#but no just remake the film for no good reason

[arttsuka]

I wanted to talk about Toothless and how his design and personality changed for the worst throughout the 3 animated movies (I won't be tackling any of the shows because I haven't watched them)

In the first movie he's at his best. His design is actually amazing, from the overall model structure to the patterns on his skin (which are visible in every shot, especially the ones taking place during the day, without ruining the 'illusion' of his black skin. It actually feels like it's resembling a panther aka black leopard in which the fur patterns are still visible). His face has a more aerodynamic shape, more sharp, a big curve.

His snarky but intelligent personality was really fitting for him. And we got to see more of it as the movie was progressing and he was getting more comfortable with humans.

In the second movie the patterns on his skin are still mostly there, way less prominent but still visible. His face got squashed down (a problem which only because stronger in the 3rd movie) but as a whole he still looks presentable, kinda. His posture changed too (but I'm too lazy to find evidence, you'll have to take my word for it).

I remember not having a problem with his personality in the second movie which is why I was surprised to see that this was only half true. He acts more domesticated, that's to be expected, but only around humans? When he interacts with other dragons it's like he's a completely different character, closer to what he became in httyd 3 than 1. He's still quite intelligent and more used to human equipment and people in general. In the first part of the film (especially this scene with Hiccup) he acts like how I'd imagine he should be in the 3rd movie, here it should have been a 'middle' ground, not 100% domesticated but not movie 1 feral either.

In the third movie he suffered the worst. Gone are the patterns on his skin, he's solid black now. His face got weirder too.

His personality got reduced to this stupid, slobbering 'dog'. His pupils are always dilated and his tongue almost constantly out. He acts unintelligent and he doesn't have that snarky personality he had in the first and even the second movie. He's basically a different character altogether. (That scene where he tries to 'woo' the light fury is embarrassing at best and shows exactly what's wrong with his character now).

They did it to make him more 'likable' to younger audiences + to make a good visual contrast to the light fury (who has an undercooked personality AND awful design as well), which is weird because they gave the light fury patterns on her wings?

The light fury looks like a beluga whale in the worst way possible. She has almost nothing going on visually to the point it doesn't even make sense. Her skin looks fragile, she's so weirdly smooth for no reason. It would legit be better if they took a night fury model and painted it white.

They gave her a 'cat' personality and took it away from Toothless (why couldn't both be 'cats'?). Also she's the 'girl' character, her only purpose is to be the romantic interest. She adds nothing to the film.

No comment in the live action design. Just ugly. Atrocious even.

Also something else that's been bothering me from the live action remake is this scene.

They've basically recreated every scene exactly as it was in the original so far (which is a bad thing) but the slight hesitation Toothless showed before touching Hiccups hand was the one thing they chose not to include? (I know the scene wasn't meant to have that in the beginning and it was an error in animation which they decided to keep because it gave the scene more personality so, why not include it in the live action?)

[fabcreature]

this is how i feel continuously seeing people act like the minecraft movie would be perfection if it was practically an exact copy of the game just without the interactivity

[kookies2000]

Just saying. 😂

[box-dwelling]

A meme from when I watched the original now the remakes come out.

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[httyd-art-requests]

So the teaser for the live action How To Train Your Dragon film has dropped. Have you seen it? Any thoughts on it?

I just saw it, and BOY do I have some thoughts about it lmao

Live action remakes already annoy me for several reasons, and as much as I want to be excited for "new" HTTYD media, it really misses the mark for me

The movie doesn't look original to me. It's so obviously a remake of something else that it loses any personality it could otherwise have. If the original HTTYD movie had been a live action movie from the start, it would have looked nothing like this, because the creators would have tried to create something that stood out from other movies. This one just feels like a checklist being completed in front of me: "right so we'll have this scene, and then we'll have this scene, and the dragon does this, and the boy does this, and then this is the part the fans like so we're going to recreate it 1:1", but no real understanding of what made the original as beloved as it is.

This trailer just looks soulless to me, but I'm holding out hope that the other trailers will show us more and hopefully prove me wrong

Toothless's design is... fine I guess? They made his hind legs digitegrade for some reason, which just looks very jarring to me. Idk why they felt the need to change it, it's one of the details that made his design feel unique to me. Like dragons' legs are almost always depicted as dinosaur-like and digitegrade, and HTTYD having dragons that have plantigrade legs feels really cool. The wings are comically oversized and he lost a lot of his personality based on the scene recreations shown in the trailer (like the silly People Sit he does in the original, now he just sits like a dog lmao) but it really, really could have been worse.

I slowed it down to catch some of the other dragon species' designs and eeeeeehhhh... They're recognizable, I'll say that. They also lost a lot of the personality that the original models had, they look a lot more uniform in their proportions. I really don't see why making them look "realistic" has to mean that they look more boring, when we have so many animals irl that look fake and made up because of how absurd they look. They could have had more fun with it is what I'm saying

Casting Gerard Butler as Stoick feels like the only actually good decision, his voice as Stoick just can't be recreated. Hiccup's actor is... also fine I guess, no strong feelings whatsoever.

The thing that bothers me the most is the lighting. The original HTTYD movie paid special attention to making the lighting look as realistic and believable as possible. It's atmospheric and helps you get sucked into the world while you watch. "Subdued" is probably a good word to describe it. It very intentionally doesn't go overboard. The lighting in the trailer looks fake as hell. They could be using real actual lighting conditions on set and I still wouldn't believe it's real.

Overall, I have mixed feelings despite all the negative things I just listed. I'm sharing in the excitement of all the people who want to watch it, but I'm still disappointed that it, like, exists at all. No matter what this movie ends up looking like, I'm always going to prefer the original animated movies. I'm open to being proved wrong though, I really hope this movie is going to be better than anything we're imagining rn

[archibaldtuttle]

Alien : Romulus - a 7/10 reason to stop making Alien films

This review will be spoiler-free

When I came out of the theater yesterday, after having gone through a viewing of Alien Romulus, I caught myself agreeing with my friends - this was pretty good!

And I am beyond poisoned about the Alien franchise since Ridley Scott got his grubby paws all over it with Prometheus. The only reason I made the effort to move my ass to the theater to see this one was because he wasn't directing (and also I didn't have to pay for it) (thanks sib).

I knew Alvarez from two of his previous films, the 2013 remake of Evil Dead and Don't Breathe. I am pretty mixed on both - they demonstrate solid filmmaking abilities and (in the case of Evil Dead), a deep respect for franchises he's adding to. However they are also a little heavy on the jumpscares for my taste, and in the case of Don't Breathe I just can't praise the film without having to mention that the third act twist is gross in an entirely unnecessary, shock-value way, that does nothing for the film thematically.

That did give me some hope for Romulus however, because that third act twist told me Alvarez likes talking about rape and impregnation. And contrary to Don't Breathe... that's right at home in Alien.

So what about the film then? It's good. Solid premise, I like that we're finally, finally, seven films in, seeing the planet-side society that births all those rundown spaceships. Good pair of main characters with on one side a demonstrably resourceful Rain and on the other a very nuanced look at the franchise's synthetics with Andy. The others are more forgettable but I can't blame that too much on the film - they're well characterized in a few short scenes and that's all I can expect really. The build-up is solid, the various ticking clocks and sources of tensions well established.

What I find particularly notable is the really good setpieces and the use of facehuggers in a way I've wanted to see for a long time. Very good physical effects supplemented by good to ok-ish CGI. The writing is very heavy-handed - I wish more people looked at what O'Bannon did with exposition before they write their own Alien scripts. I do give credit to Alvarez and his co-writer Sayagues for the cool concepts explored and the way they thread Andy's character exploration through them.

The editing is mostly blameless - I wouldn't call it great or even that good, especially with how hectic it gets during some more action-ey scenes, but you can tell Roberts isn't specialized or even used to horror films. I guess he took from his experience on Pressure which would explain a lot... The score is really good, one of the highlights of the film in my opinion - I've liked almost all I've heard from Wallfisch so I wasn't surprised to find out he did this one.

So why did I give this review a very baitey title. It became clear as I was watching the fourth, then the inevitable fifth act unfold, that we were, collectively, scraping the barrel on what can be done with Alien. Prometheus and Covenant, beyond the fact that they were garbage movies, were already trying desperately to find new things to do with the concept. Romulus succeeded, for the most part, in finding new ways to twist it into something interesting, something we hadn't seen before (or at least not entirely). And I'm pretty sure that's it.

I don't want more directors to spend months racking their brains to try and find three or more scene setups that haven't already been done in seven main films, two AVP films and countless video games, in order to string them together into a coherent 2 and a half hour flick. I don't think it's impossible, Alvarez clearly demonstrated that he could do it and I'm pretty sure other people could. But why waste so much time, talent and energy on a series that objectively does not need expanding upon?

I know why, it's because the current studio system is allergic to anything that doesn't have brand recognition. But I think it's sad. And I think it would be a lot more gracious to put an end to a franchise after a pretty good film that did all it could to honor its predecessors rather than try to keep squeezing more out of it until it turns into the horror version of Star Wars.

[mandacantu]

10 Reasons Why I Actually Loved The Crow Remake

FKA Twigs - I'm not going to sit here and pretend I am not a huge twigs fan, because I love anything she touches and especially her music. This was her first time as a leading lady and I thought she did a good job. I do think there were some points where her line reading could have been a little more fast paced in some spots, but overall, I think she was captivating, eloquent and emotional. And wow, so many stunning visuals that we got of her from this movie!

2. We didn't have to see depictions of brutal and violent deaths of women in this film. I didn't want to spend too many of my thoughts on comparisons to the original The Crow, but one thing I noticed was that I didn't have to endure the violent and sexually abusive death of Shelly or any other woman in this movie. I do like the original movie but never cared for the way they went all in on Shelly's death. In this remake, we still see Shelly die but we don't have to endure gratuitous SA scenes whilst losing the leading lady. I appreciated that and was able to relax more, honestly.

3. The villain had actual motivation for killing and being a villain. There was some decent backstory and character development for the villain and that is something that I always appreciate. Some of my favorite pieces of media (like Spirited Away and Knives Out) do well to at least give the villain a story or a reason for being bad. I think it adds depth to the story and for me, helps immerse me into the plot more.

4. It felt like a comic book come to life. From the color grading and palette to the way scenes were cut and moved from one to the next, it felt like I was flipping through a comic book. There were moments that were very whimsical in depictions of love and then very gritty scenes. The contrast in some of those scenes felt similar to flipping a page in a comic.

5. It was very romantic and spent a lot of time focusing on their love story. I thought their love was believable and felt like that whirlwind kind of love where you just want to party and kiss all night. It gave me a reason to care about both of the characters and it gave Shelly a place in the spotlight where she becomes so much more than just a symbol of loss for character development. Focusing on their love and giving us some romance was a timeless decision and puts their love story up there with Romeo and Juliet or Christian and Sateen.

6. Soundtrack was amazing! If you are into some new wave, some goth tunes and some dance tracks, this is the playlist for you. Beyond just the soundtrack, it was truly a different experience to see it synced up to parts of the movie as intended. The intro was amazing, I thought it was like a James Bond meets Underworld mixed with some NIN music video sprinkled in there. The folks who worked on the score deserve a standing ovation. There were moments where I was tearing up because of how well the music paired with the scene. Most memorable and moving was Joy Division's Disorder when they bust out of rehab together and a perfectly placed Boadicea by Enya. There were so many other good ones too, I'm seriously considering seeing it again just for the mini music videos you get from the film.

7. It was aesthetically pleasing. And I'm not just talking about the eye candy that was Bill Skarsgård, though lets give him his flowers for being a true Mr. Fanservice! The actual visuals were beautiful. I loved the cinematography and color choices. It was truly a feast for the eyes. Just take a look at this beautiful gif set by pizgif!

8. I could easily see a story about grief and the longing for justice for loved ones. I thought it was a good story and as I watched it, I thought to myself that the person who wrote the original comic must have gone through an immense loss. It wasn't until I looked it up that it seems to be confirmed that The Crow was inspired by such loss. The moodiness of the movie itself added to the weight of the tragic storyline. In that, I liked that it takes a while for Eric to become The Crow. Losing someone you love transforms you and in this sense, the movie is all about that transformation and pain and longing.

9. I liked the ending. I don't want to say too much to spoil it, but I enjoyed the different ending and I was definitely teary eyed and sniffling as I left the theater.

10. It was goth as fuck. I think goth can be a multitude of styles and honestly shouldn't be something that has a gatekeeper. This was emo-boy-goth, it was e-boy-tiktok-hottie-goth, it was goth in a different flavor. I think folks are quick to see this new Eric not dressed like a new-wave-leather-daddy-goth as decidedly not dark enough. To quote a favorite musician, he was "goth as fuck, even when [he's] not in black, gothic is the pain you feel and not the clothes that's on your back."

Closing thoughts: A lot of the negative criticism is coming from men or diehard fans of the 1994 movie, so I am not surprised. This rendition felt like the same story, just done differently and with more emphasis on the love story than the revenge plot. There is nothing wrong with that and nothing wrong with a gothic romance heavy action flick.

This was intended to be a different version of The Crow and that isn't a bad thing. I personally think that if they had done the styling to be an exact replica of Brandon Lee's rendition then the movie would still get tons of hate, if not more. It was a "damned if you do, damned if you don't" situation for sure. I'm glad they took a risk and deviated from the '94 version.

We have been doing remakes since the creation of art. It has always been common to hear that the new movie coming out is actually a retelling of this classic tale or continuation of that scary story. Remakes are not a new concept and some of them do well to tell the same story in a different way. We are in the day and age where there isn't really an original idea anymore, anyway. In a world full of countless retellings of Batman/Joker and Spiderman movies, why not remake The Crow? I say fire it up!

I think they do a good job to pave the way for others to retell this love story in the same vein as The Joker and Harley Quinn. Hell, I would say to keep going, next let's see a remake where The Crow is about two badass lesbians. (I might have gotten too peppered up watching the movie, it was hot.)

P.S. I loved that there were little things like Eric wearing Shelly's jacket later in the movie. I feel like a lot of critics saw him wearing this jacket and were quick to bash the costume design too, but this is the kind of attention to detail that made their love believable to me. And I thought he looked cute as hell in it.

Okay, the end.

[theconstantsidekick]

i'm here as a hater.

i watched red white and royal blue and i'm here to be a hater.

i was having such a great time on tumblr, looking over people's posts and then i went to letterboxd to leave a review and my fucking god. why are there so many people bashing this film for being a bad adaptation. worse yet, why are they queer?

i understand, trust me, i completely understand loving a piece of media and waiting impatiently with bated breath to watch the adaptation of it into another recognisable medium. i'm a mortal instruments girlie, i'm a last of us girlie, i'm a fault in our stars girlie, i'm a watchmen girlie. i get it. i do. sometimes maybe good, sometimes maybe shit.

but bruv, i am also a person who works in the film industry and you have no fucking clue the amount of effort it takes to make a film let alone a film that's an adaptation of a pre-existing, utterly loved piece of fiction that is revered by so many. and this movie goes one step further. this is a cheesy, cutesy rom-com about a queer couple. how many of those do we even have? no. really. how many hopeful, easy-going, cheesy queer rom-coms have you watched? can you count them on one hand? do you need a google search to remind yourself of them?

this film is a rare commodity and fine, maybe that's not a good enough reason for you to be 'lenient' to it... but it kinda is. no adaptation will be perfect, not really, not for everyone. every piece of media has it's flaws but adaptations most of all. but this film does something that you cannot dismiss simply because your favourite scene wasn't in it. personally i so miss alex's speech before the election results are announced. i miss ellen's powerful and amazing speech when she does win. i miss june, i miss raphael and i miss leo, and the powerpoint presentations and i miss cornbread knowing alex's sins.

but none of that will ever take away from the beauty of being able to sit in front of my laptop and watch the most intimate queer love scene i have ever laid my eyes on. it just won't.

anyway.... i'm rambling. the point that i was trying to make before i got lost in all this, was that you are obviously allowed to hate on the movie but like... be kinder about it? don't hate it because it's not a straight up remake of the book. don't hate it because it's cheesy. idk man, just hate kindly, if possible.

this is a huge step for us.

i don't want the response to this film to seem negative in a way that gives the (already reluctant) studious more reason to not make queer media for queer people, you know?

there will come a time in this life where we can hate and critique queer media without worrying about all this context but we're not there yet?

so i guess, like henry, i'm also asking for y'all patience.

however, whoever fucking said that nick and taylor don't have chemistry can suck my huge ugly metaphorical dick. fuck you. they made me week in the knees.

[myuniverseinabox]

Dude I have to know... what are your thoughts about what's come out sofar about the live action HTTYD remake 😭 since I know you're passionate about the franchise

Sighssssssssssssssssssssssssssssssssssssssss

Ever since I heard that they were planning to make a live action remake of this movie I have been very disappointed, as I'm sure most were. I intentionally didn't look at anything about it - I didn't wanna know, I didn't wanna see. Over time though I became at least curious to see how they would design the dragons, but that's about it.

Now come the actual teaser- yeah maybe I took a gander at it.

And yeah I hate everything about it.

Now let me preface this with the fact that I don't think live action remakes or remakes in general are inherently bad. Its the intention behind these things that make them awful.

Money. I'm talking about money.

Every movie is going to be motivated by that in some sense because capitalism... but every so often we get real passion making it through. Giving us films like Puss in Boots: The Last Wish, for instance. So sure there's some very slim chance it could be at least semi decent, but, we all know why this film is being made, so I do not care.

Httyd did not need a 'live action remake' as much as any other PERFECTLY GOOD animated movie did. Its just another instance of film company's squeezing every last drop of money they can get from their original movies.

I would have been -okay- with it if they at least made something new out of it. Like as in a new twist on the story, for instance giving it a darker tone ...like if there was actual creative passion behind it and reason to tell a different story. But no, it looks like all the other live action slop where its legit a shot for shot remake with probably some unneeded additional dialogue that misses the point and maybe an added scene so they can pad the run time. And ofc I'm sure they'll remove certain things for no reason as well.

Likeee for instance, the small flinch that toothless does before letting hiccup touch his nose. From the teaser it looks like they just removed that entirely and it feels SO FORCED.

Also not to mention how all the colours are so dulled in this live action version. Look at that gorgeous pink lighting in the og!

The guy who plays hiccup also just looks away like he knows he's meant to and not like he's fucking nervous about it and like oo okay what if I do this.

It's so... devoid of character.

It may sound like I'm nitpicking, and that's because I am, but these small details amount to a lot. Especially in stories that are so... I dunno, character focused??

I also do not like how toothless looks. It coulda been worse but. Ah... they got rid of his markings (as expected) and he kinda just looks like the og version but with 'extra detail'

his head also looks oddly bulbous from the front.

Now look at this babi in all his glorious pink lighting:

SO. In conclusion, yeah. I don't like it.

[tobiasdrake]

Okay, so I finally got around to watching Dragon Ball Super: Super Hero the other day, brought to you by the same people who came up with the name Super Saiyan God Super Saiyan.

Bulma's shameless, confident vanity continues to reinforce why she's the best character in Dragon Ball.

I need everyone to understand that this might actually be the funniest moment in the whole franchise. It's silly on its surface, but it's also steeped in Dragon Ball history. You can feel Piccolo dying inside, and there's a reason for that that goes much deeper than third-party embarrassment over Bulma's shallownness.

Bulma's cosmic butt-lift is a continuation of a gag from Broly (the good version). In that film, it was established that Bulma routinely uses the Dragon Balls to knock a few years off her age, for the sake of vanity. This was contrasted against Frieza's desire to use the Dragon Balls to add a couple inches to his height, for the sake of vanity.

Both of which are resurrections of the gag from the Red Ribbon Army arc, where Commander Red brought militant warlord violence to all corners of the world to claim the Dragon Balls for himself... so he could make himself taller. Using limitless cosmic power for petty and shallow reasons is a funny joke that Toriyama's fond of.

But this isn't just about the shallowness. It's about Piccolo. Or, more specifically, the other half of Piccolo that is Kami-sama. Dragon Ball is steeped in religious and mythological imagery, primarily Buddhist. A fantasy spin on it with a lot of fictional elements added, but there is a lot of genuine Japanese spirituality in there. Which is why God Almighty is now walking around as one half of Piccolo, with a substitute God ruling from his Temple in Heaven in his place.

During his reign, God gifted the Dragon Balls to mankind so that they would have a cosmic miracle they could turn to in times of great need. Shenron was meant as a great gesture of benevolence; The difficulty in summoning him is to serve as a particularly grueling trial, one that only the most determined and most worthy could fulfill.

However, that didn't exactly go to plan. Rather than a source of hope for the world, the Dragon Balls became objects of lust for its greediest and most corrupt. Near-limitless reality-shaping power to grant any miracle one could ask for, wasted on petty ambitions and selfish desires. God regretted ever making this cursed things.

When Piccolo killed Shenron and destroyed the Dragon Balls, God's response was basically, "Good riddance." The Dragon Balls were a mistake he could now take back. He had no intention of ever remaking them.

But then Goku defeated Piccolo. Goku ascended into Heaven to implore God to return the Dragon Balls to earth. Goku's pure innocence, his kindness, and his strength of character convinced God that there was good in the Dragon Balls. That they were worth remaking and returning to the mortal world below.

And now. Here he stands.

With this woman. The woman who utterly trivialized his great heavenly trial by inventing a handheld radar that beep-beeps all of the Dragon Balls' locations for you, allowing them to be easily collected in the span of a weekend excursion.

Watching her call upon his great reality-shaping miracle, so that she can get a butt-lift and slightly longer eyelashes.

While strongly insinuating that she does this every time the Dragon Balls regenerate. This is the legacy of his cosmic miracle.

Bulma is the greatest heretic in the history of fiction. That is why Piccolo is dying inside. This joke killed me. Almost as hard as Piccolo visibly wants to kill Bulma right now.

[postersofleon]

notes: another from the other. this basically dating the remake leon with no specific leon in mind. just thought re2 remake leon is cute. it had smut so minors

leon is a funny lover in my opinion. remake 2 leon is honest to goodness gracious adorable partner. he is friends to lovers. sure he is sexually attracted to people but he falls in love with connections. he needs to know someone to properly love them, he struggles dating people due to that reason.

he tries to make you laugh if you feel bad. he is a physical lover. he needs to touch you to assure you. he touches your hand, he presses his head on your shoulder. because he is friendly, it could make you feel so insecure that someone wants to take your boyfriend.

if you didn't date leon before the events of raccoon city, you won't date leon in re4. he has such little touch that he is seeking sex not dating. but if you are dating him, he is more clingy than ever- he can't properly date you, you can't go to romantic dates because he's craving peace. during this time, he hugs you tightly as you watch tv, he makes small tv/film references.

i'll avoid the phases leon has during the series, but leon still tries to make your comfortable and happy during his relationship with you. and you have to constantly touch him. pet his face, play with his hair- make him feel loved because this man needs it. when you kiss him and promise him you won't leave him, he finally relaxes and slowly turns back to his former self.

during missions, he always thinks of you, he texts you the least because he is always with you when he is free. he struggles with his emotions after raccoon city, he fears you'll get bored of his issues and his job tying him down.

NSFW

in all the versions of him, he loves giving and getting oral. in re2, he likes it because he sees it as a naughty. he loves seeing you on your knees, he adores seeing you suck tip. later, he sees it as 'my body hurts but at least my dick still works'. he has lazy sex with you almost every day until he feels better. he avoids choking you, biting you, making you cry with sex. he doesn't like it. like i said, he sees sex as special. people that love each other do it so he hugs you and kisses you. he barely does dirty talk but he makes small jokes as you have sex.

leon doesn't wear condom if is going stable with someone but if he is dating someone who can get pregnant, he always asks if its what you want. leon is a silent lover in moans, he grunts and whimpers softly.

he is a sucker for aftercare. he makes sure you are okay and if you ask him if he is okay he smiles and nods.

[twig-tea]

GL odds and ends 20 October 2024

Still feeling out how regularly it makes sense to do this; first one was 2 weeks ago on 6 October. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my update in July 2024. New series marked with an asterisk*.

Currently airing (with thoughts up to Oct 6):

Reverse 4 U 7/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) I'm disappointed by how this final arc has gone. We haven't really seen any growth for Wa, and the whole plot with Wa and Vivi's father didn't really make sense. I really don't understand why he had to stay away, or why the rules are so different for him than for Wa. The relationship between Wa and Four also feels flat because we've barely seen them together. I was rooting for this one but alas.

Unlock Your Love ep 6/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) The sequence where Rain and Love keep trying to have sex but getting interrupted/hurt was very funny; this show still drags but the core of it is pretty good. I mostly just wish it were tighter.

Chaser Game W s2 ep 5/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!

Affair the series ep 8/8 END (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Other than the jealousy in the last 10 minutes of the show, I really did like this ending for the series. I really liked Wan's decision to take time for herself after being disappointed by Pleng's decision again. The plot and melodramatic-ness of this show is not my favourite, but I enjoyed it week to week in spite of that. The acting was so solid, the women so gorgeous, the chemistry so fire, and the writing was great for the genre its in (the story was internally consistent and coherent, and the characters were complex and their motivations were clear. There was even a good plot reason for the 'they might be siblings' twist). If you don't mind melodrama, give this one a try!

*Pluto ep 1/12 NEW (Thai, Saturdays 9:30 AM EDT, YouTube) Starting off with a fantastic kiss and Namtan on a motorcycle is truly an incredible opening gambit. That being said, I don't buy the core premise of the plot and it is making it difficult for me to actually enjoy the show. I'll probably be mostly quiet about this one because the things I don't like about it aren't actually about its execution but rather my taste.

*Apple My Love ep 2/7 NEW (Thai, Saturdays 11:45 AM EDT, GagaOOLala and YouTube) I already shouted on main about ep1 here; so far I'm obsessed with this show. Kris is too gay to function, and the misunderstanding is perfectly executed. Very excited for this one, it's so far fantastic.

The Loyal Pin ep 12/16 (Thai, Sundays 12:15 PM EDT, YouTube) Anin's speech in this episode was fire. I feel for these girls, Anin and Pin are just so desperate to be together and their choices are limited. This show continues to be gorgeous and so well done, and I keep bracing for pain.

Red Whisper ep 4/8 (Korea, [schedule is kinda unpredictable; vaguely every 5 days??], YouTube) Cheating and taking advantage while your crush is heartbroken and drunk is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.

Recent One-offs & Side Couples

We finally got the sapphic backstory in The Hidden Moon but it was (as expected) sad and mostly inferred.

We also got more of the Aim as a Lesbian plotline in the new Love Sick 2024 remake (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so

Starting soon:

The Nipple Talk, [ensemble] Taiwanese, 1 November GagaOOLala

My Ex's Wedding [in theatres in Thailand 14 November]

Mom Ped Sawan, Thai, 17 November [international distribution uncertain; it should be on VIPA app with subs, but that is region-locked]

Petrichor, Thai, 23 November, TBD

[marshallpupfan]

Well...

I learned some PAW Patrol news today that, I must admit, has left me rather disappointed. Don't worry, this isn't a rant or anything. I just wanted to talk a bit about it.

If you were to ask me who my favorite PAW Patrol character is, my answer is obviously Marshall. As for my second-favorite? It's not one of the other main pups or any of the part timers. That's not to say none of them are on my favorites list though, as Chase, Rocky and Everest are in my top ten, just to name a few.

No, my second-favorite PAW Patrol character is... Claw!

Seriously, I just love this doberman. In fact, I became a fan before even getting to see him in action in the cartoon. The moment he first popped up in a leaked Rescue Knights image, I quickly fell in love with his design, especially his awesome-looking armor. That, and he was flying around on a huge dragon, which... come on, that's cool. And when I finally got my chance to watch him in an episode? In my opinion, he did not disappoint. For me, he's not only one of the most memorable aspects of Rescue Knights, but of season 8, period.

Naturally, once the subseries came to an end, I kept hoping that, someday, we'd return to it and see him again. Or, if anything, he'd pull a Sid and Arrby and appear in some regular episodes. Sadly, two and a half seasons have gone by since then, and both he and Rescue Knights have been a no show. Despite that, I held on to the hope that he'd eventually pop up in the cartoon again.

Regrettably, I might have to let go of that hope.

(Source)

Some of you might doubt this information, but Tybsy has provided many accurate leaks and insider info in the past, and he continues to do so. I've learned to trust his words.

It seems that, for some reason, the writers have been told to avoid pitching ideas for episodes based around Rescue Knights. Worse yet, they were told to do the same with Dino Rescue. Not only does this mean there's a slim chance of seeing Claw again, but possibly even Rex, too... another pup who I'd love to see more in the cartoon.

Now, there's a possible reason for them to do this with Rex and Dino Rescue. Given that a few sites have already started listing the third film with the name "The Dino Movie", it's possible it will indeed be quite similar, at least in some way, to Dino Rescue. It may even involve Rex! Currently, we still don't know for sure, but there have been some hints here and there that suggest he might be involved.

EDIT - I forgot there was another leak some time ago involving some file that relates to the third movie, and the metadata specifically mentioned Rex. There's a very, very good chance he'll be in the movie!

And although Tyby jokes, it is possible, however unlikely, that they do want to avoid creating continuity errors with what we've already seen with Dino Rescue. Just look at the errors we got with The Mighty Movie and the season 10 Mighty Pups episodes, most of which still confuse viewers to this day. If I were running things, I'd absolutely tell the team to make sure that DOES NOT happen again...

Rescue Knights, on the other hand? I see no logical reason to avoid it. I have my doubts that Claw or his dragon will appear in a theatrical film, especially before certain other characters (not impossible, but I wouldn't bet money on it), and I'm going to assume we'll never see him in Rubble & Crew or the two Youtube spinoffs, so... what gives? To make matters worse, now that the main TV series has switched to a new style, they'll have to modify or remake Claw's model to match the new designs, and I can't see that being a high priority. Again, not impossible... but it certainly doesn't help his odds.

My hope of seeing Claw again isn't 100% dead or anything, but I can't help but feel pessimistic about his chances. To think, all this time, it never happened because Rescue Knights has been restricted from appearing in future episodes. That's so disappointing, you know? I can only hope that they do indeed have something special planned someday for Claw, or they'll finally lift that restriction on his subseries... but truth be told, I'm not going to get my hopes up.

Well, here's to you, Claw. Even if we don't see you again, you'll always remain my favorite (ex) knight of Barkingburg! Still, here's hoping that we do get to see you again... someday.

[silvertheduckling]

My guess for the new Character that will be introduced in the post credit scene of Sonic 3

Ok. I have a lot to think about this but I think I have a pretty good case.

I think its Silver. Why? Well I have a few reasons for you!

1 If this was a film about Silver 2026 would be the perfect year for release.

Why? Because it is the 20th anniversary of his game no less! And reminiscent of the title 06!

Not only that but

2 Combined with how Sega is LITERALLY saying how they want to remake Sonic 06! (Update to specify one of the main creators of the original game Sonic 06 is the one who said that he wanted to make a remake/game about Silver)

Not only that but a recent leak made a note to say;

3 "(Paramount) has big plans for Silver" that was combined with a leak about Shadow getting his own spinoff movie if Sonic 3 does well. (Btw if you want to verify any of these leaks they are literally all over YouTube)

A leak about idk.. the end of the movie? Idk guys I think this alone is a solid case.

I hope Silver gets the Shadow treatment with a Fearless year of Silver, a remake of his game, and then his grand debut of his movie! 💙

But that's just a theory. A GAME THEORY

Thanks for reading 😄💙

Just a little extra there is a TV series in the works that is unrelated to Sonic Prime and it makes me wonder.... is it about our beloved Silver? To be released in his year? [: have fun speculating