#but so far yeah this is what I'm seeing

[gierosajie]

Looking through some of the vision stories and noticing so far that geo characters tend to chase after an ideal goal they want to achieve, while anemo characters tend to involve experiencing and the acceptance of the realities of the world

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[midnightwind]

you guys like me going off on random DA tangents and musings, right?? because I've been awake too long so you're getting another one

I have been sat here trying to figure out Why Lucanis' prison looks like a bunch of ice and why it was so far away from the "lab" settings for a while now. (arguably two rooms fit this description, the one where Lucanis tells you about Zara and the one right outside his phylactery room) Like, even without that bridge being broken, it's in such a bizarre corner of the Ossuary. And I mean, it wouldn't really matter with a normal prisoner, but Lucanis was a notorious Crow and mage killer on top of that, plus he was Zara's special little guy to fuck with. You would not want to take him for a long walk to experience the worst shit on earth every few days. Maybe it's close enough to the little room where he mentions Zara and maybe she wanted him close to the door so she didn't have to go far to torture him, but again, leaving such a challenging subject close to the exit seems like a bad choice. You want him to have to get through so many guys and doors before escaping so you have time to take him down.

This also ignores the magic required to leave, but they're not clear on what that is and not all the Venatori are mages so there's gotta be a mundane way out he could snatch off a guard. I digress, the whole ice cage and far off room doesn't make sense. But we know they were shipping demons to Zara. (I'm pretty sure the few demons you confront in Minrathous were Zara's little pets set loose so we can assume she wanted them in the capital for the eventual Venatori coup on the crown) If Zara was about to be stuck in Minrathous for the foreseeable future, setting things into motion for Elgar'nan, I could see her wanting her pet Crow at her side. Especially if you consider the initial idea for Lucanis: he was going to be a mind controlled murder puppet before you break him out.

Sure, Spite didn't crack open his ribcage and crawl out like some new horror, but having a demon in Lucanis lets her control him via the phylactery if not just outright with her blood magic. Maybe his will was too strong for mundane control, but the phylactery works. We know it works based off of Lucanis' dialogue about it. So we know she had a surefire way to keep him under control. (There's a whole other post exploring the amount of dead Venatori and the fact that Lucanis still has his leathers and weapons [which would make sense if he was Zara's murder puppet, but alas] and whether Lucanis recently made a break for it or if the loose demons/spirits/undead killed them all) Maybe he kept his leathers because Zara wanted him presentable upon delivery, I don't know.

But I do think he was being prepped to move. The Ossuary is falling apart, Zara is pulling all the best results, they're losing personnel and servants without being given more; Zara was clearly moving on from that location. But she wanted her little Antivan prize. He's too dangerous to move normally, a Crow is likely to escape if given an inch especially a skilled one like Lucanis, so they need to lock him down somehow. Ropes and chains aren't reliable, not with a Crow, but he's not a mage. You can use magic. You can literally put him on ice. I think they were packaging him up in an ice cube and doing it next(ish) to the door so they could more easily move him. I think Zara was going to take him and his phylactery to Minrathous and use him to cause some absolutely ruthless mayhem in the city before her cult took it over.

I think Rook showing up weakened the spell being cast just enough for Lucanis and Spite to break out, and I think it saved a whole lot of lives.

[bacchuschucklefuck]

caps from comic Im doing

[nostalgiaclown]

Hey do you think there's a deeper meaning or reason Spite looks just like Lucanis...

There's the scene by the fireplace and I picked up on how Lucanis closes his eyes as he turns his head to avoid looking at Spite...

It's like looking in a mirror, right, and your reflection is staring back as you deliberately hurt yourself with your words.

Lucanis, I think, is stuck in a cycle of 'It’s all I know.' 'It's what I'm good at.' But there's cracks there that hint this isn't who he wants to be...

"Death is my calling."

I don't think he actually believes that, but he has to tell himself that, right?

I don't think he's ever been given the chance to explore who he wants to be, he's just been told this is who he is...

Demons are bound when you 'tell' them what they are so loudly that it's all they can hear. They have to be what you want." But a spirit who evolves to become more of a "real person" is less malleable than a spirit and if they have the certainty of who they are and who they desire to be, they can resist binding entirely.

Did someone else bind the spirit to him by force? Corrupt its nature so fit the needs of the user?

If Spite was originally Love (as I've seen some people comment Love being the opposite of Spite) and they were forcibly bound to Lucanis for whatever reason, did that cause Love to twist into Spite?

I think we're going to have to heal both Lucanis and Spite from whatever grief or trauma they've been through, make him come to terms and accept whatever fucked up thing happened, so it sticks, and he stops just "wiping the slate clean".

He comes across to me as a guy who's just like going through the motions, and needs more of a push to change, for himself.

Nevertheless, it is not unheard of for spirits to evolve and become more "human" by coming to terms with grief, heal from being emotionally hurt, and thus be able to learn from what they endured. By coming to terms with grief, a spirit is able to grow as a person and not "wash clean" like a spirit."

Then I was reading up on spirit healers, and again, there's that same theme of trust here, the spirit trusting the 'mage' and also the loss of trust when being tricked by a benevolent spirit...

To gain the services of such benevolent and righteous beings requires that the mage earn their trust. Often this requires a series of trials to prove that the mage's goals are as noble as the spirit demands, though some mages have claimed to command the compliance of such spirits through sheer force of charisma.

So if Spite was Love, imagine if the trust was broken from the get-go, by whoever brought them over from the fade, that surely would cause Love to twist into Spite?

More than one tale exists of a spirit healer being fooled by a demon masquerading as a benevolent spirit, and inadvertently bringing them across the Veil... or being tricked into letting down their guard, and possessed.

On the flip side, Lucanis is not a mage(?) but if he needed help or something idk- and he was tricked and possessed that way - tricked by 'Love'? Owch, the loss of trust there...

Oh and if Spite just a spirit of Love that was corrupted by Lucanis' own feelings? Like how Justice twisted into Vengeance(?)

We know Lucanis is relearning how to trust, and he's a romantic.

How can you trust others If you don't trust yourself? Spite feels like intrusive thoughts made manifest... And how can you Love others if you have no Love left for yourself? Spite seems to be chipping away at Lucanis slowly... he looks so tired.

What exactly happened to him, I wonder, I can't wait to find out cause it's gonna hurt...

[mintjeru]

close enough, welcome back tsukiyomi ikuto

open for better quality | no reposts

[sergle]

has the huggable twee irritation always been a Thing or did it evolve in response to like, "you're not ugly. i'd fuck you" type comments? like in your personal experience

god, I'm not well spoken enough to describe it exactly the way it Registers In My Brain... but like. It's not the "you're not ugly, I'd fuck you" genre, and that type of comment is so easy to immediately dismiss because it always comes from a certain type of man, and it's like yeah yeah, I could throw a sandwich and you'd fuck it before it hit the floor. But also, that one's so specific, it's a bottom-of-the-barrel "compliment" that dudes will give when a woman has actively said something about feeling like she's unattractive.

The HUGGABLE THING. The oooh squishy marshmallow somft huggable mom shaped 🥺🥰 She looks like she gives GREAT HUGS. Those comments are UNPROMPTED. I'm immediately like. Every keyword you say, I kill another hostage. I will blow up this whole building and everyone in it. Because it is SO FUCKING WEIRD. And I have heard it one million times. And I see it on every drawing of a character who's even remotely plus sized. These comments would not fly for a thinner person, they'd be rightfully received as weird. People aren't gonna comment on a picture of Ariana Grande going omg she's sooo huggable mom friend shaped. WHAT. Simultaneously are desexualized and sanitized to a weird degree in that uwu language way, WHILE also being creepy. Like, why are you describing what you think I'd feel like if you hugged me? Like the only positive thing you can think of to say is that I look like I have some give. As strangers. I'm not going to hug you, I think you're a creep and I think you're giving yourself a big pat on the back for complimenting a fat person. What are we doing I'm arguing at the air. Where am I And you're just supposed to go oh thank you that's so nice, because as a fat person, you gotta take whatever compliment you get, even if it is actually not a compliment. And that's the thing, there are SO MANY ACTUAL COMPLIMENTS TO PICK FROM. But people settle on huggable and somft. Was this person pretty? Were they hot? You could say gorgeous? Handsome, beautiful? Elegant? Stunning? Sharp? Sexy? Stylish? Are you trying to say that you're attracted to this person's body? Are we being horny? Do you think they just look nice in general? Can't we think of anything else to say? Or are we just gonna sit here and say they fuckin look like Santa Claus. Huggable like a pillow. Girl what the fuck

[vaguely-concerned]

I think veilguard might be the one game with an unlimited sprint button that I've nevertheless spent the most time gently jogging and walking through. just to like... look at things. hang out. vibe. the environments in this game are so fucking good

[waitineedaname]

hiiii lily what is this ‘orv’ i have been seeing…..

HIIII MIKE. SMILES. orv is Omniscient Reader's Viewpoint! it's a webnovel with an ongoing webtoon adaption and it is making me Fucking Crazy. basically the premise there's this really unpopular really long webnovel called Three Ways to Survive an Apocalypse, and for years, Kim Dokja has been the only reader. when the novel finally ends, the author sends him an email with the txt file of the whole novel, and then suddenly the novel is wiped from the internet and in that instant, the events of the novel begin taking place in Kim Dokja's world. the apocalypse begins and humanity is subjected to cruel scenarios and challenges livestreamed for the entertainment of these powerful entities called constellations, and as the only one who read the story to its end, Kim Dokja is the only one fully equipped with knowledge of how this story goes (or at least, how it originally went)

it is SO good. it lures you in like "ooh this is a normal reverse isekai" and then ends up being CRAZY. it deals with questions about the boundary between characters and Real People and whether that distinction really matters, and it's one of those stories that looks the audience dead in the eye and dares you to look away first. literary devices are made Real (oh fourth wall we're really in it now...) and it plays with narrative voice and pov and unreliable narration in such fun ways. it is ultimately about the value of stories and the value of being a reader and the choice to wrestle with the story that's been written for you in favor of the story you really want to tell. it's also about Kim Dokja having something Deeply Wrong With Him skdlfjlksdjf the journey i went on with him was "okay he's a reader insert who reads novels as escapism, i get it" -> "oh actually he has something wrong with him" -> "oh he has something Wrong With Him" -> "WHAT. WHAT THE FUCK. HELLO. WHAT WAS THAT." I'm obsessed with him.

I read the webtoon first which I think is a pretty effective onboarding point! some of the art had my jaw on the FLOOR it's so cool. the webtoon has adapted roughly the first third of the whole novel so far, and if you want to read the novel just dm me and I'll hit you up with the epub file lol (not just mike but anyone who is interested!)

[greensaplinggrace]

sorry but like, as someone who doesn't vibe with fem!sub stuff and always ends up dislking fandom obsession with the man in any relationship being a Dominant Daddy Top containing more macho tendencies than personality . . i do also think that framing people liking violence in their sexual fantasies as worrying is um. worrying in and of itself.

like yeah logan being Like That in 'x reader' Old Man Logan stuff seems very ooc to me, too. but i also like animalism and brutality and violence in sex as well, and these things are not inherently abusive or "near rapist" by themselves in fictional portrayals of kink.

i don't hc logan as the macho dom! a lot of fandom for some reason considers "common consensus fanon" lmfao, but i also think that the fine line of fighting and fucking and violence and animalism is something viscerally satisfying to explore in fiction and especially kink. and characters like logan - who do actually have some solid connections to such themes - are some of the best outlets for that.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[invinciblerodent]

going slightly feral today for characters who don't think of themselves as being "~into~" touch and physical intimacy suddenly discovering that they actually are, in like an embarrassingly huge way

"oh fine, I'll indulge you, but I'll have you know that I'm not exactly cuddly, darling. 🙄" (proceeds to wrap themselves around their partner in their sleep like a boa constrictor) (yes this becomes a regular occurrence)

"no dear, I don't like hugs" (does, in fact, melt into each embrace with a soft sigh and eyes sliding shut, all gooey inside like a person-shaped fudge brownie)

"how juvenile. I'm not ticklish, I'm not a child. 😒" (starts convulsing with stifled laughter if their partner as much as wiggles their fingers in their general direction) (no they are very cool I promise)

"don't touch me 😒" (secretly pouts when their explicit wish is respected. no wait come back i didn't mean don't as in don't, i meant it as try harder. yes i know that's counterintuitive. no you should read my mind exactly. how is that even hard--)

"*makes a longing 🥺 face every time their partner is doing something just out of their reach, wanting to touch them but not wanting to come off as ~needy~*" (scoffs and turns away when asked if they want a hug) ((that means "yes please"))

"ugh, fine, but if you ruin my hair--" (all but tears up at having their scalp gently scratched. finds that they do not give a solitary shit about their hair now, actually.) (yes, they will now regularly plop their head in their partner's lap as a silent request for scritches. they're not cuddly, though.)

will not hold hands. will, however, knock shoulders while walking. (it means try again. it means please never stop trying.)

[fuckmeyer]

girl please, Charlie Swan is Team Werewolf and you know it

[aeolianblues]

pop stars aren't born in the 70s anymore like they used to be. These days they're born in a year uncomfortably close to my own which makes me clutch my chest and cry out

[ruvviks]

// ocs as patron saints. [x]

tagged by; @katsigian, @deadrlngers and @devilbrakers, thank you so much!!

tagging; @mojaves, @dickytwister, @ordinarymaine, @claudiawolf and YOU!

– PATRON SAINT OF RELICS.

patron saint of remembering. patron saint of holding something close. patron saint of holding on for too long. for a saint, a relic is often a part of the body, kept for some physical memento of their holiness. they are all in your hands, now: does it feel like remembrance? does it feel sanctified? are the dust and blood as precious as they're supposed to be?

hindsight carries the gun of his deceased father, the last memory he holds of the past and of what used to be his family; he is alone, a vessel for all that used to be, carrying the burden of remembrance like a chain around his neck. he has made himself easily digestible, to fit in, to not stand out; yet the past clings to him tighter than the present and forces him on his knees, forced to worship a twisted and faux idyllic retelling of a place he can no longer get back to.

– PATRON SAINT OF HEARTBREAK.

not of comfort. not of condolences. there is a heart and there is a fissure, a fracture, something that starts to splinter and break open. you're the patron saint of the way a heart is rent open. the way it tears itself apart. patron saint of the rift. patron saint of the gash. when they say to "open your heart" to somebody, you are the patron saint of bleeding out.

erytheia is a grave domain cleric, and has witnessed more burials in her lifetime than any being ever should. she has seen the countless ways in which the best of her abilities still did not suffice, her healing more than often merely prolonging a life rather than saving it; and she carries the consequences of it wherever she goes, the faces of those who were left behind, the broken hearts and wails of sorrow like a symphony in the dead of night, chasing after the trail of blood left by her bleeding heart.

– PATRON SAINT OF BLOOD.

patron saint of the life that flows through our bodies. patron saint of violence. patron saint of love. something that does not watch over but exists within: not for protection but for vitality. there is no passion without a beating heart at its core. when that heart breaks open, someone has to be responsible for what it bleeds.

juniper is full of life, full of passion. her heart hungers and beats viciously within her ribcage, threatening to burst out; all of which shows in her unexpected ferocity in battle, as well as in the way her hands hold the waist of her lover, whoever is within her reach when her desire threatens to spill over. a mouth that kisses as much as it bites, and teeth that graze vulnerable skin and dig into tender flesh; she is a predator, and gods save whoever becomes her next prey.

[nexus-nebulae]

Ok so. I appreciate the idea of semi-translating slang that not many people outside that particular region of the world might be aware of. But when I'm trying to listen to characters speaking and need subtitles, it just kinda fucking sucks to hear the word "aye" and read "yeah". If i need to know what certain slang means I'll look it up- but these accents, which I am personally not super familiar with, mean certain phrases I cannot guess the spelling for whatsoever, so I genuinely don't know what fucking word he just said. I mean seriously- having the guy say "gobshite" and have the subtitles say "bastard" is just fucking not how you do subtitles.