#but one's v the other isn't

[aggravateddurian]

Chorus Timelines | Vega 'V' Hawse

Vega is my female V, as Vincent Gonzalez is my male V. She's unique in being one of the

Neither of them have good luck.

Ironically, the best timeline for Vega is Brother's Shadow, where she's not V, settles down with basically the girl of her dreams and gets to fade away and live the quiet life.

...and for Vince, it's Chorus/The President's Lady, where he isn't V. He eventually leaves the city with his partner and settles down somewhere out of the way to live the quiet life, free of Arasaka.

The moral of this story? Being V is bad for your future prospects and happiness. Don't be V, kids.

"Going down in history is overrated, anyway."

Trey Marshall, 2077 (this is an actual Trey quote from Brother's Shadow)

[mellosdrawings]

Oh love your losers forever number 2 group doodles. Seeing the doodles, I realized Leona and Vil are together longer than with Jamil.

Well, even on the off-chance that they weren't already dating before, they've still known each other for a while longer, while Jamil was off in his corner pretending to be mid and trying not to attract attention.

In both cases, Leona and Vil would already have their own habits/banter and Jamil, who is barely getting used to standing out and competing against "higher status" people, would take more time to feel comfortable.

(I have paragraphs of potential dynamics between those three, I could talk about them for hours haha)

[howlsnteeth]

don't wake me don't wake me don't wake me up

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[chiropteracupola]

an assortment of my temeraireverse fic-dragons!

[cygnet and honoré are from fifteenth-century britain and france, aquilillus, flavia magna, and bán are from second-century britain, and cipachcoatzin is from sixteenth-century mesoamerica]

[mamawasatesttube]

timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[jicklet]

Wait. You're not coming with us? I'm done running away.

Star Wars Rebels – 3.16 “Legacy of Mandalore”

[zareleonis]

A little clarification on how Neuvillette addresses Furina in her story quest—in English it's rendered as "Miss Furina," and shortly after "Lady Furina," implying he uses a different honorific each time.

However, in both these lines Neuvillette actually uses 女士/nǚshì, the same way he has always addressed Furina in the past, barring the instances where he only uses her name, which he only does in private and generally not to her face.

When Furina asks the NPCs in the quest to stop calling her "Lady Furina," they switch from 大人/dàrén to calling her 女士/nǚshì/Miss Furina. Previously Neuvillette was the only character who called her that. When he did, it was always rendered in English as "Lady Furina," the same as the other more reverent honorific.

So no actual change between them in this regard, just the translation team finding themselves in a bit of a bind over how to translate it going forward where the two are concerned!

[mswyrr]

This moment shapes how I interpret where they will go in season 3. In the book, Rhaenyra relies increasingly on Mysaria as her advisor as the war continues. Including during some of the darkest chapters of her reign. I can see the seeds of that here - Rhaenyra committing to a path of taking and holding power by any means necessary and Mysaria supporting her in that, believing that it is justified by the kind of queen Rhaenyra will be (and their apparently now shared belief that the gods have chosen Rhaenyra - very significant that they're on the same page religiously in that, or that Mysaria is choosing to say that she shares that view. With Dae/mon's visions and commitment to Rhaenyra as the ruling queen, that makes three people on this "team" who are all in on mystical fanaticism).

I think it's important that, despite Rhaenyra and Dae/mon's reunion in a prior scene, it is Mysaria who Rhaenyra shares her doubts and moral discomfort with. It is her opinion alone that has that weight. This is due, I believe, both to Mysaria's own history as a low born woman who has suffered due to that, her advocacy for the smallfolk, her support and loyal validation of Rhaenyra, and the long-term fractures of trust in his judgment Rhaenyra had with D/aemon over young Jaehaerys' murder and their prior disagreements over who will "rule" in that relationship.

Rhaenyra is Rhaenyra - she has always craved love and will not deny herself any connection that sustains and comforts her. But I think that, going forward, the "lady wife" role Mysaria can play to her [a role that, as I've argued before in this meta, Rhaenyra seems to crave in her life and has since her youthful bond with Alicent] will be vital to shoring her up, intellectually and emotionally, and that Mysaria's strategic thinking will be important to her as well.

Their bond will be an essential one for Rhaenyra going forward, imo, based on s2 and the book info. I hope the studio is brave enough to let the queerness of that bond be clear as the story continues.

[moeblob]

idk if it's a fun fact or not but! Right's favorite color is green. He never wears green but it's his favorite color. then I've been working on silly emotes for my OCs and they're "disappointeddad" and "tryme".

(Also there is an AU where these two are knights along with Paul and Evelyn while Brent/Caspian/Atticus are princes. Chris is basically Caspian's personal guard while Right just runs around trying to do everything to stay busy even when not on duty which stresses Chris out. But since he's kinda busy with the crown prince it defaults to Paul having to babysit Right.)

[eriexplosion]

The thing about Tech's fall is that I've seen about 3 dozen polls over the past year on if people think he's Alive or not and the absolute highest I have ever seen the "dead" option get was a straight 50/50 on a site where the majority of people actively wanted him to be dead for Stakes. Most of them though only range from 20-30% thinking he's gone.

So the elephant in the room is that if he is dead then it's bad writing. Not because you can't kill characters but because if you do kill one and cannot convince more than half your audience that he's actually dead then however sad and well executed the scene might be in isolation, you wrote a bad character death. Whether it didn't follow from the plot or it wasn't written in a believable way, or any other reason that people might not believe it, you cannot have a well written character death that can't convince a majority of the audience that it's real.

And I just don't think they're that bad at writing! I don't think they'd be so lazy with the first major character death that they fail to make it feel final and believable! Tech is as beloved by the writers as he is by us, that much is clear, and I think that if he was dead his death would get the attention it deserved rather than happening and then never getting properly addressed for the rest of the episode because too much is happening at once. And I think that if he was dead, they'd have made it completely clear from the jump that he was.

[ikemenomegas]

good-ending!kakashi and itachi need to have a little former traumatized geniuses cooking club where they get comfortable with making little "mistakes" and putting imperfect dishes on the table and improvising without needing to explain themselves like it's life or death

[organized-chaotic-disaster]

Being fat is sexy, actually. And this includes people with body types that don't fit societal beauty standards (i.e., big bellies, double chins, fat arms)

Fat people are hot and we need to stop pretending they aren't xo

[imminent-danger-came]

“Mei! You have to stop. I know you’re upset, and that’s okay! I know what it’s like to have a power you don’t know how to control—

—to feel like the fate of the world is in your hands

and you have no idea what to do!

((How do you still not see that he has no idea what he's doing? How about this for a plan: stay down MK, or I will put you down.))

But you always have my back, and help me through it. We, will figure this out!

Together!”

[charliespringverse]

i think it should be possible to scream without making any noise or disturbing anyone or inviting any questions . just sometimes . as a treat .