#but still somewhat detailed and with more realistic faces.

[nekobami]

Gay old man with gloves. HAHA.

Gay old man.

Also called guard Rick J-591

Also WOOOOOO episode 4. Yay.

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[ineffable-suffering]

The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗

[definitelynotafurinasimp]

HELLO hi im new here but. the. the concept of combining prompt number 11 with the idea of Furina having the hiccups and desperately trying to cover it up has me losing my MIND

“You’re so red, are you okay?”

Characters: Furina x gn!reader

warnings: none

a/n: Sorry it took me so long, I'm currently trying to get out of a writers block I've had for the past few weeks, so there might be a few more uploads in the next few days or nothing once again.

Anyway, hope you enjoy!

Furina

Today was supposed to be the day, everything down to the most minute detail planned out long before you even received the invitation. From the decorations of the room, the food and drinks Furina had asked her chef to prepare and her outfit, to the conversation topics she picked out specifically to impress you, having done her share of all-nighters filled with enough research to write a whole book about each and every one of them.

So when she started hiccuping only a few minutes into your little tea party, having answered one of your questions too eagerly while still having remnants of a small piece of cake in her mouth, the Archon wasn’t sure if she felt like screaming her frustrations out of the window or wanted to disintegrated into a puddle of water, yet, stuck with neither option, all that was left for her to do was try and keep shut until it finally stopped and draw as little attention to it as humanly- well… archonly possible.

If you had been paying any less attention to how great the food and drinks were and took a closer look at the person sitting opposite of you, you might have easily noticed how nervous she seemed all of a sudden, the sound of her voice talking about whatever subject you touched on growing much rarer. And yet, you chalked it up to her simply enjoying her food as well, not paying any mind to it before digging into the cake in front of you once again.

Or at least you were until the silence that had engulfed the room was suddenly interrupted by a… weird sound, there one moment before being gone almost instantly, only to pop up again and again, slowly drawing your attention to Furina as a curious look made its way onto your face.

“Did you hear that as well?”, you asked, expecting the Archon to give her usual confident sounding answer, one that would seem far-fetched but somewhat realistic enough to explain it all. Only for her to greet your question by visibly shrinking into her seat, embarrassment washing over her face as her cheeks grew redder and redder with each inch she shrank, before suddenly jerking her shoulders up for a split second as the same sound rang out through the room once more.

“N-no…?”, Furina managed to respond eventually, her answer sounding almost more like a question than yours while failing to look you in the eyes for even a second.

Once again silence swept over the room, neither of you daring to speak up again for a few seconds causing the sporadic sounds to be even more noticeable and considering how Furina tried covering her mouth and how the sudden jerks of her chest matched the times the sound appeared you slowly got an idea what you were dealing with. However, theory could only take you so far, and so you decided to test your hypothesis almost instantly.

“You’re so red, are you okay?” The moment you rose from your seat and leaned over the table, moving closer to Furina before almost pressing the back of your hand against her forehead, only for her to almost jump up from her seat, dodging your hand as if her life depended on it.

“What are you doing- DON’T COME ANY CLOSER!”, she practically screamed at you, causing you to stop in your tracks, her face somehow growing even redder than before as a feeling of shame washed over her.

“Is it gone now?”, you eventually asked, the crypticness of your question being obvious by the puzzled look you received at first, only for the lack of Furina’s hiccups to quickly dawn on her, causing a relieved look to sweep over her face… one that got quickly replaced by one of panic as she realized it meant all her attempts to hide it were futile.

“So you noticed…”, Furina stated, her nervousness causing her words to come out an octave higher.

“Noticed what?”, you played dumb, tilting your head ever so slightly before finally sitting down once again, the confusion on your Archon’s face quickly being washed away as a small expression of gratitude peaked its head.

“Do you wish for another cup of tea?”, Furina finally returned to her previous tone, both of you deciding to ignore that little incident and simply enjoy the rest of your time together.

[callsigns-haze]

Out of All: Chp 11

Jake Seresin x OC! Anna Bradshaw

Brothers' Best Friend Series! Follow along as these characters navigate the treacherous waters of love, loyalty, and desire, all while facing the ultimate taboo: falling for your sibling's best friend. From heart-pounding moments to steamy encounters, this series is a rollercoaster of emotions that will keep you hooked until the very end. Brace yourself for intense romantic tension, sizzling chemistry, and enough drama to keep you guessing. Are you ready to embark on this captivating journey?

This chapter includes explicit sexual content with detailed descriptions of sexual activity and intimacy between characters. Scenes depict physical intimacy, including kissing, touching, and biting, with characters described in states of undress. Emotional intensity is explored, encompassing themes of longing, desire, and vulnerability, with brief references to past trauma. Characters may be shown consuming alcoholic beverages, and mature themes such as casual relationships

Dreams were something that always haunted you. Nightmares are what most call them. They creep into your mind, it's a type of PTSD for you. They haunt you, one by one. Tonight, it was the same like any other, the thoughts of that guy's hands upon you, not letting go, haunting through your skin as his fingertips melted into you.

You were back in college then, this man was a good bit older and trying to use up the situation of you being drunk. You told him not to touch you but he still did, he touched you in places nobody like him should ever have. You screamed and pulled against him but he still had it his way. He left no mercy there and you were shaken for life.

You woke up screaming again, trashing in your bed. You were shaking, very severally. You forgot the first thing you ever learned. Breathing. You could catch your breath, all you managed to do is shake.

Bradley sprinted into your room, he made it as quickly as he could to your side and pulled you into his chest. He was shushing you and assuring you that you were safe and protected but the thoughts of a man's hands in willfully upon you after you refused, still haunted you .

You couldn't calm down. The thoughts haunted you as they became more visual and somewhat realistic. It haunted your core as you cried and and shook in his arms. Never in Bradleys life has he ever experienced any situation so bad.

Your shaking began to calm down and your whisper shouts turned into sobs. He rocked you back and forth as you began to calm down and drift off once more. He still sat there for a while, he needed to know you were ok. This wasn't the first time this happened either this week. He was scared of what was going on so once again he used your friend's number.

"Bradley," Caila said disapprovingly as she entered the door, even though it was solidly, bang on the middle of the night, as he called her by her name to get over here as soon as possible.

"Cai-" She cut him off while shaking her head and she simply looks at him and goes. "Being here for her now isn't going to change a thing. You ghosted her after your mother's death, that's something that'll always stand out."

Every single time Caila pointed this out to Bradley and he knew it was true. After your mother died, Bradley went to college and you got moved to San Diego. You didn't want to leave your brother in a different state. You tried texts, calls and everything but he ghosted you. You thought that the only member of your family didn't love you or want you anymore.

"Bradley, she thought you believed that she killed your mother. She tried to commit suicide because she thought she killed her mother and let you down." The guilt hit Bradley like a train. He never knew that you thought he didn't live you and that you tried to kill yourself over it. He knew you had a hard time but the never believed you tried to kill yourself because of him.

"I didn't-"

"Of course you didn't know, you were never there! And you don't even know why she freaks now! You don't know how she was treated!" Bradley makes severe eye contact with the shorter woman. She was furious, literally flaming like a little animated character. Bradley looks down and asked, "How was she treated?" His voice was stern and determined, he needed to know what his little sister went through.

He didn't know how you were treated. You never talked about it, how men treated you like a cheap rag and thought that they had more power. You never spoke of it besides Caila and just one other. "It's not my place to tell," She was right, it wasn't. She promised to keep quiet. "But one thing I'll tell you is you need to find her help. I've tried but she doesn't listen to me and if you won't get her to listen you'll lose your sister for good this time."

Bradley looked at Caila I'm shock as she grabbed her bag and keys and walked to the door, he slowly followed her to the frame but her last words struck him like a match to a flame. "Anna, told me once that if I ever meet you to not fall for your charm. First of all I don't see it, you're a bastard and not my type. But she told me that because she said I deserved better than you but truly I think she said that because she deserved better but just got you."

-----

Bradley wakes up early each morning, a habit and anyway it's a weekday, he has work. Unlike you, he's up roughly around five-ish in the morning and you're up roughly quarter to eight. This morning it shocked him, once Bradley was washed, dressed and ready, as he entered the kitchen you were already sitting there.

You were sitting at the counter, you were rather slouched over it. The room was dark, the only light was the sun that has yet to rise. You were holding a rather small piece of paper. You finally noticed him wonder in and turned around, your expression was cold and seemed rather lifeless, "Oh…..hey."

He walks up to you and takes a seat on the stool beside you and looks at the paper. It wasn't a paper, it was a photograph, more specifically it was your ultrasound picture. He looks down at it, it finally hits him properly that he's going to be an uncle. "It's beautiful, Anna." He said that towards the photograph.

You look up at him once more and put the picture down, "How much did Caila tell you?" Your voice was stern and toneless. Bradley was really debating if you were dead inside at this moment. "Well, she said I'm a bastard." You rolled your eyes and shaked your head in disapproval, "What did she say about it?"

"She said it was not her story to tell." She was right, it wasn't her story to tell because nobody can tell a story beter than it's author, right? But even if it's the worlds worst blessing, it was still your call.

"You're going to be late for work." You were trying to change the subject but you were also right. He was indeed going to be late. He looks down at you and asks, "You got more of those pics?"

"Yeah, why?"

"Every family member has it's place in my suit."

-----

"Mate, you really up for this?" Javy asked in the locker room as Jake has just presented him the ultrasound picture that the two of you got from the last doctors appointment. "Whatcha mean?" Jake seemed quite defensive and offended at the comment.

"Hey. None of that tone. You know I love Chick but Jake, what about the big guy that's also know as her brotherly bodyguard?" Javy had a point and Jake sighed at it. He knew that you haven't told Bradley and he'd quickly find out by the brunette man himself of he did. He was scared of Bradley, Bradley cherished you with all his heart like a precious jewel so this was not ideal.

"I don't know man. I'm actually starting to properly like her, you know. She's just so nice and caring and she's beautiful. She's also the future mother of my child but then again she's Bradley's sister. I can't do that to the gu-"

That quickly turned around. If Jake had more than averagely three braincells, he'd understand that a changing room is not a private suite but a lockeroom for access to all men at any given time. Which basically meant that the brunette with the brown eyes and perfectly symmetrical mustache they were talking about is the one and only Bradley and he also was the one that entered after hearing the whole conversation.

Quickly Jake got swung around and slammed into the locker row by the brunette. He was holding him up against it by the loose materials around his shoulders. It was a highschool Hollywood movie scene where the bully basically beats the shit out of the weaker kid due to lunch money.

Jake struggled against Bradleys grasp as Javy tried to pull the mustached man off him. It didn't work much so quickly other men such as Bob, Fanboy and Payback ran over to help Coyote. Once they ripped Bradley from his clawfull grasp of Jake, Hangman basically scattered a good meter away from the brunette.

All men held onto Bradley as if he was a bear or such wild animal about to break free from chains as it growled and trashed.."You're an asshole Seresin."

And we're off.

----

It was a stupid idea but you were furious. You got a call that Bradley attempted to beat the holy head out of Jake. And from the messages you've received from Bradley, you knew he knew about you and Jake. And of course he knew that your child was also Jakes.

Through the phone and tone of texts you knew Bradley was furious and honestly your shit hasn't been good either. Your mentality has been shit, everytime something good happens the next thing turned out to be miserable.

Trauma has been hitting you like a bus. The flashbacks of several suicide attempts, the death of your mother, hospitals and doctors, college, the rape and all the death, it just toppled onto you.

For so, Bradley's anger would not ease the road for you if all of that was upon your mind. You needed a place to breathe and run off to. "You know you can stay as long as you want," Caila's voice awoken you from your thoughts. "I know." Once you're out of here, you're not going back to Bradley. You want a place of your own a place to be free. You wanted the songbird to spread it's wings.

tagging:

@callsign-magnolia

@shanimallina87

@callsign-dexter

@horseslovers2016

@rosiahills22

@djs8891

@hookslove1592

@emma8895eb

@hardballoonlove

@kmc1989

@dempy

@senawashere

@buckysteveloki-me

@sweetwhispersofchaos

@itsmytimetoodream

@jessicab1991

@ahh-chickens

@dingochef

@dizzybee03

@mrsevans90

@lynnevanss

@drakelover78

@smoothdogsgirl

[creatingblackcharacters]

I’d like to ask you about portraying interracial friendships in historical settings wherein racism was a lot more overt. Specifically, 1910s-1920s USA (with the characters living in a northern state). My Black character meets a white character who shares some of his specific ideals/goals to the same level of intensity, an intensity that other friends and family had tended to not connect with or find somewhat offputting. (The white character felt the same frustration of “nobody considers/”realises” this stuff is as important as I do” before they met). And it is on this basis that their friendship is forged and largely sustained, a sense of “someone else who understands this specific thing in the same kind of way, with the same intensity”.

From the POV of my white character, he considers his Black friend his equal and endeavours to treat him accordingly. However, there is still so much overwhelming racism embedded into the era - I do not want to come across as if I’m ignoring or overlooking it. I’m trying to keep historical accuracy and realism in mind. Even if my white character’s questioned and rejected the more overt racism that was taken for granted in the era’s white social spheres, it seems probable that he would still have some ways of thinking that wouldn’t fly by today’s standards.

For my Black character, I’m trying to fully figure out his POV about this friendship. Even though they see eye to eye on some matters… I’m wondering how close/comfortable he could really feel with a white friend – and how close I could/should portray them as being, at least from my Black character’s POV.

These questions are more for establishing background and figuring out certain details. My story/plot is not focused around race, but as racism is so prevalent in their setting I’m just trying to keep a realistic awareness of it in mind. I’ve researched and have been doing research on the era, of course. But I still wonder about some elements of the characters themselves in relation to that backdrop… e.g. how influenced by the era my white character “should” be when it comes to race, vs how much any barriers about race between the characters could/should have been overcome, and how much trust/closeness my Black character could/should feel, or whether I should instead emphasise that in some ways he is still quite guarded within the friendship and whether there'll always be some sense of "unbreachable distance" within their friendship. I would love to hear your thoughts on this. Thanks💕

Well, I can't answer how influenced by the time period you want your character to be. It depends on his background, and that means it depends on how much work you want to put in to write about his efforts. The society will certainly have an effect on his biases and beliefs. Essentially, if you want your white character in the 1910s to be believably anti-racist, he's going to either have to already be acting that way when we meet him and stay consistent, or he's going to have to visibly go through that learning and unlearning "on screen".

Okay so, my subjective opinion is that I probably wouldn't trust a white person to be my friend in the 1910s 😅 but! It's not impossible!

Because the thing about your Black character (the thing about being Black with white friends to this day, even) is that he would be extremely wary because at any point that white character could turn face. That white character has the privilege and power to decide he no longer wants to be in that Black character's corner, and in the 1910s?? That could very well mean a lynching just for perceived offense. "Northern state" be damned; they could be just as racist up north. The Great Migration began in the 1910s and there were PLENTY of northern whites angry about it (see the 1919 riots in Chicago).

My point is, there's no safety nor time to be playing games and taking chances, and that would linger in the back of his mind (and it would certainly come up with his other Black peers). There would already be a vast gap between them in social standing that they would have both been socialized into (make sure you research that). He would have to SEE that white character actively respecting his presence, making him feel safe to behave as the equal that he is. It would take deep trust.

You also don't want to toe into white savior territory; one way that *I* personally do this is to emphasize that the Black character can safely disagree with the white one. He can safely get upset, reveal his true emotions. If a Black person can safely disagree with and tell a white person about their racist behavior, or behavior they feel entitled to having- no matter what it is- and the conversation goes well? That's someone that is safer to keep around. Sure your white character will get defensive when he says that thing that is out of pocket, but if they're capable of working through that and he actively works on doing better? That shows trust and respect.

Did I answer all of your question? I feel like I got distracted.

[pointdotiozao]

⭐️Wait list open! Slots available starting at late September ⭐️

You can see more of my art in my tags #myart and #art2024

DM me if you’re interested! Rbs are appreciated!

More info under the cut ↓

Process and general info

DM or email me (rose_captain@hotmail.com)* your inquiry so we can discuss the quotes and book you a slot if none are available at the moment. *I might take I little longer to reply emails.

Payments are made via PayPal invoices, I’ll need your PayPal email.

All prices are USD.

I start working after receiving half the payment upfront.

IMPORTANT: Give me a heads up if you change your url after getting a slot with me, so that later I can still find you!!

It’s alright if you need to reschedule your comm for another time, or even just cancel it, just let me know. No cancellations once I have started working though, and no refunds.

References are appreciated but not required, and well detailed descriptions work just fine, but please try to have all information necessary for the commission ready. (References and/or descriptions for the characters appearances, facial expressions, clothes, poses; background, if any; lighting/type of coloring.)

I won’t charge for tattoos of which you provide transparent pngs.

Additionally:

My wait list is just a rough estimation, the possibility I will be a bit late or a bit earlier than expected exists.

I reserve the right to refuse a commission.

I reserve the right to post my artwork and use it on my portfolio, but I’ll keep a commission private if so requested.

The commissions are for personal use only.

𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝

Will Do

OCs, fanart, ship art;

NSFW and fetish art;

Gore and body horror;

Humanoids and furries.

I’ll give almost anything a confident try! 👍

Won’t Do

Mecha;

Hateful imagery;

IRL shipping (doesn’t apply to actors interpreting characters);

Create new designs (characters, clothes, etc.);

And I will no longer be accepting irl face claims for painting style commissions (this doesn’t apply to realistic looking video-game characters).

𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝

The styles:

Sketch- just the early stage of the drawing, rough forms and somewhat messy lines. May include 1 rough color for emphasis;

Lineart- clean lineart with the brush of your choice (I have 3);

Flat colors- includes lineart and simple coloring, no shadows/source of light;

Shaded- includes lineart, more detailed coloring compared to flat colors, simple lighting/one source of light;

Painting- either pieces with no lineart (regardless of type of lighting), or those which have lineart + complex lighting/two or more sources of light.

〃く⁠コ⁠:⁠彡 ₊ ˚ ⊹ 𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝 𓆟 𓆞 𓆝

And finally, seen below are my other contact info. Most of these accounts are still empty and I honestly don’t plan on leaving tumblr, after all the real “tumblr is shutting down” is the friends we made along the way yadda yadda, but seriously my heart can’t take it anymore. I’ll rather be safe than sorry.

[kawarikisaki]

Okay! So with the new case finished up I'm ready to talk into the void about it.

Starting with the fact that this case has made me reevaluate how strong Hakuba is.

Cause I have always thought of him as being somewhat strong, but lo and behold he can just lift a whole Kaito and keep him on his shoulder for several minutes (it was six pages, and most of it was dramatic deduction time, which is usually not particularly fast dialogue) without any signs of being encumbered by the weight. He does adjust position a few times (his hand moves between panels so either he's adjusting or he's rubbing Kaito’s ass, I'm eating well as a Hakukai shipper but I'll take the innocent explanation) but there’s no sweat, no wince, no commentary about Kaito being heavy. Like, yeah, a fireman's carry is an effective way to carry a person. However, the average person is still going to struggle to lift someone that's a similar size to themselves.

Also, while im sure his assertion that he was going to walk him to the police station was just him being cheeky and bantering... he didn't seem to have any intention to put him down any time soon. I'd like to think that he was waiting for Kaito to call him out on it then make his escape, but if Kaito hadn't he'd have probably kept it up till the deduction was done then walked over to Nakamori-keibu and said something like, "this is Kid by the way, can you handle him from here?"

Anyway... Hakuba strong actually? I have decided to think so.

Can I just say I love all the little faces they make at each other? All the bois, not just Kaito and Hakuba. Granted, the character interactions and shifting dynamics have always been my favorite part of dcmk.

But like....

Hakuba bending down to talk to Conan. Kaito looking to proud of himself when he pulls out the 'hey did you consider it could actually be suicide?' While Conan’s in the background like 'oh shit oh shit oh fuck'. Conan and Kaito both thinking they had Ran Convinced, but she was sus.

Speaking of sus, I think Hakuba figured Conan out.

Sure, that last page had him back off from it and be like, "You got in contact with Shinichi and had him help." And that explaination works but... its an explanation that just makes less sense the more you think about it.

Even if I give the benefit of doubt it doesn't make sense to do it the way Hakuba explained, because if Conan contacted Shinichi to help then why would Conan be acting as the middle man? It'd introduce unnecessary delay to have Shinichi hear what's happening via phone, then Shinichi tell Conan his response, and Conan bowtie it to Kid, and Kid say the lines. (Realistically speaking the way they actually did it should also have this problem, but adding a step like this when in theory its completely unnecessary to have Conan as the middle man beyond just contacting Shinichi is just going to imcrease the delay.)

That said I can actually kind of see how that could be a conclusion he reached from this interaction:

Hakuba, at this point, knows that Shinichi is Kid and that Conan is helping him by supplying lines, but he hasn't figured out the details. So when he notices that Conan reacts before 'Shinichi' that's him reaching that conclusion that he brings up later about Conan being so invested that he was mimicing Shinichi’s expression and attitude.

I don't think he fully believed that, though.

Looking at the information that we know he had:

1. 'Shinichi' is Kid (and also Kaito Kuroba using his real face)

2. Conan is supplying Kid with lines.

3. The lines Kid is saying are from the real Shinichi.

4. Conan gets worked up if you say something that Shinichi would be worked up about

5. Conan has gadgets. (Hakuba is at least aware of the bowtie having speaker/microphone function, bit arguments could be made that he’s aware of the voice changer and also the sleep needles from the events at sunset mansion)

6. (Bonus) In a previous case Hattori had been upset with Hakuba being the representative 'detective of the east' but was completely fine with Conan taking that role.

I think he figured out that Conan was Shinichi, but that he wasn't certain until he brought up 'the real Shinichi' during the deduction and saw Conan begin to panic. I think he had mentioned it purely to get a rise out of Conan and see how he would react, and upon getting his answer he played along and gave Conan an out to jump on because if he exposed him here he wouldn't get the answers as to how this had happened.

And I feel like this read of is is reinforced by his final lines expressing that he understands why Shinichi/Conan would help Kid for the sake of solving the mystery because it's a detective’s nature. Hakuba gets it because he’s doing the same by helping Conan get away with his deception in hopes that doing so will help him get answers to the mystery.

Thats how I've decided to view things anyway, though it is possible that im partially blinded by my hope that he continues to be relevant.

[genericname69420]

The F.B.I's Café

Chapter 1: Meet Cute

Pairing: Spencer x oc (Sasha Petrov)

Warnings: None! At least that I can think of...

She was a baker, he was an F.B.I agent. Can I make it anymore obvious?

Considering nearly every prediction of how that day could've gone, I truly should've been more excited. However, the only thing I felt as I woke up that morning, was dread. It was the day of the grand opening of my café, the one I'd been working towards my entire life. Well, maybe not my entire life. My first choice was to become a spy, but that's not quite realistic, is it? Damn you James Bond.

Despite the monumental gravity the day was supposed to hold, the dread I felt was supported by the equally monumental amount of work that needed to be completed. While opening a café theoretically seems like a tranquil practice, my life in recent years has been nothing of the sort. Lease agreements, contractors, licences, insurance, what am I going to do if the place burns down, my landlord's a dick. There were a million things going through my mind as I navigated the dingy metro system.

When I finally arrived at my café and started the gruelling process of getting the place ready to open, I couldn't help but notice something. Lia wasn't there.

Lia, my sweet, sweet, foolish assistant. She said she'd be there by 7.00 A.M, but as I looked down at my watch on the hand that wasn't putting cookies in the oven, I read 7.30 A.M. That girl is dead.

I baked what I had left in the refrigerator the night before. Cookies, pies, brownies, pastries. I then unloaded the sourdough bread and freshly baked desserts into the display case and shelves strewn across my bakery. All. On. My. Own. Once all the machinery and lights were on, the desserts and my precious bread delicately placed in their designated spots, I finally flipped the sign hung on the front door from closed, to open.

5 minutes passed, then 10, then 15. No Lia, no customers. I sighed, disappointed that Lia still wasn't there, but took the opportunity to relax a little before having to socialise. I grabbed a book from my bag, the one I decided would be most suitable this morning. Empty Planet, I loved it as a kid and wanted that kind of nostalgic comfort after such a stressful few months.

Not even a few lines into the book, I heard the bell I attached to the door ring, signalling someone had entered my cafe. I was anticipating Lia, I wanted to see her sweet face for me to scold. But I was met with a tall, bedheaded, tired looking man. He wore a brown blazer over a light coloured patterned button up and a crooked tie under a light grey sweater vest. As I said, his hair was messy, very messy. It was light brown, curly, and much longer than a guy would usually like it. As he approached the counter, I noticed the smaller details of his face. His scruffy stubble, his button nose, his dark purple eyebags that accompanied his brown honey-like eyes that seemed to shimmer in the sun.

"Um, hello?" his voice pulled me from my trance. Even his voice was sweet, like honey. "Oh, sorry. Hello, see anything that catches your eye?" I asked with a smile, trying to seem friendly despite the frustrating start to my morning. Y'know, as friendly as you can be while running on 3 hours of sleep and a missing assistant.

"Are those... Cookies?" he asked, his eyes fixated on the chocolate chip cookies in the display case. He was almost drooling. "Yeah, just baked them like less than an hour ago. I suggest you get them while they're warm." I chuckled, amused that my cookies had him so mesmerised. "Can I get six?" he asked, his eyes finally meeting mine. Six? Do they look that good? "Um, sure... They look good, huh?" I giggled as I grabbed a paper bag for his cookies. "Oh, no! They're not all for me! I'm buying some for my team." he blurted out, looking somewhat embarrassed. 'Team'?

"Team?" I vocalised my thought. "Oh, um- Coworkers." he stammered, like he said something he shouldn't have. "Right." I chuckled as I handed him his cookies. "Anything else?"

"Can I just get, um... Black coffee with as much sugar as physically possible?" the man hesitantly requested as he reached for the bag. I let out a soft giggle at his peculiar order.

"So... Coffee whithout the ghastly bitter taste?" I joked as I made my way to the little moka pot station I had set up. He returned my laughter. "You could say that."

I'm aware that such a method of coffee making seems rather lacklustre for a self-proclaimed café. However, I find that those irritatingly tricky espresso machines make the process of brewing coffee far too complicated. But, I also just find moka pots rather charming.

I finished up his drink and walked over to him. "A diabetes inducing black coffee for..." I trailed off with my hand outstretched to him for him to receive his affectionately named drink. "Spencer." he snickered as he took the it from me. "Spencer." I repeated. His name rolled smoothly off my tongue and rung comfortably in our ears, as if it was ment to be said in my voice. That's how it felt to me at least. He seemed to feel the same, as a slight tilt of his head accompanied the smile he already wore. "...This is usually the part where you'd say your name."

Oh.

"Oh- Sasha. It's Sasha."

(A.N. EEEEEEE FIRST CHAPTER'S DONE!!!! Not a lot of interaction between Spencer and Sasha, ik BUT TRUST ME! We will get our sweet sweet fluff eventually... But not without some angst.)

[adobe-outdesign]

could you review some of the neopets as animals outfits, like the fennec kacheek, red panda vandagyre, and cockatiel pteri? (those are examples, choose whichever you like!) thank you <3

(Note: I included a random selection of outfits in this post, but feel free to send in asks if anyone wants to see a specific outfit I didn't cover.)

I'll be honest, I'm personally not super big on the "outfit that resembles a real-world animal" trend. First, I play Neopets for the cool fantasy creatures; even the most true-to-life Neopets species have some pretty fantastical colors. I feel like making pets just look exactly like actual animals kind of defeats the purpose of them being Neopets. I get why people would like it and I'm not saying it's bad; it's just not my thing.

Also, the other reason I'm not always big on these outfits is that a lot of Neopets have colours that already resemble real animal patterns. Not only do the outfits blur the colour/customization line quite a bit, but usually I like the colour ones much more, as they keep the actual design of the Neopets in place and just change the patterns and colors, rather than covering up the fun fantasy elements. This also helps them avoid the uncanny valley effect, which I talk about more below.

Also I might be over thinking this but who is making these outfits. None of these animals seem to exist in-universe as far as we're aware. what are the shopkeepers basing these off of. the colours at least have a magic as an excuse

Examples that I think are okay:

Feathery Pteri Outfit: This one's nice! I like the layered patterning on the wings and the high-contrast colors. Most, though, I like that this sticks fairly close to the actual pet, mostly just changing up the tail shape. This almost could've been a paintbrush colour, but then again what colour is up in the air.

(Side note: the eye clipping over the beak is a rendering issue? I think?)

Bouncing Zafara: This one definitely strays farther from the actual pet than the Pteri, but it's a fitting animal choice and it doesn't fall into the uncanny valley, which is all I care about. The body is still somewhat recognizable as a Zafara in terms of shape, and the Miamouse as the joey is super cute.

Freshwater Lenny: Kind of the same case as the Zafara; not super one-to-one with the actual pet, but it's still recognizable as a Lenny and isn't too uncanny. The legs are a particularly nice touch, actually changing the pose to look more heron-like (though they are also the part that strays dangerously into being too detailed).

Please don't:

Adorable Kacheek: Sorry to the fans of this one, but this outfit just resides deep within the uncanny valley to me—like it's a mascot suit instead of just a normal pet. The artstyle is way off from Neopets, looking much more Subeta-ish (except Subeta's art usually isn't so off putting). It's not a bad artstyle, mind you, it's just not very Neopets-ish. I also feel like a fennec fox was also a bad pick for this one, as it's basically unrecognizable as a Kacheek at all.

Feathered Eyrie: Speaking of the uncanny valley, this is another pet that lands squarely there due to having entirely too much detail in the shading and weirdly realistic fur textures. It also just doesn't look very good aesthetically—the beak doesn't fit the face, and the wings are an absolute trainwreck (not only is the perspective wrong, but the left wing is coming from the middle of its back!). On the plus side, you'd be hard pressed to not recognize this as an Eyrie, and it's a fantasy creature instead of a regular animal, so I guess that's something?

Furry Meerca: Hmm... no. This one also suffers from an overly-detailed artstyle and way too much realism, which is especially jarring when placed on top of the Meerca's heavily stylized body shape, resulting in a perfectly round animal with hyper-realistic animal eyes. It's also particularly bothersome because we already had a chipmunk Meerca design in the form of the striped Meerca colour, which is just this but less soul-haunting:

Which is what I meant at the beginning when I was talking about colours vs outfits. The colour is a Meerca that looks like a chipmunk; the outfit is a chipmunk that looks like a Meerca. Big difference.

[thrilling-oneway]

Tsukasa Tenma

3.5k

I've mentioned it before but WxS is the group I would consider to be the least close on a personal level. It's complicated to put into words. They clearly love and treasure each other dearly and Our Happy Ending really works to show us just how much their friendship means to them and how broken they would be without it. But despite that there's still barriers. I come back to what Rui said in KAITO's initial card about how he and Tsukasa aren't the kind of close friends who talk about their childhood memories. Like... how to put this. WonderlandsxShowtime is an incredibly tight-knit and valued circle of friendship, but Tsukasa in particular very rarely divulges information about his past. Mainly in regards as to how he came to be like this, like Tsukasa. They know about the shows and that he wanted to make Saki smile but there's those small personal details that are only known because of Toya telling Rui about them.

WxS is incredibly important to Tsukasa, Our Happy Ending is evidence enough of that in that he actually broke down crying for the 3 whole seconds they were disbanded. I think it's more obvious that they're important on a professional level (thanking Emu for hiring him in OHE, thanking Rui for being their director in the connect live), but he does care about them on a personal level he's just less vocal about that part. It's still very obviously there but just not explicitly in the words "I love my friends thank you for being with me", and by no means does it need to be. Maybe the audience interpretation is not helped by the fact that Tsukasa is somewhat single-minded about theatre. He throws himself all into that - theatre comes first, evidenced by Phoenix where he neglects his health for the sake of a role and his development. As well as this there's the fact he tries to tackle most of his challenges alone, rather than asking for help. He goes into tunnel vision when theatre is concerned, although it has been stated a few times that his childhood experiences very much did shape who he is, and I do wonder if having to take care of himself so often from such a young age plays into his mindset of having to do things on his own, even when he encourages his friends to do the opposite. However, over time he is gradually learning to, well, learn from other people. He's got WxS and he's got other actors around him to help him, and he is learning that he can rely on them when he hits roadblocks. A star shines brighter because of those around him, a lesson he learnt well in the main story.

And while there isn't really anything to confirm this, I get the feeling that part of the reason he never got an event covering his feelings over the disbandment and overall seemed to be far more ok with the idea is maybe because he's a realist in some ways. As I said, nothing to actually suggest this, mainly just thinking what would make sense given his childhood where he was constantly exposed to the harsher things in life through Saki being in hospital for a lot of it. That said, he kinda just doesn't like to think about negative things. We see him faced with the possibility of the group disbanding a few times, but his reaction is always to worry about it later, and enjoy it now. Or something along those lines. Like think about in Dazzling Light where it takes him a while to realise that actually he used the piano when he was lonely the same way Torpe used the stars. Or in Phoenix at the Sky's Edge where he has to force himself to break down in defeat and accept that he isn't as good as his peers.

As I said, WxS are important friends to him, even if he usually only vocalises this on a professional level. Like even if it isn't said it's obvious by his actions that they mean something personally. He respects Emu's wishes to make people smile over everything because they align with his own. Both of their dreams were sparked by a loved one that they treasure dearly and with their whole heart. He wants Emu to be happy as well, and wants her to be more open with the troupe (Smile of Dreamer), and in Wonder Magical Showtime, he put the competition that could get him a head start in his career aside for Emu's dreams to uphold her grandfather's legacy, knowing full well that he was giving up an opportunity for himself. It was a completely selfless act for her benefit.

He respects Nene's talent and aspirations, and again they align with his own, to be able to be good enough to see stages worldwide. Even if they bicker, he does care about her, checking in on her at school to see how she's doing in her new class (Hello Good Day), and encouraging her as she improves her singing and works towards her dreams. He gets genuinely worried for her and not just the show in Holy Night when she hits a roadblock with her singing. Admittedly I think their relationship is a little less defined that Tsukasa's relationships with Emu and Rui, but also I am going off memory on this one so it might just be that I remember Nene events less. Nonetheless, they have a lot of respect for each other, despite their bickering and Nene usually acting annoyed at him, they are still close friends who are important to each other both personally and professionally. Due to them being the main actors of the group as well, they naturally fall into that respectful and friendly rivalry. Both of them are incredibly talented and can see each other's abilities as a goal to work towards, though this is more defined from Nene's side, given she's slightly more focused on the singing side of things over acting.

Skipping over the relationships that don’t involve Tsukasa and going straight to Rui because, well, this is an analysis of Tsukasa. But, how to put it, it feels like Tsukasa and Rui’s relationship might be one of the most misunderstood within WxS? Like maybe it’s because they’re the designated comedy duo as Oddball 1-2, but also there’s like 2 and a bit events dedicated to it so I dunno. Anyway.

Tsukasa dislikes the Oddball 1-2 bit because he doesn’t like getting in trouble at school. In 2nd year he was the class president and in 3rd year he joined the disciplinary committee because he didn’t like the fact he had a bad reputation and was supposedly (definitely) considered a problem child. He adamantly refuses that he is a problem child and wants to be a responsible model student. That's the issue he has with it. He actually doesn't actually mind doing all of Rui's stunts even if he does complain sometimes, because he knows even if they sound dangerous Rui wouldn't do something that would get him hurt (Wonder Halloween).

Tsukasa's relationship with Rui is built on a mutual trust, because obviously as an actor and director they have to be able to understand and work with each other (Curtain Call). Tsukasa trusts that Rui will help him to shine, Rui trusts that Tsukasa will perform under his direction to 12000%, and they trust each other to put on the greatest show together. And again respect comes into play because of their aligned goals. That said their relationship isn't strictly limited to the professional side and Pandemonium is definitely the biggest game changer in that aspect. Actually while everyone talks about the end there's actually a couple earlier scenes that are needed to add the full context of it, even if the event is mostly from Rui's POV. Actually the most important scene is probably the part where Shizuku tells an anecdote about her and Tsukasa as kids and then mentions that Tsukasa is the kind of person who really loves his friends, and then Rui realises that Tsukasa had been looking out for him the entire trip and making sure he was getting along with his classmates. So even if it's not from the POV of Tsukasa himself, it's very clear that Tsukasa does care about Rui a lot and values him as both a good friend and a director. They actually become significantly closer after this event if recent interactions are anything to go by (Tsukasa's new 2* has them going shopping together, something Emu and Nene do often who were always closer friends than the boys were).

I don't think the scene at the end was one-sided either. Even though Rui says that he was able to change because of Tsukasa, what Tsukasa said in response isn't wrong. He accepted Rui's thanks, but he still turns it back on him because it's true that even if Tsukasa gave him the chance to stand on stage, Rui never would've actually changed if he didn't take his hand. Tsukasa's pretty selfless when it comes to the people in his life. While yes, he can be selfish sometimes about his dreams, but that's just what you have to do when you're passionate about something. With people it's different. He does the same thing with Saki, and a few other characters. Tsukasa has positively impacted the lives of multiple characters but when it's pointed out to him he will find a way to turn the situation on its head and find how those people took what he gave them and helped themself with it because that's just who he is. He's happy to see his friends happy and will point out their good points that they fail to notice. Tsukasa didn't need to talk about his own experiences then either. That would be very out-of-character for him. It wasn't his moment to share, not to mention he doesn't talk about that sort of stuff to anyone but his family. It was Rui's moment to express his gratitude and Tsukasa's moment to accept it, not unload his trauma (also, it was a Rui event).

I think part of the reason Tsukasa's events are heavily focused on him and only him when the others get events that are more tied to their relationships with the unit is simply because his arc is more closely linked to his personal growth in regards to acting. While Emu had plenty of friends, she didn't have anyone at Wonder Stage with her, she needed people to take her dream seriously. Rui had been outcast by everyone around him and just needed friends to accept him for who he was. Nene was shy and needed an outlet to rediscover her passion for theatre and people to encourage her to push through the past trauma holding her back. WxS obviously was what set off Tsukasa becoming a better person, but he always has dealt with everything personal alone. Even in the main story after WxS split, he went to the SEKAI and had to unpack his childhood memories by himself (I guess a plushie did help him out actually), and he had to get Emu back by himself.

Rui and Emu's events are especially slightly more focused on their relationships with the unit, because they're the ones who have always been pretty satisfied with where they are. They have their dreams, and they're working towards them. But what has always been the most important for them has always been having friends who truly accept them and take them seriously. That's why they were the ones who got the events focused on the possibility of the unit disbanding. Because WxS is especially dear to them.

On the other hand, Nene and Tsukasa are the ones with huge dreams of a worldwide stage. It's clear Nene wants to go to Broadway (fes card), and Tsukasa mentions wanting to go abroad multiple times. Their events are always focused on them honing their talents and skills to get closer to that dream. However there is a stark difference in how they do it. While Nene still often works on her own, she's always been pushed forwards by the others, she knows she can rely on them, and she even got to meet her idol and be mentored by her. She's got a stable (professional) support system and knows that there's people to help her out even if the work is something only she can do.

Tsukasa is the opposite - he tries to deal with problems alone. He doesn't take help until he's pushed himself as far as he can alone, he lies to Saki when she's worried about him. As I said earlier, it genuinely does seem like he feels he cannot accept help, that he has to work alone. Because the game makes it very clear that Saki is massively important to him, she is literally what sparked his dream in the first place, him lying to her is a big out of character moment for him. Phoenix makes it very clear that his craft comes first, but he also has a very unhealthy mindset when it comes to some of the roadblocks he faces in said craft.

The thing you have to remember is that all of this comes from Saki. Specifically, the situation she and her family were in way back when. Saki was chronically ill, and she had to be away all the time. It was all completely out of her control. However, in one instance of her being home, Tsukasa saw how happy she was at a play, and he built his entire life around that. And obviously as Saki's illness worsened, he started to develop a persona to make himself more confident and mature. He had to take care of himself even when he was a kid because of how often he was left in the house alone. Not to stray too far into speculation, but the thing is when these sorts of things happen at such a young age they will start to mesh with who you are. Because you are growing and if you're having to be completely independent and put on a persona to act in an ideal way, that is going to grow into you. And it very clearly did, just read the main story and it's clear that persona and idea of being independent got to his head. It's also clear that he pushed a lot of what actually caused those things to happen to the back of his mind, the SEKAI existing is proof he never really forgot, but he pushed it away for some reason, presumably because it isn't a nice thing to think about. It's never outright confirmed, but to me it seems pretty clear that the things that happened in his childhood shaped how he acts now.

Actually, a lot of his arc outside of him improving as an actor is about learning the lesson that he cannot do everything alone, and that there are people here to support him. It's what Rui teaches him in the main story when he leaves: Tsukasa cannot become a star on his own. When Tsukasa runs into roadblocks he usually will try to deal with them on his own at first, which is what most people would do, of course. However he tends to really push his limits before he accepts help, because he's stubborn, and it's frustrating that he can't work out how to get into character for certain roles. But there's a very clear development in how he accepts help. Compare the main story, where he only cared about himself and couldn't work well with other people, to Phoenix, where he's surrounded by people to support him and is able to openly show his insecurity to them. However, there's a certain disconnect between his personal and professional sides; even as he learns to open up about his problems, they're specifically his professional ones.

I think the reason his relationship with WxS is less obviously important, with you instead having to read a bit between the lines to see it does go deeper than just coworkers, is simply because Tsukasa isn't good at dealing with his emotions, mainly regarding his past (also, as I've said, he just never really vocalises it). He was worried for Saki but he had to be brave for her, he had to be happy so she could be happy, he couldn't be vulnerable because a good big brother isn't vulnerable, so he created a persona for himself. He had to take care of himself and was lonely so often, but Saki had it worse, so he would play the piano and then he pushed the experience aside when it was all over. Even if Saki had it worse, Tsukasa didn't have it good. And as I said, he pushes it aside. He rarely talks about his childhood. Saki and Toya obviously know, and Rui knows what Toya told him, but Tsukasa just never brings it up to anyone outside of his family. He's not great at processing his emotions. I think all of that sort of builds up an emotional wall between him and WxS that just makes him seem less close in a way. It's there, the closeness is there but it's limited by the fact he holds so much back compared to everyone else. There's a lot of things they don't know about him that so far has had to come from a third person (that being Toya in a couple area conversations and Never Give Up Cooking).

And, of course, it does make sense that he was able to grow closer to WxS through theatre, considering just how much of his life it takes up. Theatre is so so much to him, so it's no wonder that as he learns to open up about how he feels, the feelings that he opens up about connect to his craft. But it's that, the fact that it's all theatre. It takes up so much of who he is, which is by no means whatsoever a bad thing, but there's still a lack of his life beyond that. The phrasing there is a bit misleading, so let's put it this way: obviously WxS and we as the audience know he's an excellent older brother, he's incredibly kind and loves and cares for his friends so much, he gets pretty good grades in school but he does cram, he's loud and bombastic and loves being in the limelight, and most importantly he loves theatre, and wants to make people smile just like his sister did way back when. But then only his family and we as the audience know about the other things from his past, like how much of a toll Saki being in hospital took on him, how he was lonely, the extent to what the piano means to him. Pretty much all of what WxS knows about him is about him now. They don't know much about his past outside what they've been told by other people. You don't have to know about someone's past to be their friend, but knowing about their past can help you to understand them better, their inner workings and how their past shaped them into who they are now. It can help you to develop a deeper personal connection. Even if they don't get a whole event and it's only mentioned in passing, like Kohane for example (though it's plot relevant for her), every other character has discussed their past with their unit, be it their childhood or only a year before the game is set. Tsukasa is the only character who has his past shown and talked about who doesn't ever talk about it with his unit (outside the basics of Saki and shows). We're shown more than quite a few characters get but these scenes are only for the audience and his family to know about, not his friends.

Come Our Happy Ending, Tsukasa's relationships with the others is clearly an important one. There's a reason he's broken up by the very real possibility of the group splitting up. As I said, he tends not to dwell on the negatives, he always pushes those aside unless he has no choice but to face them, and this was one of those times he had no choice. WxS has given him so many opportunities as both a craftsman and as a person. He's a better person because of them, he's changed because of them, he's closer to his dream than ever before because of them. Even if he doesn't always vocalise this, even if he still puts up walls and limits how close their relationships can be, those relationships are still nonetheless valuable to him. As said by Shizuku, Tsukasa is someone who really loves and treasures his friends, his friends and family are the most important people to him. Despite how bombastic of a character he is, he's extremely nuanced and there's a lot of subtlety when it comes to how his experiences and the people in his life affect him. He just needs to be a bit more open to talk.

[frownyalfred]

Hi, Res! Glad you're back! I love your writing (and your posting in general) and missed it. I hope everything good for you and your family!

I was wondering how you come up with fic ideas? That are so natural and realistic yet never came into my mind, like "let the light in" or "end of line" or "come morning light" or–

And also also!!! How you're able to write while you post (like post the first chapter and not have the rest completely planned) and not lose yourself on the plot/details?

Sorry if that's annoying in any way! I I just love love love your writing and I look up to you a lot!

Thanks 🥰🥰🥰

Hi! Not annoying at all, I appreciate you asking. For those fics, they kind of just came to me in slice of life moments? Maybe I can explain below a little better:

let the light in - this came to me while I was thinking about shoulder injuries (my parents both had rotator cuff injuries and PT afterward) and how it must feel very vulnerable for the human members of the League. Especially Ollie who would never want to appear weak because of his stubborn pride. Bruce as a foil/complement made sense as soon as I tried thinking it out. I knew I wanted to write a scene where Bruce inevitably confronts/witnesses Ollie's weakness, and the dialogue kind of spun out from there.

end of line - this fic bloomed into existence because I was pondering what would happen if you full-force punched Clark in the face. If you punch a normal person you can break bones, so what happens when you clock Superman? Again, this was another fic where the dialogue just kind of led the story forward. I knew I wanted it to be outsider!POV for added angst, and swiftly realized I could add in Bruce as Clark's "fixer" for even more hilarity.

come morning light - this one came from me pondering Clark's anxiety at his own near-immortality. I was trying to come up with the best scene to showcase that fear/anxiety, and the morning of his wedding made sense. It also allowed Bruce's careful adjustments and reassurance to shine through in contrast. I also wanted to challenge myself to write something with them both that was purely platonic, which I think I somewhat achieved (mixed reviews LOL).

so I guess a lot of these fics tend to come from "what if" moments, usually prompted by irl events.

As for being able to post a WIP and not know where the story is going, that might be because I am a "feel" writer. I don't think that's a good thing but I digress. I "feel" like I know where the story is going, but I don't know exactly what will happen between point A and point B until I'm writing dialogue. Usually it leads me to the right place, so I know if I post the first chapter without a solid plan for the next 3-4, I can still "feel" I'm on the right path.

Diving in to update is probably the easiest and hardest part of this method. I find that if I re-read the entire fic, my brain generally knows where it wants to go next and the story just naturally continues as I write. However, with borderline that meant I was rereading a 60k fic every few days and definitely wasn't efficient. Plotting the final act of stories generally requires me to abandon this method and reach out to my lovely beta, who is a mensch.

I'm not sure if that was very helpful, but that's kind of an overview of how my brain works while writing. It might not work for you, and that's okay! Try out some different methods and just keep writing! Do it as often as you can, even if it's stupid or never shared or only a few snippets here and there.

<3

[neon-ufo]

Luv's Monthly Makeover 2022

I wanted to show all 12 pieces of this project, and add a little paragraph about each of them, their themes (if applicable), and their inspirations. 

The point of this project was to redesign my mascot Luv every month, trying out new art styles and techniques in the process. Luv changed every month, but still remained the same recognizable character throughout. The idea was to embrace the beauty and challenge of change, and grow with it.

💕January Luv is generally a very androgynous-looking character largely due to cuteness and fashion, but for this piece I wanted to give him a somewhat more masculine look, which created the little fire goatee. Technically this piece was drawn in December 2021 before I thought of this project (in February), but it hasn't been posted until January and it fit the bill so I counted it as the January piece.

I wanted this to be a more ‘serious’ piece, so there’s no exaggerated fashion or detail to it, aside from the realistic heart in place of the usual love heart on his chest. This is the oldest of the pieces, but I’m still very happy with how it looks!

The Japanese text is from the song Hello by Fire Bomber, saying; "We fear nothing, We go on along this path”. The vibe of the drawing was inspired by this song’s classic rock tune.

💕February This piece was largely just playing around with clothing textures and such, and the main idea was to present Luv's heart mask in a different way. Some looks had a much stronger thematic vision than others, and this is definitely one of the weaker ones. I don't have much to say about it tbh

The jacket is inspired by a Coach x Keith Haring collaboration jacket, and the mask is a "Lover" mask design by LikeADrugg.

💕March This was done when Ousama Ranking was airing and I fell in love with the demon's heart-shaped mouth, which I referenced here. Contrary to popular belief, Aku from Samurai Jack was not the inspiration for this.

There isn't much more to say about this one, I wanted him to look creepy and spindly. I had a blast with the rendering, very proud of how it turned out!

💕April I was really excited for the concept of this one, but it did not turn out how I wanted it to.

He was supposed to be essentially mask-less on this piece, with the visor of his hat casting a heart-shaped shadow on his face. I also wanted to push more in the fashion aspect in this one, the main inspiration being a pair of RoseCut pants & Vivienne Westwood's Love logo, which I used a few more times in my work after this.

💕May Ok I suddenly got struck by an extreme passion for punk fashion at this point, and I poured it heavily into this iteration. Another different play on the heart mask, this time it changed to heart-shaped glasses. Various spikes become a pretty recurring element from here on lmao. There's also the Westwood Love logo again.

A fun fact; this is actually largely a re-used design of a GothPunk Luv I tried drawing once, but scrapped because I didn't like how it was going! I loved the ideas behind that design and am really glad I got to bring it back here. <:

💕June This is a very simple one, as I was dealing with the loss of a beloved pet, and I simply didn't have the energy to draw anything bigger.

This actually turned out to be one of my favourite designs for Luv, as it's very simple but very fun, and easy to draw. It became my go-to design for doodles. Lyrics is from "It Gets Harder" by Good Luck

💕July Tried something very different with style here. I wanted the style and colours to be a little bit more ethereal in vibe, hence the very bright soft shapes and floating gold bits. The doll-like face also adds o the dreamyness, with the matte black eyes and no shine. I think that adding some thick lineart in the centre of the drawing makes the image a bit disorienting, which I quite like.

Main focal point is the golden Jeremy Scott + Adidas Wings sneaker, which was basically what this entire piece was built around.

💕 August This is another one of my favourite looks. I really love the outfit elements of it, as well as the colours, and I can definitely see myself drawing it again sometime, which is not something I can say for most other looks in this project!

Despite it being one of my favourite designs in this series, I don’t have much to say about the piece  itself though. The shirt was inspired by a shirt worn by Donquixote Doflamingo on one of the One Piece manga covers.

💕September This piece has recently been chosen to partake in a group exhibition in the capital city of my country, which is quite a big deal for me!

Luv is sporting a very casual streetwear look with a graffiti can in hand. This was the first time I familiarized myself with gradient maps, experimenting with which helped me choose the final palette. The "Love & Peace" sign in the background is taken from a Trigun episode title. The decorations on the pants were inspired by Lirika Matoshi's S/S22 collection, and the shirt evokes several Junya Watanabe/Comme des Garçons shirts from the early 2000s.

💕October Spooky Luv for spooky month, I really love this piece. It's one of my favourite recent pieces!

Again a lineless piece like the month before, but I took a very different approach to shading, and honestly I expected it to be so much harder than it was. It was a blast to work on this one and I love the effect that pitch black shading has on a monochrome body. I did a lot of experimenting with the background and used gradient maps again to get a cool background effect. I was aiming to get some kinda old video game cover look with this. The text on top is my favourite quote from Dracula. The background is a photo from the Croatian coast that I took last summer.

💕November The aim of this one was to capture the nostalgic early 2010s anime & deviantART style. I looked to a few anime for reference, but I think in the end Lucky Star was the most helpful.

I tried to channel deviantART character designs I remember from that era, using typical design features I remember from it, such as demon wings, stripes, collars, off-the-shoulder oversized shirts, and checkered belts. The fashion inspiration here is largely the signature Chrome Hearts crosses, while the shoes were inspired by the fantastic toothed heels from the GCDS spring/summer '23 collection which I only now realized does not fit the Y2K theme I was going for with this one lmao

Either way, I'm very happy with this one, I think I achieved what I went out to do!

Oh yeah, and the text in the background is the entire lyrics of the album Three Cheers For Sweet Revenge by My Chemical Romance.

💕December Last piece of the challenge was almost entirely re-drawn, as I didn't like the first look of it. There isn't much specific inspiration for this one, but I wanted to make it vaguely connected to the December season.

As a reference to Christmas, there are elements of angels in the design, with a bright halo and tiny wings. The symbol I personally associate with new year is the peace sign☮️, because I remember that my dad used to give family friends a New Year's card with nothing but a peace sign in it. He stopped doing it recently, so I'm taking up that mantle instead.

The little sleepy Luv on the right side is taken from a different Monthly Makeover piece that I scrapped.

I'm not sure if it's clear, but the shape at the bottom says 2023.

Thank you

[sketchiefoxie]

(Genuine question this time) I draw mostly landscapes, and while I have attempted drawing a person as the focal point, I find it near impossible to get any proportions even slightly right. So, how do you draw people?

I’d say that this really depends on a persons art style. You’ve gotta find the things that make you happy, and incorporate them into your designs. My art style is definitely a cross between cartoony and kawaii Chibi anime. It’s very sparkly lol. I’ll show you the basic way I draw though with a quick sketch of my sona :) 🦊

Art tutorial beneath the cut~

First, draw a circle out, this’ll be the head. Where the cheek and forehead are, a make this sharp lil’ crescent shape and off of that I guide the rest of the head. Remember to do the guide lines for the face. This drawing will be done in 3/4 profile, so slightly turned to the side.

Add a body with curving shapes. Notice my style of drawing feet. I don’t like drawing feet much, so I adapted my style into a way I like to draw feet. Kinda like funky hoove thingys lol.

Add shoulders and arms with basic shapes. The elbow will when the arm is hanging down will come to the center waist line, right about where the bellybutton is. Try and keep that measurement in mind while doing the upper arm.

Add details like a nose, and eyes and mouth. Once you have the basic format of the face put together, you can jazz it up. On a more realistic face, the corners of the eyes will always aline with the tops of the ears. I somewhat followed that concept here, as it helps with ear placement.

Go ahead, sparkle it all up with hair, accessories and other stuff. Notice how much volume I put into hair. You can still see the old outline for the head, and the hair goes way above that.

Once you’ve done that, add clothes, thicken lines, refine the pose and you’re done! Tada!! This is a more simple style, and with more realistic art pieces, I’d add more clothing wrinkles, or more definition.

Drawing faces is really fun for me, and if you follow the basic principle of drawing a circle, and making the placement for cheeks you can draw lots of face types! Squishy faces, narrow faces, faces of characters from other fandoms XD. Find what you love in art, and make it yours. (Tagging you @boxed-soup cause I know you want to see this lol) Thanks for the ask and please reblog!

—SketchieFoxie✨💜✨

[genshinemblem564]

Genshin Roommates

Isekai'd reader being roommates with different characters. Whether this is sagau or a normal isekai is left to interpretation.

CW: Hu Tao's segment contains religious trauma, slight mentions of "x reader" ( I know some people don't like that ), and dark humor

Kaveh

• Kaveh was thrilled when you invited him to stay at your place. Finally, no more Al Haitham ruining his day before it even starts.

• You may not be an interior designer, but your aesthetic sense was still something he appreciated,as his former housemate would just put anything anywhere if it wasn't work related. If you ask him for advice, he'll gladly give you any pointers you need.

• Kaveh truly appreciates your views on things. If he asks for advice, you recall the tech used in your world, even pulling out your phone to demonstrate. He asks if he could take a look at it, and is disappointed when you refuse, but understands as it is your only one.

• Meeting you was like Kaveh's prayers were answered. A roommate with some aesthetic sense, who is both an optimist and a realist, and being from another world with such advanced tech makes you the perfect partner in his endeavor to help people. He may be getting a bit obsessed, but that's just because he spent so long with someone he couldn't stand, that should remedy itself in time.

Hu Tao

• Hu Tao took you in when you first arrived here, and she's been having the time of her life ever since.

• You share her views somewhat. You don't see death as something to be feared, but due to the fear mongering that certain religions back home did, you still feared what came after. Hu Tao does her best to remedy this without exposing you to spirits as she's not quite sure how you'd react to them.

• Hu Tao was happy that you weren't a stick in the mud in terms of humor. You were serious when necessary, such as telling her to tone it down on advertisements, but when she had a good one, you'd say something cute like " Now that's a deal to die for." There were times she was caught off guard by your humor, such as when prepping a body of a burn victim for burial, you ended up saying " Looks like someone couldn't take the heat." and she looks at you with a face that screams " You did not just say that." (The exact emotion she expresses is up to you.)

• You two have come dangerously close to starting a romantic relationship, not out of any romantic feelings, but you're both so starved of affection that you have to actively refuse your instincts to keep from going beyond a simple hug.

• You don't scare as easily as everyone else in Liyue. When Hu Tao asks why, you simply pull out your phone and show her a video of a field. She was confused but kept watching, the next thing she knew, she was on the floor as the calming sounds of the field were interrupted by a pale woman's blood curdling screech. You had to comfort her afterwards, she wasn't crying or hurt, but that doesn't mean her heart didn't nearly burst out of her chest.

Ayato, Ayaka, and Thoma

• Given that they all live in the same household, it's kinda hard to write for one and not the others.

• Thoma was the one to bring you to the estate. Upon hearing the details, Ayaka wants to take you in, but Ayato would not tolerate freeloaders, so you help out around the estate. While you are compensated for the work you do, you aren't a servant since you don't take orders and aren't assigned the tasks you do.

• Thoma is like an older brother to you when you move in. Anything you want to learn from tea brewing to gardening, he's happy to teach you.

• Your reaction to being taken in by a prestigious clan gave Ayaka the impression that you were like everyone else, but she gets proven wrong in one of your conversations where you state that she's only human and no one is perfect. You tell her if she wants to be more lax around you, that you won't judge her. This might be the first time that she's happy to have been wrong.

• Ayato is always busy with commission work, so you never really get the chance to speak with him unless the Kamisato clan is hosting an event, but these events tend to be formal, so you usually stay out of sight. You're not too keen on meeting any corrupt shogunate, and you're afraid to make a fool of yourself in front of the ones you aren't wary of, mostly because you don't want to drag Ayato's reputation down with you.

• Thoma enjoys the simpler things, so the thing about your home that's going to interest him is most likely the food. For example, I haven't heard one person in Teyvat bring up strawberries. He wants to try cooking the recipes you show him, again on your phone, right away to see if his lord and lady would like them.

• Ayaka is another enjoyer of the simpler things, but she is more intrigued by your worlds culture, more specifically, the festivities, traditions, and holidays. She adores the idea of Christmas, the exchanging of gifts is a delightful idea to her, she finds the outfits rather cute, she also wishes she could try one on, she turns into a blushing mess when you explain the tradition about mistletoe, you decided to omit Santa Claus, the children's tale not Saint Nick, from your explanation, as while he does exist in some worlds, you're not sure if Teyvat is one of them, best not to get her too excited.

• Ever since you showed up, Ayato has noted how you're becoming more and more like Thoma, taking a mediator position to lessen any burden it may be giving the siblings, making tea after working hours are done with, and even training to protect the people who helped you. At this point, your origin doesn't matter to him, you're someone he can put his trust in. That said, he has to wonder, did you have a family back home, and how are they faring in your absence? No matter how much he has come to respect and trust you, if you ever had the chance to return home, he would urge you to do so.

___________________________________________

Note: This was highly self-indulgent and is more for writing practice, so some constructive criticism would be appreciated if you have any.