#but right now it makes the most sense

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[meamiki]

mira !!! :]

[vigilskeep]

when you first start the cousland origin, you can have some conversations with arl howe, teyrn cousland, and duncan that shed some interesting light on the political situation in ferelden. it’s definitely the origin where you get the most context on the rebellion and on cailan and his father. while howe isn’t exactly the most trustworthy of sources, he is also one of the most openly critical of cailan that we have access to, which i think is worthy of interest

howe remembers maric with what the toolset describes as “genuine fondness”: “your father hasn’t spoken of our time with him? that man took care of his friends. as they say, he was large as life and twice as tall!” i think we should pay particular attention to that man took care of his friends.

what howe’s talking about is a really important aspect of kingship, where you win the consent and enthusiasm of the nobility for your rule by offering rewards like wealth, land, and prestige to the loyal. kingship is always less stable than it’s portrayed, and this is one of the ways that kings must essentially sell to the nobility that answering to them is worth their time, which would be especially important in ferelden given everything we know about its culture. fereldans believe someone only has power when it is given by the loyalty of those below them, who have the right to freely rescind that loyalty. the dao codex says that “the sight of [fereldan kings] asking for—and working to win—the support of ‘lesser’ men is a source of constant wonder to foreign ambassadors.”

i suspect howe is remembering a maric fresh from the victories of the rebellion, who was able to reward those who had followed him with the spoils of those victories. at the end of the stolen throne, we see that in the final days of the rebellion, maric was killing those who had betrayed his mother to the orlesians even when they arrived under truce to meet him on holy ground. in dao, we see no lingering orlesian nobility except for those who married in and continue to be met with marked hostility. i think we can safely surmise that maric elected to make no conciliatory measures and give everything to those who had followed him; with the orlesians on the run and his people out for blood, he was in a strong enough position to do so, and it certainly served to win the fond memories of men like howe.

by contrast, howe goes on to say, “it’s too bad cailan isn’t half that.” the toolset notes establish very clearly that it’s the same issue, elaborating on howe’s thoughts: “bitter turn, i don’t get as much from the current king”, and “disdainful, i have no use for him, he does me no favours”. this isn’t a minor character detail, if howe’s last words when killed by the player are anything to go by. “maker spit on you... i deserved... more...” whatever it is that howe feels he should have been given, by the crown or anyone else, it characterises his actions and his defining treachery.

it’s in these same conversations that we see another side of this demonstrated. there are two points where howe can openly criticise the king, and bryce immediately admonishes him for both. one even has the toolset note: “speaks sharply, as a lord to a lesser man, not a friend to an equal”. it definitely comes across that way; the way he tells howe “that’s enough” is not far off the voice he uses when the player, his child, displeases him. bryce can’t tolerate any criticism of cailan, as the couslands in dao are ardent supporters of the king. to venture some hc, i suspect that this is not merely royalist fervour, and that howe’s resentment for having been given less is matched by bryce’s awareness of the precariousness of having more.

over the centuries, the theirins have consolidated their power and eradicated almost all the teyrns (the noble rank that is second only to the king). with the only other lingering teyrn being loghain, who is essentially part and parcel of the royal family, the couslands stand alone as the only real rivals to theirin power within ferelden. there are rumours that bryce was once considered for king instead of the theirins; he too could have decided to believe he “deserved more”. but unlike howe, and perhaps understandably given his strong position and happy growing family, he is satisfied with what he has. he will not take the risk of even the slightest challenge being made within his hall

(i expect that bryce’s satisfaction with the current situation further spurred howe’s dissatisfaction to its heights, given the complicated cousland-howe history and the fact that he was expected to accept a friend he had fought beside as a superior for the rest of his life.)

i don’t think howe’s judgement on cailan is likely to be without basis. we don’t hear about any victories the young king has to his name, from which he could have passed around spoils. (to be fair, cailan had harder luck than maric in this regard. a king who raises a successful rebellion gets to bring glory and prestige to everyone who follows him, whereas a king trying to rebuild after that rebellion mostly gets to bring, uh, taxes probably. especially on wealthy centres of trade like howe’s amaranthine, one might assume.) cailan also takes a far more diplomatic approach to the question of orlais, which perhaps predictably did not win over many nobles of howe’s generation. it makes sense that cailan’s strongest supporters would instead be men like bryce who hope for things to simply continue, peacefully, as they are. perhaps in another world where cailan had won the battle of ostagar, he might have earned wider respect. (you could actually argue on this basis that there’s more sense and purpose to cailan’s glory-seeking than he usually gets credit for.) but howe already acts before ostagar, which can only demonstrate his certainty in cailan’s failings at this point: his belief that even if cailan could win, he would not be stable enough to pursue justice for the couslands

[sallymew4]

EVERYONE STOP WHAT YOURE DOING RIGHT FUCKING NOW

EVERYBODY SHUT UP IMMEDIATELY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[skunkes]

[saltpepperbeard]

hi everyone how are we doing i'll go first i'm doing Bad :)

[tubbytarchia]

So I think my perception of Grian's reasoning for enabling the horrible Jimmy ecosystem and also my perception of his character as a whole has been turned on its head completely and I feel really bad for him after watching Kingdom of Valor and it's like bad roleplay but it's. it's done things to me and I've never ever felt this much for Grian not even in my sadboy Grian Desert Duo phase. I don't know what to do about this

SA word under cut

Episodes 6 and 10 (like the entirety of it) for context. :( . :(. But like major warning if you watch those episodes, especially 10, because um they didn't use any disclaimers

[thii-nii]

운사람 by Hwang Da Seul ('The one who cried' perhaps as a wordplay of 눈사람 'snowman') Lyrics for the ending song of 'Let Free the Curse of Taekwondo' episode 7 (sung by Kim Nu Rim) and episode 8 (sung by Lee Seon) (Both) 내가 빛이 나면 네가 살아질까 Will you disappear if I shine too brightly? 애써 꼭꼭 나를 감춰 봐 So I try to hide myself with all my might. 내가 울어버리면 네가 녹을까 Will you melt if I cry? 애써 꾹꾹 나는 참아 봐 So I'm doing my best to hold back my tears. 봄이 안 오면 안 갈래 If spring doesn't come, I don't want to go. 평생 안 울면 너 안 갈래 If I/you never cry again, you don't want to go. 어떡해야 널 다시 안을지 What should I do to be able to hold you again? 아니, 내가 안으면 또 사라질까 No, will you disappear once more, if I hug you? (Lee Do Hoe (ending of ep 7)) 안 울께 난 그칠께 난 I won't cry. I will stop (crying). 제발 녹지마 Please don't melt. 차갑게 나 영원히 나 있을께 Coldly, endlessly, I'll be here. 제발 녹지마 Please, don't melt. (Shin Ju Yeong (ending of ep 8)) 봄이 안 오면 너 안 갈래 If spring doesn't come, you don't want to go. 평생 안 울면 너 안 갈래 If I/you never cry again, you don't want to go. 어떡해야 널 다시 안을지 What should I do to be able to hold you again? 아니 ,내가 안으면 또 사라질까 No, will you disappear once more, if I hug you? 안 울께 나 그칠께 난 I won't cry. I will stop (crying). 제발 녹지마 Please, don't melt.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[fiona-fififi]

I am so fascinated at Buck's impulsive jump to move in. Like, this is something he's done twice now. And this time, he couldn't even bring himself to say I love you first. He's talking about moving in together, he's talking about engagement and marriage because they would have the right, he's talking about "why be apart when we can be together," but he can't bring himself to say I love you.

This man wants to love and be loved so badly, he wants to have a partner beside him who will become his forever so badly, but he just doesn't feel it and he just hasn't found it, and he keeps trying to force every relationship to be what he needs when they just aren't and my heart breaks for him.

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[coffiicorgii]

… He’s right behind me isn’t he?

[capn-twitchery]

twitch seems like they're really good at hiding their real feelings til you realise it's bc they genuinely don't care about so many things. it's really hard for them to get Really invested in most things, too much going on in their brain. it's easy to have a good poker face when you're just in the poker game for funsies with zero stakes and the win doesn't matter to you

the minute they actually have feelings about something they cannot hide a goddamn thing no matter how hard they try. they've only existed like 6 years they don't know what to do with big feelings and they hate it

[vaguely-concerned]

Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).

many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.

(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)

[givemeallyourpenny]

I sure hope it’s more than ten years because you definitely are not eleven

[m4ggotm0ld]

Natlan is literally the worst thing Hoyoverse has ever created, and for so many reasons, but they somehow made it worse by k!lling off the only good character from it