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slytherinslut0 · 16 days ago

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SLYTHERINSLUT0’S RIDDLEMAS

dec 10th. tom riddle — oral sex, experienced!tom.

RIDDLEMAS MASTERLIST. I 2024

summary: your ex couldn’t make you orgasm, so you were certain you were broken. tom shows you just how wrong you are.

warnings: 18+, SMUTTT MDNI, tom riddle can eat me aliv—sorry who tf said that?, tom riddle is such a realist; he sees a problem and he finds a solution, tom is a munch, praise kink, oral f!receiving, experienced tom, hufflepuff!reader.

Months pass, and your project remains the only thing Tom ever prioritizes when it's you asking.

Progress is slow—slow because you're usually far too busy talking to actually focus—yet, he always stays. He listens, even when the things you say should bore him, even when they mean nothing at all. He sits there—giving you hardly the barest scraps of himself in return as you fill the space between you with everything that crosses your mind.

Things he'd never waste a second hearing from anyone else.

And tonight, to no-one's surprise, you're doing it again—rambling on about nothing and everything all at once. You've got this way of talking—weaving tangents into something almost poetic, and usually, he lets it fade into the background as he works. You're saying something about the differences between the seasons, or maybe it's just some other kind of sentimental nonsense—at this point, he's not entirely sure.

It's easy to tune out. He tells himself he's not really listening.

Until—

"Actually, I guess I should clarify that—it's all hypothetical. I don't date," he doesn't know what you said before this, but he's certainly intrigued by it now. "And really, it has nothing to do with like, self esteem or anything, I'm just broken. Best to save someone the trouble."

That stops him cold. It's not so much the declaration that you don't date—he could have guessed that himself—but more so the way you've just called yourself broken.

It's not a word he's ever heard you use before.

"What do you mean, broken?" He asks, the question coming out far more blunt than he probably intended.

It just seems so out of character for you—you've always been an optimist, far too annoyingly positive to speak of anything this way. He blinks when you freeze, and blinks again when a moment of self consciousness seems to pass over your face—and he notes how that's a first for you, too.

"Broken...as in, uh, not normal," your eyes flit down to your lap, tracing the wood beneath where you're seated on the floor in his dorm. "My ex made that very clear in his assessment of me."

The mention of an ex is something he'd been anticipating—you're in your twenties, after all—but it's the idea that your ex is the source of you calling yourself broken, that he can't quite swallow.

"You're 'broken' because of one ex?" He says, and he can't stop how derisive and skeptical his voice sounds. He doesn't care to try. "I'm not following."

"I'm what you'd call, damaged goods, I think," you murmur, and there's an almost self-deprecating smirk on your face. He can't help but think how he's never seen that look on you, either. "I've got a slew of unhealthy baggage that comes along with me. You know, childhood traumas, abandonment issues, daddy issues—"

He snorts at that—daddy issues—and your head snaps up, smirk deepening despite yourself.

"Don't snort at my daddy issues," you huff, and there's a familiar annoyance in your voice that puts him at ease. "They're valid and real."

"I'm not denying their validity," he counters, his own smirk beginning to surface. "But daddy issues? Come on. You're not some tired cliché ripped out of a teenage romance novel. I refuse to accept your declaration of brokenness until you give me factual reasoning."

You laugh at that—alive and genuine—and for a moment, he's reminded of why he even tolerates you in his space at all.

"Fine," you cross your arms over your chest. "What do you want to know then?"

He makes a low, contemplative sound at that—because there's a million questions that come to mind with the words damaged goods—and after a moment, he settles on the one that falls out first.

"What is it, precisely, that makes you broken?"

You sigh, a bit theatrically—he knows you're just putting on a show and he wants to laugh at you for it—but he reigns that in, for now, while you figure out how you're going to respond to that.

The truth is, you don't know how to tell him the real reason you're broken—the part that has nothing to do with the laundry list of emotional baggage you could rattle off with ease. It's something...different.

Something more physical.

"I don't know, okay?" You're getting defensive. You're not sure why but you are. "Just—forget I said anything. We have this assignment to—"

"You dodging the question tells me it's more than just psychological," he cuts you off, leaning back into the couch. The way he's looking at you makes it clear—there's no way he's letting this go. "You getting defensive tells me you're embarrassed by it."

You sigh again, leaning back on your palms to mirror his body language, though it doesn't feel half as natural on you as it does on him.

"And you, being an insufferable arse, is telling me I never should have mentioned it in the first place."

His smirk at that makes you want to glare at him.

"Stop dodging," he says. "You brought it up. You don't get to take it back."

It's a challenge—the gleam in his eyes is practically screaming so. You're not sure why the sight of it makes something low in your stomach clench, and you're even less sure of why you want to tell him something like this—something you haven't told anyone else—not friends, certainly not family.

Whatever the reasoning, you can feel yourself relent.

"Maybe," you pause, the look on his face makes you second guess yourself. "...maybe I don't want to tell you because I'm afraid you'll look at me differently." You glance down at your lap, fingers twitching against the yellow pleats of your skirt before finally meeting his eyes again. "And I kind of like the way you look at me now."

Something like curiosity passes over his expression at that—but it's quickly hidden by the type of skepticism that tells you he still doesn't believe you're being serious.

"You're overthinking it," he replies, unmoving. "Whatever it is you think you're going to tell me, I'm not going to look at you differently. You're still you—no filter, unabashedly verbal—"

"Too verbal. Too positive, too loud," you finish his sentence for him—because you know that's how he thinks of you. "Too annoyingly optimistic. Far too hufflepuff for your cold snake skin. I know."

"Exactly," he says, tongue running over his bottom lip in attempt to quell his smirk. "So I reiterate. There's nothing you could tell me that would change that."

"Fine," you relent, giving in begrudgingly because you know there's no other option. "But don't say I didn't warn you."

He just lifts a hand at that, as if to say; whatever you think it is, I can handle it. The action makes you suck a breath into your lungs, trapping it there.

"You're right," you say after a long exhale. "I have a slew of psychological bullshit that would take the span of a year for me to fully go over in one sitting—but, I'm fine with it. That's...that's not the thing that made me call myself broken."

He says nothing, just makes a motion with his eyes for you to keep going.

"It's, uhm...physical." You whisper, and your brain is moving too much and too fast and you're not even completely sure how to say it without sounding insane. "And...I don't know, I just...I can't orgasm. No matter what. I just can't—it's frustrating and embarrassing and it's the reason my ex ended things."

There's a silence that follows, and he knows if it were anyone else, they'd probably find a way to comfort you. Reassure you. Tom, however, isn't anyone else—

"You're joking," he says, and his tone is incredulous again.

A self-depreciating laugh leaves your lips involuntarily, the sound of it making you almost want to cringe.

"Would it be less embarrassing if I was?"

He's still just watching you, dissecting your words as if waiting for you to crack a smile and confess this was all some stupid joke—and the vulnerability of it aches like a stab to the gut.

"This is the reason you think you're broken?" Is what he goes with when he finally realizes you're being serious. "Because you haven’t orgasmed?"

The bluntness of it makes you flush, makes you wish you could sink into the floor. "I know it's not normal, okay—"

"It's not an abnormality, either," he asserts, with casualty. "You might just have a disconnect."

You blink, caught off guard—not just by his choice of words, but by how matter-of-fact he sounds, like this isn't the mortifying confession it feels like.

"A disconnect?"

"A disconnect," he repeats, looking you over, something clinical slipping into his eyes. "Between mind and body. And considering how loud your thoughts are—"

"Hey—" you snap, suddenly feeling a bit indignant, but he just continues on.

"—it's not surprising that you can't get out of your own head."

You open your mouth to argue, to tell him he's not a therapist, so what the hell does he know? But the certainty in his expression makes you pause. He doesn't look patronizing or condescending, just...assured. Like he knows exactly what he's talking about.

You hesitate, lips parting, a protest forming on your tongue. Before you can say anything, though, he raises a hand to stop you.

"Come here," he says, standing up from the couch.

You blink, trying to decipher what the hell he's implying—because if anything, the last thing that's going to make you less paranoid about intimacy is proximity.

"What?"

He just looks at you, making a motion with two fingers, beckoning you to stand.

"Don't ask questions. Just come here."

It's an order, and it makes your spine tingle in a way that's definitely not comfortable—but you get up from the floor, and move closer to him anyway, closing the distance between you with only a few steps until you're close enough to him that you can practically feel the heat that seems to come off him in waves.

It's weird—he's suddenly too much all at once—you're so much more aware of him being in front of you than you think you've ever been before and it does not help that he's just looking at you—as if studying you—blinking only once as he raises those same two fingers to your neck, resting them against the pulse point at your throat.

Your entire body tenses. His touch is far more gentle than you ever imagined it being, something disarming that makes your pulse beat faster against his fingers as a result—and because this is Tom, with all his smug and certainty—he gives you a look that tells you he can feel it before he slides his fingers up to rest on your forehead.

You scowl at the motion, but he clicks his tongue, the sound as condescending as it is amused.

"I told you, you're an overthinker." He murmurs, eyes dipping to your lips. "Too much noise."

You want to refute that—mostly because you're not overthinking, you can't be—he's just so unequivocally overwhelming—

"I'm not—"

You start, but he moves his fingers from your forehead and places them against your lips—

"Quiet." He scolds, and that makes something low in your stomach clench. "Your body knows what to do. You're just letting your thoughts get in the way."

You long to protest again, just for the sake of defiance—but then his fingers are against your collarbone, and that motion in your stomach becomes a bit more of a squirm—

"Your body is trying to tell you something," he whispers, watching each little hitch in your breath. "But you're too busy talking over it to hear what it's saying."

You realize—with a sort of horror that's laced with something a little more uncomfortable—that he's right. Your body is trying to say something. It's communicating through the unsteady force of your breaths, through the clench of your fists against your skirt—

Of course, he notices. He's noticing far too much.

"Relax," he murmurs, and now he's trailing those same two fingers in an unhurried path down your shoulder. You suddenly regret every decision that led to you wearing a T-shirt. "I'm not going to bite you."

Something about the way he says it makes you wish he wasn't quite so convincing—the familiar banter you long for gone with the sharp exhale that comes out of your mouth as his fingers encircle your wrist—

"Your pulse is racing," he says casually, far too casually for how much effort it's taking you not to scream. "Does that seem broken to you?"

Gods—you want to respond—you really, really do— but your thoughts flatline when you realize his touch has shifted. He's no longer just holding your wrist; he's guiding your hands to rest against his chest, and—

"There you go," he whispers, and the tone of it tells you he knows exactly what it is he's doing to you. "See? Your body's doing exactly what it's meant to do. You—" his fingers trail up your arms, and his voice gets lower. "—are not broken."

You swallow hard, acutely aware of your hands on his chest and the way your palms are clammy against the fabric of his shirt. He's shifting you now, deliberately crowding you, and it's only when you feel the edge of the couch press against the back of your calves that you realize—perhaps a second too late—exactly what it is he's doing.

You stumble back onto the leather, and he follows—crushing his lips to yours.

You gasp, startled, because despite everything you truly hadn't seen this coming. The kiss is messy, clumsy, and his hand finds the nape of your neck, tugging at your hair with just enough force to make it sting. And inevitably, when you gasp again, he takes it as an invitation to work his tongue into your mouth, other hand slipping under your shirt—trailing up your stomach.

You're trembling now, and he makes a low sound at the realization. Your brain is racing to catch up, and the irony of this isn't lost on you—he'd just claimed you weren't broken, but he might as well be destroying you himself.

He parts from your lips only to trail his own across your jaw—

"You're shaking," he murmurs with a smirk against your throat—as if he's taking immense pleasure in the fact—you hate how smug it makes him sound. "Do you want me to stop?"

You want to tell him he's being a bastard, but then his lips press to that spot on your neck—the one that makes your breath hitch and your pulse stutter—and you find yourself whimpering at the sensation.

"No," you breathe, and you'd be embarrassed by the pleading tone in your voice if you weren't so lost in the moment. "Don't stop."

He makes another low, satisfied noise at that.

"Good," he whispers. "No thinking. Just feel."

You swallow—throat dry. It's unfair how easily he's dismantling you with nothing but his mouth and hands. Unfair how he's leaving you breathless and unraveling while somehow making you feel seen in a way you can't explain, even with your eyes shut.

"Tom," you find yourself whimpering, and you aren't even sure what you're asking for—you just know you want more as his lips trail lower—as his fingers work to tug down your skirt. "Gods."

"Shh. Feel me," he murmurs, almost possessively, his lips brushing lower, grazing over your stomach, then your pelvis. "Let your body do the talking."

You've got your hands tangled in his hair before you even know what you're doing, and you hate the fact that you're pretty sure you'd melt into a puddle if he weren't holding you together.

"I feel you," you whimper as he kisses lower. "You're all I feel."

He makes another low sound at that, and you just know it's the response of ‘yeah, that’s right’—but then he's between your legs, panties shifted out of the way, and the first sweep of his tongue against your clit makes all coherent thought shift to static.

"Oh! God," you gasp, the word barely escaping before dissolving into a whimper when he does something with his tongue that makes your vision blur. "Tom—oh, fuck."

He just makes that smug, satisfied noise against you again before his tongue swirls over your clit and you find yourself almost cursing whatever deity made him so good at this, because it's not fair how quickly he reduced you to a whimpering, shaking mess beneath him and—

"Don't stop," you find yourself babbling, digging your nails into his scalp and knowing you look like a goddamn wreck as he makes a meal out of you—tongue lapping up your slick and swirling your clit before sealing his lips around it and forcing your back off the leather beneath it. "Please, don't stop, please—"

It's all you can manage to say. Your thighs are shaking now, and you're sure he's got you dripping all over his face with how soaked you are. He knows you're falling apart and he just keeps going— your brain ceasing function in favour of just focusing on how fucking close you are—how close you are to something you've never felt before in your life—and you're not even sure what you're begging for anymore but it's incoherent and loud—

"I need—" you whimper, your hands tightening in his hair, pulling just enough to make him groan against you. You don't know what you're asking for, but you know he has it. "I need—I need—“

"Let go," he murmurs against you, the roughness in it vibrating up into your belly. "I dare you."

There's still a little bit of you functioning on autopilot, just enough to tell you that when he murmurs those words—vibrations rattling up your cunt and into your chest—you're completely done for.

It’s merely a few seconds later that your high reaches its peak and he just keeps lapping as you shake apart beneath him with an intensity you've never felt before in your life—orgasm shredding you apart at the seams. Your thighs clamp around his face, your eyes squeezed shut, ears ringing so loud you barely register his low, muttered praises: "good girl," "so good," "there you go."

You’re fairly positive your legs will never be able to support you again when you finally come back down, feeling entirely like jelly as he pulls back, tongue flicking over his lips to clean off whatever's left of you.

And without thinking, you grab him and pull him up, crashing your lips against his in a messy, desperate kiss. He tastes like you, like him, like something you can't quite describe—and it makes everything feel intense and unbearably real all at once.

He gives you a moment, as if letting you recover, just languidly kissing you back—and you have to be honest with yourself and admit that this kind of makes you want to scream.

"A disconnect," he smirks against your mouth, the tone still smug. You manage a weak smack to his shoulder, though it does nothing to wipe the satisfaction off his face. "Still sure you're broken?"

You hate that he's right. Hate that he's managed to pull a reaction from you that you didn't think was possible. But as you sit there, shaky and spent, you know you can't deny the truth: no, you're not broken.

"Not broken." You whisper back. "You will be though, if you don't stop smirking at me like that."

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lilybecca1 · 2 months ago

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Wait, Bakudeku is literally considered canon in the Japanese fandom???!!! Like no joke, in Japan Bkdk being canon is actually a widely accepted thing?? Like, let me get this straight.

The manga was meant for Japanese audience mainly, so the romance would also be something that is suited for Japanese audience, not the direct and straight forward approach that non-japanese shows have when it comes to romance. And you guys remember the "Rest of our lives" scene? Well yeah, that's actually a marriage proposal in Japan. In Japan they don't say Will you marry me? Some of the most common proposal lines are literally:

“Let’s spend the rest of our lives together.”

“Having you by my side is what completes me.”

“I can't imagine my life without you in it.”

“I wish I could give you everything, but I hope that this ring is enough.”

"I will protect you forever."

Like bro what?? These are literally Bkdk coded. Like Izuku fr thought once that he can't imagine his world without Kacchan in it. And the “I wish I could give you everything, but I hope that this ring is enough.”?? Replace ring with hero suit and you get the freaking ending of the manga. And I will protect you forever is also so them like I just can't yjxnsjxjnxjdkkxkxkxkxkkdk

I know we were all waiting for Horikoshi to make Bkdk canon in some big way like at the end they're revealed to be together or some confession or some shit but we do forget sometimes that this is set in Japanese culture and in Japan things are very different. Much more subtle and way less straight forward and obvious. Most japanese husbands and wives don't even normally say I love you to each other, because they express love through different ways, like action. And that is very hard for our non-japanese brains to understand cause it's just so different over there and instead of being expressive, love in Japanese culture is more about gratitude expressed through actions and devotion. It's much more symbolic.

So then when we think back on all those Cherry Blossom official arts, well NOW it doesn't seem too far fetched to think it might mean something, does it? For us, all these little hints and symbolism are just that. Hints and symbolism. But for Japanese people? They know how to read it very well and it's common in Japan to express certain things through symbolism. Like "The moon is beautiful, isn't it?" Is a full on marriage proposal line. It doesn't seem like it to us, but to them yes. Also let's not forget we literally have a scene with Deku looking out at the moon and Bakugo too 😭

So, if we look at it in a Japanese sense, and that in japaese culture, love is expressed in a more symbolic way, and through actions and devotion, then it isn't so hard to believe anymore that Bakugo and Deku are actually fully implied canon in the manga. I mean talk about devotion..Bakugo literally spent 8 YEARS to help fund that suit for Izuku. He took "actions speak louder than words" fcking seriously.

Like would it be better if Horikoshi actually made them say they were in love or made then kiss or something? Yeah, but realistically speaking that probably wasn't gonna happen either way. And the fact that the Japanese fandom, who the manga is literally meant for, is fr congratulating Bakudeku for being canon!!!! Like y'all if the japanese fandom thinks that they're canon then it's safe to say that they are. Because in a sense, Japanese people can read and understand that "language" behind those hints better than us. And if they say it's canon, then I bet my ass it is.

TOO BAD I AIN'T FCKING JAPANESE

Like seriously why is it so hard being European. We wouldn't believe something was true until the cold hard evidence was literally laid right in front of our freaking eyes.

#bnha #mha #bakudeku #bkdk #midoriya izuku #bakugou katsuki #my hero academia #boku no hero academia

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thankskenpenders · 5 days ago

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Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

#tkp post #other media #sonic 3 spoilers

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retrievablememories · 1 year ago

Text

cherry bomb | jungkook (m)

pairing: jungkook x fem reader

summary: “get fucked or die” becomes the motto to live by when a serial killer begins targeting virgins on your campus.

genre: smut, horror/slasher, college!au

word count: 7.1k

warnings: multiple minor character deaths, blood, gore, violence (including gun and knife use), mentions of alcohol consumption. virgin-shaming and slut-shaming, oral (fem receiving), riding, virgin!reader, first-time sex, protected sex, hair-pulling, biting, fingering, dirty talk, virgin kink/corruption kink, fuckboy JK. is JK a sub or a masochist here? answer: i don’t fucking know!

a/n: inspired by the movie cherry falls (2000). heed the warnings. remember that this is fiction, not meant to be entirely realistic, and characters' views/actions don't represent my own. if this kind of content is not up your alley just block me or make use of the wonderful filtering option in your account settings

sources for the fic dividers: one | two

link to part 2

CHERRY BOMB

don't wanna die? come out and hook up with a sexy girl or guy.

virgins get in free!

THIS FRIDAY

NOV 3, 20XX

[address here]

"very corny." you shake your head, looking at the party flyer in your hands. you'd just torn it down from the bulletin board in your dorm lobby; unauthorized advertisements aren’t allowed, and your job as RA involves these menial-ass tasks. "this is literally life or death...why are they turning it into a joke?"

"it is a joke," your friend camille says, snatching the flyer out of your hands to look it over. "think about it. 10 students get killed since we came back in august, and the semester isn't even over yet. the school administration and local police haven't done nearly enough to address it or stop any more deaths. and the common denominator is that all these people were suspected or confirmed virgins?” you haven’t seen the evidence yourself, but the daughter of one of the local policemen claimed every victim also had virgin carved into some part of their dead body. “yeah, i'd say it's a joke to pretty much everyone at this point. this is what happens when you let the students come up with a solution."

camille hands the flyer back to you, and you hold it limply. "but...it's not like you can look at someone and tell if they're a virgin. the killer must've known them all personally. it just doesn't make sense."

"some of those people had no mutual friends. nothing connecting them whatsoever. not even shared extracurriculars. it's gotta be a perverted stalker with a fetish, maybe. a scorned hacker who somehow got into their private conversations 'n' shit? or maybe he consulted the cards to know who’d fucked before and who hadn’t.”

“oh please.” you scoff. “now you’re being completely ridiculous. tarot cards aren’t gonna tell you if someone’s a virgin or not.”

“then you come up with a better explanation. either way, these folks—" camille points to the flyer "—aren't taking their chances."

"hm..." you keep staring at the flyer, looking at the shiny-red cherries, condoms, sex toys, and other sex-related objects decorating the paper. whoever designed this really wasn't playing.

"so, are you gonna go?" camille asks with a sidelong glance. "free admittance, after all."

your neck burns under the collar of your shirt. "are you?" neither of you have had sex yet, for differing reasons. camille's reason was almost complete indifference to the whole act.

she gives you a look that says i could give a shit. "...you know the answer to that one, dear. so you're not even thinking about it? as much as you have cried to me and lorelai about not being able to find a man you like enough to give it up for, our killer here probably already knows. you practically have a ‘come kill me’ bullseye on your back.”

"i don't know," you say, because you genuinely are thinking about it. “and stop trying to fucking scare me.” despite your logical brain trying to reason with you, you still feel a sense of underlying terror about being the next victim. "the virgin killer," as they'd nicknamed the freak, clearly prefers a specific type of victim, and all kills have been random and unpredictable other than that—and the fact that every victim attended your university. he also seems partial to using a knife on his victims, but even that isn’t guaranteed—3 of the 10 had been killed in ways other than stabbing. "i don’t know why you’re so nonchalant about this, though."

camille shrugs. "if he comes for me, i'll just spray him with my illegal mace and kick his nuts into his throat. then tie him up and wait for my dad to come blow his head off. there are some advantages to having a gun nut for a dad."

you chuckle at the absurdity of it. "you've got it all planned out, then."

FRIDAY, NOV 3

taking a rideshare to the party was a smart idea on lorelai's part, because the two little shots you took to pre-game already have you feeling woozy. or maybe it's just your nerves.

the cherry bomb is located at a mansion that isn’t really a mansion, but a large once-abandoned house one of the fraternities fixed up years ago for throwing off-campus parties.

the party is stacked wall to wall with people when you enter, though from what you can see, no one has actually started fucking yet—maybe they're saving that for the supposed orgy later in the night. you just hope you can get someone in one of the backrooms before that happens, because you're not really keen on having everyone in your class knowing what your tits look like.

you have one simple mission here tonight—lose your long-held virginity and get off the virgin killer's radar. once that's done, you'll make your exit.

"actually, i'm surprised anyone else showed up. other than you, who wants to willingly admit that they're still a virgin in college?" lorelai shudders. you roll your eyes and try not to feel offended, sucking your teeth.

"you were more than welcome to stay back at the dorm."

"no! i'm here for moral support, plus i don't want to be alone tonight. i don't care who this killer targets, it's getting too crazy out here to just be letting your guard down anymore."

well, you won't argue that.

you and lorelai dance to the song booming over the multiple speakers, scanning the room for potential hookups all the while. you become more alert when you recognize a familiar length of black hair coming through the front door, plus the tattoos and piercings to match.

you're not surprised jungkook came. he has his pick of untouched and easily corruptible virgins here, which has always been his thing; you've heard him brag about it to his seatmates more than once in your shared elective. not to mention the stories you've heard from the women who actually fucked him. as far as you could figure, it was the usual male ego posturing bullshit about being able to say he was someone’s first—and likely best. for that reason, alarm rises when he makes eye contact and starts making a beeline for where you and lorelai are.

"oh, here comes the campus bicycle," lorelai says, voice deadpan.

you continue watching him from the corner of your eye, trying to see if he's just approaching someone in your general vicinity, but no. once he shoves his way through the crowd of dancers, some unashamedly groping at his body as he does, he stops right in front of you two.

"so, are you here for the same reason i am?" he asks you, grinning like the devil himself. "or are you looking to get that sweet little cherry popped?"

the backs of your knees sweat. "um—latter, i guess." you hadn't meant to answer that honestly, but to say you are caught off-guard is understating it. you can count on one hand the number of times you and jungkook have talked to each other in class, and never about anything of this nature.

"you're not gonna ask me?" lorelai says.

jungkook gives a hearty laugh; you didn't think it was that funny. "everyone knows you're not a virgin, why waste my time?"

"wow, okay. fuck you. you're no saint yourself." she huffs.

"anyway…" jungkook returns his attention to you. "have you really never done anything before? not even sucked a dick? there's no way someone hasn't tried to hit that. not even some 'backdoor action only' like those weird religious girls?"

"is that any of your business? i didn't know we had to give a rundown of our lack of sexual experience before getting laid around here." you snap.

jungkook's eyelids lower a fraction. "i'm tryna decide how easy i should go on you, babe. i mean, if you wanna take this in one of the rooms. otherwise, i'll let someone else have a go if you're not interested."

unfortunately, you are interested, despite his overly blunt manner and objectifying language. even though you know you’ll just become another entry on his long list of flings—someone he’ll tell his boys about later—maybe the fear of death is making you impulsive.

but maybe his looks are playing a part in it, too.

he's imposing with his physique and his all-black attire, his shirt so tight that you can clearly see his pectoral muscles and his nipples, his unbuttoned leather jacket doing nothing to hide those details. you can easily imagine yourself running your hands across those pecs, squeezing them, rubbing your fingers against his nipples and making him moan underneath you, feeling and seeing his abs contract through this stupid-ass shirt that must've been painted on. this brief fantasy immediately dampens your panties.

"…i'm interested," you affirm, dragging your gaze back up to his eyes, and he smirks from knowing you were obviously checking him out.

knowing the direction this is going in, lorelai taps you on the back and whispers in your ear. “have fun but don’t do anything stupid, yeah? i’m not playing auntie to any offspring you and this dude pop out, sis. use protection.” then she makes her exit to go find herself a partner for the night.

“so, come on.” jungkook nods his head in the direction of the stairs, and you follow him through the crowd as he leads you up the winding staircase. you squeeze past two girls kissing on the staircase railing, their motions a bit unsure as if they’ve never done it before but clearly still enjoying themselves.

jungkook pushes a few doors in until he finds an empty room, and you try not to ogle at the random couples you see along the way. not even an hour in and the two shots must be wearing off, because your body is beginning to buzz with nervousness again.

jungkook closes the door behind him when you both step into the room, which is lit by one lamp on a nightstand and the open window beside the bed. he reaches for you, and you shiver when his hand grasps the side of your face, the other snaking around your waist.

“scared?” he asks, his voice low. you shake your head, and he grins. “relax.” he leans in as if to kiss you and you part your lips, but he doesn’t do that just yet. he traces your top lip and then your bottom lip with his tongue, dipping it into your mouth as he switches. the teasing nature of his actions makes your body heat up as you watch a string of saliva spread and then break between the both of you.

he presses back in for a real kiss this time, his nose bumping yours. despite all your fears about tonight, you’re able to unwind somewhat and just focus on the full sensory experience that is this kiss—the warmth of his hands and his mouth, the sappy sound your lips make when they separate and come back together, the scent of his cologne, the taste of his spearmint-flavored tongue.

you find yourselves inching toward the bed, him walking you backwards while keeping you steady. just as the backs of your knees hit the edge of the bed, there's the sound of a woman's bloodcurdling scream from behind you, and you nearly shove jungkook to the ground in your haste to run to the door. your fingers are scrabbling at the doorknob when you hear a burst of laughter. a guy you don't recognize crawls out from under the bed holding his phone up, displaying a youtube video of the shower scene in the movie psycho, which is where the noise is coming from.

"that was funny as fuck." the guy laughs obnoxiously loud, holding his stomach. “don’t get too carefree or you just might die, girlie.”

jungkook grabs the guy by his jacket collar like he's a kid and throws him out the door; the guy doesn't object because he knows this is preferable to getting his ass beaten by the bigger man. "fuck outta here, you jackass." jungkook snaps.

jungkook stomps over to the closet to yank it open. "any more idiots in here wanna show themselves?" he checks a couple more areas before deciding the room is clear and closing the door again, locking it for good measure.

“okay.” he sighs, stripping off his jacket and shoes. he takes your hand and pulls you toward him as he sits on the bed. “relax, baby. forget about that fucking clown. come ‘ere. why don’t you sit on my lap?”

with a heavy exhale, you try to steady your still-shaking hands as you shuck your boots off and pull your dress up slightly to comfortably sit in his lap, your legs loosely wrapped around his waist.

he squeezes your waist. “so, where were we? i don’t really remember…”

you huff out a half-amused laugh. “really? i’m pretty sure it was this…” you lean forward with your hands on his shoulders and press your lips back onto his. jungkook follows in kind, his hands running up from your thighs to your waist and back again. the rhythm of his hands is hypnotic, distracting you as you try to keep most of your focus on the kiss, and you fear you may be getting overstimulated before anything has truly began.

as you continue kissing, jungkook’s hands creep your dress further up your thighs until your panties are revealed. still feeling up your legs, his hands press further toward your inner thighs, and you gasp into the kiss when his thumb pushes against the seat of your underwear. they have been damp for a while now and you know he knows this, so you aren’t surprised when he breaks the kiss to smirk, though it makes you roll your eyes.

jungkook whispers against your lips, “let’s try something. will you sit on my face?” you stare at him without a word, not expecting this to be the first thing he proposes. at your response, or lack of, he adds, “i want to make you feel good. do you want me to taste you?” his voice is so soft, so unassuming and cloying, that it makes you feel like a lamb clutched gently in the mouth of a wolf.

your brain is already surrendering to it. “yes.”

you get another kiss and a smile. jungkook moves you out of his lap, shuffles further up the bed, and lies down so that he’s flat on his back, his head surrounded by the pillows. he gestures for you to follow.

taking your time, you slide your panties off and crawl up the bed until you’re near his face and he’s lying below you looking like he’s struck gold. he grabs your hips to bring you closer until you’re right over his mouth. you’re embarrassed to have someone looking at you from this angle for the first time, and you’re about to get too into your head about it when he french kisses your inner thigh, blanking out your mind.

the only thing you know from then on is that his mouth is burning hot. his tongue is everywhere. he licks at you delicately to test the waters, and then more firmly when your thighs tremble around his head, in an effort to elicit the same response.

the way he fits his mouth over your entire pussy and sucks it with just the right amount of pressure so that it won’t hurt makes you feel faint. the way he slides the flat of his tongue over your clit only to suck it gently at the end of the stroke makes you cry out louder than you intended. you’re glad he moved further up the bed for this, because you’re holding onto the headboard for dear life.

the only things you’re aware of are your own out-of-control moans and the wet sounds of jungkook’s mouth working you over. all of it has you so overwrought that you’re already reaching your peak, your grip on the headboard weakening.

jungkook seems to know this without you telling him anything. he pauses and looks up at you with a fucked-out smirk and a wet mouth. you don’t know whether to thank him or curse him for giving you a break. “before you come, fuck my face.”

“wh-what?”

“rub that wet fucking cunt on my face.” heat flares through your body at his frank words. “grab my hair and just ride my face.” he reaches up to take your hands off the headboard and places them in his hair. “you can do it, baby. fucking use me.”

it takes you a minute to get over the fresh wave of embarrassment and find a pace that works, because the connection between your brain and body feels like it’s frying and your coordination is off. jungkook helps guide your hips, especially with how you’re trembling from pleasure and close to falling apart. soon enough, you’re letting go of yourself and moving your hips enthusiastically, if a little clumsily, and chasing your climax. you savor the feel of your clit sliding across his wet tongue and his soft hair in between your fingers, and you push his head as close as it can get.

you come while screaming, dizzyingly immersed in the pleasure. you forget that you’re holding his hair as you yank roughly on it. the only thing that matters to you is that jungkook’s mouth is still sucking your clit through the best physical sensation you’ve ever experienced.

when he finally lets go and gives you reprieve, you collapse beside him on the pillows.

“i’m sorry,” you mumble, disoriented. “about your hair, i mean?”

jungkook laughs. it’s funny how shiny-wet his face is—and that you caused it, which is kind of hard to believe in the aftermath of it. “the pain is what gets my dick hard. don’t worry.”

you chuckle breathlessly at that, and for a few seconds you both have that funny little moment to yourselves in all the ridiculousness of the overarching situation.

then jungkook’s hand is reaching for you again. “i’m not done with that pussy yet, though.” he brushes a finger over your hole, and your body twitches from the sensitivity. he slides that finger through the wetness and then uses the lubrication to push only the tip of his finger in. he dips it in and out, teasing the nerves at your entrance, until you’re shifting your hips closer to him to implore him for more. he grants your request by sliding his finger all the way inside.

having a finger inside you feels okay at first, though not as good as his actions a few seconds ago. jungkook decides to amplify your pleasure by placing his lips on your neck, leaving gentle and wet kisses behind, and you become all too aware of the feeling of your hardened nipples against the material of your dress. the pleasure begins to heighten when his finger finds a place inside of you that makes you throb, your walls clenching around him.

“ah…” you gasp and shift eagerly against his body as he keeps stimulating that spot, not thrusting his finger into you but simply stroking it across that area in a come here motion.

jungkook pulls away from your neck to smile at his handiwork. “that’s better, right?” he whispers, watching your reactions. your lips form around the word yes, though it’s difficult to try to speak, and you worry how unsteady your voice might sound. he waits until you’re clutching at his arm, leaving red lines on his skin from your fingernails, to carefully push another finger in beside the first. you try to breathe evenly, though his refusal to let up on that spot has your lungs stuttering for air all over again. his nose nudges your ear as he leans even closer and whispers, “there are so many different spots to find, so many different ways to make you come; i wanna go looking for them all.”

jungkook angles his hand so that his palm is also stimulating your clit, his fingers thrusting slowly now. you turn your head away from him as your body becomes ablaze, unsure what to do with yourself as your climax nears quickly.

“would you let me do that? learn your body like no one else has done?” he kisses the shell of your ear, and even that small action is enough to tip you closer to the edge with how your body is already so fired up. “who else could make you feel as good?”

this orgasm makes your eyes fill with involuntary tears, and little clear droplets bleed down the sides of your face and towards your ears as your body convulses. jungkook kisses the wet trails they make on your face, still fingering you steadily and forcing another urgent cry out of you. you feel untethered from yourself, like you’re not in control of your reactions, and you don’t know whether to be afraid of that or not.

jungkook pulls his fingers out when you have mostly calmed down, watching strands of your wetness drip between them before sliding them into his mouth.

after you come the second time, you begin to tire. the deeds have been done, and if you want, you can confidently go back out to the party now and say you’re no longer a virgin; you’re off the unofficial kill list and can live the rest of your days without having to look over your shoulder with every breath.

…but jungkook is hard against your hip, and in all honesty, you don’t want to leave without knowing what his dick looks and feels like.

“you tired?” he asks, and the casual air of it makes your stomach flip, for some reason. he says it as if this is something you two do all the time and he’s used to asking you this after wearing you out during a good session.

but now’s not the time to get delusional.

“no. i want more.”

jungkook smiles broadly, teasing his lip ring with his teeth. he sits up to peel that skin-tight shirt off, and you don’t bother to stop yourself from staring at all that skin in front of you. your eyes drop further down when he removes his belt and undoes his jeans, pushing his pants and underwear down enough for you to see his v-line but not taking them off. is that an invitation for you to do it? "you hold the reins here," he says, lying back on the bed again. "do whatever you want to me."

“whatever i want?” you repeat, already sitting up. he nods, hands behind his head, and you take the initiative to straddle him again, knowing you’re getting his jeans wet.

you reach for his pecs first, just like you’d imagined downstairs. the firm muscle of them is mesmerizing; but when you slowly circle your thumb against his nipple and his eyes flutter, a small and breathy moan escaping his lips, you’re sure you enjoy this much more.

you play with his nipples and even work up the boldness to purse your lips around one, sucking it softly, and every noise that arises from him makes your clit tingle.

you eventually move your hands to his abs, enjoying how they flex at your touch. you didn't think his navel would be pierced, not hearing that detail in any of the sex tales you've eavesdropped on about jungkook, and you wonder what else you might find out about him tonight.

“you should do your nipples to match.” you suggest it without much thought as you’re teasing his navel piercing, though you don’t regret saying it.

“would you be into that?” jungkook sounds like he’s actually considering it, watching you from below his lashes.

you grin. you don’t know if you’ll actually end up having sex with him again to see them, but you answer, “i’d love it…it’d be sexy on you.”

sliding your hands further down still, you come to the waistband of his underwear, which is peeking over the top of his lowered jeans. for a second the nervousness returns; jungkook notices how your hands twitch with hesitation. “it’s fine, i’m not gonna bite you…unless you ask me to, though. here.”

he slips a hand into his underwear and grips his dick, though he doesn’t take it out right away; he strokes the shaft a few times, observing your reaction with expectant and hazy eyes. the scene before you makes your mouth dry. jungkook quickens his pace, twisting his hand at the tip and using his own precum as lube, until you are overcome with the desire to see it and you pull his underwear out of the way.

his cock is thick and flushed and glossy with precum. you don’t have much to compare it to, but it’s a good size, and all the previous women have said that he clearly knows what to do with it. he releases it and it slaps against his abs, leaving a streak of precum behind. when you look at him in anticipation of what he’ll do next, he grasps it again and starts stroking himself quickly, like he’s trying to get off. the wet slap of his motions and his quiet groans make your walls clench.

“i could keep fucking myself and you could watch, since you seem to prefer it…” he murmurs.

“no, i—let’s go all the way.”

jungkook smirks and answers your decision by pulling a condom out of his jean pocket. you watch as he unwraps it and slips it down his cock. though you’re already straddling him, he grasps your wrist and encourages you to draw nearer to him. “come here, pretty thing.”

when you’re hovering directly over him, jungkook grips the base and teases his tip against your entrance. “ready?” he asks.

“yeah,” you say breathlessly.

it’s a little slow-going, but you eventually end up with him seated inside you. it’s uncomfortable to be taking something bigger than a couple fingers, but it isn’t terribly painful.

“now, try moving your hips like this…” with his hands on your hips, jungkook helps you grind against him so that your clit slides across his pubic bone with every move. the discomfort begins to ebb out of your mind after a little while of doing this, and you laugh quietly.

“i thought…i thought this doesn’t feel good for men,” you sigh, your eyes closing from the bliss of his firm abdomen stimulating your clit. “this grinding thing, you know. or so a friend told me…”

jungkook laughs too, but he doesn’t confirm it like you expect him to. his only answer is, “a sexy woman on my dick will always feel good.”

he seems to be more about showing than telling, anyway. his hands reach for your breasts, groping them over the fabric of your dress before sliding underneath for better access. sporadic moans escape you as he plays with your nipples, making your clit throb harder and sending more warmth pooling in your abdomen.

your breath wheezes out of you when jungkook starts pushing up into you, his hands still squeezing your breasts. “you’re okay, baby…” he tries a few different angles until he pulls a visceral reaction out of you, your walls fluttering around him and your body shivering intensely. “mmm, there it is.”

your motions start tapering off as jungkook continues thrusting up against that same spot that had you in tears earlier. noticing this, he slips one hand back down to your hip and encourages you to maintain your pace, keeping your clit stimulated while meeting his thrusts. “you’re doing good…” he murmurs. “go ahead, keep fucking me just like that.”

you’re glad lorelai makes you go to the campus gym with her every week, because otherwise you’d be about to collapse riding him for this long. it takes more of your strength and stamina than you’d expected. no wonder jungkook stays in the gym.

“oh, fuck…” the way all his muscles flex as he repeatedly pushes up into you makes you wetter; you no longer have the wherewithal to be embarrassed about the gushy noises your pussy is creating. your whole world has whittled down to this one room, and all you can think about is your next orgasm.

“pull my hair again,” he requests, his eyes dark and lost in lust when he looks up at you.

"jungkook..." you grip his sweaty hair in your hand and pull it to bare his throat, and he gives a desperate moan, his member jerking inside you. you've never felt so in control of a situation before in your life. it gives you a straight adrenaline-slash-dopamine rush.

his neck is just there and exposed, flushed from exertion, and his physical responses make you feel so primal, like you could do absolutely anything to him right now and he’d enjoy it. because of this, you decide to bite his neck, if only to give your mouth something to do. his dick twitches again when you do, another pretty moan leaving his mouth.

his voice is strained when he says, “bite me harder.” when you let go, your mouth travels the expanse of his neck to leave marks in a few other places, digging in harder just as he asked of you.

“fuck, y/n—” the pain of your teeth is pushing him close to the edge too soon, so he slips his other hand out from under your dress and brings it lower to circle his fingers over your clit. jungkook adding his experienced fingers to his constant stimulation of your g-spot is enough to cause your release. your body slumps onto his as you squeeze around him, your head falling into the juncture of his neck and shoulder and your eyes shutting so tightly that you see wobbling shapes in the darkness.

jungkook gives you a few more thrusts rougher than the rest, causing you to cry out. your climax and the aftershocks have your mind so dizzy that you only just realize that he’s reaching his own peak, his muscles tensing and relaxing as he fills the condom with his cum. you hear him groan next to your ear, the sound of it filthy and uninhibited.

jungkook lifts your head from his shoulder, his thumbs on your cheeks, and his lips meet yours in a final slow kiss, his teeth leaving their mark on your bottom lip as a parting reminder.

you're still trying to get your bearings and slide him out of you when jungkook suddenly says, "what is that noise?"

"huh?" you remain immobile for a moment so you can listen more clearly, and you recognize the sounds of screaming and feet pounding on the floors in a bid to run away—both upstairs and downstairs. these don't sound like the same screams of pleasure from earlier. "what the hell?"

you and jungkook scramble to collect your clothes and get dressed, thankful that neither of you stripped down completely, and he throws the used condom into a random corner of the room. you're still making last minute adjustments when jungkook stands up and unlocks the door.

"the fuck is—?" his voice cuts off as if he can't finish his thought.

"what? what is it?" you stand up to get a better view around his body in the doorway, and you scream when you see a lone blonde girl lying a few feet away from the door, slumped against the opposite wall with a slashed throat. her pink party dress bleeds red, and her face that catches the illumination of the string lights glints with tear tracks. you look away from her unseeing eyes before you can cry out again.

jungkook seems confused, peering down the other end of the hallway like there'll be someone there to explain. "it...didn't work?" he asks to no one in particular, as you have no answer. you walk farther back into the room as if putting more distance between you and the body will provide some protection. bumping against the window sill, you turn around to look out the window and see several cars peeling out of the makeshift grass parking lot, nearly running over other people or hitting other cars on the way. you release a stifled scream from behind your hands when someone is too disoriented to get out of the way of the speeding cars and is sent flying through the air before landing painfully, their body now unmoving. the offending car never stops to check on them.

the screaming downstairs worsens, countless voices rising to a fever pitch of shouting and wailing, and you imagine this must be what the pits of hell sound like. jungkook whips around to look at you. “we gotta get the fuck out of here.”

you two inch out of the room with him in the lead, peering into jarred-open doorways to see if anybody could be waiting in the shadows. there are a couple of other bodies in two other rooms, and you wonder—even with the loud music constantly reverberating through the house, did you really not hear the struggles that led to these deaths in your throes of passion? the thought unnerves you. the idea that maybe you were only saved by jungkook deciding to lock the door…

the stair railing you’d walked by an hour ago is now broken in the middle, splinters of wood lying scattered on the stairs, along with more bodies lying on the steps just as haphazardly. the scene looks like the remnants of a stampede; you hope most of these people are just unconscious and not dead.

the dancefloor is a swarm of people in various states of undress pushing and pulling each other as they rush for the exit. there’s not as many people heading for the back door, everyone attempting to squeeze through the main entrance in their unthinking panic, so jungkook grabs your arm and the two of you pick your way through the bodies to get down the stairs as best you can. when you enter the mass of people, you’re exceptionally glad for his strength because it’s easier to get through the opposing crowd.

to reach the back door, you must first get through the kitchen. beside the kitchen entrance in a dark corner, you see someone doubled over and grasping the person in front of them for stability.

you realize belatedly that they have a knife in their stomach; the other person standing over them is the virgin killer himself, calmly watching them suffer.

the killer’s face is hidden by the mask he always wears, which you are seeing for the first time now, up-close—a hairy werewolf head with lemon-yellow eyes and a candy-red tongue. it’s so unexpected that you would’ve found it comedic if not for the context.

a guy in a blue sweater grasps the killer from behind in an attempted surprise attack, causing him to jerk the knife out of the other person’s stomach. the sudden movement causes a spray of blood to come flying off the knife, and you have to hold back vomit when drops of the warm, stinking crimson hit your face. though it feels like time has slowed to a mere creep, all of this happens within seconds.

you don’t see much more before jungkook is forcing you to move again.

you, jungkook, and multiple others barrel out of the back patio door, nearly ripping the flimsy screen door off its hinges in your haste, while the classmate in the blue sweater fruitlessly struggles with the killer in the kitchen. your leg muscles flex harder when you hear the person's agonized shout and the mushy rip of flesh being torn seconds later. almost everyone else has taken the same idea to run for their lives rather than stay and try to fight or disarm the killer; the streets are dotted in every direction with students running for any possible safety, many not having arrived to the party in cars to escape in.

thankfully, jungkook is not one of them.

he grasps your wrist painfully hard in his panic and yanks you in the direction of his car, which is so pitch black that you almost didn't see it sitting in the shadows.

when you get inside, you've never been so grateful to be within the safe metal enclosure of a car in your whole life. hands shaking, jungkook jams the key into the ignition and presses the gas pedal so hard your head jerks against the headrest. however, in your temporary relief, you think of lorelai. your vision doubles as you scramble to open your phone and call her, your head spinning with a new spike of fear. it rings for a while with no answer, and you try two more times only to get the same result.

"maybe she got to safety somewhere else?” jungkook tries to reason with you, his eyes bouncing between your face and the road ahead so he doesn't hit any other cars or any random students still running across the streets. "i didn't see her anywhere in the house before we ran out."

"that just means she could be hiding somewhere in there!" you shriek, unable to control your terror at your friend possibly being trapped in the house with the killer.

"well—maybe just let her stick it out, he won't find her if she just—"

"oh god, but i called her like three fucking times; what if he heard the phone ringing? i'm gonna kill myself."

“y/n, you’re overreacting like shit, there’s no way he’d hear a phone ringing in all that noise—"

unlistening, you drop your phone and bang your fists on your head in frustration and anguish.

sighing deeply, jungkook forgoes any attempt to do a 3-point turn, which requires more coordination than he has at the moment, and drives straight up into someone's yard to make a U-turn back toward the house.

you hadn’t gotten too far from the party house, so in another minute or two and with a couple messy turns that cause the wheels to ride up onto the curb, you’re back on the street leading up to the house. before you can reach it, though, jungkook slams on the breaks, and you have to throw your hands out onto the dashboard to avoid flying into it due to not fastening your seatbelt. you’re not very successful; the move hurts your wrists, and you’re pretty sure some of your ribs just got bruised anyway.

“what the fuck?” jungkook shouts.

the virgin killer with his lycanthrope mask is standing in the middle of the street; he turns to face the car. he has a chokehold grip on a guy you recognize as a popular frat member, who is almost bare except for his blue-plaid boxers. you remember seeing the frat guy dancing with his girlfriend when you and lorelai initially entered the party; he was in the group of guys who put this whole party together as a way to “save” the campus’s virgins.

the virgin killer is holding a gun to the guy’s head, and you have no clue where he might’ve gotten it from. the guy’s demeanor is weak, and he’s barely able to stand, which is obviously from the profuse blood loss he’s suffering; the killer has carved sharp letters into his stomach to form two words—“FAIR GAME.”

“fair game?” you mumble, a sickly realization forming in your mind.

“fuck no—" jungkook is already throwing the car into reverse when you hear and see the first bullet go off, exploding the frat member’s head into an unrecognizable mess and making you scream at the top of your lungs. you hear more shots after you close your eyes and tuck your body down, along with the sounds of bullets splitting metal and hitting glass, and you think you might be actively dying—or maybe you’re already dead. even that would be preferable to experiencing this nightmare.

you can’t think as you feel the whole world spinning, your body tossed violently around. in reality, the only thing moving is jungkook’s car as he whips the vehicle around and speeds down the same street you just traveled up.

for a few long minutes, you only hear your own heartbeat, his murmured and frantic curses, and the strained breaths coming from both of you. you keep your body curled up with your knees tucked to your chest and arms over your face. the car’s engine roars as it races down the highway.

you’re afraid to open your eyes and find out, but you have to at some point. plus, the uncomfortable position is making your body hurt. carefully, you unfurl yourself and turn to look at him. “did you get hurt?”

“uhh—no? i don’t think…?” he takes one hand off the wheel to feel up his body as if he’s just realizing that might be a possibility. “but i’m wired off pure adrenaline right now, so give me a few more minutes to be sure…” he looks to you. “are you?”

“no.” your blood still runs cold at the thought of lorelai being stuck in the house or navigating the dark neighborhood streets at this time of night. maybe she doesn’t even have her phone; maybe it was lost in the commotion. the number of possible scenarios makes you ill.

there’s silence for a while; you assume he must not be hurt after all. you start seeing familiar roads that lead back to the campus, and the gears in your mind begin turning, powered by fear.

“do you think it’s safe to go back to the college?” you ask, your voice small.

after a pause jungkook asks, “why not?” though his face begins to look like he’s second-guessing things.

“the killer could go back to the campus…i don’t know. there was so much violence tonight. it’s like he really has a grudge against the students from our school or something. what if he wants more victims? the campus police are already incompetent, but with most of them off the grounds and on their way to the party house…” you don’t finish your thought. you’ll need to warn camille of the potential danger.

“right, yeah…” jungkook’s hands flex around the steering wheel a few times. “we should…probably go somewhere else, then.”

nowhere feels safe. still, you ask, “where?”

changing his route, jungkook glances over at you. “to a friend’s house.”

#jungkook smut #jungkook fic #jungkook imagines #jungkook scenarios #jungkook x reader #jungkook x you #bts scenarios #bts imagines #bts fic #bts smut #bts x you #bts x reader #black reader #x black reader #x black fem reader #black fem reader #fem reader #female reader

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byuntrash101 · 1 year ago

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realistic sex with mingi

mingi x f!reader fluff | smut | mdni a/n: mingi is the second entry to this series where i try to imagine how each member would actually fuck, as ✨realistically✨ as possible. disclaimer: i say realistic but lets be honest this is pure delulu behaviour and total fiction. everything is solely based on the vibes the boys give off.

first i wanna say loyal af. like he probably simped for you for a while before daring to even speak to you so now that he's got you he's not interested in anyone else.

he will literally place in every conversation with a stranger that he has a gf within the first few minutes just so everything is clear.

also it helps that he just constantly wanna brag about you/show you off (more on that later). because he’s just so proud he pulled you.

mingi makes his intentions KNOWN. that man is taken thank you very much

he wears his heart on his sleeves and it shows when he's dating and i think that's why he sucks at flirting when he actually cares. if he's crushing on you he'll be all clumsy and will try to do too much to impress you by doing/being too much. eg: laughing super loud at jokes, or if you are with a group of friends he would find a way to make everyone quiet so you can speak (also will find a way to always be the one sitting next to you)

if it's just a fling for a confidence boost and he has no real interest in the person then he'll be so smooooooth, literally rizz over 9000. we’re talking full on witty/flirty remarks, attentive sharp eyes and sinful lip biting morphing into the most stunning smile you’ve ever seen.

but not with you nuh huh. the man was a mess either too selfconscious to speak or just ending up saying something really cringe (which he thought about for weeks after)

but eventually he got to score you for himself

that's why he absolutely loves skinship. he wants to hold your hand, have you play with his hair all the time. he wants to have his big hand on your thigh (we'll talk more about that later wink wonk) when you're sitting next to him. and he doesn't care if people are around. pda is his middle name. (definitely pda line with san and woo)

he will literally kiss you like his life depends on it in front of whoever wants to see. (actually he might even like have an audience wink wonk again)

i feel mingi enjoys lazy sex. he loves to take you when you're both laying on your side. he likes that this way he gets to hold your hips. curl his fingers around your thighs and pull you back on his cock over and over again while he peppers you with kisses in the crook of your neck moaning just for you right in your ear

but what this man really loves is when you are on top. i’m convinced he's a switch. He can dom or sub but if he doms then you'll have to be a power bottom.

he just loves seeing you on top.

he truly believes under you is his rightful place. there or between your legs (more on that laterrrr)

needless to say he's a sub leaning switch but that being said he's not into anything very rough (especially not on the receiving end).

but he definitely has it in him. he can be really rough if you know how to push his buttons right

speaking of which that is not through jealousy

if he sees you flirting with someone else i don't think it will tap into his possessiveness. well it might but it won't have the desired effect. it will only make him insecure and maybe he will feel like he's losing you. so please don't make our giant baby jealous he'll only be sad.

(i think that would absolutely do the trick on joong, woo and 2ho)

no if you want him to rail you like a train i think you have to use one specific tactic for maximum domification effect: tapping into his voyeurism/exhibitionism thing

i feel like he would love for you to be risky in public like i said mingi is proud of you and he loves to show you off. he is def the type to like to have an audience. i think there's a little voyeurism/exhibitionism hiding in him somewhere. so tap into that to get him really going.

maybe lift up your skirt for him while grocery shopping or like whisper to him that you're not wearing any underwear while at the dinner table with all the members better yet one up that statement by discreetly slipping the undergarment into his hand. i guarantee he’ll become hard on the spot. if you start stroking his thighs (an innocent token of affection for the others) he will start leaking for you too. getting red in the face and blaming it on the alcohol when the others point it out.

if you’re really daring (and you really want him to go crazy on you after) brush your hand over his hard on but that’s risky because he just might jerk his hips up so powerfully (unintentionally ofc) that it will knock over your soju glasses.

but that’s the perfect excuse to bring him to the bathroom pretending he got some soju on his pants… (smirking evilly)

but yeah just be a little secretly naughty just for him.

and now that he’s got you for himself it’s all over for you

he'll tear your clothes the second he can. making you take him hard and deep and manhandling you

bending you over the bathroom sink and pushing his big fat cock into your already pulsing little pussy. scoffing at you when he swipes his tip through your folds only to realize you are soaking wet.

“look at you. getting all wet from being a little brat all night”

the second he bottoms out he lets out the lowest of groans and snakes his fingers in your hair, lifting your head and making you look at yourself in the mirror.

"that's what you wanted right?" "i should have bent you over the table and taken you right there in front of all of them"

he probably made you cum embarrassingly fast too "looked at your fucked out face, baby. you talked a big game but is that really all you got?" then proceeds to fuck you some more just to overstim you <3

dklajdlskslskdb

but i think he naturally gravitates towards subbing. he can and will dom but he prefers being taken care of (a princess <3) so if you're a dom by nature that's completely fine by him

one thing is certain mingi needs LOTS OF PRAISE. just watch his face melt when you tell him what a good job he does. the low groans turning into high pitched whimpers every time you call him your good boy.

“you’re doing so good for me baby” “you feel so good inside me”

he will literally bury his face in your neck and muffle his whines on your skin.

and that's it he’s gone. done for.

another big thing about this big man: ORAL

eating you out

mingi's purpose is to be between your legs. he loves to eat you out. hwa and him are the members that like it the most. but contrary to hwa that takes advantage of the absolutely fantastic muscle he has in his mouth mingi uses another advantage. which is his beautiful nose. mingi loves to actually fuck you with his whole face. he will slip his tongue into your center while rubbing his nose on your clit.

or better yet he will have you sit on his face. and just so we’re clear when he says sit on it. he means SIT. he wants to suffocate in your juices, your thighs tightly wrapped around his head. he wants you to use him. he wants to feel your arousal dripping in his eager mouth and your taste clouding his mind. he wants to lose himself into you. he loves to feel your thrusts against his face, struggling to breathe every chances he gets. feeling drag you swollen clit over his mouth and nose and throbbing when your close. there’s nothing he likes more.

but mingi loves oral in general he also absolutely loves to be in your mouth

and the primary reason for this is very simple EYE CONTACT. he loves that. he loves to see you look at him. he wants to be your whole world (because you surely are his everything) and he loves to have your undivided attention. (that man just loves attention i mean have you seen him on stage? Doing all the scandalous body rolls just to wreck every bias list in the venue. literally the most leo move he can pull smh)

other reason why he loves to be in your mouth is because this man be packing the big gunsss proud member of big dick line with yunho

he loves to see you struggle to take him all in your mouth and loves to see your watery eyes and he likes it SLOPPY. Just go to town on his big fat cock. Really don't be shy. Use a lot of spit and changing of pace and don’t forget the balls. maybe edge him a little i think he might like it too. just imagine the beautiful noises you can pull out of him if you keep him on the edge for a while. until he caves in and just begs so sweetly for you <3

“pleasepleasepleaseplease” when he feels he’s close then sigh in disappointment when you take your mouth off him once again. So he bucks his hips up trying so bad to have your mouth around him again, his tip red and leaking for you. “please wanna cum so bad. pleaseplease i’ll do anything please let me cum”

all the while looking you dead in the eyes. he looks so cute his face all flushed and his mouth agape. he wouldn’t dare to take his eyes off yours for a second because he loves to see that smirk of yours spread on your lips. he wants to look at you all the time.

thats why mingi never wants to fuck in the dark in wants to see you (unlike hwa who loves to see you ofc but he needs to hear you)

and that's also why his favorite position is cowgirl!!!! he just loves looking at you make yourself feel good using his cock. he loves to look at your face, your chest, your body. just all of you using him.

he gets to see your breasts bounce on your chest with every thrust. he gets to see you arch your back and your jaw fall open when you get close and gets to see your skin glisten under a light sheen of sweat. he gets to see your nails leaving beautiful marks on his pecs. the undeniable proof that he belongs to you. because that’s exactly what he wants to be. he wants to feel like your toy.

when it comes to the sounds. i don't think mingi is very vocal.... with words that is because yes you WILL absolutely hear him. when he's on top/in control. It's lots of deep, guttural groans. i mean the man can go deeeeeep with his voice (and his dick) so i feel like he'll do just that.

he's not the one doing the dirty talk but HE LOVES to hear you saying all those nasty things (hence the praising from earlier). It's literally the only time he'll shut up to let you do all the talking. so do that. that will make him absolutely crazy for you.

and when he gets close or he’s subbing the groans turn into high pitched whines. mingi can go really high pitched (cfr. the way he screams when he's scared in wanteez) so you know instantly when he's about to cum. right when he is on the edge i think is the right time to be a little rougher if you're on top. maybe choke him or pull his hair. he would really love that. but don't be too rough either, especially with words.

he likes to cum anywhere on or in you. but what he really likes is when you choose. he loves to hear you say "i want you to fill me up with your cum" or "you can cum in my mouth baby" he will bust instantly at those commands. because you got him wrapped around your fingers and he knows and can’t get enough.

but when you say "you're doing so well for me my baby as a reward i'll let you cum where you want" then be certain he's going to pick your face almost every time. and don't close your eyes. look at him! he loves to cum for you. he wants you to see that.

afterwards you better big spoon him to sleep because he deserves it <3

IF U WANNA HELP ME PLEASE REBLOG WITHOUT USING THE COMMUNITY LABELS 🖤

want to see another member? request it in the comments or asks <3

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#mingi smut #mingi fanfic #ateez smut #ateez mingi #mingi hard hours #mingi hard thoughts #mingi #song mingi #kpop smut #ateez hard hours #ateez hard thoughts #mingi x reader #ateez #mingi ateez #mingi fic #ateez headcanons #mingi headcanons

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stu-dyingstudent · 4 months ago

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Sakura Haruno fic recs: romance-centric

I, like many others, definitely enjoy a a good romance every so often. All of these recs are going to have the romantic development of the characters as the forefront of the story, so just because the fic includes a ship doesn't mean it will go on the list. That means, many of them might feel more on the slice of life side of the spectrum, but that's not the case for all!!

There is going to be a mix of ships here so if you're interested in one in specific then use the search feature!

Started: 2024.08.28

Last Updated: 2024.12.19

note: feel free to check out my master list which has a bunch of Sakura Haruno fic recs (all organized)!

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To Build a Home - RedPowder || ao3 || E || kakasaku || canon divergence || ongoing

Sakura and Kakashi are assigned a mission that will change the path of their lives forever.

Kakashi and Sakura are forced to marry on orders from the village and I know that description sounds dumb, but trust me when I say this fic is gold. I've always had a hard time with kakasaku fics because I feel the whole teacher/student thing gets swept under the rug too easily, but that's not the case here. Their past relationship from team 7 is a glaring shadow over their marriage and the guilt over the whole situation weighs heavy on Kakashi. This mission isn't easy for either of them and it takes a lot of pull and tug to ensure things don't completely blow up. To Build a Home is probably one of my favorite takes on this ship as the portrayal feels realistic and the character feel accurate to themselves. Just give it a go!

Approaching Sun - ANerdInAllHerGlory || ffn || T || sasusaku || blank period || ongoing

After 2 years, Sasuke returns to the village where friends anxiously await him. Still troubled by the mysteries of Kaguya and his personal guilt, Sasuke is split between friends and his journey. Troubled by rising casualties and international dependence on her abilities, Sakura is torn between her love for Sasuke and her duty to her village.

Approaching Sun is probably one of the most realistic depictions of Sasuke and Sakura's relationship that I have read. This takes place during the blank period and references the novels, so it feels like an actual possibility of what went down. As much as I love them, I have a hard time believing that their relationship was smooth sailing and so I think this is an interesting take.

The Fool - thekatthatbarks || ao3 || T || shikasaku || blank period || complete

Ino kicked at a pebble on the ground, her arms folded across her chest. “How long?” Shikamaru sighed and pulled the cigarette away from his lips. “The war." It was a lie somewhat. He’d liked her since they were kids but had simply ignored the budding crush expecting it to fade over time. It hadn’t and by the time the war came around, he accepted he would always carry it despite his increasing efforts to drop it. He’d tried drowning it in the river, burning it in a fire, covering it up with something else. But it was all to no avail. It stuck with him, always apart of him. “Have you ever told anyone? Chouji? Her?” "No."

I actually really like Shikamaru and Sakura as a pairing (or just working together in general); however, I haven't read much of them. The Fool was a great post-war read where with some meddling (curtesy of Ino) we get to watch the progression of their relationship into something more than friends.

Nightmare in Red - Sariasprincy || ao3 || M || itasaku || non-massacre AU || complete

Haruno Sakura used to think the eyes were the windows to the soul, but after witnessing the horrors of the Sharingan firsthand, she's convinced they are the doors. It was pure chance that led Sakura to the discovery of the disease eating through Uchiha Itachi's lungs and now that she's aware, she knows she cannot just turn a blind eye. But how is she to treat the very man who tortured her while at the same time keep her nightmares from consuming her? That she doesn't know, but she knows she has to try, even if it nearly kills her in the end.

Itachi unintentionally captures Sakura in his mangekyou after being rolled into the hospital for her to heal. While Sakura tries to work through the impacts of the genjutsu she continues to work with him in an effort to cure him of the disease infecting his body. I actually really liked how the whole thing played out. Itachi's sickness was sort of a mystery in the original series and so I found it rather interesting to see what was done in regards to it. Anyway, I love their interactions and Shisui is (like always) a great character as well.

Blind - ObsidianSickle || ffn || sasusaku || T || canon divergent || complete

It was almost time, Orochimaru was going to take his body as a vessel. He hated being used...he refused to be used. With that thought, he took the kunai in his hand and slashed across his eyes.

I won't lie, Sakura is pretty weak in Blind and the whole thing is super cheesy, but it's still an enjoyable read.

Ghosts - ElegiesforShiva || ffn || sausaku || M || blank period || incomplete

In love and loss, it often comes back to family, and Team 7 had always been fated, hadn't they? Deny it as she may, Sakura finds her heart strung to them with an uncanny reverence and the weight of their ghosts. Sakura-centric. Heavy, heavy angst. Slow burn Sasusaku. Canon pairings. Lots of friendship feels. Eventual (consensual) lemon.

Ghosts is a pretty dark read where basically everyone is suffering. Sasuke and Sakura in specific have an especially hard time coping with their individual struggles yet they find comfort in each other. Check TWs before going in

Home is Where the Heart is - DeepPoeticGirl || ffn || sasusaku || T || blank period || complete

And with every moment together, they get just a little closer, a little more comfortable with each other. Fall a little more in love. Post-war. Pre-epilogue.

This fic is actually adorable! Taking place during the black period we get to see how Sasuke and Sakura's relationship slowly progresses. If you've always wondered what their travels were like then definitely check this one out.

In Times of Peace - SouthSideStory || ffn || sasusaku || M || blank period || canon divergent || complete

The war is over, and like Konoha, Team 7 has rebuilt itself from the ground up. Everything has changed, but Sasuke and Sakura remain much the same. Eleven years, she thinks, is a long time to be in love.

Sakura and Sasuke have like a secret relationship going on. Also, Sakura as a jonin sensei is so good!! I really wish that someone from the original cast actually went down that route, but whatever.

Labyrinthine - FM_White || ao3 || itasaku || M || canon divergence || complete

ItaSaku (Post Uchiha Massacre) AU: Some things are destined to be. It just takes a couple of tries to get there.ItaSaku. Light KakaSaku.

I actually really liked how this was done as team 7 is still a family, Sasuke didn't lose his mind, Itachi picked a much more respectable path imo, and the characters are all adults.

Only a Crush by Gingersoup || ao3 || kakasaku || M || canon divergent || complete

It was supposed to be an easy, fun night out. She never intended to wake up in her sensei's bed, half-naked and with no memory of what happened the night before! As she tries to unravel the mystery of that night, something sinister is growing beyond the walls of the Leaf Village... and what was only a crush spirals wildly out of control.

Sakura is unwillingly thrust into the world of illegal drugs, trafficking, and sex all while coming to terms with her new feelings regarding her former sensei. I typically don't like kakasaku, but I think this work is done tastefully well. The characters are both adults and the immorality of the relationship is not ignored, so be prepared for a lot of "we can't," "this is wrong," etc.. Anyway, Sakura is an absolute powerhouse and I thoroughly enjoyed the relationship between all of the different characters and villages!

Dreaming's End - thepiedsniper || ao3 || T || kakasaku || canon divergence || complete

Sakura didn't avoid the Infinite Tsukuyomi with the others, and all the events that happened afterward were simply the product of her dream-state. When Sakura finally wakes up from years spent in her personal "paradise," she must to learn how to start again. Kakashi is there to help her. ~*~ (TWs for genjutsu-related unreality)

Basically, imagine the entirety of Boruto was Sakura's dream in Infinite Tsukuyomi. When Sakura manages to breakout during the war she's left to deal with serious ramifications of the life she just lived. She finds herself constantly questioning what's real and Kakashi tries to help her through it.

Mamihlapinatapai - FM_White || ao3 || E || itasaku || canon divergence || ongoing

Mamihlapinatapai・Yagan. (n.) a look shared by two people, each wishing that the other would initiate something they both desire, but which neither wants to begin In which Sakura tries her hardest to raise one hell of a rambunctious baby by herself, Sasuke is searching for something unknown, and Itachi is the uncle.

In another life where Itachi doesn't end up dying and instead tries his best to help Sakura raise his niece in Sasuke's absence. It's my head canon that everyone came together to help with Sarada just like they did for Kuranai, and so Mamihlapinatapi satisfies that thought for me. I like how Sasuke was criticized in this since as much as I understand the necessity of what he's doing, I also find it completely unfair to his wife and daughter. Itachi and Sakura form a great bond and it's all very domestic and just super fluffy all around, which I love.

Louder than Words - SouthSideStory || ao3 || T || sasusaku || non-massacre AU || complete

Sakura hasn’t uttered a single word since the day her family died, but Sasuke is determined to hear her, one way or another. (No Uchiha massacre AU.)

Sakura gets taken in by the Uchiha family after Fugaku finds her on a mission. She's been mute ever since, but that doesn't stop her and Sasuke from forming a close bond.

Snake Bound - shefalls || ao3 || E || sasusaku || canon divergence || complete

"You... took me with you." "That's what I said." "To Orochimaru. You took me with you, to Orochimaru." Sasuke nodded curtly and shoved the medical kit a little more insistently into her hands. Sakura accepted, and prayed to every known god that Orochimaru would ignore her existence. She should've known the gods don't listen. Now only on AO3. Sequel up.

What if Sasuke took Sakura with him like she asked? Snake Bound explores that idea and it's honestly a very uncomfortable read. Their relationship is based off of the isolation and dependency their new situation puts them in. All they really have is each other and the new bond that brings is not a healthy one.

Armour-Sleeved Single Hit - thatdamnuchiha || ao3 || T || madasaku || time travel AU || one-shot complete

Sasuke always told Sakura she was weak. Even after she trained with Tsunade for years he only had eyes for Naruto whom he considered strong. She would forever be invisible to him no matter how many mountains she toppled.Being a member of Team Seven despite Sasuke’s refusal to acknowledge her meant she got herself into her fair share of sticky situations. Getting stuck a hundred odd years in the past had to take the cake though.But she was just a weak little girl and compared to the shinobi of old she’d be ridiculously pathetic. Sasuke had said she was weak to him – a modern day shinobi who hadn’t been forced into battle after battle like they did in the Warring Clans Era. Obviously she’d be nothing more than a spec of dirt in the eyes of the Founders.

Sakura manages to find herself in founding-era Konoha! While trying to prove that medical ninja are capable fighters she unknowingly gains the affection of Madara Uchiha. After all, the Uchiha find beauty in strength. Super cute read!

Always You - alex-halcyon || ffn || T || kakasaku || age swap AU || complete

[AU. Age-swap] Kakashi x Sakura. From academy days to the third shinobi war and beyond, Kakashi and Sakura grow up and fall in love.

Basically, Sakura takes Rin's place on the old team 7. The progression between the character is quite interesting as it definitely isn't smooth sailing for Kakashi and Sakura. However, even through everything they find themselves drifting towards each other. Pretty cute imo.

interim - stannide || ao3 || T || sasusaku || blank period || one-shot complete

Sasuke lives with Sakura in the weeks after the war.

Interim is such a wholesome read where Sasuke and Sakura rekindle their former relationship. Super fluffy

Hit Me With Your Best Shot - Tozette || ao3 || T || sasusaku || blank period || one-shot complete

Sasuke is actually eighteen the first time he looks at Sakura and realises abruptly that he wants her.

I think we all know by now that Sasuke has always been attracted to strength, power, so why not when it comes to romance? Essentially, one day on a mission, Sasuke discovers he has a strength kink. Watching him continuously get flustered throughout the fic because of his admiration towards Sakura's strength is so entertaining. Really fun read

the problem with how time works - MurderMittens || ao3 || E || kakasaku || generation swap AU || complete

"I don't remember you being this uncomfortable when Kakashi was nine and had a crush on you," Ino pointed out neutrally. "You thought it was flattering before." She moved to pour more wine into their glasses as Sakura exhaled sharply out of her nostrils. "Obviously! It was fucking cute when he was a kid! But now he's..." she trailed off, gesticulating feebly. Ino, taking pity on her, finished the sentence: "Now he's a stone cold hottie who looks and sounds like he'd murder the ever-loving shit out of your vagina."

Sakura and Kakashi's generations swap place and boy is it entertaining. With Naruto as his sensei, of course Kakashi has met Sakura. Now that she's back in the village after years, Kakashi decides to try his best to win her over.

on still water - summersirius || ao3 || T || shisaku || canon divergence || complete

and sometimes, there are days without rain. —shisui/sakura

I'm actually devastated that the author decided to not pursue the plot line after about chapter 15 (it was so good too), but On Still Water is great nonetheless. Some really cute Shisui x Sakura moments

never let 'em know your next move - MirrorImage003 || ao3 || T || itasaku || non-massacre AU || one-shot complete

six times itachi is surprised by sakura, and the one time he's surprised by his mother.

Sort of drabble style moments between Itachi and Sakura and it's honestly adorable.

Hatsukoi - sparklyfaerie || ao3 || sasusaku || gen || non-massacre AU || complete

Sasuke leans away as the girl turns to him, and his mother doesn't need to be any closer to guess as to the expression on his face. The girl's body language changes in an instant, and Mikoto recognizes the posture of a little girl in love. It's kind of adorable.

Probably one of the cutest sasusaku fics I have read as Hatsukoi follows them from genin to marriage! It's told in multiple perspectives and it's full of tooth rotting fluff. You get to watch the slow progression of their relationship over time and how they grow even closer in Naruto's absence. Definitely read is you want something light!

(oh, you'll probably go to heaven) please don't hang your head & cry - SafelyCapricious || ao3 || T || itasaku || time travel AU || one-shot complete

There’s no such thing as a good death. But Sakura faces her death without any regrets. Her dying is keeping her precious people safe — and that’s all she can ask for. So she dies with a smile, taking thousands of enemies with her. She wakes up and falls off the branch she’s laying on.

More of a pre-ship than anything actually romantic, so maybe this isn't the best for this list lmao.

Ghost - twilightdazzle || ffn || M || sasusaku || canon divergence || complete

Sakura is officially declared missing on a Wednesday morning. Wednesday, what a stupid day to go missing. Of course, Sakura is the only person he knows that is annoying enough to interrupt the middle of the week like this.

Sakura goes missing and this fic is basically Sasuke slowly losing his mind over it. Ghost is honestly pretty darn touching and feels true to Sasuke's character. Everyone is concerned for Sakura and that doesn't exclude him despite how nonchalant he makes himself seem.

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Send me some recs if you have any to share! I'm generally fine with any ship as long as the story is good :)

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popponn · 11 months ago

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idk if you accept requests but i badly want to read the blue lock boys with the orange peel theory going around on tiktok 🥹

notes: anon, i was in a slump and then you come with this, please know i cant get it out of my mine for 2 whole nights. so, please have this, i hope u will enjoy it & your fave is there. also shoutout to @doobea for helping me with rin & barou esp <3 aso for standing my yappings. warning: none, post canon au in mind, reader's gender unspecified.

character: isagi, kaiser, bachira, chigiri, nagi, reo, rin, sae, barou + bonus

isagi

sweet boy will do it with a smile. is not the tidiest but you can now eat your orange while sharing with him. has a vibe that he is sort of used to doing this somehow. a total win still. if you do the same for him he will get flustered. also asking this is one of the quickest ways to get mr. egoist switches to mr. sweetheart boyfriend.

“Eh, why are peeling one too? I already… for me…?…I, uh—I see. Thanks… I—I am… give me a second.”

kaiser

you are the one who will peel for him—unless you throw a fuss and give him a silent treatment because this guy's pride is no joke. he can, he just doesn't want to. but to appease you and gain back his rightful spoiling, he will. afterward, at least, he learns his lesson and when you are about to peel one yourself, will take it and peel it beautifully for you like a second nature.

“…the fuck are you staring at? Just take it. You are about to eat it anyway, right? Then what's the big deal?”

bachira

yes, he will no question asked but is it worth it. probably will make a mess out of his energy. you will be laughing along with him somehow though so it is worth it. having the sunshine doing anything in front of you is a guaranteed smile-inducing routine. as for the orange, please do switch to other alternatives, for example: kisses, as suggested by him.

“Isn't this better than orange? Huum, huum! More healthy, sweeter too, right? Another one?”

chigiri

depending on his mood, you will either get a very cute orange peel or a half-peeled orange (at best) you have to finish peeling yourself. on the former, you get a smug bf who will feed you like it's a pocky stick. on the latter, you better be the one feeding him while hugging and cuddling him. multitask somehow. also, give him kisses because he is called a ‘princess’ for a reason.

“Ah, being in your arms being fed like this… yeah, yeah. I know don't worry. I will repay the favor.”

nagi

realistically, you will be the one peeling it for him and forcing him to eat one. because why would he even touch one? he is too lazy for that, nothing personal. but, let's say he really, really loves you: he still won't, he will just give you orange-flavored jelly in replacement. it does come from a place of love though, he genuinely thinks it's less troublesome to eat and, hence: better.

“Eating that is troublesome. It taste the same too. We can also do it while kissing. Mouth to mouth. Better right?”

reo

normally, will get a servant to peel it for you and him. though: can he do it? will he do it if it must be him? no question asked, absolutely will, all while chatting and staring at you with so much love. totally mr. k-drama male lead. you and your premium orange are in good hands.

“Oh, man, you are sometimes really …huh? Nah, I mean, I like doing this. It's just now I feel like I have to do this every time, so… yeah.”

rin

the first time, he will click his tongue and mess up. he will crush the orange. better never speak of it again, just know he loves you wholly despite everything. then a week passes and suddenly you will get a professional competitive orange peeler part-timer. without asking. just eat your orange. unless you are sick of it or it makes you actually sick.

“Did the orange taste good? … good. Nothing. You just look… nevermind. Do you want another one?”

sae

will he or will you. realistically, no? there are two possible reasons: 1) he can't. his whole stat is in soccer. 2) “you can't?” aka is it worth it getting judged by him. in case #2 though, just act cute and aim for his soft spot for you, he will fold and peel it with you pressed to his arm. he will grumble or glare but that's just itoshi-esque tsundere.

“You can't do something like this yourself? This will be the only time I’m doing this… Also who told you to move away?”

barou

our king. will peel the skin and the white fiber for you. tidy peels and if you know your way around his heart—you do just smile or blink and he is gone—he will also feed you. 10/10 execution no notes. probably will do this in kotatsu, dinner tables, and other domestic settings that are not bed while being a tsundere.

“I’m doing this just so you don't make a mess, got it? Also, scoot closer, your leg is kicking me—what do you mean I’m lying?!”

bonus

kunigami will, both before and after wc because you are his world. the difference would be in his expression only and there is that because his love for you would never change. shidou will but genuinely, please just peel it yourself. aiku will, not without teasing you though. gagamaru will either will or teach you how to eat the skin too. zantetsu wants to do it, but it will be really messy so please just don't. hiori will do it like a sweet boy, but if he is in his sadistic mood he will tease you for a bit before finally feeding you.

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gildedpomegranates · 10 days ago

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Ideas for Season 2 I Would've Liked to See/Explored More:

Ambessa explicitly acting as a motherly figure to manipulate Cait, who's grieving a mother. Especially since Cait had a complicated relationship with her mom, centered around Cassandra being overly protective/unsupportive of her choices, with Ambessa being everything her mom wasn't.

Jinx and her relationship with Zaun. In s1, she doesn't have much of one due to isolation (encouraged by Silco as well as self-imposed), other than the fear and discomfort she inspires. She doesn't have to become a revolutionary (although its odd that there was so much marketing and set-up for it), but at least explore that. People who love her, people who blame her for Piltover's retaliation, people who are unsure. This could also be a great chance to establish more about in-universe Jinx and Ekko, since Ekko's character is very centered around the people of Zaun.

Vi as a person. Having a chance to explore who she is outside of being a sister-mother and a prisoner. Struggling with making choices for herself as someone either completely robbed of them (as a prisoner) or who couldn't afford to make selfish choices (as a caregiver). Exploring her immense untouched trauma, as well as her relationship to Zaun. Her guilt as an enforcer possibly causing her to double-down in support of the revolution, maybe by joining the Firelights and supporting Ekko.

In a similar vein, Jinx as a person. She's established as a character that latches onto one person (her main caregiver) and has a tendency to absorb parts of that person (morals, behaviors, etc). I would've loved to see her without a main person, possibly as a parallel to Vi. Vi discovers who she is without someone to protect while Jinx discovers who she is without someone protecting her.

Cait and Jayce's relationship. It was completely thrown to the wayside. Overall, s2 tended to sideline platonic and familial relationships for romantic ones.

Ekko as a person outside of his relationships to other characters. We know like? Nothing about him and his time during the time skip in s1. Does he like being a leader? Does he not know how to define himself outside of being one? Does he resent being forced into the role and having to grow up way too fast? A combination of all of the above? How long has he been the leader? Was it him alone that established the Firelights, or were there originally older rebels that passed long ago, leaving only him? Like please, let him be a character. I know people joke about him being perfect and universally unproblematic, but a lot of that is because they don't give him enough screen time or any realistic flaws or let him organically develop beyond being a plot device.

Jinx and Ekko's relationship. This doesn't have to be romantic, just them and their in-universe dynamic please. At the end of s1, we had this big moment where Ekko, who had been coping with it by insisting Powder was dead, realizes that Jinx is just grown-up Powder, and that he can't kill her. s2 then does nothing with this, fobbing him off into an alternate universe with an alternate Powder. I would've loved to see Jinx and Ekko struggling to work together, getting to know each other in a capacity other than enemies. Ekko emulating Vander's 'we don't give up our own people' and protecting Jinx from Piltover despite his better judgement.

Y'know what? Ekko and Sevika. Both two people desperately fighting for Zaun, in two wildly different ways. I would've loved to see them interact. They probably would've gotten into a fist fight, but just imagine the Ekko-Sevika-Jinx power trio heading the revolution.

The Wolf vs the Fox. Mel as a formidable politician, working in the shadows to undermine her mother. Her putting everything she's learned in Piltover to use, weaponizing the lessons learned from her banishment. If they were so desperate to include the Black Rose plotline, they could maybe have Mel becoming obsessed with protecting Piltover from her mother and going so far as to ally with her brother's killers.

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prettyinpwn · 4 months ago

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Stan Pines: A Masterclass in Character Writing and Symbolism AKA Stan is Godly, Literally (GF Writing Analysis Pt. 5)

If you're interested in reading a similar writing analysis on Ford Pines, please visit this page.

I've wanted to write a post on Stan for a long time, because I'm going to make a bold claim: he is THE best written character in Gravity Falls. I literally have never been able to find a flaw with his writing, and the reason? Not only does he have the markers of quality I mentioned in my post about Ford's writing (a want, need, character arc, realistic flaws), but...

I would also argue he is THE main protagonist and hero of Gravity Falls if I had to pin it down to just one, and his character arc matches the external conflict, that being Bill Cipher and the theme of growing up vs. staying in childhood and ego vs. selflessness, in ways that are just - and I'm not exaggerating - poetic. And the best part is, he had a lot more time and attention in the spotlight in the show than Ford, so everything I mentioned in the other post that was good about Ford's writing, ramp that up x100 for Stan.

His character also touches on multiple other fantastic themes: breaking generational trauma, healing broken familial relationships that seem unfixable, redemption, the misunderstanding of the family "fuckup" (although Stan is not that in the least, but that's part of his character arc), positive masculinity, true brotherhood, self-love, self-identity, and probably a million others I'm missing and will find out even just as I write this.

As for the godly part, well... you'll just have to read to the end. And no, I'm not kidding or exaggerating, either.

Okay, okay, gushing aside, let's get to the analysis. I'm not sure this will be as neatly structured as Ford's was, but there are just so many damn good things about Stan's writing that it's hard to stick to just one point. Let us begin.

Stan's Backstory: I Am Not Ford and That's Bad + Protecting/Providing for Family > Everything Else

So as I discussed in my post about Ford linked above, much of Stan's childhood revolved around Ford. His entire existence as a child was summed up by one question: how do I compare to Ford? This is especially emphasized in how their father, Filbrick, treated them. One of the end credits ciphers in the show reads as follows:

"A STUBBORN TOUGH NEW JERSEY NATIVE, FILBRICK WASN’T TOO CREATIVE, HAVING TWINS WAS NOT HIS PLAN, SO HE JUST SHRUGGED AND NAMED BOTH STAN."

Haha, very funny. But OUCH. Imagine knowing that your whole name is your name, was because your father only expected one son and was too lazy to come up with anything else. So literally, Stan doesn't even have his own name - his own identity - technically. Stan also was apparently the second twin born, so came in "second" even from birth, and being Ford's (either identical or very similar fraternal) twin, well... it's hard for someone to untie their identity from their brother's with those factors surrounding them as a kid.

There are many other factors that illustrate my point (Ford got Filbrick's name as his middle name, the way Filbrick literally put Stan on the lawn for sale as a kid for failing a test, etc). All in all, Ford receives their father's love, Stan does not, although we could argue that this isn't that great for Ford, not really, as I did in my post on his writing. Because it's a love that comes with a, "I'd also like to use you." attached (just like Bill, gee).

All in all, it's very obvious from all these context clues that Ford was the beloved one, and Stan was the unexpected one, from birth to the end of Gravity Falls, where he uses that to his advantage - albeit in a different context - to defeat Bill Cipher.

Worse yet, Stan happened to have a twin that was extremely smart and talented in a way that was easily noticed. Ford is a Golden Child, as I described in his own writing analysis post, and siblings of the golden child like Stan? Well... the other sibling(s) are often the Scapegoat. As the source in the last sentence states, the Scapegoat is "often blamed for family mistakes, discarded, neglected, and has been gaslighted into believing it was their fault. The scapegoated child is usually assigned at a young age and often carries this role through to adulthood and never loses the unfortunate title.". This can highly affect the Scapegoat's self-esteem, even into adulthood.

This page also covers the Golden Child vs. Scapegoat dynamic. Pay attention to these quotes from this source:

"You are the one the parent will come after when things are going wrong."

"You are subjected to their emotional and verbal abuse the most."

"You may even feel like you need to fix your broken family."

Also, take into account these panels from the comic, Lost Legends, released after Gravity Falls ended:

Yikes. A child doesn't say these things unless a parent has taught them that everything they do is wrong and they are lesser than their sibling. This kid's noticed how Filbrick looks with pride at Ford, but not him. And here's the thing: the item Stan stole in this comic that made Filbrick mad? Stan did it to clean it to make his father proud. Sound familiar? In the events of Gravity Falls, Stan works on the portal for thirty years and gets Ford back, and he gets... yelled at for it. Stan always has good intentions. Although, Ford has a point in the above comic panel: Stan does take shortcuts that get him into trouble. He did almost get jailed by the US government and end the universe to save Ford.

But this is a consistent theme with Stan's character throughout the show. Even WE as the audience first see Stan the way his family did - a conniving scoundrel and money-grubbing criminal - but through the events of the show, just as Stan's family starts to realize it, even when Stan does things that seem bad, like stealing radioactive waste, working on a portal described as a potential cause of the end of the world, has a ton of different identities, etc... we find out Stan had good intentions all along.

Even Stan's greediness? That need for money? That also stemmed from the same good intentions, because how ELSE was he going to afford Ford's mortgage to keep the Shack in order to keep working on bringing him home? It was also likely something ingrained into him from when he was kicked out. Because Filbrick told him, basically, until you make us the money that Ford losing his chance at West Coast Tech cost us, GTFO. Literally. :'(

So Stan... really IS not what he seems. He seems like a fuckup, a criminal, a liar, and a greedy conman. But really... he's a family defender, protector, and supporter. Want to have your mind blown? Intentional or not, let's look at the very first scene we see Stan in in the series:

"Oh look, I'm a monster!"

"Just kidding, I'm not. I'm someone else under what looks like a monster."

Yes. Stan's whole character arc is foreshadowed in like... three seconds in the first episode. The very first time we see him. Not just his arc, but also his role as someone that seems deceptively evil but is actually good. And not just the arc that Ford and Dipper take from distrusting Stan to finally understanding his good intentions, but also the realization WE as viewers have about Stan as we follow the story. Additionally - which we'll get into later - it's symbolic of Stan's internal character arc he takes across the series of realizing he himself isn't the monster that his father planted in his mind as a child, but a good person worthy of love.

All of that... in a few seconds of animation. If that wasn't intentional, then DAMN did the writing gods smile on the Gravity Falls team the day they planned this scene. Back to the point about who Stan really is: the family "fuckup" (not really, but we'll get to that later), and a family defender and protector. This is the true core of Stan's character throughout the whole series. Not only was he Ford's defender as a child, protecting him from bullies, but you know those scenes the fandom universally agrees on were Stan at his most badass? Ahem...

"Everything I've worked for, everything I care about, it's all for this family!"

"Turn around and look at me, you one-eyed demon! You're a real wise-guy, but you made one fatal mistake: you messed with my family."

Yeah. Look at what Stan is doing in EVERY single one of these scenes: protecting his family. And as bad as Filbrick was, just like I explained in the post I made about Ford's writing... Filbrick also passed down some things to Stan that make him the hero he is. And it's also stuff that Stan passes down to Dipper:

Yeah, it kinda sucked for Dipper at the time. Was it a perfect way of teaching a child to be tough? Er, no, although another mark of a well-written character is that they can make mistakes and have flaws; Stan's not perfect. And the fandom has criticized the way Stan passed down this lesson to Dipper, because it can be considered very similar to the way Filbrick passed it down to Stan. But look what it did: when the world fights and threatens his family, just like Stan, Dipper fights back. With punches, too:

So... to summarize this first part: Stan was taught from childhood "I'm not Ford, and that's bad. I am a monster unworthy of love that always messes up.", and his role is a family protector, which started with how he protected Ford from bullies as a child. This is the core of his self-identity. So let's get into the writing techniques that make a well-written character that I discussed in Ford's writing analysis post...

Stan's Core Want vs. Need

I'll quote my explanation of want vs. need from my own post on Ford I made about a year ago:

"When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:

1. Their want.

2. Their need.

On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.

But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?

This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.

Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.

So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."

I'll summarize Stan's character writing using these concepts right here, like I did for Ford in his analysis post:

“I want to be Ford because I want to be loved like he is, and I want to protect those I care about and do the right thing. But what I need is to realize is that who I am - not Ford, but Stan - was good enough all along, proven by how I've always protected those I care about, and I never NEEDED to be Ford in the first place. This stems from a wound from my childhood where I was a scapegoat child treated like a fuckup who never did anything right and could never measure up to Ford, and was conditioned to think that being like Ford was a ticket to earn familial love. I had what I needed all along: myself, because I am good enough and worthy of love, despite what my father taught me."

Stan's Arc: I Am Not Ford... and That's Okay

AKA Stan's arc is basically: learning to love yourself and be yourself, even when you were conditioned to think you have no value. Don't believe me? Guess what Stan does for thirty years: pretends to be Ford. And he literally does it by pretending to have died. He "kills" Stanley Pines AKA himself in a staged car crash to become Stanford Pines.

And guess how he defeats Bill? By pretending to be Ford. His greatest weakness is actually his strength, and then he flips it: he reveals to Bill that he's not Ford, he's actually Stan. And THAT'S when the antagonist of Gravity Falls is truly defeated - an antagonist that represents stasis, lack of change, and with The Book of Bill's context, an antagonist that never freed himself from his own past - is when Stan learns to accept himself and admit who he really is and learns to let the past go. And it's telling that this is what he says when he does it:

"Heh. Guess I was good for something after all." AKA: "Yeah, fuck what Pa said about me."

There it is. The moment of Stan realizing his father was wrong, and he was wrong for thinking himself a fuckup all those years. And this is the expression he pulls at this moment of realization; at the peak of his character arc, all while burning in flames like a phoenix reborn. It sounds corny when I put it that way, but LITERALLY, all the fire symbolism feels like it wasn't foreshadowing Stan's death, but his rebirth as himself after pretending to be Ford all those years. He's not burning who he is, he's burning away who he thought - who he was told - he was. Funny that it takes place in the mind, huh?

This is the face of a man who is at peace and finally loves himself for the first time in his life. That ain't just his mind burning. That's him punching his demon that's haunted him and his brother their whole lives, protecting his family as always, and, symbolically, punching a demon that represents the show's overall antagonist of the shackles of staying stuck in the past, forgiveness, and the value of moving on. He literally punches the antagonist - staying stuck in the past - to pieces and THAT'S when he wins.

Also, can we talk about how Bill and Filbrick share color schemes, and Filbrick even has a brick-like pattern in his suit (also, I mean... come on, he's got 'brick' in his name)? I'll let you make your own conclusion about what that means for Stan's character arc:

It's also telling that Bill Cipher's backstory is that he burned his home dimension and loved ones - including his family - to ashes. The Axolotl - Gravity Falls' equivalent of basically God, from what I can tell - says himself about Bill in one of the books released outside of the show:

"Saw his own dimension burn. Misses home and can't return. Says he's happy. He's a liar. Blame the arson for the fire."

Bill misses home. He wants the past and to hold onto his family, just like Stan and Mabel do. Isn't it funny how whenever Bill shows up... time stops?

And look what Bill says in Weirdmageddon: "This party never stops! Time is dead and meaning has no meaning!"

Time stopped. He just wants fun. He's almost like a child that never grew up. And... look at what it was that Stan wrecked in A Tale of Two Stans as a teenager:

A perpetual motion machine. That thing that's not supposed to stop, just like time. Stan 'breaking' time by wanting to hold Ford in the past, with him, instead of leaving him to go to college while Stan was stuck in the past/Glass Shard Beach? That's what broke their brotherhood.

But what makes Stan a hero, and Bill a villain, is that he lets go of the past and his childhood. Bill never does. And he's defeated when Stan lets go of the past, something Bill never did. Why? Because he has family to make facing the future easier. He has familial and self love. Bill doesn't, because he killed his own. (Sorry, got off track again, but Stan's arc and story ties so deeply to the other characters' and the main themes that it's hard not to take some detours, because it illustrates just how well-written Stan is. Gravity Falls' story IS his story.).

Wanna know something cute? Wanna know how Stan realized he had worth during that scene after he defeats Bill? Why I'm betting the show runners showed Stan clutching to a picture of Dipper and Mabel as this happens? I'll give you one guess why Dipper and Mabel are so important to Stan, and why he clutches to their photo even as his mind is burning apart in the finale:

They're the first family members since Ford (whose love he'd lost) who loved Stan for who he was, not for who they thought he should have been. Mabel trusting Stan in Not What He Seems is basically the first damn time Stan's heard in thirty plus years from a family member that, "Hey, I trust you have good intentions and aren't just a lying fuckup. You're not a monster. You're not what you seem.".

Also, he's protecting his family. That always makes him happy, too, of course.

Ego Death and the "Stan is Godly" Part

Yep, we're taking this analysis post train all the way to "damn this is deep and PrettyinPwn is likely crazy for noticing it" station. The only reason I'm tacking this part on is that I saw a Q&A with Hirsch recently that sparked my attention. He was on his The Book of Bill tour, and someone asked if there was anyone more powerful than Bill in Gravity Falls lore. Of course, Hirsch said the Axolotl, but what he said about what Bill vs. the Axolotl stands for caught my eye:

The video in question. The question and answer starts around 21:22. The quote I want to point out is, though, is what we learn about these two beings:

Hirsch: "Bill's weaknesses in terms of his overconfidence, his ego, and his lack of ability to focus on one thing at a time are things that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him because of those things."

So when we boil the conflict of Bill vs. the Axolotl down to simple terms - what makes evil vs. good in the Gravity Falls universe - is this: ego and selfishness vs. no ego and empathy.

Guess which characters wrestle with these themes? The correct answer is: ALL of them. But especially Stan and Ford. This is really what their conflict is about at the core. They both struggled with ego and selfishness, and that's when - in the story - they lose most. But they win when they choose selflessness and empathy. When they... drum roll, please... partake in ego death.

Well, let's describe an ego death. First, we must define what an ego is (source for all of the following quotes):

Ego: "The ego is a sense of self that you develop at a young age." and, "-relates to your feelings about your own importance and abilities.".

*cough "I'm the family fuckup and poor man's version of Ford because that's what people taught me to believe in my youth." cough*

And an ego death "-is the (often instantaneous) realization that you are not truly the things you've identified with, and the "ego" or sense of self you've created in your mind is a fabrication. In some instances, it can offer a profound feeling of peace and connectedness with all that is, as the walls of separation the ego creates come crumbling down."

*cough "I'm not Ford's poor copy, I'm not a fuckup, I have worth, and I realize this in my literal mind as I pull this expression-

-of total peace as the walls of my mind literally BURN around me" cough*

And, "When one comes through on the other side having released all the things they've identified with, with only their true spirit left, Kaiser says, they begin to live from a place of pure love."

*cough "I'll hold a picture of the ones I love and realize self-love as my mind burns around me because this is who I really am: a man who protects and loves my family and my family loves me" cough*

Cheeky asides, well... aside, are you seeing what I'm getting at, folks? Look, I can't prove that Hirsch and crew intended all this, but in my opinion: you wanna know why there are so many gags of Stan or versions of him melting or burning in the show? Why fire is such an important symbol surrounding him? Why there are so many times he's killed his own identity and became a "new" man again and again and again, be it as a young grifter, or as a drifter who became his brother to bring him back again, or as an old man who "killed" his own mind to save the world and his memories returned?

Because it's ego death. The rebirth of true self from a lie you were living. That's literally what Stan's arc is a metaphor for. Even better, he reaches his character arc's zenith when he does this:

That's not an old man punching a stupid little bastard. That's an old man punching what threatens his family, punching his own past, punching his own demons, punching his brother's demon, punching his prior identity, and - given that we know that Bill is a symbol of ego now - punching the personification of literal ego and letting it burn. There are, let's count, seven symbolic meanings in that punch at the very least. Maybe eight if you count that the rightside-up triangle is the alchemical symbol for fire, and by Stan beating it, it's symbolism of his defeating the fire that's eating his memories AKA why he gets his memories back. I could find more, probably.

And yes, the chubby old conman we love so much - and is the opposite of spiritual both in action and in Hirsch's words (he's said Stan is an atheist as an adult) literally has a character arc where he attains spiritual enlightenment that aligns with the god of the Gravity Falls universe - the Axolotl, who has no ego as Hirsch said - hidden under many layers of symbolism. I don't know if Hirsch and the writing crew planned this with Stan, but holy damn... this is what I meant when I said that Stan is the best written character in Gravity Falls, even if this part was unintentional. There are just so many layers of meaning here.

And the best part? Stan was this hero all along. Everything we cheer him on for - be it punching zombies to protect his niblings or spending three decades of his life trying to get his brother back - is when he's being selfless and empathetic. We love Stan as a character because he has a big heart. He's a good person because, as we described above, he is - through beating ego in a universe where its god represents a lack of ego - godly.

No, fangirls, put the sexy Hunkle art down. I mean literally spiritually godly in the Gravity Falls universe, at least in the way good and evil is portrayed in the themes and worldbuilding. No, I'm not exaggerating, either. Let's return to that quote about the Axolotl's powers and why he's stronger than Bill:

"-that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him (Bill) because of those things."

Well... guess what Stan does? He loses his ego so hard he regularly kills his own identity multiple times in his life and goes through a symbolic ego death, he thinks on a long scale (thirty years long), and is empathetic and selfless to the point of sacrifice. And the Axolotl in real life lore? Xolotl, the god of Aztec myth? Guess what he's a god of (source):

Why I highlighted "vulture"? Honestly, this is just a neat little thing I wanted to point out, and was a part of a massive theory I was writing about Stan and Bill that sadly never came to fruition (although I may return to it someday), but here's a hint: what was Stan and Ford's school mascot in New Jersey?

I'll let you take away from all the above what you will. Let's just say: there are a LOT of similarities between Stan and the Axolotl and its real life god counterpart, Xolotl. Does that that mean he's literally the Axolotl when I say he's godly in the Gravity Falls setting? Maybe not.

Here's one last odd something that caught my eye. This is also a leftover from that theory I mentioned above, but I'll just... leave this here, because I don't think anyone else has ever pointed it out before and it expands on what I've been talking about:

Stan in the opening. The first time we see this guy, technically. He's sitting in his favorite chair. And as we all know, he turns to look at something. But just where the hell does he turn to look?

Half of you are like, "Well, what? What's he looking at?". There's a blue glow to his right, and you know what that blue glow is? The tank, which happens to have...

Could be a coincidence, maybe unintentional, but it's... kind of odd, not gonna lie. To have a character that embodies the traits of the setting's god look over at the setting's god the first time viewers see him. Just... a bit strange... and Xolotl was also a shapeshifter god, and given that Stan goes through so many identities in his life... and axolotls are able to regenerate limbs and so are a symbol of healing and rebirth like Stan - whose whole story is about healing and having multiple "rebirths" - is...

Anyways, I've gotten far off track mentioning things from that theory just for fun that I never posted. I may still post it, so I won't spoil all of it or list any more of the very odd coincidences between Stan and the Axolotl, but all you need to know from this post is that Stan shares a lot of similarities with his setting's god in symbolism, and embodies the power of the Axolotl AKA godliness in the Gravity Falls universe: no ego, selflessness, and knowing how to play a long game, because those are exactly the traits he uses to defeat Bill, as well as the traits that help him resolve his character arc wound.

So... now what?

I'm not really sure what to put here, to be honest. This post was a lot more meandering than Ford's was, but that's because there are so many different aspects of Stan's writing that are amazing, especially in symbolism. I hope it was coherent and made sense. A part of me was considering leaving out the ego death and Axolotl parts, but I thought it interesting enough to keep in. Let me know your thoughts!

#stan pines #stanley pines #gravity falls #gravity falls analysis

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