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Honestly one of the more subtly interesting things about G.I. Robot's backstory is how his humanity affirmed or rejected by society at convenience. After the war, GI is treated like a war hero, paraded around as a hero, but afterwards, once he is no longer needed, he is sold and treated like technology. After he ethically removes the neo-naizs, the government tries him as a human because it is easier than taking responsibility for basically abandoning and forgetting about dangerous machinery. But when Waller assembles the commados, he is no longer labeled as a human to skirt regulations. Really the only person who treats GI as a human despite of inconvenience is Nina, who mourns him when it would be easier to dismiss him as disposable.

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I needed closure after the latest episode

Bonus:

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Oh Alan Tudyk how you hurt me with that delivery

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Dr. Phosphorus is almost contradictory to himself in a way I find notable.

Assuring Nina with, “I know you can do this, kid.” A term of endearment slipping in, fitting an interaction between a once-father and a young woman who’s spent the overwhelming majority of her adult life locked away and isolated in prison.

Perhaps too endearing, as he quickly undercuts it with “Did it sound like I gave a shit?”

When Weasel jeopardizes the mission, he grabs him in anger, yelling, “You stupid rat!”

But he doesn’t actually try to hurt Weasel. He only got burned once he sunk his teeth too deep into Phosphorus.

Then there’s this scene, where this obviously just him joking around, right? Just him being his sardonic self.

But then later, he seems genuinely offended that Flag is angry with him. That Flag should have taken his actions as a favor between ‘friends’. As if he’s actually a little desperate to be liked by the man he was fighting with not that long ago.

(I mean, as a smaller example, his interactions with Nosferata jump from him insulting her to playing freaking ping pong with her)

Then there’s his recurring dynamic with Bride. Despite the ‘I’m a killer who doesn’t care about anything’ idea of himself he pushes, Phosphorus continuously tries to interact with her. Making remarks for her to find amusing, remaking on their bleak situation for her to join in on. It’s like he saw the first person in so long to really acknowledge him in anything close to a meaningful way (“Are you smiling?” “Yes!” “Sarcastically?” “Mm-hm.”) and decided he wasn’t going to let that high just go away.

Even after the mission failed, he tries to push himself as the annoyed, angered man. Angered at Weasel, angered at Nina’s death, angered at their efforts all being for nothing.

But then he’s the only person to comfort Bride in her mourning.

I think these conflicting traits, the outward expression versus the sincerity that slips through, are most well shown during Wonderlust King. Still in the wake of his family’s death (not that it ever ended for him), during his era as a crime boss, he tries to satiate the sadness in himself.

He dances in the Ice Lounge, a display of his power and his wealth for all its attendees to bear.

But then misses dancing with his wife at their wedding, a display of their love for all gathered to behold.

He tries to gain satisfaction through inflicting violence onto others.

But then only misses the love he shared with Parvin.

He tries to fill the hole in his heart with riches.

But it’s meaningless in comparison.

Dr. Phosphorus thought Alex Sartorius died the night he was born, I feel, but despite his own best wishes, he’s still there, the loving man who only wanted to help people he once was.

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I thought it would take longer before I got to use this.

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literally everything being said at trump’s inauguration:

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ABSOLUTE PEAK TV SHOW I LOVE CREATURE COMMANDOS

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I simply cannot hate a character who takes pride and joy in killing Nazis. He's a cold-blooded American, we used to CELEBRATE that kind of thing.

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new favorite duo

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marvel: *funded by the military*

dc’s new show in the first minute:

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"The Bride" not having a name outside of her relation to a man she wants nothing to do with. Her body being constantly objectified and sexualized before she was even conceived. Her face, her torso, even each of her individual, rotting limbs being carefully selected to fit the sexual preferences of an absolute stranger. Her skull being beaten in and manhandled during a man's jealous outburst, her head rolling to the ground like an inanimate object. The story of Marilyn Monroe's body. The way women cannot rest even in death.

The constant expectation of who The Bride will be before she even is. The way patriarchal societies buy pink onesies and Barbie cribs and headbands with bows before a baby is even born. The stain of forever being "just" a woman. The way this mirrors Eric's flowers, the way he love-bombs her and lays ownership to her before she's even developed consciousness.

The way Eric insists that his bride doesn't need to develop basic language skills or even a rudimentary understanding of the world around her, because her education doesn't directly benefit him. The way he was created to usher in a new era of scientific discovery for mankind, while she was created only to please him. The Biblical story of Eve being carved from Adam's rib. The way organized religion trains women to believe that their only use lies in being obedient and subservient to the men around them.

The Bride being continuously punished for her sexual awakening, for any exercise of her own autonomy or free will. The way the only “love” she has ever known was brutally murdered because she refused to cater to the expectations of the men around her, because she denied the title that was thrust upon her at birth. The way that men have always done this to women— labeling us as "jezebels" or "harlots" or "whores" or "bitches" or "sluts" for refusing to fall into a role we never consented to performing.

And, of course, the fact that Eric continues to feel entitled to her body even after she tells him no in every conceivable way. "Why won't she let me touch her?!" The parallels between his behavior and that of so many incels who believe that women exist solely to serve their purposes. "She is to love me!" The way that, after losing her, he spends his time partying on yachts with models and playgirls, because that's all women are to him... just pretty objects. The way he bastardizes the word "love" because he's never taken the time to know or love her, not really.

The inherent trauma of her birth and nature— the way the horrorshow of her creation reflects the unspoken horror of every woman's creation. "She is but a cluster of fear and not knowing."

Ohhhhh Mary Shelley I fear you would love this show...

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#Friendship goals G.I. Robot and Nina Mazursky Creature Commandos Season 1 Episode 1

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literally everything being said at trump’s inauguration:

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