#but like.. what if i delete it later

[abandonedlolita]

i envy girls who post themselves a lot like.. i’ll take 100 pics and only like 0.3 of one picture

[bixels]

“America has no culture” is an inherently racist statement. Especially when talking about California, which has enormous populations (yes, plural) of Hispanic and Asian immigrants.

It’s such a self report that you see the American hegemony, the American monolith, as a singularly white entity that’s worthy of scorn. I want that person to look at the Black American NYC Miku design and tell me with their full chest that that isn’t culture. Especially when modern pop culture owes so much to Black American culture — hip hop, language, streetwear and fashion, pop music, jazz — as is actively erasing their roots, saying all of America has no culture is a dumbass statement.

Also, “all the US Mikus are dressed in generic casual street style for coolish weather.” The original Brazilian Miku is wearing sunglasses, a crop top, short shorts, a bikini, and flip flops you absolute dunce. If you’re gonna be rude at least be consistent.

[st-hedge]

I can’t believe they’d managed to animate kusuriuri’s insane character design and then decided to make it even more insane. The most character ever

[bubbarnes]

“… you have to go back and keep the child that fell in love with this alive.”

[purerae]

╭────༺♡༻────╮

YANDERE!PERV X FEM!READER // PT1

warnings ;; nsfw themes, creepy behaviour, overall yandere themes

╰────༺♡༻────╯

˚₊· ͟͟͞➳❥ YANDERE!PERV who didn’t really believe in love at first sight. ‘People were horrible and mean, loves not real at all!’

˚₊· ͟͟͞➳❥ YANDERE!PERV who immediately disregards his previous statement the moment he saw you, his ears perking up at the sound of your voice speaking to your fellow classmates.

˚₊· ͟͟͞➳❥ YANDERE!PERV who’s enamoured with you the first time you ran into the lecture hall, hair messed up, books all jumbled and bag almost falling off. You looked so perfect and sweet!

˚₊· ͟͟͞➳❥ YANDERE!PERV who watches you so intently as you work, he stares at you as if he’s an eagle. Everyone notices him staring at you and thinks he’s a perverted freak, but you don’t pay any mind to it. That must mean you think he’s okay!? that must mean you like him..<3

˚₊· ͟͟͞➳❥ YANDERE!PERV who doesn’t even have a conversation with you for months but just practically eye-fucks you. He remembers all your outfits and if you ever rewore them. Your favourite sweater, which he wants to steal so he can do god knows what to it.

˚₊· ͟͟͞➳❥ YANDERE!PERV who almost whimpers when you sit next to him, He secretly thanks the person who stole your self assigned seat.

˚₊· ͟͟͞➳❥ YANDERE!PERV who’s eyes widen as he realises he’s going to have to speak to you. shit shit shit what should he do?!

˚₊· ͟͟͞➳❥ YANDERE!PERV who after 30 long minutes, has the courage to shyly ask for a pen. quickly hiding his stationary; he stutters, pauses, and whispers the 7 words. It’s practically impossible to understand him. “d..do you have…a p..pen that i can borrow..?”

˚₊· ͟͟͞➳❥ YANDERE!PERV who almost combusts when you give him a polite grin, saying ‘of course!’ and lending him a pen before focusing back on your work. To you it was a conversation you don’t think twice about, for him? It made his entire month.

˚₊· ͟͟͞➳❥ YANDERE!PERV who can’t even focus on his work as he notices the bite marks on top of your pen. your lips and teeth touched the lid…his slender fingers slowly brush the bite marks, hands quivering with delight. Even a streak of blood couldn’t compare to how red he was. He’s keeping this pen no matter what.

˚₊· ͟͟͞➳❥ YANDERE!PERV who gasps in relief when you leave forgetting to ask for your pen back, he quickly puts it in his bag and beams happily all the way back to his flat. The happiest he’s been in years!

˚₊· ͟͟͞➳❥ YANDERE!PERV who places the stolen pen on his night desk, and kisses the top of it every night like a routine. ‘I’m practically kissing her~!’

˚₊· ͟͟͞➳❥ YANDERE!PERV who slowly collects the things you accidentally leave behind. Half drunk water bottle? His. A tissue you used when it was getting a bit cold? In his pocket like it’s his hankerchief. A core of an apple you chucked into the trash can before walking into the class? Treats it like it’s Gods gift

˚₊· ͟͟͞➳❥ YANDERE!PERV who built a mini shrine of your belongings at the back of his closet. His harmless little secret, no body, especially you needs to know.

˚₊· ͟͟͞➳❥ YANDERE!PERV who loves you so so so much! he’d do anything for you! ..even if you guys have only ever spoken once or twice.

“Mmm hey! Can you help me with this question…?”

purerae<3

[frenchphobe]

griddlehark modern pen pal au where they don’t know each other but are assigned as pen pals for those pen pal projects you get in middle school and it just turns into them sending each other hate mail and somehow they just keep going for several years, even though they dont rly have to

[theerurishipper]

Hate it when people erase Dick and Clark’s relationship. "Dick doesn't have a super" ummm actually he does. It's Clark. "Superman and Batman are the World's Finest" WRONG. World's Finest is Superman and Batman and Robin. Clark and Dick are as close as Clark and Bruce. This has been a PSA

[sparrowlucero]

i shouldn't have deleted those posts about the dynamic between dr who and clara oswald because someone commented on it saying i was glorifying a "young woman in a one sided relationship with an old man who holds all the power" which is such a funny and poor read of those characters I've been turning it over in my head for the past two weeks. but now i can never respond and potentially get some insight into that persons mind

[collophora]

I was watching calisthenic tutorials but got distracted and it ended up anatomy practice e_e

And I made it Tech 'cause idk, enjoy

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. This becomes particularly resonant when you realize the symbolism of his role as mechanic: a job that can be deeply unpersonal, tasked with keeping the ship (the machine, if you will) itself going while other roles are more focused on managing the humans inside of it (e.g. nurse, captain). His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[damconcha]

One of my favorite things about the ASL Brothers is the fact that Ace was the one brought out the sake and proposed becoming brothers.

Not Luffy or Sabo but Ace.

Ace, who believes he is unlovable, Ace who believes that his blood is dirty, Ace who believes that he didn’t deserve to be born, Ace who thinks that his life is worthless, Ace who believes that his mere existence is a crime.

And yet Ace saw these two boys and approached them without apprehension or fear of rejection even though he was proposing something as irrevocable, something as bonding as brotherhood

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[fiona-fififi]

Call me homophobic, but I don't actually think it's great representation to stick a complex, dynamic, newly-realized bisexual character permanently with a flat, boring, underdeveloped love interest just because that was the first guy who showed interest.

[bubbarnes]

“... I didn't care very much about anything else, you know?”

[its-minart]

Never finishing this but I really like them 👉🏾👈🏾

[wickedlittleoz]

an artist i follow got an ask about whether it was alright to use their art as covers for fanfic bookbinding and i'm. sorry i must have missed this discourse but since when are people outright printing out other people's work and binding them into books? do you contact and get author's permission (sure as fuck hope so)? and how do we writers feel about that, because i certainly feel very uncomfortable with that idea. i mean not to spoil the artistic expression of bookbinding because it's beautiful work that i most certainly could not do, but. you can access them stories any time you want on the websites where they were originally posted. why print them? again i mean i get the pleasure of holding & reading physical books, i much prefer that too, but like. get some books i guess? sorry i come from a place of honesty and tbh surprise and confusion about this whole thing. someone tell me how we're feeling about this. someone explain to me why it's being done. i just wanna understand