#but like non stop

[ofseaandstarz]

school is starting in a few days and I should probably apologize to my friends ahead of time for any time I open my mouth because it will just be marauders and the rookie

[dickggansey]

when will my step sister shut the fuck up -_-

[seagiri]

(FLASHING COLORS) Girasol

[blabberoo]

"You have 72 hours."

Left alone in the consequences of his obsession, he let desperation get hold of his intellect and come up with a plan. For the world. For himself.

[kingofmyborrowedheart]

How it feels being a longtime Taylor fan that remembers when there used to be two years between new music releases.

[bertiblogxiv]

'Refusal of the Call' is a narrative trope where-

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[diamondzart]

I 3D MODELED KIWI SNIPER YES

That artwork by @redmarqar made me lose my shit and I realized that if I don’t turn him into a low-poly 3D thingy right here and now I’d DIE on spot. So I sat down and made this in one evening!

🎷You spin me right round baby right round~~~

🔧Blender 3.6, Eevee render engine. 422 polygons (802 tris). I'm so proud ahaha

If this gets recognition I may even decide to rig and animate him... So please, if you like it, reblogs appreciated!!!

[strawdool]

pathetic wet cat moment lol

[mihanisms]

are you hearing things? certainly, an intruder didn’t break into your house just to clean up the mess you’d left behind this morning and cook your favorite dish, did they? no…unless this intruder was really, really nice and somehow knew you inside out.

but then it hits you.

caleb.

that's the only thought in your head as you rush over to the kitchen, stopping in the middle as you see your husband in a fucking apron, cutting up vegetables on the kitchen counter.

he looks up as soon as he hears your footsteps stop, a big, satisfied smirk on his face. yet despite the smugness, his expression is tender, displaying a love that makes your chest tighten with familiarity. before either of you can say a word, you rush over to him, wrapping your arms around his neck and immediately melt into his touch.

he's warm, and most of all, real. in your arms. no words are said—they're not even needed as he returns your embrace, nuzzling his face into your hair and pressing you to him like a long-lost piece of himself finally returned. you sink into the quiet gravity of his hold, the space between you dissolving as you breathe in each other's presence. time feels like it's folding in on itself—only the steady rise and fall of his breath tethering you to the moment, to him, to home.

you decide to break the silence, your hands gripping tighter on his clothes, voice muffled by your face in the crook of his neck. "caleb. you’re early. you’re- you're here." the words are slightly cracked, tinted with a quiet desperation and disbelief that has your heart pounding in your chest, still processing what was happening.

caleb only holds you closer, his voice thick with similar emotions. "'course i am, honey. wouldn't trade this for the world." he presses a soft kiss to your head, his hands gently running down your sides and stopping at your waist. he pulls away to look you in the eyes, his gaze filled with something so soft you could almost feel it in your hands. "the expedition ended early. i got home as soon as i could to surprise you."

your eyes drift up and down his face, his neck, any piece of him available to you—you drink it in, relishing in the man before you like a traveler would an oasis in the desert. you swallow, throat thick with longing as you struggle to say another full sentence.

but it doesn't matter, not when he knows exactly what you want to say. your emotions are written on your face, woven into every action, and even without words, caleb can feel it in the space between you, his heart long since in tune with yours.

taking a deep breath, you manage to speak, sniffling. "i was- i was counting down the days. i thought you wouldn't be home for at least a few more weeks-"

caleb only grins softly, tenderly slipping his hand beneath your shirt to feel your skin on his. "you know me, honey. i can't just stay away from you." he punctuates his words with a soft caress up your back, tracing your spine and sending a shiver through your body. it grounds you, his actions and affections so familiar and yet so unreal in the moment.

a small laugh manages to bubble from your lips, relieved and stupefied. you pull him in again, feeling his heartbeat against yours. he's here. all of him.

and suddenly, the exhaustion of the past few weeks, the impatience, the longing, the loneliness—it all fades away, and you're left with something that is so unmistakably home, because you're in his arms.

he lets out a relieved sigh of his own, chuckling slightly and shifting his body to better accommodate yours. in doing so, you're pulled away from him just slightly, the glint of something floating in the air catching your eye. your brows furrow together as the object catches your interest, peeking out at it from above caleb's arms.

a knife.

a floating knife.

you blink. your mind is still catching up with everything, but the sight of a knife hovering a few steps away from you—completely still, suspended in midair—pulls you out of your processing period. your brows furrow even further, your head stiffly moving to look up at your husband.

"caleb...?" as of that moment, his tender gaze had turned into a suppressed grin, his eyes twinkling with that mischievous glint you knew so well. his hands squeeze your sides, voice teasing and lilted. "'sup, honeybunch? still need proof it's really me?"

your eyes flick between the knife and him, your voice slow and hesitant. "caleb, why is there a knife next to us right now?"

he laughs, and it's a warm sound that dissipates any tension in your body, a small smile pulling up at your lips despite the confusion. he leans in with a smirk, shrugging and ruffling your hair as if it’s the most casual thing in the world. "i don't know baby, you were pretty eager to get me in your arms. didn't stop to think twice that i was cutting up some veggies."

your face flushes as you process that he had only used his evol to move the knife he was holding away from the both of you. "...oh," is all you manage to squeak out as he laughs again, gently tugging on your hair to tilt your head upwards and to land a kiss on your forehead.

caleb smirks, his own gaze flickering between the knife and you, "someone had to make sure you didn’t end up with a gash on your hand while trying to tackle me."

you shake your head, still smiling and now slightly flushed due to his actions. "sorry, it was all just..." he cuts you off with a finger to your lips, grinning at the cute sight of your face. "there's no need for an apology, honey. i'm just doing my job as your husband."

he steps forward, the knife gently floating back down onto the counter with a soft clink as he places his hand beneath your chin. "our kitchen is quite the dangerous place, you know."

the playful edge in his voice and the cheeky grin on his face make you laugh, a soft, breathless sound that feels lighter than it has in weeks. you shake your head, amusement dancing in your eyes as you finally take in your surroundings—the seasoned chicken resting in the bowl, the steam curling from the bubbling pot of your favorite broth on the stove, and most of all, the warm, inviting scent of home.

it isn't just the food or the careful way he’s prepared everything for you. it’s him, standing there, grounding you in a moment that feels almost too good to be real. the weight of missing him lingers faintly in your chest, but it’s lightened by the fact that, for the first time in weeks, he’s here.

caleb's eyes wash over you with amusement, his head tilting as his thumb caresses your cheek before gently pressing into your skin, affectionately squeezing your face. "you okay there, pips? looks like you're about to start crying over dinner."

his teasing lingers for only a second before something shifts. his touch, once playful, turns softer—more deliberate. his hands come up to cradle your face fully, his warmth seeping into your skin. it's only then that you realize why his expression has changed.

you were crying.

warm, salty tears are trickling down your face as you try to deny your current state, your lips trembling as you let out a shaky laugh. "ah, i’m-," you start off, but the crack in your voice betrays you. you sniffle, swiping at your face, affection and frustration mixing in your expression. "it’s not-”

but caleb just smiles, thumbs brushing away the tears before they can fall any further. "i know," he murmurs, voice as warm as his touch. "i know, baby."

caleb doesn’t say anything else—he doesn’t need to. instead, he pulls you in, pressing his lips gently to your forehead, letting them linger there for a few precious moments. his touch is grounding, and for the first time in what feels like forever, you let yourself lean into it completely.

his fingers stroke along your back in soothing circles, a silent reassurance that he’s real, that he’s with you. and you believe it. because how could you not, when his presence feels like the most tangible thing in the world?

after a few quiet breaths, he pulls away just enough to meet your gaze again, studying your face with something soft and knowing. “feeling a little better?”

you sniffle, nodding as you wipe at your eyes again. “yeah. just… didn’t expect this.”

he grins, his thumb grazing over your cheekbone one last time before he finally steps back, hands slipping down to rest at your waist. “well, i was hoping for a ‘wow, my incredibly handsome husband is the best for surprising me like this!’ but i guess tears of joy work too.”

you roll your eyes, though there’s no real annoyance behind it. “if you wanted me to swoon, you should’ve walked in with flowers, colonel.”

caleb lets out a dramatic sigh, shaking his head. “damn, should���ve known i was dealing with high standards.”

“very high,” you confirm, the ghost of a smile tugging at your lips.

he huffs out a laugh before squeezing your waist one last time and turning back to the counter. “cmon, pips. go set the table before you start crying again.”

you mumble sarcastically but oblige, pulling out the plates and utensils while he goes back to cooking. the kitchen is quiet save for the soft sounds of bubbling broth and the rhythmic chop of his knife against the cutting board.

it’s a comfortable kind of quiet—the kind that settles lovingly in your ribs, wrapping around your heart like the warmest embrace.

and when you finally sit down for dinner, across from the man who makes your world feel so much brighter just by being in it, you realize that no matter how long he’s gone, no matter how much you miss him, this moment will always come back to you.

because caleb always comes back to you.

[badolmen]

I am reminding you that h*rmaphrodite and variations thereof is a slur harmful to your intersex siblings. Stop using it.

[qualityrain]

why are they batshit insane

[maridotnet]

don't you hate it when that happens

ps @bittersweetresilience this is dedicated to you for all your amazing tags

[keferon]

I know we left the spellbound craze but I still think about it lol.

Who would senator shockwave hear when Jazz speaks?

It depends on when exactly he would do that I think

At first it would be Orions voice. After some time it would be his own before-the-demon voice. But also imagine. Shockwave as a demon is pretty calm and hard to read so. Ahah. At some point both Blurr and Shockwave meet Jazz and have a little conversation or like tiny adventure with him? And then after some time Jazz is like “Blurr my guy you should ask him out.” And Blurr laughs because “Pfffhhhh you really think he likes me that much?” . “Oh yeah. More than you think.”

[charlie-rulerofhell]

You‘re alright there, mate?

Yeah, it’s just a cold.

[voluptuarian]

I'm trying to avoid people's dumb takes on Nosferatu but I keep being exposed to the tip of the iceberg and am annoyed enough about it to rant about it.

There's nothing in there that implies she was a kid. She lived in her family home, in the room she had lived in her whole life-- very typical for an unmarried adult woman at the time, especially in a well off family. Everyone determined that this had to be Orlok "grooming" a "child" are just fixated on that interpretation because it's nasty-sounding enough that they can condemn the relationship as "irredeemable" and "problematic" without sounding like pearl-clutchers. It's the magic word that lets them look vindicated in writing the whole thing off. She's not played by a child, she is dressed and styled as an adult, and the needs she's expressing, for attention, for recognition, for physical and emotional intimacy, are in no way limited to children. She's a young woman yearning for things that everybody wants and she's been denied. Ellen having been neglected, lonely, and starved for affection doesn't negate her adulthood. Her walking into a bad situation as a result of all that doesn't make her "groomed." Plenty of grown adults wind up in bad relationships because they're naive and desperate for love.

Similarly, everyone determined that one side of the triangle here wasn't "real" or that she "actually" only felt a connection with one of them and nothing for the other is similarly ridiculous. Thomas is the relationship Ellen chooses intentionally and conscientiously and which provides her the future she wants while satisfying her physical and emotional desires in a safe, secure, loving environment. Orlok is the first love, the first major relationship that she fell into because she was reckless and desperate for affection, that at first satisfied her needs but turned sour and dangerous-- that relationship becoming scary, unpleasant, coercive, doesn't erase the good things they had together once. Ellen and Orlok is the bad breakup between people who's freak matched too well. In the normal world it'd be a bad breakup with a toxic partner; in hers he's unfortunately also a an amoral inhuman manifestation of consumption.

And as for "Orlok doesn't love Ellen blah blah he's only an appetite blah blah." Love is an appetite. Need is an appetite. Loneliness is an appetite unmet. It's all hunger!! Why the FUCK is a zillion year old ghoul aristocrat holed up in a ruin in Eastern Europe tuned in enough to immediately respond to the random calls of some nameless unimportant woman he's never met a thousand miles away?? Because he's as desperate as she is, and for similar things. He was already listening, was already looking for someone-- he was desperate and searching first. His needs are twisted because he's a literal monster, but they still echo hers. The freak is matched, the freak in this case being deep emptiness and desire to be wanted and embraced. Unfortunately for him, Ellen can look elsewhere to satisfy those desires when he no longer makes her happy and find people who will-- and she does. Orlok can only go where he is called, must be chosen under special circumstances, which, seemingly out of everyone within his considerable reach, only she has offered. If what Orlok feels isn't love, its the survival in his mockery of life of what would have been love. But what ends in real love with union, ends for him with destruction and a return to lonely solitude-- that's his curse.

Ellen saves the man she chose by rejecting their future together, by breaking their marriage vows, and by sacrificing herself. She chooses the sacrifice as an act of autonomy, but one that subverts her own desires and victimizes her. It's a tragedy, but it's also a victory. It's a succumbing to the predations of the lover who wouldn't let her go, but its also making peace with him, taking into her embrace a figure she hates and fears but still feels connected to. It's fulfilling the monster's insatiable need, granting him the union he craves the only way it can be: through his death. Orlok is loved, and betrayed, and saved. Thomas is loved, and betrayed, and saved. Ellen chooses love for both of them, betrays them both, saves them both, betrays and saves herself. All of those things can be happening at once, just as tenderness, rejection, repulsion, evil, and love can all be happening at once. Is it comfortable? No. That's the point! But expressing your discomfort with that story as "I will willfully misinterpret this movie and dismiss its themes in whatever most easy to excuse way I can because I feel uncomfortable" is the path of the hack and the coward, and I think that's the what the majority of these "takes" are really about.