watching the Mario movie again reminded me just. how much raw mad respect I have for Nintendo's portrayal of Peach in the movie.
I've never been a Peach fan, in the games she's always been annoying and helpless and girly. And I went into the movie expecting the exact opposite, even worse-- the inexplicably already perfect insufferable bitchy girlboss who exists to belittle the male characters because "everything you can do I can do better." It's no secret I hate that female character troupe. And I went into the movie like, I'm going to hate Peach, she's going to make me roll my eyes every time she's on screen.
But she didn't.
Nintendo perfectly walked the extremely thin line between powerful and insufferable. She's feminine, but not annoying. Yeah, Peach is a girlboss, she's in charge, she holds her own, she doesn't really need Mario at all, she did the practice course the first try and she's ready to stick it to Bowser one way or another. But it makes sense for her ["I grew up here"]. She was raised and trained for it almost her entire life before stepping foot onto the course. She's not a bitch, she's commanding, but there's warmth and caring behind it. Her first instinct is to protect her subjects even at the cost of herself ["I'll marry you, just don't hurt my Toads"], but she gives everyone the benefit of the doubt [letting Mario explain himself even though he just broke in to her castle and she just threw him on the floor]. She's not annoying, she's kind and even tries to help Mario feel better about his failure ["now you're just trying to make me feel better." "no! no! ...is it working?" "kinda, yeah"], she gets genuinely excited when he wins battles ["you just don't know when to quit!" "I've never thought of that as a good thing." "That's a GREAT thing!"] even though at any time she could take charge and get her way on her own [she would've gone to the Jungle Kingdom herself even if Mario hadn't shown up, she obviously had a plan to win Cranky Kong over]. She doesn't need anyone to do things for her, but she's willing to let them. Because she sees that they can do it, too, and she's trusting them and encouraging that the whole time.
Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.
Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.
"He knows I'm not the possessive type. I'm totally cool with him having other friends." Girl twenty issues earlier you stole your mom's scrubs to sneak into a hospital and spy on your boyfriend's female friend after he repeatedly told you they were just friends. ARE you cool with it
"Funny enough I—like, if street hockey, ministicks, I always wanted to be a goalie too! Like, for some reason I always wanted to go in net. You know, probably because of [my Dad] and then, um, you know, once you get dinged a couple times and the shots get too hard you realise—then it's not so much fun after all so... Yeah, it was great he'd always—"
"You probably wanted to be goalie 'cuz you're fucking crazy, man! Those guys are bananas! I actually went as a goalie in morning skate one time when I was suspended in the coast, and it was the scariest thing ever, bro. It's nothing like blocking a shot because you're literally just standing there, and these guys are shooting right at you. It's unbelievable!"
"Yeah! You gotta get in the way of the stuff to save it! That's crazy! I know, and like obviously gear is like great and they don't really feel—but there is, like, that psychological thing going on where, like, you know, you wanna move out of the way 'cuz it's gonna hurt! I get—I mean, it must not hurt that much, like, 'cuz Bob's crazy, man! Bob loves taking—Well, I wouldn't say loves taking it off the head, but he doesn't hate it, like he—"
"Feels good?"
"You know, every once in a while—they hit him in the head and you go up and say sorry he's like, 'No, no! It's all good! I love it, I love it!!' and like, kind-of shoos you away so."
The Buzz Pod | 8.7.24 (x)
so speaking of banking pucks off bobbys head and how much he loves it flashback to that day in october of 23 where bobby was doing that for practise and managed to rope in matthew to the shenanigans to the utter confusion of everyone involved (x)(x)(x)(x)
this might not be canon, but personally i need furina to struggle a whole lot longer and harder with post-prophecy depression and mental illness. She's played the same tiring and painful act for five centuries, was constantly in a life or death scenario and had to hide her true self from the world the entire time and she won't just recover in a few years from that.
There's parts of her that will never ever be compatible with a simple human lifestyle, and parts of her that are irreparably broken. She isn't sure of her personality after everything that happened and the lie she had to live. She slips between personas and her archon temperament comes through like a defensive mechanism at any sign of conflict or trouble.
She's plagued by nightmares. Of the flood, of the trial, of the people closest to her conspiring against her behind her back, and of being found out in a million terrible ways. Of saying the wrong thing, making a wrong decision. Of being found out, of being found out, of being found out.
Lying or keeping a secret feels existential still. Being honest still feels life threatening sometimes. Putting herself first feels like putting both hands on a hot stove.
She doesn't live in the palais anymore, doesn't have to sit through trials anymore, but her heart and soul are still there. In her dreams she's still at the place she spent her entire life's memories at.
Yes, she can make new memories, but it'll take time. More time than she has, maybe, now that she's the closest to being human she'll ever be.
She'll never be human in the way the people around her are.
What sort of human has 500 years worth of memories after all? What human tells personal anecdotes and mixes up their centuries?
What sort of human can feel the absence of their divinity like it's a physical thing? A voice that will never speak to her again, or keep her alive? What human has no family, no childhood?
What human remembers so little, but still remembers death somewhere deep within?
She jerks out of sleep from it sometimes, gasping for air, and spends the rest of the night awake, almost frozen by fear. The flood is over, but it's hard to convince her racing heart that the danger is too.
Humans have entire family trees that go generations back, but Furina was put into this world a solitary creature, her blood heavy with sin ever since she turned human.
She owns a hydro vision now and doesn't know how to yield it, but the ocean still calls out to her some days. Sea creatures flock to her like they can smell she's not human enough.
She learns how to make little hydro companions for herself, so the darkness and emptiness of her apartment feels less ominous when she lies awake at night.
She can't turn her vision into a weapon quite yet, but when it rains the droplets seem to cling to her. She's watched them roll upwards along her arm, watched them gather in her palm like kin. She wonders if sea creatures flock to neuvillette in a similar way, or if his immense power makes them recoil. She wonders if elemental dragons can feel regret. Wonders if he, too, ever feels entirely foreign in that human body he was given. If he, too, lies awake trying to grasp faint memories of a past life.
She's extremely human in the way she's plagued by body pains from not being able to relax just one day in five centuries. The years catch up with her once she gets out of survival mode, and fatigue is a constant companion now. Sleep comes difficultly and getting out of bed was easier when the fate of a whole nation depended on it. On her. She's never lived for just herself before and some days she's not sure she wants to.
She did her duty and earned her retirement and the story turned out well, all things considered. She still has people by her side, some of them.
Still, she feels raw and tired and overwhelmed by the life lying ahead of her. As a human and as someone who will always be Something Else.