#but like non stop

[sea-and-starz]

school is starting in a few days and I should probably apologize to my friends ahead of time for any time I open my mouth because it will just be marauders and the rookie

[dickggansey]

when will my step sister shut the fuck up -_-

[muffinlance]

My baby daughter got her adorable puffin-print dress absolutely CAKED in mud crawling around the yard and my first thought was "oh no her beautiful dress"

And my second thought was "oh huh it really WOULD be easy to unconsciously steer her away from playing in the dirt. Unlike my son, whose outfits are usually some kind of solid dark easily washed pants plus a shirt that doesn't trail in the dirt like a dress does."

Anyway something something gender roles start getting shoved on kids from literal birth, but with a little time to think about things, YOU TOO can let your children of any gender absolutely destroy their clothes in the dirt pit they're digging in your garden

[blabberoo]

"You have 72 hours."

Left alone in the consequences of his obsession, he let desperation get hold of his intellect and come up with a plan. For the world. For himself.

[bertiblogxiv]

'Refusal of the Call' is a narrative trope where-

[diamondzart]

I 3D MODELED KIWI SNIPER YES

That artwork by @redmarqar made me lose my shit and I realized that if I don’t turn him into a low-poly 3D thingy right here and now I’d DIE on spot. So I sat down and made this in one evening!

🎷You spin me right round baby right round~~~

🔧Blender 3.6, Eevee render engine. 422 polygons (802 tris). I'm so proud ahaha

If this gets recognition I may even decide to rig and animate him... So please, if you like it, reblogs appreciated!!!

[strawdool]

pathetic wet cat moment lol

[badolmen]

I am reminding you that h*rmaphrodite and variations thereof is a slur harmful to your intersex siblings. Stop using it.

[somerandomcockroach]

I have a headache because of MOMU (from 72th chapter) (Also will link this art by Kef because for god's sake my brain took angles from here)

[housederiva]

Woe my rookanis be upon ye

[maridotnet]

don't you hate it when that happens

ps @bittersweetresilience this is dedicated to you for all your amazing tags

[voluptuarian]

I'm trying to avoid people's dumb takes on Nosferatu but I keep being exposed to the tip of the iceberg and am annoyed enough about it to rant about it.

There's nothing in there that implies she was a kid. She lived in her family home, in the room she had lived in her whole life-- very typical for an unmarried adult woman at the time, especially in a well off family. Everyone determined that this had to be Orlok "grooming" a "child" are just fixated on that interpretation because it's nasty-sounding enough that they can condemn the relationship as "irredeemable" and "problematic" without sounding like pearl-clutchers. It's the magic word that lets them look vindicated in writing the whole thing off. She's not played by a child, she is dressed and styled as an adult, and the needs she's expressing, for attention, for recognition, for physical and emotional intimacy, are in no way limited to children. She's a young woman yearning for things that everybody wants and she's been denied. Ellen having been neglected, lonely, and starved for affection doesn't negate her adulthood. Her walking into a bad situation as a result of all that doesn't make her "groomed." Plenty of grown adults wind up in bad relationships because they're naive and desperate for love.

Similarly, everyone determined that one side of the triangle here wasn't "real" or that she "actually" only felt a connection with one of them and nothing for the other is similarly ridiculous. Thomas is the relationship Ellen chooses intentionally and conscientiously and which provides her the future she wants while satisfying her physical and emotional desires in a safe, secure, loving environment. Orlok is the first love, the first major relationship that she fell into because she was reckless and desperate for affection, that at first satisfied her needs but turned sour and dangerous-- that relationship becoming scary, unpleasant, coercive, doesn't erase the good things they had together once. Ellen and Orlok is the bad breakup between people who's freak matched too well. In the normal world it'd be a bad breakup with a toxic partner; in hers he's unfortunately also a an amoral inhuman manifestation of consumption.

And as for "Orlok doesn't love Ellen blah blah he's only an appetite blah blah." Love is an appetite. Need is an appetite. Loneliness is an appetite unmet. It's all hunger!! Why the FUCK is a zillion year old ghoul aristocrat holed up in a ruin in Eastern Europe tuned in enough to immediately respond to the random calls of some nameless unimportant woman he's never met a thousand miles away?? Because he's as desperate as she is, and for similar things. He was already listening, was already looking for someone-- he was desperate and searching first. His needs are twisted because he's a literal monster, but they still echo hers. The freak is matched, the freak in this case being deep emptiness and desire to be wanted and embraced. Unfortunately for him, Ellen can look elsewhere to satisfy those desires when he no longer makes her happy and find people who will-- and she does. Orlok can only go where he is called, must be chosen under special circumstances, which, seemingly out of everyone within his considerable reach, only she has offered. If what Orlok feels isn't love, its the survival in his mockery of life of what would have been love. But what ends in real love with union, ends for him with destruction and a return to lonely solitude-- that's his curse.

Ellen saves the man she chose by rejecting their future together, by breaking their marriage vows, and by sacrificing herself. She chooses the sacrifice as an act of autonomy, but one that subverts her own desires and victimizes her. It's a tragedy, but it's also a victory. It's a succumbing to the predations of the lover who wouldn't let her go, but its also making peace with him, taking into her embrace a figure she hates and fears but still feels connected to. It's fulfilling the monster's insatiable need, granting him the union he craves the only way it can be: through his death. Orlok is loved, and betrayed, and saved. Thomas is loved, and betrayed, and saved. Ellen chooses love for both of them, betrays them both, saves them both, betrays and saves herself. All of those things can be happening at once, just as tenderness, rejection, repulsion, evil, and love can all be happening at once. Is it comfortable? No. That's the point! But expressing your discomfort with that story as "I will willfully misinterpret this movie and dismiss its themes in whatever most easy to excuse way I can because I feel uncomfortable" is the path of the hack and the coward, and I think that's the what the majority of these "takes" are really about.

[qualityrain]

why are they batshit insane

[ranseur]

actual scene as it happened in the show

[yeonjune]

YEONJUN ✙ The Star Chapter: SANCTUARY Preview

[yuwuta]

every so often you’ll catch yuuji just staring at you with a dopey smile and blushing and his pupils dilated all the way and when you ask him what’s up he just laughs and gets even more red when he admits “nothing. sometimes i remember i have a real big crush on you, that’s all,” he grins, blushing from ear to ear and leaning over to give you a kiss on your cheek, “and you’re sooooo pretty.”

this also happens to megumi, except his face is not nearly as love sick. he actually looks kind of angry, a small pout and furrowed brows that might signal that he’s upset but when you ask him he just scoffs and shakes his head, when he has to admit it: “i have a crush on you,” he says, very matter of fact, ignoring his burning ears, “it’s your fault. i thought the point of dating was that this feeling was going to go away.”