#but maybe I should go green

[ismyn]

Gosh, the sads have hit me tonight.

[anders-hawke]

#that’s Colin Featherington to you

[codgod]

at least we know who you are

[gen4grl]

you would think after all the yapping i do about these losers i would have a plethora of art uploaded … no… so here is my first kantrio post lol

i did these over the last month while watching the olympic weightlifting and jamming to kpop (stan red velvet and kiss of life BTW!!!)

[art-is-kayos]

Phone games

[redbean-nom]

din djarin, age 10: clone wars refugee child

boba fett, age 11: in federal prison for destroying an entire venator while trying to kill mace windu

[omaano]

"I bet it was the martini that blew your cover." "You can judge my drinking habits after you got me out of here, Djarin!"

I've seen one (1) James Bond movie my entire life back when 00Q was a whole thing on this hellsite, but I'm ready to die on the hill that Din would make a great Q who knows how to work in the field and can poke at gadgets just fine, but also gets very passive agressive when he has to work overtime - he asked for the office job because his kid is going to school and they are working on building a normal-adjacent nighttime routine, which is very difficult when the agent he's working with cannot stick to a plan.

For the Spies/Assassins square on my Bobadin AU bingo for @bobadinweek

(I've seen all the John Wick movies though, so if Boba's pose is familiar, that is why)

[vicsy]

something something something about how max’s hair is completely brown now…when daniel closes his eyes all he sees is blonde

ohhh. ohh anon. you should not have gone there.... but I am glad you did. this is also something very up @mysticalbreadcollective 's alley since blonde Max is on her daily agenda BUT

anon. idk what floats your boat but let me take you somewhere rancid under the cut (let the record show that I am a maxiel truther but my god do I enjoy making them suffer with other people)

it's current season and maxiel aren't together due to Reasons with capital R of course. Daniel's "i can't fuck my teammate i am not into guys or am I but maybe that's just Max oh no you can't be with Max" and Max's general understanding of his own worth and needs. they can't escape the tension, the lingering touches, the double entendre running through their relationship like a river in flood. one step forward, two steps back etc etc

so things aren't going exactly as planned for Daniel and, naturally, he's fighting the pull towards Max and the best next thing his brain chooses to do is find someone to hook up with, get it out of his system. since his dick is very much attuned to Max after years of imagining that's its gonna find itself parked in Max's ass (which never happened), Daniel's looking for someone particular to scratch the itch and, apparently, to spite the fate, his choice falls to YOU GUESSED IT – Liam.

very convenient, since they're both gunning for the same thing. exploring some healthy alternatives to their impromptu rivalry or whatever the media says. Daniel's pretty charming and Liam's easy. done and done.

and it's bad. capital "b" Bad. the sex comes pretty fast and Daniel's checking all of his boxes - rookie, blonde, tiny waist, looks at him with wide eyes etc etc and Liam is surprisingly down to fuck cause maybe that is also convenient for him, too. but he's mean about it. He's heard legends about Big Dick Ric and the dick is very big but the prowess? lacking. he says that to Daniel's face after, like, the third time it happens. which should be incredibly insulting but–

Daniel's pining and trying to trick himself which works exactly for three seconds but Liam isn't what he wants. wrong kind of blonde hair that Daniel's gripping tight while he fucks Liam from the back, never face to face, because that would prompt Daniel to THINK and RUMINATE and he doesn't want that. he wants Max the way he sees him when he closes his eyes but it's gone when he opens them and finishes another underwhelming sexcapade. it's never the right color, it's never the right person' it's always a bad time.

"do you think I'm not getting what you're doing here?" Liam says to him one day, grinning meanly, and Daniel truly doesn't know the answer to that question. he's hella confused himself. Liam seems to get off on the situation more than when he's riding Daniel's dick, so he calls Daniel Danny in the garage and he suddenly glues himself to Daniel's side, which is. weird. manipulative? Daniel's plan to get over himself backfires when he sees Liam talking to Max one day and Max's easy smile slowly dissipates as Liam's yapping but Daniel can't hear a word.

he doesn't really need to. he knows Liam cashed in on Daniel's sorry excuse of a reason to hook up. all Daniel can do is add to the history of horrendous decisions he's made in his life and live with the knowledge that he's probably never going to wake up next to Max's mostly-not-blonde hair getting in his face where they're tangled in bed, that Daniel's dabbled in something he should not have touched with a ten foot pole, that he'd tarnished all of his chanced, basically set them on fire when max had been there and never turning him down all the way.

Daniel got some, Liam got some. after all, it's Max who, unfairly, walks out it hurt the most, because of Daniel's choice, because of him thinking he was chasing something else while in reality he was running. and Daniel never fucking stopped.

[theprestigegirly]

cuties doing suddenly seymour

[bonnieisaway]

anyways while I was editing earlier we have almost a precise ranking of power for the shadow killers despite most of them not actually ever saying/their official ranking never been mentioned. and most of this is either just mentioned in passing or can be guessed from the way the show presents them. up to season 4 spoilers ahead btw

so like, obviously Seven (in his prime, at least - do you think the second spot ever took his when he disappeared btw? like do you think there was a time where he was just labelled missing for ages before somebody else became number one?) was rank number one, it's said and talked about like a million times, Seven was conclusively the highest ranked and most powerful shadow killer by 18 years old.

along with this we hear one other thing: Green Phoenix is mentioned to be the (physically) weakest Shadow Killer. given how much people are sticklers for the rankings we can presume this puts him at the lowest of the seven, even if he chose to appear weaker than he is and his focus is majorly on cunning and wit rather than martial prowess, I assume this is where he's offically ranked honestly

everyone else has never had their number mentioned - or if it was said in some obscure place i don't know it's not on the wiki, but let's be fucking for real nothing is on the wiki seriously one of us might wanna update that thing one day anyways - but I believe we can roughly guess where the rest of the killers rank given by their actions in the show and the order which the show presents them.

which - this might be a controversial one tbh - puts Redtooth fairly low on the list. he is physically more powerful than Green Phoenix, but Green Phoenix is able to outwit Redtooth twice, and Green Phoenix is technically the one who kills Redtooth. But also, Seven at fairly low strength was able to fight Redtooth and almost won on his own. Redtooth is also mentioned in season 4 that naturally, he was physically weak and actually struggled with picking up qi and such - he does not have a natural nor honed talent and his power ENTIRELY relies on the Blood Demon inside him. So he's easily outwitted, he's physically weak without the Blood Demon which, up until season 4 was still restrained heavily, Seven is able to handle him all the way back in season two. Notably, Dai Bo and the rest of the cast are unable to handle him however, even though most of them are built to handle aggressive opponents liked Redtooth.

But it's mainly the fact he appears and is 'defeated' so early in the show that makes me truly believe he ranks so low. Obviously we probably haven't seen the full capabilities of Redtooth and most of the cast however, and this is a ranking with the seal. Obviously he seems to be set up to absolutely rock White Fox's shit in season 5, but it's still really important to keep in mind that this is purely the Blood Demon.

after him the other shadow killer we have the most information on is Blackbird, who Seven ultimately beat into the fuckin ground but boy did we sure almost die getting there!!

So from what we know about Blackbird, from season three, is that unlike Redtooth, he is physically strong, and similar to Green Phoenix he's largely driven by his trauma and his need to validate something that's missing within him, but his weakness seems to really only be his own ego - his weakness (aside from the sun like a fucking vampire. cringelord) is when he can't win, when he is struggling, his frustration is ultimately his downfall. This is one of - if not the only - few fights where 'prime' Seven - or even just Seven as he is now - does not appear to be physically stronger than somebody, and he's actually just barely faster than Blackbird (being able to fucking FLY he's still got a bit of an advantage but Seven's reaction time is evidently quicker, and Blackbird comments that Seven's ambushes and speed used to be infamous - a prowess that Blackbird is almost capable to keep up with) but he wins the fight with wit and outsmarting them. And ultimately, Blackbird's weakness was himself.

Which is a lot to say he's really strong. But it's hard to place him anywhere on the leaderboard without a key thing that Manjusaka says:

"It seems you're the best after all," as she turns to Blackbird. This is (presumably) the direct translation, because in English Manjusaka actually says something different that I wanna touch on again later, but she turns to Blackbird and says he's the best after all. Which would imply: Blackbird took the spot for number one when Seven was missing. Blackbird had been second to Seven in the league - and some of his contempt for Seven may be because of that. This conclusively puts Blackbird in the number two spot for me.

The next three we have even less information on, so it's really hard to put them in precise spots. As for Manjusaka though we have this: she is very cunning and manipulative, and the other Shadow Killer we know to be infamous for their cunning and wit was the lowest ranked - because the ranks seem to have FAR more value in raw martial prowess and strength than wit. Along with this, Manjusaka never actually works alone. In English in season 3, when she turns to Blackbird, she says "I guess we're just better together," which puts a lot of emphasis on her working with somebody, and emphasis on the fact that she's USING the fact that Blackbird is so high rank so that she can be powerful by proxy. She's also the only one who seems to defend her other Shadow Killers - though they aren't immune to her own scrutiny, Manjusaka outright kills three people for shit-talking Redtooth.

Along with this - Manjusaka dies to Green Phoenix (coughprobablycough) and leaves her as an opponent Seven will never (probably) fight. The Shadow Killers have kept appearing in an order of higher and higher ranking, and Manjusaka is the third to ever appear, and of the three, ALL THREE have died and one came back. Just like, the order these characters have appeared in, they usually appear in increasing power and every season has ended with Seven fighting or about to fight a new, powerful Shadow Killer. Manjusaka dying already leaves her feeling fairly low ranked, given the pattern the show has exhibited.

Manjusaka is also tied to Shimen and are inseparable - what Shimen and Manjusaka lack the other make up for. Shimen appears slow yet viciously strong and stone faced, he's nothing but muscle and qi, and Manjusaka is fast and stealthy - she teleports around, she uses deception and poisons to best her enemies. They're also hardly ever depicted apart. They're only separated twice - when Shimen leaves the fight with Blackbird due to general disinterest, and when Shimen and Manjusaka split up in season 4.

(these two symbols fading into each other feel like they represent Manjusaka and Shimen)

They're constantly depicted together and fluently work together. They coordinate easily when that's not the normal for the Shadow Killers - infighting is banned and that's it, they aren't required to get along. But these two are two inseparable halves of one whole, they are both arguably strong on their own but they have glaring weaknesses that the other fills. Their weaknesses, to a point, are when they're separated. This also would seemingly put them next to each other on the ranking - together it feels like they make up one, unstoppable person, and it makes sense that separately they are at similar ranking/strength, just simply excel together, and weaker rankings would be the most likely to bond together to form stronger ones.

Not to mention, Manjusaka dies on screen at the end of the season four and that's it, and Shimen's fate is left entirely unknown because he doesn't appear again and only the leader approaches Green Phoenix. But during the opening for the entire season we see one shot of Shimen we never actually see during the season:

Shimen left alone and unconscious without Manjusaka. And he leaves the Blackbird fight unharmed, he obviously leaves the encounter with Ouyang Zang (is that his name ? straight up might've misspelled it sorry ) alive because he appears again afterwards, and it seems to imply that without Manjusaka, Shimen is left weak and vulnerable. So these two, to me, feel like they're exactly next to each other on the rankings - and possibly ranked somewhere in the middle

Which now only leaves White Fox, who we know the least about personality wise but we've seen some of his martial abilities (AKA: hey guys I can make a nitrogen bomb from my finger. wanna see) and watched him fight the prince of Stan, which does lead to the conclusion that he is fairly powerful, though it seems it's not really physical strength but his qi, speed, and reflexes that let him overpower his opponents. Given the rankings I've given the other Shadow Killers it naturally leaves him at a semi-high spot.

Which leaves me with my final (guesstimated) ranking of the Shadow Killers, with Seven during his prime, Redtooth's seal still not broken:

Seven

Blackbird

White Fox

Shimen

Manjusaka

Redtooth

Green Phoenix

Shimen and Manjusaka feel interchangeable in their spots, honestly? And I would almost put Redtooth above Manjusaka ...? But it kind of feels natural that he's below her. Also, I went back and skimmed the show to see if anybody else was introduced by ranking, given that a lot of people in the show had been previously, and I only found these scenes:

Which are all only labelled 'the seven greats' according to the translation, unless somebody here speaks Chinese and their rankings are actually said/implied in the Chinese characters and Netflix just didn't translate it which wouldn't even surprise me honestly Netflix just fucking does that sometimes

so yea 👍 that's my estimation on the rankings of the Shadow Killers maybe the show will prove me right eventually. this post took me like 2 hours to make. help

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[shsl-heck]

One thing that's had me thinking about Amy lately, is the tension between disgust and desire. She is horrified by the immensity of her desire for Victoria, but the shame and guilt over it can only ever make it worse. Fear and arousal, disgust and desire, all of them bleed into each other (we see this constantly in both porn and horror). It's like she has this splinter at the core of her being and she either cant realize or wont accept that the more and more she digs for it to try to get it out, the deeper she's driving it into herself. She cannot remove this without help from someone else. (Coincidentally, not being able to recognize that her attempts to do/be what she's supposed to are only making things worse is also what leads to the Enwretchening)

I'm aware there's a reading of Worm in which Amy's attraction to Victoria is purely an expression of a kind of morality focused ocd, but I personally think that's less interesting. She definitely experiences some level of that (the urge to fuck up a baby she's healing followed by disgust with herself is like a perfect example of an intrusive thought associated with that brand of ocd), but I think this is a case of *and* rather than *or*. My reading of Amy is that of a deeply lonely and emotionally neglected child clinging to the one person in her life that gives her any form of affection, whose attachment only gets increasingly complicated as she starts to grow up and realizes she is attracted to women.

She has never been treated as part of the family, has always felt on some level that she's only playing at being a sister to Victoria, and she is dealing with that during a stage of her life that is turbulent at best for even people raised in a healthy functional environment. There is a broad cultural taboo around sex and desire, but there's a special sort of self-loathing and fear that you're somehow predatory for finding someone attractive that a lot of queer people experience due to the stigma surrounding their sexuality and/or gender. Homoeroticism and attraction is seen as disgusting and fundamentally wrong by society no matter what. It is especially disastrous for Amy because even though she's never been able to see herself as Victoria's sister, she knows she's supposed to, and that adds a whole new layer of guilt and shame to even a passing thought about Victoria being attractive.

Then she triggers. Suddenly she not only has to pretend to be Amy Dallon the well behaved unintrusive family member, she has to be Panacea, the girl who performs miracles. She doesn't even have a secret identity to fall back on for privacy because of New Wave's gimmick. Any resentment about her role, or desire to live a normal life become more proof that she is a sick, evil person; a parasite who has wormed her way into the Good and Heroic Dallon-Pelham family and is eating away at them from the inside-out.

Even as it forces her to repress more and more of herself, Panacea also offers Amy what is seemingly her only chance to be Good like her family. Healing people isn't just something she has to do in order to avoid being a terrible person, but also how she can atone for everything else that's Bad about her. Saving people is a way to try to purge herself of the desire for Victoria, and to prove that she can be a Dallon in more than name.

Like, as awful and lesbophobic as Wildbow's handling of Amy was, there is something deeply compelling and even relatable about her to me. She perfectly captures an emotional state that I've struggled (and failed) to explain as I wrote and rewrote this post. It's the hunger, the guilt, the shame, the fear, the loneliness that settles on your skin like frost as a child when you accept that there must be something wrong with you, because if there wasn't then you wouldn't have to try so hard to be good.

[themyscirah]

Ok game time which 3 series would you just DIE to get a run on ? I'm talking full creative control, can be as a writer or an artist + plotter if that suits your vibe best

My 3 are

Suicide Squad

Wonder Woman

Green Lantern Corps/Green Lanterns

(in that order)

[averlym]

may 19 is anne boleyn’s deathday ~holiday anon

paid the price with the swordsman's swing

[dare-g]

I told myself that I would do some art that wasn't for whichever cartoon I've been watching but then I saw a funny frame of animation and drew a cross stitch pattern for it anyway

[psychotic-nonsense]

My favorite part about being obsessed with something is that you start looking for it everywhere. Especially in media that shares actors with the thing you’re obsessed with.

So thanks to the idea from one feralheartedalien here on tumblr and my current watching of A Quiet Place: Day One, I’m suddenly being roped into the Steddie Alternate Universe with Eric and Keys.

------ Minor "A Quiet Place: Day One" Spoilers after this point ------

Haven’t watched Free Guy in a while, but the dynamic is kinda sticking with me. Struggling, emotionally repressed, desperate, foreign exchange law student Eric, coming to the States for school due to parental pressure (can’t have a Steddie-like ship without some shitty parents). Redeemed bully, people pleaser, hopeless romantic, lonely Keys, trying to make something out of his love for programming and design while under his repressive boss (can’t have a Steddie-like ship without some doomed ambition).

Maybe next floor neighbors, Eric living right above Keys. He comes back to his basically empty apartment after school every day exhausted, collapsing on the carpet in his living room at 2am, lulled to sleep by the soft, muffled music in the place beneath him. Meanwhile, Keys only plays his "falling asleep" music when he's home, in hopes to calm the person above him, who has a habit of frequent pacing, self monologues, and unfortunately, breakdowns.

Maybe Eric just has a shit day at school one day; stressful projects, lack of progress in his studying, sleep deprived, and it’s absolutely fucking pouring on his way back home. Maybe Keys has accidentally memorized his neighbor’s schedule, accidentally began to care, and noticed how late it is. Maybe their floors are different but the rooms are the same, so when Eric pushes the wrong floor on the elevator, he ends up at Keys’s room. Breaks down when his key doesn’t work, falls to his knees in the hallway muffling sobs. Barely reacts when Keys opens his door because he’s so tired and cold and numb. Weakly tries to fight Keys’s attempts at help but nearly faints in this stranger’s arms. Eric finally lets himself be helped, loses himself in Keys’s thick blankets and soft music and well meaning rambling and killer hot chocolate-

Maybe that’s when Eric realizes how much this man has saved his life, and vows to return the favor.