#but its still relevant so might as well keep it up

[phagodyke]

weekend melancholy is starting to kick in >~<

[phantomrose96]

If anyone wants to know why every tech company in the world right now is clamoring for AI like drowned rats scrabbling to board a ship, I decided to make a post to explain what's happening.

(Disclaimer to start: I'm a software engineer who's been employed full time since 2018. I am not a historian nor an overconfident Youtube essayist, so this post is my working knowledge of what I see around me and the logical bridges between pieces.)

Okay anyway. The explanation starts further back than what's going on now. I'm gonna start with the year 2000. The Dot Com Bubble just spectacularly burst. The model of "we get the users first, we learn how to profit off them later" went out in a no-money-having bang (remember this, it will be relevant later). A lot of money was lost. A lot of people ended up out of a job. A lot of startup companies went under. Investors left with a sour taste in their mouth and, in general, investment in the internet stayed pretty cooled for that decade. This was, in my opinion, very good for the internet as it was an era not suffocating under the grip of mega-corporation oligarchs and was, instead, filled with Club Penguin and I Can Haz Cheezburger websites.

Then around the 2010-2012 years, a few things happened. Interest rates got low, and then lower. Facebook got huge. The iPhone took off. And suddenly there was a huge new potential market of internet users and phone-havers, and the cheap money was available to start backing new tech startup companies trying to hop on this opportunity. Companies like Uber, Netflix, and Amazon either started in this time, or hit their ramp-up in these years by shifting focus to the internet and apps.

Now, every start-up tech company dreaming of being the next big thing has one thing in common: they need to start off by getting themselves massively in debt. Because before you can turn a profit you need to first spend money on employees and spend money on equipment and spend money on data centers and spend money on advertising and spend money on scale and and and

But also, everyone wants to be on the ship for The Next Big Thing that takes off to the moon.

So there is a mutual interest between new tech companies, and venture capitalists who are willing to invest $$$ into said new tech companies. Because if the venture capitalists can identify a prize pig and get in early, that money could come back to them 100-fold or 1,000-fold. In fact it hardly matters if they invest in 10 or 20 total bust projects along the way to find that unicorn.

But also, becoming profitable takes time. And that might mean being in debt for a long long time before that rocket ship takes off to make everyone onboard a gazzilionaire.

But luckily, for tech startup bros and venture capitalists, being in debt in the 2010's was cheap, and it only got cheaper between 2010 and 2020. If people could secure loans for ~3% or 4% annual interest, well then a $100,000 loan only really costs $3,000 of interest a year to keep afloat. And if inflation is higher than that or at least similar, you're still beating the system.

So from 2010 through early 2022, times were good for tech companies. Startups could take off with massive growth, showing massive potential for something, and venture capitalists would throw infinite money at them in the hopes of pegging just one winner who will take off. And supporting the struggling investments or the long-haulers remained pretty cheap to keep funding.

You hear constantly about "Such and such app has 10-bazillion users gained over the last 10 years and has never once been profitable", yet the thing keeps chugging along because the investors backing it aren't stressed about the immediate future, and are still banking on that "eventually" when it learns how to really monetize its users and turn that profit.

The pandemic in 2020 took a magnifying-glass-in-the-sun effect to this, as EVERYTHING was forcibly turned online which pumped a ton of money and workers into tech investment. Simultaneously, money got really REALLY cheap, bottoming out with historic lows for interest rates.

Then the tide changed with the massive inflation that struck late 2021. Because this all-gas no-brakes state of things was also contributing to off-the-rails inflation (along with your standard-fare greedflation and price gouging, given the extremely convenient excuses of pandemic hardships and supply chain issues). The federal reserve whipped out interest rate hikes to try to curb this huge inflation, which is like a fire extinguisher dousing and suffocating your really-cool, actively-on-fire party where everyone else is burning but you're in the pool. And then they did this more, and then more. And the financial climate followed suit. And suddenly money was not cheap anymore, and new loans became expensive, because loans that used to compound at 2% a year are now compounding at 7 or 8% which, in the language of compounding, is a HUGE difference. A $100,000 loan at a 2% interest rate, if not repaid a single cent in 10 years, accrues to $121,899. A $100,000 loan at an 8% interest rate, if not repaid a single cent in 10 years, more than doubles to $215,892.

Now it is scary and risky to throw money at "could eventually be profitable" tech companies. Now investors are watching companies burn through their current funding and, when the companies come back asking for more, investors are tightening their coin purses instead. The bill is coming due. The free money is drying up and companies are under compounding pressure to produce a profit for their waiting investors who are now done waiting.

You get enshittification. You get quality going down and price going up. You get "now that you're a captive audience here, we're forcing ads or we're forcing subscriptions on you." Don't get me wrong, the plan was ALWAYS to monetize the users. It's just that it's come earlier than expected, with way more feet-to-the-fire than these companies were expecting. ESPECIALLY with Wall Street as the other factor in funding (public) companies, where Wall Street exhibits roughly the same temperament as a baby screaming crying upset that it's soiled its own diaper (maybe that's too mean a comparison to babies), and now companies are being put through the wringer for anything LESS than infinite growth that Wall Street demands of them.

Internal to the tech industry, you get MASSIVE wide-spread layoffs. You get an industry that used to be easy to land multiple job offers shriveling up and leaving recent graduates in a desperately awful situation where no company is hiring and the market is flooded with laid-off workers trying to get back on their feet.

Because those coin-purse-clutching investors DO love virtue-signaling efforts from companies that say "See! We're not being frivolous with your money! We only spend on the essentials." And this is true even for MASSIVE, PROFITABLE companies, because those companies' value is based on the Rich Person Feeling Graph (their stock) rather than the literal profit money. A company making a genuine gazillion dollars a year still tears through layoffs and freezes hiring and removes the free batteries from the printer room (totally not speaking from experience, surely) because the investors LOVE when you cut costs and take away employee perks. The "beer on tap, ping pong table in the common area" era of tech is drying up. And we're still unionless.

Never mind that last part.

And then in early 2023, AI (more specifically, Chat-GPT which is OpenAI's Large Language Model creation) tears its way into the tech scene with a meteor's amount of momentum. Here's Microsoft's prize pig, which it invested heavily in and is galivanting around the pig-show with, to the desperate jealousy and rapture of every other tech company and investor wishing it had that pig. And for the first time since the interest rate hikes, investors have dollar signs in their eyes, both venture capital and Wall Street alike. They're willing to restart the hose of money (even with the new risk) because this feels big enough for them to take the risk.

Now all these companies, who were in varying stages of sweating as their bill came due, or wringing their hands as their stock prices tanked, see a single glorious gold-plated rocket up out of here, the likes of which haven't been seen since the free money days. It's their ticket to buy time, and buy investors, and say "see THIS is what will wring money forth, finally, we promise, just let us show you."

To be clear, AI is NOT profitable yet. It's a money-sink. Perhaps a money-black-hole. But everyone in the space is so wowed by it that there is a wide-spread and powerful conviction that it will become profitable and earn its keep. (Let's be real, half of that profit "potential" is the promise of automating away jobs of pesky employees who peskily cost money.) It's a tech-space industrial revolution that will automate away skilled jobs, and getting in on the ground floor is the absolute best thing you can do to get your pie slice's worth.

It's the thing that will win investors back. It's the thing that will get the investment money coming in again (or, get it second-hand if the company can be the PROVIDER of something needed for AI, which other companies with venture-back will pay handsomely for). It's the thing companies are terrified of missing out on, lest it leave them utterly irrelevant in a future where not having AI-integration is like not having a mobile phone app for your company or not having a website.

So I guess to reiterate on my earlier point:

Drowned rats. Swimming to the one ship in sight.

[arolesbianism]

Used my epic hacker skillz to put Murtlepaw in clangen just to do 4 moons to make sure Honeystar wasn't going to die before they became a warrior and now that save is retired 4 good goodbye sweet prince

[filurig]

a new little spingle... info about him under the cut

a disciple of glaris in sartrill's priesthood, despite his holy position - isn't too enthusiastic about it. truthfully, he was forced into his current study by his parents as he was born as a "curlwing". "curlwings" in sartrillan culture are considered the closest to "true" children of glaris, having been born with her "blessing" of flightlessness and therefore are believed to be more strongly attuned to her, so the natural course for any young curlwing is to enter priesthood training at an early age. despite that, however, karu never excelled in his priestly studies - not that he was necessarily bad or couldn't carry out the duties he were assigned, but his superiors keep worrying that he doesn't put enough heart in it, so he has never really risen considerably in the ranks of the priesthood.

somewhat lethargic, karu accepted his "fate" - while he has faith, he also longs for being able to have his own life as life in the priesthood is relatively restricted to the holy grounds and the districts in sartill closest to it. there is a small, adventurous spirit inside of him that wishes to see more of the world, having never left sartrill in his entire life, but at this point he's sort of given up on it. he is somewhat ruled over by his fear of sticking out and not conforming and betraying the expectations of the priesthood, his family and Glaris herself.

karu can come off as quite cold and tired as he feels sort of detached from the people and circumstances around him. when brought out of his shell, however, he brightens up considerably - but can be a bit cynical still. he isn't actually as serious as he comes across as, and actually enjoys being around people who don't take things too seriously either. he tries to self-correct though and therefore that part of him is rarely seen by anyone. because of his alienation from other harpies, partly due to his upbringing and role, he's a bit socially inept, but has learned to deal with that by hiding behind his stoic and unconcerned facade. a bit of a double edged sword because it only reinforces the idea people have of him around him as this "serious, no-fun wholly dedicated priest disciple who doesn't want to mingle with the commoners"

while he wishes he had more freedom to do stuff, karu does enjoy some parts of his priestly duties - most especially the craftsmanship he gets to engage in. sartrillan priests will actually be responsible for most of the settlement's craftsmanship especially ones concerning fabric and clothing, but also other crafts (former are just the biggest categories)

flightlessness is relevant in some satrtillan mythology and in the biggest story (the one involving glaris) is a noteworthy sacrifice some crakam made to grant them the ability to hide from humans using illusory magic. that ofc creates a sort of weird relationship with crakam society and crakam born with flightless conditions. in sartrill its especially pronounced as glaris is the settlement's "patron deity" and while care is taken to accomodate to the flightless, there is also a social schism between them and other crakam bcs of their connotations and also the fact that most flightless crakam are "strongly encouraged" and often forced to live in the priesthood.

craftsmanship is strongly associated with holiness/the priesthood in sartrill because the body alterations flighted harpies undergo to render themselves flightless permanently actually increases arm flexibility a little, and historically being unable to fly it was a natural direction for many priests to head in to contribute to the community which might be why it became such a strong practice

there are several different conditions that can make a harpy not be flighted - curlfeather is one of them. any condition which does such is treated similarly - it doesn't really matter which, but curlfeather is probably the most common/well known one.

[is-the-post-reliable]

i did a little research into this rating you did about glucose levels being the reason for gluten intolerance in american grain wheat, and i found that while you’re findings are correct, the concerns of the people who you responded to also have some merit.

an article from snopes simplified it well on a discussion pertains to the topic, that while it is not common for harmful chemicals to be present in our grain products in the US, 5% of wheat acres that produce our supply of grains use glyphosate (most commonly Roundup) to speed up harvesting.

it’s debated on and has mixed responses amongst government health agencies on if consumption of glyphosate treated crops is harmful, but anyone familiar with farming/landscaping/property maintenance knows about the RoundUp lawsuits and that it is all types of poison. a large study found that its use is also correlated with health issues amongst infants born in areas that commonly utilize it

it’s not completely agreed upon by everyone across the board yet, but the concern of chemical absorption of glysophate in grain crops in america and it’s potential effects on a person’s health still have a whole lot more research to be done before anything is considered surefire. it certainly doesn’t help that we got negligent folks like Dr. Stephanie Seneff spreading around bullshit studies on these topics that got a snowballs chance in hell of getting even one good peer review.

when it comes to concerns of the US government either doing something 100% responsibly with intentions to protect its citizens, or being 100% evil and trying to kill us, it more often is a sliding scale between those two points. and which end of the scale its farther on is often determined by if the public has previously had a riot, a lot of people died as a result of a thing being used, or folks across the board made it clear to the government that a standard will not be excepted.

i believe i’ve gotten everything communicated as i intended here, but let me know if i’ve used a term incorrectly or anything, i’m new to the fact checking blood sport game and am looking for tips on how to improve.

hey, sorry for the slow response to this!

Thanks for sending this in, it's an interesting topic and definitely expands the discussion. It's well sourced and explained.

When fact checking, I'm always torn between adding more context and sticking to the original claims. Here I've tried to stick to the spirit of the claims, ie whether people's varying gluten intolerence were likely due to pesticide intolerence, or most likely a reaction to differing levels of gluten. However, it makes me really happy to see people looking into it further!

You asked for tips on improving, so I've looked for some constructive criticisms. First, though, I want to say that these are mostly nitpicks - overall this is well written and sourced!

Your statement that 'anyone familiar with farming/landscaping/property maintenance knows about the RoundUp lawsuits and that it is all types of poison' I think is the most vulnerable to criticism. I've got three potential criticisms on this statement:

It's making an unsourced generalisation about general knowledge. This might be true - I am very much not familiar with farming - but you haven't given any evidence to back it up.

The claim of 'all types of poison' is non-specific and non-scientific. (I think this was probably hyperbole but considering the factual nature of the discussion, it's generally best practice to keep things literal)

Most importantly, the relevence of this to the original argument is questionable. The original post was not referencing people who were exposed to large quantities of glysophosphate - e.g. through agricultural work - and made no reference to cancers or birth weights. I think it could be reasonable to add this in for context, but it should be made clear that the research and lawsuit does not directly support the claim that use of pesticides affect or mimic the symptoms of gluten intolerence.

I hope these are helpful and not discouraging - if you disagree with any of my criticisms, feel free to send another ask!

[hypersaline]

NPC and Townie Ager

This is a tombstone found in misc/misc that helps keep townies'/NPCs' ages in sync with playables' during rotational play. It ages them by one day each time the relevant pie menu option is clicked (or each day at 23:30 if auto-aging is turned on) and teleports them to the lot for birthdays and old age deaths. It requires HB's Easy Inventory Check and can be downloaded here at SFS or here at Mediafire. There's no preview image for this, but exhaustive detail is available behind the cut.

Credits:

The change-model interaction was mostly taken from Inge's teleporter cat; it's possible-to-probable that I cannibalized other mods as well when I first made this, but if so I no longer know which ones.

General notes:

There's a shift-click neighborhood age randomization option. It will only affect townies/NPCs at the beginning of their current lifestage, so use it first thing if you're going to use it.

For birthdays/old age deaths, the sim will materialize close to the ager object, so it's best placed outdoors and outside of any locked gates. There's an option to change it into a small rug for easier hiding.

NPCs will be retired to the townie pool when they have a birthday.

Teens will age into adults, but there'll be a one-day-left notification in case you'd like to send them to uni.

Elders will stand quietly near the ager for up to an hour before dying. Everyone on the lot will notice, like with other on-lot deaths, and you'll have to deal with tombstones manually.

The object doesn't alter the birthday/death functions and shouldn't conflict with mods that do. You'll still need the usual bugfixes, particularly for nonplayable children's aspirations and for multiple deaths occurring at once.

There's a shift-click menu option that'll automatically make townies/NPCs grow up well; another will make them grow up well and also make their deaths peaceful. Sims that trigger a fear as they're aging (like teens who don't go to college) might still age up badly.

Known issue: the object's handling of elders has a bug or two I haven't tracked down. Occasionally an elder will persistently refuse to die until you move them in; occasionally an elder will have their age reset when they're supposed to die. Neither should cause any other issues.

Known issue: under some circumstances the ager will mistakenly grow townies/NPCs up one day into a new lifestage. Saving the game right after the ager does its thing will prevent this.

Exceptions to aging:

YAs, pets, zombies, vampires, servos, any townie/NPC with a bottle of Elixir of Life in inventory, and (in some cases) townies/NPCs that've been generated but haven't visited any lot yet won't be aged.

Babies in the adoption pool will have days subtracted but won't automatically have birthdays. You'll be notified but will have to manually summon and toss them.

Special townies like downtownies, garden clubbers, etc., will age if otherwise eligible. Note that there are (were?) bugs in how the game generates vacation locals and tourists; if yours die off, you might want to make their replacements yourself.

Not all NPCs will age, and the list of those that will is somewhat arbitrary: burglars, cops, firefighters, maids, nannies, gardeners, repairpeople, mail carriers, paperkids, cashiers, bartenders (comm lot), bartenders (party), professors, streakers, coaches, cafeteria workers, servers, hosts, DJs, business reporters, landlords, butlers.

To add NPCs I skipped, open up the 'Sub - Ageable NPC?' BHAV, scroll to the last line, choose "Ins/false" in the special buttons, switch "Const" to "Literal", make sure the Decimal box is not ticked, and enter the NPC type number from this list.

[burr-ell]

re: bh never having faced consequences, what are some moments/things they've done you think there should've been consequences for? i'm asking because i've realized these past couple episodes that i also fear they won't face any consequences for this, but i haven't been able to pinpoint why i feel that way yet

I don't think the answer is that they've done things that demand consequences so much as it is that a lot of elements of this campaign just don't coalesce or feel like they matter. Things feel important and relevant and cool in the moment and then don't get any kind of followup, nor do they have a meaningful impact on the characters. So much of this story falls to the wayside with no followup, if it doesn't have the wind taken out of it altogether.

A lot of plot points wind up mattering more to the fandom than they do to the characters—even good arcs, like the events of the party split arc, don't seem to have left much of an impact. There are fans who still bring up Hearthdell as a point against the gods or Vasselheim, but Bell's Hells have barely mentioned it if at all since episode 65. Laudna derides it as a "pissant town" with "pissant squabbles" and is far less interested in the village and its people than she is in her own trauma and feelings about the Titans. Ashton only brings up what happened there because they're still sore about being judged by an angel. There's still a chance that they call out Vasselheim's leadership for the whole mess, but at no point during Ashton's rant to the Exandrian Accord did they ever reference the blatant encroachment and attempt at a land grab. Molaesmyr fares little better; Chetney is the only character who ever brings it up, and when he does it's in the context of rattling Ludinus personally—a point that only he ever presses, even though Imogen and Fearne were also there. The fandom has been debating off and on about how much the nature of Predathos itself can be linked to Molaesmyr's destruction, but nothing has canonically explained it one way or the other, in part because the rest of the Hells just aren't interested.

It's also that lack of interest that leads to major NPC villains that are almost completely irrelevant to the story. It does not ultimately matter that one of Ludinus's generals is Otohan Thull or that the Malleus Key was defended by Ozo Cruth. The audience doesn't really know who they are, and they don't know because the party had no reason to care and didn't try to get one. Matt has indicated that there's a story to Otohan that will likely be revealed in a campaign wrap-up, and the same is probably true for Ozo, but in the actual story, all they are to the audience is a couple of overtuned stat blocks with swords, and the characters they killed might as well have been gutted by a pit fiend for all it mattered. About the only death that has any narrative resonance is FCG's, and it feels less like they sacrificed themself to kill Otohan and more like the story had to lose an interesting and engaging character to get rid of Otohan.

Even returning antagonists don't escape; both Ludinus Da'leth and Delilah Briarwood, important villains from their original campaigns, have been done a great deal of disservice in this one. Ludinus peaked in episode 51; his gambit with Vax and Keyleth was great, but the longer he got to keep monologuing, in a campaign already full of talking in circles about the same issue, the more insufferable he became. Even his death, karmic as it was, is cheapened by the almost-immediate implication that he's got a way to come back, which might make sense mechanically but is utterly exhausting narratively. Delilah, on the other hand, could have been replaced by an original character and nothing of value would have been lost; there's potential in an undead warlock whose patron is their own murderer, but any of the emotional juice of that story is outweighed both by how tiresome the pacing is and how overreliant it is on maudlin imagery and nostalgia for the original Briarwood arc. We don't learn about why Delilah is here or what her specific goals are until episode 77, 40 episodes after the party confronted her directly and gave her an opportunity to explain herself that she did not take. The corruption arc, again, had potential, but fizzled out as soon as a level 20 wizard dropped the soul anchor solution into their laps, with little actual impact on Laudna herself.

The actual player characters have, for the most part, barely substantively changed. Chetney has solved the mechanical problem of not being able to control his werewolf transformations and he does push big red buttons when no one else will, but he isn't really moving anywhere as a character. Laudna continues to do everything in her power to bounce back to the old kooky fun-scary bit from episode 1 every time anything interesting happens to her. FCG did actually have a great arc with an incredibly heartfelt and moving conclusion, but is no longer a meaningful part of the narrative and the party's grief over their death was not given the space to breathe that it warranted. Fearne has matured a bit over the course of the campaign but is still largely just as aimless and go-with-the-flow as she was in the beginning. Imogen, at the very least, started to take something close to an actual stance on the gods and what to do about Predathos, but every time she has to make a choice, she continues to ask someone else what she should do and then hem and haw when she's told it's her decision. Orym has finally let himself lean on someone else, but has otherwise remained static. Ashton had a very promising arc after failing to absorb the shard, but has since regressed into doing the exact thing they called themself out for doing: looking for someone to blame and wanting to feel like they were robbed. Moments like Shardgate and Swordgate, which in any other campaign would have been major watersheds, have become functionally irrelevant for all the impact they've had on the actual characters.

The elephant in the room here, of course, is Imogen and Laudna's relationship, which has been a millstone around the campaign's neck from the beginning. Shippers have accused critics of being motivated by bigotry, but the arguments deconstructing it are ultimately rooted in this very same issue: nothing that happens to them truly seems to matter. This is intertwined with the issues with Delilah, because every time Imogen and Laudna actually run into any sort of conflict or difficulty, it has something to do with that plot thread: Delilah broke the gnarlrock; Delilah was reawakened when Laudna killed Bor'dor and Laudna was extremely upset and traumatized about it; and Delilah was the one Laudna was listening to when she tried to steal and absorb Otohan's sword. All of those conflicts fizzled out as soon as the immediate surface issue was resolved: Imogen dropped the gnarlrock issue entirely; Imogen kissed Laudna and insisted that she couldn't be a bad person for killing Bor'dor, and Laudna completely dropped the subject; and Imogen, as soon as Delilah was sealed in the soul anchor, immediately took Laudna back after less than a day of mild distance and they went off to have makeup sex. It feels less like their love is so strong it can overcome any conflict and more like they retreat to the same way their relationship was before as soon as they possibly can. Even starting a romance doesn't seem to materially change anything.

There's no interest in unpacking anything that could cause a problem, either. Laudna canonically has no issue with Imogen floating the idea of siding with the Vanguard, even though it was a Vanguard general who killed Laudna in the street to get to Imogen; in fact, she refuses to take a hard stance for or against Imogen joining Predathos because she doesn't want to "hold Imogen back from her destiny". Prior to Laudna attempting to take the sword, Imogen told her explicitly "if you need [Delilah], then that's my answer"—and then instead of addressing that, Imogen blames herself for Laudna giving into Delilah by wondering if she should have given into her own toxic influence so at least Laudna wouldn't be alone. At no point have they ever had a difficult conversation about any of their underlying issues, like the actual material harm Laudna has done to herself or others or the fact that both Imogen and Laudna have repeatedly tossed aside their actual needs in favor of maintaining their status quo of unending support and presence in each other's lives. They both just attribute responsibility to someone or something else and continue to swear that they'll always be there for one another—just like every other conversation they've ever had. There's no challenge and no movement, not from them or from anyone else; nothing has ever upset the idea that this story could be anything less than idyllic, no matter the increasing evidence to the contrary.

A common refrain for a very long time, and perhaps one still around in some circles, was a desire for Character A and Character B to "finally talk", and not without reason. In previous campaigns, A and B probably would have talked. This, however, is a campaign centering on profoundly incurious characters with a narrative that is disinterested in those characters becoming genuinely invested in its setting or each other beyond a bare surface level. Of course they won't face any consequences for releasing Predathos when they didn't need to, nor will they face consequences for not communicating their incredibly risky and contentious plan ahead of time. Why would they? It won't matter. Nothing in this story matters, and that's the entire problem.

[amaryllis-3]

unhinged fem reader × unhinged task force 141

WARNINGS: MDNI, dark themes, stalker! reader

"Don't you have the feeling of being watched?"

It was a hunch, nothing more, but after all those years of having to keep his guard up, Kyle was painfully aware of his surroundings. Even with his back to them, the man could perceive someone's intense gaze piercing him, the hairs on the nape of his neck standing up slightly. For a moment he almost felt in danger, as if a predator was about to pounce on him and tear him to shreds, before he forced himself to rationalise the situation.

He was in a pub, at home, not in some war theatre putting his life at risk for international security. Most of those present were so drunk they were struggling to stand; they could hardly have posed a threat. Besides, with the military background he and his teammates, who were sitting in the booth around him, had, the most dangerous ones there would have been them.

Perhaps it was the duty's mindset talking: his body might have been in Britain, but his mind was still stuck in some scorching desert of the Middle East. After the long deployment that had kept him busy over the last few months, getting back into his everyday routine had proved difficult. Having a pint with his best mates should have been the right opportunity for that, and he didn't need to ruin it with his paranoia.

He almost regretted bringing it up, noticing how relaxed his comrades were. Had anything really been out of the ordinary, they would have noticed it too.

Yes, it had merely been a poor trick of his consciousness, nothing serious. He could have ignored the unsettling sensation that had begun to simmer under his skin; it was just for a night at the end.

Notwithstanding his good intentions, Gaz's eyes ended up moving subtly around the room, his body remaining motionless as they scanned every nook and cranny they had access to for explanations.

There didn't seem to be anything relevant to report.

Kyle almost breathed a sigh of relief, once, to his extreme horror, he identified the source of his discomfort. His heart slowed its pace for a fraction of a second before resuming beating at double speed.

You had the most bloody chilling stare he'd encountered in a long time, and that was already saying a lot. It appeared capable of delving into his soul, but not in the pleasant, clichéd way one would have found exclusively in a romance novel.

No, yours was ruthless.

It clung tooth and nail to the walls of his being without regard for what his reaction may have been. It was greedy and insistent, driven by an insatiable hunger that nearly bordered on desperation; the kind of expression that should have belonged to a raving lunatic, not someone like you.

Despite having been caught red-handed, you hadn't even bothered to look away. You'd met him head-on, as if you wanted to make your presence known to him, wanted him to realise that from the moment he'd set foot in that place, your full attention had been uniquely on him. Hell, he wasn't even sure he'd seen you blink since he'd initiated eye contact.

There was something extremely wrong with you, something that he wouldn't usually prefer to meddle with outside of work, but which simultaneously drew him like a moth to the flame. You were simply captivating, in a psychotic way, but equally so.

"That's the bird." Gaz's head turned quickly towards Ghost, who hadn't dwelled to articulate more. As though that was a well-known notion. The comment was followed by Johnny's big laugh and a grunt of approval from Price, knowing glances exchanged between the three able to convey more than a thousand words.

Was he the sole one in the dark about the whole affair?

Kyle shifted uncomfortably in his seat. Your existence was still a steady constant in his brain from which it was practically impossible to escape, but he was stubborn about discovering the truth. His eyes moved around his companions, trying to interpret the mystery you were. He wanted to be part of it, wanted to have access to what could only be a dirty little secret he'd been excluded from for no apparent reason.

"The bird?" He asked in a hushed whisper that had a reverential tinge to it. His focus was locked on the man who had dangled the forbidden fruit in front of him just to deny it right when he was about to grab it. His lieutenant was a mask of austere silence, the balaclava he wore making it difficult to comprehend what Simon Riley was thinking. Gaz, however, swore he saw the corners of his lips lifting barely from beneath the fabric, brown irises flashing with a mirth he didn't believe he'd ever witnessed on him.

The answer, however, didn't come from him, but rather from the Scot, who was far too excited to share the news with him. "The bonnie thing has been stalkin' us for a while noo." The casualness in his tone would normally have made Kyle frown, but with you involved, he didn't feel like opening his mouth. Ah, pretending nothing was going on when a stranger was actually hounding his mates purely because you had made the butterflies in his stomach flutter in a manner he couldn't define? What on earth was happening to him? To them?

"And she's quite dedicated," Ghost added, "she sneaked into Price's house the other day." At that the captain let out a small chuckle, lips stretched into an affectionate smile, which clashed considerably with the talk the group was having. "She surely did. (Gaz didn't mean to be mistaken but was that a hint of admiration seeping out of his superior's words?) Was naive to assume I wouldn't notice, though."

How strange life was. If anything like that had happened a few days earlier — no scratch that! if that had happened merely a few hours earlier, he would have taken them for crazy. Yet now... Now he was somewhat envious that you hadn't attempted to break into his residence.

"Seems she's startin' to fancy Garrick as well". Only then did Kyle notice how none of the three were really looking at him. Their faces might have been facing in his direction, but their equally intense eyes were passing through him, trying to catch a glimpse of what was behind, trying to catch a glimpse of you. "Och, ye bet. Ah could ken that wild stare anywhere," Johnny confirmed, hardly suppressing the excitement he was experiencing.

As if drawn by theirs, Gaz's gaze returned to you, finding you in the same position he'd left you. No noticeable changes were present, but now that all four of them were acknowledging your presence, he was pretty certain he saw your pupils dilate. His rational side would have considered it simply a play of the lights; after all, his eyesight wasn't sharp enough to pick up those small details from his position. And nonetheless he sensed that this was the case, that you thrived a little more under their attention.

He had to see it, witness for himself how that strange dynamic between the five of you would evolve. He was sure you would disrupt their lives, but they would absolutely return the favour.

"So you'll be on board too, sergeant?" Kyle didn't even need to ponder much the instant the proposal left John's mouth, mind and soul already strangely in agreement about his next course of action. "Yeah, I think I will, Cap."

Just a silly thought I've had lately instead of behaving like a productive human being. May add more in the future.

➮ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

[tabletopresources]

Image credit "Fishing" By yonaz

So in last night's 3.5 edition D&D game, my players had a chance to do some ice fishing and one player called out for one of my ad hoc mini-games (I do this a lot haha). I wanted something simple, a combo of character skill and some luck, and so in short order ended up with this very quick mini-game you can easily employ.

:

Quick Disclaimer: These fishing mini-game mechanics may not be entirely original and could resemble systems from other games I just can't recall. For my part, I'm posting this FOR sharing. Feel free to use, adapt, or modify them in your own games as you see fit. No ownership or exclusivity is claimed over this idea—enjoy and share as you wish!

:

Fishing Mini-Game (D&D 3.5 Edition)

Step 1: Build the Fishing Pool

The player rolls a number of d6 equal to their relevant skill modifier (Survival or Profession (Fisher)).

Example: A character with a +10 in Survival rolls 10d6 and sets these dice aside as their "Fishing Pool".

Fishing Pool Example Roll: 1, 1, 2, 3, 3, 4, 4, 5, 5, 6.

Step 2: Perform the Fishing Check

The player then rolls 5d6 as their "Fishing Check" for one hour of fishing.

Example Roll: 1, 2, 4, 4, 6.

Step 3: Match for Combos

The player now attempts to match the dice results from their Fishing Pool with their Fishing Check results to form combos. The number of dice used in the combo determines the size of the fish:

Small Fish: Match 2 dice from the Fishing Pool with the Fishing Check.

Medium Fish: Match 3 dice from the Fishing Pool with the Fishing Check.

Large Fish: Match 5 dice from the Fishing Pool with the Fishing Check.

Example Combo:

If the player's Fishing Pool has dice showing 1, 2, 4, 4, and 6, they could match all 5 dice with their Fishing Check, catching a Large Fish.

Step 4: Fish Weight and Rations

Once the fish is caught, the total weight of the edible parts of the fish is determined by summing the values of the dice used in the combo.

Example: For a Large Fish (1, 2, 4, 4, 6), the total weight is 1+2+4+4+6 = 17 kg.

To calculate the number of rations provided by the fish:

1 kg = 2,000 calories (or half a ration).

Rations Formula: Divide the total weight of the fish by 2.

Example: 17 kg / 2 = 8.5 kg or 8 rations (we round down).

Step 5: Continue or Stop

After catching a fish, remove the dice used from the Fishing Pool.

If the player still has at least 2 dice left in their Fishing Pool, they can attempt to catch another fish using the same Fishing Check results. Otherwise, they are done for that hour.

That's all that we did and they loved it!

But since then we've considered how future games or others might expand on it with special roll combos, items, locations, setting conditions, Aid Other, etc. So here are some...

Optional Add-Ons and Considerations

Multiple Attempts Per Hour:

If the player rolls exceptionally well on their Fishing Pool, they may be able to attempt fishing multiple times in an hour. To keep this simple, I'd say if they are able to clear the first Pool entirely, they get a brand new roll, a whole new Pool as if starting fishing over, but they keep their previous catches.

Modifiers and Conditions:

You could introduce conditions that affect the Fishing Pool or Fishing Check rolls:

Good Fishing Spot: +1d6 to the Fishing Pool.

Bad Weather/Overfished Area: -1d6 (or more) to the Fishing Pool or disadvantage (see 5e, we use this idea quite a bit even in our 3.5e games) on Fishing Check rolls.

Magic/Luck Items: Grant rerolls or bonus dice to the Fishing Pool or allow rerolls of the Fishing Check.

Special Fish Combos:

Occasionally, you could allow rare or magical fish (or larger species) that provide bonuses or other effects; perhaps these are possible if the combos use specific die results:

Giant Fish: Requires a match of dice with identical values, but double the weight result (ex: a medium fish that used 5,5,5 would be a Giant of its type, and grant 15x2 or 30 kg of edible parts!).

Magical Fish: Grants temporary bonuses, like extra HP or special buffs, when consumed. (ex. A combo of sequential rising values, like 1,2,3,4,5, would grant a Magical Large fish)

Fishing Tools and Bait:

Fishing equipment or bait could modify the rolls:

Better Rods/Lines: Allow rerolls or add extra dice to the Fishing Pool.

Special Bait/Lures: Increases chances of catching better or more fish (ex. set any one die result to 6; or allow player to select the value of any one die, etc.).

Aid Other

Another player can choose to assist Player A if they are proficient in the same associated skill (Survival or Profession (Fisher), etc based on your setting):

Player B (helper) rolls for the associated skill.

If the result of their skill check (rolled like any other skill check) is 10-19, Player A gains 1 extra die in their fishing Pool.

If the result of their skill check is 20 or higher, Player A gains 2 extra dice in their fishing Pool.

Player A can then use these extra dice to help form better combos when matching against their Fishing Check.

Let me know if you use this mini-game in your D&D sessions, or revamp it for the tabletop rpg/edition you play!

I'd love to hear your stories of the biggest catch, or lamenting that one LEGENDARY CATCH that got away!

And check out Tabletop Gaming Resources for more art, tips, and tools for your game!

[literaryvein-reblogs]

Writing Notes: Commonplace Book

Commonplace Book - a system for writing down and sorting all manner of tidbits: quotes, anecdotes, observations, and information gleaned from books, conversations, movies, song lyrics, social posts, podcasts, life experiences, or anything else that you might want to return to later.

It’s called a commonplace book because you collect all of this in one common place—a central resource that makes it easy to find, re-read, and utilize each piece of wisdom you have obtained.

Some prefer a commonplace notebook system, while others use an intricate series of index cards, and others still create a digital commonplace book using various apps.

Ways to Keep a Commonplace Book

There is no one right way to keep and use a commonplace book. It is critical to find a style and system that feels comfortable to you so that keeping up with commonplacing doesn’t become a chore. After all, the purpose of the book is to save time and provide inspiration.

Notecards. One popular method utilizes notecards filed in a small box using dividers that can be labeled according to topic. You’ll write your recently gleaned nugget of wisdom on a single card, and then file it under an appropriate topic, which can be virtually anything (“Creativity,” “Finances,” “Humor”). Rather than force a range of topics on your commonplace book at the beginning, let your categories of interest emerge organically as you come across new bits you want to add. Furthermore, buying index cards in different colors can allow for another level of organization, such as the type of information stored on the card. For instance, you may decide to use pink cards for literary passages, white cards for overheard quotes, and green cards for ideas.

Notebooks. Another method involves filling notebooks with commonplace entries. While this fosters less flexibility, you can still create a system for sorting your chosen tidbits. Leave space at the beginning of each notebook for a table of contents, within which you are free to enter anything (a title, a source, a brief summary) that quickly evokes the specific quote, idea, or anecdote that you’ve written down in the book. Also leave space at the end of each notebook for an index. Here you can list topics or themes that appear within the entries of your commonplace book (“Leadership,” “Nature,” “Writing”), as well as the type or source of information gathered (“quote,” “story,” “idea”) if you wish. The notebook approach makes it a bit easier to cross-reference when an entry touches on more than one topic or theme.

Digital. You can use various apps and word-processing programs for digital commonplacing. Depending upon the program, you may be able to tag individual entries with relevant topics, themes, info types, and sources, and then later sort your entries using the tag of your choice.

Whatever method you use for commonplacing, the most important thing is to keep adding to your book. This is a lifelong process, and its value increases the more that you put into it.

Benefits of Keeping a Commonplace Book

To remember what inspired you. Living in the Information Age, it’s easy to come across interesting figures of speech, inspirational passages, and new favorite quotes—and just as easy to forget them once you’ve moved on to something else. Having your own commonplace book allows you to return to these tidbits and rediscover the feeling they originally gave you.

To save hours on research. If you’ve got a writing project—whether it’s an article, a speech, a novel, or a memoir—having a commonplace book can save you tons of time. You can skip scouring your memory, searching the Internet, or combing through the marginalia of your book collection when you have a personalized encyclopedia of quotations, references, and ideas.

To find unexpected connections. Commonplacing is a unique form of note-taking in that you are basically bookmarking anything that you find interesting. Depending on your system of cataloging, this means a quote from a Greek philosopher might end up next to a lyric from a pop song or a story a friend told you. In writing, such connections can lead to inspiration.

To focus your future reading. As your own commonplace book evolves, you may find that you have a new lens by which to approach and examine media you consume. Reading books, listening to podcasts, or even having conversations can become didactic pursuits as you seek out perspectives and information that add to or differ from what you’ve already gathered.

Who Uses Commonplacing?

The idea of a commonplace book goes at least as far back as the Roman emperor Marcus Aurelius, whose Meditations—a vital text in Stoic philosophy—began as a private collection of notes, thoughts, and quotations.

The form picked up popularity in the Middle Ages thanks to Erasmus’s instructive De Copia.

It grew across the Renaissance (Francis Bacon made over 1,600 entries in his commonplace book) and the Enlightenment when John Locke penned A New Method of Making Common-Place-Books.

Commonplacing was adopted by all sorts of intellectuals by the 17th and 18th centuries and continues to be to this day.

Thomas Jefferson was known to keep one commonplace book for legal references and another for literary ones.

Authors like Ralph Waldo Emerson, Mark Twain, and Virginia Woolf used the technique, while modern proponents include Ronald Reagan and Bill Gates.

Though essentially a written form of scrapbooking, commonplacing has been valuable to countless big thinkers over the years.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[seriousbrat]

What your opinion on all this talk of leaving the hp/marauder fandom because it directly/indirectly supports JKR? Do you have any desire to leave?

Well my opinion is that I can understand it completely if people choose to do so, but personally I have no desire to leave nor intention of leaving. I understand that it might bother individual people but I'm not asking anyone to look at this blog; in fact the reason I started to use this sideblog is so I could keep everything HP-related away from people who choose not to see it. While I think HP's cultural relevance today is such that it's impossible to avoid entirely, I do empathise with people who'd rather not see it. If someone wished to block me for continuing to blog about HP, I think that might be the healthiest option for everyone involved.

Anyway, I understand why this is happening and I think it's important to discuss. But that's the point. It's important to discuss, not stick our fingers in our ears.

I think this is a great post about it! Here are my own (long-winded) thoughts:

Personally I fundamentally disagree with the idea that we should stop reading and discussing works written by bad people. I don't believe that's a constructive or healthy way to engage with literature. If nobody's left to discuss something as culturally relevant as HP (or LotR, or whatever) critically, then what is the point of literature in the first place? Is it pure entertainment and therefore easily discarded? Ftr I'm also firmly against banning (even socially 'banning') literature of ANY sort, for ANY reason. "You shouldn't read X because it's morally wrong" is to me ultimately a conservative belief.

Anyway: I find it pretty obvious that JKR said 'if you like my books you agree with me' PURPOSEFULLY to cause this kind of a reaction, because she knew it would cause her detractors to become hyperfocused on pointing fingers at each other and thought policing each other over a kids book rather than focusing on what's actually going on. I don't think we should be playing into it, and I don't think even JKR believes it herself-- I think it was deliberate. And tbh from what I can see it has had the exact effect she intended.

The other thing I'll say is that (and tbf I can't say for sure) but I suspect that the online HP fandom might be exaggerating its own importance a little bit. Tbh I think that even if the online (and more liberal) fandom disappeared overnight there would still be tens of thousands of kids (the target audience, after all) discovering and reading Harry Potter for themselves across the globe. Scores of parents and aunts and grandparents who know nothing about JKR buying those books for the kids in their family. And that's not counting the people who actually do agree with JKR. Yes fandom disappearing might have some small impact, but tbh I think it would be all but insignificant. It would be much more, like infinitely more, materially significant for people in fandom to donate time and/or money to trans organisations in their own countries. ((I also think what would be somewhat helpful is for fandom to take responsibility in encouraging people not to watch the HBO series. The success of the series is imo more contingent on online opinion than the books.))

There are also millions of people still using twitter, instagram, and amazon, despite the very real material damage caused by Musk, Zuckerberg, and Bezos, and that's a MUCH more direct cause-and-effect than simply talking about Harry Potter because using those platforms LITERALLY lines the pockets of those individuals. I will say that if you're on twitter telling people they should stop talking about Harry Potter I simply will not take you seriously loll 😂

I guess there is probably some amount of people who discovered HP through, idk, Marauders tiktok and decided to read the series, but how significant is this number? It's incredibly difficult to grow up in most countries around the world and not come across Harry Potter in some way. For good or ill I do think HP is en route to becoming a children's classic. If tumblr goes down and my blog and all the blogs I interact with on here disappear, I don't think this would change.

On the other hand, simply for posterity I do think there's some value in continuing to discuss it-- all of it, including the reality of who the author is, the cultural relevance of HP, the text itself and what this all means given its significance in our culture. And it's important to discuss it critically, honestly, and constructively. It's remarkably easy with HP to avoid giving money to the author, which is something I believe to be worthwhile, so tbh I can't bring myself to agree with 'it would be better if we stopped talking about it' in a general sense. Personally I don't think the only people left discussing it should be right wing maniacs lol-- again, for posterity if nothing else.

Also I think there's a slightly worrying tendency on the liberal 'left' (which is typically the majority in most fandom spaces) to shut down conversation and discussion in general, particularly if those conversations are uncomfortable. You see thought-terminating clichés frequently deployed in such spaces and I think it's just not helpful. Seeing posts from supposed leftists trying to convince people that it's morally wrong to even THINK about Harry Potter is pretty wild to me, tbh. I think that for a while now there's been much more of a focus among the left on idealism over materialism, to the point where material reality is totally ignored in favour of, essentially, trying to get everyone to think the correct thoughts. To me this just isn't a productive or intellectually responsible approach.

What is the material benefit of all of us simply shutting up about Harry Potter forever? How does this actually help anyone beyond yourself and your own conscience? To me it seems like ultimately a performative and virtue signalling action that is pretty meaningless when you're not doing anything else, and is particularly meaningless when you're not applying this to literally anything else in your life. Fandom isn't activism, but by extension NOT-fandom also isn't activism haha. Personally I dislike Marvel films and think they're barely-disguised propaganda for the American military-industrial complex, but I don't think it's evil for people to write their Bucky/Steve fanfiction or whatever lmao. And I certainly don't think it's wrong to discuss Marvel films, the opposite in fact, I think they should be critically discussed.

So, basically, I think it's perfectly understandable that people would want to leave the fandom. But ultimately I think that's an action you're taking for yourself, and I don't think there's much to be gained from refusing to discuss things deemed 'morally wrong.' I think to a certain extent it's natural and probably healthy to feel some guilt about it all, but also perhaps it's worth questioning why we feel such extreme guilt about this, which is really just people talking to each other about books, and not about the 486948736 other much more unambiguously destructive things we do with our time and money on a daily basis.

As long as we're willing to discuss this topic honestly and constructively, to be conscious and empathetic towards others, and to refrain from spending any money on HP-related products, I don't think it's wrong to remain in the fandom tbh. To deny HP's impact on today's literary landscape would be, imo, dishonest, so therefore somebody has to discuss it. And I'd much rather there be a variety of opinions within that discussion.

[dxxtruction]

I'm genuinely concerned that iwtv (tv) spells out EXACTLY how Louis is unreliable in his narration, but people spin this into what they think unreliable narration more generally means to them, and not what it means to this narrative. Just to be clear here are the ways Louis IS unreliable (If I happened to have missed something feel free to add):

Louis shows signs of forgetting which are normal in people who've endured long term traumatic events. Any relevant pieces of information forgotten are however righted, and sought to be righted.

Like anyone recounting a personal narrative, Louis states how things occurred from this limited perspective and worldview of the personal. He has a personal idea of himself he'd like to get across, much like anyone. He is not omnipotent. But while most might be fine if the person receiving this story interprets their experiences differently, offering to wider perspective, Louis is often very particular about the ways it must be described fitting how he can already perceive it. Which makes for times of there being a rigid perception of events, where broader narrative introspection could've offered a more truthful telling. Though sometimes this actually keeps it more truthful. This character flaw, if you will, is what Daniel is around to challenge, and he's very successful at it, even when his challenging can push in the wrong directions and draw up the wrong conclusions. Bringing up latent memories, and digging out hard truths Louis has long not admitted. At least hitting on something real, in any case. Meaning, for us, the audience, we are still in relatively reliable hands even with this in play, and so are not actually that off from truth when it is being told by Louis, who is intentionally seeking to tell it, even get it. Merely, our narrative is being, in ways, restricted as to how much is being told, and, outside Louis control, obfuscated in its reliance deliberately. (which we'll return to).

To jump off from this, Louis does withhold. He can sometimes tell Daniel something then never explain or have an answer for it he's willing to say. But we see this most apparently in how the diaries exclude certain events. That he doesn't detail much of his time with Armand, especially sexually, is a more subtle way of this. He withholds narratively to protect others, and respect them and their histories from being exploited. Though in other instances he withholds moreso to protect himself from this, and the image he wishes to present to Daniel and thus the world. One could see the act of presenting he and Armand's relationship as, firstly one where Armand is his servant Rashid, but then one of far more affection than it really holds, at this point in time, as withholding the truth as well. One could go a step further and say he does this to preserve a sense of agency and control over his inner and personal life, not just over the interview, but over this relationship as a whole. In a sense, Louis editorializes because the reality of things is beyond what feels his right to tell, and otherwise be endangering to his sense of self to tell. Louis usage of language is another way he keeps a sense of agency, as he can still pick the words he chooses to describe his life, even if his life has been largely out of his control. He can't in ways tell the full truth without giving up something he's simply unwilling to give.

Related to this, how he defends things, or is defensive of things, portrays a distorted idea of reality, but an honest portrayal of his own perspective on it. Most starkly I'd say is his claim to consider himself not abused.

His complicated feelings, especially about loved ones, give rise contradictory statements about people and events. Where he can claim one thing, and likely claim it from his personal feelings about it, but we are then shown events where this claim doesn't exactly live up to itself in every way, in his or others actions.

However, the main way Louis narrative becomes unreliable is through the lies and distortions manufactured into it and the ways in which the interview is undermined by conflicts of interest in it. Louis story is in fact one containing lies, and active distortions of events/thoughts, beyond normal forgetting, because of Armand's conflict in letting the truth be told. Mind though, that by the end of the story, much like [1] these we can presume have all been corrected for. Or at the very least who this information truly pertains to, Louis, is shown to have no interest in questioning that it hasn't been. What is relevant to have been the full truth has all been said.

There's a bit of a cultural thing influencing the interview. By this I mean Louis and Armand together had created a culture of politeness and respect, which discouraged and fought down getting at the heat of conflict, or emotional and mental vulnerability. Setting aside differences. Leaving things unaddressed, or burying issues, making up quickly, and in incomplete ways, as a means of maintaining a peaceful environment, leads to a level of transactionally met falsehood of how either is portraying themselves, especially in relation to one another, playing into what seems beneficial to them, more than what would be confrontational of the truth between them. Armand offends far more aggressively in this, and one can only guess this comes more from a rearing much more solidified in this kind of culture where there is a multitude of rules around maintaining a facade of 'nice' behavior for a presumed benefit of the group. Whereas, even if Louis follows this in some ways, he is more often seen to push against this, actually. (see; 'acting out')

There was a period (post 2x05 especially) where he makes claims about Armand, with no real way to back them, but for the purpose of continually marking Armand as a traitor. So, making purely emotional claims as opposed to knowing he's getting the facts straight. Discrediting Armand, even if he might be telling the truth. (debatable, of course, but I feel the need to include it anyhow).

The only real thing left of Louis unreliability in our conclusion is some residual effects of his doing where things are then left unanswered, and the information to be found in other peoples perspectives, which Louis isn't held responsible to be knowing about. So it's highly doubtful these are to where Louis is ever to be discredited on his telling of things, more that he just simply can't account for everything without betraying himself, and can't be held responsible to what he simply can not have known, or others controlling his narrative either.

To summarize what this all then means is that Louis is not telling any sort of story, at any point along it, worth discrediting, let alone fully, and wherever he was swaying in that direction, past or presently, it has been corrected for, or at least questioned, to where we can draw all the reliable conclusions on it through inference and sound interpretation. Making what we are left with by the end of season 2 the most reliable version of events of Louis personal perspective, even if quite a good sum of it is still left to this inference. It is because of what is left to inference, and what is something outside the realm of his personal perspective, that makes us the more unreliable sources of determining these events. WE are more likely to be distorting it by this point in the story, than Louis is shown to be. Our judgments, can do more impeding on what ends up being Louis honest account, than Louis ever was.

What Louis unreliability is not, is ever entirely dishonest - is ever one making up events, or turning them into something they were not. Everything we are told is a personal account of things that actually happened. It's certainly not one where, by the end, you can point at anything, and claim there's an irreparable falsehood about it. Perspective on events change, but that they had happened and in a sequential way, does not. One might not like or be satisfied with his point of view, yet this changes nothing. Memory is a monster, but Louis', a monster himself, is still real. These are his true memories as he is remembering them.

Beyond that, the more imperative story told here is the emotional one. On this journey of truth telling, Louis is also relieved of being unreliable about his emotions, and in the conclusion, he's living shamelessly for who he is, past and presently. This opens new doors for his character to exist beyond memory. The interview was a journey of self acceptance, and one's fight for having and reclaiming a self. The true take away, frankly, is that Louis got this, and nothing we can infer and interpret otherwise about his truth, where it is left open, can take this away from him.

I guess this is all to say Louis 'unreliable narration' is actually something he works through, perhaps in its realistic entirely (we are always a little unreliable). It's something that gets righted as a major part of the resolved conflicts that happen over the course of the interviews events, as so we, like Louis, are also resolved of this unreliability if we hold it to that same level of being the truth. And that is also if we are inferring and interpreting things left open properly, which is hard to say, even for Louis. That is where all of that 'unreliability' rests on is the things left open to question still, or gain new perspective on, and not that any one part of what we were presented with is falsely constructed. As we have actually gotten it reconstructed out of that.

[tinycurlyfry]

Why are the most theories about suo involving him : betraying Sakura, defeating Sakura, hurting Sakura..... lmao. Why do some fans hate Sakura so much to the point they want him to be humiliated by suo ?;(

I don't know that I would say most theories about him are about him hurting or humiliating Sakura, at the very least that hasn't been my experience. However! The "Suo will be a traitor" theory was something that I've only come across recently, so I can speak a little towards why it exists (at least as it's explained from one person with such a theory)!

I saw the mention of the theory from this really cool document from Snowy-kitten on Reddit where they break down the names of each of the characters in Wind Breaker (I'm still in the process of reading through this document myself)(also also thank you @cafe-pothos for sharing word about the document here!) Now, this was written prior to the conclusion of the Noroshi war arc, so the information/theories made were made without some information we now know (mostly about how the fights/war resolves).

Basically- Suo name comes from the kanji for the Chinese Redbud (which continues giving evidence that Suo has some sort of Chinese connection. From his dress, to his fighting style, to even his name here). However, while the Chinese Redbud symbolizes family harmony and can be used as treatment for fever the Redbud tree itself has a biblical connection that deals with betrayal. In short- when Judas betrayed Jesus he committed suicide by hanging himself from a Redbud tree.

There's also the growing theory that the next personal arc we get concerning the classmates of 1-1 will involve Suo and Tsugeura, since we've gotten information on Kiryu and Sugishita's family rather back-to-back and there's some evidence that Tsuge and Suo may have known each other in some capacity prior to coming to Furin.

Given their hinted at connection in the narrative, it is also interesting that the second half of Tsugeura's name- ura could also be written with the kanji 裏 which is often used in the phrase for betrayer/ turning traitor/ rat- 裏切り者. This could potentially further give proof that Tsuge and Suo are connected and Suo may be tied to a plot that has to do with betrayal.

So, I don't know about going so far as saying Suo may defeat or hurt Sakura badly, but I could see it being the case that Suo does something rash when something from his past rears its head and it may appear as though Suo acted against his fellow classmates at Furin, or at least he may do something to temporarily stall or incapacitate Sakura.

As far a personal theories go- Do I think Suo is going to end up becoming an "evil traitor"? No. I think he's been to well established to be a guiding force for Sakura alongside Nirei. I don't think he'll lose that role in the end-game. However, what I do see potentially happening is that Suo's backstory is going to become relevant in a way that is sudden and jarring that will keep Suo from simply brushing it off or dismissing it. I can't really base my theories towards Suo's backstory on anything, but I could see the arc relating to Suo's backstory going two ways-

Suo is hiding from something/someone from his past. Perhaps he truly does wear his eye patch to cover up an injury from an 'accident'. It is possible that there is a direct cause of that 'accident' and Suo may be using Furin's unified force as a shield to put between him and that cause. Say you have a really powerful person or group coming after you, and you happened to hear that recently a school of strong fighters is now a hero/vigilante group that will throw itself into any fight to protect its members/family. I think it's rather specific of a detail too that Suo's dream is for the emancipation of slaves. I think this detail might be something that becomes relevant to his backstory- whether it's someone who wants to force him into slavery or if someone he knows/knew in the past was enslaved. The fear of these people coming after him might be enough for Suo to throw Furin between him and these people, or at least use Furin to hold them back while he escapes.

Someone important or has influence over Suo is introduced to the story and Suo does something in the moment that could be read as a betrayal (perhaps stunning/incapacitating Sakura or even just stating he's leaving Furin). My One Piece-loving ass kind of sees the potential of a Whole Cake Island type plot where someone from Suo's family/past shows up and Suo suddenly announces to Furin that he can't be a part of Bofurin anymore and is leaving the family. Now, the person he is seemingly siding with or who convinces Suo to leave Furin may be evil/an antagonist, but again, I would find it VERY shocking if Suo is made to be a villain. Of course, if Suo leaves Class 1-1 would chase after his ass, and then I think whatever lie or story Suo might weave or tell them will unravel as they discover the truth.

It is entirely possible that neither of these will end up being true though! Like I said, this is just how I personally could see Suo being a "traitor" coming into play (purposefully "using" Furin for personal reasons in order to escape something from his past and thus not actually seeing himself as a part of them, or he betrays Furin by leaving or feeling as though he has to fight/act against them in a spur of the moment because of someone from his past). Whatever the case it may end up being, I think at the very least Suo is a character that is known to lie (which in of itself could be seen as him 'betraying the truth'). How does Tsuge tie into his backstory/how does he and Tsuge know each other prior to joining Furin? I have no clue jgskdlfg, but I'm excited to find out!

I don't think it's that people want to see Sakura humiliated by Suo- I think Suo is just a mysterious guy who keep telling lies and makes an active effort to hide things about himself. There is also definitely something that has him distancing himself from the rest of the Furin Family, both in how he doesn't actually participate in their sharing of fears/weaknesses as a bonding activity between class 1-1 and his refusal to eat meals with his classmates (which in my food wbk analysis I talk about how food is used as a symbol for community/ acceptance and is how characters show companionship). There is something keeping Suo from seeing himself as a part of Furin and it's likely to do with why he's so secretive about himself as well.

[maharellasa]

I've given it a lot of thought about making a post like this, because I didn't want to just add to the already extended discourse on the subject, but I keep reading opinions and I just can't stay out of it.

Before I continue I want to make clear that I've done high approval solas playthroughs and I do believe that a befriended solas cares deeply for the inquisitor. He respects and values them, and you could even argue that they forge a kind of sibling bond or a mentor/apprentice one. So for him to betray that, it's really a tragedy in the end—the inquisitor hurts deeply for their lost friend/mentor.

That said, and I am truly, honestly, not saying this as a solasmancer, but from a storytelling point of view, the story of a romanced solas is still far more impactful.

Please let me make my case before you draw conclusions.

I am not saying it's more valid, or that you should do it, or that it should be the canon. Just, simply, that it is a more powerful story narratively, and that acting like the high approval run somehow has an equal narrative value is completely unbased. It's a meaningful story, yes, but it does not have the same impact. (To be clear, I'm not speaking in comparison to other romances here since that's based on taste and preferences, just the case of befriended vs romanced solas specifically.)

From a creative writing point of view, the romance employs:

backstory relevance: fen'harel is an important part of lavellan's culture and upbringing. and yes, arguably, that's true for any lavellan, but in the case of a romanced one, there's the beautiful narrative device of—

tragic irony: she grew up specifically being cautioned about the dread wolf's treachery, hearing blessings like "may the dreadwolf never catch your scent" etc. and what does she do? she goes and falls in love with him.The dread wolf literally takes her. A befriended lavellan might love him, but will give him nothing so vital as her heart for it to be considered "a taking". And as for other inquisitors, well, they don't even know who Fen'harel is.

unique perspective: (edit because of comments on this post) solas reveals much more of himself to a romanced inquisitor than a high approval one. "it's not right", "it's been so long since I trusted someone", "it will be kinder in the long run", "you saw more than most", and to top that, the ultimate reveal of solas telling her he can remove her vallaslin, which is his way of showing her who he truly is.

denied catharsis: one of the most essential rules of storytelling is that after you've reached the climax of the hero's journey and you've dragged them through all their struggles, you should provide a form of catharsis. that doesn't happen in the case of the romanced lavellan. she ends up alone. I'm not even saying heartbroken, because losing a friend can cause equal pain, but a solas romanced lavellan ends. up. alone. After all that she went through, after having her personhood erased and being forced into a religion that is not hers, after losing her arm and potentially her clan, she ends the journey of the inquisition standing completely alone overlooking an empire that will never thank her. and added to that, we have—

continued torment: her lover still visits her in dreams and she can't even tell if he's real or her imagination.

Yes, high approval playthroughs are enjoyable and meaningful and as much a valid canon as any. And yes, it's really unfortunate that they limited such a beautiful romance to a specific race and gender in the game. But please, please, stop trying to argue that the friendship narrative is as powerful a storytelling as the romance. And stop treating solavellans like silly fangirls who can't see past their faves. I admit that there are those who are trying to force the romance as the only valid option, but I'm not talking about those, every fandom has its radicals.

This is not an argument of whether romantic is better than platonic or vice versa. And it's not an argument of whether solas cares more for a romanced inquisitor versus a befriended one. He cares deeply in both cases. It's about the fact that, narratively speaking, the romance delivers a far greater impact to the character and the story than the high approval run.

[emiplayzmc]

Twisted glisten and concept twisted glisten are basically on opposite ends of the “any attention is good attention” spectrums if you think about it. One seeks out positive attention for the most part to a detrimental degree, to the point of being willing to push aside his own boundaries for the chance at positive attention. He’ll take negative attention, yes, but his mind will do its best to construe it in a positive way no matter how negative it is in reality. Meanwhile concept twisted glisten is the opposite. He seeks out negative attention both from harassing other twisteds and manipulating toons that end up on his floor. Even if he’s given positive attention, his brain will construe it in a negative way. That it won’t matter if these toons are genuinely nice to him because he will cause them to be killed sooner or later, no matter how much he might actually like them in the case of toons he used to have a close bond with. In both cases, the worst fate for either of them would be to be ignored. Surrounded by creatures who are so apathetic to their existence they give no genuine reaction to them at all. Not positive or negative.

Ooooo that's very true actually. Normal Twisted Glisten's brain probably takes what used to be obvious clues of sarcasm or condescension or obviously not being genuine in any way at entirely face value, just because he's that desperate for it to be positive. What any other Toon could see as manipulation and really toxic behaviour, he'd defend to try and keep himself from not thinking of that attention as 'good' anymore - the moral dilemmas of his fawning response if two or more people were to ask him to do directly opposing things...

Meanwhile, with CT Glisten, he just. Shuts off 99% of things as being meant negatively, and he thrives on that. He probably has some warped assumption in his head that everyone is out to be the last one standing, so to speak, so anything is meant as a way to cut others and himself down, therefore he has to get himself to the top of that metaphorical food chain, so to speak. Anything directed towards him as 'negative' is still attention being thrown his way, some way to still stay relevant. If it responds to outer stimuli, it can be toyed with and manipulated in some way to his advantage. It's useful, it's rewarding.

And then any apathy shown towards them is just. Ow. Normal Twisted Glisten panics and eventually snaps from it when left alone, and I think for CT Glisten he'd probably internally panic in some way as well - nothing is being responded to, not speaking to them or messing with them or anything, so where does that leave him? Nothing more than a metaphorical fly on the wall to ignore, something that can easily be squashed away and barely given any thought to at some point? He needs that attention, good or bad, to make sure that he can tell where he stands compared to others. Whether or not he's seen as something to be remembered. Normal Twisted Glisten needs that attention, good or bad, because he physically cannot handle the thought of being alone at all. Alone with himself. Alone with his thoughts. Nothing feels lonelier than being in a crowded room and you're the only one being excluded from everything. It's torture for him.

[dalekofchaos]

Choices I would've added to Life Is Strange

I posted this on the LIS subreddit and thought I'd post it on here.

I wanted to keep to the same story without altering anything major, otherwise I would've stuck to the original plotline with Sean as the big bad, Nathan knowing about the storm, have Max, Chloe, Warren and Victoria team up to give Warren, Kate and Victoria more screen time and give them romance paths and add a ending where Max goes back to save Rachel, Chloe and the Bay.

I might be breaking a rule by adding more Warren, but cut content suggests we were meant to see Max, Chloe and Warren together as a team. Concept art sketch for a cut scene by Edouard Caplain, depicting Max Caulfield, Chloe Price and Warren Graham

Episode 1

Take photo of David harassing Kate. Rewind. Comfort Kate. Keep photo. To this day it baffles me that this is the only time - the only time - where the game breaks its own rules of "Max keeps things on her when she rewinds." Even small things like helping Joyce make breakfast respects this rule. If you tell Joyce you want one thing, grab all the ingredients, and then rewind to tell her you want the other thing, all the ingredients you grabbed are still in your inventory! You can have the items for both breakfasts in your inventory. Though the game does remove them all once you talk to Joyce and commit to making breakfast. You could make an argument that the photo didn't exist to the point she rewinds to, which breaks the semantics of how the time-rewind works (notably how if you pick up an object off say a table, then rewind to before you picked it up, it's still no longer on the table), but it still annoys me endlessly. Because that was my natural thought on that sequence, and the game just slaps your wrist and says "No. In this game all about rewinding and undoing your decisions and not having to commit to them, you have to commit to one." It becomes more relevant and thematic in later chapters, but it just felt oddly out of place so early in Chapter 2.

The choice between Help Warren before jumping into Chloe's truck or not. If you help Warren, Max kicks Nathan in the balls and Warren doesn't get a black eye. If you don't help, Warren gets a black eye as was in canon

Warren romance playthrough. A series of choices to help flesh out Warren as a character and a potential partner for Max. Continuing on the Help Warren choice. Helping Warren also leads to Warren hopping in the truck with Max and Chloe. Warren has a black eye from the headbutt and Chloe offers to use the first aid kit in the bathroom. Cute scene where Max helps Warren reduces the swelling of his black eye and you have the option to hold Warren’s hand or not. Warren takes off when his eye is healed up enough and wishes Max well in reconnecting with Chloe

If you choose to comfort Victoria, this leads to an actual friendship with Victoria. When she sends the thnx but we're not friends" text, you can reply insisting on it. This will prompt you to go back to the dormitories and when you go back to Vic’s dorm, Max and Victoria get to talk, become close, show Victoria the pictures Max has taken, have a laugh over the email situation and get Victoria to see the way she was treating Kate was wrong. Victoria will tell Max that she was jealous over her not caring what anyone thinks of her and thanks Max for coming and invites her to join the Vortex Club as it needs real cool people like her and not snobs and suck ups. Max asks advice on what to do with Chloe and tells her how guilty she feels for not keeping in touch and asks what she should do. Victoria tells Max to suck it up and get back in touch and make it up to Chloe and Max thanks Victoria for the advice and they leave as friends.

If you took Victoria's photo after Chloe proclaims "booyah skank, karma's a bitch" Chloe will ask to keep it because it gives her joy to seeing Victoria brought down to a peg and that Rachel would've loved it.(will add onto this for the other episodes)

Episode 1 ends with Max, Chloe and Warren together as the snow falls(evidenced by the concept art)

Episode 2

Romance Warren path. After Warren's offer to Go Ape, Max gets to explain her powers and the situation with Kate and Nathan. We get to prove it to Warren, we also get to learn more about Warren as a character. We find out Warren is basically the boy version of Matilda. Was neglected as a child, so he chose books and science as his passion and sci-fi and it made him feel whole.(idk this was the best I could come up with, but it’s more than what DONTNOD has given us) then Warren will promise that he will look around and help out with Kate.

Max will take photographic evidence of Nathan vandalizing Max's room and leaving the threatening messages. When Max accuses Nathan at the end of the episode, she presents it to Wells, Wells recognizes the message as Nathan's handwriting and Jefferson recognizes the photo as Nathan's style and this leads to Nathan spending the night in jail as well as being suspended.

Continuing on from Chloe and Victoria's paint photo. We are given the chance to tell Chloe about Kate's situation and let’s say in addition to showing off our powers to Chloe, Max tells Chloe about Kate’s ordeal and Chloe’s just as pissed as Max. Maybe in the Junkyard or on the way back to Blackwell, Chloe will offer Max to mass produce the pictures, post them everywhere at Blackwell and email the picture so she can post it online. She says “let’s call this Kate’s revenge” if you accept this will happen throughout episodes 3-4. -Victoria feels what it’s like to be humiliated and bullied and feels some humility -Everyone in the Vortex Club except Nathan turns on Victoria -Everyone in Blackwell calls her “paintgirl” and some things worse. -Victoria absolutely hates us and when she sends her texts, Max can either apologize or stand her ground and call her out like the bitch she is “karma’s a bitch ain’t it? this is what you made Kate feel. You deserved every bit of it.” -At the party, you can try to make nice and Victoria will learn a lesson that there are consequences for her actions. You can either forgive or condemn Victoria. Whichever you choose, you then choose to warn her or not about Nathan.

Continuing on the Victoria friendship. Victoria is genuinely nice to Kate and apologizes and says she deleted the video. This will prompt a hopeful Kate and a Taylor asking “wtf was that and Victoria laying down the law yelling “be nice to Kate and Caulfield, that’s an order” Continuing on after Max convinces Courtney to let her in the guest list and into Jefferson’s room, Nathan will be his mean self but Victoria will say “be nice to Max, she’s my best friend” Victoria will start calling Max Maxine, while Max doesn’t like it, Max will allow her to call her that if she gets to call Victoria “Tori” Victoria and Max will have a moment to talk before class starts. Catches up, Max shows the photos she’s taken in episode 2, asks how Kate’s doing and finally Victoria personally invites Max to the End Of The World Party and you are given the choice yes or no, obviously you choose yes. Which prompts Victoria to say “congratulations Max Caulfield, you’re officially a VIP member of the Vortex Club”

Episode 3

Warren romance path. Max, Chloe and Warren will be investigating Blackwell together. Warren will use his hacking skills to help them break into school. They each search for clues. In the Principals office of course, but also searching where the last Vortex Club was in search of anything that might help. Warren keeps a lookout while Max and Chloe skinny dips in the pool and Warren is the one to warn them to hide. You get the choice of choosing between going to Chloe’s place or going to Warren’s dorm. In Warren’s dorm, it will open with Max and Warren holding each other, Max at first blushes, but embraces the moment and the two taking a selfie together. We see Warren's dorm looking like this. Max talks to Warren, about how much she appreciates Warren for always being by her side, and Kate's. Warren tells Max that he loves her And a choice prompts to Kiss Warren or Hug. In place of Max wearing Rachel's clothes, Max wears one of Warren's nerdy shirts. They will talk and say they should go on a date to the End Of The World Party as a date and a means to spy on Nathan and make sure he doesn’t hurt anyone again. Chloe texts Max to come over and Max kisses Warren goodbye and says “see you later my white knight.”

Victoria friendship path. In the beginning of episode 3, Victoria sends a text congratulating Max and saying she’s proud she did something, while Max says she did more by the end and saying she’s proud of Tori

When we kiss Chloe, Chloe doesn’t push back, she embraces Max in a kiss

When we choose the “Side with Chloe” option in episode 3, we print out David’s evidence and take pictures of the surveillance footage as proof for Joyce. We talk about it but we don’t show it to Joyce and Joyce automatically sides with Max. I’d also have David snap and attempt to hit Chloe and Joyce stops him and finally puts her foot down with David and shows him the door. Always bothered me that Joyce only begins to side against David by Max's word. She might as well have screamed that Max was the golden child. Joyce spent literal years watching David treating Chloe like crap right in front of her, and even now that he’s raising his hand at her she’s not reacting, but the second he talks a little too harshly to Max, she jumps to take her side and honestly. Chloe cannot not have noticed that. Obviously she wasn’t going to start a scene about this since they were already all fighting with David, but I’m pretty sure she would’ve under different circumstances because. The audacity. I would’ve gone mad.

Max will get to stand up to Chloe. Basically she puts her foot down on Chloe. After Chloe snaps after finding out about Rachel and mocking Kate's suicide attempt/suicide, Max can then lose her shit and stand up to Chloe. Basically says the way she treats her is not okay and if she wants to help her find Rachel and seek justice for Kate, then things are gonna have to change or they are finished. Then Max leaves Chloe behind with Chloe realizing that she needs to change. I just REALLY wanted Max to stand up to Chloe at the end of this episode instead of just letting Max act like a doormat and take her shit.

Not really a choice. But I'd alter one thing about Alternate's Max's look. Give her long hair, and tied up in a ponytail like she was a kid.

Episode 4

Not really a choice, but after the returning from her time jump, Max returns to her dorm and goes to Chloe. Chloe properly apologizes for how she’s been acting since they got back together and agree to put everything in the past so they can work together to find Rachel and give Kate justice. Would've been better than just seeing the apology over text.

Before we begin our investigation in episode 4. Max calls Joyce and David so everyone could let it all out. It’s basically the therapy that Joyce wanted David and Chloe to go to but didn’t. Chloe calls out David for his abuse for the last 3 years of her life and the fact that he made her feel like a prisoner in her own home and how much the cameras made it worse. Then Chloe calls him out on Rachel. “Rachel was my angel. She was the only good thing that ever happened to me since my dad died and you and the spoiled rich kid took her away from me. Worse. You stalked her like you stalked Kate. And now Rachel is missing. Congrats, David I hope it was fucking worth it.” Then Chloe unloads on Joyce. For all the times she covered for David’s abuse, choosing to either ignore or condone the abuse and for the fact that she’d rather pretend everything was fine. Maybe end it with “I didn’t need a fucking step-father, I needed my mother when I needed her most and your first instinct was to chose the worst fucking man to bring into my life. Fuck both of you.” Maybe after David and Joyce say their piece.(hopefully both of them being remorseful) Max can either choose to tell Chloe to forgive them or “fuck them” basically Max calls out David for his bullying and abusive behavior, Max can call out David. “You saw Frank, who was an adult, perving on Rachel, a high school student, you even had the evidence and you did nothing? Kate needed help and instead of being that help, you treated her like shit” David admits he fucked up with Rachel and wishes he could’ve sent his evidence to the police. then Max calls out Joyce for being a shitty mother. “I used to think you ruled Joyce, but you are a terrible mother. Chloe needed a mother and you failed her. She needed you, she didn't need you to bring some man she's never met before, she needed her mother who was traumatized and hurt by her father's death. And you let David hit your daughter and don't even see anything wrong with it? You talk about Chloe like she's a problem, like a burden. She's your daughter Joyce and she deserved better. ” David and Joyce would apologize to Chloe for the past three years and do better for Chloe. I don’t know how forgiving them would play out, maybe it would be therapeutic and would result in closure for the Price-Madsen family and they have a chance to start over after Max helps them in that direction. After choosing condemn them. I think Chloe would tell Max. “Max, thank you. I needed to finally let all that shit out.” “You deserved so much better Chloe.” “I got better Max, I got you.” And if you chose forgiveness. “I will still hate them both for how life went for the last 3 years, but I think we can start fresh. Thank you Max.”

Chloe would enter Kate’s hospital room with Max. We’d see Kate talking with Chloe and we find out that Kate was there for Chloe when Rachel went missing and made Chloe feel a little better, that’s why Chloe said “she’s cool”

Max can warn Kate about the storm and tell her to leave Arcadia Bay immediately.

Reject Warren path. After the Warren/Nathan situation. If you're pursuing Chloe and only choose platonic actions with Warren. Max gets the opportunity to turn Warren down. Max will tell him she's sorry, she just doesn't feel that way about Warren and just sees him as a cool geeky older brother and points out to Warren that Brooke likes him and that he should totally hook up with her, Warren appreciates for gently letting him down and is glad they can still be friends and says that he's glad Max has Chloe. You will see Warren and Brooke together at the party.

Max calls out Frank on his bullshit. Instead of choosing to befriend Frank, Max gets to call him out. Calls him out for turning Pompidou into a violent attack dog, the fact he sells drugs to kids and his predatory obsession with Rachel. “You didn’t love Rachel, you were obsessed with her and whatever you did drove her away and honestly? You’re not just a creepy drug dealer, you’re a pedophile, Frank.” Frank of course would get violent and you have two choices. Rewind and call the police or let Chloe shoot Frank and afterwords Max calls to animal services to protect Pompidou and give him a new home. Either you get the client book off of Frank’s dead body or you get it after the cops arrest Frank. Either way you get rid of a predator. Sorry, not sorry. I have no sympathy for people who prey on children.

Warren romance path. Instead of Warren appearing drunk, Warren waits for Max and awaits her on the dance floor. Max takes Warren to dance with and it's like a moment of peace or like the scene of Alex dancing with Duckie. It ends with Max and Warren kissing and Max taking a picture to capture the moment forever.

Continuing the Victoria friendship path. At the party, Victoria says, she's late, but she's happy Max is there. Max fills her in on what her day was like. Victoria is proud she and Chloe stood up to David and Joyce and that Kate is doing well. Max warns Victoria about Nathan. and as they part ways, Victoria hugs Max and tells her to be safe and call her if she or Chloe needs anything. But instead of going to Jefferson, Victoria goes to the hospital to visit Kate. As part of a culmination of your choices in the relationship with Victoria, you can encourage her to go and visit Kate to apologize in person. It wouldn't even have to be an extra scene, just part of the ending montage to an episode showing Victoria knocking on Kate's door and Kate opening it and inviting her inside. Maybe this could have been what happens to Victoria instead of ending up in the Dark Room. So if you do well enough to befriend her and she accepts your warning, she goes to see Kate and is spared being kidnapped by Jeffershit. if she doesn't accept your warning, she ends up in the DR. Would have been nice and felt more rewarding than what we got! Also? Kate would tell Victoria about Max's warning, meaning both Kate and Victoria would survive the storm!

We are given the opportunity to enter a photo for the Everyday Hero Contest. We enter at the last minute as Jefferson would give Max the opportunity. So Max with Kate’s permission, Kate would let Max take a photo of her in the hospital. Which wins the Everyday Hero Contest. Max gives an inspiring speech about how everyone can be a hero and that Kate has always inspired her, how much she loves Kate and that she hopes that Kate knows that she is loved by everyone in Blackwell and everyone would cheer Max on. This would also give Jefferson the means and opportunity to drug Max. It honestly works better than Jefferson magically appearing at the Junkyard with no explanation(and it never being brought up).

Episode 5

We are given the choice to save Nathan or let Jefferson kill him. Cut dialogue indicates there was something more meant for Nathan in the final episode. Jefferson says this to Max “Like you Max, I… am a camera. And like some cultures believe I’m going to use my camera. To capture… your… soul. Now take a break. I need to deal with Nathan first. Don’t worry, our session is just… getting started." I think Max could’ve helped Nathan in the dark room, to owe her the favor, Nathan would help Max.

Since I didn't have Chloe killed in Episode 4, Chloe and David would've worked together to save Max. Max and Chloe rush to diner to save Joyce, while also to use Warren's picture to go back in time. While at the diner we get a chance for Max to confess her feelings for Chloe and to tell Joyce while she approves.

While on the journey to the Lighthouse before the Nightmare world kicks in, we are given the choice to save everyone in the diner or leave everyone behind. After you save everyone at the diner, Chloe asks if they should double back to the hospital to save Kate and Victoria, but Max insists the hospital is so far from the storm and they'd be safer there anyway

Third ending. Sacrifice Max. Max screams no, Nathan freaks out and shoots Max. David subdues Nathan and Max is rushed to the hospital. Inspired by this comic and video

An addition to the endings. I wish we could have seen the last entry in Max's journal after she saved Chloe or Arcadia Bay. It would give one last glimpse into her thoughts, as well as clarify the endings a bit more. Also not really a choice, but an addition to the Bae ending. I'd make this ending twice as long, and the extra 5 minutes would be scenes following each other over the next few years. Show how Max and Chloe head to Seattle to visit Max's parents. Show how they help each other cope with trauma (like Chloe comforting Max when she wakes up from nightmares, or Max supporting Chloe at Joyce's funeral, or how they grieve every October 11). Show how Max doesn't give up on becoming a photographer, and Chloe is there to encourage her to follow her dreams. Show how they begin a romantic relationship (including the kiss this ending deserves) if you romanced Chloe. End it on a positive note as Max and Chloe buy the RV and go traveling like they always wanted to, and the last shot is Max and Chloe smiling at each other before hitting the road (as in the original Bae ending). Also among a few shots we might see Max and Chloe hanging out with Kate and Victoria - the former would be if you saved Kate, and the latter would be if you were nice to Victoria. and Nathan appearing if you saved him. What we'd see with Nathan is Nathan in a blue jacket like he has in the alternate timeline to reflect his new change in behavior and redemption. Hugging Victoria, apologizing to Kate, Max and Chloe. Hugging Victoria, Max and Kate and shaking Chloe's hand. I'm tempted to say he could've been in the Brody role in LIS 2, since he kind of fits Brody, cause Brody's line about his family having money but no soul would fit a Nathan after surviving the storm. It would have made this ending more complete, it wouldn't have required their cameos in the sequel, and already in 2015 it would have disproved the theories that death would continue to haunt Chloe/another storm would happen. Addition to the Bay Ending. I like to think it would be a collection of the montages we already got and Chloe’s funeral. But more. We’d see Max dealing with Chloe’s loss, her grief, but ultimately showing Max living her life and moving on. Show that Max still misses Chloe, but show her living her life. And just show Max living her best life with Warren, Kate, Brooke, Dana, Daniel, Stella and Alyssa. Even show montage of a friendship with Victoria. Show Max having a tea date with Kate. Show Max Goin Ape with Warren. Max doing photoshoots with Victoria and shopping dates with Victoria, Courtney and Taylor. Max doing group projects and games with Warren, Kate, Brooke, Stella, Alyssa, and Daniel. Max being Dana’s official photographer. And show Max and her friends graduating Blackwell and living their lives in Arcadia Bay. We just needed to see that despite losing Chloe, Max is okay and that while she will hold onto the memories of Chloe, she can live. The final scene is Max and Warren visiting the Lighthouse. The Blue Butterfly appears and it touches Max and as the Butterfly flies away, Max says "Goodbye Chloe as Warren holds onto Max and shares a kiss at the Lighthouse."