What's your take on Odysseus's trauma and recovery back in Ithaca?
*looks at all the comics I made*
Lol but really, I realistically expect it to be severely rocky. He’ll have good days, mostly bad days, but what keeps him grounded is of course his family, you know?
But imagine losing your entire fleet under your command...
...only to come back to an entire population of thousands of people, expecting that you will lead them.
What if he fails again?
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Amity is a Dimensional Dump
So! Amity Park is a hub of weirdness of all sorts, mostly undead, but there are also a bunch of Multiversal oddities connected to the small town.
There are the minor anomalies. 5th Street has a bad habit of slipping into the Backrooms, Old Lady Jenkin's House sometimes has snow in summer, and of course the Night Sky had a 20% chance of swapping views to another Galaxy. Danny likes that one a lot.
But the biggest Anomaly is how many Multiversal Travellers get lost there.
They are always finding somebody wandering the streets with no idea where they are, and have to help them find their reality of origin. Other times they decide to stay for various reasons, ranging from a bad home life to being the only survivors of a Dead Universe. Half of the population if Amity was made up of the descendants of Lost Travelers, so their DNA was really a mixed bag.
Danny was flying over town when he spotted a Blur on the ground below.
He flew down to intercept, and found a boy in red and yellow panicking over his situation.
"Hey! Can I help you?" He called out.
The boy looked up, and gasped "Are you a Hero? I need help getting back to the Justice League!"
Danny chuckled, "Which one?"
The boy looked confused, "The Adult One? I guess?"
"Not what I meant, sorry. I mean, which Dimension are you from?" He clarified.
"Dimensions? What is going on!?" He shouted.
"Okay, let's calm down and restart. My name is Danny, who are you?" He introduced himself.
The boy took a deep breath, calming himself, before saying, "Okay, my name is Kid Flash, but you can just call me Wally."
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Okay you can’t tell me that Vlad doesn’t have an organ somewhere in his mansion. Upon learning of this, Danny would teach himself how to play the Haunted Mansion theme on the organ and play it at 2am.
Vlad Masters is away on business in Gotham, and the Fentons are coincidentally there for a symposium on ecto-activity. So it’s perfect! Except he goes to the wrong house, er mansion.
Honestly, Danny thought it was one of Vlad’s many mansions. Scaring the old man is his favorite activity after all. There’s a higher amount of ectoplasm here, so it has to be Vlad’s place right?
When Bruce comes out (on one of his few nights off) and sees his carbon copy playing the organ, all thoughts fly out of his head. Danny finally looks up and also blue screens. They stare at each other for what feels like an eternity until Danny’s cell phone rings (the ghostbusters theme??) and he panics. He jumps up and makes a break for the other door rushing through apologies “SorryWronghousegottagobye!” And runs out of the room. “Wait! Who are you?”Bruce exclaims as he rushes after him. They’re on the second story in one of the rooms he rarely uses. How did he know where the organ was? No matter. He’ll catch the kid on the stairs.
Except the kid is already almost at the bottom. How did he get down so effortlessly? The kid practically floated down the stairs.
Bruce gets to the foyer just in time to see the kid realize the door was dead-bolted in multiple spots. He won’t be able to undo them all before Bruce catches up to him.
He slows down and stands behind a pillar, assessing his next move. He needs to be careful here. This is a child after all, no need to spook him any more than he already has. He needs to slowly approach, and ask his questions.
But then the kid does the unexpected. After looking around frantically, he takes a deep breath. Two rings form around his middle and travel up and down his body. His black hair turns ghostly white. He looks back, almost directly at Bruce. His eyes widen as if he realizes he’s being watched. He whispers, barely loud enough to hear, “I’m so sorry, please don’t follow me.” Then, he backs through the locked door and vanishes.
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