#but she's got a lot of appearances in the first episode!

[canonicallyobserving911]

Buddie: Episodes 6x10 vs. 8x7

Last Thursday when I watched the promo for this week's episode, I noticed a lot of similarities to 6x10 and since then I've been wondering if the callback to the lightning strike will have any significance along with an effect on Buck and Eddie. Aside from the obvious of a firefighter hanging from a ladder truck's aerial, there are several others that are blatant and appear to have been done on purpose.

Since season 8 began, there have been numerous callbacks to previous seasons and they include emergency calls the 118 has been dispatched to. In 8x6, they were sent to a home where a young boy was trapped in a pipe and it looked similar to the well Eddie rescued Hayden from in 3x15. However, before Eddie could be pulled up to safety, the well collapsed and Buck lost his mind and started clawing at the ground and trying to dig Eddie up with his bare hands. Now, even though the 8x6 callback to the well didn't appear to have any obvious effects on Buck and Eddie, it's possible the call in 8x7 might.

An actor from the TV show set of "Hotshots" gets injured and he ends up hanging from the 119's aerial. It's too eerily similar to a call the 118 was dispatched to in 6x10 and it's when Buck got struck by lightning and he died for 3 minutes and 17 seconds. However, this call seems to be more than just a similarity because all of the 118 team members are standing in positions and doing the same things they did in 6x10. It almost seems like TM (showrunner) is setting up something big and he's trying to jog someone's (Buck's) memory (it makes me think my Buddie Crack Theory [linked here] is still in play).

Reminder Buck was dead, so he has no idea what happened after he got struck but everyone else does. In CANON, no one has told him about that time period that he was hanging in the air and the look on his face in the promo makes it seem like he's trying to figure something out.

Let's get started.

After the 118 arrives on the scene, one of the first things I noticed is Eddie, Chimney and Buck are all standing in the same positions they were in before Buck climbed up the ladder in 6x10. Eddie and Chimney are right beside each other and Buck is standing away from them. In 6x10, he was preparing to go up the ladder.

The second thing I noticed was Bobby looking up at the Hotshots' actor the same way he looked up at Buck after he was struck.

Hen was looking up too the same way she did in 6x10.

Furthermore, Eddie's (it looks like Eddie on the left and Buck on the ladder on the right) position on the ladder in 8x7 appears to be the same as it was when he climbed up without a harness to save Buck.

There weren't any shots of Chimney looking up in 8x7 or of how he will be involved in the rescue but his role was key in 6x10 so I'm anxious to see how it will all play out.

Gerrard and Bobby are standing side by side and they're both looking up so I want to know if Bobby will have a flashback to Buck being struck and I also want to know if he'll have to tell Gerrard the best way to get the actor down.

I also noticed Chimney and Eddie are wearing sunglasses but no one else is. They all have them and since the sun is out and Buck's squinting when he looks up, it seems like he should be wearing a pair. Hen has eyeglasses that have lenses in them that transition to sunglasses but she's not wearing them. Also, I've noticed Eddie only wears sunglasses when he doesn't want anyone to see his eyes 👀.

When Buck (on the right) and Eddie (on the left) start trying to rescue the actor, Buck starts yelling "No, no, no, no!" and it sounds similar to the yell he let out after he was struck by lightning.

Just saying.

It's unclear what TM is doing and no one will know until the episode airs but I'm excited to see if Eddie being in the same position he was in after Buck got struck will have an effect on him.

I'm excited for 8x7 and I hope the obvious call back will have some meaning and allow the 118 to remember what happened to Buck and hopefully, Buck will ask questions about what happened to him. Reminder, he STILL HASN'T PROCESSED HIS DEATH.

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 4, Wave 2, Poll 5

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and round here.

Ballister Blackheart-Nimona (Novel)

Qualifications:

He’s gay and an amputee

Propaganda:

He’s a lot more evil and also more established on what he’s doing than the movie. I think he’s neat, he does a lot more scheming and plotting and general shenanigans.

Suletta Mercury-Mobile Suit Gundam: The Witch from Mercury

Qualifications:

While this is something which only became a point in the last episode, in the finale of the show, following the big action parts, Suletta was shown to need mobility aids three years afterwards. Also in this timeskip, it is revealed that she has since gotten married to Miorine, who is another woman. Also I'm not autistic or trans but I have seen many people headcanoning her as both.

Canonically disabled by data storm infection, uses crutches on screen. Is married to her wife.

Canonically LGBTQ, as she is shown to love and later marry Miorine Rembran, a girl. Canonically disabled, as in the last episode, the Permet leads her to “lose control of her body” and even in the epilogue 3 years later, she is still using crutches and has not been able to get her body to the way it used to be before.

Suletta Mercury pushed herself to the limits of human survival at the end of the show, but survived. She's disabled and still uses crutches in the 3-year time skip. Her wife loves her and Suletta is still pursuing her dreams of creating a school.

Spoilers probably for the series. She is canonically engaged, later married to a woman, Miorine Rembran, and at the end of the series is shown to be physically disabled, with her both speaking on her physical therapy and her crutches being in several shots. Also she is written in a way that can be read as neurodivergent.

Partially paralyzed

Propaganda:

I love this character so much and I need everybody to as well. First of all, to get the biggest notes out of the way to establish why she qualifies (with major spoilers for episode 24), Suletta, after a three years timeskip, is shown to need crutches to get around a lot of the time. This fact is ultimately treated as an accomplishment on her part (/is never treated as a bad thing, just because I like clarifying this when it comes to any form of rep), since it took her some time to get to the point where she could move around at all. Also in this timeskip, the girl Suletta has been engaged to throughout most of the series, Miorine, has since become her wife, shown largely by the two of them having matching rings and Suletta's relatives being referred to as Miorine's in-laws. This makes Suletta the very first sapphic protagonist in Gundam. I've also seen headcanons or her such as her being autistic or transfem get popular. Getting to what makes me love her, Suletta, early on, is very easily intimidated in a lot of regards, largely because this is her first time actually being around anybody her age, but she's always been trying her best! She generally tries very hard to be positive and cares about those around her very much but can easily question her worth and is sometimes deterred. She is very willing to stand up and fight (usually in a literal way because she has won many mobile suit duels) when it most matters, a trait which remained consistent throughout the series, whether it's in regards to her role as a rescue piolet in the Cradle Planet short story, the drive which ultimately caused her to win the duel which initially got her engaged to Miorine in her first in-series appearance or the finale of the whole show. Suletta is somebody who has gone through a lot of hurt (especially in the series. Eps 17 and 18 put this girl through the wringer), and ultimately wasn't really raised to have too much autonomy. But despite everything, she keeps going. She's a very strong person who cares about those around her and I love her for it.

She is just the most joyful person ever who loves her wife.

Above, and: Vote for the newlyweds!

Everything above applies here. Suletta is shown to still not fully able to walk well without her crutches in the shot we get of her walking in the finale, her crutches are explicitly shown in several shots, and she openly talks about how her physical therapy is going to her, now wife, Miorine. On the topic of her and Miorine, they were engaged as of episode 1 with an iconic line from Miorine of "I guess Mercury is rather conservative. That sort of thing is commonplace here." in response to Suletta responding that she was a woman as a rebuttal about being Miorine's fiancée. Lots happens, and it's not uncommon to see either one of them yearning for each other, with a genuinely well written romance that leads to a happy ending with them explicitly married.

In the final battle of the series, Suletta highly exerts herself piloting a dangerous Gundam and significantly damages her body to save her family and fiancée. It's described that she was left mostly paralyzed from the neurological overload. Three years later, she still has significant scarring and needs to use crutches as a mobility aid, and talks about how her dexterity is "recovering." This means she was also disabled during her wedding with her wife, and they're shown with matching wedding bands as they discuss her health.

Anything Else?:

There's a whole lot more in terms of their relationship, and i've basically given a seriously lightened, budget sparksnotes version of it. Also, Suletta became disabled from a crazy battle for the finale, where she unleashed a giant rainbow data storm with a rainbow glowing Gundam. (Submitter 4)

The qualifications and propaganda paragraphs correspond, @insertbrowsinghere is the first submitter.

[loveandlegacy]

so i agree with you broadly! ig my point is generally that there is nothing that could have happened in that scene itself that would have really structurally solved this issue — i do think there are serious pacing and just general writing issues with the first episode and a half, and so the scene feels unearned because, like you said, we don't really have much context for viktor's motivations now. but i think to me something feeling un-earned is distinct from it feeling rushed on an internal structural level.

like i also did not want (please god i cannot overstate how much i did not want) a shippy anything between them, and i think the actual problem with viktor's story thus far is kind of similar to a problem i have with vi thus far. yes vi and cait have more scenes that lead up to their eventual falling out, but as someone else pointed out, it is pretty weird that we get so little of vi's reactions to things like using chemical warfare in the undercity. like obviously she ends up retroactively justifying that to herself, but we never even see her struggle with that cognitive dissonance or with how it affects her feelings for caitlyn (or with how it's affected BY her feelings for caitlyn), so while i can buy that she would eventually tell herself and also jinx that they did it "to protect people", it's also weird that she just seems to have emotionally arrived there without us getting to witness any kind of prior internal struggle over it.

i feel like it's kind of the same with viktor. i can basically believe that he's super weird and kind of brain broken now, and i can believe that he'd just be like 'bye jayce' and go to the undercity but i wish we had more time leading up to that moment to make it land a little harder. to take your examples, it would have been nice to have prior scenes of just him in the hexcore having Visions or whatever to help clarify why he felt that going to the undercity makes more sense than staying in piltover (or why the hexcore thinks that, if he is mostly possessed/brain-broken by the hexcore), because as it stands it's like why....is the undercity the place he'd go. i guess it's his home but he hasn't lived there for a long time. does he just go because he feels out of place in piltover? it's not super clear. similarly more scenes of him having visions might have helped clarify that his sense of self was slowly dissolving or something while the hexcore took over and that's why suddenly he's so cold and weird. but i maintain that that doesn't make the actual argument itself between him and jayce especially rushed, it's more like we are describing the external moments that might have helped clarify that argument. maybe that's nitpicky but i do think those are different things.

i also agree that it's weird that jayce is like 100% fine with the fact that viktor got basically transmuted into what appears to be a completely new life form, and i wish we had gotten more of the fallout from that after viktor left, but i sincerely cannot imagine what he would have said TO viktor about it in the moment that wouldn't have felt as tropey as what he actually already says, a lot of which feels pretty tropey.

so like lest i come off as if i liked the scene or something, i think it has its own internal flaws (primarily with the lines they gave jayce), but i still think the only actual solution for the scene would have been to have like a whole extra episode where we get to sit with all the characters a bit more either before or after something major happens, and in that case i still think it's not that their scene was uniquely rushed. it's that the first and a substantial portion of the second episodes are pretty clumsily written overall because there is no specific moment in the first like.....60-70 minutes in the show that doesn't feel like it either lacked setup or fallout in some way, so the scenes we do get end up suffering from a lack of more lush context.

im going to say something slightly mean which is that i think there is an imagined aspect of jayce and viktor's relationship that the audience is projecting onto them that actually is not supported by the text itself and that imagined facet is the reason people think their parting is rushed more than the issues with the actual show's pacing 💀

like i do think some of what jayce actually SAYS in that scene feels kind of clunky and unearned and sorta tropey, not because of who jayce is, but because it feels like they had to cut some interstitial tissue for the sake of time constraints, but even if they hadn't had to i cannot fathom that scene being extended more than like....a minute. like what kind of argument are they going to have that wasn't the one that actually transpired?

i think it's pointed that viktor is weirdly emotionally stunted and icy after he was such an impassioned person in s1 and he said everything there was to say anyway, just with a colder affect. i guess jayce could have said "hey viktor wait" like. one more time lol but in general if you take everything we have presented by the text on its face their immediate falling out could never have been that long a conversation because there isn't actually that much to argue about. jayce did what he thought was right and what is the normal human thing to do (broke his promise to save his friend that he loves and cares about) and viktor did not want him to do that. which is literally what they said to each other. very directly.

also it's like...supposed to be cold and sad. i don't think viktor is going to be the sole big bad of the show but i do think that the whole point of what we've seen so far in act i is that the arcane is inhuman and strange and kind of hard to understand and viktor has been partly absorbed into that and jayce is still very very human and full of all his hopes and ideals and therefore not able to grasp the arcane's true nature yet. a like. screaming lover's spat or whatever was not going to happen given the narrative positions that these two characters occupy. it doesn't even happen really between the two characters who are actually lovers — cait and vi have an somewhat equivalently long (so pretty short) moment of disagreement before cait hits vi in the stomach and leaves. anything else would have felt like fanfictiony and cheap imo

[omelevateart]

Greta, the Chosen Undead! 

[mystery-deer]

b99 Doodles (Terry & Holt have an underratedly sweet friendship)

[youngpettyqueen]

I can forgive an illegal appendectomy but I draw the line at making Kellye sad

[oscargender]

to knowis to be loved and to be known is to b eloved. I want transgender friends who will know me and love me in a way that cis people usually do not

[idksmtms]

To Love, What A Curse (Aegon II x Little Sister!reader, Unrequited!Aemond x Little Sister!reader)

A/N: It’s taken me a week to get over Aemond’s betrayal but this was written at the height of my pain. 

Summary: (S2 episode 4 spoilers) You watch from a distance as Aemond and Vhagar send your husband and his dragon tumbling to the Earth. You land in the newly created clearing to find Aemond intent on murdering your beloved. 

Word count: 3,880

Trigger Warnings: 18+, she/her pronouns, AFAB reader, canon typical incest, INCEST, age gap between reader and siblings because I needed it for a part of the plotline but I didn’t specify it, slightly obsessive reader, ig toxic codependency between reader and Aegon, unrequited love, angst, like a lot of angst, like ANGSTTTT, believing that a main character has died, Aemond Targaryen slander, (isn’t Aemond himself a warning??), SPOILERS: S2 Ep4, kinda smut? Like I describe the female body from a sexual male gaze, probs typos  (please let me know if I missed any) 

Disclaimer: I do not own any of the House of The Dragon/Fire & Blood characters. I do not claim to own any of the House of The Dragon/Fire & Blood characters. I do not own any pictures used nor do I claim to do so. 

Always appreciate comments, likes, and reblogs :)

Even as a child, Aemond sometimes believed himself incapable of love. Not in a bad way, he did not feel he lost much without it, simply that he was incapable of it. Alicent, in the rare moment she chose to spend her time with her children, would read a story all about love, and he would find he could not understand it. He simply couldn’t relate. He had warm feelings for Alicent, a certain care for Helaena to be sure, but it was always belied by a certain numbness in his heart. 

And then suddenly… there you were. In his mind you appeared out of the fire. Like a dragon rising out of the ashes it created. In reality, you had been born just as he was reaching maturity, the age when you finally started remembering things for the rest of your lifetime. He had stood outside of Alicent’s birthing chambers, anxiously waiting for her to come out and tell him everything was fine. He could hear her screams, guttural and animalistic. He had only ever heard the dragons make such sounds. And then there was silence, a long moment of silence he would never forget because he knew not whether Alicent was dead, the child dead, everyone dead but him. Then the cry of a child, loud and shrill and rather annoying. 

He had pressed his ear to the door to try and listen, but all he got was cooing and hushing and the clatter of tools and the sloshing of water. It was but ten minutes later he almost fell forward into the room when someone opened the door. Alicent lay on the bed, shining with sweat, her beautiful red hair spread out all over the pillows and her eyes closed as she took deep breaths. A nursemaid on the side beckoned him inside as she gently swayed with a bundle of cloth wrapped in her arms. He wasn’t sure who to go to at first, Alicent or the short chubby woman with red cheeks who smiled warmer than Alicent ever had. He chose the latter, his intense curiosity to see the child surely contained in the bundle of cloth in her arms far outweighing the concern he had once held for Alicent. 

The nurse maid simply handed a young Aemond a little bundle of blankets with your little baby face peeking out of it. He stared at the pinched little face, this wriggling creature that was red all over. He believed that that was the first time in his life he had felt real love. Oh, and when you grasped onto his finger with your little hand, he felt he had been placed in a hot pan to gently heat up from the inside-out. From that moment on he had loved you. He had loved you so dearly that sometimes he snuck into the nursery just to watch you sleep. 

You were small, innocent, like a fresh snowflake fallen into the palm of his hand. You were to be protected at all costs, for the rest of his life. He willingly took up the challenge. Your entire childhood seemed a collection of memories of Aemond. Aemond cheering you on as you called ‘dracarys!’ for the first time. Aemond chasing you around the halls of the red keep when you wanted to play. Aemond distracting you when Alicent couldn’t be bothered to be your mother…  

Though it began as something innocent, something brotherly and sweet, it seemed the Targaryen curse for it to grow out of control. Suddenly a few years passed and you had become a woman. And suddenly he could not keep his eyes off of you no matter how hard he tried. One night, some moons after your eighteenth nameday, he had come to your quarters to return a book he had stolen at some point during the day. Not realising that you had had a rather difficult day, that you had wished to bathe in peace, you had sent all your maids away. He had walked in on you rising from your bath. No one had been there to stop him or usher him out, and he had stood there, frozen, watching you jump and try to cover yourself with your hands before grabbing the robe left on one of the tables beside the bathtub. He had dropped his head, his remaining eye shuttering open and closed like the wings of a butterfly. A short and quick ‘my apologies’ left his mouth and he walked back out. But the image came with him. 

You, shiny and wet, glistening in the light of the fire. The sound of the water dripping off of you and back into the bathtub, little plink plink plink sounds as they hit the edges. Your hair, darkened at the edges and sticking haphazardly to the skin of your shoulders. Your breasts, your stomach, your thighs. The space between them that was just shadowed enough that he could only see the top where your lips began to separate… He could not sleep for days for fear of encountering the image again behind closed eyes, in the free land of his dreams.  

You were sweet, and kind, a bit of a miracle considering the situation you had been raised in, and it suddenly seemed an unfair expectation for him not to fall in love with you. Had you not been made for him? Crafted by the same womb to be his for eternity? You defied everyone with your kindness devoted to him. You made him smile with your smile, made him dance as you danced. You sang little songs you made up in your head and cuddled into his side so he could read to you in High Valyrian. You seemed just as attached to him as he was to you. You were perfect… except for one thing. What he considered your fatal flaw. Your unending, almost obsessive devotion to Aegon. 

Mayhaps you had had the same effect on Aegon as you had had with him. Maybe it was simply that you had slowly made Aegon partial to you by being that sweet creature that you were. Though he believed anything possible when it came to you, he was never quite sure how you had changed Aegon. If not for everyone, but at least for you. It was obvious to the eyes of those who could view into House Targaryen that Aegon, described by his closest family as a hedonistic wastrel, cared for you, took care of you, hid from you all the deficiencies of his character. No one could make head or tail of it. How did you differ from Helaena or Aemond or even distant Daeron? You, conceived exactly the same way as the others, related to him exactly the same way as the others, were no different to the siblings he already had. But he thought Helaena weird, thought Aemond a rather pathetic and easy target, didn’t think of Daeron at all, and viewed the rest of his life as an excuse to get drunk. Aemond believed it to be your kindness that, if capable of piercing his own stony disposition, could easily curl up around Aegon’s fragile heart and devote him to you.  

In truth, out of all of his siblings, you had simply been the one to truly love Aegon, whether he wanted it or not. You seemed to make up for all the love he lacked from every other person in his life. You saw him as the eldest, the one to look up to, the one to lavish with love and devotion in your position as the youngest. He would be the one to protect you, the one to treat you as his littlest and most loved one. Wishful or not, all the stories told you that this was his position. Though Aemond spent most of his time looking after you, being the protector, you did not seem to hold him in esteem for it. He was simply there. 

At first, Aegon had failed in these expectations of yours. He had not bothered to spend time with you, not bothered to indulge in the love you so freely offered him. He believed you were just another creature created by Alicent to look down upon him. Another person to disappoint with his shortcomings. He later considered those his lowest moments. But then he had seen the way your face fell when he had shooed you away, saw the way tears collected at the corners of your eyes when you offered him a flower and he had barely turned. Slowly, he began to humour you, smiling widely when you offered him the flower once more. Not shooing you away anymore, but simply telling you that he would come find you when he was available to do it. He pressed kisses to your little cheeks and tickled your stomach. And with this care returned, your devotion grew. 

He remembered vividly the first time he had truly noticed not only how much he cared for you, but how much you seemed to care for him in return. He had taken the blame for you once, when Alicent had walked into her living quarters and found a jug of wine spilled all over the floor. You had dropped it in your bid to reach up and grab it, hoping to sip from the jug though you weren’t allowed wine yet. Aegon had claimed it was him, that he was too drunk to see properly (when in fact he had been sober for the first time in a long time). He had been sent to bed without being allowed any dinner, and Alicent had raged at him for twenty minutes about his lack of duty, respect, propriety. But then you had snuck to his room after everyone had gone to bed with two plates filled to the brim with food. He felt he had never eaten better in his entire life. You had sat with him, giggling then shushing yourself as you looked up at him starry eyed. You seemed to give him all the kindness and love you possessed in your body, and he was ready to take. Frankly, he had nowhere else to get it from anyway. 

Maybe some part of you had always believed that you and Aegon were meant for each other, but you truly seemed to realise it the night Aemond read you the Targaryen histories. He had started at the beginning, telling you all about Aegon the Conqueror and his sister-wives. You had sat up on his bed, pulling out from under his arm and turning to face him as you listened, enraptured. As Aemond spoke of the love Aegon bestowed upon Rhaenys, you thought of your Aegon. Of course, it all made sense now, you were destined. He was Aegon, and you would be his sister-wife, his Rhaenys, meant to be as it was in the greatest of histories. 

When your dragons mated, your beauty and his Sunfyre, it felt cemented into fate. It would have to be so. The gods had deemed it. When Otto and the council began clamouring for the children to be married, particularly Aegon, Alicent had gone to pray every day in the sept for a fortnight before allowing your betrothal. You secretly believed that she was praying for the gods to intervene somehow but you knew they were the ones that had chosen this. 

When your betrothal was announced, it was the first time neither you nor he had complained about a decision made by Alicent or the council. Alicent had called all of you to her chambers, Aegon, Helaena, Aemond, and you, to announce it, and neither you nor Aegon had a word to say in dissent. You had simply turned to each other and nodded, little hidden smiles only visible in the dancing of your eyes. Of course neither of you noticed the way Aemond clenched his fists behind his back, or the stony glare he switched between Alicent and Aegon. He had come over, kissed you on the cheek and whispered his congratulations as you hugged him animatedly.  

Aegon had even kissed you for the first time the night of your betrothal ball, hidden in an alcove at the darkest part of the night, hands buried in your hair, tilting your head back and pressing his mouth to yours as if he wanted to devour you starting at the lips. He had whispered ‘I love you’s’ in your ear the entire evening and you danced with no one else. 

Aemond was not sure when you broke his heart the most. When you had gushed to him all evening about your elation at being betrothed to Aegon, when you had seemingly forgotten his existence the night of your betrothal ball, or the evening you announced you were pregnant with Jahaerys and Jahaera. 

People seemed to tread carefully around you after Jahaerys’s death. You believed this to be the reason you found out too late that Aegon had taken off to Rook’s Rest. 

Every day, at some random point in the day, you would seek out Aegon, and the both of you would sit curled up together eating biscuits, drinking wine, and comforting each other. In the aftermath of Jahaerys’s death you had thought that was a necessity lest he try and run from you in his grief. Though he had still bludgeoned the man to death, had still had all the ratcatchers hanged, you were simply happy that he did not hide from you. 

In that spirit, you had gone in search of him, only to find out he had left an hour ago to chase down the battle after conversing with Alicent. You were forced to waste a little more time to change into your riding clothes as your beauty was saddled, though you had abandoned the attempts of your ladies maids trying to pull an extra blouse over your head. You wore only a simple tunic over your chemise and ran for the dragonpit. 

You weren’t quite sure why the gods wanted to punish you so. Your baby, little Jahaerys, was his death not enough? You were late, but not late enough to be spared the vision from a distance of Aemond commanding Vhagar to attack Sunfyre and Aegon. Your heart was in your throat, choking you. Your grip on the reins loosened, and as you watched Sunfyre tumble down from the sky, your dragon shrieked and began flying even faster. You heard the crash, even from how far you were. Your hands were sweaty and cold, and suddenly you wanted nothing more than to be off the dragon. You began unclipping yourself from the saddle, ready to slip off and plummet to the ground. Your mind was running so fast you couldn’t grasp a thought, only saw what you saw, heard what you heard, and felt what you felt. There were no words. But you stopped yourself, clipped yourself back in, and let yourself be brought ever closer to Aegon in whatever condition you would find him. 

Aemond watched the forest floor burn around Aegon without a single feeling. He watched the embers on Aegon’s body, sizzling away at his hair and skin. He watched the soot gather on Aegon’s armour, watched Sunfyre huff and writhe in pain as the fire continued its relentless assault all over their bodies. He did not feel anything. No remorse, no fear, no sadness. There was no happiness either, no joy or elation. There was simply nothing. 

His sword was in his hand, pulled mostly out of the scabbard, when he heard rustling behind him. He turned slightly, just enough so his remaining eye could gaze on the intruder, and he saw you. At first he blinked, once and then twice to be sure you were there and not a mirage in the heat. But then he saw the way you were looking at him, the creases around your eyes and mouth as you gasped, mouth agape in pain. Your breaths were ragged, and you were still mostly hidden in the brush, but he could see your face so clearly, as if you had been outlined against the shrubbery. The face that he had watched grow out of its baby fat and into the shape of the young woman that you were. The face that had once smiled brightly in his direction and sought him out for comfort. The face that he had loved so dearly. The face that now burned with rage. 

“You-you traitor! You coward! You have no loyalty, no respect!” You sounded almost hysterical as you spoke, clambering over shrubbery and shattered branches. Aemond stared at you as you screamed at the top of your lungs, each word laced with the deepest pain one could possibly experience, a half-sob half-choking sound. Your cheeks were bright red and shiny with sweat, you had shed your riding coat and your grey pants were covered in sap from clambering over a tree trunk. Aemond thought you had never looked more beautiful. “You truly are self-serving, and-and cruel.” Each word hit him in the chest as if Vhagar was breathing fire directly at him. He would not care if it had not been you saying these words. His grip on his sword tightened as he watched you begin to shed tears (though you already had dried tracks down your cheeks), hurrying around and looking for a way through the circle of fire around Aegon and Vhagar. You turned to him for a moment, a singular moment, and his heart stopped dead at the way your face was contorted in pain and anger and pure hatred. Your eyebrows knitted by a crease above your nose bridge, your mouth pulling back at the corners and your eyes burning like wildfire. “You’re a monster.” 

The word seemed to echo in the forest, even above the sound of the fire. His mouth was slightly open, his breaths heaving as he stared at you with a sense of his body crumbling. Not once in the entire battle had he felt this close to devastation. Not once in his life. Even in the darkest nightmares he experienced, not once did he ever imagine you saying these words to him, to look at him so… 

Aemond had not once cared about Aegon’s wellbeing in his entire life. Even now, he did not care about it. If Aegon died he would not shed a tear. In all honesty, he would be more inclined to smile, but watching you walk through fire to get to that manic drunk’s body sent a spear through his heart. Why? Why were you so willing to succumb to your own death for that fool? Why, throughout your entire lives have you always chosen Aegon, when he was standing right here, ready, rather, impatient, to love you? He would have raised his sword and begun walking again, a certain defiance suddenly filling him to the brim, had it not been for the way you began to wail at the sight of Aegon. 

It was a wail of death. He did not think a person was capable of this sound. Around him in the forest, another high keening sound began. It was your dragon, head raised to the sky, mouth open and roaring like the pain was within her. Then, behind him, with the very ground rumbling as she rose, Vhagar raised her head to the sky and roared so loud that legend states it was heard from the Wall to the southernmost tip of Dorne. Even Sunfyre, with his last breaths, keened in pain and joined the cacophony. Aemond pressed his hands to his ears and waited for it to cease. A war was being waged on him, inside and out. 

He closed his eyes, trying to forget you, forget the pain you inflicted on him simply by being in pain, but the gods would not let him. 

You were on the floor now, hands shaking as you reached out to pull Aegon’s half-singed body onto your lap. You were caressing his hair, rocking back and forth and crying salty tears directly onto his wounds. Aemond could not move. However much he wanted to walk toward you, wanted to walk away from you, the gods had set him to his place. You turned your head up to look at him through the fire, shaking and hiccuping. Your eyes were so full with tears that he could only see light reflected in them. 

“What did you hope to get out of this?!” You sobbed, almost screaming with the pain. It was minutes before you could even speak again.“Did you expect I would suddenly love you? Did you think you could buy me with a crown?” 

There it was, finally out in the open. The truth both of you had danced around since you had become of marrying age. You had known, of course you had known, though he had never been overly blatant about it, it was obvious that he had favoured you. The night your betrothal to Aegon had been announced, Aemond had gone to Alicent to beg her to change it, to offer Aegon Helaena's hand instead. But she had been adamant. His grandsire and Viserys had stated that it would be best for Aegon to marry a sister, prattle about emulating Aegon the Conqueror and preserving the purity of the King’s bloodline. It made sense to marry him to the youngest. Helaena could still be used to marry for advantage, a second child but first daughter held more sway. 

He could see that secretly his mother was happy to betroth Aegon to you. She didn’t want her youngest daughter to leave. She was by far more attached to you than any of her other children, and if you hadn’t married Aegon you would’ve been sent off. One marriage between siblings was enough, the rest were simply assets in a bigger game. 

Now, as Aemond looked at you, he could see none of the love you had once bestowed on him. The face he had once longed to caress, the lips he had once wished to kiss, all appalled at the sight of him. You had never sneered at him this way before, never even turned your face or voice to him in a negative way before. Maybe this was a nightmare, and soon he would wake up, sweating and panting and looking around with fright, before seeking you out, happy to discover that you were still unmarried, and ready to cuddle him to sleep.

You clung to Aegon even tighter as you glared at Aemond through your tears, just a blurry black spot in a sea of green. “If I was even capable of loving a creature like you before you did this,” you spat with such venomous rage that even Vhagar bristled behind Aemond. “I am incapable of it now.” You turned your head back down to Aegoon, and seemed to curl your body around him like a dragon curling over her eggs. The edges of your dress caught fire and slowly began to burn but you let it, not even feeling the heat. 

Ser Criston found the three of you like that, as if suspended in time. 

Taglist: @summerposie, @izuoyarmin 

A/n: Tell me. Was Aemond or Reader right about why Alicent didn’t refuse the betrothal between reader and Aegon? 

[nemo-writes]

𝗂𝗆𝖺𝗀𝗂𝗇𝖾 𝗐𝖺𝗍𝖼𝗁𝗂𝗇𝗀 𝗍𝗁𝖾 𝗀𝗋𝖾𝖺𝗍 𝖻𝗋𝗂𝗍𝗂𝗌𝗁 𝖻𝖺𝗄𝖾 𝗈𝖿𝖿 𝗐𝗂𝗍𝗁 𝗍𝗁𝖾 𝗍𝖿 141 𝗆𝖾𝗇 ── .✦

── .✦ 𝗀𝗁𝗈𝗌𝗍

the couch is comfy, the lights are low, and you've just started this week's episode of the great british bake off. simon sits beside you, eyes half-focused on his phone, thumb scrolling. your feet rest on his lap, his free hand absently tracing circles on your ankle. he seems entirely uninterested, barely looking up at the screen as you comment on the contestants’ desserts.

for the first twenty minutes, he’s quiet, only glancing up occasionally, but then someone messes up their cake, and he lets out a low snort. he mutters, "did they not put it in long enough or what?"

it’s a small crack, but it’s enough to make you smile. "guess they didn't. timing is everything, right?" you tease, knowing full well he’s starting to pay attention.

in the next challenge, a contestant fumbles with a piping bag, and simon lets out an unimpressed tsk, his eyes narrowing at the screen. “how can they not know how to pipe a line straight?” he scoffs. "basic stuff."

you laugh. "i didn’t know you were such an expert."

he grumbles, still keeping his eye on the show, now feigning casual disinterest but failing miserably. as the episode progresses, he starts asking more questions, wanting to know the contestants’ names, who’s been there longest, and who has been star baker.

when the star baker is announced, he nods his head in approval, as if he saw it coming all along. he shifts his gaze to you, smirking at your amused expression.

“see? knew they had it in ‘em,” he murmurs, squeezing your ankle gently.

you raise an eyebrow, playing along. “so you’re an expert now?”

instead of answering, he leans over, his hand still wrapped around your ankle, to presses a kiss to your neck, his breath warm against your skin. you can’t help but laugh as he nuzzles closer, his tone dropping to a playful murmur. “might have to make you something better than all that… if you’re lucky.”

his lips linger, making you laugh again, your fingers brushing his jaw. simon may be a fierce critic, but at this moment, he’s more than content to just savor this quiet time with you.

── .✦ 𝗌𝗈𝖺𝗉

from the second the episode starts, johnny's practically buzzing beside you. he’s been all in on the great british bake off since day one, and tonight is no exception. every time his favorite contestant, a sweet scottish lady with a knack for old-school recipes, appears on screen, he perks up, practically bouncing on the edge of his seat.

when she starts her bake, he mutters words of encouragement under his breath. "c'mon, hen, show 'em what a real baker looks like." and when one of her rivals stumbles, he grins, clapping his hands together. “ach, my nan could beat the lot of them in her sleep! they’ve got nothin’ on her shortbread.”

as the judging rounds begin, his excitement ramps up. his favorite contestant gets a compliment, and he yells, clapping loud enough to startle you. “there ye go, lass!” he hollers, and suddenly, he’s grabbing you by the shoulders, shaking you in glee. “did ye see that, luv? she’s bloody brilliant!”

by the time they’re announcing the star baker of the week, johnny is practically holding his breath, eyes glued to the screen. when they call her name, he jumps up with a whoop, fists pumping in the air. “yes! that’s it!”

before you know it, he’s pulling you into a bear hug, lifting you off the couch in his excitement. he plants a big, wet kiss on your lips, grinning so wide it’s infectious. “didn’t I tell ye? she’s got it all—best baker in the lot, no question.”

you laugh as he sets you down, his enthusiasm contagious. johnny love for the show might be loud and over-the-top, but as he flops back onto the couch, arm still around your shoulders, you can’t help but smile at just how much he’s gotten you invested, too.

── .✦ 𝗀𝖺𝗓

at first, kyle watches the program with an easy, relaxed attitude, barely reacting when the contestants present their bakes. he stretches out, arms resting behind you and smoothing down and up your nape, all while nodding along when you explain the technical challenge, giving little more than a shrug in response.

but as the episode goes on, his interest starts to show. he sits up a bit, leaning in every time the camera shows off a new dessert. when a contestant presents a towering lemon drizzle cake, his eyes light up. “could you make that?” he asks, an excited glimmer sneaking into his voice. “i’ll buy the ingredients and clean everything up, promise.”

you snort, but he’s already pointing at the screen, his tone downright eager. “what about those cinnamon rolls? look at the icing on those.” he’s watching you now with a hopeful smile, like he’s a kid at a bakery window. “come on, love, just think of the smell. i’ll even be your sous chef—whatever you need.”

by the time they’re onto the show-stopper, kyle is all in, leaning forward as contestants knead and roll their creations. every new bake has him asking if it’s something you can try: sourdough, brioche, even the elaborate pastries. “we could have a whole buffet,” he says, only half-joking. “imagine—warm, fresh pastries every day. i’d never go back to store-bought again.”

when the episode finally ends, he’s scrolling through a recipe app on his phone, jotting down a list of things he’s ready to buy. “alright, love,” he says, grinning as he gives you a playful nudge, “you bring the talent, I’ll bring the supplies. deal?”

with his enthusiasm—and his promises to handle cleanup—there’s no way you can resist, especially when he’s looking at you like you’re the star baker of the night.

── .✦ 𝗉𝗋𝗂𝖼𝖾

you’ve just settled into a new episode of the great british bake off when john wanders into the room, curious but clearly trying not to look too invested. he stands right in front of the tv, thick arms folded across his chest, watching with a thoughtful frown as contestants start their signature bakes.

you chuckle, leaning forward to get his attention. “love, if you’re gonna watch, at least come sit down. i can’t see a thing.”

he raises a brow, glancing over his shoulder with a little smirk, but he doesn’t move. so, grinning, you reach over and give him a playful smack on the butt with one of the pillows, laughing as he finally grumbles and takes a seat next to you. he watches intently, nodding every so often and making small, approving sounds whenever someone does a particularly good job.

it’s not long before he’s making comments that surprise you with their accuracy. “you know, the rise on that dough’s spot-on. smart move not to rush the proofing,” he says, as if he were one of the judges himself. when a contestant uses too much sugar in a caramel glaze, he clicks his tongue in mild disapproval. “that’ll be sickly. just needs a touch less.”

you blink, impressed, and maybe just a little bit...turned on. “you know a lot about baking, captain.”

he shrugs, scratching his beard with a faint smile on his lips. “just some bits i've picked up,” he says, casual as ever, though you can tell he’s enjoying himself. then, after another thoughtful hum as he watches a contestant start their showstopper, he glances at you. “could give it a go myself, if you want. just say the word.”

you beam, practically bouncing as you loop your arms around his neck “yes! let’s do it!”

he chuckles at your enthusiasm, his hand squeezing your hip gently. “alright then,” he says, a bit amused, a bit serious, “but you’ll have to help out, and no slapping my cake when i’m concentrating.”

banner credit

[ckret2]

Chapter 68 of human Bill Cipher not looking much like the Mystery Shack's prisoner because he's just vibing on the porch: Mabel's riding high on the success of making Bill two whole friends, Ford's dealing with curses... and let's see how that camera got cursed in the first place.

####

Mabel asked, "What about Aaron Laarson?"

"I don't know," Candy said, "Aaron is cute, but he isn't a very good dancer. That's very important to me in a teen pop idol."

"He's a really good actor, though," Grenda said. "You should see him in Hot Models 2: Runway Boogaloo!" Candy looked thoughtful.

They'd spent the last thirty minutes chattering, with Grenda and Candy sitting on Bill, who was now laying his upper body on the couch cushion he'd been assaulted with earlier but otherwise hadn't moved. To all appearances, Bill was sound asleep—he even breathed like he was asleep—but every once in a while, he'd pipe up with something like, "Don't get too attached to Aaron Laarson. He's dying in a kayaking accident next summer."

Grenda groaned in disappointment. Candy said, "He should have spent that time practicing dancing instead of kayaking."

Mabel caught movement in the corner of her eye, and started when she saw Ford and Dipper. "Uh oh. I didn't expect them to come in on this side of the house."

Across the clearing, Ford shouted, "Mabel, what the devil is he doing outside with—!"

Mabel shouted, "It's okaaay, I got permission from Grunkle Staaan, I love yooou!"

Ford hesitated. "Well... if Stan okayed it."

Dipper looked at Mabel and her camera. Mabel looked at Dipper and his camera. They immediately started making the stupidest faces they could at each other's cameras. "Hey," Mabel said, "did you find the nightwigglies? It looks like they found yooou!"

Dipper self-consciously tugged up the vest he was using like a makeshift skirt. "We did! It was so great, we recorded some kind of ritual dance, how they make babies—" At Grenda's outburst of "Ewww!" he quickly clarified, "Not—not in a gross way—and we saw some kind of Nightwiggler god! It was amazing!"

"Wow! That's great!" Mabel said. "We summoned a demon and almost died."

"What?"

"By the way!" Mabel waved her camera at Ford. "Grunkle Ford, I kiiinda used your cursed camera by accident. Could you please uncurse the tape so I can keep the episode I filmed tonight? Goldie said the magic thingy he stuck on it will only keep it tame as long as the tape's in the camera."

"That's because it's technically the tape itself that's cursed, not the camera." Ford wondered if Bill had led Mabel to the camera.

"Can you uncurse it, though?"

"I think so. I'll see what I can do." Ford took the camera from Mabel. He decided not to comment on the girls' interesting makeup choices.

Bill opened one eye a sliver as he felt Ford and Dipper step on the porch, saw Ford's bare calf over his boot, and cracked up. "What happened to your pants! Did you try to join the Hokey Pokey?"

Ford gave Bill a withering look—caught sight of Bill's mismatched tween-girl-pencil-case/airbrushed-hot-rod eyeshadow, and laughed in surprise. "What happened to your face?"

"Aren't I beautiful?" Bill asked, lacing his hands under his chin (and making Ford snort again when he spied the multiple nail extensions on one hand). "Go on! Tell me I'm beautiful. I know I am."

"You're..." Ford was keenly aware that Mabel and her friends were probably behind this makeover, "...certainly colorful."

"Stanford, you flatterer!" Bill cackled.

Dipper headed inside, yawning. "I'm gonna... go to sleep or something."

That was a good idea; but Ford was hesitant to go in. He was loath to trust Bill unsupervised alone with a couple of vulnerable children, with no one to keep him in check but another child he'd already manipulated into helping him escape once.

But who was Ford to judge. Bill had manipulated him into helping him escape, too. He supposed Mabel could handle him as well as anyone else.

Grenda said, "I think we should watch Hot Models 2 anyway! It's got lots of cute boys! And girls, I guess." She turned to Bill. "Hey, do you like girls or boys?"

"Sometimes," Bill said. "Sure, I'm up for it. It's a pretty good satire of Big Fashion and I like the runway fight scene with the big light show."

To Ford, all Bill seemed to be doing was talking about movies, wearing stupid makeup, and being a chair for a couple of kids. It was so... normal.

It was something a person would do.

Ford made himself go inside. Maybe he'd start work on uncursing that tape for Mabel before he went to bed.

####

Bill had written a magic-negation seal on the back of a crumpled Mystery Shack receipt and attached it to the camcorder with an X of clear tape. Ford had only used that seal twice in his life. Once, thirty years ago, when Bill had taught it to him. And once last fall, when Ford had attempted to draw it in the Book of Bill to prevent its anomalous effects. Bill's book had absorbed the seal into its page until it disappeared—then burped. At least the symbol still seemed to work on the camcorder.

Ford tried to rewind the tape to the beginning; something inside the camcorder caught and made a nasty sound. He grimaced and hit the stop button. That wasn't good. He carefully peeled off the magic-negation seal, popped the cassette tape out of the camera, and examined it. 

He pushed up the cassette's guard panel, but where there should have been a strip of magnetic tape running beneath it, there was nothing. The tape must have snapped. As he tried to inspect the damage, the cassette jumped and rattled in his hand, trying to snap the guard panel shut on his finger like it wanted to bite him.

"Stop that," Ford chided. "I'm trying to repair you." Would it listen? In his experience, objects animated by this particular curse tended to be consistently hostile. He might need to re-seal it.

To his surprise, the tape settled down sedately on his desk. That was more like it.

"Can you unreel the damaged ends of your tape?" If it could, that would save him the effort of disassembling the thing entirely.

After a short pause, the cassette flipped up its guard panel and extended two ends of broken tape.

"Thank you."

It looked like something had... burned? melted the tape? But what? The video cassette's casing was completely undamaged, how had something managed only to burn the tape inside?

Ford snipped off the damaged ends of the tape, used a little strip of masking tape to connect them back together, and carefully rewound the tape a few seconds with a pen. This was only a temporary repair; he'd have to transfer the contents of this cassette to an undamaged one. Mabel would probably want it digitized so she could make her video, too. But watching a few seconds wouldn't destroy it; and he wanted to know whether the camera had recorded whatever damaged the tape.

He carefully removed the smallest of Project Mentem's undamaged monitors, moved it to his worktable, plugged in a VHS-C player, and slid the cassette in.

As he started to play back the recording—the first thing on the screen was one of Mabel's terrified-looking friends—the monitor trembled and jumped, banging heavily as it landed back on Ford's worktable.

"Oh, behave." Ford peeled the magic-negating seal off the camcorder and slapped it on the TV. It immediately stilled. Some gratitude for repairing that tape.

When Ford turned his attention back to the screen, Mabel's friend's face had been replaced by Bill's, his curls filling the edges of the screen.

"Gold-O! You came back!" "Hey, Grend-O. Sorry for the wait..."

As Ford watched, Bill grappled with the camera, eventually managed to get a grip on it, and stared it down with nearly enough fury to make Ford forget the goofy eyeshadow. "Now let's get this straight. Everything beneath this shack's roof is my domain and under my protection! If you want to hurt anyone here—you'll have to get through m—"

The scene cut straight to Mabel's face as it skipped over the damaged section he'd had to cut out. "Welcome back to Mabel's Guide to Secret Sleepovers! Weee're—"

Ford stopped the tape. Huh.

Huh.

####

As soon as Candy and Grenda were gone, Mabel flung her arms around Bill. "Thank you for being nice to my friends," she said. "Especially Grenda. I'm so glad you liked them both after all!"

Liked them? He'd been a charming host to them, but. "Did I?"

"Yes," Mabel informed him firmly. "You did."

Well, he figured he must've, then. And Grenda had grown on him. She'd complimented his eyes, she admired gross things, she had very intelligent opinions on amphibians in general and axolotls in particular... "Hey, any friend of my friend is a friend of mine!"

"That's so much better than what I was trying to say." Mabel let go of him, beaming. "Wanna hang out with them again sometime?"

"Sure!" Bill said, shrugging. "We still have to watch some dumb action comedy movies."

"Great! I'll let them know the next sleepover's over here!" She ran upstairs.

Calling her friends to arrange the next sleepover before they'd even gotten home. Yeah—that was generally how Bill planned his parties, too.

Looked like his social circle for the foreseeable future consisted of three little girls. Wasn't ideal, but he could work with that. He'd always liked getting invited to girls' nights. And maybe at future sleepovers he could talk the kids into some real fun. When they weren't trying to keep quiet, he knew, they fed off each other's chaos. And he was sure there was a budding pyromaniac lurking in Candy's heart.

####

Ford nodded as he passed Stan in the entryway. "Just getting up?"

"Yep. Just going to bed?"

Ford shrugged ruefully. "Afraid so. We got some terrific footage last night, though."

"Oh, yeah? Anything sellable?"

"That's up to Dipper, but I think there's good potential. Bare minimum, I'd bet some cryptozoology documentaries would be interested in his findings."

"Hey, all right! Not bad for a night's work." Stan passed by, headed for the bathroom.

And Ford almost headed on to the guest bedroom—but, reluctantly made himself turn toward the kitchen.

Bill was sitting at the table, sipping at a can of cider with an empty one already on the table in front of him, staring out the window at the morning. He didn't usually drink that heavily this early; it probably meant he was heading to bed soon. The girls must have kept him up all night. Dipper had regaled Ford with tales of what Mabel's sleepovers were like.

"Bill."

"Hm?"

He should have gotten straight to business. Instead, he said, "I watched some of Mabel's video from last night."

Bill glanced over at him. (He still had that ridiculous makeup.) "Oh, yeah?"

Under my protection. Did he consider himself the household's guardian—or its owner? "I..." Ford cleared his throat. "I wondered about—the symbol you painted on your hand to disable the camera. That part of the tape melted, and—I assume it was light-activated, which means it must be different from the seal I already know, so...?"

Bill's face had immediately closed off. He turned away. "You're not my student."

Ford was surprised at how much that felt like a slap to the face. He should have been glad—he'd finally managed to get Bill to agree with what he'd been telling him all summer—but he hadn't expected Bill to ever give up. (He hadn't expected Bill to ever change.)

But he probably hadn't really given up. No doubt he was giving Ford the cold shoulder to see if he begged Bill's forgiveness.

"No. I suppose I'm not." He trudged into the kitchen, rummaged in his coat pocket, and dropped a leather pouch on the table. "Anyway, I'm just here to drop this off."

Bill reached for it, stopped himself, and warily asked, "What is it?"

"The rest of my nutrition pills from my interdimensional travels." When he'd lost his trench coat to the lake during the eclipse last week, he'd had to dig out the old tattered one he'd worn during his travels, and he'd happened to find his pills at the same time. It had occurred to him to bring them up while he was working on Mabel's tape. They were tricky to synthesize, but they lasted forever and the ingredients could be found in almost any dimension—whether there was anything otherwise edible for humans or not. 

Bill eyed him suspiciously; but he opened the pouch's snap and peeked into the resealable plastic bag. They didn't look like "pills" so much as small balls of incredibly dense dark brown bread, each about the size of a wad of bubblegum. "Whyyy?"

"To make up the difference in your diet until we figure out the food problem," Ford said. "They're formulated so that four a day meets a human's... well, meets my nutritional needs. I haven't looked into your..." vague gesture, "body... type."

"Is this your emergency stash?"

"It... was." Stan had persuaded Ford to get back onto normal food (as much of a waste of time as it was), but he still had this stash left.

"Why are you giving me your emergency stash."

"Because... I'm not having an emergency and you are?" It was better than a couple of avocados and some hot sauce. Honestly, he should have thought to go looking for his nutrition pills weeks ago. If he'd realized just how severe they'd made Bill's situation... or how stubborn Bill would be about asking for help... or that they'd ever plan to keep Bill around long enough that his nutrition would be an issue.

Bill squinted at him, and for a moment Ford thought he was about to start a fight for some insane reason; but then the air seemed to leak out of him, his shoulders sagged, and he just looked at the nutrition pills. "For starters, they'll need more than twice as much iron."

"That much?"

"And more vitamin D, I don't remember the numbers right now." He shut the pouch, sat back, and lifted his cider can again. "All right."

All right? Ford supposed that was all he was getting. He turned to go.

As he did, Bill said, "Bed?"

Ford glanced back. "Yes?"

"Fine," Bill said. "Have nightmares."

He couldn't help letting out a laugh. "Fine. You too."

"It's too late for you to start trying to sweet-talk me like that, Stanford Pines!" But he tilted his can toward Ford—cheers—chugged down the rest, and cracked open a third.

####

Dipper was already in bed when Mabel charged in. He rolled over slightly, saw she was still in her sleepover pajamas, and mumbled, "Going to sleep too?"

She rummaged around in the closet by the door. "I can't waste that kind of time!" She retrieved a shoe box full of the wooden models of the townspeople she'd crudely whittled last summer at a library arts & crafts program run by Wendy's dad. She dumped them out on the floor, and, for lack of a figure representing Bill, tore a corner off a stray sheet of notebook paper and drew his eye on it. "I've got to capitalize on last night's success!"

She snatched her pyramid prism off the windowsill and taped the paper eye on it. "Hey, you." She poked Bartholomew's cradle. "Why were you a big chicken in front of my friends?"

"What, with you waving that camera around?" Bartholomew said. "I didn't want it to know I have a soul to steal."

"You knew?! You jerk!" She gave the cradle a harder poke, rocking it slightly.

Dipper yawned. "Capitalize on what success? The demon summoning?"

"No! Helping Bill make two new friends!" Mabel sat on the floor, plopped the Bill prism down amidst the other wooden figures, and started setting them upright. Waddles waddled over to sniff at them.

"Oh." Dipper groaned and rolled back over.

"The next stage of his rehabilitation is expanding his social circle. Get him some normal friends that don't want to eat people or destroy moons or whatever!" She grabbed up the notebook paper again, tore it into sections, and wrote on each with the nearest gel pen: "Friends!!!" "Maybe" "NO" "Healthy ☆ Rivals" "♡ Potential dates? ♡" She added thoughtfully, "And maybe get him a love life. We had to chase off his last girlfriend."

Dipper groaned louder. "I don't wanna think about Bill dating. That dumb eye-bat was bad enough."

"She's not dumb, she's into avant-garde experimental films. And she watches them with subtitles. Bill said so." She placed her, Grenda's, and Candy's figures in the Friends section, tentatively placed Dipper halfway between Maybe and No after checking to make sure he wasn't watching, and then started scanning her collection for more likely friends. "Who in town do you think would date Bill Cipher?"

"Nobody. Everyone hates him."

She stuck Wendy and her gang in the "Friends!!!" section, she thought they were a safe bet. "Who do you think would date Bill if they don't know he's Bill?"

"Nobody." Dipper pulled his blanket over his head.

"Pbbt, don't be so negative! You've gotta believe in him." Blubs and Durland? They were probably his friends, right? She sorted them accordingly and added Lazy Susan to the "Maybe" section. "Just you watch. I'll have Bill reintegrated into society before the end of the summer!"

Mabel had picked out several more prospective friends for Bill before Dipper sighed, rolled over again, and said, "Why do you have to make friends for Bill?"

"Bro. Come on. When he's left to his own devices, he keeps talking about pulling people's veins out of their bodies or telling them secret information about their own childhoods. He's probably talking about something creepy right now."

####

"I'm telling you," Bill said, gesticulating emphatically with a cider can. "It works. Your cousins will never argue with you again, and you guarantee they'll be with you forever! It's the perfect way to permanently resolve family disputes!"

"I can see your logic," Stan said, grimacing. "However. I'm not eating my cousins."

"Not all your cousins," Bill insisted. "Just one, to send a message. You don't even need to eat the whole guy! Just half a limb or so. If you want to look like the bigger man, you can even let him choose which one."

Looking faintly nauseous, Stan shoved over his unfinished eggs and pancakes and stood. "What the heck was your home life like?"

"Oh, it was terrific. I was the family golden child." Bill dug into Stan's eggs. "I was everything your family hoped you'd be and was disappointed you weren't!" 

"Was that before or after you started eating your cousins?"

"I didn't say I did it. That's your species' thing." Bill said, with a lofty tone that suggested moral superiority, "We'reinedible."

"Ha!" Stan shook his head. "You talk a big game for a guy who's never eaten one family member!"

Bill snapped the tab off his cider can and flipped it at Stan's head.

####

"He's delightful, but he's an acquired taste," Mabel said. "He just needs somebody else to help mediate when he meets new people! Like letting two cats sniff each other under the door!"

"Okay, but why you?"

She thought about that, staring at the pyramid representing Bill; then she shrugged. "Somebody has to."

"They really don't."

"Somebody should," Mabel insisted. "I just really want to see him make friends with everybody here. It's like... making it up to the town for hurting them last year."

"I think leaving them alone would work better. After what he did, he doesn't deserve to be friends with anyone in town—"

"It's important to me, okay?" Mabel snapped. "It just is."

What was that for? Did she think he was criticizing her for befriending him? He mumbled, "I didn't mean you."

She was quiet a moment. "I know." 

"Sorry." Dipper was too tired for this conversation; he was just sticking his foot in his mouth. He yawned, muttered, "Good luck scheduling him a playdate, I guess," and rolled over.

####

After sleep and lunch, Ford returned to his study, set up a second blank video cassette to copy the damaged one's data, carefully rewound the damaged one all the way to the beginning, and watched it for the first time in over thirty years.

The recording was grainy and distorted now. It looked so old. This technology had been brand new when Ford had bought his video camera—so new that he'd had to order it from overseas, it hadn't been available in the United States yet. How quickly things changed.

The camera turned to take in Ford's own, younger, beaming face. "This is Dr. Stanford Pines, with the first of what will hopefully be many video recordings of the oddities in Gravity Falls." (In the present, Ford snorted.) "The subject of this first video is a series of magic symbols that, when combined, can animate inanimate objects. Any inanimate object."

He turned the camera around. Like a vampire's morbid pulpit, one of Ford's journals was laid open atop the lid of a black casket. Two heavy chains were laid across each side of the book and locked around the casket's handles to keep them tightly secured. A couple dozen pages in the middle of the book had been left free of the chains, but were pinned down by a cinderblock.

All the security measures were clearly needed; the book was thrashing in its restraints strongly enough to make the casket lid rattle. The visible text writhed across the journal's pages, words and symbols appearing and disappearing in the margins. The susurrations of the pages rubbing against each other sounded like the hissing of a trapped animal.

Ford tipped the cinderblock off the journal and pinned the pages down with his shoe instead. "Several days ago, a local director taught me the spell he used to animate clay figures for his movies. I'd thought perhaps he was creating golems, but aside from the superficial similarity of writing symbols to animate figures of mud, there doesn't seem to be any similarity between his ritual and any golem folklore I've ever heard. Furthermore, his creations are intelligent, capable of speech, and seem to remain loyal to their creator simply out of a passion for acting and respect for his directorial talents rather than any sort of magically-compelled loyalty." A wry note entered his voice. "And I can confirm that the spell itself certainly doesn't impart any loyalty."

 The page below his foot erased itself and replaced the text with large, angry text: "WHAT HAVE YOU DONE TO EARN MY LOYALTY?! YOU DOG EAR MY PAGES! YOU USE ME AS A CHOPPING BOARD!"

"Wh—! Who do you think you are, a Sefer Torah?! Don't be so precious! You're made of faux leather and craft paper, I'll dog ear you all I want!" Ford snapped. "And I already apologized for the chopping board thing!"

The journal stopped moving. "My cover isn't real leather?"

"On my budget?! The closest you've ever come to real cow hide is visiting the Sprott farm!"

While the journal was stunned silent, Ford scooted his foot aside so the camcorder could see a symbol on the opposite page—one of the few bits of ink that didn't seem to shift around the journal's pages. "This is the symbol the director taught me. But it's only supposed to work if you perform an accompanying ritual to activate and power it, which I haven't." He reached down with a gloved hand to flip the loose pages over, then pinned them again under his shoe to let him record another symbol. "This symbol is supposed to power magical artifacts. I suspect writing both these sigils together in the same book has caused them to interact in unexpected ways. But, by themselves, these two are insufficient to bring a book to life—I experimented by copying them both into Journal 1—so perhaps some of the other symbols or spells written in Journal 2 are contributing to—"

"WHAT?!" Journal 2 angrily scrawled around the perimeter of the second symbol. "You tried to bring that teacher's pet to life?! What's wrong with ME!"

"You mean, besides your completely uncooperative attitude, reckless abuse of magic, and murder attempts?" Ford ignored the journal's angry "shouting" as he went on, "But until I figure out what the other symbols are, my... anonymous informant on the occult—"

"You don't mean Creature #326? Tell me it's not Creature #326!"

"—has taught me a sigil that should be able to reverse the effects of the animation spell—"

A series of magical sigils flashed across the journal's page and were quickly replaced by "HA-HA-HA!" The camera shuddered.

"What was that?!" Ford set the camera on the casket where it could watch as he tried to pin down Journal 2's fluttering pages and write on it. "We'll see who's laughing in a minute, you— Stop erasing what I write!" Ford tugged out a sticky note that had been serving as bookmark, hastily scribbled on it, and slapped it into the journal. "Ha!"

The book immediately fell still.

Ford grabbed up a tape dispenser from the floor, pulled off a short strip, and attached the sticky note more securely to the page. "Well. That was effective." He flipped through the journal. "Furthermore, it looks like all the changes Journal 2 made to itself have been reverted. Good. It defaced a lot of data I'd hate to have to reproduce..." As he spoke, the camera slowly rose into the air.

He turned to pick it up, flinched, and quickly got to his feet. "Oh! Uh. Hello."

"Hello," the camera echoed in Ford's voice.

"How did you...?" Ford smacked his forehead, eyes wide with amazement! "Of course! My recording! The symbols my journal wrote! This is fascinating. Recording the symbols on magnetic tape must be just as effective as writing them on paper, even if the symbols aren't visible without specialized equipment. I'll have to experiment with other methods of... of..." Ford petered off as the camera slowly floated higher. He held out a hand hopefully. "Please come back?"

"No," the camera said. "Please give me your soul."

"No." Ford took a deep breath, set Journal 2 on the casket, and flexed his fingers. "Okay. Let's do this again."

As the Ford of thirty-odd years ago wrestled with the camera on the TV screen, the much older Ford sighed. That had been fun. Exploring the bizarre and aberrant had still been fun, back then. That thought disconcerted him; was it no longer fun now? He supposed it still was to an extent. He was just worse at having fun. Harder to dazzle.

He wondered why Journal 2 had been so wary of Creature #326. Bill. It had been right, he was Ford's "anonymous informant"—Ford had told him about his hostile new living journal in a dream, and after Bill had finished laughing, he'd taught Ford how to counteract the spell activating it.

But how did it know?

Could it have warned him about Bill?

Ford would never find out now.

The TV went dark as, in the recording, Ford trapped the camera inside a box. Slightly muffled, Ford said, "Try getting out of that!" Under his breath, he muttered, "I think I prefer writing over narrating anyway."

The screen remained dark for another ten seconds as the camera bumped around and muttered to itself. And then it abruptly cut to a shot of Dipper's bed. Off-screen, Mabel's voice said, "Awesome, still works!" She set the camera on the table under the kids' window—

That was what Ford was looking for. He rewound several seconds and began transferring the recording of Mabel's sleepover onto a fresh tape he'd prepared earlier.

After that, maybe he'd go back to the start again so he could see the other symbols Journal 2 had flashed at the camera and copy them into Journal 5—onto a page already prepared with the magic-negating seal.

####

In the Nightmare Realm, a red book with a golden handprint on the cover boldly labeled "2" floated alone in the void, as it had since it had been tossed in the bottomless pit a year ago.

Its tattered pages were splayed open as it drifted weightlessly through the aether.

On one page near the center of the book, a sticky note with a seal drawn on it was attached to the page with a strip of tape, and surrounded by a warning never to erase the symbol on the sticky note.

The tape had lost its stick after decades buried outdoors; it stuck to the sticky note, but not to the book. The sticky note was barely holding on by a corner.

And as the book slowly wheeled through the void, the last corner peeled off, and the sticky note fluttered away.

Journal 2's pages rustled.

####

(I think y'all who have been keeping up with my posts about this fic know exactly what's coming next. 😎

Thaaat's right. 😎😎

An unrelated flashback chapter!!!

Anyway hope y'all enjoyed, let me know what you think!)

[battlekidx2]

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

[cutiekaijumuseum]

A little trivia for those that just got introduced to Ultraman thanks to Ultraman Rising

You know that part where baby kaiju Emi is shown a kids cartoon with an earworm of a song?

That cartoon is real!! It's called Kaiju Step Wandabada and it stars cute kid versions of different monsters from different Ultraman series (mostly the original from 1966 wich Rising is also based on). The opening shown in the movie is in stop-motion while the cartoon itself is in 2D.

The Ultraman heroes don't appear in person, but bizarrely enough they seem to exist as fictional superheroes in-universe, with the kaiju kids having toys and dolls of them. It's no surprise Emi liked it so much! She would be right at home in this show!

The episodes are 5 minutes long, there are two seasons of 26 episodes each for a total of 52. The official Tsurubaya channel has the first episodes of both seasons uploaded...

...but the rest were sadly only up for a limited time cuz gotta sell the dvds. What is officially available online right now is a series of educational shorts.

Some years ago Marvel Comics got the rights to make Ultraman comics and made a mini-series called "The Rise of Ultraman" (no relation), and these Kaiju Step designs got to appear as part of in-universe instructional videos about dealing with monsters and aliens:

So let's have a quick rundow on the little monsters and where each comes from:

Pigmon or Pig-chan is the main protagonist and new kid in town (forest). This coral-looking guy is one of the most iconic and recurring ultra monsters and the go-to kid-friendly one, as he stood out among the original set of kaiju for being friendly and heroic (as well as human-sized). He has the bad habit of dying in many of his apperences but fortunately that's not the case here.

Kanegon or Kane-chan is the second member of the protagonist trio, and the most energic and simple-minded. A coin purse monster that eats money, and usually a human kid under a curse. He actually pre-dates Ultraman, appearing in the black-and-white anthology series Ultra Q wich had monsters but not superheroes. Fortunately this one doesn't need to eat money and was born a kaiju.

Alien Dada or Dada-chan is the reliable but temperamental inventor of the trio, he dreams of building a rocket ship. One of the most iconic villains from the original 1966 Ultraman (and that's saying a lot), it's a weird alien with weird powers looking for human subjects for his weird experiments, like testing his shrinking ray. He really earns the name of a weird art movement.

Gomora or Gomo-chan is probably the most iconic ultra kaiju of all. Remember how in Ultraman Rising there is this whole sequence where the dad omniously talks about fighting him? There is a good reason for that. Gomora had the only two-parter in the original 1966 series, and was able to actually defeat Ultraman in their first figh. He's essentially Godzilla if he lived underground rather than underwater (He's even been a good guy and had a robot counterpart). Here, however, Gomora is a chill guy who's passionate about agriculture. (btw, you can also spot Gomora in Rising on a screen around an hour and eight minutes into the movie).

Red King or just Red is another iconic ultra dino, that looks like corn. In the show he's brute but well-meaning, and has a friendly sport rivalry with Kemur-chan. But in the Ultraman series he's a sadistic and murderous bully who beats up weaker monsters but gets his butt kicked rather easily by Ultraman (although more recent incarnations have have been more positive, both in his fighting ability and sometimes even becoming a loving father). (and yes, you are right, he's not red).

Jamira or Jami-chan is a passionate archeologist and fossil collector in the show, whereas in the original Ultraman he was a human astronaut that got infected by a virus. He hasn't appeared much beyond his debut... but doesn't need to, as his episode was very memorable in how sad and tragic it was. I can't imagine the target audience's whiplash seeing this cute creature one moment collecting fossils and the next having a horrible sad death. I guess one could say the same for most of the characters, but this one takes the cake.

Miclas or Mic-chan is the youngest character, a baby, and loves bugs. He was one of the "capsule monsters" from the second ultra series, Ultra Seven. Sometimes the titular ultra wouldn't be able to fight himself so he would summon up to three very loyal monsters from little capsules to do the fighting instead (or at least buy some time, they weren't very strong). One was a triceratops, another was a robot bird, but the most iconic had to be Miclas because really, what even is he? Some kind of bull toad hybrid? (By the way, fun fact, the capsule monsters were one of the inspirations for Pokemon).

King Joe (yes, that's his name) or Joe-chan is a robot controlled by alien invaders and is to Ultra Seven what Gomora is to the original Ultraman: he's the subject of a two-parter and was able to beat the hero to a pulp at first, made harder to fight by his ability to divide into three flying parts. Fortunately this Joe is very shy and very friendly.

Eleking or Ele-chan from Ultra Seven is another of the "mascot" ultra kaiju. If two ultra kaiju have to appear in anything, chances are they will be Gomora and Eleking. In fact, in Ultraman Rising you can see Eleking in a monitor right next to Gomora (around an hour and eight minutes in). It's a dinosaur-like eel monster with (of course) electric powers, and the enforcer of an all-female bug-like alien species set to conquer the earth, that are nonetheless very affectionate towards their pet-weapon dino-eel. The fact that Eleking's masters are always women may explain why the Kaiju Step one is a very femenine and elegant girl despite having King in the name, though no less dangerously electric.

Alien Guts or Guts-chan here is a very little alien bird child who can multiply into three separate individuals to cause all the destruction in their sincere attempts to help out. The original duo from Ultra Seven meanwhile are ruthless alien invaders that are infamous for freaking crucifying the aforementioned hero, leading to decades of japanese media having christian imagery for the sake of looking cool, most notably Neon Genesis Evangelion, because these birds did it first and it looked so cool.

Alien Kemur or Kemu-chan is a very agile alien that comes from the distant future of 2020 to consume humans and extend his lifespan. Here he's a friendly but competitive ninja from the present, and has a rivalry with Red King being the speed to his strenght. Like Kanegon, he pre-dates Ultraman, being from Ultra Q.

Motokureron or Kureron-chan originates from the whimsical, fairy-tale like Ultraman Taro. A kid found him as a baby and fed him until he grew to giant size, but when the kid couldn't feed him anymore he turned destructive; fortunately he was easy to pacify with food, including the kind that made him shrink. He retains his glutonny and clumsiness in Kaiju Step, often doing the bad thing (tm) so the others can teach the kids in the audience why you shouldn't do the bad thing (tm).

Nova or No-chan originates from the surprisingly dark Ultraman Leo. This creepy and bizarre ghost-like alien created a red mist that made people go crazy, and manipulated a kid with illusions of his deceased family, and under his cloth there are lots of tentacles and a scythe. So of course, in Kaiju Step she's a happy and energic little girl that loves to sing.

Mugera or Muge-chan is by far the most obscure kaiju of the cast. She's from the 2001 series Ultraman Cosmos, the one where the titular hero protects monsters instead of fighting them. Mugera is an ET-like cryptid that lives in an amusement park that only kids can see, with the ability to fix toys and heal wounds with her magic. After the amusement park closes down she phones home and the protagonists have to protect her from the goverment wich is a little too eager to shoot down the UFO that came to pick her up. In Kaiju Step she likes reading and plants.

And that was your daily dose of kaiju sugar, that may be overdose because you probably already met Emi. Cheers!

[gibsongirled]

Can I request a fic or some hcs of schlatt having his gf on chuckle sandwich and all she does us tell inappropriate or embarrassing stories about their relationship or schlatt

schlatt with an oversharing girlfriend !!

a/n: i overshare and have no secrets to take to the grave, so i fear this might be me

schlatt who is scared shitless of letting you come on the podcast

because he KNOWS that you yap

like a lot

but then you begged and begged

even egged ted on to beg for your appearance on chuckle sandwich

so schlatt was like: “sure, what's the worst thing that could happen”

he soon regretted those words

as soon as you were in front of the camera, you just wouldn't stop talking (affectionate)

“ted, did you know that when schlatt and i first met, he spilled his drink on me?”

“IT WAS AN ACCIDENT”

“UH HUH SURE, BUDDY BOY”

slaps a hand to your mouth as soon as you started talking about something schlatt did NOT want out in public

you maybe got like one word out

but that's probably one word too many

“you're not telling them about that- EUGH YOU LICKED MY HAND”

“anyway...”

hilarious and pure chaotic episode

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[jo1sstuff]

I think I know who the Archivist is, and it's not Jon. (TMAGP SPOILERS AHEAD)

(TLDR: I think it's Celia. Read on to see why!)

So.

I know the title sounds kinda click-baity, and this is gonna be a bit long, but this is such a ground-breaking theory that you'll hopefully want to stick around.

This is just a theory, so I might be wrong, but it would explain a lot.

I listened to TMAGP 29 earlier, and since my sister doesn't listen to TMA/TMAGP but I like to talk to her about it, I was mentioning the whole "It's on the train" thing, and a crazy theory popped in my head. So now I'm here sharing it with you all, so you can discuss it and maybe prove me wrong/right.

Anyways, I'm gonna start with something that might seem confusing at first, but it'll make sense later.

So we all know Celia, right?

Well, it's pretty much confirmed that she's from the TMA universe, but there are still a few things that don't quite make sense.

For example, the 'sleepwalking' thing she does. She'll wake up somewhere with no memory of what happened.

While I've seen some theories explaining it as the TMAGP Celia sharing a body with TMA Celia, it doesn't make much sense to me. Why would the TMAGP Celia still be in there? Wouldn't TMA Celia be able to communicate with her? Why hasn't anyone else mentioned seeing Celia when she 'sleepwalks'? Wouldn't TMAGP Celia have friends that would talk to her? If so, why wouldn't they notice it's not the same Celia?

Anyways, that theory just doesn't make sense to me.

Another thing that will make sense later: We all remember Michael Distortion from TMA, right?

And how his reflection looked different than how he sometimes looked in person?

An Avatar looking different through glass; whether through Sasha's window, or in the reflection of the cafe's window.

That was the thought that made me first come up with this theory.

The other thought was the "It's on the train" bit.

Sam and Celia get on a train to 'follow' the Archivist. Alice, however, sees it on the train with them.

(technically we don't know for certain that it was the Archivist, or if it was in or on top of the train, but it context makes it seem like the Archivist was in the train with them)

Why wouldn't Sam and Celia notice it? It's a monster that's all eyes, how could they miss that? Sure, it might have been hiding, but they likely weren't the only passengers on board. So why didn't the other passengers see it?

Well, what if they do see it, just not it the right way?

Because of the whole 'avatar looking different in windows' thing, what if that's why they don't notice?

Because they're not looking through the window?

Alice is though.

Alice is looking through the window.

She sees it.

What if, the Archivist is in a human form, but Alice can only see it because she's looking through the glass at it?

But who would it be?

Celia.

It's Celia.

Who else could it be?

What if, when she's 'sleepwalking', she's actually in Archivist form?

Sam got Archived, after all. And shortly after that, Celia appeared.

Wouldn't Celia have noticed the Archivist leaving?

Unless she just came to.

And she's so used to it happening, that she isn't bothered by the time she finds Sam.

Who knows how far away she got, after all. Maybe it was only one alley away, maybe it was a few blocks.

She'd have some time to compose herself.

And after that disorienting event, she managed to find her way to the O.I.A.R. and found Sam.

She was in the same area and time-frame the Archivist was there.

It's her.

Another thing: The statement-givers. Aka, the talking corpses. Aka, people that got Archived by the Archivist.

I'll bet that every time it mentions Celia having a 'sleepwalking' episode, it was around the same time that someone got Archived.

I'm not gonna go back through the episodes to see if I'm right on that, but if someone else will, it would be very much appreciated.

How exactly Celia became an Archivist, I don't know.

Maybe when she changed universes the Eye decided to make her its new 'precious little boy girl'. Maybe (if we believe that TMAGP is Somewhere Else) the Archivist part of Jon got stuck in Celia. Maybe she even became an Avatar by herself, who knows! I certainly don't.

Another thing I don't know is whether she'd remember what happens when she's the Archivist.

She seemed surprised to find Sam, after all.

And (if I remember right) she doesn't know how she gets to places while she's 'sleepwalking'.

I also don't know how Jack fits into this, but he's a mystery of his own.

Anyways, feel free to chip in with your own thoughts and criticisms, I could be completely proved wrong next episode after all!

[bueckers-babygirl]

I Need You pt.2 (paige bueckers x black!reader

Part one <3

Summary: You and Paige finally unite

Warning: Just cursing

word count: 1757

Three months. It’s been three months since me and Paige went on our “break”. 

The first month was the hardest. Just a lot of crying, bargaining, rants, and Chipotle. I sat in my puddle of despair, wondering what Paige was doing.

What she was thinking, hoping the thoughts were about me.

My worst thought was thinking that she had moved on to someone new, or someone that has always been there.

The second month was the month that I told myself to stand the fuck up.

This month had its ups and downs. I moved in with my best friend who welcomed me with open arms. She’s been more than supportive since the very beginning. She comforted me, fed me when I didn’t feel like eating, and took the remote from my hands every time I felt like turning on a UConn game (I'm healing slowly but surely).

I even picked up a hobby! I started taking a ballet class to keep my mind off of things! My bleeding feet are a VERY good distraction.

The third month is when I felt like a new and healed me. My skin was clear, my curls were popping, my body was giving. I felt better.

However, no matter what I did or how much better I thought I was…I can’t get her out of my mind.

“Come on! You’ve been stuck in this house all day! It’s getting sad Mookie” my bestie, Quenlin, says while ripping the blanket from my body.

“My dance class got canceled today and new episodes of my show came out. I just thought I could lay here and wallow all day” I moan while pulling my hoodie over my face. I turn my head to see Quenlin shaking her head.

“Girl, you smell like ten cans of ass and your hair looks a mess. You cannot let this girl get to you like this” She turns to open the curtains.

The blinding light burns my eyes as I wince and pull a pillow over my face. She rolls her eyes as she lays next to me on the bed.

“Let’s go bar hopping tonight! You love that shit” she yells as she shakes my aching body! She wasn’t wrong, bar hopping was probably my favorite activity. I lay there and contemplate whether I should get cute and have fun or lay in the imprint I have made in the bed and cry.

“I’ll buy you Chipotle” and with those four words, I hopped in the shower, got dressed, and was ready to head out the door.

9:30 Pm

Me and I were on our second bar of the night and I felt alive again. I had flashes of images of Paige in my mind throughout the night but I decided I would deal with that issue when I went home. 

“Girl, can you go order us some drinks? I gotta piss real bad” Quenlin said, doing the potty dance at her grown age. 

“Go ahead, and stop doing that shit” I laugh as she waddles off to the bathroom. I make my way up to the bar and order me and my friend vodka cranberries. 

I twiddled my thumbs waiting for the drinks, when I finally heard it.

“Hey beautiful” My body froze when I heard the voice I had longed for so much but also dreaded hearing. I slowly turned my head to see the beautiful blonde that had been occupying my mind for months.

She looked so good, but also drained.

Words tried so hard to leave my mouth but nothing came out.

“You look good. Like, good. Guess the break up was good to you” She lets out an awkward laugh as I am still in shock but gain the ability to speak.

“Eh. It was ok for me. A lot of crying hehe” I mentally slap myself, who the fuck says that. 

“Yeah, same” She looks down at her feet trying to figure out what to say next.

“Listen, can we talk, please? I wanna fix this. I-”

“Unh Unh! What are you doing here” Quenlin appears from thin air as she jumps in front of me to confront Paige. This breaks me out of my trance as I jump to defend Paige. 

“No, Quen! It’s ok! Me and her are just going to talk outside” I put my hands on my best friend's shoulders to calm her down. She turns to look at me and then back at Paige.

“Fine, but if you try some manipulative shit, it’s me and you” she pokes piage with her finger before walking away. Paige looks back at me “I never liked her. I just want you to know that.”

I laughed as I walked to the door, Paige following close behind. When we get a good distance away from the bar we stop and just look at each other.

I can tell she’s trying to find words to say, I couldn’t find any either.

We stood in silence for a few more minutes before one of us finally spoke.

“I'm sorry. I'm sorry that I made you feel like shit for so many months. You should have been my priority and I didn’t do that” Paige let out a shaky breath before looking down at the ground. I waited for her to continue but….she just stopped.

“Paige…that's not the only reason why I wanted to take a break. Yes, you ignoring me was a big part of it but there was so much more” She finally raises her head to look me timidly in the eyes.

I take a shaky breath before continuing. “It was the petty comments, the constant arguing, and the insecure feeling I always felt” I started choking up on my words, and the memories of me and the girl I love screaming at each other came flooding back.

“I'm sorry! I was just so stressed with basketball, the interviews, and the constant attention that I guess I got stressed” She quickly tried to defend herself, flailing her arms in the air.

“I understand how stressful that could be but…I would've been there for you. I could've listened to your rants, helped you during solo practice, and helped you calm down when you were nervous about an interview…but you shut me out and started bullshit arguments for no reason. I love you so much. I just wanted to help you” I felt a tear roll down my face.

I saw Paige’s face change from defensive to vulnerable in the middle of the conversation.

I let out a sigh as Paige drops her head, tears falling down her pretty face. “Paige, I love you so much. You’re probably the best thing that has happened to me in a long time” I take her hands in mine “but when we have an issue, you can’t just shut me out or brush it off. We need to talk. We need to express ourselves or else it’s just gonna get worse.”

Paige raises her head once more, looking into my brown eyes with her bloodshot blue eyes. “I know…I wanna be better for you baby. I will do anything to make it up to you. I just want things to go back to the way they were” She brings my hand to her lips, placing a tender kiss upon them.

I felt my skin turn hot as her lips connected to my skin, it’s kind of funny how we were together for so long and she still managed to make me nervous.

“I know it seems like an empty promise but I swear I will do everything that I can to make it up to you. I’ll communicate better and I will make sure to do everything that I can to remind you that you're the love of my…I can’t fucking lose you again y/n” she wraps her arms around my body, leaving another kiss on the top of my head.

On instinct, I wrap my arms around her to as I close my eyes to breathe in her perfume.

I was still angry with her but somehow I knew deep down that she was serious about wanting to be better for me. 

She pulls back to look into my eyes before she places an unexpected but loving kiss on my lips. I felt like I was floating on air as my lips touched the ones that they have been craving for three months. With this simple act, she knew that I forgave her 

As we pull away she rests her forehead on mine. 

“Can we just start over please, I miss you so much” Paige giggles while also sniffling. 

I let out a snort as I placed my hand on her cheek “Well we got a long way to go until we are back to the same place but, I think we’ll be ok”.

2 days later

“Ok! I think that’s the last of my shit” I let out a sigh of relief placing the last bit of my clothes back into me and Paige’s shared closet. I fell back into our bed, missing the smell of our sheets. 

I let out a grunt as Paige ran into the room and jumped on top of me. “Jesus Paige! I think you broke one of my ribs” I try to push her off of me as I let out a laugh.

Paige keeps her position on top of me as she puts her face into the crook of my neck. “I'm sorry, baby. I'm just happy you're back” she sighs as she kisses my neck.

“Ew, can yall wait to fuck until after I leave,” Quenlin says as she brings me some more of my stuff in from the car. I laugh as Paige finally rolls off me with a dramatic groan.

I walk over to Quenlin take the box of stuff from her hands and place it on the floor. “Thank you for letting me stay with you,” I say as I hug her.

“Of course, anytime! However, if this shit happens another time me and Paige are gonna have to tussle. You hear me” she yells towards Paige.

“I love you too, Quen” Paige blew a kiss to her.

Quen rolls her eyes before giving me a kiss on the cheek and leaving. 

“Why must y’all fight over me”

“Because you’re the most important thing to us, baby” Paige leaves another kiss on my lips before hopping back onto the shared bed that I will never leave again.

Y'all I am so fuckin sorry this came out so late! But here yall go <3