#but no one knows where the FUCK she is

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[sweet-as-kiwis]

Heist time >:)

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[hychlorions]

this came to me in a dream

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[benevolenterrancy]

this description made me realise what one of my favourite MXTX character tropes is: Over-Worked, Under-Appreciated Employee Who Is Not Above Becoming Somewhat Evil About It

[scintillatingshortgirl19]

VERY interesting that this moment took place in the "woman in house and wilson's building thinks they're gay/dating" episode

also. hugh laurie's little smirk here really adds a certain . . . dimension to this moment that would not be there if he'd responded to the joke in a different way

[transrevolutions]

expanding on my previous post actually every single oiar employee (including lena) is autistic they all just have different and clashing presentations. that "weird interview" celia and sam were discussing in episode 6? yeah that was just lena attempting to give a poorly-disguised diagnostic test.

[starry-bi-sky]

DPXDC Idea: Mother of Monsters Dan(yal)

Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS

Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.

Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.

And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.

From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.

Earth doesn't know what hit it when she attacks them.

There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.

I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.

Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.

long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it

Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[whirlybirbs]

tbh i have a running gag in my head about the mha heroes + late night talk shows, but all i can really muster rn is: dynamight and sabrina carpenter on snl.

[cloysterbell]

Pete, I need you to stay here.

[grandwretch]

i do think peak comedy is a steve who is absolutely aware of the effect he has on people, but has never felt that way towards anyone else-- the closest he got was with nancy and robin, because he loved them both in different ways, and sometimes he felt like he was going to go insane if he didn't talk to them or touch them right now, but it was never like he had seen other people act about him. robin and nancy made him a better person. they didn't drive him to ridiculous levels of violence and obsession. maybe people in hawkins were just fucking weird.

and then he meets eddie, falls in love with eddie, and he's like... yeah, okay. alright. no, i get it. if anything happened to this guy i would steal the nuclear launch codes.

[fishareglorious]

Is Schneider the only italian that respects their food😭😭😭

[danandfuckingjonlmao]

so this is why you dressed up nice today like fuck off

[alcairsei]

i'm so tired. EVERY time i see a video of a middle eastern recipe, i go into the comments and see people saying stuff like "careful, or israelis will steal it and say it's theirs" "make sure it's clear where it's from so no one can claim they invented it".

guess what? most israelis DON'T claim that middle eastern dishes are solely israeli with no other roots. what a way to show everyone you don't know history. jews came to israel from all over the area and brought their dishes with them. that's why we make similar dishes. but these people just want to continue to assert jews as people without a homeland and a culture. well, fuck you.