#but like…there’s so much potential to give her an actual personality

[littlemisssilvermoon]

Rotating an idea in my head;

Imagine a neglected!Reader who did everything in an attempt to impress their family.

Who got amazing grades and got into high school at age 11.

Who was "a savant beyond their years" and "talented beyond what their age group could be taught".

Skills came easy to them. Give them a year and some encouragement and before you know it they'll have mastered whatever it was.

It wasn't like they could leave the house and hang out with friends. Bruce said that was off the table. It got quiet so often in the manor.

But it wasn't enough

Until someone saw the potential that Batman was just leaving there. Like he wanted someone to just... scoop them up and tutor them.

Their friends and allies and even a few enemies saw the potential. They all agreed to teach them their greatest skill. In a year they've mastered all of them, even surpassing some of them.

Any drug they were developing was improved beyond anything they could've imagined.

Weapons fashioned to fit them far surpassed anything, even the best on the black market.

The Rogue Gallery was beyond impressed.

And Reader was on Cloud Nine with all the attention it was earning them. Head pats, praise, treats. It was more than anything they could've asked for. And even if they didn't have a new invention at the end of the week, so many were willing to just hang out. Without prompting! No "Go bother Alfred" or "I'm busy" or "Another time, chickadee".

Harley had to be reminded that a 12 year old had no business around hyenas, even if Budsie and Louie were on their best behavior. Harley settled for watching old magical girl animes with you.

Luckily, Poison Ivy knew not to bring you around her poisonous plants. Though she did spend a concerning time teaching you exactly what plants were poisonous and how they were poisonous.

Bane taught you everything he knew, from throwing a punch, to how to scare someone off. Granted, a 12 year old, with so much of their baby fat in their cheeks, and wrists as thick as Bane's thumb, looked like a Ragdoll kitten copying a Bengal tiger. He played chess with you too, and he said that given your role in advising, a knight or a bishop would fit you best.

Bane was your favorite. He'd smush your face (gently, you were so tiny he was scared of breaking you), lift you up, even do pushups and pull ups with you on his back.

When Bane told you how he'd saved Alfred once during a collapse of Arkham Asylum, only to be incapacitated once Alfred was "done" with him, it made your blood boil.

As you learned all of their stories, learned the human in all of them, you knew that you were saved from a family with rotten blood. You'd spend your life repaying them, even if they never asked.

--------

Eventually, you decide to follow them into battle. You're kept up and away from the bulk of the battle. This time, it was Joker vs the Batfamily. Tim was unable to track what he'd been trying to do past a few errant clues. It was clear that the Rouge Gallery had a new villain.

You were given direct instructions to watch yourself; Joker wouldn't care enough to tear his eyes off Batman. You already knew that; Harley had spent 3 days trying to convince you to reschedule with someone else, but you told her you wanted Joker, not someone who'd be tempted to glance back and give away your hiding space.

Jason was the one that saw you. You were dressed in a costume that resembled a bishop chess piece with a split full face mask, perched atop a van far from the actual battle. His old scars with Joker made him hesitate, but you looked like a definite person of interest, and everyone else was indisposed.

He ran over, firing rubber bullets as you dodged, eventually tripping and falling off the van. Why were you so small? Jason picked you up, grip just loose enough so you could breathe.

You reached up, pulling your mask off. Jason blanched as he saw your face, soft around the edges and wide eyed.

Bruce told him that he'd stayed away to protect you from the vigilante life. You were the one person who hadn't pushed to join them, so he never told you about missions to avoid any ideas of joining. Jason followed suit, and so did the others. Their lives were busy enough anyways, and you had Alfred when he didn't have something more important to do.

He may have brushed you off more than absolutely necessary, but he wasn't in the right headspace then! You had already grown so much and all he'd wanted by then was vengeance on Batman. You couldn't blame him for keeping his distance at that point. He was protecting you.

But here you were, pinned by the throat by your own brother. Your protector. He released you, taking a step back. He glanced around for an opening, seeing a small alleyway. He gestured over his shoulder for you to follow. "C'mon kid. I'll get you back home and I won't even tell Bruce you snuck out, 'k?"

Suddenly, he felt a prick in his back, shortly followed by a burning itch and ice cold pain. He fell to the ground, trying to reach the spot you pricked.

"Miss Ivy said these were dangerous. Her own home blend. It's a diluted version, so you'll be fine in a few days, Todd" said the much too calm voice above him. He was struggling to breathe around the writhing mass of pain, looking up at you between blinks of tears.

He couldn't scream, he could barely breathe. He could die here and the family wouldn't know until the dust settled.

"It won't kill you, and from the looks of it, they'll be coming to pick you up soon."

"Aren't we family?" He chokes out between gasps. He felt so lost. You were his baby sibling, the tiny thing that'd wander the halls, holding an old chess board as you asked your cool big brother to play with you. The person he kept away from to protect. How could you repay him like this?

Hadn't he done so much for you?

You look at him from the boot of the van. When had you gotten so far away? Your voice is quiet, but it's heard, if barely, over the revving of the engine as Joker's minions prepare to drive away, and the screaming of his name as the rest of the family approaches.

"Were we? I never thought you wanted a baby sibling like me."

-------

The Batfamily took him home and patched him up. The new tech, like all other recent inventions brought in, were so advanced they bordered on state of the art. Even Tim was struggling to decode any of them, with all the kill-switches that seemed to recognize when it wasn't hooked up to the original computer and bricked themselves.

Jason had recovered, like you said, in a few days. Capable of breathing easily in 2 days, regularly needing to be sedated before then, and sitting up without pain by day 5.

The Batfamily had asked him by day 4 about the masked person they had seen next to him. Jason was detached from himself. That face, those eyes. They held no warmth for him, no pity for him while he was writhing in agony at their feet. Like he was less than a stranger.

Like he was less than human in their eyes.

Your name fell off his tongue like lead, slamming against the ground as everyone fell into silence.

"It was them. They gave me that injection. Their face, I-"

"Todd, did the injection give you hallucinations? There was no way that they'd accomplish something like that." Damian raised his brow, checking the chart to make sure the bulk was out of his system.

"I know what I saw. They hadn't even injected me when I saw their face."

"That's impossible, Jay! Look, I'll go to their room and get them right now. They'll probably be pretty cranky since it's, what, 4am?" Dick's footsteps disappeared down the hall.

After a few minutes, Dick came running back, looking at Jason with a mix of shock, horror, and confusion.

Two words.

Two words that finally made them look at you.

Two words that made them realized what they'd missed.

Two words that made them connect the inventions that almost got them killed to the darling child they'd convinced themselves they were protecting with cold shoulders and smothering silence.

Two words that made them refocus their sights on bringing you back.

"They're gone."

[maythedreadwolftakeyou]

i'll be honest i haven't done as much Illario Pondering up to this point as some others. but i am Rotating Him now so gonna do my thinking out loud on my already too long post just because...

obviously Illario and Lucanis responded to their childhoods in very different ways/grew up into very different people but i think if you want to trace Illario's Issues back down to this level you can see how that would turn him into who we see in the game/stories too.

while Lucanis ends up as a loner with "no one else" (that he Counts anyway), Illario seems to have way more connections when we meet him as an adult--he flirts with anyone, he's into nightlife, he hooks up with random people at parties, the other Crows will mention him like he's a known presence in their lives--yet none of them know what he's Really up to. So his relationships outside Lucanis & Caterina do seem to exist in plenty, but they also seem to be very shallow. Unless he has some offscreen never mentioned confidant, no one seems to know what he's up to, with either Lucanis's or Caterina's "deaths", or his alliance with the Venatori/Gods. he's kept that part secret while keeping up all these other social connections. in theory maybe he got some of the other off-screen talons on his side who knew the whole story but we don't have any evidence for that either way I think (though I don't remember all the codex details so I could be wrong).

[sidebar: yes, Zara, i know. apparently they were deep enough in whatever they had going on to have love-y pet names but like... clearly not enough that Illario wasn't willing to kill her to cover his own tracks; and personally i have my doubts that the relationship was without any ulterior motives on Zara's part either. even if they did care for each other on some level they were or weren't willing to admit (since that's entirely within our realm of interpretation now) it clearly took lesser priority than their other goals)]

SO. Illario's a conniving man (intentionally!) who isn't sharing everything he knows with his "allies" probably on either side, but at the same time... he is still a very emotional man. i don't think the whole "use people and drop them" thing is his actual desire as much as how he's gotten used to operating in the world. while Lucanis seems to have self-isolated as a way to protect both himself & those around him, I think you can interpret Illario as instead learning that he can achieve the same result by instead having a large amount of very shallow relationships. By spreading around his desire for connection he creates a situation where Caterina can't possibly remove them all from his life, but has the plausible deniability of not being actively close to anyone so he doesn't risk punishment falling on himself either.

and i don't necessarily think his approach was a WORSE one compared to Lucanis', at first. in many ways something's better than nothing and Illario seems to have a better understanding of himself & his emotions (not saying he always does or it's a GOOD understanding, but "better than Lucanis" is not a very high bar), plus way more experience in general at just. social anything. because now that they're adults, ILLARIO is the one who has managed to stand up to Caterina, and change the direction of his own life, even if he did pick the most ruthless path to it. Unlike Lucanis (in The Wigmaker Job & first parts of Veilguard) he DOES show great deal of autonomy, understanding that his tiny family is the thing holding him back from what he really wants. But he also has no one else jumping over to help him, no one left he can manipulate, and so he reaches past the crows to the Venatori/Gods as the next step.

so the true downside to this is in fact based in reputation more than anything else. because he's spent years seemingly playing with the emotions of everyone else while never really giving them a way in, as a coping mechanism... he's already burned those potential bridges in a way Lucanis hasn't. people aren't willing to extend extra graces to him the same way. possibly it even contributed to why Caterina liked him less as a successor, since he was less controllable by her personal rules/whims. i dont really have a thesis statement here like before since i haven't been mulling it over as long but i think it's a fun way to interpret their dynamic.

man... in Veilguard it really is so so clear how much Lucanis yearns for connection, how much he laments having barely anyone who is a tangible long-term presence in his life. Illario and Caterina are IT until he meets Rook, he tells them.

but he grew up in the Dellamorte estate. A huge, huge manor that would not just have servants, but STAFF. payrolls full of people who clean and cook and keep the place running. And we know he had some amount of free reign around the place. He explored in the tunnels and basements and found the secret entrance/exit while playing alone. He learned how to make churros and cook other food from the kitchen staff. Someone taught him to knit. So... where are those people? Where's the kindly cook who became a second mother, or the maids who watched him play? He would know their names and remember them, if they were around long enough. And it's NOT just some rich boy privilege that makes him forget they're there, because we know he sees the working class as people who with real lives. In The Wigmaker Job, he knows elves in the alienage, who think well enough of him to let him use their secret routes around the city. He risks the whole mission and breaks rules to let one single serving maid go--they're not invisible or somehow lesser to him. He was raised as a Crow, he's been trained since he was a boy to be observant--he'd listen for the names and details about the lives of servants who were around him all the time as a child. And he is also kind and gentle, so he would reach back if they offered him any kind of affection

Which means their absence in his life is intentional. Caterina must have had the staff rotated often enough that he couldn't learn who they were, and discouraged anyone from talking to or connecting with the Dellamorte boys--she probably thought she was keeping them safe. Keeping them from having people who might matter and therefore could be used against all of them--not to mention it's way easier to slip a poisoned treat to a trusting child, or convince them to follow you out of the estate to an undisclosed location. Her paranoia after losing all her children and other grandkids warped into isolating the Dellamorte boys utterly from any kind of connection and affection outside of herself, and then she withheld it anyway, because she was afraid of getting hurt again too (<- not an excuse, still abuse). And she is NOT a kind woman, who would look over a transgression--servants disobeying her orders about staying away from her grandsons would mean losing their job at best and probably physical punishment along with it. Or maybe you just never saw that coworker who dared say something kind to a crying child again.

It's so sad. And makes it so much more meaningful that there WERE occasional times he got away with it anyway. I wonder how much those cooks risked when teaching him how a kitchen runs, and to make his favorite dessert. If they had some excuse for it, or were all sent away once Caterina found out. Of course he'd stop trying to make friends with any children of the staff his age, if any time he did, the whole family got moved to work at a summer villa in the country instead. If the people who cleaned his rooms were different every month. He'd notice that anyone who he tried to get close to just ended up out of his life entirely, and so eventually Caterina wouldn't need to keep isolating him intentionally as he grew. Lucanis learned. He started doing it himself.

[tarraxahum]

This was gonna be a reply to a reply but I thought maybe I should just make my own post. Yes this is about Vi again.

It's no secret that "Vi should've fought for Zaun" and the expectation of her being Vander's prodigy and feeling like the plot dropped the ball on her in that regard and the betrayal at the fact that she's living comfortably in Piltover now are. Frequent sentiments in the fandom. Which I get, but also I feel that this line of expectations is. Diverging from who Vi actually is by the end and what she was realistically capable of.

Vi in season 2 is basically running on fumes and because she has no other options. It is a well known thing in irl activist spaces that to participate in any kind of fight for justice you need to take care of yourself, otherwise you won't have the energy to be any kind of useful to your community. Ekko also says this - "It's not enough to give people what they need to survive, you have to give them what they need to live". Vi has been surviving and not living in any shape or form for years, she's exhausted and broken in places. That's no mental state to fight for Zaun or make any kinda change. I think it's extremely realistic and human and hardly a flaw of writing or the character if by the end the only thing she was able to do was collapse into the safety and peace she was offered for the first time in forever (aka Caitlyn). It's clear that in her last scene she's still recovering mentally - Cait seems to be excited to have any sign of life (singing) from her at all, and the "Are you still in this fight?" question is very loaded. (But it's indicated that Vi is very much still in the fight, so? It's really anyone's guess what she'll do once she's healed and remembers how to live. And don't bring up LoL's Vi brutality thing, it's clear they're different characters).

I think in wanting to see Vi stand up for Zaun or be Vander's prodigy we often deny her the flaw of being a breakable human and forget just how much she's held together by duct tape. Just because she was full of this 'fuck Piltover' fire as a kid doesn't mean she is still capable of matching that energy. Sometimes after lots of trauma humans grow up into tired adults who just want to sit down and feel safe regardless of where it happens and how questionable it might look (re: living in Piltover). Not to mention, that even as a child Vi's main reason for fuming at the Topside was wanting safety for her family and herself. Well, now she's all out of family, she's estranged from the community of Zaun thanks to being in prison for 7 years and Silco changing the place so much, and the only person who's offering her safety and not more fighting (which she's exhausted and thoroughly burnt out from!) is Caitlyn, so. How is where she ended up any kind of surprising or a failure of her writing/character?

Yes, a lot of people wanted a revolutionary, no, Vi isn't one. Dare I say, never really was one. At her lowest, when she's got no one left to protect, she's not trying to fill in that void by taking on protecting Zaun and becoming a vigilante or something, no, she spirals. That is not something on her radar, that's not something she's visibly cut out to do, she cares so so much but on a smaller scale. Even the whole shimmer factory debacle was less about Zaun and more about her desire to hurt Silco personally for what he'd done to her family. If Jinx agreed to run away with her back at the tea party Vi would ditch the entirety of Zaun (potentially leaving it to Silco forever since he's still alive at that point) in a heartbeat to keep her sister and save Cait in one move. She puts on an enforcer uniform BECAUSE she cares for Jinx (through convincing herself that at the very least she should take her out of her misery herself rather than leaving it to people who don't care, yes) and Cait both.

Perhaps a hot take, but not becoming a leader despite being good at taking hits to the head and caring about people in general and being a daughter of one does not make Vi a badly written character or a bad person. It just makes her a person. And a character whose arc culminated in choosing herself. And choosing yourself sometimes means leaving the fight to others (perhaps temporarily, considering the final dialogue). And that's okay.

Arcane is tragedy about flawed people, not a feel-good story about a successful revolution and rich people paying for their crap, and it was never going to be. Ergo one of our main character isn't an upcoming hero in shining armor who was allegedly robbed of her potential. She's just a broken young woman who barely knows how to keep her own little life together and her biggest victory by the end is allowing herself to take a breath and live for once. Yes, while her home down there is still in shambles. Yes, that sounds selfish. For some people a bit of selfishness is the greatest thing they can ever learn for themselves.

[elizabethsnuts]

OH MY GOD I SAW HOUSE MD IN YOUR RECENT POST AND I RAN TO YOUR ASKS😭

what about young or toddler daughter seeing house as her hero and really looking up to her dad. asking for verification if she’s doing it right and plays pretend as a doctor all the time with him as her patient.

Maybe she comes into work with him and everyone sees how soft he is with her and the sweet nicknames he has for her and is surprised (except cuddy who is use to it)

anyways…love your writing! you’re soooo talented:)

Baby House

Gregory House x Daughter!Reader

Summary: House takes you to work with him where you play doctors together.

A/N: I really hope you like this!! I find House being soft with a child so adorable!

———

As a person, House wasn’t exactly someone to look up to. As a doctor, of course, but as a person in general? Not so much. Unless you’re Chase that is. He was a jerk, he had a horrible bedside manner and was a general asshole, except to you of course. He was your daddy, in your eyes he was the best person in the entire world, the coolest guy ever. He was pretty cool in your defence, he was a world-renowned diagnostician, being able to figure out patients' mysterious illnesses with no explanation was pretty damn cool.

House had taken you to work with him, no one could stop him and Cuddy loved you so as much as she told House to stop, she never really did anything about it. You were Mini-House, a baby medical genius, or that’s what House called you because apparently, you were smarter than all his stupid team members.

You were getting pretty bored of just sitting in your chair while the others kept throwing out ideas of potential diagnoses for the patient. You wanted to play doctor, not listen to doctor. You let out a little huff, looking up at your dad who was standing by the whiteboard. “Daddy, play doctor?”

House looked down at you, nodding before looking up to the other three doctors in the room. “We can play doctor when someone says something that can actually fit the symptoms.”

Foreman crossed his arms, sighing. He was getting annoyed at House as always, especially when he kept shutting down their ideas. “Lupus.”

House just let out an exaggerated groan and you copied, throwing your little head back in annoyance. If there was one thing House taught you it was that it never was Lupus. He looked down at you, leaning on his cane. “Y/N, what is the diagnosis never?”

You let out another huff, looking at Foreman like he was an idiot. “Never lupus!”

House nodded, pointing to you. “See, even a 2-year-old knows more than you, morons.”

Chase spoke up, shrugging slightly. “You suggest lupus all the time!”

House rolled his eyes dramatically. “No, I don’t.”

You were getting more bored, so boring. You wanted to play doctors now. “Daddy! Doctors!”

House shooed the team off, telling them to go do a lumbar puncture on the patient. He brought you through the door to his office, handing you your doctor-play kit. “Alright, we can play now.”

You let out a happy giggle, you had taken Wilson’s doctor coat to really fit the doctor role. How was Wilson meant to say no to your adorable little face just wanting to play doctors so bad? He caved. You waited for House to lay on the floor, opening up your kit in the meantime, pulling out a plastic pretend needle.

“Shots!” You stated firmly, putting on your best ‘serious’ tone.

House looked to the side to where you were standing with the toy, he let out a mock-dramatic cry, shaking his head. “No shots.”

You tried to hold in your giggle, giving House a sympathetic pat on the head. “Shhh shh, it ‘kay. Just pinch.” You shoved the blunt top of the needle toy, pretending to give him the shot. You quickly whispered to him quietly, not wanting to break character too much. “Daddy, it right?”

House nodded, whispering back to you quietly “Perfect, good job, little lady.” The both of you quickly got back into character, patient and doctor. House made an exaggerated expression of pain to make you laugh, he held his arm like it was searing in pain. “Ow! That hurt! I could sue you, y’know.”

You let out a sigh, shaking your head and putting the needle back in the box. “Not legal issue.” You picked up a toy stethoscope, putting the ear pieces in your tiny ears and the chest piece on House’s chest. “Daddy, dis right?”

House smiled, gently moving the chest piece a little higher on his chest to where his heart was. “Yep, you got it. You’re very good at this, Doctor House.”

You smiled happily, taking the stethoscope off and putting it back in the kit. “Tanks! You all good, Daddy.”

House put a hand to his heart, turning over to you. “Are you sure, Doctor House? I think it might be exploding, there’s too much love in it, I think it’s bursting.”

You giggled softly, putting a hand on his chest. The both of you were oblivious to Foreman, Chase and Cameron standing in the doorway, as well as Cuddy. You hummed curiously, pretending to feel his heartbeat. “Hmm… how love there?”

House pretended that his heart was about to blow up. “Well… there’s this little girl, named Y/N. She makes my heart blow up! Can you believe it?”

You gasped in surprise, a big grin on your face. “Hey, dat me! How we fix?”

House smirked, immediately grabbing you in a tight hug. “I need a kiss! Right now! Before my heart bursts and explodes, you can lose your license for that y’know?”

You just giggled, hugging House tightly, burying your face in his shoulder. “All better!”

Meanwhile, in the doorway, the three diagnosticians were standing there with the most surprised looks on their faces. Foreman whispered to Cameron and Chase next to him. “I didn’t think it was humanly possible for him to be affectionate.”

Chase nodded in agreement, staring wide-eyed as House hugged you. “Did he take extra Vicodin?”

Cuddy just rolled her eyes in amusement, looking at the three of them. “Don’t get used to it, he’s only like that with her. He might fire you if he sees you.”

Cameron, Chase and Foreman stood for a second longer, before quickly scrambling off, no doubt going to have a long long discussion about this while testing the patient, just like they always did, gossiping in front of patients.

You smiled as you saw Cuddy, oblivious to the others who saw, not like you’d care. “Cuddyyyy!”

Cuddy smiled, walking into the office and looking down at you. “Hey, beautiful girl! Are you playing doctors again?”

You nodded, making a silly face at House who just made one back to you. “I save Daddy!”

House may have been the least affectionate and loving person, but not to you, you were the one that kept him sane, kept him going when it was hard. You were his daughter, as much as it surprised him to even hear himself say he had one.

[miraculouslbcnreactions]

"Another theoretical path for Zoe would be to let Chloe redeem Zoe. We know that Zoe was a massive liar in the past."

If I understood your pov about a Chloe redemption and how Lilia neither has reason to be on the show: if you had to use a character for Chloe to redeem, and kinda serve both as a foil for her and a lesson for Adrien's character growth, it wouldn't be Zoe, but Lila?

*sighs* You bring so many good points on the characters' writing that I can't beleive how many "repeated" characters the show has! Would you consider Socqueline another innecessary character?

(Post this was in reference to for Zoe and for Lila)

It's not shocking that the show has "repeated" characters. It's a school drama with 21 teen heroes in the canon cast (24 if we count the special characters). It's damn near impossible to give that many characters a unique role in the story unless you're dealing with extremely complex plots a la Game of Thrones where it's less one large cast in a single story and more smaller casts in mini stories that all intermingle. If you look at something like GoT, you'll notice that, while the overall cast is massive, each mini story has a more normal sized cast and those smaller groups only come together after they're extremely well established. Miraculous could have done something like that with each member of the class getting a mini arc that focused on them, but it didn't, so the cast is basically a uniform blob.

Zoe, Chloe, & Lila

Before we talk about Socqueline, I wanted to quickly make some comments on Zoe and Lila. If I had to have Chloe redeem someone to show off her new skills post redemption, then I'd have it be Sabrina. If Sabrina is off the table, then I'd pick Zoe. If Zoe is off the table, only then would I look to Lila because why use Lila when you have Chloe's best friend and sister as options? That's far more compelling than some random girl no one knew before this year and who no one is connected to. Even the Zoe route is questionable since she's so underdeveloped right now. Both her and Lila would need major work to be fully functional characters and I personally have no interest in doing that work since I don't feel like it adds enough value to canon.

I will note that Lila and Zoe actually had potential to be an interesting contrast to each other since they're both liars. Redeeming one and damning the other works far better than doing the same narrative with Lila and Chloe since Lila and Zoe have the same core problem while Lila and Chloe have nothing in common to the point where canon has to retcon in Chloe having a Marinette obsession so that the Chloe and Lila team up made sense.

Similarly, if you damn Chloe, redeeming Zoe could have been interesting. You could even redeem her and then, though her, save Chloe since Zoe hasn't suffered from Chloe anywhere near as much as the rest of the cast. That and their sibling status makes Zoe a decent choice for the person who changes Chloe's heart just like the Zoe's backstory feels like a good contrast to Chloe's canon story.

Zoe is introduced right after Chloe supposedly proved she didn't want to change (for this post, we're pretending people actually tried to help Chloe and failed). That should mean that everyone is really freaking wary of the new girl who shows manipulative tendencies while also claiming that she wants to change. That could have led to an arc showing how you know when someone does want to change and how to navigate that.

I don't think Zoe is a great candidate for that since she's a total stranger who no one but Chloe has any reason to care about, but it would have done something to make the people in canon actually learn the supposed redemption lesson we're currently missing. As-is, Marinette just randomly believes in Zoe right from the start and Zoe is good basically right from the start, showing that Chloe's betrayal meant nothing to the cast and driving home that Marinette's first impressions of people are basically always right. Adrien seems to be the only exception.

Socqueline

Socqueline is a totally pointless character who I would never have included. It's not that she's bad in and of herself, it's that she once again adds nothing to the cast that wasn't already there. She is Origins Alya on steroids. She's here to protect Marinette from Chloe and inspire Marinette to be brave and that's about it. Why she needed to do that when Alya is supposed to have that role is anyone's guess.

If anything, Socqueline undermines Alya since we now know that Marinette had an amazing best friend before Alya came around! Socqueline was willing to fight Chloe even before Chloe randomly mellowed out into a nicer person because seasons one-to-three Chloe has nothing on Derision Chloe. Even seasons four and five Chloe aren't as bad as Derision Chloe. This show has no idea what it's doing.

[zephyrrhiesfyrian]

Sneasler fucker anon here. For the pla mecha au, how to cybertronians come into being? Allspark, Vector Sigma, Hot spots/matrix, spicy fan versions, non-spicy fan versions, crystals, g1 logic, etc. It would determine specifically how Emmet would react to thinking Ingo fucked that sneasler.

Biggest question would be if Ingo and Emmet were split spark twins. Big angst potential there, especially if the fanon twin spark bond existed. Would it be snapped, stretched thin, or just non-existent? Imagine another soul that's been there your whole life. Its a part of not-you that you constantly feel. You've never been without it. And then one day it just disappears. Not silent, not broken, not stretched so thin that you can barely feel it. The bond is just... gone, like it never existed. How would it be for someone who's never existed without their other half, the only other being they share a soul with?

And then you meet them again. Many years, many lifetimes down the road. On another planet, stranded and alone. You're excited, of course you are. You've missed them for eons, searched desperately for just a glimpse of them, down dark alleyways and on planets hostile against mechanical organisms. Now you're on a backwater planet with strange organics with strange and sometimes threatening powers. You might be stranded with no way home, no way to contact anyone. It doesn't matter though, they're here.You've found them. Your other half of your spark, of your life, of yourself. They're right in front of you....

But you can't feel them.

I imagine cybertronians come into being the same manner I use for most of my serious tf AUs, which is a combination: hot spots (aka sparks just spawn straight out of Cybertron's surface and coalesce into Person), cold construction (sparks yoinked from the Matrix of Leadership that later get shoved into premade bodies), and then "sexual reproduction", which in this case is just "you have two cybertronians and they smush sparks and then maybe sometimes there's a weird reaction that happens and you get a third spark".

I'm assuming that spark-twins are probably sparks that come into existence as a single spark and then split partially through the coalescence period. So in terms of fun IDW1 terminology/lore, Ingo and Emmet are Forged (they spawned from a hot spot).

As for the spark bond connection, I don't imagine that it would change much? It might end up dimming or going dormant somewhat when Ingo loses his memories, but that's because he's not actively aware of having the spark bond anymore. Like, it's there but he just assumed "oh that's just a feeling I have I guess" and doesn't really interact with it. I don't believe distance would change anything, because my understanding of spark bonds is that they're essentially some form of quantum entanglement that happens when you spark merge (or in this case, when one spark splits into two), and quantum entanglements are not affected by distance! :D

So when Ingo and Emmet reunite, Ingo is going to be very overwhelmed by all the sudden positive feedback from Emmet's side of the bond, since he's mostly just felt Emmet's grief and depression for the past while.

Also!!!

I am brainstorming (heh, tf pun) names for the boys! My wife, my beloved @bwans-art, attempted to help me with names, but alas, my self-imposed rules prevented me from picking any of her suggestions XD

Said rules are that their names have to have the same meaning as what their actual names are intended to mean/reference. Going based off of the common themes from the English (Ingo = ingoing, Emmet = emit), German (Hin = back, Her = forth), and Japanese (Nobori = up-train, Kudari = down-train), I've distilled the meaning down to Ingo being "to return to" and Emmet being "to go out from".

I'm thinking that I might go with Arrive and Depart being their mech names? Or at least being the most common English translation of their Neocybexian names (as Neocybex is not an actual language that exists I cannot give them names from that XD)

This also opens the door for entertaining miscommunication, such as Emmet's translation software not figuring out how to differentiate that he's saying his name, so he is just stuck saying "I am leaving" repeatedly throughout his speech instead of "I am Depart".

Also, Emmet calling for Ingo could potentially just be translated as him yelling "COME BACK" over and over.

"I am Depart. You are Arrive." -> "I am leaving. You are coming back."

[alaskan-wallflower]

“we need more complex female characters”

okay, well how about you take the ones we have and stop bitching about them doing “bad things”. let them be mean! let them be selfish!! yes, cheating is very wrong, i get it, but so is jumping kids! yall will give the most IN DEPTH analysis of these random soc boys and why they jump greasy kids (which there’s nothing wrong with analyzing the soc boys) but then you’ll turn around and bitch and moan about cherry and how she broke up with bob, or sandy and that she cheated, and sylvia cheating too, like…they’re all morally grey. no one’s black and white. they’re all good and bad. let them be good and bad, because even if these characters were the most fleshed out, sweetest characters ever, yall would dub them “annoying”

idk, it bugs me a lot of you can’t tell

[crimescrimson]

The Main House in Resident Evil 7 (2017)

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[vancalox]

i was so set on replaying veilguard for the davrinmance but oh my god im SO attached to my agent-of-fenharel hardingmancer rn i actually think the choice is out of my hands lol

[arolesbianism]

Doodle I did of my girl Juliet earlier

[ruvviks]

made the realization my vampire story would work best as a video game and now i can't stop thinking about it

[ninjagotohell]

I just read a whole wacky thread of people arguing which parent was bad Garmadon or Misako and I’m no longer scared of the Misako defenders

[automatic-midnight]

My biased, really unpopular take is that I think rit/su/maya is an objectively boring ship.