#but literally they also have changed the character's canon appearance so like.

[vidavalor]

Amazing question & I absolutely think they saw one another because there's stuff that suggests that they did. While I love the fanfic, the idea of a massive breakup that lasted decades between 1862 and 1941 goes against other stuff presented in the show already & doesn't sit right to me with these characters and what we've seen of their love and their history.

-The script book says that Crowley & Aziraphale haven't spoken "for a hundred years" in 1941 but that violates S1's canon because it would mean the early 1840s was the last time they spoke... but we saw them speak in 1862. So, it's already not literal-- it's the figure of speech use of "for a hundred years", which just means "for awhile." Script books aren't the final canon anyway as stuff can change from script to screen as production happens.

When someone says they haven't seen or spoken to someone "for a hundred years", it just means for what they consider to be a long time-- which is wildly subjective. For some people, that might be years. For others, it could be just too long by their own mutual standards.

So, the real question would be: how long is "for a hundred years" to Crowley and Aziraphale prior to 1941?

Other scenes we've already seen indicate that this is not very long at all:

-In 1601, the dialogue at the start of the scene indicates that, while Aziraphale picked the location, Crowley is the one who asked to meet. During the course of the scene, he and Aziraphale find out that they've both been assigned to Edinburgh the following week. While they both knew they each had been assigned there, neither of them knew that the other one had been assigned to Edinburgh... not until the conversation we watch unfold at The Globe Theatre. This means that setting up the one-of-them-doing-both-of-their-work-assignments thing-- that aspect of The Arrangement-- wasn't the reason why Crowley wanted to meet and wasn't what Aziraphale was thinking when he agreed to do so. So...

...since Crowley is the one who asked Aziraphale to meet, when he says this...

...he's saying that he found out he had to go to Scotland for a work assignment in a few days and messaged Aziraphale because he wanted to see him before he left for the trip. They both have assignments that are within the following/upcoming week, which means that they are seeing one another regularly enough by 1601 that finding out that one of them soon has to be away on Heaven or Hell business and might not be able to the other for even just a few days means wanting to see one another before they do.

-Then, Aziraphale's journal in 1827 is worded in such a way that, when you match it with the date Aziraphale writes, it is saying that Crowley was gone for less than a month after he was dragged to Hell in Edinburgh before Aziraphale next saw him again and Aziraphale considered that "quite some time" gone by without seeing him. So, in the 1800s, they are down to trying to see one another at least once a week, unless one of them is on assignment. They have the bookshop by this point so that makes sense, as it's a little easier to manage meeting-- which is one of the reasons why Aziraphale built the shop in the first place-- and while they are struggling a bit by 1862, they're still meeting up and still together.

In the 2008/2019/2023 in S1 & S2, they are seeing one another with the same frequency as they were in much of the 1800s and the few centuries prior to that, if not even more so. By S2, it appears to be daily with Crowley basically living in the shop, per Aziraphale's "plenty of use" comment. The bandstand breakup lasted, like, a couple of hours lol and Crowley was back at the bookshop within the same day as the argument over Gabriel in 2.01. The 1862 Holy Water Argument might have been a really bad divorce-- it could have lasted 3, maybe 4 whole days-- but they seem to be colossally bad at really breaking up with one another and that's very sweet.

I also think that saying that they broke up for decades after 1862 when Aziraphale knew that Crowley was depressed to a point that Aziraphale thought him potentially suicidal seems unlikely. Storming off in a huff in a fight, sure, but I just can't see Aziraphale thinking Crowley might be wanting to harm himself and then just not talking to him. I feel like they would have actually talked, agreed to disagree about holy water, and continued seeing one another for the decades that followed and I think there's enough already to suggest that that's what they did.

-Aziraphale wanting to dance with Crowley in S2 then retrospectively hints at him learning to gavotte with that idea in mind. That was the 1880s-- just 20-ish years after the holy water scene in 1862. If they were still broken up by then, why would Aziraphale be having romantic dreams about dancing with Crowley? Not to mention why have the 19th century euphemistic speak in The Meeting Ball? Yes, it was Jane Austen-centric and prior to 1827 but if the 1800s were a complete disaster for them after Edinburgh, it'd hardly be the most romantic thing to make that era a center point of a romantic night that we all know was designed more with Crowley in mind than Maggie and Nina.

-In 2008, Aziraphale mentions the dozen cases of Chateauneuf-de-Pape that he picked up in 1921 for their "special occasions." Why would Aziraphale be buying 144 bottles worth of wine for the two of them in 1921 if they weren't still seeing one another regularly? This is the very early 1920s and would then mean they were together in at least the 1910s, if not also prior to that.

-Maggie's great-grandmother & her shop in the 1920s... Plenty of theories exist about this but it's unlikely that Crowley doesn't have a role in this story. (He has a rather sizable role in this story if you are someone who thinks he and Aziraphale are Maggie's great-grandparents.) When you factor in the 1921 Chateauneuf-de-Pape purchase, it's even more likely that Crowley was around in the 1920s. Plus, Aziraphale was not missing flapper Crowley, ok? No argument would be worth that much. 😉

-The 1930s are mentioned in S2 twice in relation to Crowley & Aziraphale: Shax first hearing the rumor about them "80, 90 years ago", which puts it prior to 1941 in the 1930s, and Aziraphale referring to being licensed to drive The Bentley since the 1930s. Yeah, that scene is euphemistic as all holy hell lol but it's also a reference to Aziraphale being around when Crowley bought The Bentley in the 1930s and of course he was because can we even imagine Crowley getting that car and not immediately showing up to take Aziraphale for a ride in it? Aziraphale is also not surprised by The Bentley in 1941 (or Crowley's hat, which was also in style in the 1930s and which, based on how he kept leaving it on when alone with Aziraphale in Part 2, he wore that night because he knew Aziraphale was into it.)

-"A Nightingale Sang in Berkeley Square" was written & first performed in a bar in Le Lavandou, France in 1939. There are suggestions in a couple of places that Aziraphale might be the true lyricist in the Good Omens universe. It might be that what people are waiting to see happen with this song in 1941 is actually connected to 1939... which is only two years prior to 1941. It could be that we end up seeing not only a Part 3 to 1941 but also a 1939 scene that gives context to what of 1941 we've already seen.

The "hundred years ago" in 1941 could wind up being not more than a couple of months, or even less. That's especially true when you consider that nothing in the tone of 1941, Part One suggests that they haven't seen each other in decades-- the opposite is actually true.

If you go in the opposite direction, too, and look at the later time gap of 1967-2008? The gap in which the only things that exist so far seem to be the Disco Tony flashbacks? There's that Crowley's answering machine is from the early 1980s but we see in the 2019 present of S1 that Aziraphale has never heard it go to voicemail before. Crowley wouldn't have had a cell phone until sometime circa 2000-2004-ish so that's 20 years right there of not only Crowley always picking up within a few rings of Aziraphale calling him but likely with Aziraphale not having to call him that much at all because he saw him so frequently.

Add in the Into the Woods playbill mentioned in 2008 in 1.01 and the first night performance Crowley's referring to was in San Diego in 1986. (At that other Globe Theatre. 😊) The implication in the scene is that Crowley and Aziraphale were at that performance together, so that puts them as being together during the 1980s and suggests they just continued it through what we saw in 2008 and beyond.

They have ups and downs and disagreements and makeups like everyone else but there's likely enough already to suggest that they've never actually really stopped being together in secret with any real sense of permanence. They've had periods of depression and fasting a bit but they've never really left each other. They had an argument in 1862, not a break up. I think there's enough suggestion already to say that they saw one another through every year of at least the last few hundred years.

Good Omens season 3 finale movie thought of the day:

Do you think there was another time that the Ineffables saw each other between Crowley asking for holy water, and then saving Aziraphale at the church in 1941? If yes, do you think we’ll get a flashback to it in season 3? (Edit: again this was written weeks ago before the finale announcement and then queued. I do not think we’ll get this kind of flashback now) Or was that the last time they saw each other between those two moments?

Personally I think they caught up during the roaring twenties. Because honestly how could they not have.

[lesbienneanarchiste]

Heartbreaking! The long fanfic series that sounds on the surface like something I would like ooc's their characters so badly they're unrecognizable!

[lycanr0t]

i feel very frustrated about the trend of giving chil body hair bc if it was any other anime twink i would be thrilled its just that it seems to only be because people are SO afraid of him looking young they have to make him hairy to justify liking him in ships.

meanwhile it does directly go against canon (he literally is supposed to look like a child. this is integral to both his character and his race's lore as a whole and it makes no damn sense that he would be mistaken for a child if he has body hair i mean. cmon.)

and it's like. some men are hairless. some men look young. when youre a trans man in your 20s-30s its especially common to be mistaken for a teenager, even more so if you're not on t. and short. these traits do not make you less of a man or an adult. :/

[triglycercule]

ughhh god me and the innate attraction to fill out a random ass ship chart every 6 months. i did this before but it wasn't detailed enough so i hated this. i THINK this is detailed enough i don't know i actually doubt it. i saw something doing this chart for bsp and then i wanted to do it for mtt poly vut then i literally forgot who did it originally 😭😭😭

doing the bottom left section was cracking me up because killer is such an enigma. "be nice!" and then "but also treat me like shit!" what a goddamn freak bro he needs get shipped off to therapy. and then its something nice and fluffy like physical affection and then it immediately 180s to emotional vulnerability. like hello pick a side you fucking freak. and for the slidey bar ones notice how killer is almost ALWAYS on one of the ends??? he has to be one of the extremes or else he dies it seems.

the closeness over time chart 😭😭 they doNOT get along. i was gonna put another dip near the end but i was like "ehhhh they have more than enough issues the people will get it". also for the bugs one i think dust would love bugs. hes very used to them and even made friends with some. but horror would HATE THEM. all the bugs died out in horrortales famine so he hasn't seem em in a couple years. so when he does its a whole ass jumpscare

GODDD i love qpr horrordust. theyre soooo qpr coded my queerplatonic freaks. bitches. i like how on the love languages chart each of the mtt satisfies one of the others. none of them would get gifts theyre too fucked up and lazy 4 that. horror would be confused if someone gave him a gift (horrortale w/ alizas ketchup thing) killer would just forget about it or ditch it in a few days. and then dust would actually accept it but he wouldn't know wtf to do with it if it doesn't have an obvious use

for strategist/impulsive I WAS STRUGGLING. because like all of these bitches are cunning AND emotional. horror is definition of sceming from the sides but he also has his outbursts. dust is always planning ahead but like horror he has outbursts. i guess killer isn't a strategist bc he just always has a vibe of whats gonna happen but (not so surprisingly) he has outbursts even if he claims hes not emotional. so i had to choose,,,,,

i was also tempted to just put them all at arrogant. because they're definitely all stuck up assholes. but i was like nahhhhh... horror's the only one that would be regularly arrogant. dust's just self assured and confident whilr killer has no idea when hes even being arrogant

music category ehehehe. horror would LOVE natural sounds like rain and leaves rustling bc its not too overwhelming for his screwed up processing thanks ti his head damage. dust would totally listen to undertale osts if they existed in utmv. also other osts. i think he would totally be a gamer. also classical music. and killer has no preference (just like everything in his damn life FORM YOUR OWN OPINIONS YOU BITCH!!!!)

i think this just cemented my stance on arohorror acedust and go with the flow killer. killer would have absolutely zero preference on ANYTHING became he genuinely does not give two fucks. and for arohorror (you can't spell horror with ro. which is in aromatic. woahhhh) i just think he would be icked out by romantic handholding and dates and stuff. it just feels RIGHT. but he'd be decently ok with tangoing. and dust is just the opposite. he'd be uncomfortable and grossed out by sexual behaviors but he'd absolutely be a romantic. i think dust would be a romantic he just gives off those vibes. as a person on the ace and maybe aro spectrum i have to blast my favs with the aroace beam. it's just mandatory

[kebiday]

of course ppl have no obligation to care about characters they don't like... & fandom is about doing what you want and having fun... & it's inevitable for fanon to simplify the cast into little cardboard cutouts...

but i Do wish that ppl who pour a lot of love & effort into analyzing + developing the relationships of + having empathy for the circumstances of the main characters would extend more than a fraction of that to other characters. like my favorite girl kevin day 🐈‍⬛

[linkeduniverse]

Our Hero transformed a lot in TotK. At first, he was known as Zelda's knight, but he became much more. People recognize and respect him, and he plays a big role in the kingdom's growth alongside Zelda becoming an active and involved member of his community. This change from being a quiet knight to a lively community leader would really impress Twilight and Warrior. But When it comes to LU Wild, he's yet to achieve these things. His life in the Kingdom still has its challenges that he is trying to tackle. Originally, I wrote Wild to desire growth for his kingdom, much like Terry Town but on a larger scale. Surprisingly, it became quite literal in TotK!

So here's the thing: He's not a character to simply replace; he's dynamic and evolving. His life and journey have significant phases, showing growth and change. If I introduce the ToTK version of Wild in TotK, it disrupts his character development in LU. I've crafted scenes where he learns and grows from various individuals—heroes, princesses, and queens alike. The Princess of the Wild also has her own moments of growth interacting with others. Skipping to their 20s would mean ditching this growth.

I suppose Wild's a lot like Time now. Time, how he's featured in LU, is in the middle of his canon appearances. A little of who he was, and a little of who he will be. Wild too is that middle ground now that he has a trilogy for himself. But what I will say is TotK revealed more of  Wild's unique ability to be resourceful in unconventional ways. I did intentionally limit his usual resources to highlight his uniqueness. Missing an item would break any other Zelda adventure, but for Wild, anything can be a tool. No key? No problem! He’s at his best when circumstances are at their worst because unlike other heroes reliant on specific items, Wild finds a way. But now with TotK, that's his defining trait. The crazy builds in TotK perfectly showcase this…creativity… of his.

TotK definitely gives me a canon trajectory for Wild's (and his princess) goals. All in all I would still like to add some sort of TotK, even if it's small, in LU but as of now I'm still  drawing a blank. I'm not worried about it. An Idea will happen organically if it's meant to be

[aliteralsemicolon]

Been seeing a lot about writing Spencer "accurately" online and idk where this wave of criticism is coming from, but I need every single one of you to be so fucking for real rn. Yapsesh below the cut.

Spencer Reid is a fictional character. Fiction means he's not real. He's a not real character from a not real universe. There's no "wrong" way to write a fictional character.

There is no canon guideline on how to write every part of him. Yes there are certain traits and characteristics we're shown, but people are complex. What we see the character do on screen isn't a complete representation of how they live every aspect their life.

Even the show runners couldn't get him "right" all the time, Hell, Mathew himself deviated from Spencer's canon traits sometimes. For example: his birthday, the fact that he's a germaphobe but you can still see him shake hands with characters when he normally wouldn't and there's SO many more if you just watch the show and pay attention.

Also there are things about Spencer that the fandom has deemed canon when they are not, in fact, canon. Like the converse: it's commonly believed that Spencer has a preference for wearing converse, which is wrong. That's a purely MGG thing. Spencer only wears converse in a few episodes through out the whole show. Most of the time he wears formal/work footwear, like loafers.

Now, there are definitely aspects you can't take away from a character in your writing because that's what makes the character who they primarily are. You'll notice that even in most alternate universe stories, Spencer still has the traits he's known for. IQ of 187, eidetic memory, socially awkward genius. That's literally how he was intended to come across during the initially seasons.

We only got new traits as the show progressed. Like how he's a sassy little shit who isn't scared of authority. The reason we can deviate from those is because they're not his core traits. His personality changes throughout the show. At times he appears like his same socially awkward self, but we also get to see his confident side with strangers at times.

It's literally impossible to label him a black and white character because there's so much we don't get to see. We don't get to see how he acts with love interests in every season (every season is a slightly different version from the last), we don't get to see how he acts when he's home alone, how he changes in so many aspects of his life. I think I'm just repeating myself now, but I think you get the point.

I find comfort in Spencer Reid's character, which is why I write about him. He acts however I want him to act in my writing because that's how I see him. Everyone has their own interpretation of the character. A lot of the interpretations share similarities with each other, so they're deemed as "the right way to write Spencer" by us, but that's not possible because there is no right way.

All this to say: Please stop criticising writers for how they write a character. You don't have to agree with their interpretation. There are other writers out there who you may agree with more. Engage more with them and disengage from the content you don't want to see.

[islandofsages]

Hey ! Can I ask for the Diasomnia boys reacting to a male!Ignihyde!reader who join the gargoyle club (idk if it's name) ?

Like, the reader is really just interest in the gargoyles, and isn't scare of Malleus (or anyone, really. Man is too tired for being scare.)

Ignore it if you don't want to write it.

Have a good day/night ! And happy new year too.

characters: diasomnia boys x male ignihyde reader

tags: platonic, canon compliant, fluff, imagines + scenario format; mentions of malleus in literally everything, lilia being a dad

warnings: none

author's notes: reader is so idgaf energy i love it. also i just remembered the small font feature exists LMAO do tell me if it's too small, i'll change it back to the original size!! if not, i'll change my previous posts to the smaller font. also you have a good day/night too anon ! and happy new year :D

Malleus Draconia

Oh? You want to join the Gargoyle Studies Club? You’re being serious? Oh!

Words cannot describe how happy he is about a fellow gargoyle appreciator though his expression doesn’t really show that

And to think you see him as just another dude… such honor was bestowed upon him…!

He’ll excitedly bring you to every gargoyle he’s found on campus and infodump about them - and you’d write them down somewhere if you’re in the mood

Sometimes you’d find new gargoyles and bring him to them and you start to do likewise

Even outside of club activities you two geek out about gargoyles at times which has earned you two the title of nerds

“Have I told you about the time I’ve met talking gargoyles? I never thought I would see such a day…”

Gargoyles aside, he has times where he confides his personal daily life in you and in turn, he’ll ask you what’s it like being in Ignihyde, etc

After being around each other so much, it feels weird when you guys aren’t together - some people would ask where Malleus is whenever you’re on your own, and vice versa

People found it weird how close an Ignihyde student is to someone from a different dorm too and you’re not sure if you should be flattered or not

But in a sense, Malleus really is your other nerdy half.

Sebek Zigvolt

You?????? Join the club where Malleus is president and is the only member of?????????

“WHAT MAKES YOU THINK YOU’RE WORTHY OF JOINING SUCH A CLUB?”

Well, for one, the fact that you’re unfazed by his constant yelling and therefore probably too tired to be fazed by anything, consequently making you the perfect companion to Malleus because you wouldn’t react inappropriately to Malleus’ conduct

And that you actually are interested in gargoyles. That too. You tell all this to him

He clutches his head with one hand, debating your logic. You don’t know how and why but he accepts your argument

That doesn’t stop him from monitoring you two’s activities from afar but, again, you couldn’t care less. A sixteen year old’s fanatics is just part of the growing process

Outside of club activities, he interrogates you on what you’ve discussed with Malleus and you just tell him the truth: gargoyles

At some point, he gets so engrossed in your infodump about gargoyles his eyes shine with a new light

Of course, he mentions something about Malleus obviously liking something so interesting and befitting of his status - but he also thanks you for enlightening him on the topic and that he’ll go to you for more information if need be

You’ve converted him. You sometimes see him clutching a book about gargoyles around the school. It’s filled with notes sticking out of the pages. And a portion of that sometimes he’ll run to you to confirm about a fact or two

Maybe it’s safe to say you two are kind of friends now.

Silver

He doesn’t think too much of it other than being glad that Malleus finally has a fellow gargoyle fan he can geek out with

He’d see you and Malleus chatting it up around campus and he can’t stop the tender smile on his face from making an appearance

Sometimes he himself will try to strike up a conversation with you and gargoyle geek aside, he finds that you’re just a pleasant person to talk to and be around

He admits he’s not too close with any of the folks from Ignihyde aside for the Shroud brothers but you brush him off by saying that nobody is really

He also admires how you don’t really let anything get to you. Again, you shrug it off by half-joking that you’re too tired to be scared by anything at this point

He somewhat empathizes with you on that point, grieving over his narcoleptic tendencies with a heavy sigh

You try your best to cheer him up or if you have experience with such things, you give him advice on how to manage it

You then jest that he can tag along with you and Malleus’ club activities whenever he’s free if he wants. The more, the merrier, right?

He ponders it for a minute and nods. You didn’t think he’d actually accept the offer

“I don’t see a reason to refuse. Sebek and I have accompanied Malleus on his trips before. I’m sure this time around will be more fun with you here.”

And so you all do. You all have a royal time together - and the joy on Silver’s face is especially princely.

Lilia Vanrouge

He sheds (crocodile) tears at the thought of Malleus finally having an additional member in his one-man club more friends

Since you’re chill about it, he is too! As long as you get along with Malleus, everything will be fine and dandy

If anything, he’s a bit impressed by how it takes more than the average amount to gain a reaction out of you 

…and a bit concerned. Are you sure you’re getting enough nutrients? His paternal instincts kick in when you tell him you’re too tired to have a reaction to anything

He knows that Ignihyde students are mostly shut-ins but he still advises you and makes sure you get a balanced diet

It’s like he’s adopted yet another son

“Oh, (Y/N), you really ought to take care of yourself more.”

You grow a bit annoyed at him sometimes but you know his intentions are good so you don’t protest

You do feel very loved though. You didn’t expect this much from just joining a club for a topic you’re genuinely interested in

But you have to admit it is kind of hard to come by people who aren’t intimidated by the Malleus Draconia, even if you don’t see it as anything special

What’s special, though, is the affection Lilia holds for you.

[nights-at-crystarium]

Fragments - episodes 47-52 author notes

You can find similar breakdown posts on older episodes in my pinned!

Time to recap the first proper wolgraha miniarc. See what you might’ve missed, or simply enjoy the extra content in form of my rambling.

47 stands out as a bit disconnected, floaty, introspective episode fully focusing on Exarch’s pov. I’ve scattered some breadcrumbs for him throughout the entire comic, time to pick those up. He may be an oblivious fool in certain moments, but I believe he wouldn’t keep insisting on staying deaf and blind when evidence’s shoved in his face. So, this moment of recollection and rethinking marks the start of the canon divergence, all of his future actions are colored by this.

Vivi has a dire effect on some people even without trying to manipulate them.

The composition forms a star here :3c

This panel should make their likeness even more obvious, they’re mirror reflections, albeit deliciously twisted ones. Also, the V sign is literally something that Vivi. Just. Does.

Exarch's heard from Vivi himself that they might be the same, Urianger literally tells him to go to a mirror and ponder, but when he does, and tries to look a bit more like he imagines Vivi, he can't stand what he sees in the mirror. They still aren't the same in his heart of hearts, even if reality itself tries to prove otherwise.

Hidden Angst Time! I can only hope that most readers are familiar with the flashback bubbles by now, and that this panel reads as it should: Feo Ul embraces Exarch while pointing out that they’re also being ostracized by their kind. Though the ultimate fae wisdom lies in accepting something the way it is, and just not caring too much.

More under the cut~ 

*rewinds all the way back to episode 1* hehe

“Does a hero have to be happy about his job” is one of my personal fav lines so far, I think it hits hard, pointing not only at Vivi, but at Exarch as well, and the visual supports it. I think this encapsulates Exarch’s ideology.

Exarch’s GASP could be interpreted as saying GASP out loud, which only makes it funnier.

Vivi carefully plans his entrance in order to make the atmosphere less formal. Approaching normally just wouldn’t do it. Also he just feels relaxed and safe to be silly. Remember how lowkey he was since his arrival to the First? His behavior all but contradicted what I said and showed about him in the ARR arc and outside of the comic.

Well, that’s in the past now. He’s finished assessing the situation and concluded that it’s okay to be more himself.

Feo Ul's upset that Exarch used his “radar” to detect Vivi’s ambush while they’d just used a similar ability to make sure that no emet-selchs are around.

If you catch a flirty vibe from Vivi in this episode, you're correct.

Vivi when he's remotely interested in a man:

My flavor of lampshading the obvious exposition dump. Oh Exarch, you asked for this, no take-backsies.

Another few hard-hitting questions from Exarch. It's easy to gloss over these, but if you slow down and think, it's decent angst material. Has anyone ever been concerned about Vivi's feelings, or was it more convenient to look away, even if intently, even if both sides knew they're better off not talking about that, for there's indeed no wol replacement. What good does acknowledging the situation if you can’t change it.

This's Vivi's memory, thus he appears small against the looming forms of the world leaders. Rigid, formal, impersonal. Raha's memories of the Ironworks seem to have a different vibe, despite all the parallels of the duty imposed by the world on one special guy. Also yeah I do wanna make my own version of the 8UC timeline and characters someday, for now these are just random characters that I consider as placeholders. And the dunmeshi cameo x’D

Yes, he mocks the people that he's saved. He's VERY frustrated with his job.

I offer you a fun game: spot all the mannerisms that make Vivi and Emet so alike. I genuinely never thought about this until this year, while this scene's pretty damn old, i.e. Vivi's always been like this, it precedes my Emet brainrot.

I swear that this line also was there before my Emet brainrot, but now it makes for a hilarious kind of foreshadowing.

You could already tell how "fit" he is for solving trolley problems.

This’s his “oops I talked too much shit” face.

The way Exarch just quietly TURNS and LOOKS at Vivi cracks me up. Don't undermine the tone with random jokes, dammit. But is this random? I’ve already analyzed this moment somewhere but for the sake of keeping important things in one place: they wrestle for control here. Exarch winds up for something serious, while Vivi wants to steer the convo towards more casual. It does somewhat lower the tension, though Exarch doesn’t relinquish his lead in the convo.

This doesn’t save him from becoming Frank forever from here on.

This miniarc’s rich with raw, hard-hitting words, so I’ll bring this up again.

We’re finally getting the explanation and context for a lot of previous episodes:

And the following episodes only help driving this point home. Vivi already sees the First as a viable escape from the Source with all of its shitty people and endless problems.

"This's why I... enjoy my time away from the Source": even at this seemingly high level of trust between them Vivi won't openly tell Exarch about his plans to stay here, a variable he doesn't want to become a risk.

Yes, he does an entirely calculated and strategic flop. A literal thirst trap.

Meme provided by my discord server:

Vivi casts provoke, it's..... not effective

^ This’s one of my personal fav exarchs I’ve ever drawn DADDY PLS

A panel that everyone loved to bits :>

I pair angst with other flavors to make it fun and non-repetitive. It's not "boohoo I can never kiss my hero, the world will end if I do, I'm so aggravated with myself", it's the hooded Exarch (duty) being mad at the unhooded Exarch (human), and delivering the same notion in a fun exchange. You can't help but laugh at the comical chibi violence, at the same time you acknowledge that it's a pretty fucked up act of suppressing one's innate human desires.

It's not a date, they just sit and talk <- the water in which Exarch is being slowly boiled.

I rarely talk about the visuals, but here I intended to make it look like a magical moment frozen in time. It's immersive, whimsical, full of color and movement. Despite the perceived warmth, the composition splits them apart, they're alone together. It’s still Raha’s pov, Vivi doesn’t seem to have any fond memories of the Source at all, we only hear about the past from his current jaded self.

An in-universe acknowledgment of the ARR arc lasting only 11 episodes x’D Though it’s all by design, it was meaningful only to Raha, while being a forgettable blip in time for Vivi.

Episode 52 opens with.... *drumroll*

NIP SLIP

I lovingly rendered that nip and I’ll make you look at it.

Ibuprofen meme would be the first thing that comes to mind, but consider the better/worse caption: "come to daddy". In all seriousness though, it’s a cool panel that I wanted to appreciate again. This IS Vivi’s pov.

The grimy beaten up Vivi creates questions that are answered in episode 53, which is yet to be released publicly at the moment of writing this. Some episodes, like 52-53 and 42-43, come in pairs that only make sense together due to the non-linear storytelling.

Yes this’s Aymeric, no I won’t say anything else :’> One thing that’s worth noting is the face Vivi makes here. And the distant, emotionless tone with which he recalls the moment of his own near-death.

Lemme spell it out even more plainly: Vivi romanticizes the moment he almost died. Exarch just happened to be present in that moment, and Vivi latched on to him as someone who would grant him escape, freedom, peace.

“A kindly wizard from fairytales”. I regret to inform you that we have two delusional fucks on our hands. Both see each other as some kinda dreamt up, idealized, mythical figures.

This miniarc isn’t over yet, but I’m wrapping up the recap here. Thanks for reading till the end~

[alice-after-dark]

Vox as an Abuse Victim

So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.

After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.

TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.

Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.

As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.

In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.

In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.

Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.

Now let's get into what I believe is the actual evidence that this dynamic could still be present.

Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").

So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.

There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.

What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.

It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.

Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).

Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.

So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.

Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.

Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.

There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.

Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.

As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".

TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.

(that's all for now, I have literally been working on this post for days and I'm exhausted)

[svsss-fanon-exposed]

Exposing SVSSS Fanon: 13/∞

MOBEI-JUN HAS BLUE EYES

Rating: CANON

Mobei-jun's blue eyes are one of his most striking features both in official art and fanworks alike. Aside from Luo Binghe's black (and sometimes red) eyes, Mobei-jun's eye color is the one most frequently mentioned in canon.

They are first described as blue when he appears at the edge of the Endless Abyss during the conference:

Sensing this shocking change, a cold flash of interest shot through Mobei-Jun’s pale blue eyes. (7 Seas, Ch. 4)

Most of the mentions of his eyes come from the Airplane Extras, which is a neat parallel-- considering the fact that Shen Qingqiu often mentions LBH's eyes in his frequent praising of his future love interest, it only makes sense that Shang Qinghua would do the same in his own narration.

There is a slight bit of ambiguity here, where it could be read that Mobei-jun's eyes are not always blue, but only flash blue at certain points:

Mobei-Jun sneered, an ice-cold glint of blue flashing through his eyes. Mobei-Jun sat straight up on the bed, eyes shining with blue light like an overcharged battery about to explode. (7 Seas, Ch. 26)

These descriptions are intense, describing the light from his eyes as blue, rather than his eyes themselves, however, the earlier passage states that his eyes are blue, as does the following:

Half-dreaming and half-awake, he seemed to see Mobei-Jun’s eyes open. Icy-blue pupils were bright and cold under the moonlight, like a pair of magnificent and eerie chrysoberyls. (7 Seas, Ch. 26)

Interestingly here, "pupils" (瞳孔） are what is being described as blue, and not irises (虹膜）while the passage from chapter four is just describing the eye color overall, however, the term isn't necessarily so precise and I do believe it can refer to the entire colored portion of the eye when used in this context.

The color his eyes are described as is 蓝色，which is a true blue color, often associated with sky-blue (and also the same character as the surname Lan from MDZS for those interested). More specifically, his eyes are described as 微蓝 and 冰蓝 （literally "slightly blue" and "ice blue").

I personally imagine the color to look a bit like the following:

In the last quote, they are described as looking like chrysoberyl (specifically, 猫眼 "cat's eye") which has this appearance:

So this could potentially also lend support to drawing him with lighter-colored pupils and darker blue irises.

Since Mobei-jun's eyes are both described as blue themselves, as well as flashing with specifically blue light, my conclusion on the matter is that Mobei-jun has blue eyes which have a bit of luminescence to them and light up even further when he is angry.

[tsukii0002]

So, i like to think that Adam was jacked and reaaaally handsome, like...A LITERAL ANGEL FELL FOR HIM quite literally lol, and for the sake of my delulu let's say that most of the humans that the brothers met where taller and stronger that the humans nowdays (since Adam and Lilith met some centuries ago)

So since the brothers only met humans that were more strong than the nowdays humans, so when they see the mc for the first time (let's imagine that mc is pretty short like...around 5ft/1,50) they are like "??" they knew that humans are fragile and weak but they did not know that now humans are THIS weak and fragile, this was a shock to them.

BESIDES i'm pretty sure that i literally have no canon sorce for that the brothers actually changed their heigths i mean they were angels and now are demons, can't demons shapeshift?? because it's more usefull to them be that heigth, so when they see someone naturally short—Mc—they are a bit shocket specially when they still think that the humans still tall

I guess this apply to all the alredy born demons (i forgot like...the entire lore 😭 so forgive me)

How you think they will individualy react? What will they say? I guess that Beel and Belp will be more shocked since they watched the humans with Lilith while they were tall and strong so i imagine that the two youngests will be like "what lore did i miss?😦" Or "why you are like that 🤨"

Ignore my grammar mistakes 🙈

I really like the concept of changing the appearance, and "the more demonic real form of the brothers" . Also this kind of situation would be: what you asked for by catalogue vs what you get 😂😂. I don't know if I can capture your idea well, but here goes. And as always, thanks for the suggestions 🩷

How the demons react to an actual human (much smaller than they remembered).

Lucifer

Oh father why? As if he didn't have enough to keep a normal human alive, now he has to keep this creature alive? Like are they an average human? In his time humans were more… more.

Lucifer would keep his distance and be stressed constantly, he would feel like Mc was a balloon in a needle shop. He would worry about absurd things like they falling into any crack or hole. But what would really make him lose sleep is the thought of someone so small having so much power over his family, you know, pride.

Lucifer: Mc! Where are you?

Mc: *behind him* here?

Lucifer: One of these days you're going to give me a heart attack.

Mc: It's your fucking fault, not mine, you being a giant is not my problem.

Lucifer: You, little shit.

Mammon

Why so small??!! Are you putting him in charge of something so small? Of all the demons? He's looked after guinea pigs before for work and it's never worked out well, shouldn't you think again?

Mammon would be one of the quickest to forget about it, I mean they are small but they're his human. That is until he hugs or pushes them, because he'll think he's killed Mc and start crying. He has lost Mc countless times. Mammon's the type that gets a heart attack when Mc interacts with any demon, too overprotective.

Mammon: I knew people would pay to pet your head.

Mc: I'm glad business went well, now give me the 90% you owe me.

Mammon: What? That's not- don't give me that face!!!

Mc: It's just that, Mammon, this little face doesn't hold itself… now give me my share or I'll tell Lucifer that you've done business with my size.

Levi

Have they always been like that? Not that he's ever been interested in humans but… Are not they too cartoonist? . I mean in his real form he could pick them up as one of his figures… Does they bite? Small bugs tend to bite the most…

Honestly it makes he a little bit excited because Mc looks like the characters of his animes, that is to say they have the perfect size to be a magical girl. He'd also adapt pretty quickly although he'd be far from forgetting and he'd always be careful because oh god they're so small. Their condition makes it easier to strike up a conversation with them.

Mc: Have you handmade all these cosplays?

Levi: Yep…

Mc: They are for me right?

Levi: Yep.

Mc: Okey…. but I'm not going to wear the goldfish one.

Satan

… Well nice to meet you, don't come near me again. He had read about the great kings, the mighty heroes, the fearsome witches… he wasn't expecting a miniature human. It would be impossible to keep them alive, so he wants to get out of the way.

He has read a lot about humans, but he wasn't prepared for that. It never ceases to amaze him how little Mc's conscience is, anything can kill them! Why do them throw themself headlong into danger? He would start to interact with them very slowly, and even then he would be extremely careful, he wouldn't start to act more calmly until the fourth pact with Asmo.

Satan: *watching two KO demons with Mc on top of them* How?

Mc: I'm like a fiddler spider, tiny but lethal.

Satan: … Cool

Asmodeus

Oh my gosh, they're the size of a pocket dog, (Devildom's pocket dogs are six feet tall) . They don't look like any of the epic heroes or one with Solomon's power. So many things could happen to them, so many things could hurt them, he could do so many things to them… Is this a new fetish?

The one that best adapts his strength without giving up physical contact. At first he thought that Mc must belong to a small group of short humans. When he found out they weren't, he rethought a lot of things. Tempting humans nowadays would be complicated, and even more so if he showed his true form. But for some reason he was now more interested in actual humans.

Asmo: What is it about you that makes you so irresistible?

Mc: Ummm, do you really think something like that?

Asmo: Yes, you are so amazing and beautiful and charming… no human has ever made me feel like that before!!!

Mc: Well, you know what they say… *holds his chin from above* The best scents come in small bottles *smiling*

Asmo: *choked scream*

Beel

This can't be a human… Diavolo has been tricked, he could eat Mc in one bite, normal humans could be eaten in 5 or 6 bites… And why aren't they afraid? Don't they know the real size of a demon? Doesn't natural selection work in the human world?

Beel: *with mc sitting on his shoulders*

He would be super careful, as if Mc was made of porcelain. At first he would be reluctant to get too close, what if he broke something by touching it? But then he'd take on the role of guardian, and if anyone got more than five metres away from the little human, it'd end up as Beel's lunch.

Lucifer: Why is Mc on your shoulders?

Beel: They like to be tall.

Mc: actually it's because when he's hungry I run the risk of him crushing me without realising it.

Belphie

I've seen many humans and this can't be a human 2.0 how is something so small going to help him get out of the attic? He guess it's been too long since he've been down to the human world… if humans had been like that Lilith wouldn't have fallen in love with one…

Belphie: You're warm *placing them on his lap in class*

He fidn't expect anything from the human, however he was the one who took to them the quickest seeing what they achieved in such a short time, it seems that for a human to do great things it doesn't matter if they're small. They are also the perfect size to cuddle and sleep next to. And it's the perfect little warmth bag, as he can carry them at any time.

Mc: I think we can go home now Belphie.

Belphie: *getting up carrying Mcall the way* Cool, let's go sleep in the attic.

Mc: Do I have a choice?

Belphie: *fritting his cheek against Mc* No.

.

.

College is killing me again so sorry for the wait, I'm in a creative block so it's hard for me to write so if you've made it this far thank you very much 😌

[n3rdyw0rdy]

My thoughts on Vefve

I’ve been a fan of Ghost and Pals since 2018, and only in recent years have I joined the fandom. If you’ve seen my past tumblr account, you can tell that I’m quite the fan of Christopher Pierre (Aka: The Distortionist)

I’ve noticed Vefve when I saw her reference sheet for her version of Christopher Pierre and went down the pipeline of her works, and I’ve got some thoughts.

Selfshipping

I have no problem with self shipping at all, since I myself, if you couldn’t tell, make countless ocs for fandoms or characters I like.

What I do feel odd about is Vefve’s self ship with Christopher Pierre. I have heard that Vefve is in her early or late 20’s (I’m not completely certain, but she claimed to be an adult), which the character, Christopher, is 17.

I know she has stated that the version if Chris that she ships herself with is “aged up”, but Christopher, quite literally, hasn’t aged a bit in her art. Even if he’s supposed to be “24”, Vefve has done nothing to his design to indicate that he’s older than he canonically is, appearance wise, which rubs me the wrong way.

“He’s fictional”, I don’t hear you guys saying that when Erin Clover shipped herself with Bakugo while she was in her 30’s.

The Vampire Au

I wasn’t familiar with this AU or the fanfic that went along with it until recently.

I know that Vefve has made a statement saying how she doesn’t like the fanfic anymore, but I beg to differ.

For context, the fanfic consisted of Christopher Pierre as a Vampire, and Kennith Simmons (keep him in mind) as a victim. Christopher attacks Kennith and offed him, but then kissed the severed head of Kennith.

This fanfic is both odd and just weird to me. The random n3crophilia and weird romanticization of the situation leaves a weird taste in my mouth, and if anything, unnecessary.

I understand that Vefve wanted it to be a “horror” fic and not glamorized, but the fanfic itself does that. She even made the excuse that “vampires can’t control themself” or are mindless monsters, but even with that logic, I don’t think a mindless monster would make out with a severed head.

Even with Vefve’s statement of not liking the fic or au, she still mentions it a lot and even made art of the kiss scene, which discourages me to believe that she was honest about it.

Mischaracterization and Chrisken (christopher x kennith)

Probably the most prevalent excuse Vefve gives for defending this ship is that she “changed the characters” so the relationship isn’t as toxic as it would, and with that, fully mischaracterizing the two characters.

Vefve has changed Christopher to a “dominant nonchalant charismatic charmer” while Kennith is a “Sweet innocent boy”. This may be nitpicky of me, or over exaggerating their recharactsrizations, but I just personally dislike it. She also characterizes Kennith to be “child like”, which is really odd to me since canonically, he’s an adult and Christopher is still a minor. I know it’s only a one year age gap, but I have more thoughts on the ship itself below.

Now for the ship itself, I’m not a fan at all. Sorry. But don’t take this being the only reason I don’t really like Vefve, as seen above theres more understandable reasons for my distaste other than me being nitpicky. The ship itself doesn’t really work for me, especially by how realistically, it would be really toxic. Toxic ships have a right to exist, but I feel like if it got into the hands of Vefve or people like her, it would be glamorized to hell and back. (pun intended)

Other thoughts

Generally, the very risky and otherwise odd things she post of Christopher and the fanart her fans make her is very jarring, especially knowing the context of Christopher as a character and his age.

The dynamic of Vefve’s version of Chrisken is just really generic and oddly fetishistic. I’m not accusing anything, but being honest, their relationship feels like it was written by a person who just discovered gay people existed. Sorry. That was mean. But I’m trying to give my honest opinion.

Vefve’s behavior towards people who dislike her is somewhat immature for an adult. Yes, I do understand that some people send death threats to her which can be a bit overboard, but Vefve going out of her way to make post about them seems unnecessary if she can just block them.

I don’t like using the word cringe, but Vefve is cringe. Sorry. I genuinely hate using the word cringe by how watered down the meaning became, but I have no other label to think of when it comes to Vefve. Her fans are no different either. Sorry, that was also mean. Please don’t publicly execute me.

These were my honest thoughts on Vefve. I know that I might be dogpiled for even criticizing her for anything, but I feel like someone had so say at least something. If I missed anything, I’ll edit this, but whoever read through this whole thing and agree with me, have a good day. And if you disagree, also have a good day, but if please don’t associate with me.

And if Vefve is reading this, hi, stay cringe, but don’t thirst over canonically minor characters. Thank you.

[justchillandshipit]

Here I go again.

Buck asks Eddie if his son is the real reason he doesn't date. Eddie responds with, "That and, they weren't my type."

This has been a flag for everyone who reads the subtext, but let's take a moment to look at the last GIF.

Eddie says they weren't his type. Buck turns around to look at them and probably assesses what makes them, 'not' Eddie's type because the girls were all subjectively pretty. There were also a variety of types of women there.

But look closely at the GIF. Eddie said they weren't his type. While Buck is glancing back, Eddie gives Buck a quick look that really screams, "You are it. You are the type." When I noticed this from the GIF edit, I thought it might be the creator slowing it down, but nope. If I look at the episode, it is the same or nearly the same. This is early season two, and I have always thought, in the early episodes, there was no intent to pair Eddie with Buck as anything but a friend. However, this scene makes me wonder at what point Tim M or whoever was writing changed their minds about adding in a subtextual narrative.

I find it very difficult to see this scene as a heteronormative exchange. In fact, it even feels like Eddie is pushing back a little to test where Buck stands. Buck as a character who lacks self-awareness gives a mixed signal answer. (which tracks with his character at this point and matches his coming-out arc.) **edited to clarify** Buck's mixed signal response to Eddie saying they aren't my type is, "Not mine either, at least not anymore."**

A few seconds later, Buck says Eddie has a weak excuse. My lovely and wonderfully sassy Eddie says, "You live in your invisible girlfriend's house, and you're telling me about weak excuses." He essentially points at Buck's closet door, but of course, this is something that Buck couldn't see or pick up on at the time. These moments are small in the grand scheme of the show as a whole so I'm afraid it will be forgotten. It would be nice to have some sort of throwback acknowledgment that this scene hasn't been retconned.

To backtrack a little bit here, I would also like to point out something else about the early timing or the writing of these characters as potentially queer. They are outside. (True I don't understand the ins and outs of filmmaking so there may very well be a reason for this.) But the shot itself is making them walk close together. Not just close, their shoulders are literally bumping against each other, hitting and knocking at each other in a way that might appear "unintentionally" intimate--until you remember they are outside. It seems to me like there are dozens of ways to shoot this thing that don't require them to be so casually physical with each other. For the scene to be shot like this and then consider the canon conversation that took place, it feels quite intentional that the writers wanted viewers to look closely for something else.

Whenever certain people call Buddie shippers delusional, I think about this. Subtextual language aside, the scenes are shot in such a way as to plant the idea of "More." There is attraction here. There is flirting.

Someone, somewhere wanted to tell this story from the start; and I'm not mad about it. I'm 100% here for it, and I'm ready for it to go down as the most epic love story I've ever watched or read about, but I also admit that I want it to be canon, not so I can throw it in anyone's face that their ship is wrong, but so I can prove I'm not some weirdo putting two hot guys together. I'm seeing a real romance being built. I want that validation as much as I want everyone under the LGBTQ umbrella to see representation for themselves on screen.

If you want to see the scene, go to about 3:05.

[orphiclovers]

I think the most notable bit of character insight on Yoo Joonghyuk that Yoo Mia SS provides is how much the apocalypse did not change him at all.

It's one of those Big Themes orv has, and simply brilliant writing. Y'know how they kept beating us over the head with the concept of 'the people who find it easiest to adapt in a ruined world are those who could not adapt to real life?'. That applies to YJH too, and even more than other characters. But it's hard to notice on a casual main story read because genre conventions and his character archetype tell us not to look deeper, that he is just a basic brooding power fantasy manhwa protagonist, even when he's really not.

So the audience writes off his quirks because it's expected of his brooding hero archetype and the other apocalypse survivors write off his quirks because everyone who has gotten this far is a little nuts and also they have bigger problems.

But when Yoo Joonghyuk acts exactly like he does during the apocalypse in a pre-scenario world where there's no convienient explanation it's really clear that he is different and he just comes off as...off.

His silence during conversations is no longer mysterious and cool but just weird and a failure to read social cues. His 'glare' is frightening and people don't like when he makes eye contact with them. His manner of speech is off-putting. His blank emotionless face is not stoic repressed hero-esque but ""rude"" etc etc. Every single mainstream society conforming person can tell there's something off about him so they avoid him. And YJH doesn't know how to communicate so he ends up totally friendless (save for a literal mafia boss and a crazy time-traveling teenage girl - and only them, because they don't fit well into society either.)

Umm where was I. So, but I don't know how much effect all of that has on World of Zero. Firstly, because between Yoo Mia side story and World of Zero there are 3-4 years of '?????' where afaik we have no idea what Yoo Joonghyuk was doing. He stopped being a gamer at some point but also got rich at the same time (doing what?) and bought the house he daydreamed about and also became a total shut-in who 'doesn't go outside often'. I have fanfic-y theories but nothing canon.

Onto the second part of the ask.

With World of Zero era joongdok I feel like there's a lot of writers out there who have made their own versions that are better than anything I could come up with so I hope you wont be disapointed. That being said I do have some thoughts.

Speaking of fanfic, here is mine under read more lol.

I think it's super that Kim Dokja gains the power of an omnipotent god and the very first thing he does is devote his time to Yoo Joonghyuk's happiness and safety. The whole reason he became OD was because of his massive guilt complex about YJH, so it makes sense that he would try to atone.

Zero starts off mistrusting him but gradually KDJ proves himself as having Zero's best interests at heart 100% of the time. DKOS is YJH's guardian angel. And then KDJ stays watching over him even after the scenarios were over, seeing him go through boring life milestones, happy as long as YJH is happy, for seemingly no reason.

So it's no wonder Yoo Jooghyuk fell in love.

He might not know Salvation's real name or appearance or anything about him but he wants to get to know him, this person who has saved him so many times while asking nothing in return. It doesn't matter that he's a constellation because he is good, Yoo Joonghyuk knows. He confesses all of this to Salvation, looking up at the sky with eyes sparkling with life and passion.

Salvation lets him down gently, for what it's worth, but rejection is still rejection and it hurts.

In the following weeks, as he goes through the motions and pretends nothing happened, he continues to feel the gaze of Salvation on his back, but the constellation stays mercifully silent. Yoo Joonghyuk does not want to know if it's pity he's looking at him with. Even heartbreak heals, of course. Months pass, then years. Lee Seolhwa was a dependable companion to him during the scenarios and stays a steadying presence in the world after. They're compatable. She is someone with who he could see himself growing old.

Salvation told him to 'be free, to fall in love with someone who could be with him, to not waste his time chasing after a dream, to live his life to the fullest'

He knows about his attribute of course, just like he knows everything about Yoo Joonghyuk.

Yoo Joonghyuk sees no point in lying. He tells Lee Seolhwa everything. How due to his attribute he will grown old and die while the rest of them stay youthful as ever, how he doesn't remember his childhood or know his parents. His hopes and dreams, how he yearns to learn his origins. About the first scenario, about the constellation who would have been his sponsor, whom he loves.

Then he asks to marry her. She says yes.

Salvation is the first person Yoo Joonghyuk tells. He's happy for him, of course, says he always knew there was a spark between them.

They live a long 50 years together.

When Yoo Joonghyuk's hair started turning more salt than pepper, he told Lee Seolhwa that he wouldn't hold her. She laughed, stroked his head and said that she might not look it but she is two years older than him, that she vowed to be by his side till death did them apart and she will not break that promise.

When his time comes and he knows he has to leave, he tries to explain himself to Lee Seolhwa at least, if not the rest of his old companions. But he needn't have bothered. Before he could start, she took his hands in hers and smiled wistfully. She told him she always knew this day would come. That his heart has always belonged to someone else. She's thankful for the time he has given her anyway and that she could not have asked for a better husband. She sheads a few tears and Yoo Joonghyuk does too, but he leaves their house with a sense of purpose and a lightness in his heart he has not felt once since the day he beat the final scenario.

And then he accepts the sponsorship contract with Salvation.

... .. Sooo, that's how I think round zero went.

[kerubimcrepin]

Dofus: The Production - what is left of the old movie

Originally, the movie was supposed to tie in with the game and the Welsh & Shedar series, and be a trilogy.

As we had already explored on this blog, this did not happen for a variety of reasons.

Welsh and Shedar got cannibalized by other projects due to its cancellation, and the script of the movie "Dofus Book 1: Joris Jurgen" had to be completely rewritten from its old plot;

In that movie, Joris was likely supposed to be a street urchin, who survived together with Lilotte, who was a rogue, and the trailer we have for the older version of the movie reflects that:

As we can also see from the trailer, and the poster featured earlier, proto-Kerubim is also a part of the movie, and Khan was not yet meant to be a boufbowler.

(And considering the posters, the cat that inspired Kerubim's design was also a part of the movie. I wonder if it's related to Welsh's cat from Welsh and Shedar? But maybe I'm just crazy.)

Subsequently, the movie came out at a much later date than planned originally.

(two images included because, bizarrely, there are two versions - one with Joris's tail censored, and the other with his tail uncensored. This proves that already at this point they had a draconic backstory in mind for him, though we do know that at the time of Wakfu season 1 (and, likely, the cancelled DS game, as was noted in my post about it) it was not the case.)

Also, interestingly, it is the only art of this time to include the tail. A possible error on Xa's part, or something that was considered very briefly?

In the end, Kerubim (as well as Simone) swallowed up not just the design of Welsh's cat, clothes, and Ecaflip friend;

He also got the role Julith was supposed to have, both metaphorically, and also literally.

Or not entirely — considering the fact that Joris was supposed to spend time with him anyway, since we have art of Joris on his mount from that old draft.

It's quite interesting, to think of all that could have been different in the 2009-2012 version of the movie!

But even during the making of the second draft of the movie, a lot of things have changed. From the first idea of Joris winning Kerubim back at a pachinko machine, to the concept art of Joris's non-possessed appearance.

The movie was being actively rewritten at the time of the making of Aux Tresors, so some of the early drafts were already tied in with its canon — taking place in Astrub, to be specific — but not with its ending, because the show was still ongoing.

At one point there was supposed to be a whole cast of Huppermage characters, and judging from the fact one of them is mentioned in the following text, they did play some sort of role in the plot:

It is likely that from this early draft it was decided that Joris would be a boufbowl fan, which was then worked in as a plot point in Aux Tresors.

(Stélina may be a proto-version of Bakara.)

It also seems that at this stage, it would be likely that Lilotte was reworked to be the Princess of Bonta, before eventually becoming the Ouginak we know and love.

After this Ankama once again returned to the concept of Lilotte as an orphan, though — even when the movie was still set in Astrub!

And it seems that the draft involved travel between Astrub and Bonta, judging from the usage of a Zaap to attack Luis.

And even at this point they have come up with the tragically cut "Joris and Khan go to adult industry workers and Joris (10yo boy) engages in depressed underaged drinking" scene.

(I'll never forgive Ankama for cutting this. I still argue that it's in character for Khan, our detested/beloved turbovirgin, to do this — as long as he doesn't get together with any of the women due to thinking himself "too good" for them.)

Also, at some point the gods were supposed to play a role. And personally, I am glad it was cut — it feels a bit too grand for the first movie in what was supposed to be a series.

I don't have any grand statement, or conclusion, but it is interesting to see all the ways the movie has changed.