#but like. it feels like that's what they're building to. it's what they have been building to with him

[very-grownup]

Whenever scolding or lecturing posts come across my dash I'm always confused by what seems like the imaginary people they're addressing, but I just spent time this evening with my niece and nephew.

I don't know if I'm the "cool" aunt in their lives, but I'm the aunt who would improvise dance music and bop them around when they were babies. I'm the aunt who wrestled with them and let them climb all over me and plop down and demand my attention. I'm the aunt who watched videos of giant cockroaches with them and let them lead me in games. I'm the aunt who tonight was shown many, many stickers of "Wings of Fire" dragons and asked my opinion on them and a rubber calculator where you can make a big number and then do minus a little number and if you keep pressing the equal sign you can see the big number going down and you can pretend it's the health of an enemy in a videogame. I'm the aunt who sat through so. much. Paw Patrol.

I think you probably have to do time in the Paw Patrol or equivalent mines if you want to be an adult in a child's life that they feel is part of their life, which is more important than being the cool aunt.

I do know I was privileged to have a cool uncle (did you know men-types can also have deep relationships with their younger relatives?). He passed away from cancer last year, tragically young. But he was cool. He was the coolest adult I knew as a child. He had turtles he cared for well enough that they were huge, stately creatures. He would wrestle you in the water and lift you high above his head and splash you down. He would take an interest in what you were doing and find common ground and engage with you about it and listen to you and he was the coolest adult you knew as a child. I was ten or eleven when he married my youngest aunt, so I was approaching teenagerdom which was a dreadful time, but it was when I started to learn about science fiction, mostly through comedy like The Hitchhiker's Guide to the Galaxy and Red Dwarf. But he /had/ The Hitchhiker's Guide to the Galaxy. He had Red Dwarf /novels/. He gave me a copy of The Princess Bride and Ben Elton's Stark just because. He recommended The Martial Chronicles. He watched The X-Files.

I don't think he was trying to be the cool uncle. He was just himself and paid attention to you enough to see who you were and talk to you about the things that made you feel like an adult.

After he died, there were a lot of comments and memories about how cool and involved and loving he was and I hope he knew that. I'd like to think I might be so remembered by my niece and nephew and the other children I've been lucky enough to have in my life.

It's not about being cool, really, but about being engaged with them in the time you spend together (I only saw my cool uncle for a week or two in the summer until I graduated high school) and being an honest version of yourself so they can find the part of you that they think is cool and building on that.

Because, in retrospect? Geologist with turtles who reads science fiction? Not particularly cool. Certainly not universally cool. And I imagine what other young people in his life responded to was different than what I responded to, what cemented him in my mind as a cool adult. Maybe he had his own Paw Patrol he endured to spend time with my younger cousins.

I don't know, I just love my niece and nephew a lot and I want the world they're growing up in to be better and kinder and I feel blessed when my autistic nephew takes my hand to lead me downstairs to play a game with him or, like tonight, asks me if I have Minecraft on my phone because he wants to be able to invite me to his Minecraft server. It's exhausting but still heart-warming how goofy and unselfconscious my niece is in her excitement when I come over and she forgets she's almost a teenager (she's eleven, but she'll be twelve soon, and that's basically thirteen).

...

God the Paw Patrol years were rough.

I know that a lot of you are banking on having little to do with your nephews/neices as children and then becoming their "cool aunt" once they become teenagers, but I think that you will find, upon analysis, that a random middle-aged woman stepping into a whole-ass teenager's life and arbitrarily declaring herself to be a "cool aunt" is, in fact, the least cool thing it's possible to do.

[anders-holmvik]

can we talk about 8x06 confessions because id love to talk about confessions...

buddie analysis in this ep is well worn territory for good reason bc it was nuts so TRUST i agree w all of it but i wanna talk about eddie solo

first of all lets compare eddie's relationship with religion to bobby's:

in s1, when things become awkward in the confessional between bobby and father brian, bobby suggests that they move out into the pews and sit in the open, and that's where he confides in the priest man-to-man, not man-to-servant of god. and this is because bobby understands his transgressions, how the fire was technically not his fault because the building wasn't up to code, but it was also his fault because it was caused by his core issues (his addiction). Bobby's relationship with god is unwavering and he knows that god forgives unconditionally, but he craves human connection as forgiveness which is why he brings the priest out of the anonymity of the confessional box and out into the open pews. notably, once he opens up to buck chimney and hen about his past, he finds himself a lot lighter and no longer seeks the church for guidance as much even tho he remains explicitly religious. this is pushed further when he and athena bond over church, but it is essentially this human connection beyond his uniform, his "disguise," that starts his healing journey.

eddie, on the other hand, does not seek to connect personally with the priest. when things get awkward in the booth, he doesn't try to connect w him as a man because eddie is looking to be absolved by god. in fact, he pushes harder for the priest to reaffirm god's disappointment in him. he's been spiraling and cycling for so long that he doesn't know where else to turn other than the church. but then he hears from the priest that god provides unconditional love, and eddie doesn't accept that, so he leaves.

no one else around him knows that he's punishing himself in genuinely every aspect of his life so they can't absolve him (which probably wouldn't even make him start to forgive himself because neither chris nor his parents have and he feels like he wronged them personally) so it isn't until the priest, coming upon him accidentally outside of the church, not in uniform but dressed in white (like an angel) opens up to him man-to-man over the seemingly small punishment of choosing water over juice. and the priest is the only one who can connect to eddie in this way because he's also a servant by occupation.

and it's low hanging analysis but the obvious reference to the story of jesus and turning water into wine is invoked here, which is also a metaphor in the bible about balancing work and joy in life.

so eddie is absolved, not through some godly sign, but just by the priest coming to him as another human because god already forgave him because that's what He does. but only because it came unplanned from a Godly figure at a location OUTSIDE THE CHURCH does it work. and he takes off his disguise. This is crazy work because eddie considers himself to not be superstitious or religious yet is the deepest believer in signs and punishments …

the other thing this ep does is that even outside of eddie's storyline, a lot of it is About Eddie. The well call, the divorce call, the cold open call about being "haunted" by a dead woman. The well and divorce calls were for chimney and buck's developments respectively, but they're directly tied to eddie.

the well being the well #obvi but the divorce call first styling the wife like shannon, then featuring the man who sneezed (little outbursts) after telling lies, which resulted in him rupturing his sutures and spilling out. it's a metaphor for repression. i said that as a joke over on twitter a few days before the ep aired but then it actually rang true.. he tried to hold it in and still get away with lying, but it caught up to him and now he metaphorically can't take the truth back because its spilled out. CRAZY WORK. chad and andrew we may need to have words

[senmiyaazx]

12 months and 365 days

Crowe x GN!Reader

context: memories of your first year spent in loneliness, and memories of your second year spent with crowe. (aka how you met crowe)

cw: a little self indulgent. mentions of bullying. self deprecating and social anxiety.

word count: 1673

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It's your first day.

You're very nervous.

Of course, you finished high school before. But college was different.

And you didn't have anyone you knew here.

It's okay. You reassure yourself. You just gotta save up enough money to pay the debt, make a few friends and graduate. It's easy enough, right?

It's... your third day.

You haven't talked to anyone yet.

It's alright. It's only your third day.

You'll be fine.

Besides, there's this cool person you've been sneaking glances at lately. Hopefully you'll build up enough courage to talk to them!

Something gnaws at your nerves.

It's been two weeks.

Two weeks since you came to this city.

Two weeks spent alone at a table in a busy cafeteria. Two weeks of sitting in the corner of the classroom as if you don't exist.

It'll be fine. You can get by with no friends. You just have to pay the debt, and you'll be back home like nothing ever happened.

It's fine.

Three weeks.

You're paired up with someone for a group project.

They're nice. Really nice.

You found out you share a lot of common interests.

They ask to be friends. You accept.

You're really happy.

1 month.

Oh.

They've forgotten about you.

It's okay. You expected it so it didn't hurt much.

It seems they already had an existing friendgroup before you.

It's not your place to be upset. You were strangers after all.

It's okay. Just focus on your job. You'll be home soon.

Five months.

Why don't they ask you for a pen? You're right here.

You have complete school supplies. You always take notes in class.

The person in front of you asks your seatmate for a paper. They don't have one.

You did.

Why don't they ask you?

Why don't you talk to them?

You can't. Because you're too anxious. Scared.

Fear of getting judged.

It's frustrating.

College isn't so fun when you're doing it to save your only home. When you have no friends.

Seven months.

You've gotten used to it.

Sure, you can talk to your group mates just fine. Act friendly and all that stuff. But it never lasted long. Nothing ever did.

It's nothing too concerning now. You accepted the fact you were too much of a coward to just talk and reach out to someone. You're an outcast, and it'll stay that way forever.

Even if your inner self begged to be able to rant about your interests, your hobbies, your troubles.

Two more years of this hell.

Before you knew it, you're in your second year.

First day.

Nothing unusual. You're still alone.

It's boring.

Four more hours till you go home.

Second day.

There's this guy who introduced himself to you.

He seems friendly.

He told you his name, but you forgot. Oh well, it's not important.

Not like you two will be close anyway.

One week.

He keeps talking to you.

You learned his name now. Crowe.

You weren't exactly a jerk either, and it was rude to show your obvious disinterest in someone, so you tried your best to put on a smile as you listened to him.

It's awkward. He's aware of the tension in the air.

You feel bad, but it's okay. Give it a week and he'll move on.

Three weeks.

He. Won't. Leave. You. Alone.

What's wrong with this guy? He keeps acting all buddy with you.

You don't know him. He doesn't know you.

It annoys you how he acts like he does. How friendly he is with you.

You're sure he has some sort of ulterior motive.

Ah, whatever. It's not good to assume. At least you have someone sitting with you at lunch. Even if you're a little irritated.

Four weeks.

You volunteered to be a helper at the school gardens. It's good. Extra credits and a place for you to hang out. Alone.

Now you no longer have to be in the cafeteria.

Five weeks.

He found out about the garden. Keeps pestering you about it.

"Can I join? Can I help? I wanna see! Let's eat lunch there together!" He says.

It's.. so annoying. But you felt bad for him, so you accepted. Grudgingly.

Now you have someone pestering you in your comfort spot. Great.

He tells you he didn't expect you to be interested in gardening. You told him you lived on a farm. He's curious, but you refuse to tell more.

It'll be a waste of time if he'll forget about you in the end anyways.

Two months.

He's still there. He's weirdly persistent on being your friend.

You're starting to doubt yourself now. Had you judged him too much?

Still, it's hard to act friendly now when you've spent an entire year being ignored by everyone on the campus despite your attempts to communicate.

He doesn't seem to mind. You feel weird.

For once, you allow yourself to soften a little around him.

Three months.

It's been a terrible week. Burnout has caught up to you. You're in an incredibly tight budget and you're nowhere near halfway to your debt.

Is there really hope for you? Your father?

Right. You're doing this for dad. The farm.

You can't give up now that you've come so far, yet...

The frustration and stress is too much. He noticed this, of course. He's always so observant when it came to you. Noticing all the little changes and details that nobody else did. Not that anyone else paid much mind to you in the first place.

Still. It's weird. It makes you feel overwhelmed and a little overstimulated.

And it's because of the stress, you think. It's the stress and anxiety that you've been bottling up for years— and ended up lashing out on him.

He's hurt. You know it. You feel incredibly guilty.

You fucked up, didn't you? You always did. Now you lost the only person who actually liked you.

It's all your fault.

Three months and two weeks.

You haven't talked to him since then, despite his attempts to reach you.

You're the first to leave when the bell rings. You lock yourself up in the garden when it's lunchbreak. You dash out the school gates when it's time to go home.

You've seen the way he looks at you. Worry and pain plastered all over his face. It makes your stomach twist. You're guilty. You're aware of how much of a jerk you're being.

But you have no choice. After all, you were born to be lonely.

I'm sorry, Crowe.

Six months.

It's been so long. You're sure he's forgotten about you. Like you expected. It hurts, yet you ignore the pain.

One day, however, you're cornered.

You've always been an outcast. One that's genuinely forgotten by everyone.

Unlucky as you were, you never had to experience bullies in your life.

And now..

One of them pushes your bruised body to the ground. You shake. They laugh at you. Fuck people and their greed for superiority.

You hate it. Hate this. Hate yourself. Why can't you just get up and fight back? Are you really going to let them step over you like this when you're already miserable enough?

C'mon. Get up. Stand up!

Someone yells from a distance. That voice, all too familiar. One that makes your heart drop.

"Crowe?"

It all becomes a blur. You're on the ground, frozen in fear as you watched Crowe take the hits for you. Defending you as if you've known each other for years.

Why? Why would he do this? You don't understand. You don't understand him.

It's so damn annoying.

Slowly, you stand up. There's a rock nearby. You grab it.

And throw it against the bastard's head as hard as you can.

He passes out. His other goons turn around to face you with a murderous glare, and you tremble as they approach.

"One more step and I'll scream so loud everyone will think you're a serial killer." It's a stupid threat. You have no guarantee it'll work.

To your luck, it does. They turn away with a 'tsk' as they pick their friend up. It seems they don't want to cause any more trouble than they already did. Hypocrites.

You immediately turn to face Crowe with a harsh glare, striding towards him despite the pain in your body.

You grab him by the collar, bringing him close to your face as you yelled, confusion and pain evident in your voice. Desperation. "Are you stupid? Why the hell did you do that?! There's literally no reason for you to defend me, so why?!" You shake him back and forth. You shouldn't be doing this. Shouldn't be angry at him when he helped you.

You're just.. so damn lost.

He doesn't mind the way you take your anger out on him when he should. He should be annoyed with you. He should be as mad as you for getting angry when he's the one who helped you.

Instead, he laughs. He fucking laughs.

"Because you're my friend!" He grins stupidly, and you have half a mind to punch him the way those bullies did.

You don't. Instead, you let him go as you felt warmth rush to your cheeks and all over your body. Till your heart aches and leaves a stinging pain in your chest. Till the tips of your fingers tingle and leave your palms sweaty. Till your knees feel weak and you sit down on the ground with your head held in your hands.

"You're.. so annoying, you know that? You're fucking insane." Your voice was shaky. Yet you couldn't help the smile that crept up to your lips.

He stayed. He didn't forget about you.

You have a friend. His name is Jericho Ichabod.

Three years — present.

You're in the greenhouse. Brittney and the others are somewhere in the garden, doing their own thing. You're glad they're enjoying this little space of yours.

Crowe's saying something about flowers. You don't listen much, simply staring at him as you nod and smile.

You have a crush. His name is Jericho Ichabod.

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a/n: i've had this on my mind since the update. unfortunately I don't have any ideas for a sol fic yet:(

[bitchslapblastoids]

Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!

To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!

Sorry about the long yap, this is so interesting to me and I just needed to express it a little

yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.

when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3

2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.

for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)

the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.

their first book? included a double-page spread with dozens of pieces of phanart.

every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.

When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.

dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.

that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.

you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3

[thewistlingbadger]

All the shade in the world when we say we want complex women characters we want more Ellie Williams and other characters whose actions make our insides twist, not frustrate us. We want characters that we hold beloved to become corrupted by fate but still have the opportunity for some redemption.

Caitlyn Kiramman is an interesting character, but she does not fit the bill for the "complex female characters" we desire. Jinx, Vi, and Mel better fit that bill. All three of those women have given us reason to both love and despise them. Many a difficult conversation have they been the subject of. And to me personally Cait just falls flat. And I don't think it's her own fault I think it's the writing. Season 1 cait is 🔛🔝 but season two cait? I understand that she's grieving her mother, HOWEVER, we barely saw any interaction between the two of them and the little that we did see showed us that she wasn't fucking with her like that/they had a complex and somewhat negative relationship. Imagine how the season opened with Cait actually finding her mom's dead body. We would all feel sick, and we'd all pity her. Or imagine had we been given a flashback between her and her mother when she was a child in the garden, having a good time. Or imagine how they just even mentioned the fact that their relationship was strained. Losing a parent is bad, what makes it worse is having unfinished business with that parent (which is why people love the story of Ellie Williams, it's why we understand why she wants to go after her father's killer other than the fact that the killer murdered her father). Caitlin only having one motivation to go after jinx, to descend into hell, to avenge her mother is not even. "Jinx killed mom now I kill Jinx" there's nothing compelling about that. We've seen the story several times.

Just to give a direct comparison.

Jinx's dad was a man she had an extremely complicated relationship with and this relationship was showcased throughout the season. The fact that she essentially lost her sister and killed her father at the same time is what pushes her over the edge. We completely understand why she's going to burn the world down because the show told us over and over and over again. Jinx always manages to lose the people she loves the most, and this time it's happened directly by her own hand.

Jinx's missile only kills three people, blows up a building, and inspiresb fear in the hearts of pilties and amazment in the hearts of Zaunites. Her actions were bad, but ultimately very few people actually suffered from her actions. The council only lost three people, it's not like pilltover's governmentless now (like how zaun is). The damage to the building wasn't that bad and it's easily repairable. And overall from her actions alone the citizens of pilltover are still safe.

Now let's look at cait. She's actively ruining the lives of zaunites by mass gassing them (we also how many kids were on the street. We all know how many homeless and disabled people there are in zaun. Now they're all negatively affected due to cait's lust of vengeance) and by arresting them when they've committed no crime. She's parading around the city with deadly weapons, under the authority of which she does not have! Cait abuses her name and her position as an enforcer to DEMAND that the council follow her plan. She had absolutely no right to storm into there and act like she had the power to call shots. What's even more gross is that she completely lied to them! Her goal was never to locate jinx, it was always to kill Jinx. If she truly cared about bringing jinx to proper justice, she would have ensured she be brought alive. If she truly cared about dismantling shimmer, she would have done that first bc A. Vi knows exactly where the factory is and B. According to silco, the last attack already cut the supply in half. It would have been easy to finish that off. Caitlyn acts like she's judge, jury, and Executioner the entire time she's down there. Her prejudice increases exponentially AS does her willingness to he openly prejudice. She literally refers to Vi's countrymen as animals, and accuses vi of being disloyal several times! and must we truly mention the assault she did? Must we mention that she was willing to kill a kid? That's a line jinx herself has not even willingly crossed yet, and she's practically crossed all other lines.

At the moment Caitlin is not a character who's doing the wrong things for what she believes is the right reason. She's acting out of complete selfishness. Even jinx, who committed an act of terrorism, didn't do it for herself. She did it for her dad, who worked so hard to bring down piltover and didn't live to see it because he refused to trade his daughter for Independence and peace.

So these are just only a few reasons why people don't support her this season. And her level of oppression, arrogance, and maliciousness is exactly why people are calling out those who defend her, because the majority of her defenders are privileged and white.

"We want more complex female characters" you can't even handle an angry, grieving daughter who just had her mother killed by her future wife's sister, shut the fuck up

[goldsainz]

# HIGH INFIDELITY — CHAPTER ONE !

SERIES MASTERLIST !

001. SUMMARY !

✯ no matter what you do or who you’re with, rafe is the thorn in your side that persists.

002. WARNINGS !

✯ drinking, rafe’s a bitch.

003. NOTE !

✯ the italics part is meant to be past, normal is present. not a lot of rafe in this part, but we’re building up the tension, bear with me guys. also this is short n’ sweet, but it was either this or waiting like a week sooo 🤗

word count : 3,1k

Summer is, without a doubt, your favourite season of the year—a time when everything seems a little brighter, warmer, and full of promise. But above all, it’s the chance for romance that makes it truly special. As the breeze grazes your skin, you're struck with all the endless possibilities for a breezy, passionate fling. Summer brings not just warmth, but the promise of memories waiting to be made.

Perhaps that is why this summer feels different, why you're filled with a sensation you are not used to. Because, in true you fashion, you cannot help but fall for the first guy that makes eye contact with you. It’s as if that single look, just a fleeting connection, has already set something in motion within you. It doesn't really matter who they are, you just hope they're decent enough that when the summer ends you won't wallow until the next one.

Despite everything you’ve always been told—that Kooks and Pogues live in separate worlds, that some lines are best left uncrossed—you can’t help but feel all that advice slip away in a single moment. A single glance across the bonfire, a glint of warmth and interest in his eyes, has you questioning every cautionary tale you've ever heard. 

He lifts his hand in a simple wave, and without thinking, you lift yours in return. He smiles, and you find yourself smiling back, helpless against the pull he seems to have over you. It’s such a small exchange, yet it sends a thrill through you. So simply, your heart is already in the hands of a Kook that probably doesn't even know your name.

For a single moment, just when you finally let your guard down and begin to lose yourself in the summer night, you feel a hard shove against your shoulder. The unexpected force nearly sends you toppling, and you stumble awkwardly to keep your footing. A quick flash of irritation floods your mind, and as you turn, you see the culprit—and, oh, if it isn’t the most predictable sight in the world.

It’s Rafe Cameron. Of course, it is. He moves through the crowd like he owns it, barely glancing your way, as if you’re invisible, or worse, just an obstacle on his path to whatever or whoever he’s fixated on. 

“Watch it, Kook!” You shout at him, your voice sharp, as you glare down at the mess now soaking into the sand, the drink he so casually spilled with his careless shove. Typical Rafe—he couldn’t just bump into you and keep walking; no, he had to leave a mark, a small reminder of how easy it is for him to disrupt whatever, or whoeever, is in his way.

There’s no point in trying to get Rafe to acknowledge his mistakes. He wouldn’t care, and honestly, why waste the energy? Annoyed, you make your way toward the drink stand, trying to shake off the aggravation and enjoy what’s left of the night. The makeshift bar is stocked with copious amounts of beer, a few murky-looking bottles of whiskey, and vodka that looks questionably watered down. You sigh, filling a red cup and trying to hold on to a sliver of the excitement you felt earlier. Maybe it’s time to call it a night, to forget the rude shove and, disappointingly, to forget the boy you shared glances with.

“Hey,” a voice interrupts as you lift the cup to your lips, pulling you from your thoughts. You look up, and there he is—the guy from across the bonfire, standing right in front of you, his expression soft but earnest. “I’m sorry about him,” he says, a hint of a smile tugging at his lips.

“Huh?” The word slips out, and for a moment, you forget all about the spilled drink, the scowl on your face, even Rafe Cameron’s entitled shove. The memory of the night seems to blur, leaving just this moment, this exchange. You’re left with that same rush from earlier, only more intense now, standing close enough to see the way the firelight reflects in his eyes. 

“He shoved you, right?” he asks, raising his voice slightly so it cuts through the noise around you. There’s a hint of concern in his eyes, and he leans in just enough for you to catch the faint scent of saltwater and something earthy, maybe cedar. “Or did I mistake you for someone else?”

“No, no,” you reply, shaking your head, a small, sheepish smile creeping onto your face despite yourself. “That was me, unfortunately. Rafe Cameron’s idea of saying ‘excuse me,’ I guess.”

He laughs, a low sound that somehow makes the rest of the chaotic night fade into the background. “Sounds about right,” he says with a shrug, like he knows exactly the kind of person Rafe is—and isn’t surprised in the slightest. His gaze lingers on you, though, holding a warmth and sincerity that feels like a stark contrast to everything you just experienced. It’s as if he’s actually seeing you, not just some girl who got shoved around in the crowd.

“So… can I get you another drink?” he asks, nodding toward your mostly empty cup. “You know, as a ‘sorry for my obnoxious friend’ kind of thing.”

"I don’t even know your name,” you say, keeping your tone casual, though you can feel a flicker of heat rising in your cheeks. Of course, you do. But he doesn’t need to know that. Not yet, anyway.

He raises an eyebrow, a playful glint in his eyes as if he’s caught on to your feigned innocence but decides to play along. “Is that so?” he asks, a grin curving on his lips. “Well, then. I guess that makes us strangers, doesn’t it?”

You bite back a smile, shrugging, as if the flutter in your chest is no big deal. “I suppose it does.”

He extends his hand, the light from the bonfire casting a warm glow on his face. “I’m Joshua, but you can call me Josh.” he says, as though you hadn’t already heard the name whispered among your friends a hundred times. “And you are?”

“YN,” you say softly, letting your name slip past your lips like a secret, as if saying it too loudly might break the spell of this moment.

“Well, YN,” he drawls, your name slipping off his lips like honey, rich and warm. Somehow, in the noise and firelight, it sounds sweeter coming from him than you’ve ever heard it before. “Can I get you a drink?”

You hesitate, just for a second, but then you nod, feeling a lightness in your chest that hadn’t been there before. “I’d like that, yeah,” you say, and suddenly, youre not so ready for the night to end.

As you lie peacefully on the beach, your head resting on Josh’s chest and the sun’s warm rays caressing your skin, a deep contentment settles over you. The waves roll in rhythmically, their soft crashing mixing with the steady beat of his heart beneath your ear. 

Josh’s fingers trace lazy patterns along your arm, a quiet gesture that says so much without a word. Somehow, these last days have passed in a perfect blur, each moment with him slipping effortlessly into the next. It’s as if the rest of the world has faded into the background, leaving just the two of you and the freedom of these warm summer days.

It hasn’t been more than three days, you’re sure. But in the rush of everything—of his touch, of the laughter, of the long talks that stretch into the night—it feels like so much more. It doesn’t matter, though. Summer is fleeting by nature, and relationships, much like the warmth of the sun, can’t last forever. You’ve always known that.

Maybe that’s why things feel so easy with Josh. There’s no pressure, no rush to figure it all out. You don’t need a lifetime to know that this connection is real, even if it’s only for now.

“I was thinking…” he whispers, his voice sending a shiver down your spine as it tickles your ear. “Why don’t you come with me to a party? It’s very casual.”

You turn your head slightly so you can look at him, feeling the heat of his breath against your skin. “Where?” you ask, curiosity piqued.

“Just… at a friend’s house,” he replies, his words vague, as though he’s trying to keep something hidden. You sense it, the hesitation, like he’s afraid the full truth will make you back out.

“Okay… whose house?” you ask, your voice a bit firmer now, wanting a little more clarity.

You roll your eyes and let out a dramatic groan, but there’s a smile tugging at your lips despite yourself. “Fine. But the second he crosses a line, I’m out. Don’t try to stop me.”

Josh raises his hands, feigning innocence, though there’s a gleam of victory in his eyes. “Deal,” he says with a grin, leaning down to press a quick kiss to your forehead.

“I’m serious,” you press, your voice soft but your gaze steady, locking onto his as if to underline your words. You want him to know you’re not playing around; Rafe has crossed too many lines before, and you’re not about to give him any more chances.

Josh’s grin softens into something more earnest as he takes your hand, giving it a reassuring squeeze. “I know. And I won’t let him pull anything. I’ll be right there with you.”

You nod, reassured—well, mostly. There’s still a twinge of anxiety at the thought of walking into Rafe’s space. But with Josh by your side, it feels like a risk worth taking. You take a deep breath, pushing away the doubts, letting yourself focus on the warmth of his hand in yours.

You know you’ll probably regret being so compliant later, but in this moment, under the warm sun and the gentle pull of his charm, you can’t find it within yourself to care. Not right now, anyway.

The party is at its peak when you step inside with Josh, his hand a steady presence on the small of your back. People weave around, stumbling and laughing, drinks sloshing as they chug another round. The air is thick with the smell of beer and perfume, the music pounding loud enough to shake the floor.

Tannyhill is enormous, every inch of it polished and perfect. Compared to the flimsy house you call home, this level of luxury feels surreal, almost insulting—like you’re trespassing in a world you’re not meant to be a part of.

“You good?” Josh’s voice is low against your ear, his fingers pressing lightly, reassuringly, into your back.

“Yeah,” you manage, glancing around at the high ceilings and spotless marble floors. “Big house,” you mumble, trying to play it off, but Josh catches the edge of awe in your voice and lets out a soft chuckle.

“Sometimes I forget,” he says with a smile, “that this is all just… normal to me. It’s weird, huh?”

You nod, a small smile tugging at your lips. “A little.” There’s an underlying discomfort, a feeling of not quite fitting in, but with Josh beside you, you tell yourself it doesn’t matter.

As you navigate through the crowd, you spot Rafe across the room, casually leaning against a table, a smirk on his face as he watches the crowd unfold around him. His gaze shifts, and for a brief second, his eyes lock onto yours, his smirk turning into something sharper, something that sends a prickle of irritation through you.

Josh notices and gives your hand a squeeze, as if grounding you. “Remember our deal,” he murmurs, his tone playful but his eyes serious.

“Right,” you reply, taking a deep breath and letting it go, trying to shake off the feeling of being under Rafe’s watch. Tonight, you tell yourself, is about being with Josh, about experiencing his world—even if only for a night.

There are barely any Pogues here, you realize, glancing around at the faces in the crowd. Maybe a few who hover on the edges, those who toe the line between a bad season of hard luck and those who might actually crawl and beg to be part of the Kooks’ world. They’re the ones who keep their heads down, wearing uncomfortable clothes, trying to blend in without drawing attention.

You feel the difference even more now, the gap between you and this place, this crowd. Everyone here is effortlessly at ease, basking in the privilege that’s been theirs since birth. And yet here you are, standing in the middle of it all, aware of every sideways glance, every slightly raised eyebrow as you pass by.

“You’re sure it’s okay for me to be here?” you ask again, your voice low, almost like you’re bracing yourself for Rafe or one of his friends to notice you and kick you out.

Josh squeezes your hand, his expression softening. “Of course. They don’t care, really,” he says, his tone steady, almost casual, as if it’s the most obvious thing in the world.

You wish you could believe him. You’ve noticed, over these past few days, how little Josh seems to care about the whole Kook and Pogue divide. He doesn’t see you as an outsider, doesn’t seem to register the tension that hums just beneath the surface. To him, it’s all irrelevant, a line drawn in the sand that doesn’t matter. It’s refreshing—and it’s blinding.

Because Josh’s indifference almost fooled you into thinking the world works that way, too. Like the Kooks and Pogues can just coexist, that the labels and histories are meaningless. But tonight, standing in this mansion with strangers’ eyes glancing your way, you feel the weight of it again, the silent reminders that you don’t belong.

He notices the hesitation in your eyes, the way you’re pulling back, and his hand slides to your shoulder, a gentle reminder that he’s here with you. “Listen,” he murmurs, leaning close so only you can hear, “I don’t care about any of that, and if anyone else does… well, that’s their problem. You’re with me.”

His words are a comfort, but they’re not enough to erase the uneasy feeling that lingers. You force a smile, hoping he can’t see the doubt flickering there, and nod. “Right. I’m with you.”

For the slightest moment you feel at ease, but almost like clockwork, the grating voice of Rafe Cameron breaks your reverie, pulling you out of your thoughts. “Hey, man,” he greets, slapping a hand on Josh’s back in that familiar, boy-ish way.

“What’s up, Rafe?” Josh replies, his smile wide, clearly used to this dynamic, his tone casual and easygoing.

“Nothing much, just trying to keep everything at bay,” Rafe responds, his voice dripping with indifference as he talks like you’re not even standing there. Like you don’t exist in this moment, and it stings more than it should.

“Cool,” Josh shifts slightly, turning toward you. “I’m sure you’ve met YN, hope it’s all good that I brought her?”

At that, Rafe finally looks at you. The weight of his gaze makes your skin prickle, and for a moment, you almost squirm under it. “Yup, all good,” Rafe says, his voice laced with something colder, something discomforting. “I said you could bring anyone… and you did.”

The way he says it is so backhanded, so typical of him. You can practically hear the unspoken judgement in his words, feel it in the way he looks at you, sizing you up.

You’re not surprised, of course—this is Rafe, after all—but the little jab only adds to the discomfort that’s been creeping up on you all evening. You force a tight smile, but it feels too small, too weak for what’s really going on inside. Still, you keep your eyes on Josh, hoping he doesn’t notice how the atmosphere has shifted, how Rafe’s presence has twisted everything just enough to make you feel smaller than you are.

“Well, enjoy the party,” Rafe says, his smile almost too practised, like he’s delivering a line he’s said a hundred times before. The kind of smile that doesn’t reach his eyes, that’s meant to keep things cordial, even if the undercurrent of judgement is thick enough to cut through.

“We will,” Josh replies easily, not missing a beat, his voice smooth and unbothered, as though none of the tension is hanging in the air.

Josh’s hand finds yours, his fingers warm against your skin as he gently pulls you away from the conversation. But as you pass by Rafe, you hear him lean in slightly, his voice just low enough for only you to hear. “Not too much, yeah?”

It’s a whisper, but it feels like a slap. You can feel your brows furrow instinctively, the words gnawing at you. You’re tempted, so tempted, to turn around and shove him and ask, What the hell is wrong with you?

But you don’t.

Instead, you let Josh lead you away, his hand tightening around yours in a subtle reassurance. The music swells, the noise of the party grows louder, but it all feels distant now, like a blur around the sharp edge of Rafe’s comment. You try to ignore it, try to shake it off, but it clings to you, sticking in your chest like a splinter.

Even as you move through the crowd, you know that this night isn’t just about the music or the people—it’s about the silent things too. The things you can’t control, the things you have to push past in order to keep moving.

And Rafe Cameron is the one thing you can’t push past, no matter how hard you try. The one who thinks he can push you down, who sees you as something beneath him, a reminder of everything he’s convinced he’s better than.

But if there’s one thing he needs to know, it’s that you don’t go out without a fight. He might have the money, the reputation, the home twice the size of anywhere you’ve ever lived, but he will not ruin your summer. 

He’s attempted to get under your skin before and failed. And you’re not about to let this be any different. The summer isn’t his to take from you, no matter how hard he tries. He’s not a force you’re willing to let derail everything good about these days. Not the warmth of the sun, not the nights you spend with Josh, not the taste of freedom you’ve felt since you stepped into his world.

You’ll be damned if you let Rafe Cameron, of all people, get in the way of that.

[restless-soulz]

HOW THE HOUSEWARDENS ACT W/ A BABY (not their own, they're all still underage)

RIDDLE:

-man this guy is so bad with babies, but damn it if he isn't efficient

-he'll make sure that the physical needs are taken care of, but that's not entirely what a baby needs.

-but a baby can't tell you what exactly it needs so it'll just be stressful for both of them until he figures it out

-it might be a while

-doesn't do super well with physical affection (giving)

-he probably won't burn down the house to make a bottle for the baby but he will stress about the temperature and it'll go cold before he's satisfied and it'll repeat the process ad infinitum

LEONA:

-pls the baby he knew was cheka, and he was easy he's got this (NOT)

-lion man just wants to sleep and does not appreciate being woken up for feedings or changings or anything else

-doesn't care about bottle temp, milk is milk

-won't show but is a little stressed about having claws vs incredibly fragile baby skin

-genuinely confused to as why not all babies are not like Cheka

-after a while he'll get down the baby language and be so fast at it, just to maximize his sleep

-hey if it works it works

AZUL:

-another one not really fit for children

-would try to foist off the child to the leeches, and then realize that unfortunately he is the much better option (because morays eat their young)

-he will do his best tho and he will do an almost perfect job

-he just...overestimates human baby milestones

-it's ok, it can go one of two ways. either the parent is delighted by fast progress or Azul feels embarrassed

-like riddle, doesn't super love the whole physical contact thing

-also secretly i'd think he'd be great to talk to for anything involved in being recognized outside of your children or a body dysmorphia kind of depression cause same

KALIM:

-mans has 40 siblings or something

-i trust him, but he can be a little...cloud heavy

-he will make sure that baby is cuddled, and fed, and played, but sleeping is not his thing. adorable, but babies are AWAKE around him

-plus he's had servants that take care of the gross parts so he's clueless about how messy babies usually are

-jamil would lose his mind having two people to take care of, one infinitely more dependent than the other

-as much as i love him, don't give him a baby

VIL:

-he wouldn't try very hard

-babies are hard and he's not planning to babysit very long, he has more important things to do, but in the meantime

-this baby will be TAKEN CARE OF

-he bought a lot of...well...everything and all the excess goes to the parents.

-the cutest outfits you've ever seen

-detests changing and other gross parts but will do it

-does not like the not sleeping part, but he will admit they are very cute

IDIA:

-you're playing with fire here

-the only baby he's ever been around was Ortho, and that...ended terribly

-panicking every single second, and rapidly googling every time the baby breathes a little weird

-builds an automated bottle warmer and baby rockers so he has minimal contact with the baby as possible

-until Ortho says that skin to skin or physical contact is best for optimal health

-he'll whine and cry but do it, for a super short amount of time

-made an automatic changing station so he never does the gross parts

MALLEUS:

-adores children. they do not adore him.

-he can scare them a bit being all dark colors and rbf

-but he does theoretically know how to take care of a human baby

-i don't think silver should count since he's more of a changling

-will not put the baby down unless absolutely necessary (my kind of guy)

-the baby lives in a singular too big shirt or the most regal ensemble you've ever seen. no in between

-doesn't bother with changing since he can just magic it away

-also buys everything for the baby and keeps half for when he hopes to be asked to babysit again

[canidbld]

Dear Wolf Therians...

(Aka, a domestic dog rambles about packs)

Content warnings: none

Word count: 2k

— Day 3 of Sol's Writing Challange

I want to start off this post by saying that I'm pretty confident I'm not a wolf therian. During my awakening, I automatically assumed a potential wolf theriotype (which seems to not be an uncommon experience) I actually tried to think and picture myself as a wolf, just to try out the identity but there was something that didn't feel right and it was sort of difficult to understand why. Maybe it was the large size of a wolf not matching with how I felt my canineness should look like, or maybe it was more of a personality/mental thing.

Either way, I kept trying to work it out in my brain and read the works and experiences of wolf therians. When wolf therians spoke about being a wolf, there was a lot of mention of feeling wild and untamed with an instinctual yearning to be free. They spoke commonly about how disconnected they felt from humans and that they were actually pretty wary of them and felt uncomfortable in humam focused environments, and that's when it clicked and why I was not a full wolf because I felt pretty comfortable with humans and I didn't feel this inner call for the wilds. I was actually pretty chill hanging out and around man-made settlements and cities (which were a wolf therians' worst nightmare, according to a few essays). Basically, I felt pretty domestic.

So then I just assumed I might have been a wolfdog. I went from thinking I could have been a high content wolfdog to a mid content to a low content, but even then, that didn't feel right. I read an article that discussed the differences in wolves and stray dogs that actually really illuminated my perspective on canines as a whole. Wolves were monogamous, primarily carnivorous, and apex predators and functioned under a family hierarchy. The stray dogs in the article were scavengers, eating what they could find on the outskirts of human settlements and didn't have to abide by strict seasons to have pups nor did they feel the need to form packs unless they thought it was necessary. All in all, dogs had a lot more variety in expression and were more loose on the "rules" of being a canine compared to wolves.

Eventually I just realized and came to terms that I was just a domestic German Shepherd (and a proud one at that!) with an emotional and aesthetic attachment to wolves that had no impact on my identity and how I identified no matter how cool I thought wolves and wolf therians were.

So, yeah, I'm pretty confident that I'm not a wolf therian.

But I loved reading about the experiences of wolf therians and what being a wolf meant to them and how they expressed that but I was mostly invested in how their wolfness interacted within themselves and other aspects of themselves. What was the culture of wolf therians? How did they describe wolfhood? What facets of themselves did they relate with other wolf therians?

The writings of wolf therians helped me create a foundation of how I understood caninehood so I could build up my own understanding using their experiences as a framework.

But one of the things I really was interested in is how a wolf therian felt about packs.

A wolf therian I follow (@words-of-wolf) wrote a piece about their experience with wolfhood (and how they felt it was different to the way other wolf therians talked about their wolfness), and it actually inspired this whole tangent about packs in general. One of my favorite quotes from the post was:

"But I will say that all of my deepest, most vivid, and most impactful memories... they're not of the hunt. They're not about territory or conflict or hunger. What I remember most richly is the love I felt for my pack. It's a feeling I can't quite find it in me to explain; sometimes I wonder if the reason I identify as loveless in this life, is simply because no love I've ever felt as a human could compare to what I felt as a wolf."

The feeling I got reading this was profund and sobering. I didn't relate to it on a deep level, but I was enamored by how they described what being in a pack really felt like and how the pack is what defined their wolfness and not so much being perceived or perceiving specific behaviors as violent.

I watched a documentary about a therian pack just recently actually and it carried a similar level of awe within me when I watched how close these therians were with others. They cuddled and played together, exhibited both dominant and submissive behaviors in a playful manner and had sleepovers and bonded with each other over a bonfire and it was nice to watch the way they loved being a pack together.

Wolves in the wild need packs. It's something that is so important to their survival and evolution and identity as a whole. They are social animals. The bond between wolves in a wolf pack is so solid and intertwinied with being a wolf that its pretty much what defines a wolf in pop media (for the most part) The wolf pack structure and culture also has been studied intensely for years. It's been observed and analyzed, hypothesized, and debunked.

What was thought to be the truth of how a wolf pack worked was actually revealed to be an inaccurate representation by the same man who created the now debunked alpha/beta/omega theory since the old study was done on captive wolves. Said man, named David Mech, corrected himself and said that wolf packs in the wild functioned very much as family units, with the father and mother at the head of the pack and then their first litter as their subordinates and their latest litter as the bottom of the pack. Makes sense. That's how families work mostly in human society.

But then what does this study say about wolf therians (and therians in general) and the way they feel about packs?

When reading about their experiences, some share this sentiment of feeling utterly alone. This loneliness was, for the most part, super intense, almost depressing sometimes when I read certain posts. Especially when the wolf therians I was reading about didn't seem to know any other therian in general, let alone a wolf one plus they had an almost instinctual aversion to humans. It was something I sympathized with. These were essays that read like lonely howls calling for non-existent pack mates in my head.

But those were specifically wolf therians who didn't have a pack, I did also read posts and essays of wolf therians who were and have been in packs (in their current lives) before, relaying their experiences that ranged from enjoyment and curiosity to horror and abuse mostly, from what I've read, due to these packs adopting the alpha/beta/omega model and trying to mimic this with other therians. Now there has been tons of discussion on how the alpha/omega model in packs leads often to power abuse and there has been valid criticism against the use of it in therian packs but there's also been equal amounts of therians who actually like the alpha system implemented in their own packs due to the euphoria it gives them as a wolf.

Keep in mind, the study that first introduced the alpha theory about wolf packs, while inaccurate to wolves in the wild, was still something captive wolves (essentially strangers) exhibited and I think that's important to note. I remember reading (or maybe watched a video) that mentioned how human society naturally has a hierarchical structure bringing up examples like work environments (bosses, managers, employers) and even schools (teachers, principals, students) and so packs that use the alpha model weren't necessarily a bad thing and actually made sense under these contexts.

I think the problem was because some of these therian packs were created haphazardly and were open to therians who were mostly strangers to each other and the alpha model didn't really give the neccesery room for these packs to bond with each other that much, something that had also been pointed out by other therians. Their solution was to be more picky on who you make a pack with. They said that packs should ideally be created with close friends and loved ones or even family.

It was interesting to read the different pack experiences, especially from a domestic dog point of view. Just as a canine, I also do sympathize with pack culture in general and while some domestic dogs don't really have a connection to the pack concept as much as wolves (save for specific breeds like the husky), I still think a lot about packs and how I'd function in one when I realized that I have been apart of packs, that I am currently in two packs; one with my boyfriend and one with my blood family.

And I do actually see them as my packmates, especially my boyfriend. I feel a loyalty to him and my family, I feel the need to defend them, protect them, and support them, not from a human perspective but entirely as a canine. My family pack can be dysfunctional sometimes, but my dogged loyalty means I'll always be there to support them despite the dominance problems. And it's funny to think about how I was "technically" born into a family unit and then when I grew older, I dispersed and found a mate to make my own pack with just like wolves do in the wild.

Therian packs, I feel like, have been a staple in the therian community probably since the first howl (not fact checked) due to how much the community traditionally has had such a heavy canine/wolf lean and focus (which is something modern therianthropy is improving on by being more inclusive to a variety of species) but I wish there were more resources that talk about packs and pack safety and what others thought of them, what their dream pack is and if they would abide by a heirachy or if they'd go off vibes or if they wanted a big pack that was friendly or something smaller thats a little more exclusive. What type of beings would they want in the pack? What type of behaviors would they exhibit in a pack? What name would your pack have? Would you consider your family or friends as a pack even if they're not therians themselves?

I wish even more for resources and essays about packs that aren't just canine centered like herds and flocks. How would therians run one? Would they be a leader or something more passive?

I know that this sort of veers on the edges of roleplay just a little but it geniuenly is a fun mental exercise for me. I like thinking about these questions because it does make me feel like a canine.

For me, I'm already pretty much living with my ideal pack with my boyfriend, even if it's just the two of us (plus our cats), which is what I prefer. I like how small and exclusive it is, and there's not really problems with dominance, considering we feel both pretty equal in terms of power in our pack. There's no name yet. It's just pure vibes right now, but that's okay, i feel loved and protected in this pack, and I love and protect my pack back. I have so much time to consider what a pack means to me as a dog.

And while I may not feel this deep connection to pack culture the way a wolf therian would, I still hold a similar essence of loyalty and love towards those who I cherish as a canine.

My fascination with pack society and culture is probably something I got from my German Shepherd theriotype. The concept of loyalty, protection, love, and family definitely appeals to it. Regardless, I just love reading and learning about it from academic studies to introspective essays, really, just all kinds of records that talk about packs. It truly feels like I'm searching for a meaning here and even writing this entire post barely scrapes the surface of what I truly want to say about packs, mostly due to me getting tired and my lack of vocabulary and ability to explain things better.

Just think packs are cool and see wolf therians as cool older siblings.

Kind regards,

Sol, a German Shepherd.

@/words-of-wolfs post about wolfhood

The study of the differences between wolves and dogs

[vm-haunts]

...

The spirit is always there with the child, but most of the time they're... resting. Aware, but only barely, of the world passing by them, and later of the child that tried to speak with them.

They're getting better though. At first the only clear thing they can process is the child's voice when he speaks to them. Then they found enough strength to stay with the child, before their little shrine is lost.

By the time the child found a new home again, the spirit is aware enough to hum at him, sometimes, beyond just answering his voice.

The spirit still doesn't have a voice, but they can be heard now.

...

The spirit is flying.

Technically they always had been, but this is different. The spirit is flying because the child is flying, and that feels- familiar.

Flying across the skyline, a city sprawling beneath them, the need to protect burning in their heart... The spirit doesn't have memories, but this familiarity might be the closest they get to having one.

Unexplainably, it filled them with equal parts nostalgia and dread.

But, but. The child is happy. Well fed and warm, in a better place than he had been in- forever. So eager to learn and to help, as he had always been, now happy to finally have the means to do it.

So the spirit is happy too, for the child.

It doesn't stop their humming worry.

...

There is a watch on the table, and the spirit is watching the boy carefully take it apart.

The names are unfamiliar as the boy reads about the innards of a watch, but the spirit feels like he had seen those intricate movemens, held those delicate gears, heard that quiet ticking whirr.

The vibration of a million different movements in motion, the crown turning the gears to set the hands, the escapement of time ticking and whirring until the end of Infinity.

The spirit blinks, and touched his ears. The watch is back in it's box, so he is back besides the boy's beating heart.

The boy sighed, and rubbed his eyes. The watch need a lot more work to fix than he thought. Need a lot more time then he had.

But he will fix it, even if it ends up late.

...

There is a wail building up, had been for a long while now. And this, this would be the final bar to push him past the threshold.

A crack in a dam, in a pressurized tank. In a boy's bones, in a ghost's core.

There is another ghost here, one that doesn't belong. They tried to take the boy from him help. They couldn't.

The spirit- is cradling the boy in their core. Is moving a half dead dying body. Is trying to free, to save, to shield. Is looking at-

A pressure meter digital timer, countdown to an explosion. Always an explosion.

Too late, too helpless, too weak, too useless. Repeat

The other ghost is screaming something, at the body, at the spirit, at the boy.

The spirit swallows down his wail, and hums at the boy instead.

Jason hums back, before the shockwave can reach them.

...

The spirit had no voice, no memory, no shape, no name.

But, it knows that once upon a time, it did. Knows that there is a Before, somewhere, even if it can't remember that. Knows that things must have happened, in that Before, because of what felt familiar.

He has a name, now. Not his name, but he has a name to remember, to trace with his voice, with his fingers.

Jason Todd.

The ghost of a dead boy settled under the hooded angel, and waits for the other boy to wake up.

Little Prayers

A shrine is where gods and spirits resides, a little kid read from a book.

Thinking of that, the kid made a shrine in his corner of the apartment.

It consist of one candle and two prized books, made scared by a few candy wrappers and the prayers of a little child.

A few days later, a tiny wisp of something moved in.

...

The spirit is... weak.

Weak to the point of almost fading, when it found this tiny empty shrine and moved in.

It wasn't always this weak, maybe. Once upon a time, it might even have been strong. With a solid body, a real name.

Now it has none of that, just a wisp that held no memory nor shape.

The spirit confessed to the child, in a voice that isn't made from sound, that it isn't a god, nor can it offer protection in return. That it is sorry for taking the offering but couldn't brought anything in return.

The child doesn't know the difference though, between a god and a spirit, between then and now. Nor does he particularly cares. His little shrine worked and that's the important bit. The child told the spirit exactly that, and got a flicker in the candle light as a nod.

So the spirit stayed, in the little shrine of one candle and two books. Listening to the prayers of a child, spoken more to a friend than a god.

Maybe it can offer something back after all, the spirit thought. A presence, a friend. That'll be... not good or enough, but nice, maybe.

...

Jason is- not lucky, no.

Lucky would mean his mom is healthy, or never had gotten sick; lucky would mean his dad not getting caught, or not needing to work anything illegal at all. That would be real luck, and Jason don't have that kind of luck.

But Jason isn't absolutely unlucky either, he reasoned. His parents aren't good people by the standards of most, but they do love him, when they're able to.

That's better luck than a lot of kids in the Alley.

Jason tells that to the little god- spirit, he isn't sure he knows or cares of the difference. The wisp living in his shrine wavers, and the shadows whispers again that they're sorry they can't help him.

Jason is fine with that. The spirit staying with him in the little shrine is enough luck, maybe.

...

Then, one day, Jason's luck ran out.

Well, not really. There's a lot that can happen to a kid left alone in the Alley, and Jason had avoided the worst of those things so far. It's the same kind of not-quite-luck that he seems to had, and Jason is greatful for it. Sometimes.

Strangely, the spirit follows him still, even without the tiny shrine to hold them. So Jason shares his day and what food he could find, like he always did. He'll eat the offering too, after, like he always did. No sense wasting perfectly fine food.

The spirit flickers sometimes, speaks with him in a way that isn't really speaking, and Jason is... not content, but greatful, maybe, to be not entirely alone.

[stackslip]

so after a second watch, the thing with arcane s2 so far is that near all the plot beats are really good and exactly what i wanted, but they also almost all desperately needed more buildup. it's like we're missing 10-15 extra minutes an episode for the scenes that would really flesh out a lot of the characters' motives for the choices they make and to build up the world! it's so painfully obvious that they're craming in plot bc they're missing a season or have cut time per ep, and as a result while im ecstatic at a lot of the developments v few of them feel earned!

vi choosing to become an enforcer, her agonizing feelings re jinx in particular feel like they're missing. we should have seen the moment cait chose to use the vents to target the undercity and others' reaction to this, especially vi. it's great to see the hole silco left, but we needed to see the underground falling apart in something that's not a shiny league amv. we needed to see the kid spend more time with jinx for her choice to defend jinx to hit harder. we needed to see more of jinx's suicidality and her voices disappearing. i would have been so grateful to see mel trying to do more to rally to counter her mother's influence and being foiled at every turn. more hints of ambessa's manipulation too! would have loved to see ekko and his peers rescuing undercity people and dealing with the aftermath of the war there directly!

and like tbc i think they v clearly considered what they did have the time with and chose to trim or cut off near anything that wasnt a super cool fight scene or important plot beats. the ACTUAL beats are near all a win to me tbh! i am ecstatic about cait's character arc, her using the vents made me gasp; the mel and ambessa situation is sooooo fascinating and fucked up; i love the revelation about hextech poisoning the ground; sevika and jinx dealing with the gaping wound of silco's death is so good; viktor's ominous messiah arc is hitting for me; i loooooved cait hitting vi and vi just breaking down.

in terms of missteps, i wish ekko didnt feel like he's just being explained plot at (i like his dynamic with jayce so far tho), i think vi of all the characters suffered by far the most of the sacrificed time to make her choices and words mame proper sense, caitvi kiss felt far more like they had to kiss before they broke up but in context did not work, and made me roll my eyes so hard, we did not need a five minute cait angst montage, i did not care for how "league" the zaunite chembarons felt instead of an organic part of zaun like they did in s1, half the songs are a complete miss to me, etc etc

i dont think the season is a loss and again im interested in the actual beats, and tbh i kinda feel sorry for fortiche and the writing team bc it's obvious that this is less like, active clumsiness on their part or shite writing and far more that time was a deeply limited resource for the story they wanted to tell and they had to make choices. you could argue if it would have been better to drop some plot threads entirely and focus more deeply on others but imo it wouldnt work for a series like arcane where the cast' actions have such massive ramifications on each other so. i get it. it's just really unfortunate considering how tightly written s1's tragedy was

[kinardsevan]

i know i keep just saying shit lately 😂😂😂😂😂

but I have a thing I have to point out.

there's something in this expression. I keep thinking about the way his gaze shifts before we get the shift to Evan, and how something about that whole look just screams to me Tommy internally going "what? am i actually hearing this?" but not from an incredulous standpoint as much as, "i thought we were moving in this one direction and somehow I've done this to myself again". It's goes back to my analysis yesterday about how this expression and the one where the smile on his face disappears give SO much to the story. Because if I'm right, what we're seeing him panic about is that he thinks he's put himself right back into the same position he's been in before where this has all gone wrong for him. He thinks that he and Evan have been on a different trajectory, but instead he's being faced with this speech about how great he is and talking about living together, engagement, and marriage, when (once again) we haven't gotten any acknowledgment of feelings. which then brings us to the second part of the response because to me, the move comes when Evan says "i'm not saying lets get married or engaged even though we would have the right", along with this little noise that he makes that feels very much like the "what" he clearly expresses with his face. I use the term steamrolled in the analysis because that's basically what it is. Tommy think they're going in one direction with their conversation, thinks they're having a heart-to-heart about their feelings for one another, and instead Evan is throwing all of this stuff at him that comes across as unjaded and fairytale-like. and again, I go back to the point of, Tommy has been down that road. He's leaned into the fairytale and gotten burned. I imagine at that point in the conversation, thinking that there were going to be declarations of their feelings and instead it turning into a proposal of sorts, it IS terrifying, because everything he thinks they've been building toward to that point feels like it's been turned on its head, and now he has to be the Voice Of Reason.

I don't feel the need to addend anything else, it's just this one part of the entire scene still sticking with me. and once again, it just makes my heart hurt that much more for Tommy.

[olderthannetfic]

I hate the convos about "passing" but I do think it's something that a lot of us in the LGBTQ+ community need to think about with the threat of a second Trump administration looming - that those of us who don't fit into certain experiences that are going to be more attacked, who are less "visibly" queer are going to be safer, and should use that relative privilege to take care of the people in our community who are more vulnerable. But I don't think that this falls along the old online discourse lines. Like, yeah, cis bi people who are in long-term F/M marriages or relationships are, as a class, going to be a lot safer right now than a lot of others in our community, particularly if they're relatively gender-conforming. An aroace woman who doesn't date or have sex is going to be better off than a lot of women of all sexualities given what Trump-Vance plan to do to abortion rights and also just like, lifesaving care if someone miscarries. But like.... the same is true for me as a single, childless cis lesbian (who isn't particularly butch or otherwise would be pegged immediately by heterosexual cis people as queer). And all of this is very relative. A, say, "passing" binary trans person will likely be safer than someone who doesn't pass but all trans people are at risk. All LGBTQ+ people are at risk if we lose employment protections on the federal level or something worse. Including that het married bi person, if they're out to anyone who could rat them out.... and like, some people might poo-poo it as "well that's small potatoes" but is it really? Everybody should be able to be out, and people who don't otherwise "seem" queer being out creates more acceptance for everyone. Everybody should be able to just like, talk about their relationships and crushes and history of them in passing without having to worry about losing their job over it! This sucks for everybody. But idk.... as someone who is relatively privileged within the LGBTQ+ community myself, I feel like there is a convo we could probably and should have about relative privilege within the community, but it's just been spoiled by this attitude of using it to declare people as more or less queer and otherwise invalidate everyone's identities and experiences. And to act like the people who are relatively privileged are wholly privileged and don't have any struggle, as keeps happening with how people talk about oppression on this website (e.g. acting like white women aren't "for reals oppressed" like misogyny isn't a humongous problem and particularly in the U.S. considering that like, the country has twice now decided they'd rather have a rapist felon than a competent, brilliant, highly qualified woman for president, and of course the terror of Project 2025 staring down every woman, whether attacks on reproductive health for cis women and other AFAB people or attacks on trans rights and healthcare for trans women)

The other thing is that there are other examples of "relative privilege" that aren't something you can discern from someone's identity label or how they present themselves to the world. Stuff like having an accepting family, being in a profession or social group, or a relatively liberal and accepting part of the world. I've got accepting family and friends (who themselves are mostly queer too), live in a blue state, am in a very pro-LGBTQ+ profession that is full of LGBTQ+ people (academia/arts). The het-partnered bi person who has a homophobic family and friend network and who is in a conservative area and profession is in a way more precarious position than I am.

Also, the focus should not be on kicking anyone out of the community or making ranks of oppressedness, but instead on building community - and finding ways that those of us who are relatively privileged can help those who are not. How cis LGB people can help trans people. How people with more accepting families and friends can help those who don't. How people with more money can reach out to people who don't who are at risk of losing access to hormones. How people with legal backgrounds can help same-sex couples who worried about their marriage being invalidated or losing their kids. I had a friend in grad school who came out as a trans man and his parents rejected him, so my family invited him to stay with us for Thanksgiving and holidays. And the same goes in reverse. Finding someone who is very vocal about calling themselves "queer" who seems safer and more privileged than you shouldn't be cause to yell at them for it, but to recognize them as a potential lifeline for you if things go south. Reaching out in solidarity rather than condemnation is good for everyone.

--

[peapodbond]

that was us

abby tears her rotator cuff and doesn't get her range of motion back after the surgery and rehab. she quits swimming.

one of her friends is going through med school and they go out together sometimes, and there's a rotating group of first responders who come out with the residents because they've gotten to know each other at the hospital.

she's not really in a partying mood, and sometimes she can drift to the back of the group and talk with the tall firefighter who looks as awkward as she feels. they spend an entire evening dissecting love actually and debating if die hard can be seen as the sequel where alan rickman's character finally gets what he deserves.

she tries training other swimmers. but some of them are the people she competed with, the rest are babies, and other than "you really shouldn't exceed the coach's orders on practice time" and "maybe don't go to a roller rink when you're not great on rollerskates", she doesn't have much to teach them. they've already got their forms down, and while she can hold their arms in the proper positions, she can't show it to them in the pool without aching for the rest of practice. the doctors warn her that if she keeps trying she might end up with more damage.

she gets a receptionist position. it's fine. it's boring. she learns how to balance a company's books and how to direct visitors to the correct office.

she and the firefighter (tommy) spend two months at the bar debating the 1995 bbc pride and prejudice.

she quits her job. abby says she wants to do something that means something. a friend of her friend looks at abby and suggests she tries dispatch. what the hell. it's three months of training. it's not like she's getting roped into eight years of med school.

the first time she's able to help someone at dispatch it feels like winning a race.

she asks tommy if he wants to grab a coffee.

it's really easy to talk to tommy. they recommend books to each other, go to the movies a lot. they date casually. abby's not sure she wants something serious right now. they spend weeks hitting up every small hole in the wall they can find.

abby offers to bring tommy lunch at the fire house. his face does something complicated and he admits that his captain isn't a great guy. tommy would rather keep abby away from him.

she tells him if it gets worse he should try and switch houses.

tommy finishes his probationary year and takes abby out to the fanciest restaurant she's ever been to. they both hate it and end up grabbing a burger on the way home.

they're not living together but they are spending almost every night together. abby gets a lead on a gorgeous apartment fifteen minutes away from dispatch. tommy and his friend sal help her move all her furniture in. tommy's lease was renewed before she found out about the apartment, but he's over so much it barely matters.

the family introduction goes well. he charms her mother and her brother thinks he's pretty great, choices in sports teams aside. three months after she moves into her new place, tommy makes her dinner and proposes.

(it's so much better than the fancy restaurant.)

she catches him looking at houses. it's just a thought he has, finding a place that needs to be fixed up. maybe he keeps it, maybe he sells it later, but there are so many places around town that just need a little love to be good again.

the housing market crashes in the recession and tommy finds a small two-storey place that's closer to the harbor station, which is when abby finds out that tommy wants to fly again, he's just waiting for a spot to open.

she thinks that's much safer than running into burning buildings, but she doesn't say that out loud.

he signs for the house the next day, and abby starts looking at paint chips. she's not much for do it yourself, but she knows how to paint a mean wall. it's an older house and she does research about what colours were common when they were built, knows that tommy wants to preserve the original house as much as possible.

she's priming the newly drywalled living room when there's a loud curse from down the hall and the sledgehammer tommy is using to tear down the kitchen crashes into the wall.

his captain tanked tommy's transfer to harbor.

tommy's miserable. she doesn't know what to say to make it better, because there is no way to make that better.

abby knows what's coming when he sits her down a few weeks later. (if he hadn't, she was going to.) she leaves the ring on the kitchen island. it's the only thing that survived the sledgehammer. part of her wants to ask for updates on the house. the rest of her knows a clean break is better.

"i really hope you get what you need."

and that's that.

[arcane-ish]

Stealing conversation from @blood-starved-beast

I think the Vander comparison comes from the fact that Jinx's actions specifically benefit the people. She is taking shots at Piltover, she's winning. She's hitting them where they hurt and they're scrambling.

Silco, for all his talk of the Nation of Zaun, never in his reign gets to that. He makes a deal with the Enforcers, floods the Lanes with Shimmer, and buddies up with the Chembarons. The average folk are still struggling, more stronger people are still bullying them, and the exceptionally poor are addicts. This is not a man of the people, this is a bully, a dictator even (hence the Caitlyn parallels go here). And he even got powers on high with support seeing as he buddied with Marcus to get the Top Spot.

I just feel like we still know so little about what Vander's revolution actually looked like, what he actually did. Like when I picture it, because of all the references to the mines, I tend to picture him maybe organizing a miner's strike as a way to getting his feet wet organizing people.

And we know he presumably at some point collected a crowd that marched on the bridge which went terribly.

So what exactly is his positive reputation based on?

After Vander stopped revolution-izing, he did more community building, more like Ekko really. But that's exactly the non-revolution behavior that got Sevika to turn on him.

At the same time, we know that Vander collected protection money, just like Silco. Something that Ekko presumably doesn't do.

It doesn't look like Vander was particularly lining his pockets, so maybe his positive reputation is based on that he collected the money and spread it around, very redistribution or take from the richer and give to the poorer. while Silco used the money more to buy weapons, build up infrastructure like Remi's factory.

I've been really thinking a lot about something Christian Linke said (btw, it cracks me up that his name is literally "The Left", there's even a political in germany by that name) recently about Sevika and Jinx teaming it. It appears that they want the undercity to do well but Silco stood in the way of that (?).

Source

But that kind of goes into how both Vander and Silco stopped their immediate violent revolution goals and made deals with the cops, presumably in the interest of their children.

In the end we don't know still what Silco's plan really was, why he abandoned what seemed to be his original plan to produce a lot of Shimmer beasts.

Now I think there is value in both their approaches, in Vander creating maybe a community that inspires affection and idealism (into the extent that it still carries the Firelights) and in Silco building up infrastructure.

In the end, Remi creates the chem tech goons that can put up a fight against hextech (which wasn't even around back then) even if they likely come at the cost of not just child labor but also child experiments.

I also read some interesting speculation that maybe Silco had a deal with Noxus and that's why he pushed Jinx so hard to weaponize hextech, maybe he wanted forge a better deal with the Noxians. Or maybe his plan shifted from violent overthrowing to a diplomatic and economic victory. Become good enough at business/capitalism that you can squeeze Piltover economically and force them to give you independence.

Basically, I get why Silco might not inspire the kind of admiration that Vander did. Even if he might have laid important ground work. I just feel still kind of fuzzy on what Vander did to inspire this positive image in his revolution times when the writers say over and over that he used to do violent shit.

Like we can guess he might have been a pit fighter too and gotten his nickname like that. And he probably risked people's lives by sending them to the bridge fight. But what else?

That's why I kind of love the idea that maybe Vander and Silco also fucked with the ventilation system and that's what Sevika referred to when she talks about fighting in the fissures.

BTW, shoutout to my girl Sevika, who has the right ideals, is super capable, but it appears that she apparently forever lacks the people skills to lead the revolution herself and that's why she's stuck trying to follow around and cheerlead other people who do the whole inspire the masses thing only to have them end up dawdling.

(and it would be pure irony if Jinx gets put in the same situation, okay, I should be leading this revolution, but I got this kid now that depends on me ...)

[maul-of-shame]

I think a lot of people are forgetting that Elrond and Galadriel didn't read LOTR and aren't aware they're going to be in laws. They don't have the 4th wall powers that we, the audience do. As far as either of them are concerned, Cborn is dead and given that Galadriel placed a higher priority on hunting Sauron than returning to him (assuming she believes that he's in Valinor), Elrond is takes the role Cborn would have had. I hope we see more Elrond and Galadriel moments in season 3 😊

They've both been through the same shit, they GET each other, and there's no 'expectation' attached to their relationship, and that is liberating when it comes to healing each other's trauma.

Absolutely, this point is spot-on!

Elrond and Galadriel's connection exists on an entirely unique plane where no one, especially not us as the audience, can dictate how their bond should look or evolve.

These two are free from the expectations or constraints of what’s “supposed” to happen based on outside knowledge. They certainly don’t see their future relationship as in-laws as a given, so their relationship is genuinely theirs to explore.

Their chemistry feels so deep and genuine precisely because it isn’t bound by any traditional family role or societal expectation.

Both Elrond and Galadriel have lived through millennia of war, loss, and hard choices, and they’ve developed a bond built on shared experiences, genuine understanding, and respect. Elrond gets Galadriel’s drive, her sacrifices, and the toll they take, while Galadriel recognizes his wisdom, patience, and loyalty. It’s rare to see characters who don’t need to explain their trauma because the other person just knows—they’ve been through the same fires.

And what makes this relationship even more intriguing is the lack of obligation or label tied to it.

There’s a liberating effect here: both of them are healing and supporting each other in ways that go beyond friendship or family ties. When they come together, it’s like two souls unburdened by destiny but bound by choice. Each moment between them is open to interpretation and possibility, and that freedom feels refreshing and real.

For Elrond, his connection with Galadriel feels like the home he never really had in the ways that matter most. Through his life, he's often been in roles of service and loyalty—to his family, to Gil-galad, to his people—but with Galadriel, he doesn’t need to be the wise, steady counselor or the responsible guardian. He can let his own vulnerabilities show, unafraid of being judged or misunderstood. In Galadriel, he sees a person who recognizes his struggles and his sacrifices without him having to speak a word, and who knows the gravity of loss in the way only someone who’s carried that burden for centuries can.

And for Galadriel, Elrond is a refuge she never expected but always needed. As much as she’s a warrior, a leader, and a force of nature, she’s also a person with deep wounds. With Elrond, she’s able to lay down her armor, put down her sword and shield, trusting him with the side of herself that’s tired, uncertain, and still healing. There’s a comfort in being with someone who doesn't require her to be constantly unbreakable. Instead of being another soldier in her battle, Elrond stands beside her as a partner, a friend, and a kindred soul.

They share this understanding, a bond that’s impossible to reduce to labels or roles. Each look, every moment between them, is layered with the kind of depth that goes beyond words—They're two people who simply get each other. Their relationship isn’t defined by duty or shaped by societal roles; it’s something they’ve chosen to build together. And perhaps that’s what makes it so liberating: their connection is entirely theirs, shaped only by the mutual respect, trust, love, and affection they’ve cultivated over time.

In a world where they both carry the heavy weight of their respective roles, this bond is like a breath of fresh air, a reminder that they don’t have to be alone in their struggles.

They’re not defined by destiny or forced together by obligation; they’re here because they choose each other.

Over and over again.

It’s a love and connection that doesn’t need words to define it or titles to legitimize it. It’s simply there, in every glance, every shared silence, and every act of unwavering support. And in a life full of responsibilities and ancient sorrows, that freedom is the truest form of peace.

[blobmanwhotries]

SEE, I TOLD YOU I CAN MAKE ART

information below bc trust me y'all probably confused lmao

The character in this drawing is Viktor, a character from the Five Nights at Freddy's Dating Simulator "Five Nights at Flirting." The game is more of the Rebornica style (using Vincent, Chris the Janitor, etc). I highly recommend the game, it's free!

That being said, spoiler warning for that game's content, in case you haven't seen it.

Key:

OG = Original

AU = Alternate Universe

RWQ = RWQFSFASXC, Shadow Bonnie's "Name"

FNaF = Five Nights at Freddy's

FNoF = Five Nights of Flirting

"The Crew" = Day/Nightshift Guards

Viktor is one of the protagonists in the game. Not much information is out there on him, other than him being the father of another more major character, Barbie, and him being dead. He was either a day/nightshift guard or he was the owner of the building, I can't remember.

In FNoF, agony and remnant isn't part of the game. Neither is the OG Afton family. A lot of canon FNAF things is not part of the FNoF universe. If it is, it isn't explicitly said - but in my and my friend's canon, we added a LOT of FNaF lore into it. Doing this gave us the opportunity to build upon the characters and really expand the universe.

In FNoF, I believe Viktor was killed in the Fazbear's establishment. This didn't change.

What did change was the motive and the method. Dave and Jack, the murderers of the children in our canon, killed Viktor by putting him in the spring bonnie suit. Think FNaF 3 Springtrap but on a different guy.

He, alongside the dead children, haunt the building as ghosts. One major thing:

He's not malicious during the nightshift.

(here on out are ideas, headcanons, fanon lore, etc)

Viktor actually just watches. Hangs around. He feels awful for the kids and that he can't do anything to stop their rage - so he usually lingers around the night guard in the office.

I like to think that he kind of has a role on causing the hallucinations in the night guards - more specifically Mike Schmidt (NOT Michael Afton).

Only after the first establishment (FNaF 1) closes down and the crew moves to the next establishment (FNaF 2) can Mike able to see Viktor's ghost properly. He's the first one of the crew to meet him after his death, with the exception of maybe Vincent (who in our original canon, did NOT kill the kids).

Hopefully that makes sense? I might go back and edit this when I'm more coherent but this is what you're getting for now lmao

With that out of the way, let's get into the shadow bonnie thing.

Let's start off with the fact that in the beginning of this, I just wanted to spice things up. I blurted out the idea of Viktor being RWQ to my friend and have been building off of that since.

1) RWQ is never outright malicious. Not in canon games, at least. In FNaF 2, the worst he would do is crash your game. Otherwise he just existed in the office.

Viktor, like RWQ, is not outright malicious. He just watches the security guard in the office. Hoping that they'll make it through the night in peace.

I considered the original "game crash" as maybe the guard passing out from sudden shock - which leads to,

2) In our canon, Viktor slowly becomes a being of agony over time. This is going to be hard to explain.

To sum it up, agony in our canon is the lingering emotions after a major event - emotions that cannot leave and can build up over time.

I think we can agree murder would stir up some very strong emotions from the victims, right?

This explains why the children are so vengeful - because of the agony from their emotions. And, of course, the fact that they're children and aren't able to regulate such powerful emotions, taking it out on any night guard. Blinded by rage, you could say.

Viktor isn't vengeful in comparison only because he can regulate his own emotions better. He knows that the night guards aren't the ones who killed him. He knows who did, but he's trapped at the building since he died there. And because the agony of the dead children latched onto him, making him unable to leave on his own.

Over time, the agony grows more and more potent. Even if he's still passive, the first form you see of him will not be human - it will be the silhouette of what he died in. What he was killed in. A forever reminder of what happened.

I've considered the "fainting" thing because I'd imagine looking to the side and suddenly seeing "bad vibes" personified is going to give someone quite a shock.

3) When coming up with this idea, I didn't make the connection of Viktor being RWQ and the FNaF 3 mini game until way later. When I did, I must say, I pat myself on the back for finding another way to validate and explain my idea. One of the theories for that mini game was that Shadow Bonnie was an employee who got springlocked, probably forcibly. You know who else got springlocked forcibly?

Viktor.

Viktor's death is a HUGE deal in our canon. Who killed him, whether he lives or not, the method - we've considered a lot of outcomes. The most common thing of all of them is the fact that Viktor always plays a role in being a reminder of what happened at Freddy's.

Even after FNaF 3 events, he still remains - only now he's attached to Vincent (who may or may not have killed the children depending on the AU).

My friend and I are super proud of this interpretation of FNoF. We've put a lot of thought into it - and we're nowhere near done with it. A lot is subject to change. But for now we're satisfied.

Sorry for such a long ramble. I'm sure this is barely comprehendible. Feel free to comment or send in questions on anything you want to know more about; other characters, more background information - don't be shy, I don't bite :)