#but like. how can i deal with the fact that their father may have abused me too? would i ever be able to move past that? i dont think so

[truckstoptigers]

I think the worst part about remembering is that at this point, nobody is off-limits. i was constantly surrounded by people who were abusing me/letting it happen when with my father. in the first few years of trafficking me, we lived in a tiny apartment that barely fit two people, let alone four. my little brother & i slept on a mattress on the floor while our father & his girlfriend slept in the bed. half the time we didn't even get sufficient covers or pillows. and his girlfriend didn't even seem to think anything of it. never tried to help us/provide bedding, never offered to turn the heater on for us, nothing.

we were in such close quarters that I don't know how she WOULDN'T have noticed something was wrong, but. that's the same woman that knew I was sick and had a borderline dangerously high fever, but still drove me to goodwill so she could try on clothes - I was literally sitting on the floor of the dressing room with my head leaned against the wall, fighting to stay conscious. we were just down the street from where my mom lived and she knew I was sick, but she didn't seem to care. neither of them did. my mom was FURIOUS when I got home and she took my temperature. all she had to do was look at me to know I was really sick, and she was pissed at my father & stepmother for knowingly disregarding that. my mom & her side of the family are the only reason parts of my childhood were good. they care about & love me so much, and I'm so grateful for that.

but.

I'm scared because I think my stepmother's brother did something to me too, but I can't fully remember what, and I don't know that I'll ever have all the pieces to put that one together. I'm scared because my uncle (father's half-brother) always scared the shit out of me and I can think of only one reason as to why that could be, because he was never physically abusive - he could yell, but he never raised a hand to me or his two daughters.

we lived with him for a while, on two different occasions. I was terrified of him. I didn't feel safe if his wife (my aunt) wasn't around. I don't remember enough to know for sure though, which is the only thing keeping me from losing it tbh. that bedroom down the hall in that trailer was the first place my father raped me. they might've even been home at the time, my cousins & their parents. I just - how could that stuff happen so closely around other people and NOBODY noticed? it makes my chest hurt. how did nobody think anything was just a little bit off? I'd scream & cry every time it was my father's weekend because I knew what was coming, but no one else did, and I was too scared to tell them.

it's hard not to feel a little bit bitter about that. it's even worse to have to seriously consider the idea that yet another family member was abusing me around the same time. and if my uncle really did do something to me, that terrifies me. my cousins are both girls. their mom lived with them for a while, but at some point she seemingly got fed up (she wanted to live a very different life) and walked out, which left my cousins alone with him.

I can only pray that the only man that did anything to me was my almost stepmother's brother (the woman we lived with in the apartment; she & my father broke up eventually) and not my uncle too. I highly doubt he'd only abuse me and not his daughters in that case, and that scares the shit out of me. what I learned in those eight years my father abused me is that no one - and nowhere - was safe. sometimes the men would pay my father in drugs, which I now know they probably did together because she developed a nasty addiction while she was with him - I'd seen him do hard drugs pretty often, and she did them too. I wonder if she knew where they came from. I can only hope she didn't bother to ask, but I doubt he would've told her if she didn't already know.

she didn't protect me. she didn't ever try to get between my father and I, even though she'd witness him screaming at me & sometimes hitting me. I was eight fucking years old. I still remember the time I innocently tried to help with my brother when he said a cuss word & getting smacked by our father because I "was not the parent." I sure fucking felt like I was. even my brother's own mother didn't take care of him the way she should've, and even if she does now, that's not something I can just forget.

I don't know. I really hope it's just my brain being paranoid, but I can't know for sure right now. I want to be able to say my uncle only intimidated me with words/yelling frequently, but I don't know. I don't know. and I hate that. I hate that the memories come back with no real consistency, and that I might not even be done recovering them. I want it to be over but I get the feeling it isn't, yet. I don't know if it ever will be.

I just hope I'm wrong, because that would make things so much worse. the one place I felt safe/like I could get away from everything was the same place I was raped for the first time, and in that case maybe it was never truly safe. maybe I'm an idiot for thinking anywhere with my father was safe.

at this point, all I can do is hope he didn't hurt me, but I can't even be sure he didn't.

[alltimefail]

Random thought that could could absolutely be nothing, an over-analyzation of sorts even, but I have always found it interesting that in the Devlin house episode Charles gets sucked into the loop starting from the point he snaps at Edwin about him "Not being the all-knowing expert on all things." It's especially interesting to me because after he does so, Edwin tells Charles that he's "...Not acting like himself at all."

In theory, Charles could have just reappeared when Mr. Devlin turns the corner or when he approaches Mr. Devlin here:

because if the point of repetition here is to show us that the abuse Charles suffered at the hands of his own father is what causes him to get trapped in the loop, either of those moments would have been sufficient in supporting that idea. The dialogue shared beforehand between him and Edwin has little to do with the point at hand...unless...

Charles feeling pain about his own father isn't the whole sum of why he gets trapped in the loop; his fear that he's just LIKE his father, that he's not a good person, that he's "Cruel for the shits," and capable of hurting the people he loves (and thus undeserving of their love) is also what traps him in the loop, and that's why his "loop" starts with him snapping at Edwin.

Even though we as viewers can empathize with and understand why Charles snaps at Edwin given the circumstances, it's very unlikely that Charles extends that same grace to himself. I would argue that we see the multi-faceted layers of his trauma explored in various ways from this moment on. Charles himself even later admits that all he feels is anger despite the fact that he wants to be "a good guy." Charles has yet to understand that it's possible to be good and feel anger, that anger in and of itself is not bad, and that feeling strong negative emotions like grief or anger does not make a person dangerous or abusive like his father was...nor does it guarantee that he would use his anger to harm others. So, with that in mind, of course Charles' loop would start with him lashing out at Edwin, as opposed to it just starting with him lashing out at Brandon Devlin; it's not just about feeling powerless to stop the abuse, it's about feeling like you play a role in it. It's about the deep-rooted fear that maybe you actually deserved the abuse you suffered because you are not good, and just by being related to an abuser you are damned to be just like them, or worse. Charles worries about who he truly is, deep down, and that maybe Edwin is wrong when he says that Charles isn't acting like himself: maybe the darkest parts that he works so hard to bury are actually who he truly is, and his ability to throw careless, harmful, biting words at someone he loves deeper than anyone else may be a reflection of this. After all, his father loved his mother, he loved Charles, and look what he did to them... how he hurt them beyond repair. What if he is the same?

OR: the trauma Charles deals with isn't only the violence his father enacted on him (shown through what Brandon Devlin does to his family), but it's also the violence he feels capable of enacting himself (shown through his ability to throw harsh words toward Edwin who Charles openly claims is the "most important person in the world" to him).

What furthered this idea even more for me (and added a bit of salt to the wound frankly) was Crystal and Edwin's reactions to Charles being pulled into the loop. Out of shock, confusion, and frustration Crystal immediately turns to Edwin for answers but for a moment he is just frantic and uncharacteristically frazzled, only able to say, "Charles was right, I don't know everything..." and OUCH, right? But it emphasizes that 1) what Charles said to Edwin was quite hurtful, 2) that it did have an (unintentional) impact on Edwin, and 3) that Charles himself very well might have realized it was hurtful as soon as it left his mouth thus, again, why it would make sense that his loop began there.

It takes a strong emotional reaction to be pulled into a loop; the possibly that this moment was written to work on two levels of Charles' inner turmoil is quite clever (and extremely heartbreaking).

Again, it could absolutely be nothing... but it's worth pondering!!

[bellsmess]

Whenever someone calls Charles Rowland straight, an angel dies.

What straight guy tells his best friend who just confessed to him that there's no one else – no one – he would go to Hell for. And that they have forever to figure out what that means. You don’t get his repressed bisexuality like I do!

Even modern bisexuals (I may or may not be speaking from personal experience) are oblivious to the fact they're bi because heteronormative roles are so engraved in our minds. When you're attracted to other genders, it's easy to miss a same-sex crush, only then to realise that oh, it wasn’t just admiration, it was attraction.

Charles, having grown up at the height of the AIDS crisis, with an abusive and probably homophobic father, killed by racist bullies? That would make anyone repress any gay feelings. Especially if you experience crushes on people with a different sex to you.

Charles sees Crystal and takes his chance. He's enamoured with this smart, strong-willed, pretty girl who can see him not only in a physical sense, but pays attention to him. He longs to be loved. Then he says the infamous "That sounds alot like you, doesn't it? Maybe that's why I like her so much" line. What an icon. And he compares himself and his best friend to the greatest love story of all time, Orpheus and Euridyce's.

When Edwin confesses to him, he doesn't rule out the possibility of returning these feelings. He knows they're already devoted to each other. They've already had 30 years of companionship and solving cases together.

"As long as I have my best mate and a case to solve, I'm good."

Being with Edwin is simple. They solve cases, help others, run away from Death. It's a simple existance. Charles gave up eternity to be with Edwin, because he was kind to him when he was dying. Charles finds him fun, wants to protect him, knows that Edwin is a kind and good person. One that Charles wants to be.

"Bad guys don't worry about being bad guys. And you, Charles Rowland, are the best person I know."

Crystal's role is very important in changing the dynamic between Edwin and Charles. Not only because Charles falls for her, but because she opens them up. She digs out their repressed feelings and trauma. Charles finally deals with his dad's abuse, his happy-go-lucky mask falls. She points it out to Edwin. Charles kept it up so well because Edwin didn't press it, but Crystal does. And Charles finally lets himself process what happened to him, and how that affects his relationships.

Charles never saw genuine love between his parents, and that affects how he views relationships. It impacts how he forms them, too. But he's a loverboy, he longs to be loved, he falls easily. Why wouldn’t he fall for someone who stuck to his side for 30 years?

Crystal and Monty's roles mirror each other – they help the boys figure out their feelings and desires. Crystal makes Edwin jealous that there's someone else Charles cares about in the same sense he cares for Edwin. The Cat King helps Edwin discover desire, Monty – genuine love. As Charles' and Crystal's relationship kickstarts (albeit ends as quickly) and Monty persues Edwin, he discovers the depth of his feelings.

"These complicated feelings that you have? They're for Charles."

I would love to see their wants explored more in the future season(s, hopefully multiple). Charles giving into desire with Desire of the Endless' guidance? Yes please.

I simply cannot believe that anyone would doubt Painland/Payneland endgame. They're everything to each other. They're a constant presence, reassurance, and love. Platonic, romantic, it doesn't matter. Their bond is so deep and genuine that immortal beings see it and leave them be, in the afterlife they chose for each other. Their love is so deep it transcends planes: from mortal plane to Hell, it leads Charles to Edwin. Charles is not Orpheus, when he turns around to hear Edwin out on the staircase from Hell, he manages to get him out. And they have literally forever for each other.

[huffelpuff210]

Ours Soft Dark Stucky x Omega Reader

Soft Dark Alpha Stucky x Omega Reader

Warning: Stalking, kidnapping, drugging, confinement, dark themes, Non Con, man handling, threats, mentions of past abuse, 

Summary: Day by Day Both Bucky and Steve feel like something is missing in their lives that is until they meet you. 

You work as a RN at the nearby hospital, you were just leaving an agonizing fourteen hour shift, dead tired, 

You were walking past a store, where there were TV’s you could watch from outside of the window,

The news was on, 

“This is Becky reporting from Stark tower where in a few minutes Alpha Tony Stark is going to make his big announcement.” The news lady says, 

You stand there with your arms crossed, a lot of people on the street were crowding around as well, 

The Alpha’s in Stark tower are a big deal to everyone so when they make an announcement it’s normally a big uproar 

Tony walks out to the stage, 

“Good afternoon everyone, as everyone may have been aware, the decrease in Omega’s in the past decade have declined drastically.” He says 

It was no secret that Omega’s appear less and less each year, in fact you read in the paper that there is 1 out of 5% that anyone would come across one, You were in fact one, but you take suppressants and wear a special perfume to mask the smell, 

“So as of today, I have signed a bill passing that if you are an Omega you must register, due to the decrease in our species this law is in effect as of today.” Tony says 

You eyes widen, 

“We also have a stations in each clinic to ensure you can find a place to register.” He says 

This made your blood boil, You didn’t like Alpha’s to begin with, Your father and brother’s made sure of that, always talking down to you like you were nothing compared to them, abusing you any chance they got, telling you, that you were nothing but a tool a mutt that your only purpose in life was to breed, 

And here is another example of how much you hate and yet fear alpha’s they think they can control Omega’s, 

“If any Omega’s fail to comply we will have no choice but to place you in a special program.” Tony says 

“That will be all thank you.” He says walking off stage, 

You shake your head and make your way to your apartment, but you couldn’t help this feeling that someone was watching you, You stop in your tracks, to look around listening, smelling, but there were too many scents, you brush it off as fatigue and paranoia. 

You finally enter your apartment, it wasn’t much given the salary to make, barely scraping by, but it was the only way, the only way to avoid detection not just from Alpha’s but your family that has been on the hunt for you since you ran away when you were sixteen, you are now twenty one, but they still continue to hunt you like an animal, 

All because you are an Omega, 

After taking your suppressant and showering, you are laying in bed when a smell catches your attention, It smelled like pine, and cinnamon, you sit up quickly, it wasn’t your father or brother’s but you don’t notice the smell which causes you to panic, 

You peek through the curtains not seeing a single person, you make sure everything is locked, 

You peek out the peep hole at your door, no one, 

You feel your heart rate slow down hoping you were just imagining it, 

Bucky just couldn’t believe his luck, he was on his way to the tower, when a smell caught his attention, sure it was very faint but his sense of smell is stronger than most Alpha’s it smelled like vanilla with a hint of cedar

“Omega...” He whispers

He finds a small petite woman, with long dark hair and green eyes, she was beautiful, but by the smell she’s definitely on something she shouldn’t be on, 

He opens his phone to call Steve as he follows her from a distance, 

“Steve, Your not going to believe what I found.” He says with a smirk on his lips, 

You didn’t go to work for a few days, you were getting paranoid, the smell kept getting stronger as if someone was in your apartment or on the fire escape at the window, 

But your boss called you today, telling you if you didn’t come in today you were fired, 

So you cautiously leave your apartment, just as you were locking the door an arm wrapped around your neck, with a hand covering your mouth, 

You elbow the attacker causing him to grunt, but he didn’t loosen his grip, 

“Shhh, sweetheart, we’re here now.” You hear a man’s voice whisper in your ear, 

suddenly there was a jab of a needle in your upper arm, you watch as the liquid is injected in your arm, 

“Everything will be alright.” Another voice says 

you feel your limbs give way, and your vision blur slowly slipping into darkness, 

Bucky catches you as you fall, picking you up bridal style, your head against his chest, 

Steve moves your dark hair out of your face, 

“She’s beautiful.” Steve says 

“Told you.” Bucky says 

“She’s light though.” Bucky says again, 

“It’s alright she has us now.” Steve says placing his hand on Bucky’s shoulder, 

Bucky nods, as they both smile down at you

[prythianpages]

A Man After Midnight | Eris x Reader

summary: though engaged to Sawyer Vanserra, you feel utterly and completely alone with only the company of autumn winds, blowing outside your window. that is, until, Eris shows up. Your man after midnight.

warnings: mentions of assault (reader gets touched against her will but nothing explicit or anything that goes beyond that), blood, bruises/abuse/bullying; reader having a panic attack

a/n: This originally was going to head a different direction but I decided to make it like a part three to this instead. You can also read this as a stand alone one-shot. I love ABBA and I knew I had to use this song. One of my favs but you'll find that I say that a lot. You can find the masterlist to my ABBA x ACOTAR series here.

Your eyes light up as you spot Sawyer stepping out from the High Lord’s study. Overridden with excitement, you eagerly fall into step with him, the sheer brightness of your presence outshining the dimly lit surroundings. You pay no mind to the fact that his other brothers, Hunter and Oliver, are not too far behind.

“Good morning, Sawyer! Will you walk with me?” you beam up at him with a smile. It's the kind of sight that would make many fall to their feet–that even Oliver wants to bask in the glow of.

But Sawyer? He doesn’t even spare you a glance, his dark brown eyes fixed ahead as he replies, his tone detached. “I’m doing that right now.”

You can hear his brothers snicker behind you–too close for your liking that it has you quickening your steps. “But I was hoping you’d walk with me in the gardens? Or maybe we can have lunch together? We are to be marri–”

“Our marriage is nothing but a business deal arranged by our fathers.” He cuts you in sharply and you find your resolve faltering.

“Love may not come from our marriage but perhaps, we can be friends?” You offer, hating the desperation that seeps into your tone, as you trail behind Sawyer.

Sawyer stops abruptly, causing you to crash into his chest and stumble backwards. You catch yourself, a hand rubbing at your forehead where you’re sure an imprint of the necklace he wears marks your reddening skin. Your betrothed looks down at you in a way no one has ever before. Ever since your father left, it appeared that so did Sawyer’s patience. It’s as if the male you met when you first arrived was a facade. Pure disgust simmers in his heated gaze and his nose wrinkles as he lets out a scoff, causing you to shrink back.

“Friends? I don’t want to be friends with you. I don’t want to be anything with you. You’re the bane of my existence.”

Tears sting at the corners of your eyes, and instinctively, you take another step back, as though the physical distance could somehow lessen the impact of his words. It doesn’t. Your lip trembles as a frown threatens to overtake your features. 

“How can you mean that when you barely know me?” you ask, your voice a mere whisper but you know by the way his steps stop, that he catches every word. So you decide to remind him and add: “I didn’t ask for this either.”

Sawyer doesn’t bother to turn around or answer you, simply choosing to keep walking away. Hunter pushes past you aggressively, turning to smirk at your distraught expression as he catches up with Sawyer. It is Oliver who stops you from colliding into the wall. He wraps an arm around your shoulder, steadying you and pulling you close to him.

“Oh, sweet girl, you’re too pretty to cry.”

Oliver’s free hand reaches up to grip your chin, forcing your gaze to him. His lips form a slight pout that contrasts the mischief twinkling in his amber eyes. He leans to lick the single tear trickling down your cheek and you wince. You want to run but his grip on you is strong.  

He then directs your attention forward, where Hunter has Sawyer in a similar hold. “Tell her,” Hunter says, gaze darkening with a thirst to torment. He flashes his teeth as his smirk widens. This is all a fun game to him. “Tell her why you don’t like her.”

Sawyer looks like he would rather die than answer Hunter’s demand. He glares at you as he struggles to free himself from his brother’s grasps but Hunter is much stronger. He realizes that he won’t be free until he says something. Finally, between clenched teeth, Sawyer answers. “She’s not my type.”

Hunter throws his head back in laughter, the sound echoing through the room with a dark and menacing resonance.

“What a shame,” Oliver says, his breath tickling your ear as his hand roams down the length of your neck. You swear your heart misses a beat when his hand stops right over the swell of your chest. His nails dig into your chest at your struggle to free yourself.  “She’s exactly my type.”

Your entire body tenses at the unwanted touch, eyes widening when you feel heat prick at your skin. The smell of burnt fabric reaches your nose and a chill permeates, displacing the warmth as Oliver lifts his flaming hand from you. You rush to cross your arms over your chest, desperate to cover your exposed skin from Hunter’s and Oliver’s hungry gazes.

“Just look at her,” Oliver continues, pushing you forward so harshly it sends you to your knees. His chuckle makes goosebumps rise on your skin. “So pretty, so docile.”

As you blink away tears of humiliation, your eyes remain fixed on Sawyer, pleading almost. He’s determined to look anywhere but you. You curl your arms tighter around yourself and lower your gaze. You don’t want to give the other Vanserras the satisfaction of seeing you cry. You suspect it will only prompt them to torment you further.

“Then have at her. I don’t care.”

Sawyer’s words reach you with a devastating force like the last blow. They pierce through the core of your naive heart and you can’t help the tears that escape and spill onto the floor. Hunter peels his gaze away from you to roll his eyes at his younger brother, releasing him with a rough shove.

“You’re no fun, Sawyer,” he says with a disappointed sigh, his expectation for a different response lingering unfulfilled. Hunter then looks back at you, you can feel his heated gaze, and you curl in further into yourself. “But it looks like you are.”

“What is the meaning of this??”

**

Beron’s cold eyes take in the sight before him, gaze sweeping over your slumped form on the floor. It’s Hunter who moves to speak but at the lift of Beron’s finger, his mouth closes shut. Beron comes to the conclusion that he doesn’t care as there’s other pressing matters to attend to. Such as dealing with your father and ensuring he keeps his end of the agreement. He turns to his oldest, who stands at his side with a perfectly donned mask.

“You deal with whatever this is.”

“Yes, father,” Eris replies with no hesitation and Beron pats him on the shoulder–the same shoulder he left a bruise on the other night.

Eris bites back a wince. He waits until his father is away from sight to take in the situation before him. The torches lining up the halls flare. With a simmering intensity that could rival a raging inferno, Eris turns his attention to the brother closest to him. The searing authority of his gaze has Oliver raising his hands in a gesture of surrender and stepping away from you.

“We were just having a little fun, brother.”

“Fun?” 

Eris releases a disbelieving exhale as he grasps onto Oliver’s shirt. He wants to burn his hand through his brother’s skin until he’s screaming and crying, the same way Oliver had intended to do with you. Because how dare he touch you, hurt you. It’s as if Oliver can hear the crackling roar of the fire burning within his older brother and his eyes widen in fear.

Under the weight of Hunter’s hawk eyes, Eris grudgingly settles on shoving Oliver further away from him. And you.

“If you want to have fun, go to a fucking brothel. This is our home.”

Oliver releases a breath he hadn’t realized he was holding. He doesn’t waste another second, happy to leave the hall before his brother can take back his mercy.

"And you," Eris seethes, his voice a low, rumbling growl as he turns to face Hunter next. Eris effortlessly surpasses him in both stature and might, looming over him like a formidable mountain casting its shadow. “Shouldn’t you be making haste to quell the riots in town? Or should I add that to your growing list of incapabilities?”

Hunter's fists clench at his sides, the dance of flames flickering along his skin, but in the presence of Eris, his fire pales in comparison. The fire raging within Eris burns brighter, stronger. A force that demands respect and obedience. Much like their father’s. Without uttering another word, he turns on his heel and leaves.

Stepping forward, Eris finally allows his gaze to fall on you and he feels a violent tug in his chest that threatens to weaken him. The desire to sink to his knees beside you and envelop your trembling form in his arms is an overpowering one, coursing through him like a forbidden current. Yet, the harsh reality holds him back. It’s too dangerous. He cannot act upon the fervent emotions that entwine his heart and it pains him, seeking to destroy him almost.

But he can’t just leave you there. Helpless. On the floor. So he masks his emotions–something he is well accustomed to–and dons a facade of annoyance. With a deft, almost dismissive motion, Eris removes his tailcoat, flinging it carelessly in your direction. The seconds stretch into a languid dance as your eyes, wide with surprise, meet his. You gratefully slip his coat over your smaller form, clutching it tightly to your chest.

There’s a bittersweet ache that lingers within Eris at the unexpected intake of breath you give.

A fleeting flicker of sweet agony passes through his eyes. It vanishes almost as quickly as it appeared, leaving you to wonder if it was a mere figment of your imagination. 

"And lastly," Eris starts with a deep sigh, the once-fiery intensity in his eyes dimming as he regards his last remaining brother. The only brother left that harbored some redeemable qualities but now, Eris questioned it.

"Is this any way to treat your fiancé?"

A ripple courses through Sawyer's jawline. “Why do you care?”

"I don't." Eris retorts with a glare. He's skilled at weaving falsehoods, and though this one is way far out from the truth, it slides effortlessly off his tongue like all the other ones. He immediately senses the weight of your gaze pressing into the expense of his back.

"But I do care about the consequences if she runs away. You should too."

Though it pains him, he doesn’t turn back around to you. He looks at Sawyer once more in warning. Then, he begins to walk away, every step pulling him further from the one he yearns to be with. Your gaze, burning into him like a relentless brand the entire time.

**

Weeks Later..

Autumn winds blow harshly outside the window as you look around your room. They mirror the melancholy that lingers in your heart. Your room is big and spacious, seems fit for a princess, adorned with sculpted art and paintings. In one corner stands a massive wardrobe crafted from the richness of dark cherry wood filled to the brim with a variety of dresses that would make any lady of your status swoon. Beside it, there’s a lovely vanity with golden carvings that hosts an array of makeup and beauty products. On the opposite side, is a desk that matches your wardrobe. It bears the weight of books, letters from your father, threads, unfinished embroideries and your untouched dinner. 

At a glance, it appears you have everything.

Yet, as you sit on the bed, a pitiful truth echoes louder than the winds outside. Your gaze meets a reflection in the full-length mirror positioned next to the desk, capturing the solemn expression that dances across your features. Dark, sad eyes stare back at you and the weight of isolation is evident in the downturned corners of your mouth. You miss your home. Your friends, your horse, your father, and gods do you miss your mother. 

Upon your arrival, eager anticipation filled your heart as you looked forward to getting acquainted with your future husband. You knew not to expect love to come from it as you were mere strangers but you had hoped for a friend. The promise of a lifelong companion, a partner to share laughter and weave a tapestry of memories together, stirred excitement and nerves within you. It’s what your father and mother had shared. Your foolish heart had eagerly counted down the days, each one a step closer to a shared future.

But now? As the appointed days draw near, the once-cherished anticipation morphs into a heavy sense of dread, casting a haunting shadow over you. Your husband to be looks at you as if you’re the scum on his boots.

The High Lord, your future father in law, is cruel and terrifying. You avoid him at all costs. Your future mother in law, Lady Autumn, is often busy and away. She helps you plan your dreadful wedding during the times she isn’t busy but you find that she is quiet and reserved. There’s a lingering sadness always present in her amber eyes that you assume comes from all the sorrow and grief she’s had to endure. You’ve met one of her sons–Lucien, you remember– during your travels with your father and you used to wonder why he no longer resided in Autumn but not anymore. You can only imagine the horrors he’s had to endure that made him leave.

Hunter enjoys berating you every chance he can. There’s a darkness that burns in him and you can’t help but think about what would become of you if Sawyer was interested in you. One day, while walking through the garden you overheard from some gossiping servants that Hunter was once married. His wife died shortly after the marriage and rumor has it that the frightening Vanserra had something to do with her sudden disappearance. They wondered if the same fate would befall upon you. A thought you didn’t want to linger on as it was absolutely terrifying.

Then, there’s Oliver. Though kinder, only in comparison to Hunter and maybe even Sawyer, he is not to be trusted. He undresses you with his eyes in every glance and vulgarly welcomes you to his bed. You do your best to stay away from him because as lonely as you are, you’re nowhere near desperate for his company, and fear the day he’ll grow wary of your constant rejection.

You find yourself, however, desperate for another’s. Eris. 

You haven’t seen him since that day Sawyer broke your heart, since he let Oliver make a spectacle out of you. Eris had been the only one you’d look forward to seeing during dinner and his noted absence was the reason why you stopped joining the Vanserra dinners yourself.

Days, even weeks have passed, and he hasn’t fulfilled the promise of returning your book, its absence on your nightstand a constant reminder. He hasn’t even asked for his coat back. It remains draped over your desk chair. He’s a rare sight to see when walking amongst the grounds of the Forest house, prompting a question to rise. Is he purposely avoiding you? The mere thought stirs an unexpected pain within you.

There’s no one here for you. 

A little over a month into your lifetime stay at the Forest house and you already feel so alone. So utterly and completely alone.

Suddenly feeling suffocated, you rise from your bed and head toward your favorite area of your room–the window seat. Kneeling on the soft cushion, your fingers reach to open the window, eyes fluttering shut in anticipation. The Autumn winds continue to howl through the darkness of the night but their chill does not reach you. Your eyes open and you raise your hand. A surge of electricity courses through you as your hand meets an unseen force. A magical barrier.

Turning your head toward the door, your gaze dips to the bottom where shadows dance. You can make out the planted boots of an Autumn guard and hope deflates. Nothing can come in. Nothing can go out. Not only are you alone but you’re trapped. 

A taste of what’s to come, of what’s to be of the rest of your miserable life. Lonely. Trapped. Locked away into oblivion. No breath you take is enough as you’re suffocated by the storm of emotions flooding through you. This place is your hell. Impending doom. You’re going to die here. Alone. There’s not a soul out there…

Water. You should drink some water. Tremors take over your body as you make your way toward your nightstand. Water spills onto the floor as you pour yourself a glass. You bring the water to your lips but your throat feels like it’s closing up. You glance at the pocket watch on your nightstand and notice it’s half past twelve.

There’s not a soul out there…

You extend your hand towards the watch—a cherished heirloom passed down from your mother. The gentle, rhythmic ticking of it has long been a source of solace and comfort for you. But it’s too late.

The hand clutching onto your glass of water shatters against the dark wood of your nightstand as you clutch the watch to your racing heart. You can only pray to the Cauldron, the Mother, to anyone as the room spins around you. But there’s no one to hear your prayer…

There’s a deep agony in your chest that tightens with every passing second, an inescapable loop of gloom that envelops your every thought and emotion. There’s not a soul out there. You can’t breathe. No one to hear your prayer…

“y/n.”

You catch the faint murmur of your name being called, yet a lingering doubt creeps in. You must be going mad because there’s no one here for you. Not a soul—

“y/n.”

And there it is again. Your name is being called. Louder, firmer this time. It’s real. The cruel clutches of your sorrow that held you captive begin to shatter like your glass from earlier. The sound of your name acts as a lifeline, pulling you from the depths of despair you inadvertently locked yourself into.

“That’s it. Breathe with me, angel,” the soothing voice persists, a gentle anchor for your drifting thoughts. And you can finally hear it. Your beloved watch. Though it's fast, it becomes a comforting undercurrent, a familiar melody that helps steady your racing heartbeat.

You feel like you can finally breathe again. As you blink away the haze clouding your vision and come back down, you are met with a pair of familiar amber eyes. The warm hues flicker like flames as they fixate upon you. Intense but tender and full of concern.

**

“Eris.”

You breathe his name so heavenly, like an answered prayer as you take him in. His dark red hair is tousled as though he emerged hastily from a slumber. Adorned in a thin, un-tied linen shirt, the fine contours of his chest are revealed, and his pants, creased as if donned in urgency, complete the picture of a man who arrived in haste yet with purpose.

"You're here," you say, your tone teetering on the edge of question and you glance toward your door, confirming that the Autumn guard is still stationed there.

You called, he wants to reply but instead, settles on, “I’m here.”

“How?” You ask, aware of the wards in your room preventing winnowing. At first, you thought they were meant to protect you. Now, you’re aware they’re really meant to keep you from escaping.

The corners of his lips lift into a small smirk. “I have my ways. I know every secret tunnel, every little crevice of this estate.”

Your head turns, eyes scanning your room in search of said secret tunnel. Eris lightly grasps your chin, focusing your attention back to him to keep you from spotting the secret door hidden behind your full length mirror. He wipes at the lingering traces of tears on your face, watching as your eyes dip and fixate on the golden chain encircling his neck. A sigil of three hounds captures your attention—an emblem unfamiliar to your discerning gaze, sparking a curiosity that mingles with the relief flooding your senses.

He finds his own breathing to steady at your calming state but at the sight of blood trickling down your hand, a knot twists in his stomach. “You’re hurt.”

You pull your gaze from his necklace, eyebrows furrowing as you look up at him. “I thought you didn’t care,” you tell him, echoing his words from the last time you saw him.

Again, Eris does not answer you. His eyes scan your room for a moment before abandoning whatever he was searching for. In his haste to aid your bleeding hand, he’s slipping his shirt off without another thought. 

“It’s fine,” you insist.

“No. It’s not.” He shakes his head at you as he guides you to the window nook. If only you knew the effect you had on him. The horror that crashed over him like a bucket of ice cold water, waking him so abruptly from his sleep. At your pain. Your agony. It nearly destroyed him the way it had been destroying you.

Eris pushes you gently to sit while he uses his shirt to wipe your blood off, frowning to himself when he can still hear the irregular beat of your heart. Too engrossed in cleaning your injury, he fails to catch on that the fluttering rhythm of your heart is now stirred by an entirely different source.

His expression transforms into one of genuine surprise as he encounters the gentle skin of your palm. Untouched, unmarked. His gaze flickers back to the shattered pieces of glass by the foot of your bed and then back to your hand. There’s no way. Not even with your healing abilities as a high fae. The amount of blood he had seen, the stinging he had felt through the bond–

“I told you it was fine.”

“But you’re not.” Eris counters and sucks in a sharp breath. “Angel–”

“Neither are you.” You point out, deftly redirecting the focus from yourself.

Your glistening eyes, pools of concern, flicker toward him. Toward his chest, where scars from injuries that had not healed properly and lingering bruises taint the muscles beneath, painting an alarming image. 

Eris averts his gaze, withdrawing slightly, reluctant to confront the vulnerability of the moment. Though your touch is gentle, the softest caress, his entire body tenses at the unfamiliar sensation. Your palm presses against a nasty scar that runs down the length of his abdomen, making him shudder at the memory it came from.

You suspect the answer but you can’t stop yourself from asking anyway. A blend of hurt and anger seeps through your voice.  “Who did this to you?”

Eris stands abruptly, caught in the tumult of conflicting desires–of longing to bask in the warmth of your touch and the simultaneous impulse to flee from it. “You should go to bed,” he says, voice strained. “Get some sleep.”

You stand up as well. “But I’m wide awake.”

“That’s not my problem.”

“Eris, please,” you nearly beg and he finds his feet rooted to the ground. He watches as you walk over to your chair, retrieving the coat he let you borrow. You extend it toward him–a silent promise you won’t push him further on his scars.  “We can talk about other things.”

He feels his throat tighten at the urgency in your eyes.  “Like what?”

"Like…" Your voice trails off, your attention turning to the scattered items on your desk. "Embroidery?" you suggest, showing him one of your unfinished projects. It’s an outline of a yellow flower he has seen before but cannot recognize at the moment. 

"You want to talk about...embroidery?" His tone lightens, a subtle easing of tension as he slips into his coat and watches you raise another one. Unlike the first one you showed him, this one is finished and beautifully depicts a white horse with a brown mane and tail.

“This one is of my horse,” you share with pride, a subtle smile gracing your face. The warmth in your expression acts as an irresistible pull for Eris, compelling him to sit back down. "His name is Maximus.”

"I think I miss him the most," you add, the smile on your face faltering. 

It prompts Eris to speak–to keep it from falling. “It’s beautiful.”

Your smile, like the sun breaking through clouds, brightens once more. You’re beautiful, he wants to add.

“Would you like me to teach you?”

Even though he knows he should leave, he finds himself nodding. Because the prospect of your smile faltering, of you returning to your state from earlier becomes an unbearable thought. 

He secures a glamor in your room to keep the guard outside your door from hearing you. Having spent centuries studying the wards in every room, he’s learned how to unravel some pieces of them. Eris allows you to teach him the craft of embroidery. He tries to take in every instruction of yours and finds himself not lost in the craft but lost in the light in your eyes, the delightful curve of your smile as you speak.

As the daughter of a powerful and influential merchant, you’ve stayed in every court and have so many captivating stories to tell. You speak so highly of your father that he doesn’t have it in him to tell you about his dark truth–the real reason behind your arranged marriage. The delicate pricks of the thin needle against his fingers go unnoticed, drowned out by the melody of your laughter, which proves irresistibly contagious. The bond in his chest hums with a resonance that echoes through his being. He wonders, a smaller part of him fervently hoping, if you can feel it too.

Eris stays until your voice trails off–until the heaviness of your eyelids becomes an insurmountable burden, causing you to slump against the softness of the pillows. The temptation to tenderly brush your hair back from your face is strong, but he restrains the impulse.

“Eris?” Your voice, laced with the soft tendrils of sleep, reaches him.

“Yes?”

“Does this mean we’re friends now?”

The word—friends—sends a pang through him, but nevertheless, he manages a gentle "yes," reluctant to shatter the moment by uttering the truth that lies beneath the surface of his emotions. He doesn’t want to be your friend. He wants to be more than just your friend. 

A soft content hum comes from you, the only response you can manage. Mindful not to disturb your peaceful slumber, he beckons one of the blankets from your bed with his magic before carefully draping it over your curled up form at the window nook. He quietly draws the curtains shut, shielding you from the intrusion of the rising sun. He positions the embroidery hoop, adorned with the laughable but endearing image of the heart he crafted, beside you. He turns to leave but sneaks one last glance at you. Only then does he allow himself to truly smile.

Eris does not return the following night, even though he desperately wants to. Caution dictates his actions, a week elapsing before a clandestine note passed in the hallway signals his quiet return to your room. It’s during this second visit that he inevitably gives away the hidden door in your room. They lead to the house’s secret tunnels, one only Eris knows well. He promises you to take you through them one day.

It’s half past twelve and as the autumn winds blow outside your window, you're not alone this time. Eris is there with you, weaving conversations that never seem to run dry. An unspoken agreement unfolds–to keep your growing friendship hidden and away from everyone. He continues to sneak into your room, always warning you beforehand as to not scare you. The sacrifice of sleep on these nights becomes inconsequential, for both you and him.

Eris helps you chase your shadows away, taking you through the darkness to the break of the day. Your man after midnight. The soul that heard your prayer.

**

A wrought-iron table, nestled under a cascading canopy of amber leaves, holds an exquisite spread of breakfast delicacies. The air is laced with the enticing aroma of freshly brewed tea, mingling with the sweet fragrance of the flowers that surround you. Lady Autumn, whose name you learned is Raelynn, sits across from you. Her eyes, as deep as the autumnal twilight, reflect warmth back at you–no traces of the lingering sadness you’ve witnessed before in this moment. 

“My apologies, my dear, for not inviting you to breakfast sooner.” Even her voice is as warm as her gaze. “I know this court is not an easy one to adjust to.”

You find yourself smiling in reassurance back at her. Because you understand. If you were her, you’d also be wary of any newcomer.

“Eris tells me you enjoy embroidery?” Lady Raelynn says, a knowing smile playing on her lips as she brings her cup to her mouth. “Among other things.”

“I do,” you answer politely, gaze drifting to the perfectly tended lawn across from the patio you sit at. Targets for archery are neatly arranged.  There’s an arrow embedded into the bull’s eyes of every one of them.

Lady Raelynn follows your gaze. “Are you interested in archery?”

Yes, you want to say and though you find comfort in Lady Autumn’s presence, you're wary of her reaction. What if she deems it unlady like? And decides to forgo any relationship you’ve desperately clung to the hope to?

“I don’t know much about it,” you reply, choosing a diplomatic response.

 “I can teach you.” Lady Raelynn’s smile morphs into a grin. A gasp escapes you, and realization slowly etches itself into your features. “I think we’ll get along just fine,” she laughs, her words sparking hope within you.

“Good morning mother, I’ve come to–” Both of your heads turn to find Eris. He halts mid-sentence, his gaze locking with yours, a flicker of surprise and something deeper dancing in his eyes. It has you averting your gaze with a slight warmth tinting your cheeks.  “I should leave.”

“No, stay,” Lady Raelynn insists with a graceful incline of her head. With a wave of her hand, a plate full of food materializes at the empty spot between you and her, a silent invitation for Eris to join.

Eris bows his head at his mother, acknowledging her command. He takes his place at the table, his movements a bit awkward at first. As he settles in, he can't help the warming relief that washes over him at the sight of both you and his mother taking his advice. He remains relatively quiet throughout breakfast, choosing to chime in only when necessary. He’s content to bask in the soothing cadence of your conversation with his mother, indulging in stolen glances at you that linger.

Something that does not go unnoticed by his keen mother nor the way his grip tightens around his fork at the mention of your upcoming wedding.

Lady Raelynn didn’t mean to spoil the mood but she had taken it upon herself to help you plan the ceremony and reception. Albeit, reluctantly at first. That all changed after getting to know you better. Although the marriage would not be to the man of your dreams, she was now determined in ensuring that the wedding would be. It was the least she could do for you, especially after learning about the mistreatment you had endured at the hands of her sons. 

“I hope my son is treating you well?” Lady Raelynn asks you, carrying a note of concern. Her observant eyes catch the brief exchange between you and Eris, not missing the slightest tint that graces his cheeks. At least one of them is. She suppresses a smile as she awaits your answer.

“Sawyer is…” your voice trails off hesitant because he’s barely spoken to you since the incident. One of the rare occurrences being where he randomly met you in the library. He had reluctantly engaged in conversation with you, awkwardly asking what you missed the most from home. A spark of optimism brightens your tone because for once, you do have something good to say about him.

“He is actually arranging for my horse to come here! It’s silly but my horse was my biggest companion back home and I’ve been feeling a bit homesick recently.”

“It’s not silly at all, my dear. Once your horse is here, let's arrange for a morning ride. The Autumn grounds are the most peaceful in the early hours."

Your smile reflects the gratitude in your heart as you look at Lady Autumn. She, in turn, observes her son, who raises his tea to his lips, attempting to conceal the small smile playing on his face. It does nothing to mask the gleam in his eyes. Lady Raelynn is well aware that the sweet gesture is not Sawyer's doing. It's Eris's.

a/n: sooo I'm literally just going with vibes for this series (vibes to songs as that is what inspires most of these.) I wanted to write a slow burn but tbh, I think I'm too impatient for that 😂

When it comes to Sawyer, I do want to explore more of his character. I know that in canon, the Vanserras are menaces but I'd like to hope there's at least one more redeeming brother. I feel like him and reader can fall into a relationship similar to that of Rhaenyra and Laenor from House of Dragon. I also am still stuck between having the marriage actually go through or something drastic that happens that keeps it from happening. Either way, it will be angsty. I left some references in this from a movie that may prompt for more references from said movie. Any guesses? 👀

tagging: @fxckmiup

[mischievousmoony]

𝚜𝚊𝚗𝚌𝚝𝚞𝚊𝚛𝚢 𝚊𝚝 𝚝𝚑𝚎 𝚙𝚘𝚝𝚝𝚎𝚛𝚜' ⟡ 𝚙𝚊𝚛𝚝 𝟸

⟢ james potter x black!reader (fem)

⟢ summary: after your parents cross the line, you and your older brother sirius find sanctuary at the potters'. however, things don’t go so smoothly at first . ݁₊ ⊹ . ݁˖ . ݁ 3.6k

⟢ warnings/tags: abusive parents, james’ clothes are described as baggy on the reader, siblings fighting, fluff then angst

⟢ part 1 ⟡ part 2 ⟡ part 3 ⟡ masterlist

note: my writing's so rustyyyy the dialogue is so off but im so done editing. and this is gonna need a few more parts, i keep getting carried away.

The Potters' house was very different from yours. It was the first thing you noticed when you woke up. Back home, it felt like Grimmauld Place existed under a perpetual storm cloud. Here, sunshine cannot be escaped. The curtains were drawn closed, but light still filtered in from both sides, almost pleading for them to be opened so that it might do its duty of brightening the house.

Another thing you noticed were birds, who sang pretty songs from right outside your window. You can't remember ever hearing any birds outside your home, and there were plenty of trees for them to nest in. In fact, you started to believe that the aura of your house scared all living things away. Realistically, it was probably all of the yelling and screaming.

As you lie in an unfamiliar room and think of all the reasons why you preferred it over your own, three gentle knocks beat on your door. They sounded different than James' quick staccato, and nerves bubbled in your stomach because you couldn't guess who was on the other side.

You took a deep breath, told yourself that you didn’t have to be so on edge here, and called for the person to come in as you sat up. The knock pattern automatically filed itself away in your brain as belonging to Mrs. Potter. She walked in, carrying a silver tea tray.

"Good morning, dear. Sleep well?" She greeted you as she made her way to your bedside.

"Yes, Ma'am." You said politely.

"Oh, please call me Effie," she insisted as she placed the tray on the bedside table and moved to draw open your curtains. You imagined the sunshine saying thank you for finally letting it in.

“I’ve brought up some tea for you. I wasn't sure how you liked it, alas..." Effie waved her hand over the tray.

The tray had the basics: a teapot, sugar, and a small milk pitcher. However, Effie had also laid out various tea bags for you to choose from, along with some warm biscuits.

“Thank you,” you said in awe as you stared at the display. It was a simple tea setting, really, but the thoughtfulness still had you feeling choked up.

"I spoke with James this morning. May I?" Effie gestured to the edge of your bed, and you welcomed her to sit. "He woke Monty and me up at the crack of dawn, insisting that we let you and your brother stay permanently. Even had tears in his eyes. I tell you, that boy has his father’s big heart."

"Anywho, I nearly tossed a pillow at him for waking me up so early, as if I’d even consider an alternative! But I got to thinking, if James felt like we needed convincing, then we better make sure you and Sirius don’t feel any unease either.”

Effie reached for your hands that lay folded in your lap. “So,” she paused a moment to allow you the chance to shoo her off before placing her hand over yours. “I felt it was important to tell you personally that you are welcomed in this home and this family, assuming you’ll have us, for as long as you need us. That sounds like a good deal to you?”

You bit back tears, “Yea- yes. I think that sounds lovely.”

Effie smiled and squeezed your hands, “Can I give you a hug, dear?”

“Yes, please.” you croaked.

Effie wrapped her arms around you, and you let a few tears loose while she couldn’t see you, wiping them away with your thumb as soon as they appeared. The hug felt warm and unfamiliar, and you wondered if there was a time that your parents ever hugged you like this. If they did, you didn’t remember it.

From behind Effie’s back, you watched James waltz over through your blurry vision. He became distracted by the surprise that the bedroom door was already opened, eyeing it before anything else in the room as he leaned against the doorframe.

“Good morning, sunsh- Mum! You’re in here!”

Effie pulled back from you and craned her neck to look over her shoulder at her son, who was standing up as straight as a board in the doorway. She raised an eyebrow at him, sensing his sudden weirdness.

“I was just welcoming Y/N to our home, like we discussed. Are you alright, dear?” Effie tilted her head.

“‘m splendid, Mum.” James said it with a goofy smile, rocking back and forth on his heels.

She drew her eyebrows together and said, "Lovely, James. What can we do for you?"

"Me? Do for me?" James' eyes widened.

Effie shook her head, perplexed by her son’s reaction.

"I'm wondering what brings you here, James?"

"Ah. I was just in the area," James said, doing a poor job at acting casual. "Y'know, the upstairs... area. Uh, so I thought I'd say good morning... Good morning!"

You thought that this must be the kind of thing people face palm over.

“Hm,” Effie squinted at her son, studying him for a moment before deciding to worry about whatever that was later. She turned back towards you, “Anywho, this is your room now, so I hope it's to your liking. We can see about changing these sheets and painting the walls however you’d like-”

“It’s perfect!” You interrupted, looking bashful for doing so, but Effie didn't seem to mind.

“Well, feel free to customize it any other way. Any posters?” Effie offered.

"I didn't have time to grab that sort of thing,” you admitted, and immediately felt stupid for doing so. Effie clearly just wanted you to feel at home, and you felt like you were being a downer.

But if it phased Effie, she didn’t show it.

"Well then, that means we get to go buy some new ones, yeah?"

She gave your hands a final squeeze before standing up, saying, “I better let you wake up and enjoy the tea,” and walking towards the hall.

Effie affectionately patted James on the cheek as she passed him.

“Have you had breakfast, dear?”

“Mum!” James shrank away from her, his face growing hot. “I will in a minute!”

She tsked at him, gave his cheek one last pinch, and made her way out of the room. James hung from the doorframe into the hall to watch her go. When she was out of sight, he dipped into your room and shut the door silently behind him.

James' back pressed against the closed door as he shot you a toothy grin.

"Good morning, sunshine," he repeated.

You can't help but giggle at him while saying, "Good morning, Jamie."

As he walked over you, his smile slightly faded as a hint of sadness crept onto his face when he noticed your teary eyes.

One thing you loved about James was that he never resorted to any of those hollow phrases like "don't cry" or "stay strong" when he tried to make you feel better. Instead, he always concocted the perfect cure for the situation. Today, it was goofiness and a lot of kisses.

James made a big show of acting innocent as he approached. He whistled some tune and looked anywhere but you before he suddenly dived at you, embracing your waist with a gentle yet decisive sweep of his arms. He flung his body into the mattress, dragging you down with him. You yelped and chided him through laughter.

When you landed, you were tangled awkwardly—your body twisted so that your torso was on top of his, but his legs were draped over yours. James' arms were still wrapped tightly around your waist, keeping you trapped as he peppered kisses on your face. He kissed your cheeks and the corner of your eyes, then your eyelids, effectively kissing away any stray tears.

You were a fit of giggles by the time his lips reached the tip of your nose. Next up, he dipped his head to kiss each side of your mouth before finally capturing your lips with his. You giggled through the feathery kisses he pressed on your lips, and he couldn't help but follow in your footsteps as he smiled against you.

Soon, laughter overtook you both. Yet you remained close, with your noses brushing against each other and your foreheads pressed together, as your happy laughter filled the room.

Eventually, James' laughter began to die down. He removed one of his hands from your waist to help brush your hair back into place, it having gotten disheveled from his attack.

You settled down as well, letting the touch of his fingertips in your hair calm you. He took notice and continued running his fingers through your hair, even after it was all brushed out of your face.

For a peaceful moment, you gazed into his eyes, which were filled with admiration and mirrored your own. James watched as a glint of mischief suddenly sparkled in your eyes.

"So," you voiced.

"Mhm," he hummed.

"You've clearly never tried to hide something from your mum before."

"Why would I 'ave had to hide something from my mum before?" James pouted, briefly bringing your giggles back. "Only reason I haven't gushed to her about my beautiful girlfriend," James gave your waist a squeeze, "is 'coz she would have qualms with me lying to a friend."

"Oh, so I guess we better go tell Sirius then, yeah? I wouldn't want to make you lie to your dear mum, I like her." You teased, amused by James' eyes widening nervously.

You've talked about telling your brothers before, but it's something neither of you were quite ready for—you were too fond of the blissfulness you found in the privacy of your relationship.

"Er, I don't particularly feel like getting socked in the face today." James said.

"Oh, come on. You think he'd react that badly?" You carried on.

"I think Sirius punching me would be a mild reaction for him." James grimaced, "He'll probably hex me into the next century. And I get chills thinking about what would happen if Regulus were to find out. Oh, I'd be a dead man. Or he'd put an irreversible curse on my bloodline. It's a tossup, really."

Your smile faltered at the mention of your twin brother, suddenly remembering your situation. You let yourself get distracted by the warm welcome from Effie and James' affection. How could you lay here happily while Regulus is still stuck at that house?

Your expression suddenly grew very solemn as you began squirming out of James' grip. "Where's Sirius?" you asked.

James seemed to choke on his own spit. "Uh, pardon? You're not really planning on telling him today?” Despite his protest, James loosened his grip, not wanting to keep you somewhere you didn’t want to be. “At least let me put my Quidditch gear on, I might need the protective padding."

You had tunnel vision the moment Regulus’ name was mentioned, but you realized what James was saying by the time he mentioned protective padding.

“Not that, James. I need to find out about Reg.”

His mouth formed an O shape as you stood at the foot of the bed with your hands on your hips.

“So do you know where he is?”

“Uh, eating breakfast probably,” James guessed, “in the dining room.”

You stared at him expectantly and after a while of him not moving, you huffed, “I don’t know where that is, James!”

“Right!” James scrambled up from the bed so he could lead you through the house. You could’ve found it if you wandered long enough, but the Potters’ house was fairly large, and you wanted to talk to Sirius as soon as possible.

By the time James had led you to the kitchen, you could see Sirius in the next room over through the open archway. You pushed past James at once.

Sirius was alone at the head of the table, various platters of breakfast food surrounding him. The kitchen was hot when you passed through it, so one of James’ parents must have just been cooking, but they were nowhere to be seen now. Sirius was shoveling some sausage onto his plate when he saw you.

“Sirius,” you said sternly as your hands returned to your hips.

“Look who’s finally up!” Your brother cheered, “Just in time to eat.” He gestured at the seat next to him.

James appeared at your side, and said, “Breakfast is the most important meal of the day. Maybe you should have some before you-”

“Where is Regulus?” You interrupted, ignoring James altogether.

James’ utterance of “Yeah, didn’t think so” was lost on your ears.

With a scowl on his face, Sirius turned his attention away from his meal. His eyes scanned over you, and his scowl twisted into an amused expression. “Nice outfit!” he snorted.

You looked down briefly to see yourself drowning in James’ clothes. Being much taller than you, James' sweats pooled at your ankles. You rolled your eyes.

“Stop it, Sirius. Where is our brother?”

Sirius squinted at you. You thought he was finally going to give you answers when he decisively opened his mouth, but instead, “You should sit and eat. James is right, breakfast is the most-”

“Sirius!” You raised your voice, your hands molding into fists as your arms dropped to your sides.

Sirius threw his fork down with a clatter, “What do you want me to say?”

“I want you to tell me why he’s not here with us.” Your pleading voice cracked as you begged your brother for answers, stepping closer to him.

Sirius had a stormy, faraway look in his eyes, as if recalling something poignant. “The only one who can answer that question is him, so you’re out of luck,” he said bitterly.

The simmering anger in your chest started to bubble, rising up to your throat until you were spitting words that you would later regret. “You left him there!” you accused.

“Excuse me?” Sirius sent a deadly stare your way as he slowly pushed his chair back and stood up.

“Woah,” James tried to interrupt, moving to stand between you two, “Maybe we wanna take a moment and-”

You stepped around James, and his remaining words were drowned out by your raised voice: “I said you left him there. He’s not here because of you.”

“You don’t know what the hell you’re talking about!” Sirius bellowed, growing more irritated with you.

“Then why not enlighten me, Sirius!?”

“He chose to stay!" he disclosed. "Alright? I know you think so highly of your favorite brother, but he chose that place!”

“That’s ridiculous,” you scoffed, crossing your arms and looking away.

You ignored Sirius' choice words of "favorite brother." You weren't going to let yourself get distracted by that conversation, which you've had a countless number of times already. Sirius was sensitive to the fact that Regulus was your twin brother, and Sirius would always just be your brother, no matter how many times you told him that you loved them the same.

“I told him to pack, just like you, and he said no. I told him he had to and he refused," Sirius said vindictively.

“Then you should’ve tried harder!" You snapped, spewing words you didn't mean, "Now he’s there alone. He would’ve come if you would've just tried harder, I know it. This is all your fault!”

Sirius reeled back as if you had punched him in the gut. For a moment, he looked hurt, but then anger overwhelmed him. “How could you say that? You weren’t even there!”

“Because you never let me be! I stayed in my room, like you said to, and was out of my mind with worry. Next thing I know, we’re leaving and Regulus isn’t, and that feeling hasn’t gone away because I have no idea how he is. You should’ve grabbed him and dragged him along! You should’ve-“

“Why is everything my fault!? Why is it what I should’ve done!? You don’t even know what he did!” Sirius' nostrils flared with rage.

“What are you talking about?”

“I’m talking about how your dear Reggie isn’t as good as you think he is," he sneered. "If you only saw him…”

“I don’t care what he did, he’s our brother!" You shouted, "He should be here. It doesn’t matter!”

Sirius slammed his hand on the table, “IT DOESN’T MATTER!?” he screamed, causing you to jump back. Tears immediately began welling in your eyes. No matter what you did, when you were being yelled at, you started crying. You weren't like your brothers, who could hold stone-cold, emotionless expressions despite whatever was swirling within. It was one of the reasons your brothers did what they could to keep your parents away from you—to Walburga and Orion, emotion was weakness.

Your tears didn't phase Sirius like they normally would have. He was too furious. “You want to know what he did?" he asked harshly. "He watched. He watched our parents torture me, and then he just walked away!"

“What did you want him to do?” you cried, “He- he was probably scared,” you hiccuped, “you- you should’ve-“

“I shouldn’t have done anything, goddammit! She crucio’d me! THAT’S what he watched our mother do. THAT’S what he let me deal with alone. I was on the ground unable to get up for damn near thirty minutes, and he knew it!"

Sirius nearly doubled over, grabbing the table in front of him for balance so hard that his knuckles blanched. All of the yelling gave him a head rush, but he wouldn't relent, "So don’t you tell me that I should’ve tried harder. That I should’ve grabbed him. He doesn’t care about me, so why should I care about him?”

Your hand clasped over your mouth as you sobbed. Your parents were cruel, but the Cruciatus Curse? You couldn’t fathom it. Your mouth suddenly felt dry, and bile bubbled up in your throat as you recalled Sirius’ scream from the night before.

Neither of you seemed to have anything else to say. You both just stood before each other in your most vulnerable states. It was a miserable sight—you crying your eyes out and Sirius looking sick as a dog.

Neither of you had noticed James leave until he returned. His parents followed closely behind.

"Snitch," Sirius choked out, glaring at his best friend as a fit of coughs hit him, his throat strained from the yelling. He ducked his head down and screwed his eyes shut suddenly, like the light in the room was starting to bother his head.

James didn't seem to care what Sirius thought of him. He was too busy being concerned for you both. Besides, James didn't really snitch. You two were being so loud that his parents were already on their way. He happened to run into them in their pursuit.

"What's going on?" Effie's gentle voice rang through the room, "We could hear yelling from the other side of the house."

Even though James' mum was being stern, she didn't sound angry or upset. Her voice only carried notes of concern and motherly authority.

Neither you nor Sirius answered her, too busy crying and coughing. Both of you would've probably been too sheepish to answer, anyway.

James' parents shared a look with each other, deciding what to do about the situation through eye contact alone.

Fleamont spoke with a firm voice, "Alright, son, we ought to get you up to your room. I think it'd be best for you to lie down." Fleamont clasped a hand on Sirius' shoulder. Your brother let Fleamont assist him in the walk to his room.

Euphemia moved to comfort you, but James stopped her. "Wait, let me."

She raised her eyebrows at her son, skeptical of the idea that her young son was equipped to handle this situation. But James had already started reaching for you, and like a moth to a flame, you melted into his arms the moment you felt his fingertips graze your skin.

Effie's eyes darted between you and her son, settling on him when her features melded into a look of understanding. A million questions raced through her mind. How long had this been going on? Why didn't James tell her? Did James tell Sirius? But the one thing she knew for sure was that you found comfort in James, and comfort was the one thing you needed right now.

She took a deep breath and decided to trust her son. "We'll talk about this later. I'm going to check on Sirius."

"Thanks, Mum." James let out a relieved breath.

"Just... behave."

"Mum!" James blushed, his hands swiftly traveling up to cover your ears with his palms.

"Oh, I didn't mean it like that!" Effie waved a hand in the air as she followed in the direction of Fleamont and Sirius.

James noticed your shoulders had started shaking intensely.

“Lovey,” he cooed. He moved his hands to cup your face, tilting it up to look at him. He was surprised to find that the reason for your shuddering shoulders was not because you had started crying harder. You were still crying, but it was mixed with a bit of laughter.

"I guess neither of us are very good at hiding things,” you said, thinking of how you jumped into his arms right in front of his mother.

James shook his head, a single chuckle escaping from his lips.

“Guess not.”

Your moment of humor quickly passed, your eyes turning sad again as more tears spilled out.

James sighed, brushing away your tears with his thumb before pulling you close to his chest. He rubbed soothing circles on your back, pressed kisses to the top of your head, and whispered professions of love and sweet words in your ear while he let you cry. Sometimes, he knew you just needed to let it all out.

Eventually, you let James’ touch and loving words relax you. When your crying was reduced to a sniffle, James veered back so that you could see his face.

“Let’s go on a walk.”

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Grace awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[frudoo]

For the slasher 141 AU, imagine they didn’t find the guy. He lays low, evading police and CPS until they eventually lose interest, or another case “takes priority” (AKA they can sweep it under the rug.)

141 lies waiting, but maybe it slips their minds, until John gets a call that reader’s been attacked by the guy, or maybe it’s a hostage situation type deal where he has reader and her class under duress while making orders. Does reader dare to try and fight back, knowing her class and the legal trouble it could bring? Does she pretend to comply, until she can overpower him?

Alternatively, 141 using her as bait (consensually ofc) to lure a notorious abuser out of hiding that goes horribly wrong. Love your AU!

I am kissing your brain right now anon

Reader gets some more backstory <3

Part 2 to this.

Warnings: Dark!Fic/DDDNE. Mentions of abuse. Brief mention of teen pregnancy, forced miscarriage, infertility, hysterectomy. Cancer. Cliffhanger ending (sorry!).

“Faster, bitch!”

     You grip the steering wheel tighter, jaw clenched shut. You want nothing more than to smart off to him, but you know better than that. With four armed and dangerous men of your own, you’d think that they would have taught you to check your surroundings at all times, or at the very least to always lock your damn car. You thought it was harmless—all you had to do was run back inside the building to grab your lunchbox you’d left by accident. How were you supposed to know that someone with a vendetta would sneak into your backseat?

     You had forgotten all about the situation for the most part—Oliver had been coming to your class like normal, happy and unscathed, and his mom had been picking him up with no issue. Maybe that’s why you’d assumed the police had taken his father into custody, or that the man simply just didn’t want to come after you. That theory has been completely obliterated, now, with his knife to your neck, barking orders in your ear. 

     “Are you deaf? I said faster!” He’s erratic, positively irate, and you can feel the cool blade pressing harder against your throat. 

     He’s been screaming at you to take him to his wife’s house, and you plan to do just that. You know for a fact that Oliver’s mother has taken him to her parents’ house because she felt unsafe at her own—too many bad memories and the nagging fear that her husband may come back—and for good reason, apparently. The house is totally empty.

     “I’m trying not to get pulled over,” you say plainly, willing yourself not to wince as he leans in closer, hot breath puffing against the side of your face.

     “Whatever. Just- just fucking get there.”

     The man leans back once more, but he’s getting more and more anxious by the second, frantically checking his phone and tapping his leg nervously. You use his distraction as an opportunity to pull out your own cell, quickly searching for one of your lovers’ contacts. You land on John’s, cautiously typing out an SOS and sending it. There’s a read receipt immediately and you know John is already tracking your location, making Simon start the truck and gathering up the other two. 

     You hide your phone before the fuming man behind you can see what you’ve been doing and pray that Simon’s reckless driving will get them at the house around the same time as you do. Your heart and head are pounding with irritation and, for the first time in a while, true fear. 

     Suddenly, you feel like you’re sixteen again, with your father pressing the tip of his blade into your pregnant belly. You can still hear his voice berating you, calling you words no daughter should ever hear from her father. You can still feel the excruciating pain of the bowie penetrating your abdomen right where your womb sat. You can still remember driving yourself to the hospital and being told that you’d lost your baby, and as a result of the knife wound, would never be able to conceive again. There’s emptiness where your uterus should be, loss where there should have been life. Your boyfriend at the time left you after finding out about your hysterectomy. 

     Sometimes you wish you could have been the one to kill your father. Not the stupid fucking cancer that slowly made him hate you less and less as he got weaker. The sickness seemed to take all the spite in his heart and manifest it into a malignant tumor in his pancreas. The doctors found the mass too late, just like your father found some twisted form of love for you far too long after he ruined you. You didn’t have control over his fate, but you do have control over the piece of shit behind you.

     It’s another fifteen minutes of being threatened before you finally make it to the house, and your heart drops when you realize that your boys aren’t there yet. Your mind starts racing—what if they got pulled over? What if they got into a wreck? You don’t know what the hell you’d do without them, especially not now, as the man is dragging you out of the car and forcing you inside the house with him. Thankfully, it’s empty as you expected, but that just infuriates Oliver’s dad more. 

     “Where the fuck are they?” He grabs you by the throat, spittle spraying across your face in his rage. 

     “I don’t know,” you whimper.

     You’re cursing yourself for showing him just how scared you are. He can practically smell your anxiety and it fuels his ego, makes him squeeze your neck so tight that you know it’ll leave bruises. You’ve already resigned yourself to the fact that this is more than likely where you’ll die, with no courage rising up from your belly and none of your boys to have your back. Maybe it’s a fitting end—your father coming back in a different body to finish the job he was too weak to complete all those years ago. 

     “I think you do,” he hisses, tightening his hand and effectively cutting off your air supply.

     Your vision goes spotty and then black, gasping for breath but not even bothering to fight back. At worst, your death will alert the police and your lovers won’t even get to see your body for the last time as you’re dragged to the morgue. At best, the boys will finally show up and get rid of this fucker, albeit too late to save you, but at least they’ll get to see you and take you back home to lay you to rest. Your absence may hurt for a while but things would inevitably go back to normal—and your sweet little kiddos at the daycare. They’re still so young that they won’t remember you after a while, and you take comfort in that fact as you slowly lose consciousness.

     You don’t feel your body hit the ground.

[oatmealdaydreams]

Black Hole Fantasy: I'm pulling in the driveway, I'm turning off the car

Let me know if ya wanna be added on or taken off the general taglist!

Part 1

Inspired By Works: the Shifter Stan AU made by @the-east-art! Check out her stuff, it's super good. Shout out to East!

Pairing: Stan Pines & Ford Pines, gen

Warnings: Homelessness, Implied/Referenced Child Abuse

Summary: After reconciling, Stan answers what he can while Ford asks questions about his shifting abilities. Most of them are expected from his nerdy brother: how certain shifts work, what kind of limits there are, what the deal is with partial shifts, and all that. But then Ford asks about how he found out about his abilities, and…and Stan debates if it’s a good idea telling his brother about his time driving in Mount Tammany.  Stan cannot lie to Ford without him seeing right through it, anyway.

Notes: Wrote a majority of this today (as of posting) because I damn well know a lot of us need some comfort right now.

[Masterlist] | ao3 link

[read under the cut]

Stan expected this. It’s Ford, he’s gonna be all nerdy and ask questions and wanna know more about things he doesn’t understand so he can understand them. He expected this. 

As soon as the question leaves Ford’s mouth, he can tell it probably isn’t the best thing to ask, for whatever reason that may be, because Stan tenses in his seat and his gaze darts away from his brother. 

Stan expected this. It’s Ford, he’s gonna be all nerdy and ask questions and wanna know more about things he doesn’t understand so he can understand them. He expected this. 

The younger twins are due to arrive within the next week or so for another summer. Stan’s surprised their parents are letting back to Gravity Falls—depending on what they told their parents—but he’s not complaining. He grew attached to those chaotic gremlins rather quickly. They’re family, after all. Stan knows he’s got a weak spot for ‘em. Ford gives him shit about it sometimes when he’s being all stubborn and grumpy. It doesn’t come from a place of hypocrisy, though. Ford’s just as bad as Stan is when it comes to their niblings, and he most often admits it.

The time sailing across the vast seas on the Stan O’ War II with Ford helped with remembering things. Stan had remembered most of his life—the important bits, at least. There were still holes in his recollection here and there, still are, but important memories stuck before the rest of it. The fact that he had a twin brother named Stanford, his niblings, most of what he’s done while in Gravity Falls, the entire Portal Situation, and almost everything that has to deal with a certain triangular dream demon. When he has relapses, Ford is always there to help him remember and support him until the memories come back. Childhood can be a bit blurry sometimes. He doesn’t quite remember much about their father, but Ford reassures him that he’s not someone to worry about; Stan trusts Ford. That, and the way Ford’s eyes darken every time he mentions him…well, he can piece things together on his own. Some people aren’t worth remembering. That’s okay. 

One of the periods in his life he struggles to remember much of is the ten years before he arrived in Gravity Falls. Ford doesn’t know much about them, either. When a memory from then resurfaces, it can be…really shitty. Sometimes, when a relapse happens and it involves something from his years being homeless, it gets a lot harder to calm Stan down. Especially since all the memories he’s remembered from then so far have been what his niblings would call ‘unfairly traumatic’. Stan knows by now where he got all his survival skills, at least. 

There are a few memories from when he first got on the streets that aren’t so bad. A few failed attempts at cheap products that got him banned in some places. He vaguely remembers his Stan Vac, the whole not-rash-causing rash-causing bandaids, little things like those. His leaky towels that made stains worse. 

His drive up through Mount Tammany. 

Stan remembers a particular night from that. Getting banned from New Jersey and trying his luck in the next state over. Dark nights where the skies were perfect for stargazing if he’d only let himself stay still for a few minutes. But then again, staying still for even a second on the road is the kinda thing that gets ya killed. So. He can always stargaze now, though. Ford always watched the stars when they got the chance at sea. Maybe they can do that again, now, in a place that doesn’t involve a surprising constant of sea-bound critters out ta get their asses. 

The fucking point: he remembers sitting in his car on the roadside, alone, in the middle of nowhere up on a mountain, getting all teary over his stupid fucking hands. He’d shifted them by accident, and suddenly six fingers replaced five. Missing Ford did that kinda shit, he supposes. Intertwining a five-fingered hand with a six-fingered one nearly broke him. Stan can punch a pterodactyl in its damn face, but he’s weak when it comes to his family. To his brother. 

Stan hopes Ford never finds out about it. He hopes he does find out about it. It’s a complicated mess of things. 

They sit in the chairs in the living room. Some rerun of an earlier Ducktective episode plays at low volume, perfect for background noise. Ford noticeably has a notepad and a blue-inked pen out on his lap. Stan’s counting down the seconds it takes for his brother to ask whatever questions he has on his mind. It only takes about thirty seconds for him to burst. A new record, really. 

“Can I ask you a few questions about your shifting?” Ford’s eyes twinkle like the fucking stars. 

Stan shrugs, genuinely open to it, “Sure, why not.” 

Ford’s excited little smile is plenty of reward for agreeing to this. He knows if he said no, Ford would back off. He’d be a bit disappointed, yeah, but he’d back off. Brothers are like that, y’know. 

His brother readies himself with his pen and all, eagerness leaking off him like some weird mist or something. 

“How can you shift into a mermaid but not into a partial fish shift?”

“It’s not that simple, Poindexter. There’re limits to it.”

The sound of a gliding pen across paper, “I suppose that makes sense. Even with Shifty, he had to learn through visualization before he could shift into something. Perhaps you mimic in a similar fashion,” There's a brief pause as Ford writes another note. “What are the limitations?”

“Well,” Stan grunts out a sigh, “for one, shifts hafta be made of the same base stuff that humans are. Size is another thing. Can’t shift inta somethin’ too small or too large. And, uh, partial shifts are their own thing, not very sustainable. ‘S why I gotta shift into a full merfolk instead ‘a partial fish.”

Ford nods along to his brother, scribbling notes hastily as he talks. There’s a sense of ease that blankets the air between them. Lounging in the tv room, talking, listening, just hanging out with each other. When was the last time they did shit like this? When was the last time it started to feel easy? Maybe it’s because he’s answerin’ the things that he does know about his shifting abilities, but a warmth blossoms in Stan’s chest at the realization of how much it reminds him of being kids. Yappin’ with each other. No arguin’ or nothin’, just…yappin’. It’s nice. 

“Wait, so—” a readjust of Poindexter’s glasses, “Then how come you’ve shifted into partial cat eyes or…ah, the partial bear shift the kids told me about?” 

“It ain’t sustainable, so it doesn’t last long,” Stan tries, though he’s pretty sure he just explained the partial shift thing. “Wouldn’t wanna randomly shift underwater, y’know? And fish shifts are always a bitch to shift in and outta.” 

“Ah, I see. Why are fish—”

“The gills, nerd. Breathing’s all different an’ shit.”

“Oh, well, nevermind then.”

Stan snorts at him, and Ford playfully rolls his eyes. He writes a few more notes down. Stan taps his fingers on the arm of his chair, lightly drumming out a tuneless rhythm. A companionable silence fills the room, and for once, he doesn’t feel the need to replace it with some sort of sound. Probably because he’s already making noise with his tappin’, but still. It’s like a gentle inhale of fresh pine air, drifting around them. It’s calm. It’s as quiet as any ambience can be. It’s peaceful. 

And it only lasts for a few minutes, thankfully, because Stan might’ve started tappin’ with two hands instead of one if it went on for too long. It’s still silence, after all. Nothing good has come with complete silence.

“Given what you’ve explained…how does your shifting work?” and this question has the stars in Ford’s eyes turning into spotlights that gleam onto Stan. 

Stanley clicks, shrugging, “Tch, I don’t know.”

Ford glances up from his notepad, pen stilling, “What?”

“I don’t know how it works, Six.”

“How can you not know how it works? It’s your shifting!”

“I’ve been busy.”

“But you just explained—”

“I know some things, just not everything!”

“How—wait, okay. What were you so busy with that you didn’t explore your shifting more?”

The peaceful air thins. There’s a slight pressure, tension, something that threatens to smother them if they don’t tread this carefully. A choking hazard. 

Stan scoffs, a biting voice, “Jeez, Six, do ya not remember bein’ shoved into a massive fuckin’ portal? And I thought I was the amnesiac.”

He winces as soon as he says it. That was a bit harsher than he intended, honestly. It’s in the past. Sure, there’re still some shit they gotta work out, but now wasn’t the time. Why is he always biting like a wounded feral dog when it comes to shit like that? What is he, a beaten hound? 

Ford goes sheepish, “Oh, right…”

It’s awkward. The tense air simmers like New Mexico’s summer heat. It blazes underneath the first layer of their skin. It fizzles and crackles and makes both of the older twins fidget in their seats. Stan shifts his weight in his chair, and his finger-tappin’ gets quicker. 

Ford clears his throat, “Right, well, I—thank you, Stanley.” 

A small, fond smile tugs at the corner of his mouth. Warmth fills his chest like waves of the ocean, his heart sighing pleasant beats. Ford’s said it a number of times while they were sailing. Some nights, when the beer was cold and the stars were glistening across the vast seas, they figured out talkin’ about shit. Not everything, no, not even some of the things they probably should, but they were still important things they needed to talk about. The portal was one of them. At least, some of it. The parts that Stan remembered in flashes. Memory of its entirety came back before they returned to Gravity Falls, but he digresses. They talked about some shit, and Ford made a point of saying ‘thank you’ a lot more. He still does it. 

The tense air dissipates a significant amount, easing, calming, gentle.

“Yeah, whatever, Poindexter,” Stan waves it off, but he couldn’t wipe the little smile on his face if he tried. “What else ya got, huh?”

Ford shares his own little smile, glancing down briefly at his notes, “Well, let’s see…oh! How did you initially find out about your shifting?”

And the tense air returns with a sharp bite. 

As soon as the question leaves Ford’s mouth, he can tell it probably isn’t the best thing to ask, for whatever reason that may be, because Stan tenses in his seat and his gaze darts away from his brother. 

“Of course, if you don’t remember it,” Ford adds quickly, “Just the earliest you can remember.”

Stan considers what to do here. He’s been given an out. He can just give the easy excuse that he doesn’t remember. It wouldn’t be too far a lie, what, with how fickle his memory from that far back can be. It’s still a lie, though. He does remember that night driving through Mount Tammany. Although it may not be his first experience with his new-found shifting abilities, it is one of the earliest. It would be around the time he first found out, anyway. 

And he’d promised Ford on the boat that he’d try and talk to him. They both did. They made that promise. Stan is tired of breaking things. He won’t break a promise to Ford, especially now that they’re on much better terms. He can’t risk fucking this peace up. It’s too precious now. There’s been too much work and hard nights and shed tears they’ll never comment on. Stan won’t break it for anything. 

He sighs, refusing to face Ford while he does this. 

“It ain’t much. Just a drive through the mountains,” he forewarns, “Nothin’ pretty, nothin’ ugly.” 

Ford’s eyes widen in momentary surprise, as if he’d expected Stan to take the out. He shakes it off, leaning in slightly. An eager listener. A nod to show he understands. 

Alright, we’re fuckin’ doin’ this, Stan thinks. 

A gruffer sigh, “Just been banned from Jersey, I think. A few failed business ventures or whatever, and I was drivin’ up through Mount Tammany.”

Stan ignores whatever Ford’s reaction is to him being banned from their home state. He can’t handle reactions if he’s gonna commit to this. Grabbing a half-drank can of Pitt Cola, givin’ something for his hands to do. Idle hands ain’t gonna do good. He can’t risk havin’ idle hands that reach for violence and excuses. This ain’t the time for it. Not now, not now. 

He swallows, continuing, “It’s dark, probably in the middle of the night. Got used ta drivin’ in late hours so much I don’t think it made a difference.” 

The scene itself starts to unravel in front of his mind’s eye. He can almost see it, hear it, smell it. He keeps talking. 

“Mind kept driftin’, so I had ta pull over. I was wonderin’ about…people. Where they were, how’d they been, all that. Guess they really got to me, heh.” 

Ford doesn’t need to ask who he’s referring to. This one, he knows. He knows what Stan is like when he talks about missing Ford. It’s one ‘a those times. 

“Not even twenty yet, y’know. Still young enough to have a weak stomach about things. I couldn’t keep drivin’ all those curves up in the mountains like that, else I was gonna crash or somethin’. I pull over.”

Stan has to pause for a moment, swallowing again. He tries not to get lost in the memory. He fidgets with the can in his hand, thumbing across its smooth surface. Remind himself where he is. Remember he’s in a chair next to his brother, and not breakin’ at the sight of holding a five-fingered hand and a six-fingered one together. Five plus six is eleven. It’d only been ten years when he saw Ford next after that, but it sure felt like eleven centuries with the way they’d changed. 

No longer lookin’ like each other. Both scared outta their minds and desperate. They’re twins; but back then, they’d been strangers that shared a last name. Not even that. Stan’s used many names throughout the years. He’s worn many faces, too. Droppin’ his shift for the first time in years, just to see his brother, had been a lot more unsettling than he thought it’d be. 

Right, explain’ Mount Tammany. 

Stan shakes his head lightly, ignoring his lingering thoughts of triangular portals. 

“I felt the extra fingers before I saw ‘em,” a hitch of breath besides Stan, but he continues through it, “Six fingers on each hand. The last I recall, I wasn’t the one with hands like that. Turns out I shifted ‘em without thinking.” 

Stan does that sometimes. In moments of heightened emotion—distress, usually—his body decides to kick into gear without askin’ Stan first and shifts itself into whatever it deems necessary to survive the situation. He heard Wendy explain it as a trauma response once. She’d been taking this psychology class to avoid some shitty required course that had a shitty teacher. She’s smart. Gonna do some pretty great shit one day, that kid. Badass enough as it is, really. What highschooler can say they’ve survived the literal apocalypse without referrin’ to a video game? 

“I was already a weak mess at that point,” Stan hesitates, thumbing the can in his hand again. Quiet noises come from Ford’s chair, and he tries to write it off as squeaky furniture. “I, uh…shifted one hand back, and…intertwined them. ‘Bout broke me. I was already fucked-up with drivin’ in the middle of the night, anyway. Y’know, lackin’ sleep and all. That shit.”

Stan cannot look in Ford’s direction after he’s finished. He keeps fiddling with the Pitt can in his hand. His other hand drums a tuneless rhythm on the arm of his chair. He can’t have idle hands. They reach for things. Reaching for Ford might not be a good idea right now. Hey, at least Stan’s actually thinkin’ for once in his damn life. Mabel’s childlike optimism is rubbin’ off ‘a him. 

The quiet noises include a sniffle, and Stan feels something in his chest crack like a statue about to fall off a breaking cliff. Something’s about to break and fall into the churnin’ waters below. The sea can be just as much of a hell as it can be a comfort. Life’s like that, he supposes. Your greatest comfort can be your easiest weak point. 

They sit there, not talking, not looking at each other, hardly making a sound. It’s a fragile air. It’s a thin glass sheet. They’ve had practice on the Stan ‘O War II with learning how to navigate moments like these, but this? This is something else. This is about an earlier memory of being kicked out from home. This is about when Stan learned he was just as anomalous as his brother. This is about one of the first times Stan lost a little hope. This is different. It’s fragile, and Stan’s never been good with fragile things. He breaks what he touches. He doesn’t know how to touch this without cracking the glass like a hammer to a stained glass window. 

Neither of them breathe for a moment. 

How the hell do you navigate a conversation like this? How did it turn into thinly-veiled raw emotion with the steadiness of a paper house? The pivot from your average sibling bickering and stupid smiles to something made of a deck of flimsy cards. A sharp pivot. A sudden pivot. Where did the fragility come from? 

Ford, surprisingly, is the one to break the stained-glass window. 

“Lee,” his voice is thicker, choking, full of hitching breaths and sniffling that becomes all the more noticeable with the uneasy silence. 

Stan can’t help but turn to his brother as soon as that nickname is uttered. There’s a lump in his throat at the sight of Ford’s red-rimmed eyes behind the guise of his blocky glasses. He doesn’t have it in him to swallow it down. 

Okay, they’re doing this. Great. This is fine. 

“Six,” Stan responds, and he sounds just as bad as Ford.

He ignores the prickling droplets in his eyes. 

“You—when did—” words come tumbling out of Ford’s mouth like foreign concepts of another dimension. 

“It’s fine, Poindexter,” an attempt at waving things off, even with how messy their voices are right now, because he cannot stand seeing his brother look so distressed.

“It’s not fine, Stanley.”

“...It’s not.”

“You were banned from Jersey?”

Starting there, okay.

“‘S what happens when yer products are a total sham.” 

“I–yes, I get that, I just…I saw the commercials. Thought you figured it out, and  not…”

“You saw the commercials?”

A pause, “Ah, well, yes. It was the only time I ever saw you.” 

Something about that twists a heart or two. Neither of them can tell if it’s their own or each other’s. It doesn’t matter, really. It twists all the same. 

“You went through Mount Tammany?” Ford continues. 

“Headed towards Pennsylvania. Business opportunities and all that.”

“Ah.”

“Yeah.”

Moses, they’re pushing towards seventy and still this awkward? What are they, pre-teens?

“Can you show me?” Ford is so quiet that Stan almost doesn’t hear him.

“Uh, what?”

“Just—you said you shifted into six fingers, so…” the shrug he gives is a little unlike him, but this entire conversation is a little unlike them. Too many emotions going ‘round in a circus display of some spin-top toy. 

Well…not exactly where Stan thought this conversation would go, but it’s not a bad direction. Just show his brother that he can have six-fingered hands like he does. He’s done it before. It’s not the shift that holds a heavy weight behind it, but it’s the reason Ford’s even asking. He’s not gonna point out that Ford’s already seen him with similar hands before. 

Stan tears a hole in the paper house, and he nods. 

Ford watches with a gaze of…something. Careful curiosity is in there somewhere. Along with whatever else is racin’ through his damn head. Lots of things today, huh?

Stan doesn’t need to concentrate as much as he usually does with partial shifts. This one is something he’s practiced and done so often that it’s instinctual. In fact, he glances down and notices one of his hands already has six fingers. He shifts the other to match. Ford stares. He fidgets with his own six-fingered hands. They twitch like they wanna reach out. Stan feels that echo in his knuckles, his joints, the bones of his wrists and hands and even in his sockets. 

Stan slowly reaches out first. 

Ford spares a darting glance at his face, and he meets him halfway. 

They hold hands. 

The very much not-there-at-all tears glide down Stan’s face. Ford’s sniffling again as his breath hitches again. Quiet sounds flitter around the room. Little sounds. Sounds they won’t admit to making because that means admitting to crying over holding hands, and they sure as hell ain’t gonna do that. Doing that means facing the truth of how heavy it feels. Holding hands with your brother isn’t supposed to be heavy. He’s seen Mabel and Dipper hold each other’s hands, and they certainly don’t get weepy over it. Not that Stan would dare to make fun outta them if they did, no, he rather shift in and out of bein’ a fish a million times before he even thinks about doin’ such a thing. 

Ford squeezes, and Stan squeezes back. 

A deck of flimsy cards topples over and scatters across the floor in a whirlwind of sad old men and old wounds. 

Little birds keep close together for winter. 

A sparrow holds his brother’s hand, and it brings more comfort than he’d thought possible. Maybe the scared teen that drove through Mount Tammany heals a little. Maybe the lost kid that cried over his hands while stranded alone in his car starts to smile again. 

A small, teary smile tugs at the corner of Stan’s mouth.

Taglist: @lost-in-thought-20 @thegoldenduckie @not-sure-what-im-feeling

[bradleyblog]

Bradley Uppercrust’s Father speculation Part Two

( Before reading part 2 I would recommend reading part 1 first )

From Part 1 we looked at Bradley’s conversation with Goofy about him not understanding the bond between a father and son and how Bradley responded to this statement. 

From the scene overall, I concluded that If Bradley doesn't seem to understand the bond between a father and his son , let alone understand why someone would pick family over success, it's likely that he doesn't even have a strong emotional bond with his own father to begin with. 

It can even imply that in his own family, success is always the top priority and that family isn’t even an expectation to this rule. 

This makes me believe that the root cause for Bradley’s lack of a bond with his dad is probably due to emotional neglect. Along with their family values of being successful and needing to appear to be the best, taking priority over his own emotions. 

If Bradley had a bond with his dad then there would at least be an emotional connection between them but it doesn't appear to be so. 

Throughout part 2 I will be discussing the idea of Bradley being emotionally neglected by his father but remember, this is all just speculation. 

Emotional neglect 

“Emotional neglect is the ongoing lack of emotional support, validation, and acknowledgment from a caregiver. It is a form of emotional abuse in which the caregiver doesn’t respond to or acknowledge their children’s emotions.” - www.makinwellness.com

If a parent Emotionally neglects their child, they fail to provide that child with attention , affection , engagement and other forms of emotional nurturing.

Now while I do understand that Bradley’s need for attention does stem from his own ego, him having emotional neglect from his father would certainly make him crave attention even more. A bit like him trying to overcompensate for the lack of attention his own dad didn’t give him by getting it from other people.

But I'm getting ahead of myself. What I just discussed here will be for a future part. 

But why would Bradley’s father of all people emotionally neglect his son? 

Well , I believe it’s because it’s very likely that Bradley’s father is a Narcissistic parent. It wouldn’t be too surprising considering how Bradley possesses some narcissistic traits himself but one common factor that I found about a narcissistic parent was the fact that they can be neglectful. 

“A narcissistic parent expects children to be present when needed , but will not provide support to children in return. They may also be so self-absorbed that their sole focus lies in their own hobbies or career. Narcissistic parents often seek instant gratification , leaving their kids to fend for themselves.”

Some other points about a narcissistic parent that I also came across were…

They need to be the center of attention 

They show little concern for others needs and feelings 

They are manipulative and Exploitative

Obsessed with maintaining the family’s image  

Their love is conditional 

They will do anything to be the best 

They are neglectful and never present when needed 

They are allowed to be emotional but you are not

If anyone wants to cheek the full list of 23 signs of a narcissistic parent , the link is shown below  

Narcissistic Parents: Traits, Signs, & How to Deal With One (choosingtherapy.com) 

These traits of a narcissistic father would certainly give a lot of reason as to why there might not be an emotional bond between Bradley and his dad. It would certainly make their relationship very emotionally distant/strained and make Bradley's father be presented as very self-absorbed and absent. 

But is Bradley’s dad really a narcissistic parent ? Well,  if he is emotionally neglecting Bradley then it’s not because he's a struggling parent with never ending bills to pay. They are super rich and decadents of royalty after all. And Even if Bradley’s dad is really busy with a super successful job , you would still make an effort to attend to your son’s emotional needs and to have a good bond with them. 

So to me , his father being self-centered makes the most logical sense as to why he could be emotionally neglectful of Bradley. 

But to really determine if Bradley’s dad is a narcissistic parent ,  we have to look at Bradley himself. 

Bradley has narcissistic traits and feels important due to his heritage. 

When Bradley declares who he is to Max , it's clear to see that he thinks highly of himself for being an Uppercrust. It’s his heritage that makes Bradley feel important, giving him an ego and in return makes him feel like he should be treated with admiration. 

Now obviously, being rich doesn't automatically determine that you're going to be narcissistic. But it is understandable as to why Bradley as a character would feel more important about himself due to him being a descendant of royalty. 

That being said though, if you were in Bradley’s shoes and were actually raised by good parents then they would surely keep your ego in check, teach you good values/morals and that you need to be compassionate and empathetic towards others. But Bradley doesn't seem to have any of this influence. 

As a person , Bradley is very success/ambition driven where it's his first priority and possesses narcissistic traits such as exploiting others for his own benefit, lack of empathy , having high self importance and a need for constant attention/admiration. 

But what would cause Bradley to have these narcissistic traits? His heritage for one and him valuing success over people but because his behavior never seemed to be corrected when he was growing up , It makes me think that these traits are also contributed by his upbringing. 

As in , his father was probably a bad role model and bad influence to him who taught him all the wrong things to value in life.  

But let’s look at what some of the causes of narcissism could be from a Physiology perspective. 

Here are some screenshots of my resources. 

( www.choosingtherapy.com ) 

( www.healthcentral.com )

Any of these causes could relate to Bradley but among these causes are “Learning narcissistic and manipulative behaviour from parents or peers”. In my opinion , Bradley learning narcissistic behaviour from his dad would be very likely due to their high status. But Something else to note is that neglect can also be a factor too. 

Well would you look at that, what a coincidence...

But in all seriousness though , if neglect can be one of the causes then it is possible that Bradley could have actually been neglected. 

But when we relate this to his dad , the only reason I can think of as to why Bradley’s dad would be neglectful of him is because he is indeed a narcissistic parent.  

Reason being is that If Bradley has narcissistic traits that aren't being discouraged from his family , nor does he have an emotional connection to his dad,  then him being emotionally neglected by a narcissistic father does seem the most likely. 

We also have to remember that Bradley is a descendant of royalty, which means their family probably have a lot of privileges. So it's highly likely that they have servants to do a lot of their manual labour and whose job it is to attend to their every request. Why bother taking care of your own child when he has servants to do it for him. 

So now that we have speculated that Bradley’s father is a narcissistic parent and could have  emotionally neglected Bradley , I think it’s important to talk about Bradley’s emotional state next but that will have to wait for part 3. 

There’s a lot more that I want to say but it was important to establish this all first before going forward.  

( For those who read part 1 , thank you all for the previous feedback )

[miss0atae]

Random Thoughts about Let Free the Curse of Taekwondo (EP 5 - 6) :

This time it was more complicated for me to follow what was going on. I felt like I was bombarded with so much information about the main characters that I didn't know how to process them. I think, in a way, it reflected the feelings they both had for one another. Ju Yeong and Do Hoe are trying to reconnect, but there are so many things between them. It makes it so hard to cross over to understand the other one. There is the past that is still lingering and putting so much weight on their actions, the 10 years distance that they can never really get back because so much happened during this time. There is also the difference of the social background and also their way of dealing with the past violence and abuse they faced and the new one they witness in the present. Despite the love they are supposed to share, they can't get over all their differences and they are hurt again and struggling with what to do. As a viewer of the series, you're so lost too. I can't seem to see how they are going to be able to find a balance in what they wanted, what they want and what they desire for the future. If it wasn't a series, I think I wouldn't want them to end up together. I feel like they would be better off without one another. On the other hand, I have this hope that love will win over every struggles they have.

I feel like the characters are both frozen in time because of the abuse they had to face when they were teenagers. That's why their reactions are so different. Do Hoe wants to avoid thinking or talking about the past. Every time he has to think of the past or his father, all his demeanor change. He usually appears in control and calm, but when the past is mentioned he gets agitated. He can be angry and cruel. He lashed out in different ways: when he took Ju Yeong at a fancy restaurant to show him their differences or when he told him he can't understand his life because he was always loved. I wish to know why he thinks this way? Is it because his parents paid for his expenses when he joined the taekwondo's school of his father?! Nothing is showing that Ju Yeong was loved. Quite the opposite to be honest. Do Hoe also relies to lies to avoid conflicts just like when he pretended to be tired when in fact he was with Hyeon Ho. I also felt a bit uncomfortable with his relationship to alcohol. It may be an over-interpretation of the situation, but I felt he used it as a way of escapism, especially as he used it when he had his diner with his “friends” at the restaurant or when he offered Ju Yeong a drink when he wanted to divert the conversation. Do Hoe is hurting a lot. It would be easy to “hate” him because of his actions towards Ju Yeong. However, we know he is hurting too and he doesn't react the same way as Ju Yeong. That's why I feel like I could never hate him.

As for Ju Yeong, he is hurting in a different way. Ju Yeong is looking for answers about what happened in the past and the impact it has on the present. He, himself, hasn't really changed. He lives in a shoe box of a room with no heater. He hasn't formed strong bonds with anyone in Seoul and he always came back to the city where the time has been suspended for him. He kept the same path from his teen-hood to now. He is also still in love with Do Hoe. He can't forget their time together and he can't let go of his love for him. Even when Ju Yeong, now, treat him badly, he always come back to him because his love for him keeps him from leaving his side. Contrary on Do Hoe's belief, Ju Yeong hasn't been loved before. I discover the true meaning of love through Do Hoe. Before he fell in love with him, he just didn't know what it was. His family sent him away because he wasn't what they wanted him to be. His taekwondo coach was abusive towards him and Do Hoe. In this rural city, he had no friends… he only had Do Hoe. One day, he also lost this love and he never truly understood why. He has been looking for him from a long time and he can't forget what they had. He lived in the past because only in the past he found a ray of sunshine in his relationship with Do Hoe. He is still looking at the past when he tries to learn about how was Do Hoe’s life in these 10 years they weren’t together, but he can’t seem to get the answers he desires.

I feel like the snow has always been the link between these two characters. Ju Yeong made snow for Do Hoe. They saw the snow in Seoul when they went together. Everytime it was snowing, Ju Yeong thought about Do Hoe. In episode 5, when they both were back to the house and Ju Yeong was so distant and cold. It was only when they snow started to fall down again, he let his guard down for Ju Yeong and kissed him. The snow shows the deep of their bond and washes away the pain and the struggles. After all, we haven't really seen the characters in another season than Winter. Usually the snow represent one of the main symbols of this season, and the feelings that are connected to winter are cold, wind, and darkness. Do Hoe and Ju Yeong have both a very dark past and can't seem to be free from it yet. They haven't even started to heal. However, the snow is also a symbol of youth and innocence. It brings us back to the beauty of their blooming romance in their youth and how they both found solace in it. That's why it was beautiful when Do Hoe kissed Ju Yeong right when the snow started to fall down again. It was like the snow was making things pure again, fresh and new. He said to Heyon Ho that he wanted to continue from the moment he stopped and that it wasn't going back to the past. At this moment, he truly believed it. However, the snow gets dirtier with time, which can be similar to what happens with our characters who wanted to continue something that was left for so long, without talking about what makes things different now. It is a useful symbol that can strengthen the sad or depressed feelings the characters still have.

In the middle of their complicated love story, there is the violence and abuse still rearing its ugly head. Both Do Hoe and Ju Yeong haven't been able to heal from it. It is emphasized with their reactions when they noticed that one of their students is being abuse by his parents. Do Hoe wants to avoid getting involved while Ju Yeong wants to get in the middle of it. It's the same reaction they had when they had to face Do Hoe's dad actions. Ju Yeong got in the middle to avoid Do Hoe's to be hurt by his father when he had an important exam to do, while Do Hoe saw the abuse he was subjected to and he pretended not to see (even if at this time, he apparently reached out to the police to save him). The source of their guilt comes this, but they are just the victim of their environment. They shouldn't feel guilty. They were just kids. There is no good way of dealing with the consequences of long-term abuse and lack of love. I would say the best solution would be to find a good therapist, but this is not even mentioned in the series. I don't even think the characters understand how their reactions or way of living is a consequence of what they had to face in the past. The metaphor of the house is just another symbol of how they are both trapped by their past. I really thought at first that their reunion would bring them to a path of healing, but I'm not quite sure about that now.

Will they be able to heal? I hope the last two episodes will bring me the answer. I know it makes no sense, but I wish for a happy ending, even if it’s unrealistic. I want love to be stronger than violence. I wish they could grow old together in Seoul, just like they wanted when they were a teen.

PS: I haven't talked about how the show made a comparison of their first intercourse and the one they had when they found each other again 10 years later, but it was a stark difference. They were closer in the past. In the present, even if they were intimate, the invisible wall between them was still there, separating them. Having sex with someone is usually an act of sharing pleasure and intimacy. It can sometimes bring you closer to the person with whom your are doing it. Still, this time, as our characters are still frozen in time, it didn't bring them closer. I feel Ju Yeong felt it because he was looking at Do Hoe and it was like he was looking for something. It was heartbreaking, especially when you saw how close they were in the past after their first time.

If you've read this up to this point, thanks for reading it because I just noticed how long it is.

[gabrielsbubblegumbitch]

asking for Velvette Dx and/or head canons if it's not too much hassle! Plz and ty!

tw // suicide

I would like to preface all my posts on headcanons related to psychology and mental illness with a disclaimer: diagnosing mental conditions, especially personality disorders, can be extremely challenging. It's a complicated process that relies heavily on a psychologist's interpretation of facts, making it susceptible to biases. Personality disorders cannot be diagnosed based on surface-level observations and are not just labels that we can assign to people like in the case of MBTI. Additionally, I am not a clinician with any expertise in diagnosing people. Therefore, the following post should not be taken as a reliable professional opinion. It's simply my interpretation of the internal mechanisms that may be responsible for the behavior of certain characters in my fan fiction. Furthermore, I want to make it clear that I have no intention of stigmatizing people with personality disorders by associating them with villains. A personality disorder does not determine someone's character or make them a bad person. Some characters may be evil because of the choices they make, not as a result of their mental conditions.

So, as I mentioned, I headcanon Velvette as having an Antisocial Personality Disorder. It is characterized by lack of sympathy or empathy for the rights of others, while simultaneously acting charming and interpersonally manipulative.

❤️ Throughout her childhood, Velvette lived exclusively with her father in the impoverished and sketchy part of the city. Her father worked a lot to earn them living but at the same time he drank a lot and while drunk tend to be aggressive. Also he surrounded himself with bad people. In my mind Velvette can deal with Vox and Val's shit so well because since she was little she was surrounded by unpredictable and violent men. At this point she couldn't be less scared of them.

❤️ She endured relentless bullying during her school years due to her inability to afford stylish clothes and gadgets. This was particularly hurtful for her, given her deep passion for fashion. Velvette devoted all her free time to design stunning looks, harboring a fervent desire to be able to wear them.

❤️ Around 12, she figured that following rules was pointless, being in a disadvantaged position due to her family's poverty. The sole way to boost her social status, in her view, was to break those rules. This extended beyond minor offenses like stealing groceries; she engaged in more serious crimes, such as taking money, clothes, and jewelry from stores and individuals. She never felt any remorse for these actions; to her, they were merely a means to achieve her goals, regardless of the harm inflicted on others.

❤️ She never finished her education because sticking to school rules wasn't her forte. She had the smarts and charm to sidestep juvenile detention. Despite concerns from a few individuals, we all know how well the system deals with "troubled teens." Besides, her father wasn't bothered by psychologists' opinions as long as she was bringing in some cash.

❤️ As a young woman she used her charm to manipulate men and take advantage over them. While she contemplated sex work as an easy money-making avenue, she found men too repulsive to engage in it. Instead, her preferred method involved blackmail – she seduced married men, particularly the submissive ones drawn to her aggression and coldness. Through this, she gathered intelligence and skillfully weaponized it against them.

❤️ At some point, she blew up as this super popular influencer. It kicked off with her sharing cool, low-cost looks on the internet. People loved her sassy attitude and creative stuff. But as she got more famous, it stopped being about creativity and turned into a power trip. She built a cult-like following around herself and started abusing her power. Being openly mean worked in her favor online – people ate it up, especially when she got into online fights. No matter how wild it got, no one could successfully cancell her. Actually, I think Vox really admires her talent for stirring up drama. He pushed her several times to get on some reality show, thinking it'd make the ratings explode. But the darkest stuff Velvette pulled wasn't out there for everyone to see. It all went down in her DMs. She justified it as "finally getting justice from rich white brats," using her influence to get teens to pull off crimes and risky stuff. She even manipulated at least two depressed kids into taking their own lives. When shit hit the fan, and she knew prison was coming, she took it as one last chance to torment people. During a "live stream apology," she commmited suicide in front of thousands of people.

❤️ In the show, it's evident that she's downright rude. Not just to Carmilla and the other overlords, but also towards Vox and her own employees. The lack of sensitivity and respect for others, coupled with a strong sense of superiority and being extremely opinionated, are typical traits associated with Antisocial Personality Disorder (APD). My girl literally got song called Respectless.

❤️ She disregards any kind of authorities and when someone tries to impose their will onto her, she's going berserk.

❤️ She genuinely couldn't care less about what people think of her; she despises people that much. In fact, being hated now excites her because she knows she's untouchable and influential and it makes everyone even more angry.

❤️ She's extremely reckless, even if she knows it could hurt her – another trait associated with APD. While we observe Vox and Valentino able to behave when necessary, Velvette storms into overlords' meetings guns blazing and starts with insulting everyone, even though she aims to convince them to align with Vs.

❤️ She struggles to form genuine connections with other people. Still, she's got a soft spot for Vox and Val, sort of considering them her friends. At the same time, she sees them as just a couple of guys she can easily play to her advantage.

Vox hc | Valentino hc

[gaypiratepropaganda]

Izzy's apology in the finale seems to have taken some people by surprise. During the break between seasons, I tried a few times to politely bring up the fact that Izzy was technically abusing Ed. Not because I wanted anyone to stop liking him (you can like a character who's doing abuse! it's not real. who cares), but because I was worried about the reaction when season two came out. I love this show very much and I know how tumblr can get. Most importantly, I love fucked up fictional relationships and cannot abide people making these two boring. So here we go. (I also love lists)

First. Emotional abuse can occur in intimate relationships, family relationships like father and son, or in the workplace (Ed/Izzy triple threat!). Second, it has to be an ongoing thing. Someone doing one of these things once is not abuse. Abuse is a pattern of cruel and frightening behavior in order to control the victim.

(Don't feel bad if you didn't notice this stuff! It's relatively subtle and we're kind of trained to ignore and forgive it, especially from characters like Izzy. I wasn't 100% sure I was right about this either until season two confirmed it. I think a lot of people don't even know what emotional abuse is, at least where I live.)

Below are some pretty solid warning signs (this said "criteria" before but I changed it to be more accurate) for emotional abuse, followed by examples:

•Monitoring and controlling a person’s behavior, such as who they spend time with or how they spend money.

One of Izzy's main motivations in season one was trying to force Ed to act more like his image of Blackbeard. To achieve that, he bullied, belittled, and threatened Ed. He attempted to kill Stede because Ed was spending too much time with him and he felt that Stede was a bad influence.

• Threats to a person’s safety, property, or loved ones

He tried to kill Stede (Ed's loved one) or get him killed several times. Once trying to get Ed to do it himself with the doggy heaven situation, once directly with the duel, and once by calling in the navy.

He didn't directly threaten Ed's safety until episode ten, but he did seem to have Ed convinced that the crew would kill him if Izzy wasn't there to protect him and then when Ed did things he didn't like, Izzy threatened to leave. It's indirect, but has the same result: Ed felt he was unsafe unless he did what Izzy wanted.

• Isolating a person from family, friends, and acquaintances

Izzy seemed to keep Ed isolated from the crew, act as a go-between, and control their perceptions of each other to a certain extent. In the first few episodes, Ed was always shown alone in his goth cabin with Izzy as his only contact. When he started to make new friends Izzy tried to make him kill them.

After Izzy was banished, he secretly sent Ed's ex in to manipulate him and get him away from his new community. Then he got them all arrested, culminating in the deal he made with the English that would have made Ed his prisoner. Not sure that was on purpose, but it was so fucked up I had to mention it.

The bit that really got me, for some reason, was when Frenchie asked after Ed and Izzy told the crew he was sick.

• Demeaning, shaming, or humiliating a person

Izzy is often shown berating Ed and yelling at him. The way Ed reacts suggests to me that he may be used to this kind of treatment from people in general, or from Izzy in particular. He never leaves or asks him to stop, he just takes it.

• Extreme jealousy, accusations, and paranoia

He was so jealous of Ed's relationship with Stede that he got the literal military involved. His explanation to for why Ed enjoys spending time with Stede was that he has "done something to [Ed's] brain." Like, what magic powers do you think he has, Izzy?

• Making acceptance or care conditional on a person’s choices

Izzy made it very clear that he would only support Ed if he conformed to the Blackbeard persona. He also seemed to have Ed convinced that there was no way he could survive without Izzy's support.

I just realized that if you subscribe to the headcanon that Izzy acts as a sort of caretaker to Ed (I do not) then all of this is way more fucked up.

• Constant criticism, ridicule, or teasing.

In season one he criticized everything Ed did, all his plans, even while telling him to come up with more plans. He ridiculed Ed and called him names pretty often: "twat, namby-pamby, insane." Even in season two when he's doing better, most of their interactions consist of Izzy teasing and making fun of Ed for being mopey or in love.

• Refusing to allow a person to spend time alone

I didn't think of this until now, but Izzy is often around when Ed thinks he's alone. He knows about things that happen in scenes he isn't in. Izzy's always sort of lurking, though? And he does it to everyone. So I'm not sure if we should count this one.

• Thwarting a person’s professional or personal goals

He's ok about piracy related goals, but as soon as Ed tried to do something other than that he got so weird about it. "This crew is so talented, why are we even being pirates?" is what got Izzy to threaten Ed. Which is interesting because he was fine with the retirement idea before, when he thought he'd get to be captain.

• Instilling feelings of self-doubt and worthlessness 

"insane unpleasant shell of a man merely posing as blackbeard." "I should have let the English kill you. This... whatever it is you've become is a fate worse than death."

• Gaslighting: making a person question their competence and even their basic perceptual experiences.

He called Ed insane and implied that the crew would mutiny if he wasn't there to stop them. This is clearly untrue, as we were already shown that his method of "massaging the crew" consisted of calling Ed half insane and pulling Fang's beard even though Fang hates that. The fact that he calls Ed insane more than once while at the same time trying to get him to act more insane seems like basic gaslighting to me. Then again, Izzy's definition of "insanity" may be like, depression, crying, showing emotions, loneliness, and enjoying softness.

[can't find a gif of this so just imagine Ed in the gravy basket with Hornigold saying "you're worried you're insane."]

Something that wasn't on this specific list but is generally considered part of emotional abuse is manipulation: the use of indirect tactics to change someone's thoughts, feelings, or behaviors in an attempt to influence them for personal gain.

I think Izzy often tries to be manipulative. He's not the greatest at it, but it's the thought that counts. He manages to be surprisingly successful through persistence and repetition.

He's got Ed convinced from the first time we see them that he is useless as a captain without Izzy. That's why Ed feels like he needs him. He tells him that the only thing standing between Ed and a crew constantly on the brink of mutiny is Izzy. Then he tells him that he will leave if he can't live up to his expectations.

He has a pattern of lying to Ed or not telling him the whole truth. He threatens him directly and indirectly in an attempt to influence him and control his behavior. He wants power, whether he gets it by becoming a captain when Ed retires or by making sure Ed remains powerful by any means necessary.

this is what he was apologizing for, along with the years of being terrible to Ed before Stede came into the picture. I never expected him to admit it so clearly like that. He fed Ed's "darkness," poked at his trauma for so long because he needed Blackbeard. It was something they did together, and he enjoyed Blackbeard's dominance and cruelty.

Of course there are other things that can be part of this kind of abuse, like infantilization, silence, and harassment. There are more examples of abusive behavior from Izzy at the start of season two, especially in the scene where Ed's asking Izzy to kill him. but I am not ready to get into that right now.

Anyway, Ed and Izzy's storylines in season two only make sense to me with this in mind. Ed is recovering from not only the suicide attempts but also this fucked up situation he was in, whether he realizes it or not. Izzy learns to stop being such a shitboy and admits he was wrong. ~growth~

if you interpret their relationship differently that's obviously fine. but I think this is the most interesting interpretation, as well as what was intended. It's no fun for me when people make them both equally awful to each other. I like it better as it is in the show: Ed fighting back against Izzy's emotional abuse with physical violence, which only ends up traumatizing him further. It's such a unique and fascinating story.

[blackdagger456]

Let’s Talk: MAWS Spoilers: Livewire X Heatwave Unexpected But Important & Not Unwelcome

I’m gonna try and keep this short. Mostly due to me just not having much to say about S2 of MAWS in the first place. I’m loving it and any minor issues I may have don’t require me to make an analysis post lime this.

That being said—I don’t have a problem with this at all. I’m an old Superman fan. Weird seeing as I’m in my 20s but that’s still old enough to have grown up on the original Superman TAS show along with the Batman version and Jl/JLU.

Did I think it was weird/interesting to go with these designs for Heatwave and Livewire? A bit yeah, but I like giving things a chance and I liked what they did with Livewires character. Didn’t really have too much an opinion on Rory as we didn’t spend much time with her until this episode.

Even the, it’s still only a little bit we spend time with her but its more than does its purpose when it comes down to her, Livewire and the message the showrunners try to convey.

“You never know when to walk away. But I do.”

Now know what the later reveal…well, reveals. But this feels like an actual conversation and issue the two has. Especially with Rorys last line in the episode. But the fact that scene happens later on at all is the point.

Love is messy. Something Lous herself knows all about due to her relationship with her father and Clark. She’s afraid of it—hell she’s terrified but she wants to make things right.

Her love has always burned her. People leave or she is forced to leave them and that culminated into what she said to Clark before he was kidnapped. But being scared isn’t a be all end all for a relationship.

In fact it’s GOOD to be scared. What’s not good is letting that fear dictate your life. Dictate how you deal with feeling that love for another person.

“Love is not for cowards.”

It’s scary and dangerous and messy and rough but it can be so worth it in the end. Be it the end result is you being happy, simply making that leap forward or finding closure Love is WORTH that risk. Worth the risk of sticking it out to find a good balance and partnership that isn’t abusive but one in which you and your partner give and take from one another in a healthy way.

In an unconditional way.

In a way that makes you both better.

And I love My Adventures With Superman for trying to teach/get that lesson across. Doing it at the end of Pride Month is just another big bonus in the shows favor.

[love-minor-poltergeist]

A/N: I saw the positive reception that my Barbi hcs and I wanted to say, from the bottom of my heart, thank you kindly!! I always find myself feeling apprehensive on deviating from the fandoms I usually write for, so the fact that you all seemed to liked my Barbi content means a lot! (〃＾▽＾〃)

In the spirit of things, I decided to try my hand at baking a batch of hcs for our lovely, awful Police Sergeant Coyle! I will admit that his character was a little bit more difficult to write for since there's a lot uncomfortable themes and ideals related to his character. However! I welcome the challenge and hope that these turned out okay. Lemme know what y'all think!!

!Content Warning!: There's a passing mention of CSA/Childhood Sexual Abuse since the comics implied that it happened, and while it's only mentioned very briefly, it's better to play it safe

General Leland Coyle Headcanons:

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Ever since his father served in the military briefly in WWII, which subsequently left the older man an invalid– having lost a foot and permanently unable to walk normally– Leland was left to carry out most of the physical labor around him and his family’s cattle farm. Pa would still insist on bossin’ him around, though, and Leland usually had to be the one to help him walk the fields while dealing with the cattle. Of course, once he joined the local police force, most of those duties fell upon his ma. 

Granted, in his ever charming views, he always thought Ma did a crap job of the physical work, so he’d usually take over anyway. All the while he and Ma argued back and forth on the fields.

An average day, if he wasn’t off dealing with police duties, he’d watch the cattle and make sure they’ve eaten and prod any escapees back into the fields. He was none too gentle, either, and he’s earned his fair share of bruises and narrowly avoided a few nasty kicks. Leland’s even got a particularly nasty scar on his lower abdomen from getting gored by a rowdy heifer. It luckily wasn’t deep enough to get him sent to the hospital, but boy did his parents ridicule him for being dumb enough to let it happen in the first place. 

Cannot cook for the life of him. Pa drilled it into his head that cooking was a woman's job, so he never really bothered to learn. All of the housework was handled by his wives, and god forbid if they wanted a break from it… During the brief stints between each marriage, Leland’s survived off diner food, cigarettes, coffee, and the occasional frozen tv dinner. 

On the other hand, however, he’s completely fine with a man cooking if it’s to handle a grill. Hell, Pa was the one to teach him how to prepare meat after they’ve sent their cattle off to the slaughterhouse, and goddamn can he cook a mean steak. Now that he thinks about it, Leland sometimes wished he paid more attention on how to make fried chicken when his Ma tried to show him… 

The Coyle family were devout Christians and attended Sunday mass each week. Of course, Leland doesn’t practice the religion much as he grew older, but much of the values taught to him remained; most of them perverted to fit his ideals. 

Thanks to his chronic smoking habit, Leland’s appetite is close to nonexistent. He does it so much that the other officers of the Blackwell Police Department often joked about how Sergeant Coyle’s office may as well have been an oven with how much smoke emanated from his office. However, given how he’s the one to handle most of the paperwork until the asscrack of dawn, and with only a cigarette and numerous cups of coffee littering his desk to keep him going, no one really complained. 

Usually shaves his head during the summer time. Sure, he’s a vain man, but it’s become a habit after his time in the military. Not to mention that it usually helped him keep cool during the days where he toiled in the fields with the sun beating down on he and Ma. The habit followed him into the Sinyala facility, where staff usually had to shear him down since, though he’s a Prime Asset and thus has special privileges, he’s still not to be trusted with anything sharp. 

Has extensive firearm training. Pa first showed him how to handle a rifle whenever the farm had to deal with coyotes and stray dogs that harassed the livestock. On the offtime there wasn’t anything to shoot, young Leland was usually spotted by the fence posts in the outer perimeter of the farm, practicing his aim with a few cans and empty bottles. Which eventually graduated to shooting at any unlucky birds or cats that wandered too close to the property. He was also put in charge of putting down any sickly cattle, too, after Pa was left crippled.

His aim only got better thanks to his time in Okinawa. He’s got more experience in rifles and pistols, but he has a natural knack for machinery, and he’s a quick learner. Not to mention that he follows gun safety to a fuckin’ T…. Which only made him even more offended when he learned that some deformed, baby-talkin’ runt got a gun before he did in Sinyala. 

Usually has a sore back after trials. Sure, he can handle lugging around that pontiac car battery on his back for hours if he needed to, but goddamn is that thing heavy. First thing he does after a trial is stretch until he hears his back pop. 

Suffers from really nasty night terrors. Going back to his comic and how it briefly touched on how Leland’s exhibited signs of CSA, it’s highly possible that much of the abuse occurred behind closed doors and at night, where everyone else was asleep. He’s avoided sleep like the plague since then. Both as a means of trying to protect himself and not have to deal with constantly reliving the incident. He’s never talked to anyone about it, and refuses to do so. 

He’s also coped with it via hypersexualising himself and inflicting pain on others. It gives him a sense of control and a rush of power that was stripped away from him. Silently vowed to never let himself be that vulnerable again.

╚═══━━━─── • ───━━━═══╝

[ihopesocomic]

Do you think bullying is considered a type of abuse? Does "bully redemption" trope can also be considered a abuser redemption? I can't like this kind of narrative at all. Not even "A Silent Voice " could convince me.

The thing is with bullying is that it is often committed by children and the overreaching fact is that hardly any adult is going to look back on their actions as a child/young adult and say yes, that totally was not cringe of me. This further compounded by the person's home life and/or if they're dealing with personal issues.

I was a pretty huge asshole as a kid and it's not like I mellowed out the moment I hit 18 either. I was dealing with a lot of stuff (i.e. such as undiagnosed autism/schizophrenia and psychologists refusing to take me seriously) and I dealt with it in a shitty manner by being this "edgy badass" online and just getting into online fights whenever I can because being deemed intimidating and scary online made up for the fact I was an insecure outcast offline.

I truly regret how I conducted myself back then. Regardless of what I was going through, nobody deserved to have to deal with me lashing out at them. It was also just embarrassing behaviour to boot.

But I do think bullying can certainly be counted as abuse and it certainly begets abusive tendencies (points to self, who was bullied throughout elementary and high school). But in that vain, I feel people respond to depictions of it in a manner that isn't exactly constructive and is borderline abusive itself, like the desire to outright commit assault or murder on said bully being depicted. lol

Because I also feel this question is also in reference to Rose and her behaviour and while I can't give much away on how we're going to handle her arc, I feel like people demanding she dies or whatever is just... Yeah, let's not. It's essentially 'I hope Vicious dies, particularly at the hands of her abuser' all over again.

It's clear Rose is growing up in a pretty unhealthy environment and is being groomed to take on a position of authority in said unhealthy environment.

I've seen the same kind of reception to irl children of cult leaders and the intent behind Rose's character is to deconstruct the fact that people - particularly children - are very much influenced by what surrounds them and will respond accordingly to it. We're social animals at the end of the day. Same goes for (anthropomorphic) lions. Not to mention what goes on in a cult that may seem alarming and disturbing to us is not necessarily the case for those within it... because they've been brainwashed into thinking it's OK. Rose is very much not exempt from this and her being groomed to become Queen by her father has only made things worse.

Anyway, my apologies, this thing got pretty long and also kinda personal and it probably also doesn't make a whole lot of sense but feeling that bullies cannot be redeemed? Totally get that. Responding to the depiction with unhealthy thoughts of child abuse or murder? I can't really get behind that. If there's room for growth and a chance for them to change rather than becoming outright established abusers as fully-fledged adults, I feel we should hope for that. - RJ

--

Like everything, it depends on how it's done. I don't know what A Silent Voice is, but some things are just too far past forgiveness or redemption. Cuz at that point its not "bullying", it's hazing. If it's teasing, or there's mutual sass happening, or heck even if one person thinks the other is bullying but it was a misunderstanding (Amity calling Luz a bully in The Owl House), and its not full on harassment, or stalking, I don't see the harm in allowing someone to better themselves and liking how they've changed, especially if they're young. And I don't see a problem with a friendship beginning at a place of conflict and grow into something strong and meaningful. I don't even think forgiveness of the bullying itself is a requirement to move on? Maybe I'm just old so I handle things differently than like a teenager would, but certain stuff just stops bothering you. People I'm still friends with to this day weren't exactly pleasant to me early on in our relationship or vice versa, but we never "forgave" the infraction and we've all just moved on because the infraction in question was never done again which is something I personally care more about. I've actually had someone from High school see me years later and apologize for how they treated me. It was just all water under the bridge at that point. But what I think about how things are handled in media is not the same thing as real people. What might not be a big deal to one person might be a big deal for someone else. Again bully redemption is something to be done with care and more often just excuses abuse which is gross. But I've seen it done right, but I wouldn't exactly call it commonplace. - Cat