#but that’s way too much stuff to type out right now

[thanosscross]

HII I REALLY LOVE YOUR WORK SO MUCH, i hope your willing to write about pregnant reader x thanos yk, thanos didn't know she was pregnant before they break up and then they meet up again the games and he finds out player 222 and player 333 type stuff 😭

Of course! We love this!!

Good person - Choi Su- Bong x pregnant! reader

Summary: After leaving Thanos, you encounter him again in a serious death game, only this time the stakes are lot higher

Warnings: Not much, just your usual squid game gore

A/n: Sorry it's so short! I'm going to try and start adding some length to my stories again especially my Thanos stories so stay tuned for those longer stories, trust me they are coming, they're just takin a lil time

You had told yourself whenever you signed up, you'd be as careful as possible, and that it was all for your baby, after leaving their father and being disowned for choosing to be single mother, you were left with little to nothing, so of course you took the chance to get money.

As you woke up in the giant room you soon came to regret your decision, seeing your sperm donor just a few feet in front of you, focused on the screen reading off debts "Y/n L/n, 25 million won" The guard shouted, showing you getting smacked across the face, quickly holding an arm over your stomach afterwards. Almost like he knew, as soon as your name was called out, his head snapped to yours "Senorita! You're here!?" He shouted in shock "No Way!" He shouted as he walked closer, you attempted to curl your body up away from him, but due to the six month pregnancy belly, you could only bend your legs closer to you slightly.

"Please leave, Thanos" You grunted, trying your best to keep him at a distance, for all he knew you had taken a plan B after your last hook up and that was it. Instead he just kept approaching until he was standing in front of you "What're you doing here!?" He asked excited, you just shook your head "trying to get my family and I money after my sorry excuse of a boyfriend convinced me to buy stupid ass crypto?" You said like it was obvious, it wasn't like you were entirely lying, you just didn't specify what family.

Going into red light green light, you were cocky at first, knowing you could do this easy, until the shooting started, players falling left and right, while your baby dad just skipped and danced his way to you down the field "You never answered me, Senorita" He repeated, placing his hands on your hips, terrified of what he might do, especially after watching him shove other players to win "I-I'm pregnant" You blurted, you couldn't help it, between your fear of dying by Thanos or the game was too much, you just wanted to get out of this alive, you didn't think it'd be this serious, if you did, you never would've done this. "Haha" He laughed sarcastically before looking at your face as the doll called out red light, he was in front of you now, and you were visibly shaking, Thanos using his body to try and shield you from the sensors "for real, flower?" He asked, his tone a lot more deep and raspy, you could tell he sobered up quick upon the realization you weren't joking. "I-I forgot the pill after hooked up a few months ago! a-and I left because I knew you couldn't be a responsible dad" You blurted, unable to contain your emotions as the hormones in your body were on overdrive.

Thanos was frozen, staring at you in shock before finally snapping out of it as the doll called green light, he grabbed your arm holding you behind him as he followed the others past the red line "Just stay behind me" He whispered, your words stung, how could you be so sure of how he'd be as a dad if you never gave him a chance? As you made your way back to the giant main room, you took notice to Thanos's hand on your back leading you to the bed "Sit, you don't put yourself through too much" He explained softly, helping you over to your bunks before eyeing Nam-Gyu "Give her your bed, man" he demanded, his friend stuttering before giving up and giving you his bed that was floor level, him taking your third bunk bed. "Thanos" You warned, not wanting him to make it a huge deal "What?! You're huge! You don't need to be climbing!" He shouted before catching his tone, apologizing quietly "Okay, well One, that was very very rude, two, I can do whatever I please, if I feel like I can't do something, I'll tell you" You stated poking him in the chest with your finger, he just smirked at you, biting his bottom lip slightly "Have I ever told you, it's hot whenever you yell at me" he asked, trying his best to charm you, but instead you just flicked his forehead in annoyance "Get away, freak" You replied, he just smiled at you, sitting at the foot of your bunk "So it's my baby?" He asked smiling pointing to your stomach "Well, if not I'd be concerned" You said raising your eyebrows at him "Can I..touch it?.." He asked nervously "it's not an it, it's your daughter" you glared, before grabbing his hand slipping it under your jacket, pressing his finger down in just the right spot to get the small baby inside of you to move around "Woah..weird" He said grimacing as he pulled away in disgust "Really!?" You gasped in shock laughing loudly, somehow forgetting you were in a death game for a moment "Yea! You have a whole human inside of you! That's weird!" He laughed, resting his hand on yours "You put it there, Su-bong!" You argued, you swore sometimes you got with a completely dumbass.

"Y/n..If you'll let me...I wanna be there..I don't want to be like my dad" He frowned, squeezing your hand gently "Please?" He begged "I know I fucked up bad, but, I want to try again, please" He continued, you glared at him for a moment before sighing "How can I trust you? And you'll have to get clean, for real clean, not how you're usually clean" You added on, you just watched as he nodded his head, no faces or complaints "You're actually serious aren't you?..." you asked sweetly "I want to be a good person for you, y/n, please" He whispered, pressing his lips to your knuckles "I guess..but you only get one chance" You offered, he just nodded before flopping himself next to you "Thank you!" He cheered pressing multiple kisses all over your face as he chanted his thank you's, not realizing the next 18-19 years were going to be hell for the both of you.

The rest of the games, Thanos was always on you, making sure you didn't over do yourself or risk hurting yourself or your baby, charming you right back into his arms.

--

Taglist!!

@acehasmyheart

@corrdelia

@ag022123

[cottonlemonade]

First Date

word count: 1251 || avg. reading time: 5 mins.

pairing: University AU!Tsukishima x chubby!Reader

genre: fluff

warnings: none

request: i have been giggling and squealing for the past 20 minutes over how cute and genius the request form is 😭 LIKE ITS SO SMART AND ADORABLE I HAD TO SAY SOMETHING ABOUT IT. so anyways me and Tsukishima are getting 15 and 25 for breakfast, and then we'll go home to study! || fluffy, members of the same club, first date with crush Tsukki

Tsukishima never subscribed to the tradition of New Year's resolutions. In his mind, why bother setting unrealistic goals for oneself only to be disappointed? Whenever his friends and family asked, never learning their lesson, he would adjust his glasses and say, “Nothing.”, then silently add get saltier 2025. When he entered the gym for the first time after the winter break, however, he had to rethink. You were standing on a little stepladder, struggling to detach the last bit of Christmas decoration you had insisted on hanging on the walls before everyone went home for the holidays. Your chubby tummy looked even softer now bumping out your seasonal sweater.

“You know, if you can’t take them down by yourself, maybe you shouldn’t have put them up in the first place.”, he grumbled.

“Oh, hey, and a happy new year to you, Tsukki!”, you said brightly, turning to him and waving.

His heart did a little jump at the gesture.

Unfortunately, he had fallen for you pretty early on in your career as club manager when you bonded over your mutual hatred of overzealous people and loud obnoxious music played in department stores, and artificial watermelon flavor. He had since imagined you two walking across campus hand in hand, sharing more things to despise together. But in order to do that, he had to ask you out first. A hurdle he decided to take this year.

In his first draft of a date idea, he wanted to invite you out to dinner, but that was strongly vetoed by his wallet. Thus, a simple coffee would have to do for now. He shifted slightly, tapping the tip of his shoe on the floor to find an angle with which to direct the conversation where he needed it. Lucky for him, you did it yourself, although not in a way he hoped.

“Mikoshiba asked me out over Christmas, by the way.”

Tsukishima grimaced. He hated both the thought and the easy-going redhead, who all too much reminded him of the former Nekoma captain.

“Ah.”, he said, looking at a despicably jolly Santa bauble in the box sat on the top of the stepladder. An internal battle between wanting to ask for details and immediately smack-talking the other guy rose in his chest. Again, you made it easy for him.

“I didn’t go, though.”

“Hm. How come?”

You finally got the end of the garland off the wall, with no help from the tall boy, who could have grabbed it without effort.

He was met with a shrug.

“Not really my type. And he asked me out for coffee, which, I dunno, just feels pretty uninspired for a first date. I get that it’s a classic, but I wouldn’t mind some creativity.”, you hopped back onto the floor, “Plus, cafés around here are super overpriced.”

“Right.”

After trying your best to stuff the long prickly decoration into the box, you went to put it all away and, looking over your shoulder, you saw that he hadn’t moved from his spot next to the ladder where you left him.

You couldn’t quite put your finger on it, but something about him was off today. More so than usual. Box in your arms, you came to a halt in front of a closed door. You turned on your heel, tilting your head in question.

“Could you open the door to the supply closet, please?”, you asked sweetly, since there was no indication he would be coming to your aid. He seemed deep in thought.

“Hm? Oh, yeah. Sure.”

It only took him three steps with those long legs to reach you. Before he pushed down the door handle, however, he said, “There is a limited New Year’s hot bun out at the convenience store.”

You blinked in confusion.

“Okay?”

“It’s one with sweet potato noodles and stuff. You like those.”

“I… I do. Thanks, I’ll check it out.”

The door remained closed, his hand still on the handle.

“There is a two-for-one sale.”, he went on after a pause.

You frowned, so completely lost as to the point of this conversation because it was obviously not informing you of a banging sale. “... Nice.”

He suppressed an impatient click of his tongue. This was going horribly, how dense could someone be?

“We can go together.”, he said.

“Alright…?”

“Like… today. I’m going there now anyway. I wouldn’t mind if you came along.”

“Uhm. Okay, yeah, I can do that.”

“Okay.”

“So are you gonna open this door any time soon or…”

“Right.”

Tsukki didn’t speak much with you as you headed to the convenience store. He pointed out a dog in a sweater for no reason at all and then went silent again. You still couldn’t figure out why he wanted you to come with him. Usually, he avoided any unnecessary social situation and in your opinion, this was as unnecessary as it got. You were roughly 94 percent sure he could handle getting the buns by himself.

“We should just eat here while we’re at it.”, he said as the glass doors slid open.

Maybe he had trouble with his roommate again and wanted to prolong going home, you speculated. In that case, you were pretty touched that he preferred your company over having none at all.

Food was gathered and warmed up and you took the two free seats at the small wooden table by the onigiri shelf. Watching you struggle to open a can of soda for a few seconds he took it from you with a surprisingly gentle, “Here. Let me.” then set it back down in front of you.

“Thanks.”

You ate in silence. Some current chart songs were coming from the overhead radio and you lightly bobbed your head along as you bit happily into the delicious hot bun. Tsukki placed a fried dumpling he had picked out as well on the plastic lid of your open container. “Try these. They’re good.”

“Famks.”, you mumbled through stuffed cheeks of sweet potato noodles and stuff, then eyed him suspiciously as you swallowed.

Either he was trying to discreetly poison you or, “Tsukki… is … is this a date?”

“What? No.”, he said quickly and lowered his head when the store clerk looked over.

“Oh okay. Just making sure.” You went back to the food, spearing the dumpling with your chopsticks but keeping an eye on him.

“If it were, it would be definitely more creative than a café though, right?”

You paused midair to your bite.

“So this is a date.”

“Yes. - No. I dunno. Don’t make it weird, okay?”

You slowly spun the dumpling around, studying Tsukki’s pink ear tips.

Never in a million years would you have guessed that this guy, who never had a nice word for anyone and less enthusiasm than a snail on a Sunday afternoon, could ever ask you out.

You considered him for a moment. He was pretty cute the way he avoided your gaze now. It was worth a try.

“Do you… like jazz?”

Tsukki squinted at you in disbelief.

“What’s wrong with you?”, he furrowed his brow but was unable to hide a relieved chuckle in there.

“Well, it was getting awkward so when in doubt, Bee Movie to the rescue.”, you laughed in your defense.

He finally cracked a proper smile and rubbed the back of his neck.

“Agh, okay, the next date is going to be better, I swear.”

You both nodded and grinned quietly at your dumplings, then continued to eat.

a/n: 🥺🥺🥺 dear anon, thank you so so much for that sweet message and I apologize about the delay! I hope you enjoyed this story nonetheless 🌟

Also borrowing Mikoshiba for this aka the only straight character from Free!

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

----

Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[genderqueerdykes]

How to deal w a longtime friend that at some point became a radfem? I was bad at recognising it back then when there were clear signs and didnt know how to argue, so i stayed passive and argeeable, esp since im a nonbinary guy n shes a (sorta questioning) cis girl.

When i showed discomfort with her doing the "i hate all men" type stuff she's said "omg you're not one of those 'not all men' types" and bc i didnt know at the time i backed off, n she also mentioned how she sees/treats both trans men n cis men the same

I mean ive always felt like she's treated me that way, or that i felt like i needed to stay silent or had more priviledge when around her, despite being pre-everything and pr much closeted in my everyday life, or felt more like i was a binary man around her when im not

She has also been sorta weirdly sex/kink negative or made fun of it, for some time i figured that it was just a bit bc of her being sex repulsed n her being immature, but i still felt sorta more ashamed regarding my kinkiness/sexuality around her when not (were both on the aroace spectrum, though i figured out more recently)

Also parroting radfem rhetoric about "well the sex industry is harmful" (..every capitalistic industry is harmful) and when mentioning kinks/fetishes for some reason often brought up "but what about those kinks where people get off to women starving themselves/having problems w their weight" which is like?? Yea okay if they are doing that to real people thats bad but like what kink/fetish spaces do you hang out in where that would be the first thing you'd bring up??

I also once remember her mentioning that she felt weird about her own connection to masculinity, which i sussed and esp now sus might be due to her being this man-hating

She's told me "you don't have an issue w the 'man vs bear' thing since you're a guy right?" but i didnt feel like arguing at that time so i just agreed and quickly moved onto another subject

Looking back at older texts, she's also said before that im "one of the few men she actually respects"

I've realised how harmful and bull radfem rhetoric is now, n i want to keep a distance from her, but idk how to deal w it bc ive always been the more agreeable and peace-keeping one between us

i'm so sorry you had to go through this. radfems are possessive of the identities of everyone around them to the point of coming up with the most asinine bullshit to make other people feel insecure and question themselves and just go along with whatever the hell they're saying. it's toxic and abusive.

whenever i talk about transmasculine and trans male issues, i get those "oh you're one of those not all men types" as well. it's such a useless thing to say. like if the thing you're opposing is people making blanket statements about women and being treated like a monolith, why are you doing it to someone else? that's the example you're setting, but yet you expect different treatment? double standard.

the sex & kink negativity in radfeminism is exhausting, too. it's not progressive. a lot of people choose to go into sex work and enjoy it. some don't mind it. some are okay with that being their job. a lot of people are exploited, but not everyone is. like you said, it's the capitalist corruption of these industry that causes problems. like you said, people instantly jump to the worst possible conclusion when the subject of kink comes up

the normal song and dance is "men who are into BDSM are only straight guys who are misogynistic and want to beat women. women who are into BDSM are scared and confused and being taken advantage of and are enabling abusive men." they have very few arguments and they're all so far out of left field that it's not relevant to the type of conversation you're having in that moment. making blanket statements about all kinky people being abusive in some way... that's profiling.

at this point its your choice if you continue to interact with her. if you do, you are allowed to stand your ground and tell her that those kinds of things make you very uncomfortable and that it's just not okay. if she can't handle that, then it's not your job to try to change her mind. if she cares about you, she'll treat you with respect. i hope that's the case, but you don't owe time or energy to people who treat you like garbage. good luck, stay safe

[thezombieprostitute]

Dr. Hot Stuff

Summary: You're probably the only nurse who hasn't slept with Surgeon Johnny Storm and you're happy to keep it that way.

Warnings: Age gap, Implied smut, Medical setting, Talk about surgeries. Please let me know if I missed any!

A/N: Many thanks to @bigtreefest for help with the medical terminology and more!

A/N2: Reader is 35+ years old and female. No other physical descriptors used.

You feel like a zombie, asleep on your feet after an incredibly long surgery. As much as you liked being Dr. Beck's go-to nurse for long and complicated surgeries, it still took a hell of a toll on you. As soon as you were cleaned up and in fresh scrubs, you were headed to the sleeping area.

When the doorknob doesn't turn you blink as your brain tries to process why you're not already laying down. You try a few more times but nothing. Is it stuck? It's not supposed to be locked.

Then the sounds of giggles and moans pierce through your brain fog and you put the pieces together. Dr. Johnny Storm, aka Dr. Hot Stuff, doing his regular, pre-surgery "ritual" with one of the nurses. You roll your eyes and shake your head. You should break down the door just out of fully justified spite! But you know you won't get much support. Apparently Dr. Hot Stuff earned his nickname. If there's one thing you'll give Storm, it's that his partners have no complaints, and they are the type to complain.

You slink off to the break room to find a recliner for a nap.

You're startled awake by Johnny loudly celebrating his latest successful surgery. He's proudly proclaiming his mastery over the appendectomy to anyone and everyone who will hear. You roll your eyes and start getting out of the recliner. You should be used to these kinds of things by now. Young surgeons are always so loud and proud.

Before you can get out of the recliner, though, Johnny steps in front of you.

"If it isn't my favorite veteran nurse," he smirks.

"What do you want, Dr. Storm," you sigh.

"You know you can call me Johnny, like all the other nurses, right?" he raises an eyebrow, grin never dropping. "I'm just trying to be friendly but you keep shutting me out."

"I just woke up, Johnny. And I'm still very tired. I'd be friendlier if I could've actually slept in a bed." You give him your best glare, hoping it would get him to back off, maybe apologize.

Instead his smile widens, "oh, sorry about that. Next time I'll make sure you get to join in." He winks and you scoff.

"I'm out of here," you shake your head. "I've gotta get back to work."

"Wait, please, I wanna talk to you!"

"About what?"

His facial expression changes into puppy dog eyes that your certain would work on a younger you. "Can you put in a good word for me with Dr. Beck?"

Your eyebrows crinkle in confusion. "What?"

"I'm doing so damn well with these appendectomies and cholecystectomies that I could do them in my sleep," he explains. "I want to get into doing the interesting surgeries, the ones that'll help my career, you know?"

"You haven't mastered the mundane yet," you tell him and he rolls his eyes while giving you a groan. "It's incredibly important for surgeons, especially new ones like yourself, to get experience with the variety that can come from even a simple procedure."

"What variety?" he protests. "It's all the same procedure. The same hand motions. The same instructions."

“You’re about to sever the common bile duct but your view is partially blocked by a section of hard adipose tissue. What do you do?”

"Predict where the duct continues under the fat tissue and make the incision,” he shrugs as if it should be obvious.

“WRONG," you loudly scold. "You just nicked the hepatic artery. Your patient is bleeding out.”

He starts pouting but you continue to grill him. You can tell he's studied but he's just too inexperienced and he continually falls short. Given how red he's getting, you can tell he knows it as well. When you finally let up on the questions he backs up so you can get out of the recliner but he's definitely not happy.

"Bet you'd put in a good word for me if you helped me with my pre-surgery ritual," he grouses.

"Not gonna happen, Junior."

"You sure?" he raises an eyebrow in that way you know works on the younger nurses. "I bet I could make you feel young again."

"I'm sure. Now if you'll excuse me, I'm gonna get back to work."

"I'll get you to change your mind one of these days," he promises with a wink.

You roll your eyes and shake your head. "Whatever helps you sleep at night."

"Ooo! Giving me permission to think of you next time I can't sleep?"

You facepalm. "I walked right into that one."

Tagging: @alicedopey; @darsynia; @delicatebarness; @icefrozendeadlyqueen; @irishhappiness; @lokislady82; @ronearoundblindly; @thiquefunlover63

[syscest]

Species-affirming cybersex. That is all

that's NOT all because I'm gonna break down these concepts and how they work.

species first. reffing chapter 2 of plural respect, system members have self-perceptions that can differ from the body and don't have to resemble things that exist in the outside world - and a shared understanding of this can help you connect. Nonhuman types often shorthand this as "species" to indicate something left field of human - but it practically encompasses impossible-human stuff like "human with a curse" or "human that's a wizard" and inorganics like "sentient computer virus" or "reanimated skeleton" for most use cases - anything physically impossible enough. if you're into shapeshifter language, you might prefer "form" - same difference.

with that in mind let's talk cybering. Cybersex in most of its forms is collaborative fantasy. You're taking "thinking about a hot thing" and extending it to include someone else over the internet somehow. Though valid barebones sexting can be purely something like discussing physically occurring masturbation, it usually involves constructing a scene of some kind and (though its rarely admitted) you're basically collaboratively writing smut fanfiction about you and your hookup.

I think breaking the "this is weird" glass is critical to engage with this properly and prevent mystifying it. yes you are writing self insert oc fiction with a friend over the internet, yes you're gonna be horny about it. and yes omg you DO get to choose the tense case and perspective you prefer to write in this is huge and nobody says it.

Furry ERP communities (owing to a common layer of seperation between the selves) often use third person language, refer to sonas by name, and put dialogue in quotes: <confused, she pokes her friend's arm, "Hello?" she whispers, "Anyone home?"> etc etc, providing a clear seperation between OOC and not. You might find this stiff or impersonal or booky - and there's a tonne of variation you can apply to see if it fixes that:

per-sender first+second person pronouns:

qualify actions instead of dialogue: <[she pokes her friend's arm] hello? is anyone home?]> (notably removes the hard OOC separation, which can enable chitchat)

both: <[I poke your arm] hello? is anyone home?>

+ avoiding self-references where possible: <*pokes your arm* hello? is anyone home?>

So sexting gives you a canvas, and because it's collaborative smut writing, it really doesn't require you to adhere to what regular humans do and look and feel like. You can write directly about your metaphysical forms interacting because you're literally out here playing pretend for fun.

It definitely works for some people and doesn't for others, but don't get caught in "what do I write". you can't focus on cybersex being *good*, focus on silly little whims and suggesting whatever comes to your head - start by finishing the sentence "if I had you in a room right now, I'd __". Its a silly little playpen for exploring eachother's sexuality and relationship to themself, just be nice to eachother and run with it.

And, yknow, affirming? well, as long as you communicate well, take the standard safety measures you would for any kink scene, and understand consent applies just as much when you're acting out text - then you can do/pretend/play/perform all kinds of stuff via text cybersex you can't do in-person. It's a great way to connect with these parts of yourself and resulting tendencies, and acquire stupid fantastical kinks about it. All new weird ways to be found (find yourself?) attractive.

Ok. well. unrelated tangent. you CAN do it in person. invoking weird nonhuman or otherwise metaphysical junk in bed is not strictly typing only - for one you can literally bring your phone TO bed and do mixed-media sex where you get to sext *and* get handsy, but that's not even the point. Sexting might make you a sex-fanfic-author but don't forget you can be a sex-wrestler/sex-theatre-performer too - talk to your hookup about the impossible things you'd like to do, and then do things that physically resemble them and you can both enjoy filling in the blanks. Your brain WILL help, if you're thinking about picking someone up with your tentacles and you use your body's arms, you'll naturally want to move them in a different kind of way, and you'll both pick up on it. The more you engage, the more it comes through in how you move, the more your friend gets to pick up on. Hell, you can even check verbally if you're understanding things right - "is that your arm" etc etc. It's a more complicated, subtextual language, but it can be a LOT of fun.

Anyway, species-affirming cybersex :)

[enanzaz]

ultimate list of which ace attorney characters would listen to vocaloid/cryptonloid and to what extent

my credentials: i have listened to vocaloid many many a times, i play project sekai religiously (DONT COME FOR ME IVE SEEN PROJECT DIVA TOO)

and for my fellow nerds out there: I DONT KNOW THE DIFFERENCE GOOGLE SUCKS OUT HERE SO DM THE DIFFERENCE i dont know the difference between frickin cryptonloids and vocaloids STILL

edit: I KNOW THE DIFFERENCE NOW

spw for aa characters below

ask/dm if you want a pt2 or js my opinion on ur favs

phoenix: brother theres no way. phoenix barely uses a phone. explaining to him vocaloid would cause his head to explode contrary to popular opinion. ON THE SLIGHT OFF CHANCE HE MAY KNOW IT hed only know hatsune miku and refer to her as “oh yeah blue pigtails”

trucy: reason why phoenix knows hatsune miku. i can sense the fact that shes put instrumentals for her show (like the mcu did). not a major major fan, but def knows it

maya: OH FOR SURE. i know the steel samurai to vocaloid pipeline when i see it. started off unintentionally as a joke bc steel samurai had a collab w them. i see maya as the more “likes more popular songs” (bc same no shame) but i can totally see her screaming MIKU MIKU BEAAAAAAAAAAAAAAAAAAM. her fav is kagamine rin or miku

apollo: mayhaps. i seem him as a very teto or vflower type of guy but i think he would js be a pretty surface level listener. guilty pleasure type stuff i understand. i can totally see him listening to a mix of both teto and vflower tho, like bocca della verita or medicine

simon: ohhh i KNOW a kafu fan when i see one! he screams “yeah imma gatekeep this great artist” and low and behold its kafu. theres no way he didnt listen to vocaloid prejailtime. if NOT a kafu fan easily luka or meiko fan as well, more jazzy i think. i also think he watched the aa version of gossip girl but thats a story for another time. ALSO plays pjsk when he learned it exists post prison, im talking this is like at home grinding hours for him. also his fav unit is

athena: meiko fan. not much more to say. def die hard but listens bc she saw simon listen to her once or twice as a kid. i can totally see her playing “on the rocks” in her downtime. i DO also think shed be a len fan tho, songs like “butterfly on your right shoulder” or “sick of house”

klavier: gakupo next question. i KNOW a venomania fan when i see it.

top three vocaloid listeners/fans:

3. klavier

2. maya

1. tie between simon and athena - its a competition

[omagpies]

No way! Another person who has spent way too much time on apex! Who's your main? I'm guessing BH but I don't want to assume. How did you feel about the BH/Fuse engagement? Do you have any heirlooms? Sorry, not very many people play apex on here.

Also, do you have any apex art? If not that's totally cool but I would love to see it!

you have activated my trap card!! many drawings ahead

my main is indeed bloodhound. i also whip out fuse, mirage, and to a lesser degree octane, but mostly i'm a one trick bloodhound. they were what got me into the game in the first place back in season 7 when i heard their 'i'm afraid of heights :(' voicelines (a cool hunter nonbinary character voiced by none other than allegra clark? sign me tf up), and even though i am Very Bad At Shooting and don't actually like battle royale-type games apex stayed my brainrot for over two years. the brainrot is definitely over now and these days i play it as a social thing, but that's how i acquired 2k+ hours lmao

also they released a magpiehound recolor called 'frosthaven' that i gleefully snatched up and have been wearing it ever since (ft the magpie holospray and the magpie mural on their latest map. i think they are catering to me specifically)

i am. truly Not Good. i am here just to clown and gossip and make poor life choices. my impulse control is too non existent for someone whose best skill is shooting a perfect outline around the enemy and not a bullet within

i had SO MUCH bloodhound art over on twitter good god. out of the following two drawings, the first one was bought out by allegra to sell as signed prints, and the second one was reposted onto apex's IG account, and in general this was the one time i genuinely had a blast on twitter interacting with all the devs and vas before everything went downhill both in respawn and on twitter lol. also i have to say, s10 and the whole White Raven thing fed me so. so so. SO well. the existential angst was incredible.

i participated in a couple of zines/projects as well! i have many thoughts about their canonical(!) respawn system and the resulting unimportance of death. adds to the existentialism and to bloodhound's religious themes

overall it was a very, very prolific period for me, and there are many pieces i'm still very happy with to this day

(^ the second to last one is a reference to the fusehound confession scene, and the last one is related to one of my fics, wooden bones (forest deity!bh au))

shipping!!! miragehound was my initial and most prominent ship, and i will never forgive respawn for not expanding on their backstory (their mothers worked together COME ON. they might have met as children! COME ON!!!!! i have a whole series exactly about the What Could Have Been)

their backstory with boone also fascinated me for a very long time, and my friends and i spent many a yap session dissing the dude until we stopped and thought, hey, what if he really was Just Some Guy who made mistakes, what if he wasn't evil, and that's what pulled me right back into the brainrot when i was already starting to slowly recover from it. boone now has a very elaborate backstory and lore and i hope to god respawn never puts him in the games the way we did because a) they don't GET him and b) i don't trust the fandom with him lmao. i'm super down to blabber about him though just say the word. he's everything to me, my big, sad, hairy man

we also invented in-game stuff for him. he had abilities and skins etc etc (the top row of skins is his titan pilot backstory + talos era + 'default' in-game skin)

this diptych still lives rent-free in my head, i think i really won with this one

where miragehound and boonehound flourished, mirageboonehound wasn't far behind! i wrote how it came to be and all. also Рorn. so much Рorn. seriously.

also this was the first time i redrew the twelfth night as my otp. the second one was mouthwashing

fusehound was an absolute delight to watch blossom, especially since we know it wasn't planned and just Kind Of Happened. i felt that lmao. characters be like that. i'm a bit sadge they shelved the whole talos plotline in favor of romance but at this point i gave up on expecting good lore from apex, especially after they fired herr frozenfroh. i didn't draw fusehound nearly as much, BUT i do have one fic that was basically a dream i had lol

honorable mention goes to revhound!! this is the ship that went really hard with artists and writers. deeply painful, deeply compelling, absolutely incredible. mindblowing angst and just as mindblowing рorn, together or separately. best shit. the one ship i didn't write for because compared to the fandom's behemoths i never felt like i'd be able to contribute anything meaningful lol, i just got to sit back and enjoy

bonus: as one of my friends eloquently put it, bh and their bhitches :)

i was going to put in more pictures but hit the 30 images limit!!! my twitter is now abandoned but if you scroll down just a little you can see all the stuff that didn't make it into this post.

apex and bloodhound also REALLY, REALLY got me writing. i came into the fandom already relatively warmed up after a 170k fire emblem fic, but i ended up writing 200k+ for miragehound, mirageboonehound, and fusehound combined. i was unstoppable. it was insane. i've linked some already but you can peep them all here. bloodhound's pov was especially fun to write for, purple prose my beloved

also you asked me about heirlooms! i'm a lucky motherfucker who managed to get one set of shards from the 500th box and another from just the random 0.4% chance. so i have bloodhound's and fuse's as they are my most played characters :)

[artsygirl0315]

Hello!

Happy New Year!

Can you draw Hansel and Dorothy , if you like, you can add your headcanons for them, of you have time?

-Numbuh 28_23(merakinest)

(Sorry if it took a while for me to answer, Got some stuff caught in my schedule but hope you like these!)

Headcanon Time!!

•Dorothy has some slight tempermental issues that she'll get irritated when something doesn't go her way or isn't in the right place.

•Hansel is literally just so carefree and free spirited that you can throw a pebble to his head and he'll just smile at you and wave, He has a fighting spirit so don't think so lowly of him too early.

•Hansel has something to him that Dorothy finds challenging to figure out and often puts him to the test which ends up either a draw or he'd get the upperhand.

•Hansel is the type of boy who plays instruments for fun while Dorothy learns it out of boredom, she thinks it makes her classy.

•Dorothy might be slightly germaphobic, she doesn't like her or her belongings that touches the ground or anywhere filthy. She doesn't like people getting too close and often sanitizes her hands, Hansel doesn't mind dirt much though.

•Dorothy lacks the patience while Hansel is pretty fueled with it, He usually keeps her in check if she starts becoming more strict than usual.

•They're both complete polar opposites but they compliment each other pretty well!

(That's all I've got for now but I still hope you like it! Stay awesome now!💙)

[givemeallyourpenny]

I sure hope it’s more than ten years because you definitely are not eleven

[harvestmoth]

more rejuv things but its. its just this guy again, im sorry shes all i can draw

[dadbots]

cold as shit & freezing my ass off in this winter (But at least we made it to December.)

[axvwriter]

I gave this a quick look and clicked the button. If you decide to not allow cookies, the button apparently doesn't work. I'm assuming it has something to do with the ad sponsors as it seems that a click means the ad sponsors will be paying? Not entirely sure how it works, but if that sounds a little too sus for anyone, after I clicked I did notice it giving a link to a list of charities.

So here's arab.org's list of charities to give to to help Palenstinians for anyone who wants to look into those.

you can click on this button once daily to help palestine and support other causes in the middle east for free. it takes literally 5 seconds and could help save lives so please take the time to click and share this link.

[hiiragi7]

Not my usual content, but I made something I wanted to share...

Edit: Now with an ID from @a-captions-blog! Thank you for writing it!

[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.

1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’

2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.

3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’

4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.

5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’

6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’

8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’

The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions

[what-even-is-thiss]

The reason people don’t want to work is that it’s just normal for them to be in bad work environments.

My issue with working at Walmart wasn’t the work itself I was doing. It was the circumstances around it. The concrete floor, lack of places to sit, having to put up with asshole customers, not getting time off for injuries, and bad pay.

If I had been given shock pads to stand on or a few chairs to rest on sometimes, if they paid me a livable amount of money and I was allowed to yell back at asshole customers, if they had given me any amount of training, I would happily work part time folding clothes all day and telling people where the swimsuit section is.

I’m a creative type. I’m a writer. I’m pretty smart, even. But if I could make a living folding shirts and listening to podcasts in one ear and helping people find the scented candles for 30 hours a week? I would. Leaves some mental space free for me to brainstorm. Lets me catch up on my reading with audiobooks.

But instead I was treated so badly by upper management and customers that I’m like legitimately a little frightened whenever I step into a Walmart now. And I only worked there for three months a few years ago.

I’m a good lower level worker. When I’m treated well. I like finishing tasks. I like being helpful. I like having some time to talk to coworkers and some time alone with my thoughts. I’m a frickin team player. And that’s how I was at my first job. I was treated well by my supervisor. I was trained. They were patient with me. I was so good at being low on the totem pole at that job because I was valued and felt like I was being listened to. I was able to sit still when there was nothing left to do which made it feel less bad when we were on a time crunch. I didn’t mind working hard at that job because it was fun even though I was doing all the low level stuff that the supervisors didn’t want do.

But at Walmart I was like that for all of two days. Then I figured out that nobody appreciated my work and if I worked in my normal people pleasing manner I’d kill myself because their standards were high and the rewards for meeting them were low.

So I slowed down. I started avoiding customers. I started taking a lot longer to get to my breaks and to come back from them. I became worse at my job because no matter how good I was at it there would be no reward, no appreciation, and I’d just be pushed further beyond my limits.

My only level of happiness from that job came from the people who were working with me. The old ladies and my department manager who made sure I wasn’t overextending myself. The one other young man working in the clothing department who always got sent with me to unload the heavy stuff and commiserated with me about the shoulder injuries, the hurting feet we were too young to have.

But none of that was enough to make me stay. We were constantly understaffed. I was constantly abused by customers and not able to do a thing about it. I was not paid much at all. So as soon as I had enough saved up for what I was trying to do and my last semester of college was about to start I handed in my two weeks.

I would have found a way to stay if I liked that job. If I liked that job I would’ve pushed myself to my mental limits to finish college and keep that job at the same time. Heck that job could’ve been a rest from college. A place to get away from it. But I hate that job so I got out as soon as I could.

I want to work. I want enough money to live sort of comfortably. I want to have some tasks to do to give my creativity a rest. I want to be a part of something. But the way that modern corporate run work environments are set up does not give me any of the things I actually want out of a job. And I think that’s the same for millions of people right now. A lot of people would happily spend their lives as a waitress or an Uber driver or a warehouse worker or a farmhand or any other “low skill” job you can possibly think of. But with the way the world works right now those jobs are absolutely miserable. It doesn’t have to be that way. I know because I’ve had a fulfilling part time minimum wage job that I looked forward to going to every week. A job where I was listened to and allowed to sit when I needed to. I miss that job. Especially now since I’ve realized that’s not the standard. It should be. People should look forward to going to work or at the very least not get mild ptsd whenever they set foot into a Walmart.

[orcelito]

My nose has been so fucked up lately, like snotty and sneezy, but I'm not otherwise feeling sick. And I think I know what's going on.

The Dust.

I've recently moved my fan to the floor so that when I have it running as I sleep, it's not blowing on me (bc it's gotten colder). I think it's kicking up a ton of dust tho and making my nose HATE. ME.

I've come up with a list of cleaning goals to accomplish over break though which includes dusting and cleaning the floors. So hopefully I can make it better for myself 🙏