the bouncing ball, tossing it back to Benny, also barely paying attention enough to keep the rubber from smacking him upside the head.

“Fuck, dude, you tryin’ to kill me, or somethin’? A heads up would be nice next time!” Benny scoffs, trying to downplay the fact he’s nearly just shit his pants from the ball that came out of nowhere and almost took him out.

“S-sorry. My bad.” Frankie grimaces, sheepishly running his hand through his thick, messy curls before rubbing the back of his neck.

Santi and Benny exchange confused glances with each other before turning their attention back to their clearly pre-occupied friend.

“Hey, you good, man?” Santi asks, scrunching his brow at Frankie’s tortured scowl.

“Yeah dude, you’ve been like, super out of it the past couple of days. Everything okay?” Benny adds. He tries to discreetly nudge Santi, givinging him a look that’s meant to ask if there’s something he’s missing. The best Santi can give him back is an ambivalent shrug, just as lost as his friend as to why Frankie’s mentally residing on another planet.

“Yeah. I’m- I’m fine.”

Sure, Santi and Benny aren’t as emotionally mature as their friend, but they also aren’t stupid. It’s obvious there’s something he’s keeping from them, and they’re far too relentless to let it go until they find out.

“Dude… C’mon.” Santi prods, taking a step towards Frankie to poke him on the shoulder.

“Yeah, spill the fuckin’ beans, Frank. What the hell’s goin’ on?” Benny chimes in, following Santi’s lead with another forceful poke.

“It’s nothing! Jesus, will you drop it?”

Santi smirks at how agitated Frankie’s become, spending enough years with his friend to know there’s one thing, and one thing only that’s got him this worked up.

“Is this about Kenz?”

Frankie’s eyes dart rapidly between his friends, the sky and his feet, too afraid to settle in one place as he’s consumed by his own silence, crossing his arms over his chest as he braces himself to defend against the onslaught he’s about to be faced with.

He could lie, say no, keep arguing with Santi and Benny until he’s blue in the face, but he knows it’s no use. Deep down, he has a feeling they already know what he’s going to say. He also has a feeling he’ll never go a day for the rest of his life where they won’t give him ten pounds of shit for it, but Frankie’s desperate. If he doesn’t figure out what to do, there’s a good chance he just may explode.

“You have to swear you won’t say anything about this to anyone.” Frankie sternly sighs, eyeing down his friends with a deathly glare, “Swear you won’t.”

“We swear, man.”

“Yeah, we swear.”

Benny and Santi nod in agreement, too shocked at his agreement to tell them anything rather than asking them to fuck off and leave him alone. They wait in patient silence as Frankie takes a long, shaky deep breath in.

“I um- fuck. Fuck.” He stammers, terrified to hear himself admit what he’s had locked away in his brain for years out loud for the first time, “I’m uh- I think I’m in love with MacKezie. I think I’m in love with her and I don’t know what to do.”

Frankie’s mortified by the silence from his friends in the seconds that follow. He’s even more mortified by their howling laughter that comes after that.

“That’s it? Oh, thank God!” Santi cackles, him and Benny clutching their chests to try and keep themselves standing, “Dude, I thought you were gonna say something fucking crazy. You looked like you were gonna fucking throw up.”

“W-what? Santi, did you not just hear what I fucking said? I literally just told you-”

“That you’re in love with MacKenzie? News flash, Morales, we’ve known you’ve been in love with her since like, the eighth grade. Holy shit, I can’t believe you finally fucking admitted it!”

Frankie’s face grows hotter by the second, his cheeks ablaze with bright reds and pinks, not sure if he’s more embarrassed by what he’s admitted, or the fact that he’s worked himself up for weeks to finally tell his friends something they’ve already known for years and Frankie was too blind to realize it.

“Well, okay- I just- what am I- what am I gonna do?” Frankie stutters, throwing his hands up to the sky, very aware that the admittance of his love for you is only a small part to his greater problem.

“Whatta you mean, what are you gonna do?” Benny questions, he and Santi still giggling over how frantic and flustered Frankie still was.

“It’s not fuckin’ rocket science, Frank.” Santi smirks, giving him a playful nudge, “Just tell her that you love her.”

“Are you out of your fucking mind, Santi?! I can’t just tell her I love her, that’s- fuck, that’s crazy!” Frankie’s all but shouting at his friend for what feels like the most outrageous idea he’s ever heard, crazily pacing up and down the driveway, as if he’s asking his friends for advice on where to hide the body he’s just killed.

“And that would be crazy because….?” Santi teases, anxiously awaiting whatever ridiculous answer Frankie has to finish off the rest of his sentence.

“Because?!” Frankie asks, storming so fast up and down the driveway, he’s about to make fresh cracks in the concrete, “Because, b-because- fuck, Santi, what if I tell her that I love her and she doesn’t feel the same way? What if I ruin our friendship forever and then I get my fuckin’ heart broken and lose my best friend? Jesus Christ, that’s why.”

“You wanna tell him or should I?” Benny proposes, shrugging at Santi.

In a silent agreement, Santi gives Benny a nod, taking a step towards Frankie to grab him by the shoulders, forcing him to stand still enough to capture his full attention.

“Frankie, lemme ask you this.” Santi pauses, bringing Frankie’s gaze from his feet up to his friend, thinking for once in his life, he may actually be willing to give him some serious advice.

“Yeah?”

“Are you blind, or are you stupid? ‘Cause I think you may be both.”

“What the fuck, dude?!” Frankie scoffs over Santi and Benny’s snickering, outstretching his arms to push Santi off of him.

“Damn, maybe he is.” Benny grimaces overdramatically, playing into Santi’s theatrics.

“Fuck off, Benny!” Frankie frowns, starting to regret asking his friends for help.

“Jesus Christ, I can’t believe I really have to spell this out for you.” Santi sighs, squeezing his temples between his thumb and index finger.

“What!?” Frankie presses, nearly fed up with his antics.

“Shit, you’re right Benny, he may be dumber than we thought.” Santi snorts before quickly turning his attention back to Frankie, “Frankie… You do realize MacKenzie’s in love with you too, right?”

Frankie feels his heart stop. He’s partly convinced it’s flatlined indefinitely. The only thing that’s keeping him alive is even the tiniest chance that what Santi has to say is actually true.

That maybe, just maybe, you love him, too.

“Santi, c’mon. Be- be fucking serious. There’s no way.”

Frankie won’t let himself believe anything yet, no matter how badly he wants to. Knowing Santi, he wouldn’t be shocked if he’s trying to pull him in to some sick sort of joke, but the looks on his, and Benny’s faces is all the earth shattering reassurance Frankie needs to know that Santi’s telling the truth.

“He’s being serious, I swear.” Benny chimes in, trying to aid in convincing Frankie.

“Think about it, Frank. The two of you spend every fucking second together. You’re basically already dating without actually dating. And not even just because of the fact you like, pretty much go on dates to the movies or ice cream, or whatever. Didn’t you say she cried for like, an hour when you told her you were leaving?”

“I- I mean, y- yeah, I guess.”

“Or the fact that she’s never dated anyone else and has had you locked in as her prom date since last year.” Benny adds.

“Don't even get me started on the fact you two cuddle every time we watch a movie together, because God forbid you’re not touching each other for an hour and a half.”

“I- I- I- don’t know. I mean, sure, yeah, but just because she does that doesn’t mean she’s in love with me!”

Frankie can feel his insides churn, like someone’s put them in a blender and cranked it on high. He’s not sure what’s more terrifying- that you do all those things but you’re not in love with him, or that you do all of them because you are.

He quickly comes to determine the second is much scarier than the first. Mostly because there’s a part of him that believes maybe you’re just as in love with him as he is with you.

“Fuck, I think I’m gonna throw up.”

Frankie’s knees wobble as he sinks to the ground, bottom hitting the pavement with a thud.

“Well shit, don’t do it on the driveway, my mom’s gonna kill me. If you gotta yak, at least do it on the grass.”

Santi and Benny settle in on either side of Frankie, the trio of boys squatting at the edge of the driveway. Frankie buries his head in his hands, scrunching his face so hard into his sweaty palms that maybe, some sort of reasonable idea will pop into his brain if he squeezes hard enough.

“You guys really think she likes me? Like, actually?” Frankie asks, peeking his head up to look back and forth between Santi and Benny.

“Uh, yeah.” The pair agree in unison, each giving their friend a pat on the back, trying to keep their all-knowing laughter at bay to soothe Frankie through his distress.

“Fuck. Holy shit. So- So what do I do? Just- Do I just tell her?”

“I mean, I’m no love guru, but you like, may wanna be a little more subtle than that.” Benny snickers, giving Frankie a little nudge, “I mean, do you wanna tell her?”

“Yeah. Fuck. Fuck, I wanna tell her so bad.” It spills out of Frankie’s mouth without any hesitation. The more he thinks about it, the more sure he is.

“Like, you’re already going with her to prom and stuff. You could do it then?” Santi suggests with a slight shrug of his shoulders.

“Damn, alright, Mr. Romance over here with the advice.”

“Shut up, Benny. You got any better advice? At least I’ve fuckin’ had a girlfriend before, you dingus, have you? Didn’t think so.”

Frankie’s completely blocked out their bickering, lost in his own train of thought, where all he can picture is you- Your smile, the little strand of hair that you tuck behind your ear when it falls in your face, the way your nose crinkles when you laugh, the little curl in your lips you get when you smirk at him when he tells a stupid joke.

How badly he wishes his lips could meet yours to feel that smirk pressed against his face.

“Do… Do you- Do you think I should kiss her?”

“Jesus Christ, Frankie, what are we, twelve?” Yeah, man, fuckin’ kiss her.” Santi snorts, Benny joining in with muffled laughter in his throat at the innocence of his question, “God, with how nervous you sounded, I thought you were gonna ask if you should like, have sex with her, or somethin’.”

It’s then his brain truly short circuits, his heart about to fall out of his ass and lump in his throat the size of a softball.

He has enough balls to admit he’s thought plenty of times about kissing you.

But right now, he certainly doesn’t have enough balls to confess to his friends, (or even to himself, for that matter) he’s spent just as much time thinking about doing a lot more than just kissing you.

He’s spent even more time thinking about just how badly he wants to.

One step at a time, Morales.

You, Present

“You’ve gotta be fucking kidding me…”

Turning over your ignition to the sound of empty rattles once wasn’t anything to worry about.

Turning it over twice to the sound of silence you could chalk up to bad luck.

But after six different attempts to start your car to no avail, you were fairly certain your issue wasn’t based solely on user error.

“Fuck…” You huff to yourself, yanking out your keys and slamming the driver’s side door behind you as you storm back into the house, now in a race against the clock to get your car not only started, but driveable enough to get you to work on time.

It’s the stupid things like this you haven’t mentally prepared yourself for when it comes to your father’s impending death- Not having a built in mechanic at your disposal to help solve your car issues when something goes awry. It seems selfish to take from the few precious moments you have left with him to pester your dad about your car troubles, but you know for a fact, your dying father has a better chance of diagnosing your issue from his bed than you do hands deep in the engine.

“Hey, Dad.” You grimace, gently rousing him from his half-awake state in front of the TV, “Dad, can I ask you something, or are you too busy dying?”

Your joke is enough to crack a sleepy smile in the corner of his lips, grunting as he turns his head over to see you hunched over the edge of his bed.

“Depends. Is it worth my time, or should I go back to decaying?” He fights with everything in him to let out the softest laugh, a sputtering cough following as his chest rises and falls, trying his best to not let his final days prevent him from being the helpful dad you’d always known.

“My car won’t start. Do you have any idea of what it could be?”

“You gonna wheel me out to the driveway to have me figure it out?”

You both know it’s ridiculous, what you’re asking him to do. You’re not sure what compelled you to think that he’d be able to help solve your problem, but your yearning for the normalcy that’s been absent in your life for so long seems to outweigh any logic.

“I think we could probably crank the bed high enough for you to look under the hood.” You shrug with a sad type of sarcasm, anxiously fiddling with your fingers to try and brainstorm a solution to your time-sensitive issue.

“You know there’s someone four houses down who is very capable of solving your problem who isn’t dying.”

For as hard as your dad fought for his half huffed laugher, he fights even harder for the smug smirk pinching the corner of his cheeks.

“Dad…” You let out a deep breath, trying to not let your eyes roll to the back of your skull from even pondering the idea of admitting to Frankie Morales that you need his help.

“Mackenzie Grace?” He questions back, pretending to be blissfully unaware of your reason for dramatic pause.

“Dad, you can’t be serious.”

“I am, actually. Dead serious. And right now, I’m at a point in my life where that statement can’t be any closer to the truth.”

Unfortunately, that’s an argument you can’t fight.

You sigh again, chewing at your lip to see if your brain can muster any other plausible solution before you admit defeat, but you know it’s no use. Your dad is kind enough to accept your silence as a white flag, sparing you the embarrassment of admitting he’s right. What he’s not kind enough to do, is to let you off without making sure he gets the last word.

“You can’t stay mad at him forever, honey.”

“I can, actually.”

Right now, your dad better thank his lucky stars he’s dying, because any other circumstance, and you would have already been halfway out the door before you put yourself through this conversation again.

“MacKenzie,” He pauses, the frail and wrinkled ends of his fingertips reaching out just enough to rest on the hand you have wrapped around the bar of his bed guard rails, “if I give you some dying words of wisdom, do you promise to listen, actually listen to what I have to say?”

You know he’s about to tell you something you have no intention of wanting to hear. You want so badly to lie, to say “yes”, just to appease him without really meaning it. But the guilty conscious eating you alive in the pit of your stomach won’t let you get off that easily.

“Yeah, I promise.”

It’s soft enough for only you and him, just quiet enough to keep the world out of your shared secret.

“Holding a grudge won’t make you any happier. It won’t change what happened, either. I’d be willing to bet he’s still holding one against you, too. There’s two sides to every story, MacKenzie Grace, and you can’t keep blaming him like you didn’t have a part in what happened, too. He’s already accepted he’s in the wrong for what he did. God bless the fact you ended up just as stubborn as your old man, but at some point, you have to get off your high horse and do the same.”

It’s unsettling, the feeling that washes over you- it makes every inch of your body twinge and wince in a strange sort of self-inflicted pain you can’t shake, the indescribable discomfort that makes you want to crawl out of your skin and evaporate into thin air. The tormented sensation stirring in your gut makes you want to scream and cry and run away, all at the same time.

Because it’s not the truth of your dad’s words alone that make you feel this way- you’ve come face to face with this truth more times than you’d like to count.

It’s the fact that for the first time, you’ve come face to face with the truth, and there’s a part of you that can accept it.

You stand there for another moment at the edge of his bed, eyes peeled to the ground, trying to find the words you’re too scared to admit. Maybe your silence is a loud enough confession.

“I’ll see you when I get back from work, okay?” You lean down and kiss his head, giving your dad’s hand a final, gentle squeeze before you’re halfway out the door, car keys in hand.

“I thought your car wasn’t working?”

Your dad has never been one for “I told you so’s” . The stifled smile and playful glisten in his tired eyes will do just fine.

“Bye, Dad.”

Your dad’s words echo in your brain as you begin your journey down the driveway, terrified by the tiniest amount of weight it’s lifted off your shoulders.

“Holding a grudge won’t make you any happier. It won’t change what happened, either.”

Maybe he’s got a point. But that’s easy to say when you’re only dealing with the idea of Frankie you’ve built up in your head, not when you’re about to come face to face with him in real time.

There’s a part of you that debates just walking to work. Hell, the hour walk it would take you to get to work would probably be easier than the thirty second walk you’re about to take four houses down.

You’ll be lucky if you don’t gnaw off your entire thumbnail by the time you make it to the Morales’s doorstep, trying to clench your fists as tight as possible with every step you take towards their house to attempt to keep your nerves (and nails) intact.

You’re not sure you’ve ever walked this slow to his house. There was once a time that you couldn’t sprint there fast enough, legs leaping over cracks in the sidewalk to meet Frankie at his front door. Now, it feels like you might as well be crawling with the time you’re trying to waste before you ring his doorbell.

You practically tip toe up the steps to the porch, like it’s some sort of crime to be at his house and you’re terrified of being caught. Your finger hovers over the doorbell, outstretched and ready to press, too frozen in fear to move the extra inch it will take to press the rounded button.

“Fuck. Fuck, fuck, fuck, fuck, fuck.” You curse under your breath, furrowing your brow at your inability to face his front door. You ball your free hand up to a fist, slamming your knuckles against your forehead with a sigh so heavy, you’d probably give that wolf from The Three Little Pigs a run for his money, “‘C’mon, MacKenzie, just ring the damn doorbell.”

Your heart stops as the tip of your index finger finally pushes hard enough to force the high pitched chime, forcing yourself to keep your feet planted on the doormat below you instead of booking it half way across town.

“One sec!”

The bellow of his voice from behind the door is enough to jumpstart the stand still of your heartbeat, so much so that in an instant, it’s gone from flatlining to nearly beating out of your chest.

At this point, even if you wanted to run, you’re not sure your body would let you.

As the knob turns and draws back towards the house, Frankie’s broad body fills the doorframe. He looks almost as frozen as you, so stunned by your presence, his tongue darts between his lips as a placeholder for the words he lacks.

“H-hey?” He asks it so cautiously, eyebrows scrunching in confusion while he looks you up and down, too scared to say anything else until he figures out why you’ve shown up at his front door.

“My um- My car won’t- I have to go to work and I can’t get my car to start.”

You don’t dare phrase it as anything other than a statement of fact. You’ll die before the words “Frankie, will you help me?” escape from your lips.

“O-oh. Shit.” He cocks his head, the pinch of his face immediately easing along with the rest of his body, standing up a little straighter as he leans against the doorframe.

“Sorry, i-if you’re busy or whatever, don’t feel like you-”

“No- No, I mean, yeah, no, I don’t- shit-” He stutters, pausing as he shakes his head with a little laugh at the ground, trying to compose himself before he trips over his words again, “Yes, I um- Yeah, I can help.”

“O-okay. Thank- Thanks.” You try to fight the tug you feel in your lips creeping towards the corner of your cheeks that mirrors the grin Frankie’s trying so desperately to hide on his face.

The two of you stand there for a moment, feet wriggling in the tips of your shoes and fingers twiddling in your pockets, using every ounce of strength you have to ignore the heat flushing through your cheeks that makes you want to hate him just a little bit less.

It’s hard to suppress when Frankie’s trying to keep up his facade with the world’s worst poker face as he’s beaming ear to ear.

“Let me just uh- Lemme grab some stuff and I’ll meet you over there?” He asks, tiptoeing around what seems too good to be true.

“Y-yeah. Yeah, sounds good.”

You give each other a little nod before he disappears behind his door. You tilt your head to the sky, eyes closed as the deepest sigh of relief you can take escapes your body. It feels like the first gasp you take when you peak above the surface after holding your breath underwater, remembering what it feels like to finally breathe again.

It takes everything in you to pretend you don’t feel the strange pang in your chest as you watch Frankie walk to your house after you’ve made it back to your driveway, his gray shirt clinging to his biceps as he carries over his bucket of tools and brown curls spilling out from under the worn, Standard Oil hat he’s obviously still refused to throw away.

You lean against the hood of your car, arms crossed over your chest, trying your best to seem ambivalent about the whole ordeal.

If you were nominated for an Oscar in the “Pretending to be aloof in front of Frankie Morales while he fixes your car” category, you most surely wouldn’t be winning.

“Hey, again.” He grins as he sets his tools down, mirroring your stance to cross his arms over his chest.

“Hey, again.” You parrot.

“So, uh… Your car?” Frankie asks, nodding over to the vehicle you’re leaning on.

“Yeah, uh- yeah, I don’t know what’s going on. I tried starting it like, five different times and it doesn’t do anything. I’ve never had this happen to me before and of course it’s when I’m trying to leave for work.” You shrug, trying to play into the fact you at least tried to do something before coming to find him.

“Huh. Alright, well, lemme see what I can do, okay?” He nods again, leaving your fingers to play with your sleeves to keep yourself occupied, instead of staring at him, mesmerized by the way you can still hear the gears turning in his brain as he processes. “Can I uh- is it okay if I have the keys?”

You fumble through your pockets, digging out your keys to place them in the palm of Frankie’s outstretched hand, the linger of your touch on his skin just long enough to make you subtly jerk your arm back in embarrassment.

You step back to let Frankie slide past you, watching him try to squeeze himself into the driver’s seat to start your car, half his body still hanging out the open door.

“Are you- are you not teaching anymore?”

“Wh- huh?” His question catches you off guard, the scowl of confusion painted across your face making him quickly elaborate before drawing his attention back to your car.

“You just uh- sorry, you said you were going to work. It’s 5 P.M. on a Thursday in June, so, ya know, figured you probably weren’t going to school.”

He gives the key one more turn before sliding out of the car, carefully passing your keys back off to you before making his way to open the hood. You cautiously follow behind him, arms still crossed against your chest as he props the front of the car up to reveal the engine.

“Oh. Uh- no, yeah. No, I’m uh- I’m still teaching. Normally I do summer school to make some extra money, but because of my dad and everything and not being home, it just, ya know, I just couldn’t. I still wanted something to do to make money and keep me busy, so um, Katie’s Dad still owns The Parrot’s Nest on 14th, so I asked him if I could just do some part time waitressing and bartending and stuff. It’s nice ‘cause he’s been really flexible with everything going on.”

Your eyes dart to the ground as Frankie shifts his view from the inside of the car back to you. The air fills with a heavy pause, like neither of you are really sure how to react to the fact you’re managing a semi-civil conversation that’s more than just one word responses.

Frankie lets out a quiet huff, trying to hide the soft smile curling in the corner of his scruff covered cheeks before turning back to the car, silently tinkering for a few moments before mustering up the courage to speak again.

“That’s nice of him. Didn’t even know that place was still around.” There’s a little grunt as he leans deeper into the car, reaching around to search for some sort of part he wants to check, “I’m uh- I’m glad you’re still teaching, though. That’s um, that’s good.”

“Yeah, thanks.”

Your hands have shifted from folded across your chest to in your pockets, a subconscious move you’ve made as a brick from the wall you’ve built between yourself and Frankie Morales seems to crumble without you realizing.

You let him work for a few more moments before he’s diagnosed your issue, carefully closing the hood and wiping the engine grime on the towel from the tool bucket he’s brought with him.

“So uh- good news is, you just need a new battery. Easy fix. Bad news is, your battery’s dead, and your car’s not gonna start without a new one.” Frankie shrugs, hoping he’s not pushing his luck with the little laugh he gives himself at his joke.

“Fuck. Okay, uh- shit, okay.” You mutter, not necessarily upset with Frankie for delivering the news of his discovery, but angry at the fact you need to buy a new car battery and have no way to get to work. “Um, sorry, give me a second, I’m gonna call Jim and let him know that I can’t make it in today.”

“I- I can drive you.”

You’re sure Frankie’s just as surprised as you when the offer comes out of his mouth, freezing your thumb over your boss’s contact you’re about to dial. Frankie clearly interprets the look on your face as one of skepticism about his idea, quickly trying to backpedal before he preemptively digs his own grave.

“No, I mean, um- if you want. I can- I can drop you off. So you, uh- that way you don’t have to miss work.”

“No, Frankie, it’s fine, you- you already helped figure out what’s wrong with my car, it’s not a big deal, don’t wo-”

“I want to.”

You don’t mean for your sigh to be as audible as it is. It only seems fair, considering there was no world in which you ever considered having to contemplate not only asking Frankie for help, but also spending a fifteen minute car ride together so he can drop you off at work. You chew at your bottom lip as you contemplate the lesser of two evils- be stuck in Frankie’s metal death trap of a car, forced within a 3 foot proximity of him for the entire ride, or miss out on the most hours you’ve been scheduled in the past two weeks for money you really do need.

Swallowing your pride is the toughest pill you’ve had to swallow in quite a long time.

“Fine.”

It’s not even your answer you think shocks him the most. It’s how little he had to argue with you to agree.

You want to roll your eyes at the little smirk of satisfaction he gives himself, knowing you’ve gone 0-2 on your hardened stance of despising Frankie’s guts since talking with your dad. It only stings more that you’re sure Frankie is getting endless amounts of satisfaction that you’ve given into him so quickly.

But fuck, if you didn’t miss that stupid, goofy grin of his when he knows he’s beaten you at your own game.

“Only if your car isn’t gonna kill us first before we get there.” You groan, eyeing down Frankie’s beater truck he’s been driving since he got his license. It was in questionable shape over a decade ago, you’re not sure what kind of deal Frankie made with the devil to keep the hunk of junk up and running.

“She’s fine. Haven’t managed to kill you in her yet, have I?” Frankie rebuttals, grabbing his tools as you follow behind him towards his car.

“Well, there’s a first time for everything.” You sigh, shaking your head in annoyance that Frankie’s still driving this damn thing on principle alone, “How the fuck is this thing even still running?”

“‘Cause you don’t give her enough credit. Got me here from North Carolina just fine.” Frankie scoffs, the two of you settling into your perspective seats inside his truck.

His comment makes you frown at your lap as you buckle your seatbelt, not because of the sass he’s inflicted, but because it reminds you that he’s moved himself states away just to further the distance between you two.

“S-sorry, it was meant to be a joke.” Frankie mutters, looking over at you as he drives and noticing the way you’ve gone quiet, eyes peeled to the ground.

“No, I know.” You reply back, anxiously digging under your nails with your stare still locked on your feet. “How’s um- how’s North Carolina?”

“Oh. Um, It’s uh- It’s fine, I guess.”

It’s then you notice Frankie’s realized the reason for your silence, uncomfortably fidgeting in his seat and grip tightening around the steering wheel as he processes your disappointment.

It’s hard to decipher what he means by “fine.” Fine, like he’s more than fine and doesn't want to rub it in your face how well he’s doing? Fine, like actually a normal amount of fine and he just has nothing of interest to report? Fine, like he’s not fine at all, but doesn’t have the balls to admit it to you?

With the way he can’t bring himself to look at you, it has to be the first or third option. You’re not sure which one is worse.

You’re also not sure why you feel so compelled to find out.

“You still uh- doing um, mechanic stuff for the Army?” You ask, glancing over just enough to watch Frankie’s fingers drum against the steering wheel.

“Yeah. Helicopter maintenance, mostly.”

It’s still not enough to give you the definitive answer you’re looking for. You’re too stubborn for your own good to just quit while you’re ahead. Because of all the questions you could have asked him, the one you ask him next is like voluntarily putting a gun to your head and asking him to shoot.

“Are you, uh- you um, seeing anyone? Samantha, or whatever her name was?”

It’s the first time he locks eyes with you since you’ve gotten in the car. Frankie looks you up and down, tongue running across the top of his teeth under his lips and raising his brows just enough to let you know you’ve got his attention.

Every second of silence that lingers before his answer only leads you to believe he’s trying to let you down slowly before he has to pull the trigger. You brace yourself for the bullet.

“No. I uh, shit- I- Sarah and I broke up a while ago. After um, after Santi’s wedding, actually. No, I um, I’m not seeing anyone. Haven’t really been since then, I guess.”

Your body stays tense, still bracing yourself for the inevitable blow, but it never comes. Not only has Frankie taken his finger off the trigger, he’s put away the gun all together. You’re so stunned you’ve made it out of the question alive, you aren’t quite sure how to react.

“O-oh. I uh- I didn’t know.”

“Are- are you? S-seeing anyone?” He stutters, the words heavy in his throat as he gulps.

“No. After how things ended with Liam, I just- I haven’t either.”

It’s uncomfortable, the silence that fills the car and seeps between you. Not quite awkward, not quite upset, not quite relieved, either. It’s heavy, like a backpack full of bricks you’ve had strapped to your shoulders that you refuse to put down- you’d rather keep burdening yourself with the weight than just take it off, too used to the ache it spreads to every inch of your body.

Maybe, the silence is so uncomfortable because you’re starting to realize how stupid it is to let these types of things keep weighing you down.

Holding a grudge won’t make you any happier. It won’t change what happened, either.

You’ve been so lost in your own head, you’d barely even realized the car had come to a stop, the soft orange and pink glow of The Parrot’s Nest sign illuminating the inside of Frankie’s truck with muted neon snapping you back to reality.

Your hand wraps around the door handle, ready to break free into the parking lot before Frankie’s voice stops you.

“What time are you done?”

You look back over your shoulder, taken aback.

“Why?”

“So I can pick you up.”

It’s so matter of fact, like he had never contemplated any other option from the moment he’d offer to drive you, his soft, brown eyes sinking as you shake your head at him.

“Frankie, it’s fine. I can have someone else drive me ho-”

“Please?”

Your head wants to say no. It wants to push open the door with a half hearted “thanks for the ride” and pretend like the past 15 minutes had simply never existed, wiping the strange pang in your chest and swirling in your stomach from its memory.

Apparently, your heart’s decided it has other plans.

“I’m done at ten.”

“Then I promise to be back here at ten.”

Frankie Morales is a man who’s broken many things.

Your heart, your trust, your friendship.

But out of all the things Frankie has broken, he’s never broken a promise.

And that’s how you know at ten o’clock sharp, you’ll find his beat up Chevy in the parking lot of The Parrot’s Nest, waiting for you.

@chaotic-iguana @bbiophiliaa @pertinentpostmortem @angelofsmalldeath-codeine

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[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[urmum-lovesme]

Angel Baby - Rafe Cameron x Kook!reader

pairing: Best Friend!Rafe Cameron x Kook!Best-Friend!reader

summary: Rafe and Reader have known each other since kindergarten, always side by side, the king and princess of Figure 8. So why now does he start feeling different towards her, when all she's ever been is his best friend?

a/n: hey guys :) this is actually my first time ever writing something so this is lowkey kinda scary. BUT, I really really wanted to write a slow burn between Rafe and his best friend, cause I can see that happening, who doesn't want that anyways? If it works, this'll deffo be a series cause I have a whole concept behind it, guess we're going to have to wait and see. The pictures are taken off pinterest so credit to whoever's they are.

(may have suggested bi!reader, see if you can spot it)

warnings: alcohol consumption, mention of drugs, sexual innuendo's, someone throwing up, just Rafe being whipped for his bsf

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The classroom was bright, colourful colouring cladded the walls, the blue-tack melting slowly in the sticky heat. Rafe sat by himself, struggling to tie his shoes, his father insisted he wore them and learnt to do them himself, his mother however sceptical complied, trying to teach her sweet boy how to do them before they left the house. His face was scrunched in concentration, but no matter how hard he tried, the laces wouldn’t cooperate. 

“Do you need help?” The quiet voice rang out from across the boy, the young girl kneeling beside him. He looked up, his cheeks flushed with embarrassment. 

“I can’t do it,” he muttered angrily, glancing at the messy knot he’d made on his shoe. She smiled, her pigtails bouncing as she leaned closer. 

“It’s okay. I can show you.” Gently, she untangled the laces, her fingers tugging at the blue strings as they came apart. Explaining each step as she worked she focused on the shoe.

 “First, you make bunny ears…” She continued telling the story her babysitter taught her as she learnt to tie up the strings into little bows.

“Thanks,” Rafe said sheepishly, looking at her with a small smile on her face, the girl reminded him of his mom, she was... nice.

“You’re welcome,”  she replied cheerfully, standing up, clasping her hands in front of her as she rocked back and forth on her heels, her red gingham dress swaying along with her movement.

“Wanna play blocks with me now?” He nodded eagerly, taking her hand. Together, they walked over to the small table, the awkwardness of moments ago replaced with a newfound connection. 

“I'm Y/n” she chirped out as she stacked the pink bricks into a little house, the boy looked up from where he’d built his wall of blue blocks. 

“Rafe.” He mumbled out, she peered over at him as he worked, his tongue poking out of his mouth slightly in concentration. She reached her finger out pushing the wall playfully, the blue bricks bashing brutally to the table, the boy looked up to her. 

“Whoopsies..” she smiled out cheekily. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Y/n and Rafe, the names often not heard separately, weaved through the thick crowd of teens, every corner of the house filled, whilst the music thumped loudly against the walls, making their way into the kitchen of the beachside villa.

"You know, I’m kind of a big deal round here" He playfully murmured to her, the girl looking at him with a mocked serious expression on her face as she poured the liqueur into the red plastic cup, trying to scout out any kind of mixer within the rubbish on the counter.  "Oh yeah? In what universe?" She pressed as she leant over, grabbing the half empty sprite bottle of the counter.

"This one. I mean, you’re talking to me, so clearly, I’m doing something right." With a grin that only grew wider, the boy shrugged, clearly enjoying the banter between them. Y/n rolled her eyes trying to stifle her laugh, "You’re so full of yourself." He grinned clearly unfazed; "And yet, here you are, still listening."

She shook her head at his bad attempt of flirting with her, hand reaching out to shove his shoulder. That’s just the kind of dynamic their relationship had and she couldn't help the sweet warming feeling in her chest that appeared whenever they joked around like this. He chuckled and took a sip of his beer as he raised an eyebrow and took a step closer.

"You love it." 

“You’re right.” 

She shrugged as she turned to him, the boy standing behind her, now leaning back against the counter as he looked at her. The small kitchen was buzzing full of Kooks and Pogues alike, however no one interrupted them, who would be stupid enough to get between the Kook Princess and her best friend. He smirked as he leaned against the counter with his arms crossed, his eyes darted around the room at all the people, but rested back on the girl.

"I tend to be right a lot of the time." He spoke out as he looked down at her studying her face, her cheeks were slightly flushed, he could tell it was from the alcohol, the girl now nursing her second cup, when did she even finish her first?

“Yeah I think 14 years of friendship has taught me that.” she rolled her eyes playfully at the boy, their friendship never wavering in all the years they’d known each other, he was her favourite person- that was for sure. He nodded his head in amusement at her; “And I think it also taught you that I’m the smartest person you know.” He leaned down closer to her while a smirk slipped its way slyly onto her lips.

“I don’t know bout that...” She raised her brow at him teasingly. He shook his head, chuckle slipping past his lips, “Oh yeah? Name someone smarter than me.” She tapped her cup against the bottom of her lip, the pink gloss transferring onto the plastic causing it to sparkle in the lights of the kitchen, “Let’s see... me?” He let out another laugh at her response.

“Nice try. But that’s not true.” He pushed his body off the counter and stood up straight, looking y/n up and down, with a cocky grin

“Hey!” She defended as she placed her empty cup down onto the counter. “Last time I checked it was me who knew how to tie laces first, so can I get a little credit here Cameron!?” He put his hands up in defence, laughter tumbling past his lips again, “Whoa Whoa Whoa! I’m not questioning your mobility skills, cause rumour has it your fingers work pretty well…” He took a step closer to the girl, “But in the brains department, I’m much smarter than you, princess.” She rolled her eyes at his subtle comment about her sexcapades as she shoved his shoulder, “Whateverrrr asshole.” She sings songs out as she turns around to refill her cup.

He shook his head at the girl's attitude, one that he's found comforting over the years. He walked up so he was standing next to her leaning in close to her ear and spoke in a quiet voice, “There’s no shame in admitting that I’m smarter than you, y’know.” He smirked as he looked down at her, and tried to ignore how good her perfume smelled to him, was it new? It definitely was.

“Mmhmm” she hummed out refusing to accept his statement, she enjoyed pushing his buttons anyways. 

He sighed amused at y/n’s stubbornness, even though it annoyed him a bit, “Why do you have to be so goddamn stubborn huh?” He leaned in a bit closer so his arms were holding him up, placed against the counter right next to the girl's hand which was wrapped around her now full cup.

“So you do think I’m a brat!” She exclaimed eyes wide, gasping in mock offence with a smile pulling at the corners of her lips as their conversation from earlier resurfaced, the argument raising between her, Rafe, Toper and Kelce a few days ago. He couldn’t help but smile at her response,

“Yeah you are. The most spoiled, bitchiest, brattiest princess to ever curse Figure 8.” 

“The fuck, am I a witch or something, why am I cursing?” She laughed out loudly, the alcohol in her bloodstream affecting her humour. She rested her head against his shoulder as she tried to regain her composure, giggles passing her lips. He smiled amused at her response, a shiver going down his spine as she leaned against him. He was a weak man, but only when it came to y/n, and even the simple touch of her head on his shoulder made him want to pull her closer.

…what the fuck are you thinking?

"I take it the alcohol is getting to you huh?” He asked, “I don’t know what you’re talking about” She shook her head as she lifted it upright away from his shoulder. He looked down at the girl, noticing her rosy cheeks, "Uh huh, that's why your face's red then?" He teased her, knowing she hated when people pointed out when she was drunk, even back when they used to sneak out to drink the stolen bottle of whiskey from y/n’s father’s office on the beach in the late hours of the night. 

“Yeah well you’re high!” she spoke out defensively in a matter of fact tone as she pointed to his pupils, blown wide from the line he’d taken in the bathroom not all that long ago. The boy knew she didn’t necessarily approve of his so-called ‘habit’, always droning on about how it was bad for him. He rolled his eyes at her snarky comment, “I’m barely even that high anymore. Just a little buzzed now.” She placed her hand on her chest as she spoke, as though she was making a sincere oath, “Well I’m perfectly fine.” He couldn't help but find her dramatic nature endearing, it must’ve been why they'd managed to stay friends for so long, she never took any of his shit- as she liked to call it.

“Besides, Rose invited us round to yours tomorrow for dinner, remember..?” She tilted her head as she referred to the joint dinner which was held monthly between both their families, insisted by both their fathers who claimed it was, ‘a great way to keep business natural’. Y/n dreaded the evening every month, the dinner filled with talks of money, success and reputation, if Rafe wasn’t there then she’s sure she’d surely try to gauge her eyes out with Rose’s pristinely polished silver forks. He had to purse his lips to stop himself from smiling at her tipsy state, it entertained him that she was trying so hard to prove that she was sober.

“Yeah I remember princess.” His eyes flicked to the hand on your chest and he swallowed before his eyes went back to her own, “You’re gonna have a hangover tomorrow, you know that?”

Has this top always been so low cut...

“No I won’t” She dismissed as she rolled her eyes at him, lifting her cup again in a cheer towards him finally bringing it to her lips, the liquid burning her throat as it slid down.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Rafe pushed past the guy, his gags muffled by the loud music as he bent over throwing up into the potted palm near the front door of the house, sighing out through his nose. Where was this girl? Fucking tequila shots set him up, and now he was stuck in an almost empty house as people flooded out saying their goodbyes, occasional person trying to grab his attention as he walked straight past them.

“Hey Matt!” 

He yelled out grabbing the boys attention who turned to him walking over to meet Rafe who was walking towards him. Hand coming down onto his back to greet him he spoke,

“Hey great party man, have you seen y/n?” 

The boy nodded, slurring his own words, evidently y/n not being the only one who took part in the drinking competition tonight. “Yeah I uh- the dining room man,” was all he managed to mutter out before being called from the other side of the house, his girlfriend coming around the corner yelling something - about how some guy had gotten stuck in his cat's litter box? He let out a loud groan squeezing his eyes shut before turning to Rafe and patting him on the arm in a goodbye. The dining room. He walked through the house pushing past a couple, who he was pretty sure were about to fuck against the hallway wall, muttering a firm ‘move’ as he walked past them. The music still pounded loudly from the speakers littered around the house, walking through hall he called out, 

“Y/n?” 

Walking through the doorway he saw the girl, standing on the table, arm raised above her head happily as she sang out.

Is that a wooden spoon? 

“I just wanna live in this moment foooreverrrr...”

 She sang out, her words were slurred as she swayed her hips around running her hand down her body as she tried to perform the song blasting through the speakers, her limbs uncoordinated causing her to stumble slightly, catching herself before she toppled off the edge of the table. Rafe sucked the air in through his teeth holding his breath, watching the girl teeter on the edge of the table before she stabilized herself. The lights of the room caught on the small crystal sequins of her top, causing glittering sparkles to reflect onto the walls as she swayed around the table. He walked over to her, the girl noticing his footsteps towards her turning towards him, dropping to her knees on the hard dark mahogany wood as she sang out to him now, ever so enthusiastically.

“Started giving up on the word foreverrrrr!!!!” She was so incredibly off tune as she ran her hands through her now messy hair, but he couldn’t help but be entertained as she pointed out to him passionately, gripping the wooden spoon lifting it up to her lips. 

“Until you gave up heaven so we could be toooogetheeerrrr” She wobbled on top of the table, the boy rushing forwards arms out in case she dropped off the edge of the rounded surface. Her hand reached out running down his chest as she sang to him still holding up the wooden spoon to her lips as though she was performing a one woman show.

“You’re my angel, angel baby angel… you’re my angel baby” The girl's hands ran up to his hair as she messed it up, the boy groaning at her actions as she pulled herself closer to him, wrapping her arms around his neck, spoon dropping to the floor with a clatter. “Okay y/n.” He spoke rolling his eyes at her drunken antics, trying to coax her down from the table. Standing just in front of her, he looked up, seeing her swaying back and forth, he couldn’t deny the concern that she would lose balance and fall off - wouldn’t be the first time. “Okay angel, you’ve gotta get off of that table before you hurt yourself.” He said as he grabbed her hips as he played along with her singing, what was this song anyways? She complied as she held onto his shoulders, still humming along to the song slowly to herself.

He smiled as she hummed along to the song, he loved this side of her, she was always so reserved and in control of herself but right now she was so free and playful and

Seriously?

It was different from how she held herself usually, her family causing her to always hold herself to such a high standard, he preferred when she'd just relax. He kept his hands on her hips as he let out a small laugh pulling her down, “You’re singing is truly terrible, you know that right?”

“Whatever” she spoke back as she stood up straight swaying slightly. “If Topper and Kelce were here they’d sing with me…” She spoke out slowly, intoxication evident in her movements

“What’s this shitty song anyways? He spoke out hands on the girl's shoulders leading her out the room towards the doors to leave, mumbling a small ‘watch it’ guiding her around a broken vase on the floor. 

“Shitty song!?” she gasped out, offense evident in her tone. “Don’t do Troye Sivan like that!” she said defensively.

“Who?” He continued as he guided her towards the steps of the patio, she stopped turning to him with a frown on her face, he had to stifle his laugh as she tried to defend the song, she was so worked up about it in her drunken state.

“Sorry princess, I didn’t know you were such a hardcore fan of, what was it Trevor?” looking down at her with a smirk, his grip kept on her hips as he waited for her response, guiding her down the stairs slowly, knowing her luck she’d slip and twist her ankle.

“Troye Sivan!" she exclaimed annoyed at him, "He’s so fine.” Y/n slurred out as she stepped down the patio slowly holding onto the handrail and looking down at the steps, he couldn’t hold back his laugh, watching her drunken mind struggle to keep up with what she was saying and doing. 

 “Is that so? I thought you only had eyes for me” He teased, he knew you were just being playful from the alcohol, but deep down a part of him wanted to see how you would respond to his teasing.

What was in that coke today...

“Oh but Rafey- he’s queer.” She spoke out sadly as though someone had ripped her heart out and stomped over it, stumbling slightly on their way to Rafe's car, her hand holding onto his arm for stability. His heart patted faster in his chest at the childhood nickname of his, seeming to have stuck with her from their early days. He held her slightly closer, hand slipping down her back resting on her waist to help keep her steady, as she hummed out at his movement. He let out a breathy chuckle at her saddened response,

“And isn’t that a shame.” He teased as he helped guide her to the passenger door to his car, opening up the door and setting her down onto the seat, her hand reaching out, holding onto his polo shirt to pull him closer to her, the boy moving forwards with his brow raised,

“Yes?” 

She wrapped her arms around his neck as she mumbled out almost incoherently, fingers running through the hairs at the nape of his neck. He found himself gritting his teeth slightly at her gentle ministrations, that prickling feeling creeping up his spine as he reached his arm around resting it on her back. 

“Thanks for helping me, my angel baby.” Her hand reached up fingers now brushing against his cheeks, which were subtly flushed. His hand held onto her own, pulling it away as he sighed out, she was ever so touchy when she got drunk, he’d noticed that when they were younger and since then vowed to always be the one to get her after a night out, God forbid someone took advantage of that, his body heated up uncomfortably at the thought. 

“You’re gonna be fucked tomorrow,” he mumbled, more to himself that to her as she slumped back into the seat, still humming along to the tune of the song, fingers fiddling with the buttons on the dash of his car, having to pull his eyes away from her shutting the door. 

what the fuck is going on with me

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to be continued.....?

[the-glorious-evolution-fanart]

I thought about your blog as I witnessed S2 act 3 and felt solace knowing immediately there was at least one other person out there who must absolute despise what happened/is happening to him as a character.

So, I guess, thank you? As weird as that might be to say.

I was genuinely very surprised with the intensity of the community's backlash towards the Viktor visual update. But it's evidence there's a lot of people who relate to, appreciate or find inspiration in the Machine Herald as opposed to the herald of arcane.

On its own, Arcane Viktor is kind of an interesting story to watch unfold, and occasionally say "oh no! He's again losing more agency!" and then it resolves after Jayce says a frankly pretty ableist statement that literally translates to "your terminal illness, which you got due to Piltover's abuse of Zaun, is what makes you who you are, don't strive for perfection." And then they just kind of.. disappear in a flash of light after connecting emotionally. If the writing was better, it could have delved deeper (but this would have to be shown via directing) that Viktor was so distressed about not being able to control his own actions inside the twisted mutated body, so horrified by how he almost destroyed the world, that he instantly grasped at the hand Jayce extended to him without even noticing the problem in Jayce's speech and Jayce's earlier behaviour towards him (first ignoring him when they were colleagues, which is kind of whatever, but then using the hexcore on Viktor when Viktor explicitly said he wants it destroyed and that he accepted death.) Then in the future they'd have an inevitable falling out when Viktor reaches a more stable emotional state and finds time to reflect and investigate Jayce's words and behaviour in more detail. But this literally me trying to fix the writing with brand new ideas.

~

But Arcane Viktor as an adaptation of the original Viktor, all I can say is "No, no, nononononoO!" because it literally has nothing in common with the story beats, ideas or themes of the old. Thus it is an inadequate adaptation. Clearly I'm far from the only person who thinks this, and this became obvious only very recently with the uproar online. Many people clearly see that Arcane Viktor is a brand new character.

[naomijoestar]

⋆.ೃ JJBA SCENARIOS ࿔*:･

Main Masterlist

Genre: comedy, fluff, platonic

Characters: bucci gang

Warnings: none!

Notes: ahhh writing block ;( I have been trying to come up with something for my Jolyne story but I got nuthin’. So feast on this because the idea popped outta no where and I love it <3

GN!reader and this is completely platonic

Bucci gang getting woken up by you dying your hair in the middle of the night

It’s one in the morning. The reasonable part of your brain knows you should be asleep, but who listens to that part? The chaotic part of your brain, the part that’s whispering, “Dye your hair bright pink,” is clearly the better choice. And in your sleep-deprived, slightly unhinged state, it feels like an excellent idea.

You rummage through the bathroom drawers and miraculously find a box of hot pink hair dye—where did this even come from? No time for questions; the dyeing begins.

It takes about an hour, but finally, the masterpiece is complete. You stare at your reflection. A vibrant pink explosion is sitting on your head. At first, you’re speechless. Then reality smacks you in the face like a truck.

“WHAT HAVE I DONE?!” you scream, the sound ricocheting through the halls of the gang’s shared hideout.

Bruno is the first to respond because Bruno is always the first to respond. He storms into the bathroom, his pajamas neat and crisp like he somehow anticipated this chaos.

“What’s going on? Are you hurt?” His eyes dart around for threats until they land on your hair. He stops. He blinks.

You turn to him, panicked. “BRUNO, I LOOK LIKE A PEZ DISPENSER.”

Bruno sighs the sigh of a man who has been through too much. “Why… Why didn’t you just wake me if you were having a crisis?”

“I DON’T KNOW!”

Bruno pinches the bridge of his nose. “We’ll fix this in the morning. Go to sleep.”

By the time Bruno is trying to calm you down, Abbacchio is dragging himself out of bed. He leans on the bathroom doorframe like a disgruntled vampire.

“What… the hell is going on?” He glares at you, then at Bruno, then back at you. His eyes narrow at your hair.

“Is that…” He pauses for dramatic effect. “…a cry for help?”

“It’s a mistake!” you wail.

Abbacchio snorts, then turns around. “Not my problem. Deal with it yourselves.” He starts walking back to his room but mutters, “Pink suits you, though.”

Mista is next, and he’s a mess. His sleepwear is mismatched, and he’s holding a pillow like he’s ready to fight someone with it.

“Who’s dying?!” he shouts, eyes wide. Then he sees your hair.

“Oh. It’s worse than dying. What the hell happened to your head?”

You groan. “I had a moment, okay?”

Mista grins. “You look like a flamingo, bro.” He laughs so hard he almost drops his pillow.

“DOES THIS LOOK FUNNY TO YOU?!”

“Yes,” Mista wheezes.

Narancia stumbles in next, rubbing his eyes. “What’s going on? Is it breakfast time?”

“MISTA CALLED ME A FLAMINGO!” you shout, pointing accusingly at the laughing Mista.

Narancia blinks at you. “Oh, wow. You look like one of those highlighter pens Fugo uses.”

You groan louder, throwing your head back dramatically. “I’M NEVER GOING TO LIVE THIS DOWN!”

Narancia pats your shoulder. “I think it’s cool. You’re, like, glow-in-the-dark now.”

Fugo is one of the last to arrive because, unlike the others, he actually needs his sleep. He shows up scowling, his hair sticking up in all directions.

“Why is everyone screaming?” His voice is sharp enough to cut glass.

You turn to him, frazzled. “Look at my hair!”

Fugo stares at you for a solid ten seconds. Then he mutters, “I woke up for this?”

“You look like bubblegum,” he deadpans, then walks away. “Don’t wake me up again unless someone’s bleeding.”

Finally, Giorno emerges, looking… annoyingly perfect for someone who just woke up. His hair is still immaculate, like he was born immune to bad hair days.

“What’s wrong?” His voice is calm, soothing. Too soothing.

You gesture wildly to your hair. “THIS. THIS IS WRONG.”

Giorno tilts his head thoughtfully. “I think it’s nice. It’s bold. Confident.”

“IT’S PINK.”

“Yes.” Giorno nods, as though you’ve just made a profound observation. “You’ve made a statement. That takes courage.”

You slump against the wall, defeated. “I hate this.”

By morning, you’re still rocking the Pepto-Bismol look, but you’re slightly calmer. Bruno helps you schedule a salon appointment, Giorno keeps insisting it’s a good look, and Narancia starts calling you “Highlighter” as a new nickname.

Mista, of course, makes bird noises every time you walk past him.

Anyways, I hope this is enough to feed you guys because I know I’ve been keeping yous hungry :p sorry about that. If you enjoyed this make sure to check out my other posts, and if you’d like anything specific written for a jjba character/squad you can request it if my requests are open!

[heylavellan]

Hello and happy Friday! ^^ How about ""I don't want explanations. I want…" 💋" for Neve and Bellara?

did i get carried away? yes! i had so much fun writing from bellara's pov. veilguard spoilers, read at your own discretion! @dadrunkwriting

no takesies-backsies

rating: t

words: 1282

notes: bellara follows in varric's friend fiction footsteps and writes her self insert falling in love with neve's character. wingman lucanis

Maybe Bellara went just a bit toooo far. Sometimes that happened. More than sometimes. This whole writing thing had been Neve's suggestion. Well, Neve and Rook's. It was a nice break from interrogating the Nadas Dirthalen made by Anaris the Forgotten One and trying not to think about the fact her brother was serving said Forgotten One. Also that her gods thought it would be fun to try and Blight the world.

There was a lot going on, and sometimes Bellara would rather distract herself. The serials Neve brought her were great, but she always finished them before the next chapter was ready. Then she'd read the week's assigned reading for the book club and get bored, so she'd try one of those large academic tomes Emmrich brought. Which inevitably brought her back to the Nadas Dirthalen and all those thoughts she was trying to avoid.

So she started writing about the Veilguard! It was really fun at first, but she quickly ran into a problem. She caught up to the present day. Which was good, because it meant that she could write about things as they happened. But bad. Really bad, since it meant she was stuck with the original problem. Nothing to do.

One day when Bellara was complaining to Lace, the dwarf shared what she knew about Varric's books. About how Hard in Hightown was based on some of his friends in Kirkwall. Donnen was Donnic, Belladona was Isabela, and Maysie was Merrill. Friend fiction, he'd called it.

It was then that Bellara had the perfect idea. Neve was always saying that the press was giving her a bad rep in Minrathous. So why not write a story about how awesome she was? The Neve Gallus!

Well, clearly the main character couldn't be Neve Gallus exactly. Varric didn't drop his friends straight into the works. No, he gave them new names. So how about Guinevere? It had "neve" in the name, but it wasn't immediately obvious. She could be called 'Gee' for short! Agent Gee? No, that wasn't right.

Neve was a suave detective, so Gee needed to be too. But what was she sleuthing? Maybe... for stolen elven artifacts? No, that wouldn't sell in Tevinter. Which was where Neve needed to fix her image. No, she could be the Bloodhound of Minrathous, stopping blood rituals just in time and tracking down anything lost.

And every hero needed a sidekick. Lucanis seemed like a good option, but he didn't live in Minrathous. He was the Demon of Vyrantium. But maybe she could work with that. Maybe they were instead rival detectives, who shared a sidekick unknowingly. The Shadow of Vyrantium competing with the Bloodhound of Minrathous. Yes!

But who was the sidekick. Maybe they were telling the story. Maybe it was... her? Hmmm, that could work. Lucine, the elven sidekick who could sneak across the city unnoticed. She ran a repair shop in Dock Town and sold second hand and vintage wares.

As Bellara continued to shape the story and write the first chapters, it became quite clear that Lucine was in love with Guinevere. Which was strange. Because Bellara wasn't in love with Neve, right? She knew she liked women, after all she dated Irelin for a while. But Neve?

She continued to write. Gee was developing a crush on the Shadow, who she would later reveal to be Lucine's younger sibling Dellen. They both continued to solve crime in Minrathous and Vyrantium until Lucine got targeted by a scheme. The Shadow and the Bloodhound work together to retrieve Lucine, where they admit begrudging respect for each other. And Lucine confessed her love for Guinevere. And they lived happily ever after.

That felt like a good place to end the book. Rook helped her find a publisher, and it was out in Minrathous. She thought that was the end of that. She'd put her first book out in the world!

But with Neve Gallus, things weren't so. Publishing might have been the step too far. After an excursion to Arlathan with Rook and Lucanis (who politely informed Bellara that her book was very popular among the residents of Treviso), Neve was waiting in Bellara's room, reading through a copy of her book.

To be honest, she'd been shoving down her feelings for Neve in case they weren't returned. Until the crush went away, the book was a good enough outlet. "Guinevere took Lucine's hand and kissed her knuckles, looking reverently at her sidekick," quoted Neve, placing a ribbon in the passage she was on. "I was wondering why so many people were asking me if my full name was Guinevere recently."

Bellara blushed and stammered, "I'm sorry if I put your real name out there, but I wanted the character to be like you but also not you?"

Neve smiled -- a real smile, not the ones she wore when she was patiently putting up with Bellara's rambles. "No. I just think it's sweet what you think of me," she replied, setting the book down on the table. "I hope I have enough stories to fuel your next book."

If it was possible, she flushed an even brighter red. Neve drew closer, and Bellara became immediately aware of the curve of her body, the click of her shoes. The deep cut of her shirt. She gulped. "I think so? I don't know if I'll write another. I mean, you're awesome and deserve to have another written about you, but um. Only if you want me to. I really should have asked," she said, letting her mouth speak whatever words crossed her mind. Mythal'enaste, she hadn't been this flustered since she first met Irelin!

"I'm honoured that you want to write about me. But I think the one thing that's stumped me is who Lucine is. The Shadow, Dellen. That's like Lucanis. There's Guinevere, me. You even had Inge, that was a slick way to get Ingellvar in there. But Lucine?" Neve dissected the book and placed a hand on Bellara's shoulder.

She knew? She had to know, right? There was no way she didn't. She was a detective and had clearly picked up that she'd used last names to inspire first names. Guinevere - Gallus, Dellamorte - Dellen, Inge - Ingellvar. Leaving Lucine - Lutare. Neve had to know. And if she didn't she'd certainly have it confirmed by her facial expressions.

Before she could stammer out an apology or explain it away as just part of the book, Neve started, "Look, I don't need explanations. I need…"

Well, if the nug was out of the bag... Bellara cut her off by standing on her tiptoes to kiss Neve. It wasn't intense really, just a quick peck. Before she embarrassed herself. She already felt like she did, but... Whatever. Also, if she kissed Neve longer she'd want more. And Neve might not want that. "I'm sorry!" Bellara squeaked.

The second part of her apology was cut off by two warm hands grabbing her cheeks and a long kiss on her lips. It began to heat up, as Neve licked and nipped Bellara's lips. A small gasp left her mouth, allowing Neve to slip her tongue into Bellara's mouth.

Someone coughed at the doorway. "I'll just bring your tea later?" Lucanis asked, slowly backing out of Bellara's room. Bellara darted over, grabbing her tea from Lucanis with a smile. She missed the pointed look Lucanis shot Neve over Bellara's thank you hug.

Neve mouthed a thank you to Lucanis, and picked up the book. "I'll be back later, Bell. I'm certain we can come up with more ideas for the next book," she teased.

Elgar'nan, Neve was going to be the death of her.

[pixelsandpins]

I'm not defending awful writing. I'm talking about:

"there's a lot of reasons why Venom (2021) and Venom War are garbage but this sums up a lot of it"

With a folllow-up image about Eddie and Venom having zero interactions.

Ya didn't provide the rest of the critique you just wrote. In the op, devoid of this additional context, it looks like your primary critique is about the relationship between Eddie and Venom. When the whole narrative onus is on Dylan as host and Eddie dealing with his own cosmic reconfiguration. With that in mind, putting critical focus on JUST the relationship between Eddie and Venom doesn't look like good-faith critique. And anyone just seeing this post just scrolling their timeline would have no way of knowing your additional thoughts on the matter.

And what a lot of people seem to be seeing as a failing I see as the whole point of the story. Eddie got so far up his own ass about saving the world, he lost his family (and himself). That's literally a central theme.

I've known about All New Venom and Eddie Brock: Carnage since they were announced months and months ago. I could also tell by the way the Cates run ended they were setting up for a new host. Only this time, they clearly wanted Eddie to be ready to go instead of having a will-they-won't they with death like last time. The Ewing run presents itself as being very transitionary, as creating the ending to an arc that's been building since the beginning of Cates.

So I understand what Ewing was trying to do, and that by necessity would mean major changes in certain character relationships. Whether it was done well is a whole different conversation. Because no. I think a number of things were clever, but there were some major top-down structural issues that buried those clever things under nonsense. Kang and Doom were probably only there to set seeds for the One World Under Doom event next year.

I can see that a run was probably editorialized to hell and back while still recognizing what its intention and place was in the grand scheme of a multi-decade, series-spanning narrative. Venom hasn't been a story about a singular host and symbiote for 25 years. It's been transitioning to a story about the Venom symbiote as their own guy having a series of traumatizing conflicts with their host de jure and maybe that host also gets some other stuff on the side afterward. I'm seeing just another iteration of that with the just-ended run, regardless of narrative quality.

there's a lot of reasons why Venom (2021) and Venom War are garbage but this sums up a lot of it

[epickiya722]

"She liked him since the beginning! The ship was hinted at the beginning!"

AH!! How come people are so stuck on mentioning just how Ochako feels and not Izuku?

It's like some of you can't process that regardless of whether she had a crush on him or not, which again isn't a bad thing, her crush shouldn't be the only thing Ochako stands for.

It's not a personality trait and I hate it people will treat it like it is.

If anything, it just feels weird!

And I ask again, then what about Izuku? Oh, what did he not like her in the beginning? Or it's just being realizing that his mannerisms is that of a person being nervous and/or embarrassed?

Or does it not matter because "He's a guy, he's gonna have the girl anyways, so who cares if he develops romantic feelings for Ochako"?

And I wouldn't say Ochako even liked Izuku in the beginning romantically. In fact, I would say she started to like him that way during the Final War Arc.

Saying she liked him in the beginning would imply she liked him since they met.

Oh, please, the word "crush" didn't come up until season 3 during the Provisional License Exam arc. And how that scene played out, let's be real, Ochako believing she had a crush was enforced by Mina. Someone is obsessed with the idea of love. That's whose word is to be believed? Are you joking?

And I said this before, as big as Iida is, people be acting like he's invisible. Mina brought him up to in that conversation as, hello, Ochako hung around him a lot, too. Izuku just so happen to be who Ochako's attention went to because he was right in her line of sight... while practicing moves inspired by Iida!!

Now, do I think Ochako confessing her feelings undeveloped her growth? No. She accomplished what she wanted to do and I don't see Izuku making her a wife at the end. I see them deciding to reconcile a bond. Do I think Toga was forgotten? Uh, no. She is drawn right there and been on Ochako's mind for nearly a whole damn decade.

Everything about this chapter is up for debate. We don't know if that ship is truly canon and who said it has to be? And if it is, who is stopping you from not shipping it?

I know some people hate to see that IzuOcha handhold as the last shot and I get it. But I wouldn't be too pressed about given it's a part of an aftermath. You can just pretend the epilogue doesn't exist. Chapter 430 is still the complete story. You don't have to read the epilogue to fully understand the story.

Epilogues typically are just added ending scenes to show a glimpse into the future and/or to tie up loose ends. And honestly, MHA didn't need it. This was just something to have.

What I do know is I'm not on anyone's side.

I find funny that people who don't ship BakuDeku was quick to be like "I only see BakuDeku as platonic, the shippers really want them to be romantic, they're like brothers". But if anyone even implies that maybe the ending could be Izuku and Ochako rekindling their friendship, it's "how dare you, Ochako said she loved him".

Again, what about Izuku?! DID HE LIKE HER FROM THE BEGINNING?!

If BakuDeku are "like brothers", then bring up how Izuku and Ochako look like relatives. Having the same face shapes and whatnot.

Look, both sides are wrong. The behavior is ridiculous. Attacking and harassing each other over characters some of you clearly don't really care about unless it is for shipping.

I know the story isn't flawless, what story is, but it's not hard to actually read and try to understand what these characters are all about.

I'm not an expert on these characters, I'm not. But I adore them and regardless of how the writing is, I like to read their arcs and understand them better.

And there's no need to point at someone and fire lasers to do that.

If you ship BakuDeku, ship it. If you ship IzuOcha, ship it. No one is fucking stopping you. Heck, the story shouldn't stop you.

But all of this ship war bullshit is stupid. The official epilogue ain't even out yet, but here y'all go wanting to argue and argue and argue and argue and harass and harass and argue and act the fucking donkey.

"Well BakuDeku shippers are toxic!"

"IzuOcha shippers are toxic!"

No, look in the mirror, sit back and do some self-reflection.

Come December, the story will be done, finished, published, sold, another one in the "Well, that manga is finished" collection.

[hella1975]

Hella Crimson Peak is sooo good! The way they highlight ghost injuries is one of my favorite ways Guillermo del Toro separates the ghosts from the living it's so ethereal but beautiful at the same time please if you have the time tell us what you think!!

OMG YAY OKAY <3 for anyone avoiding crimson peak spoilers ESPECIALLY my mutualcule who i am immediately hounding to watch crimson peak then do not read below the cut istg

okay for starters SO true about the way the ghosts are portrayed like i absolutely adore ghost stories that aren't actually about evil spirits or malicious intentions, like edith says 'it's not a [ghost story], it's a story with ghosts in it' like they were just people too once! and narratives that take that and make ghosts helpful, yearning presences stuck to a house and warning its new occupants of its horror are soooooooo. like the ghosts in crimson peak only ever wanted to HELP edith but they were so horrifying to look at and could only crawl and contort themselves towards her that what else could she be but terrified of them? pushed deeper into the embrace of a man trying to kill her? seeking comfort in him from them?

as well as the look of the ghosts, i LOVED how the setting was handled. like sometimes in lazier horror movies you will have a very visibly horrific setting but it's clearly done ONLY to look horrific, and in that the setting is almost aware of its own existence in a horror movie, but in crimson peak the setting was INSANELY horrific with the red snow and falling apart house, but it was given actual, solid reasoning behind it which imo actually makes it more frightening for edith. she KNOWS it's just the clay she KNOWS there's a logical explanation here yet something in her gut is screaming at her to leave, that something is terribly wrong. ough i just can't get over the clay angle i really liked that it was such a clever touch imo.

aesthetics rated a 11324/10 now moving onto the characters oh my DAYS the sharpe siblings. so complex so harrowing yet so understandable in such a horrific, hard-to-look-at way. lucille in particular is an insanely well-written villain because despite being the mastermind and the one to defeat at the end of things you still can't help but look at her and see how pathetic and terrified she truly is. like she never grew up from the frightened, lonely girl in the attic. she will always be there. and thomas found real love in edith, authentic love that was not done obsessively out of desperation, clinging onto the only other person he'd known love from up until then. with edith, it was innocent, true, easy and it made him realise that that was always an option for them. he did these awful things and he changed his mind too late and it's devastating. and to have lucille, who loves thomas more than anything, be the one to kill him is CRAZYYYYYY the writing is actually delectable i could EAT IT. and her own immediate horror at it too. also the scene with edith and thomas with the 'you lied to me / i did / you poisoned me / i did / you told me you loved me / i do' is the whole reason i watched the film that is a BEAUTIFUL dialogue exchange and the horror from edith against the desperation from thomas is just UGHHHHH. toxic romance i love you <33333

the ending was perfect. it's satisfying to see the Villains defeated but you are also comforted by the knowledge they truly will never be apart now. lucille got what she wanted and in a sense so did thomas. they will always have each other, they will always be there to love each other, and edith gets to walk away.

[problemswithbooks]

Nah kill Endeavor midway and introduce new hero to take his role as the hero with new relevant story as No 1 like happened with Hawks and last minute additions like Star Stripe. Because Endeavor remains the only morally bad hero who is an example of what hero should not do in personal life using his job as a cover as Stain warned. His treatment of Inasa, taking on petty cases to increase numbers and being dumber than Iida who cracked the pattern faster magnified his behaviour as a shoddy hero driven by envy and prejudice and personal desires and not enough to call it justice as the subjective praisevsays about his heroics by people who have a personal reason to believe he was good as a hero and not disbelive it even in face of proof. His atonement didn't actually have narrative significance in the end either. If he was pulled out of their story, already Deku then Shoto then self-effort from hidden strength from hope due to Shoto alone was enough. He couldn't give them any actual closure or help. Endeavor in short had little to no big role other than being the cause of this apocalypse from a single video because he took the No 1 spot by default despite being wrong for it. The effect of the video was more positive in the long run by freeing them and making their stories valid by Endeavor's televised confession than how bad Toga or Gentle's families had it from being associated while Shoto seem happier having shared with all. They are also valid for unconditionally loving their son instead of being conflicted by his crimes which is Endeavor's fault to them as Shoto's thoughts went. Overall Endeavor's role is simply as the abuser who prevents his victims from taking heat and criticism from his fans by confessing because they all push him including Hawks and it is possible because the hero association are dead and won't issue a cover up to protect their overall image. But this confession could still be exposed in other ways using new characters or existing information technology known with Garaki Kyuudai had Hori wanted while keeping Endeavor bad which would have resulted in a better catharsis than leaving him sticking on to his victims.

Ok so another long break down.

Nah kill Endeavor midway and introduce new hero to take his role as the hero with new relevant story as No 1 like happened with Hawks and last minute additions like Star Stripe. Because Endeavor remains the only morally bad hero who is an example of what hero should not do in personal life using his job as a cover as Stain warned.

Killing Enji this way only works if the story becomes fully about Hero corruption, which it just isn't. All of the Heroes which had questionable attitudes toward Heroics changed their ways, or besides Enji just weren't that bad to begin with. Even if we leave Enji as a truly bad guy, he's one out dozens we see who are all good, so it doesn't even help prove the corruption angle much. Could this work--sure, but it'd change the story and it's themes drastically from what Hori's intentions seem to be--at that point it's not even his story.

On top of that we get no evidence Enji is using his job as a Hero as cover. Nor did Stain ever say anything about Heroes using their job to hide actual crimes. I love the guy, but all he cared about was people being Heroes that weren't 100% selfless. On top of that he just didn't even seem to check the Heroes he hunted out first, since we have no evidence Tensei was anything other then a great Hero who cared a lot about saving people. Stain didn't know about Enji's abuse and just hated him because he wasn't All Might.

His treatment of Inasa, taking on petty cases to increase numbers and being dumber than Iida who cracked the pattern faster magnified his behaviour as a shoddy hero driven by envy and prejudice and personal desires and not enough to call it justice as the subjective praisevsays about his heroics by people who have a personal reason to believe he was good as a hero and not disbelive it even in face of proof.

But Enji did crack Stain's pattern--that's why he and Shoto we in the city at all that night. He tells Shoto about it when they leave for Hosu. Shoto even says he only picks Enji's agency because he's a great at his job and despite his hate for him at that point, it'd be stupid to turn down learning from one of the best in the industry.

Enji never shows prejudice in the manga. The spin off made him OOC so he could function as a side antagonist for the later arc in the story, but in the main story he never acts that way. No, he was never great to fans because having fans was never his reason for being a Hero and he didn't understand how important it was to inspire people until he became #1.

I assume what you mean by disbelieving proof, you're talking about Touya's video during the first War. Honestly, people not believing Touya makes perfect sense in context. Enji was never super popular, but when a villain who has killed multiple people and is currently responsible for a major terrorist attack effecting dozens cities suddenly releases a video saying "Hey, this guy trying to stop me from killing everyone is actually bad, trust me, and therefore you should hate everyone who has the same job." it is hard to believe. Plus, people did did believe it, they just were more concerned about Enji failing to stop a massive terrorist attack that probably resulted in hundreds of casualties and displaced thousands of people, then the fact he abused his family--something that in the moment is nothing compared to all the lives lost.

Endeavor in short had little to no big role other than being the cause of this apocalypse from a single video because he took the No 1 spot by default despite being wrong for it.

Enji didn't cause the apocalypse, Shigaraki and the LoV did. Sure, Touya's video didn't help, but because it came out after most of the major damage was done it didn't have as much effect as it could have had if it had been released right after Enji got the #1 spot. People would have been angry at the Heroes and Enji anyway because so many people died and the LoV wasn't captured.

The effect of the video was more positive in the long run by freeing them and making their stories valid by Endeavor's televised confession than how bad Toga or Gentle's families had it from being associated while Shoto seem happier having shared with all.

We don't actually see the family show any positive emotions toward the video. In fact we see them having to hide from the public because they're now blamed for Touya's murders. Shoto can't even go and be with his friends when Izuku walks into U.A, and instead has to hang back with Enji who, I assume had to go in a back way due to all of the hate they were getting because of Touya's video. Shoto might not be upset with his friends knowing, but he was never super quite about his abuse either, given he spilled the beans to Izuku as quick as possible during the sports festival. We don't see if the rest of the family feels similarly at all.

They are also valid for unconditionally loving their son instead of being conflicted by his crimes which is Endeavor's fault to them as Shoto's thoughts went.

But they don't see Touya's crimes as Dabi as 100% Enji's fault. Shoto tells him it was wrong of him to involve other people. Natsuo tells him to stop and that he's being an idiot big brother. Fuyumi just doesn't want him to kill their mom and dad. Even when Shoto thinks "he is me" that implies he does consider Touya's actions his own, since Shoto always held himself responsible for his own poor choices, like being rude to Inasa. Just because they still love Touya doesn't mean they don't hold him responsible for his actions. Enji is at fault, yes, but at the end of the day Touya still decided to murder random people to fulfill his own plans of revenge.

Overall Endeavor's role is simply as the abuser who prevents his victims from taking heat and criticism from his fans by confessing because they all push him including Hawks and it is possible because the hero association are dead and won't issue a cover up to protect their overall image.

The family isn't getting shit on by Enji's fans though, nor does Enji admitting the video is true suddenly make people 100% fine with the other Todoroki's. People didn't hate on the family because they saw them as lying about the abuse because they love Enji to much--they were mad because they view them as extensions of Touya, who killed their loved ones and destroyed their homes. They also don't have to push Enji to do the press conference or admit his abuse. They push him to stay a Hero and help them stop/save Touya. That's why even after he admits to the abuse, Shoto is still shunned.

We also have zero evidence to suggest the Hero Commission ever covered up the abuse. Especially since Shoto has no problem telling Izuku about it.

But this confession could still be exposed in other ways using new characters or existing information technology known with Garaki Kyuudai had Hori wanted while keeping Endeavor bad which would have resulted in a better catharsis than leaving him sticking on to his victims.

Again, this only works if you fundamentally change the story Hori is trying to tell. He wants Enji to change and be a better person. You can not agree with that choice, but if we're taking about stuff an author could have done better you have to try and stick to what they want the story to be. We still don't know 100% what Hori is trying to say because the ending hasn't come out yet, but so far Enji atoning seems to be a big part of the overall message of the story. If that is the case you have to try and find fixes that stick with that vision, otherwise you're just writing your own story, not just making editing suggestions to make the current work better.

[riddlerosehearts]

last night had me freaking out over knowing leona's dream was out and that i'd have to wait for translations of it (i actually try to avoid spoilers as much as possible until i can read the update, so i don't even know what happened in his dream but i've heard some things about it that make me both excited and scared), and then freaking out over how cute rook's birthday groovy is and how the box is a reference to the evil queen's box in snow white, and then freaking out over cater when i didn't expect to be doing that at ALL because i thought we'd have to wait until at least january to hear anything about the heartslabyul update! i slept at very weird hours but i did eventually sleep lol.

i'm glad i posted my prediction for who would get the card before we suddenly found out last night that it was cater... my first guess was actually trey because of his closeness to riddle, with cater being my second guess, but now i'm glad that it's him who gets it! i think he needs a serious dream that really adds to his character and not just something quick and silly, and i also think his dynamic with riddle is super underrated. cater clearly does care a lot about riddle and i'm sure he actually won't just leave him out of his dream. also i agree on being sad that these cards don't get vignettes... i guess the logic is that these are based on what's going on in the story, so they don't need a vignette, but i don't really like that there are cards without vignettes in general.

i assumed that riddle's card suit would be a heart but oooh it'd also be interesting if it was a diamond!! if we don't get to find out in this coming update then i really hope we do eventually. and, in ruggie's dream it got confirmed that NRC students have to pay for lunch out of pocket and (iirc, i didn't take screenshots/write this part down) get the uniform for free at first but if you damage it then you have to pay out of pocket for a new one. which already makes things harder for anyone whose family isn't well-off, and then they're always losing to RSA in every competition, and most of the dorm leaders are varying degrees of bad at their job plus all seven of them have overblotted in a single school year now... so yeah i don't blame any of the characters for not wanting to be at NRC but i do find it incredibly funny at the same time ASKJGFDF.

if riddle ends up just getting written out of cater's dream world and not appearing as a result of cater being the dorm leader then i'll be literally so sad not just because i want to learn as much about riddle and cater's dynamic as possible, but also. imagine seeing first year riddle with his card suit mark on his cheek 🥺

[myokk]

“She’s tolerable, but not handsome enough to tempt me”😤😤😤

(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮‍💨😇🙏)

[n0bluev]

@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔