#but its still relevant so might as well keep it up

[genderqueerdykes]

How to deal w a longtime friend that at some point became a radfem? I was bad at recognising it back then when there were clear signs and didnt know how to argue, so i stayed passive and argeeable, esp since im a nonbinary guy n shes a (sorta questioning) cis girl.

When i showed discomfort with her doing the "i hate all men" type stuff she's said "omg you're not one of those 'not all men' types" and bc i didnt know at the time i backed off, n she also mentioned how she sees/treats both trans men n cis men the same

I mean ive always felt like she's treated me that way, or that i felt like i needed to stay silent or had more priviledge when around her, despite being pre-everything and pr much closeted in my everyday life, or felt more like i was a binary man around her when im not

She has also been sorta weirdly sex/kink negative or made fun of it, for some time i figured that it was just a bit bc of her being sex repulsed n her being immature, but i still felt sorta more ashamed regarding my kinkiness/sexuality around her when not (were both on the aroace spectrum, though i figured out more recently)

Also parroting radfem rhetoric about "well the sex industry is harmful" (..every capitalistic industry is harmful) and when mentioning kinks/fetishes for some reason often brought up "but what about those kinks where people get off to women starving themselves/having problems w their weight" which is like?? Yea okay if they are doing that to real people thats bad but like what kink/fetish spaces do you hang out in where that would be the first thing you'd bring up??

I also once remember her mentioning that she felt weird about her own connection to masculinity, which i sussed and esp now sus might be due to her being this man-hating

She's told me "you don't have an issue w the 'man vs bear' thing since you're a guy right?" but i didnt feel like arguing at that time so i just agreed and quickly moved onto another subject

Looking back at older texts, she's also said before that im "one of the few men she actually respects"

I've realised how harmful and bull radfem rhetoric is now, n i want to keep a distance from her, but idk how to deal w it bc ive always been the more agreeable and peace-keeping one between us

i'm so sorry you had to go through this. radfems are possessive of the identities of everyone around them to the point of coming up with the most asinine bullshit to make other people feel insecure and question themselves and just go along with whatever the hell they're saying. it's toxic and abusive.

whenever i talk about transmasculine and trans male issues, i get those "oh you're one of those not all men types" as well. it's such a useless thing to say. like if the thing you're opposing is people making blanket statements about women and being treated like a monolith, why are you doing it to someone else? that's the example you're setting, but yet you expect different treatment? double standard.

the sex & kink negativity in radfeminism is exhausting, too. it's not progressive. a lot of people choose to go into sex work and enjoy it. some don't mind it. some are okay with that being their job. a lot of people are exploited, but not everyone is. like you said, it's the capitalist corruption of these industry that causes problems. like you said, people instantly jump to the worst possible conclusion when the subject of kink comes up

the normal song and dance is "men who are into BDSM are only straight guys who are misogynistic and want to beat women. women who are into BDSM are scared and confused and being taken advantage of and are enabling abusive men." they have very few arguments and they're all so far out of left field that it's not relevant to the type of conversation you're having in that moment. making blanket statements about all kinky people being abusive in some way... that's profiling.

at this point its your choice if you continue to interact with her. if you do, you are allowed to stand your ground and tell her that those kinds of things make you very uncomfortable and that it's just not okay. if she can't handle that, then it's not your job to try to change her mind. if she cares about you, she'll treat you with respect. i hope that's the case, but you don't owe time or energy to people who treat you like garbage. good luck, stay safe

[waywardsalt]

was going through my blog trying to track down an old post i made talking abt my feelings on jolene and it was. much longer than i remembered it being. and haha yeah i still agree with it. i need to fucking. sort out my feelings on that character and that subplot

[phagodyke]

weekend melancholy is starting to kick in >~<

[phantomrose96]

If anyone wants to know why every tech company in the world right now is clamoring for AI like drowned rats scrabbling to board a ship, I decided to make a post to explain what's happening.

(Disclaimer to start: I'm a software engineer who's been employed full time since 2018. I am not a historian nor an overconfident Youtube essayist, so this post is my working knowledge of what I see around me and the logical bridges between pieces.)

Okay anyway. The explanation starts further back than what's going on now. I'm gonna start with the year 2000. The Dot Com Bubble just spectacularly burst. The model of "we get the users first, we learn how to profit off them later" went out in a no-money-having bang (remember this, it will be relevant later). A lot of money was lost. A lot of people ended up out of a job. A lot of startup companies went under. Investors left with a sour taste in their mouth and, in general, investment in the internet stayed pretty cooled for that decade. This was, in my opinion, very good for the internet as it was an era not suffocating under the grip of mega-corporation oligarchs and was, instead, filled with Club Penguin and I Can Haz Cheezburger websites.

Then around the 2010-2012 years, a few things happened. Interest rates got low, and then lower. Facebook got huge. The iPhone took off. And suddenly there was a huge new potential market of internet users and phone-havers, and the cheap money was available to start backing new tech startup companies trying to hop on this opportunity. Companies like Uber, Netflix, and Amazon either started in this time, or hit their ramp-up in these years by shifting focus to the internet and apps.

Now, every start-up tech company dreaming of being the next big thing has one thing in common: they need to start off by getting themselves massively in debt. Because before you can turn a profit you need to first spend money on employees and spend money on equipment and spend money on data centers and spend money on advertising and spend money on scale and and and

But also, everyone wants to be on the ship for The Next Big Thing that takes off to the moon.

So there is a mutual interest between new tech companies, and venture capitalists who are willing to invest $$$ into said new tech companies. Because if the venture capitalists can identify a prize pig and get in early, that money could come back to them 100-fold or 1,000-fold. In fact it hardly matters if they invest in 10 or 20 total bust projects along the way to find that unicorn.

But also, becoming profitable takes time. And that might mean being in debt for a long long time before that rocket ship takes off to make everyone onboard a gazzilionaire.

But luckily, for tech startup bros and venture capitalists, being in debt in the 2010's was cheap, and it only got cheaper between 2010 and 2020. If people could secure loans for ~3% or 4% annual interest, well then a $100,000 loan only really costs $3,000 of interest a year to keep afloat. And if inflation is higher than that or at least similar, you're still beating the system.

So from 2010 through early 2022, times were good for tech companies. Startups could take off with massive growth, showing massive potential for something, and venture capitalists would throw infinite money at them in the hopes of pegging just one winner who will take off. And supporting the struggling investments or the long-haulers remained pretty cheap to keep funding.

You hear constantly about "Such and such app has 10-bazillion users gained over the last 10 years and has never once been profitable", yet the thing keeps chugging along because the investors backing it aren't stressed about the immediate future, and are still banking on that "eventually" when it learns how to really monetize its users and turn that profit.

The pandemic in 2020 took a magnifying-glass-in-the-sun effect to this, as EVERYTHING was forcibly turned online which pumped a ton of money and workers into tech investment. Simultaneously, money got really REALLY cheap, bottoming out with historic lows for interest rates.

Then the tide changed with the massive inflation that struck late 2021. Because this all-gas no-brakes state of things was also contributing to off-the-rails inflation (along with your standard-fare greedflation and price gouging, given the extremely convenient excuses of pandemic hardships and supply chain issues). The federal reserve whipped out interest rate hikes to try to curb this huge inflation, which is like a fire extinguisher dousing and suffocating your really-cool, actively-on-fire party where everyone else is burning but you're in the pool. And then they did this more, and then more. And the financial climate followed suit. And suddenly money was not cheap anymore, and new loans became expensive, because loans that used to compound at 2% a year are now compounding at 7 or 8% which, in the language of compounding, is a HUGE difference. A $100,000 loan at a 2% interest rate, if not repaid a single cent in 10 years, accrues to $121,899. A $100,000 loan at an 8% interest rate, if not repaid a single cent in 10 years, more than doubles to $215,892.

Now it is scary and risky to throw money at "could eventually be profitable" tech companies. Now investors are watching companies burn through their current funding and, when the companies come back asking for more, investors are tightening their coin purses instead. The bill is coming due. The free money is drying up and companies are under compounding pressure to produce a profit for their waiting investors who are now done waiting.

You get enshittification. You get quality going down and price going up. You get "now that you're a captive audience here, we're forcing ads or we're forcing subscriptions on you." Don't get me wrong, the plan was ALWAYS to monetize the users. It's just that it's come earlier than expected, with way more feet-to-the-fire than these companies were expecting. ESPECIALLY with Wall Street as the other factor in funding (public) companies, where Wall Street exhibits roughly the same temperament as a baby screaming crying upset that it's soiled its own diaper (maybe that's too mean a comparison to babies), and now companies are being put through the wringer for anything LESS than infinite growth that Wall Street demands of them.

Internal to the tech industry, you get MASSIVE wide-spread layoffs. You get an industry that used to be easy to land multiple job offers shriveling up and leaving recent graduates in a desperately awful situation where no company is hiring and the market is flooded with laid-off workers trying to get back on their feet.

Because those coin-purse-clutching investors DO love virtue-signaling efforts from companies that say "See! We're not being frivolous with your money! We only spend on the essentials." And this is true even for MASSIVE, PROFITABLE companies, because those companies' value is based on the Rich Person Feeling Graph (their stock) rather than the literal profit money. A company making a genuine gazillion dollars a year still tears through layoffs and freezes hiring and removes the free batteries from the printer room (totally not speaking from experience, surely) because the investors LOVE when you cut costs and take away employee perks. The "beer on tap, ping pong table in the common area" era of tech is drying up. And we're still unionless.

Never mind that last part.

And then in early 2023, AI (more specifically, Chat-GPT which is OpenAI's Large Language Model creation) tears its way into the tech scene with a meteor's amount of momentum. Here's Microsoft's prize pig, which it invested heavily in and is galivanting around the pig-show with, to the desperate jealousy and rapture of every other tech company and investor wishing it had that pig. And for the first time since the interest rate hikes, investors have dollar signs in their eyes, both venture capital and Wall Street alike. They're willing to restart the hose of money (even with the new risk) because this feels big enough for them to take the risk.

Now all these companies, who were in varying stages of sweating as their bill came due, or wringing their hands as their stock prices tanked, see a single glorious gold-plated rocket up out of here, the likes of which haven't been seen since the free money days. It's their ticket to buy time, and buy investors, and say "see THIS is what will wring money forth, finally, we promise, just let us show you."

To be clear, AI is NOT profitable yet. It's a money-sink. Perhaps a money-black-hole. But everyone in the space is so wowed by it that there is a wide-spread and powerful conviction that it will become profitable and earn its keep. (Let's be real, half of that profit "potential" is the promise of automating away jobs of pesky employees who peskily cost money.) It's a tech-space industrial revolution that will automate away skilled jobs, and getting in on the ground floor is the absolute best thing you can do to get your pie slice's worth.

It's the thing that will win investors back. It's the thing that will get the investment money coming in again (or, get it second-hand if the company can be the PROVIDER of something needed for AI, which other companies with venture-back will pay handsomely for). It's the thing companies are terrified of missing out on, lest it leave them utterly irrelevant in a future where not having AI-integration is like not having a mobile phone app for your company or not having a website.

So I guess to reiterate on my earlier point:

Drowned rats. Swimming to the one ship in sight.

[arolesbianism]

Used my epic hacker skillz to put Murtlepaw in clangen just to do 4 moons to make sure Honeystar wasn't going to die before they became a warrior and now that save is retired 4 good goodbye sweet prince

[filurig]

a new little spingle... info about him under the cut

a disciple of glaris in sartrill's priesthood, despite his holy position - isn't too enthusiastic about it. truthfully, he was forced into his current study by his parents as he was born as a "curlwing". "curlwings" in sartrillan culture are considered the closest to "true" children of glaris, having been born with her "blessing" of flightlessness and therefore are believed to be more strongly attuned to her, so the natural course for any young curlwing is to enter priesthood training at an early age. despite that, however, karu never excelled in his priestly studies - not that he was necessarily bad or couldn't carry out the duties he were assigned, but his superiors keep worrying that he doesn't put enough heart in it, so he has never really risen considerably in the ranks of the priesthood.

somewhat lethargic, karu accepted his "fate" - while he has faith, he also longs for being able to have his own life as life in the priesthood is relatively restricted to the holy grounds and the districts in sartill closest to it. there is a small, adventurous spirit inside of him that wishes to see more of the world, having never left sartrill in his entire life, but at this point he's sort of given up on it. he is somewhat ruled over by his fear of sticking out and not conforming and betraying the expectations of the priesthood, his family and Glaris herself.

karu can come off as quite cold and tired as he feels sort of detached from the people and circumstances around him. when brought out of his shell, however, he brightens up considerably - but can be a bit cynical still. he isn't actually as serious as he comes across as, and actually enjoys being around people who don't take things too seriously either. he tries to self-correct though and therefore that part of him is rarely seen by anyone. because of his alienation from other harpies, partly due to his upbringing and role, he's a bit socially inept, but has learned to deal with that by hiding behind his stoic and unconcerned facade. a bit of a double edged sword because it only reinforces the idea people have of him around him as this "serious, no-fun wholly dedicated priest disciple who doesn't want to mingle with the commoners"

while he wishes he had more freedom to do stuff, karu does enjoy some parts of his priestly duties - most especially the craftsmanship he gets to engage in. sartrillan priests will actually be responsible for most of the settlement's craftsmanship especially ones concerning fabric and clothing, but also other crafts (former are just the biggest categories)

flightlessness is relevant in some satrtillan mythology and in the biggest story (the one involving glaris) is a noteworthy sacrifice some crakam made to grant them the ability to hide from humans using illusory magic. that ofc creates a sort of weird relationship with crakam society and crakam born with flightless conditions. in sartrill its especially pronounced as glaris is the settlement's "patron deity" and while care is taken to accomodate to the flightless, there is also a social schism between them and other crakam bcs of their connotations and also the fact that most flightless crakam are "strongly encouraged" and often forced to live in the priesthood.

craftsmanship is strongly associated with holiness/the priesthood in sartrill because the body alterations flighted harpies undergo to render themselves flightless permanently actually increases arm flexibility a little, and historically being unable to fly it was a natural direction for many priests to head in to contribute to the community which might be why it became such a strong practice

there are several different conditions that can make a harpy not be flighted - curlfeather is one of them. any condition which does such is treated similarly - it doesn't really matter which, but curlfeather is probably the most common/well known one.

[tabletopresources]

Image credit "Fishing" By yonaz

So in last night's 3.5 edition D&D game, my players had a chance to do some ice fishing and one player called out for one of my ad hoc mini-games (I do this a lot haha). I wanted something simple, a combo of character skill and some luck, and so in short order ended up with this very quick mini-game you can easily employ.

:

Quick Disclaimer: These fishing mini-game mechanics may not be entirely original and could resemble systems from other games I just can't recall. For my part, I'm posting this FOR sharing. Feel free to use, adapt, or modify them in your own games as you see fit. No ownership or exclusivity is claimed over this idea—enjoy and share as you wish!

:

Fishing Mini-Game (D&D 3.5 Edition)

Step 1: Build the Fishing Pool

The player rolls a number of d6 equal to their relevant skill modifier (Survival or Profession (Fisher)).

Example: A character with a +10 in Survival rolls 10d6 and sets these dice aside as their "Fishing Pool".

Fishing Pool Example Roll: 1, 1, 2, 3, 3, 4, 4, 5, 5, 6.

Step 2: Perform the Fishing Check

The player then rolls 5d6 as their "Fishing Check" for one hour of fishing.

Example Roll: 1, 2, 4, 4, 6.

Step 3: Match for Combos

The player now attempts to match the dice results from their Fishing Pool with their Fishing Check results to form combos. The number of dice used in the combo determines the size of the fish:

Small Fish: Match 2 dice from the Fishing Pool with the Fishing Check.

Medium Fish: Match 3 dice from the Fishing Pool with the Fishing Check.

Large Fish: Match 5 dice from the Fishing Pool with the Fishing Check.

Example Combo:

If the player's Fishing Pool has dice showing 1, 2, 4, 4, and 6, they could match all 5 dice with their Fishing Check, catching a Large Fish.

Step 4: Fish Weight and Rations

Once the fish is caught, the total weight of the edible parts of the fish is determined by summing the values of the dice used in the combo.

Example: For a Large Fish (1, 2, 4, 4, 6), the total weight is 1+2+4+4+6 = 17 kg.

To calculate the number of rations provided by the fish:

1 kg = 2,000 calories (or half a ration).

Rations Formula: Divide the total weight of the fish by 2.

Example: 17 kg / 2 = 8.5 kg or 8 rations (we round down).

Step 5: Continue or Stop

After catching a fish, remove the dice used from the Fishing Pool.

If the player still has at least 2 dice left in their Fishing Pool, they can attempt to catch another fish using the same Fishing Check results. Otherwise, they are done for that hour.

That's all that we did and they loved it!

But since then we've considered how future games or others might expand on it with special roll combos, items, locations, setting conditions, Aid Other, etc. So here are some...

Optional Add-Ons and Considerations

Multiple Attempts Per Hour:

If the player rolls exceptionally well on their Fishing Pool, they may be able to attempt fishing multiple times in an hour. To keep this simple, I'd say if they are able to clear the first Pool entirely, they get a brand new roll, a whole new Pool as if starting fishing over, but they keep their previous catches.

Modifiers and Conditions:

You could introduce conditions that affect the Fishing Pool or Fishing Check rolls:

Good Fishing Spot: +1d6 to the Fishing Pool.

Bad Weather/Overfished Area: -1d6 (or more) to the Fishing Pool or disadvantage (see 5e, we use this idea quite a bit even in our 3.5e games) on Fishing Check rolls.

Magic/Luck Items: Grant rerolls or bonus dice to the Fishing Pool or allow rerolls of the Fishing Check.

Special Fish Combos:

Occasionally, you could allow rare or magical fish (or larger species) that provide bonuses or other effects; perhaps these are possible if the combos use specific die results:

Giant Fish: Requires a match of dice with identical values, but double the weight result (ex: a medium fish that used 5,5,5 would be a Giant of its type, and grant 15x2 or 30 kg of edible parts!).

Magical Fish: Grants temporary bonuses, like extra HP or special buffs, when consumed. (ex. A combo of sequential rising values, like 1,2,3,4,5, would grant a Magical Large fish)

Fishing Tools and Bait:

Fishing equipment or bait could modify the rolls:

Better Rods/Lines: Allow rerolls or add extra dice to the Fishing Pool.

Special Bait/Lures: Increases chances of catching better or more fish (ex. set any one die result to 6; or allow player to select the value of any one die, etc.).

Aid Other

Another player can choose to assist Player A if they are proficient in the same associated skill (Survival or Profession (Fisher), etc based on your setting):

Player B (helper) rolls for the associated skill.

If the result of their skill check (rolled like any other skill check) is 10-19, Player A gains 1 extra die in their fishing Pool.

If the result of their skill check is 20 or higher, Player A gains 2 extra dice in their fishing Pool.

Player A can then use these extra dice to help form better combos when matching against their Fishing Check.

Let me know if you use this mini-game in your D&D sessions, or revamp it for the tabletop rpg/edition you play!

I'd love to hear your stories of the biggest catch, or lamenting that one LEGENDARY CATCH that got away!

And check out Tabletop Gaming Resources for more art, tips, and tools for your game!

[maharellasa]

I've given it a lot of thought about making a post like this, because I didn't want to just add to the already extended discourse on the subject, but I keep reading opinions and I just can't stay out of it.

Before I continue I want to make clear that I've done high approval solas playthroughs and I do believe that a befriended solas cares deeply for the inquisitor. He respects and values them, and you could even argue that they forge a kind of sibling bond or a mentor/apprentice one. So for him to betray that, it's really a tragedy in the end—the inquisitor hurts deeply for their lost friend/mentor.

That said, and I am truly, honestly, not saying this as a solasmancer, but from a storytelling point of view, the story of a romanced solas is still far more impactful.

Please let me make my case before you draw conclusions.

I am not saying it's more valid, or that you should do it, or that it should be the canon. Just, simply, that it is a more powerful story narratively, and that acting like the high approval run somehow has an equal narrative value is completely unbased. It's a meaningful story, yes, but it does not have the same impact. (To be clear, I'm not speaking in comparison to other romances here since that's based on taste and preferences, just the case of befriended vs romanced solas specifically.)

From a creative writing point of view, the romance employs:

backstory relevance: fen'harel is an important part of lavellan's culture and upbringing. and yes, arguably, that's true for any lavellan, but in the case of a romanced one, there's the beautiful narrative device of—

tragic irony: she grew up specifically being cautioned about the dread wolf's treachery, hearing blessings like "may the dreadwolf never catch your scent" etc. and what does she do? she goes and falls in love with him.The dread wolf literally takes her. A befriended lavellan might love him, but will give him nothing so vital as her heart for it to be considered "a taking". And as for other inquisitors, well, they don't even know who Fen'harel is.

unique perspective: (edit because of comments on this post) solas reveals much more of himself to a romanced inquisitor than a high approval one. "it's not right", "it's been so long since I trusted someone", "it will be kinder in the long run", "you saw more than most", and to top that, the ultimate reveal of solas telling her he can remove her vallaslin, which is his way of showing her who he truly is.

denied catharsis: one of the most essential rules of storytelling is that after you've reached the climax of the hero's journey and you've dragged them through all their struggles, you should provide a form of catharsis. that doesn't happen in the case of the romanced lavellan. she ends up alone. I'm not even saying heartbroken, because losing a friend can cause equal pain, but a solas romanced lavellan ends. up. alone. After all that she went through, after having her personhood erased and being forced into a religion that is not hers, after losing her arm and potentially her clan, she ends the journey of the inquisition standing completely alone overlooking an empire that will never thank her. and added to that, we have—

continued torment: her lover still visits her in dreams and she can't even tell if he's real or her imagination.

Yes, high approval playthroughs are enjoyable and meaningful and as much a valid canon as any. And yes, it's really unfortunate that they limited such a beautiful romance to a specific race and gender in the game. But please, please, stop trying to argue that the friendship narrative is as powerful a storytelling as the romance. And stop treating solavellans like silly fangirls who can't see past their faves. I admit that there are those who are trying to force the romance as the only valid option, but I'm not talking about those, every fandom has its radicals.

This is not an argument of whether romantic is better than platonic or vice versa. And it's not an argument of whether solas cares more for a romanced inquisitor versus a befriended one. He cares deeply in both cases. It's about the fact that, narratively speaking, the romance delivers a far greater impact to the character and the story than the high approval run.

[velvetyvoyage]

Hey there li'l fella!

sypnosis: how some of the bsd charecters react to you (their lover or s/o or spouse or whateva) gifting them a silly lil pet.

includes: fyodor, nikolai, dazai, kunikida

a/n: i honestly should have stopped after fyodor and nikolai but oh well.

the following convo happens through text

->"Fedyaaaaaaaaa when r u coming home???"

"I'm pretty sure I'll be back late tonight. Why? Is there something wrong? or something you need me to get?"

"no no, i don need anything rn" "i just got you a lil something"

"oh? And what might that be?"

"no spoilers!"

"alright alright. I'll try come home as soon as i can"

"okieeeee" "get me ice cream on the way!"

"[insert ur fav ice cream/s]?"

"yep!"

the following happens in real time

-> you're kneeling down on the floor to admire the lil dark-grey furry friend with a white cotton hat in front of you when you hear someone opening the front door downstairs [don't ask me how ur able to hear a door opening downstairs, u just can. ok?]. assuming it's fyodor, you rush down the staircase.

"why are you awake at this hour?" he says, closing the freezer door.

"i was simply waiting for you" "come! i wanna show you something"

"alright, lead the way."

*Insert Time Skip*

"..." "soooooo, what do ya think?"

"Love, why'd you bring a rat into the house?" "says you" *insert a v big side eye from you to him*

"what's that supposed to mean?" "ohh nothing!"

"well... is this your pet now?" "our pet* " "guess what i named it?"

"what?" " i named him... Phyodor. p-h-y-o-d-o-r"

"Dear, doesn't that name ring a bell?" "oh what ever do you mean?" you say, very dramatically.

-> just stares at you like 🤨😐😑

-> "And what if i don't want to keep it?" "well, then I'll simply "donate" phyodor to a near by orphanage or something"

the both of you were on a stroll outside and decided to sit down on a bench in a near by park

-> "y/nnnnnnnnnnn watcha got there?"

"a dove" "it's so... pretty" you say. as you were feeding a flock of doves, one of them perched up on your lap.

"i wanna take it home"

"QUIZZZ TIMEEEE" he shrieks twirling around. "QUESTION 1: why do you, y/n l/n wanna take it home!?"

"because it's pretty and i wanna admire it every day? but... i can't take it home"

"interesting answer!" "QUESTION TWOOO: why can't you take it home? what is stopping you?"

"you." "HUHHHHH!?!?" "even if i want a pet bird, i know damn well that you will set it free and also i don't want to confine it between bars." you say with a perseptive look on your face. "besides i don't really need a pet"

"ohh? why so" "cuz i have you to take care of?" *dramatic gasp* *flabbergasted*

"I! am not a pet!" "but i still have to take care of you" "hmp!" he says as he puffs his cheeks, shuts his eyes and turns his head the other side. (ur looking north (at the birdies), he's facing east)

"why would i admire a mere bird when i could admire you instead" you murmured, a pleasant smile playing on your face.

"what was that?" "oh nothing"

-> why? just why would you give him a pet to take care of? he's one himself and you know it.

-> the poor thing... :(((

-> whatever the animal is, it'd probably take care of him instead.

*cough* @🍣 *cough*

-> does he really need a pet? like cmon?

-> also if you're in a relationship with him, no matter how responsible or independent you are, he'd have to take care of you too.

-> goldfish. he'd have a goldfish

-> it's the most fitting tbh

-> it'd just be minding it's own business in its lil fish tank unlike a certain mackerel.

the pics at the start were only for aesthetic (which failed but oh well) and is not at all relevant to the post.

[makeste]

Plus One For All

so guys. can we talk about how there’s somebody chilling out inside of Katsuki’s mind who’s not supposed to be there.

hello there Mister All Might Vestige sir. you should not exist, just FYI. you’re not some Nighteye-type plot hallucination. because if you were, you would not be appearing here as Cloud Might, a version of yourself whom Katsuki has never met and has no frame of reference for. ergo he did not imagine you. ergo you are, in fact, real.

which means Katsuki has One For All.

because that’s the only way he could have a Vestige -- which is indisputably what this is -- inside of him. he has OFA. so. where did he get it. how does he have it. and why is it only making its presence known now.

let’s discuss.

okay so I’m going to try and lay this all out as clearly as possible while also attempting to be as succinct as I can. but knowing me, I’m probably going to wind up sacrificing the latter in pursuit of the former. I’ll do my best though. here goes.

1. Heroes Rising is canon.

which is a fact we’ve recently been reminded of not once, but twice -- first with the appearance of Katsuma and Mahoro in chapter 405, and then in chapter 406 with the “Bakugou no Kacchan” callback. the timing of this almost certainly isn’t coincidental. Horikoshi wants this to be fresh in our minds.

mind you, it is extremely unusual for movies, even technically!canon ones, to actually be relevant to the plot. but BnHA may be one of the few exceptions. we’ve already seen movie 1 impact the series both with Star & Stripe’s backstory, and with Deku’s new gauntlets. so there’s precedent, and it’s something I am paying very close attention to.

2. Deku giving OFA to Bakugou is canon.

just in case anyone here hasn’t yet seen or been spoiled for Heroes Rising, that is in fact what happens in that film! so yeah, that certainly seems like an extremely relevant detail right about now.

3. we never found out why and how Deku got OFA back at the end of the movie.

okay so I was looking for a clip to link before we discuss this next part, but I unfortunately couldn’t find one that hadn’t been edited to avoid copyright issues, so you’ll just have to make do with this.

skip ahead to about 7:10 for the relevant part. for the purposes of this theory, we’re just going to ignore everything All Might says here, because tbh he has no fucking clue what’s actually going on and is just guessing wildly lol. however, I do want you to take note of one thing which will be important later. and that’s the fact that, when OFA “returns” to Deku’s body, it’s only his body which starts glowing, and notably not Kacchan’s. the latter just keeps lying there unglowingly. nothing to indicate any kind of transfer is actually happening between him and Deku, in other words.

moving on.

4. OFA and AFO are probably the same quirk.

as summarized here and here. which is relevant because if they are the same quirk, or close to it, then OFA can most likely do anything AFO can do. so file that away for later.

5. AFO was able to split his quirk and give it to Tomura while still keeping a piece of it for himself.

what’s more, he was able to do the same with Garaki/Ujiko’s quirk, and presumably other quirks as well. while it’s possible that this quirk duplication has nothing to do with AFO and is simply something Garaki was able to figure out using ~*~Science~*~, I think it’s more likely that the two of them used AFO’s quirk in some way to accomplish this feat. particularly since Tomura not only received AFO, but a bunch of its stored up quirkdata as well, such as the information stored in Ragdoll’s stolen Search quirk.

6. OFA responds to Deku’s feelings and desires.

or at least this is the case according to Banjou in chapter 213. recall this interesting conversation on how Deku first activated Blackwhip.

he was thinking that he wanted to capture Monoma, and so OFA obediently activated his “capture Monoma” quirk. despite him being unaware he even had said quirk. it responded to his need, even though he wasn’t consciously trying to activate anything.

now then, let’s revisit that scene in Heroes Rising one more time.

7. during the climax of Heroes Rising, Deku was NOT thinking, “I need to give OFA to Kacchan.”

here’s the scene one more time for reference. this time you’re gonna want to skip to about 3:57.

here’s where we are going to get extremely technical, because this scene right here is the key to everything. Deku’s lines in this scene are, and I quote: “a way we can protect [everyone]... there’s just one way...!” but he very notably does not specify exactly what that “one way” is.

until we get to this scene a minute or so later, which spells it out for us very clearly.

two One For Alls. as in, “with two One For Alls, we could win this battle and save everyone.”

that’s what he was thinking at the moment of the “transfer.” NOT, “give OFA to Kacchan.” but, “we need two One For Alls.”

which, I think, may have made all the difference.

8. OFA created a copy of itself to share with Kacchan, so that both of them could have OFA and use the two OFAs to defeat Nine.

let’s recap. OFA is AFO. AFO can clone itself. so it stands to reason that OFA can presumably clone itself as well. and that’s exactly what Deku wanted to do. make a second One For All.

he didn’t know that he could do that. but as previously established in the Blackwhip incident, OFA is more than capable of making its own executive decisions in key moments just like this in order to help him out.

which would mean that what we saw at the end of Heroes Rising was not OFA being transferred from Bakugou back over to Deku. it was actually just Deku’s OFA briefly self-activating (possibly in response to his delirious apology to All Might -- kind of a “no worries bro, you’ve still got your quirk actually, so go back to sleep and stop stressing over it” type of thing). and Kacchan’s OFA doing... absolutely nothing. it didn’t actually transfer back into Deku. it didn’t actually go anywhere.

let me repeat that: it didn’t actually go anywhere.

in other words, Kacchan still has OFA. and has had it ever since Heroes Rising. he just didn’t realize it. and neither did anybody else.

9. Kacchan’s OFA went dormant once Nine was defeated.

okay, so. remember all of this exposition from chapter 304?

basically, if someone who already has a quirk receives OFA, using it will slowly destroy their body until it kills them. the Vestiges learned this from All Might while he was researching the past generations of OFA in chapter 241, incidentally. Heroes Rising takes place right around this same time (immediately following MVA if I recall). so by the time the film’s climax rolled around, the Vestiges would have known that giving OFA to Kacchan could have devastating consequences down the line if they did not take action immediately after the fight.

so they did.

once Nine was defeated, the Vestiges shut the whole thing down. the crisis was averted, and they no longer had need of a second OFA. they have this boy who is way too similar to Deku in terms of his willingness to put himself in harm’s way in order to achieve his goals. and they absolutely do not want any harm befalling this boy. more on that momentarily.

so they go dark. and they even seal his memory so that he’s no longer aware of even having the quirk. they are essentially in sleep mode. and if circumstances hadn’t eventually become desperate enough to force their hand, they might have remained inactive for the rest of Katsuki’s life.

now, you might be wondering to yourself, “why is OFA willing to go to such unusual lengths in order to protect Katsuki?” and well, the answer to that is pretty simple.

10. Kacchan does not have the same version of OFA as Deku.

Deku is ninth gen. Katsuki, however, is tenth gen. which means that his version of OFA has one additional Vestige. a Vestige whose presence immediately explains why OFA is so goddamn determined to protect him at all costs.

:’)

long story short, while Deku’s version of OFA has proven itself all too willing to enable him in his increasingly suicidal mission, Katsuki’s version of OFA is very much a different story, on account of it being under the management of what I’m guessing is the most willful Vestige ever to exist. and said management being just the slightest bit unhinged when it comes to Katsuki’s safety in particular. seriously, you can’t tell me this is not exactly how a Deku!Vestige would behave. “oh hell no. no OFA for you!! and no memories either, because you can’t be trusted, goddammit. we never should have done this. what the hell were we thinking. if anything happens to him I will kill everyone in this room and then myself.”

so yeah. dormant.

right up until they literally couldn’t afford to be anymore.

11. OFA can self-activate in moments of crisis to protect its user.

Sports Festival. chapter 33. Deku vs. Shinsou.

aw yeah. it’s all coming together.

12. OFA reactivated itself in order to save Katsuki’s life.

I would now like to briefly draw your attention to this scene from chapter 405, in which Edgeshot explains how Katsuki was finally saved. please note my man is very clear that he did not restart Katsuki’s heart himself. he was basically just performing quirk CPR up until Katsuki’s own quirk returned him to life apropros of nothing.

“what brought you back... was the power you’ve honed.”

except... that should have been impossible. because Katsuki was dead. meaning he should not have been able to activate his quirk on his own, on account of the whole “being dead” thing.

however, if he by chance had a quirk with just enough of a mind of its own to activate in critical situations in order to help its user. situations like being forced under mind control. or, perhaps, being stabbed through the heart. well then. that would certainly go a long way towards explaining all of this.

and oh hey, when exactly was it that we saw this guy, again?

oh? it happened at the exact moment when his heart was stabbed through? you don’t say. well that certainly is interesting.

in summary:

Deku cloned his quirk in Heroes Rising and gave Kacchan a copy of OFA. owing to the hyperprotective Deku!Vestige inside Kacchan’s copy of OFA, it shut itself down once Nine was defeated, and all of Katsuki’s memories of having OFA were deliberately wiped, or sealed away. OFA itself remained inactive until TomurAFO stabbed Katsuki through the heart, at which point OFA was forced to reactivate itself to save his life. which it did, by forcibly restarting his heart.

that’s it. no idea how close to the money any of this is, but I think it would explain most of the lingering mysteries and questions about what exactly is going on with Katsuki. and I’ll throw in one last observation as well -- Katsuki has a nine in his name (BaKUgou), but not a ten. which I know sort of contradicts what I was saying earlier about him being the tenth gen, lol. but he both is and isn’t. if Deku split his quirk, Kacchan would in theory receive everything that’s currently in Deku’s quirk right now, and that includes Deku’s own power that he’s been adding to the mix. so he’d still have the Deku!Vestige. but he’s also still ninth gen, because he and Deku are sharing that distinction now. or at least I think the argument could be made at any rate.

so yeah. I’ve been obsessing over all of this for the past few days lol. what do you guys think?

[casual-praxis]

Miscellaneous things I noticed in the FS Manga

I reread the Four Swords manga quite a bit now that I have it, so I figured I might as well share some of the things I’ve noticed over the course of those many rereads.

- In chapter 11 it’s revealed Blue keeps his hammer in his hat.

- The flower Zelda is mentioned to like is potentially a blue flax, just going off of appearance and status as a wildflower. 

- In the first chapter, all the Colors have dark-shaded undershirts/sleeves, but starting in chapter 2, only Green has dark-shaded sleeves (Blue has a lighter grey color). This was probably done to save time, or maybe just to make it easier to tell them all apart. 

- Everyone’s default expression just seems to be :0 which is honestly probably just a quirk of its era, but still really funny. 

- In chapter 2, the first time Blue gets hit by Shadow, Red is briefly seen crouching next to Blue as if to check on him. I think Red remains crouching after Blue gets up, but I’m really not sure. He’s back on his feet by the time Blue gets hit again.

- Vio holds books really weird but at least he seems to be having fun. Up until someone talks to him, anyway. (I attempted to translate the words we can see, but I think it may just be gibberish. It was not a very good attempt to be fair.)

- Shields, swords, and sheaths only seem to exist when relevant. 

- For being touted as the “boring” and “uninteresting” member of the team, Green sure does have a lot of expressive moments if you focus on him. I think he’s the most well-rounded of the bunch in terms of personality. His defining character trait is “motivated”, which when compared to “angry”, “cry laughing”, and “morals are a roulette wheel”, isn’t that easy to see visually. He’s competitive with Blue, he shows when he’s scared or happy like Red, and he can think rationally like Vio. He has all these overlapping traits with the others, they just aren’t nearly as prominent. Like a jack of all traits.

- In chapter 2, Shadow jumps at Green in an attempt to kill him. A similar pose is mirrored by Vio later in chapter 7 during his fight with Green. Perhaps intentional? (What do they have against Green??)

- Blue is the undeniable powerhouse of the team. He lands the final hit on Stone Arrghus, protects Red throughout the whole Temple of Light/Darkness (which I thought was really sweet, dude was not leaving Red behind no matter what), takes out Big Poe, and steps in to take down their father (so Green doesn’t have to). He also drops a bunch of Hinox into lava if we’re counting that. Pretty much all these instances did have help from the others in at least some capacity, but you can trust him to finish the job.

- The dynamic between Red and Vio, though not seen much due to Vio’s Evil Shenanigans and the team being split for multiple chapters, is surprisingly wholesome.  In chapter 2, shortly after receiving their names, Vio lists the obvious personality traits they all have, and pats Red on the head while smiling (which may or may not be his first genuine non-smug smile at this point?). Red seems to admire Vio, though honestly he’s like that with all of them. They seem to stand near each other a lot early on before the group is split. In chapter 3, when Red gets stuck in place and Stone Arrghus is about to attack him, Vio is the first to jump in between them to save Red. In chapter 8, Red runs to hug Vio after they get him back from Vio’s Evil Shenanigans (and Red also seemed to run to him for a hug in chapter 6, but because it’s not shown, Red probably stopped just short of giving him one). I really wish we got to see them interact more. 

- Speaking of Red and Vio, their speech bubbles in chapter 10 appear to have been flipped around. 

- Of all the Colors, Vio is the only one to never be shown crying. The closest he gets is when Green stomps his foot and his eyes tear up. Red cries all the time, Blue cries a few times but most notably when Green “dies”, and Green seems to be crying when their father “dies”. 

- Not so much an observation but just a question--are the fire rod and ice rod actually two different items, or just a toggle for the same rod?? Due to the lack of coloring, and the fact the rods look pretty much, if not completely the same, I can’t tell if the “click” that comes from it in chapter 7 (while they’re standing on Vio’s execution rock), is the fire rod being changed into an ice rod, or Red switching weapons all together just with a weird onomatopoeia (or potentially the “click” had nothing to do with the rod at all). 

- Though not super fleshed-out characters, the other knights of Hyrule showing up in the fight with Vaati to help out the Colors was a nice nod to the start of the story, what with the themes of teamwork and all that. They might not have been there on time, but they made it there eventually and got the Colors out of a tricky situation. Their unity is their strength, as they say. Also, shoutout to Link’s father, he’s doing his best and clearly loves his son(s)

- In one of the bonus comics, “It’s Not Easy Being Purple,” Vio is for some reason labeled as Green. This one bugged me when I noticed it.

- In the final bonus comic, “Fear Like Never Before,” I am convinced Vio’s Evil Shenanigans Part 2 would commence had Green not put the sword back in again. (Just look at his face. Why is he staring at the ground? Shadow??) 

- Red is best boy, moving on.

These are just some of the immediate things that come to mind when I’m rereading. I seem to get a new appreciation for each of the characters each time, so that’s really neat. Back when I was like 13, I only knew of a few pages of the fan translation, and of the characters I only really had a feel for Red’s whole deal, so he was my favorite (still is tbh). 

Now I can say I like all the characters, each for a different reason, and not to the same amount, but I don’t dislike or feel neutral about anyone like I used to. Green and Blue were really “meh” to me when I first acquired the manga a few months back, but honestly they’re both really interesting in ways I’ve only started to notice recently. 

I thought Blue was just angry all the time, but he pulls off a lotta cool shit constantly (not including the time he literally got frozen) and I think he does care about the others a lot even if he won’t admit it (his interactions with Red turning more soft is definitely an indicator). I wish we had gotten to see what his response to Red would have been back in the Temple of Light/Darkness when Red asked if he was even worried about Green and Vio. He was definitely worried, but someone had to be focused, and in that moment it had to be Blue. 

Or something, I’m not very good at character studies. I’ll stand by what I said about him caring for the others though.

Liking Green more is still on the newer side for me. Again, I never disliked any of them, but Green always came across as plain (since he doesn’t have any stand out character traits other than being the one who looked most like Link), so I tended to overlook him. The thing that got me to like him more actually was his body language. He is very expressive, be it his facial features or the way he moves. I love characters that emote in exaggerated ways, it’s also why I like Red so much, they share this in common. In particular, Green just has some funky poses I think are neat, like in chapter 5–he may be fighting for his life but his dodging is just so cartoony and bouncy, I want to see it animated. 

To some extent they all move like this, but with Green it’s nice since he’s not usually comic relief. It’s nice to have a “main” main character be just as goofy and cartoonish like the rest. 

And when it comes to Vio, I’ve always liked Vio. Finding out how unhinged he actually is was a treat, but it also was a really funny realization for me. I knew him as the serious bookworm, which isn’t entirely wrong, but he’s also a smug bitch who, had the narrative allowed him, would definitely have a kill count. In fact, he has only read one book, but it was in doing so that everyone latched onto the idea he loves reading. Love that for him. I also love the fact he’s a liar.

It’s like he got most of Link’s negative traits wrapped into one, and then they set him loose into the wilderness. It’s a miracle he didn’t kill anybody. He certainly tried. 

I do not have the words to explain how much I love Red. He’s adorable and so unapologetically emotional that it makes me happy. He’s just being himself, havin’ a good time. The others would have perished without him, I’m convinced (or, well, Blue would have frozen to death, Green would have died to the Hinox, and Vio would presumably continue living in his darkness-sponsored love affair with Shadow until he either killed one or both of them). 

This got longer than it was supposed to be whoops.

[dalekofchaos]

Choices I would've added to Life Is Strange

I posted this on the LIS subreddit and thought I'd post it on here.

I wanted to keep to the same story without altering anything major, otherwise I would've stuck to the original plotline with Sean as the big bad, Nathan knowing about the storm, have Max, Chloe, Warren and Victoria team up to give Warren, Kate and Victoria more screen time and give them romance paths and add a ending where Max goes back to save Rachel, Chloe and the Bay.

I might be breaking a rule by adding more Warren, but cut content suggests we were meant to see Max, Chloe and Warren together as a team. Concept art sketch for a cut scene by Edouard Caplain, depicting Max Caulfield, Chloe Price and Warren Graham

Episode 1

Take photo of David harassing Kate. Rewind. Comfort Kate. Keep photo. To this day it baffles me that this is the only time - the only time - where the game breaks its own rules of "Max keeps things on her when she rewinds." Even small things like helping Joyce make breakfast respects this rule. If you tell Joyce you want one thing, grab all the ingredients, and then rewind to tell her you want the other thing, all the ingredients you grabbed are still in your inventory! You can have the items for both breakfasts in your inventory. Though the game does remove them all once you talk to Joyce and commit to making breakfast. You could make an argument that the photo didn't exist to the point she rewinds to, which breaks the semantics of how the time-rewind works (notably how if you pick up an object off say a table, then rewind to before you picked it up, it's still no longer on the table), but it still annoys me endlessly. Because that was my natural thought on that sequence, and the game just slaps your wrist and says "No. In this game all about rewinding and undoing your decisions and not having to commit to them, you have to commit to one." It becomes more relevant and thematic in later chapters, but it just felt oddly out of place so early in Chapter 2.

The choice between Help Warren before jumping into Chloe's truck or not. If you help Warren, Max kicks Nathan in the balls and Warren doesn't get a black eye. If you don't help, Warren gets a black eye as was in canon

Warren romance playthrough. A series of choices to help flesh out Warren as a character and a potential partner for Max. Continuing on the Help Warren choice. Helping Warren also leads to Warren hopping in the truck with Max and Chloe. Warren has a black eye from the headbutt and Chloe offers to use the first aid kit in the bathroom. Cute scene where Max helps Warren reduces the swelling of his black eye and you have the option to hold Warren’s hand or not. Warren takes off when his eye is healed up enough and wishes Max well in reconnecting with Chloe

If you choose to comfort Victoria, this leads to an actual friendship with Victoria. When she sends the thnx but we're not friends" text, you can reply insisting on it. This will prompt you to go back to the dormitories and when you go back to Vic’s dorm, Max and Victoria get to talk, become close, show Victoria the pictures Max has taken, have a laugh over the email situation and get Victoria to see the way she was treating Kate was wrong. Victoria will tell Max that she was jealous over her not caring what anyone thinks of her and thanks Max for coming and invites her to join the Vortex Club as it needs real cool people like her and not snobs and suck ups. Max asks advice on what to do with Chloe and tells her how guilty she feels for not keeping in touch and asks what she should do. Victoria tells Max to suck it up and get back in touch and make it up to Chloe and Max thanks Victoria for the advice and they leave as friends.

If you took Victoria's photo after Chloe proclaims "booyah skank, karma's a bitch" Chloe will ask to keep it because it gives her joy to seeing Victoria brought down to a peg and that Rachel would've loved it.(will add onto this for the other episodes)

Episode 1 ends with Max, Chloe and Warren together as the snow falls(evidenced by the concept art)

Episode 2

Romance Warren path. After Warren's offer to Go Ape, Max gets to explain her powers and the situation with Kate and Nathan. We get to prove it to Warren, we also get to learn more about Warren as a character. We find out Warren is basically the boy version of Matilda. Was neglected as a child, so he chose books and science as his passion and sci-fi and it made him feel whole.(idk this was the best I could come up with, but it’s more than what DONTNOD has given us) then Warren will promise that he will look around and help out with Kate.

Max will take photographic evidence of Nathan vandalizing Max's room and leaving the threatening messages. When Max accuses Nathan at the end of the episode, she presents it to Wells, Wells recognizes the message as Nathan's handwriting and Jefferson recognizes the photo as Nathan's style and this leads to Nathan spending the night in jail as well as being suspended.

Continuing on from Chloe and Victoria's paint photo. We are given the chance to tell Chloe about Kate's situation and let’s say in addition to showing off our powers to Chloe, Max tells Chloe about Kate’s ordeal and Chloe’s just as pissed as Max. Maybe in the Junkyard or on the way back to Blackwell, Chloe will offer Max to mass produce the pictures, post them everywhere at Blackwell and email the picture so she can post it online. She says “let’s call this Kate’s revenge” if you accept this will happen throughout episodes 3-4. -Victoria feels what it’s like to be humiliated and bullied and feels some humility -Everyone in the Vortex Club except Nathan turns on Victoria -Everyone in Blackwell calls her “paintgirl” and some things worse. -Victoria absolutely hates us and when she sends her texts, Max can either apologize or stand her ground and call her out like the bitch she is “karma’s a bitch ain’t it? this is what you made Kate feel. You deserved every bit of it.” -At the party, you can try to make nice and Victoria will learn a lesson that there are consequences for her actions. You can either forgive or condemn Victoria. Whichever you choose, you then choose to warn her or not about Nathan.

Continuing on the Victoria friendship. Victoria is genuinely nice to Kate and apologizes and says she deleted the video. This will prompt a hopeful Kate and a Taylor asking “wtf was that and Victoria laying down the law yelling “be nice to Kate and Caulfield, that’s an order” Continuing on after Max convinces Courtney to let her in the guest list and into Jefferson’s room, Nathan will be his mean self but Victoria will say “be nice to Max, she’s my best friend” Victoria will start calling Max Maxine, while Max doesn’t like it, Max will allow her to call her that if she gets to call Victoria “Tori” Victoria and Max will have a moment to talk before class starts. Catches up, Max shows the photos she’s taken in episode 2, asks how Kate’s doing and finally Victoria personally invites Max to the End Of The World Party and you are given the choice yes or no, obviously you choose yes. Which prompts Victoria to say “congratulations Max Caulfield, you’re officially a VIP member of the Vortex Club”

Episode 3

Warren romance path. Max, Chloe and Warren will be investigating Blackwell together. Warren will use his hacking skills to help them break into school. They each search for clues. In the Principals office of course, but also searching where the last Vortex Club was in search of anything that might help. Warren keeps a lookout while Max and Chloe skinny dips in the pool and Warren is the one to warn them to hide. You get the choice of choosing between going to Chloe’s place or going to Warren’s dorm. In Warren’s dorm, it will open with Max and Warren holding each other, Max at first blushes, but embraces the moment and the two taking a selfie together. We see Warren's dorm looking like this. Max talks to Warren, about how much she appreciates Warren for always being by her side, and Kate's. Warren tells Max that he loves her And a choice prompts to Kiss Warren or Hug. In place of Max wearing Rachel's clothes, Max wears one of Warren's nerdy shirts. They will talk and say they should go on a date to the End Of The World Party as a date and a means to spy on Nathan and make sure he doesn’t hurt anyone again. Chloe texts Max to come over and Max kisses Warren goodbye and says “see you later my white knight.”

Victoria friendship path. In the beginning of episode 3, Victoria sends a text congratulating Max and saying she’s proud she did something, while Max says she did more by the end and saying she’s proud of Tori

When we kiss Chloe, Chloe doesn’t push back, she embraces Max in a kiss

When we choose the “Side with Chloe” option in episode 3, we print out David’s evidence and take pictures of the surveillance footage as proof for Joyce. We talk about it but we don’t show it to Joyce and Joyce automatically sides with Max. I’d also have David snap and attempt to hit Chloe and Joyce stops him and finally puts her foot down with David and shows him the door. Always bothered me that Joyce only begins to side against David by Max's word. She might as well have screamed that Max was the golden child. Joyce spent literal years watching David treating Chloe like crap right in front of her, and even now that he’s raising his hand at her she’s not reacting, but the second he talks a little too harshly to Max, she jumps to take her side and honestly. Chloe cannot not have noticed that. Obviously she wasn’t going to start a scene about this since they were already all fighting with David, but I’m pretty sure she would’ve under different circumstances because. The audacity. I would’ve gone mad.

Max will get to stand up to Chloe. Basically she puts her foot down on Chloe. After Chloe snaps after finding out about Rachel and mocking Kate's suicide attempt/suicide, Max can then lose her shit and stand up to Chloe. Basically says the way she treats her is not okay and if she wants to help her find Rachel and seek justice for Kate, then things are gonna have to change or they are finished. Then Max leaves Chloe behind with Chloe realizing that she needs to change. I just REALLY wanted Max to stand up to Chloe at the end of this episode instead of just letting Max act like a doormat and take her shit.

Not really a choice. But I'd alter one thing about Alternate's Max's look. Give her long hair, and tied up in a ponytail like she was a kid.

Episode 4

Not really a choice, but after the returning from her time jump, Max returns to her dorm and goes to Chloe. Chloe properly apologizes for how she’s been acting since they got back together and agree to put everything in the past so they can work together to find Rachel and give Kate justice. Would've been better than just seeing the apology over text.

Before we begin our investigation in episode 4. Max calls Joyce and David so everyone could let it all out. It’s basically the therapy that Joyce wanted David and Chloe to go to but didn’t. Chloe calls out David for his abuse for the last 3 years of her life and the fact that he made her feel like a prisoner in her own home and how much the cameras made it worse. Then Chloe calls him out on Rachel. “Rachel was my angel. She was the only good thing that ever happened to me since my dad died and you and the spoiled rich kid took her away from me. Worse. You stalked her like you stalked Kate. And now Rachel is missing. Congrats, David I hope it was fucking worth it.” Then Chloe unloads on Joyce. For all the times she covered for David’s abuse, choosing to either ignore or condone the abuse and for the fact that she’d rather pretend everything was fine. Maybe end it with “I didn’t need a fucking step-father, I needed my mother when I needed her most and your first instinct was to chose the worst fucking man to bring into my life. Fuck both of you.” Maybe after David and Joyce say their piece.(hopefully both of them being remorseful) Max can either choose to tell Chloe to forgive them or “fuck them” basically Max calls out David for his bullying and abusive behavior, Max can call out David. “You saw Frank, who was an adult, perving on Rachel, a high school student, you even had the evidence and you did nothing? Kate needed help and instead of being that help, you treated her like shit” David admits he fucked up with Rachel and wishes he could’ve sent his evidence to the police. then Max calls out Joyce for being a shitty mother. “I used to think you ruled Joyce, but you are a terrible mother. Chloe needed a mother and you failed her. She needed you, she didn't need you to bring some man she's never met before, she needed her mother who was traumatized and hurt by her father's death. And you let David hit your daughter and don't even see anything wrong with it? You talk about Chloe like she's a problem, like a burden. She's your daughter Joyce and she deserved better. ” David and Joyce would apologize to Chloe for the past three years and do better for Chloe. I don’t know how forgiving them would play out, maybe it would be therapeutic and would result in closure for the Price-Madsen family and they have a chance to start over after Max helps them in that direction. After choosing condemn them. I think Chloe would tell Max. “Max, thank you. I needed to finally let all that shit out.” “You deserved so much better Chloe.” “I got better Max, I got you.” And if you chose forgiveness. “I will still hate them both for how life went for the last 3 years, but I think we can start fresh. Thank you Max.”

Chloe would enter Kate’s hospital room with Max. We’d see Kate talking with Chloe and we find out that Kate was there for Chloe when Rachel went missing and made Chloe feel a little better, that’s why Chloe said “she’s cool”

Max can warn Kate about the storm and tell her to leave Arcadia Bay immediately.

Reject Warren path. After the Warren/Nathan situation. If you're pursuing Chloe and only choose platonic actions with Warren. Max gets the opportunity to turn Warren down. Max will tell him she's sorry, she just doesn't feel that way about Warren and just sees him as a cool geeky older brother and points out to Warren that Brooke likes him and that he should totally hook up with her, Warren appreciates for gently letting him down and is glad they can still be friends and says that he's glad Max has Chloe. You will see Warren and Brooke together at the party.

Max calls out Frank on his bullshit. Instead of choosing to befriend Frank, Max gets to call him out. Calls him out for turning Pompidou into a violent attack dog, the fact he sells drugs to kids and his predatory obsession with Rachel. “You didn’t love Rachel, you were obsessed with her and whatever you did drove her away and honestly? You’re not just a creepy drug dealer, you’re a pedophile, Frank.” Frank of course would get violent and you have two choices. Rewind and call the police or let Chloe shoot Frank and afterwords Max calls to animal services to protect Pompidou and give him a new home. Either you get the client book off of Frank’s dead body or you get it after the cops arrest Frank. Either way you get rid of a predator. Sorry, not sorry. I have no sympathy for people who prey on children.

Warren romance path. Instead of Warren appearing drunk, Warren waits for Max and awaits her on the dance floor. Max takes Warren to dance with and it's like a moment of peace or like the scene of Alex dancing with Duckie. It ends with Max and Warren kissing and Max taking a picture to capture the moment forever.

Continuing the Victoria friendship path. At the party, Victoria says, she's late, but she's happy Max is there. Max fills her in on what her day was like. Victoria is proud she and Chloe stood up to David and Joyce and that Kate is doing well. Max warns Victoria about Nathan. and as they part ways, Victoria hugs Max and tells her to be safe and call her if she or Chloe needs anything. But instead of going to Jefferson, Victoria goes to the hospital to visit Kate. As part of a culmination of your choices in the relationship with Victoria, you can encourage her to go and visit Kate to apologize in person. It wouldn't even have to be an extra scene, just part of the ending montage to an episode showing Victoria knocking on Kate's door and Kate opening it and inviting her inside. Maybe this could have been what happens to Victoria instead of ending up in the Dark Room. So if you do well enough to befriend her and she accepts your warning, she goes to see Kate and is spared being kidnapped by Jeffershit. if she doesn't accept your warning, she ends up in the DR. Would have been nice and felt more rewarding than what we got! Also? Kate would tell Victoria about Max's warning, meaning both Kate and Victoria would survive the storm!

We are given the opportunity to enter a photo for the Everyday Hero Contest. We enter at the last minute as Jefferson would give Max the opportunity. So Max with Kate’s permission, Kate would let Max take a photo of her in the hospital. Which wins the Everyday Hero Contest. Max gives an inspiring speech about how everyone can be a hero and that Kate has always inspired her, how much she loves Kate and that she hopes that Kate knows that she is loved by everyone in Blackwell and everyone would cheer Max on. This would also give Jefferson the means and opportunity to drug Max. It honestly works better than Jefferson magically appearing at the Junkyard with no explanation(and it never being brought up).

Episode 5

We are given the choice to save Nathan or let Jefferson kill him. Cut dialogue indicates there was something more meant for Nathan in the final episode. Jefferson says this to Max “Like you Max, I… am a camera. And like some cultures believe I’m going to use my camera. To capture… your… soul. Now take a break. I need to deal with Nathan first. Don’t worry, our session is just… getting started." I think Max could’ve helped Nathan in the dark room, to owe her the favor, Nathan would help Max.

Since I didn't have Chloe killed in Episode 4, Chloe and David would've worked together to save Max. Max and Chloe rush to diner to save Joyce, while also to use Warren's picture to go back in time. While at the diner we get a chance for Max to confess her feelings for Chloe and to tell Joyce while she approves.

While on the journey to the Lighthouse before the Nightmare world kicks in, we are given the choice to save everyone in the diner or leave everyone behind. After you save everyone at the diner, Chloe asks if they should double back to the hospital to save Kate and Victoria, but Max insists the hospital is so far from the storm and they'd be safer there anyway

Third ending. Sacrifice Max. Max screams no, Nathan freaks out and shoots Max. David subdues Nathan and Max is rushed to the hospital. Inspired by this comic and video

An addition to the endings. I wish we could have seen the last entry in Max's journal after she saved Chloe or Arcadia Bay. It would give one last glimpse into her thoughts, as well as clarify the endings a bit more. Also not really a choice, but an addition to the Bae ending. I'd make this ending twice as long, and the extra 5 minutes would be scenes following each other over the next few years. Show how Max and Chloe head to Seattle to visit Max's parents. Show how they help each other cope with trauma (like Chloe comforting Max when she wakes up from nightmares, or Max supporting Chloe at Joyce's funeral, or how they grieve every October 11). Show how Max doesn't give up on becoming a photographer, and Chloe is there to encourage her to follow her dreams. Show how they begin a romantic relationship (including the kiss this ending deserves) if you romanced Chloe. End it on a positive note as Max and Chloe buy the RV and go traveling like they always wanted to, and the last shot is Max and Chloe smiling at each other before hitting the road (as in the original Bae ending). Also among a few shots we might see Max and Chloe hanging out with Kate and Victoria - the former would be if you saved Kate, and the latter would be if you were nice to Victoria. and Nathan appearing if you saved him. What we'd see with Nathan is Nathan in a blue jacket like he has in the alternate timeline to reflect his new change in behavior and redemption. Hugging Victoria, apologizing to Kate, Max and Chloe. Hugging Victoria, Max and Kate and shaking Chloe's hand. I'm tempted to say he could've been in the Brody role in LIS 2, since he kind of fits Brody, cause Brody's line about his family having money but no soul would fit a Nathan after surviving the storm. It would have made this ending more complete, it wouldn't have required their cameos in the sequel, and already in 2015 it would have disproved the theories that death would continue to haunt Chloe/another storm would happen. Addition to the Bay Ending. I like to think it would be a collection of the montages we already got and Chloe’s funeral. But more. We’d see Max dealing with Chloe’s loss, her grief, but ultimately showing Max living her life and moving on. Show that Max still misses Chloe, but show her living her life. And just show Max living her best life with Warren, Kate, Brooke, Dana, Daniel, Stella and Alyssa. Even show montage of a friendship with Victoria. Show Max having a tea date with Kate. Show Max Goin Ape with Warren. Max doing photoshoots with Victoria and shopping dates with Victoria, Courtney and Taylor. Max doing group projects and games with Warren, Kate, Brooke, Stella, Alyssa, and Daniel. Max being Dana’s official photographer. And show Max and her friends graduating Blackwell and living their lives in Arcadia Bay. We just needed to see that despite losing Chloe, Max is okay and that while she will hold onto the memories of Chloe, she can live. The final scene is Max and Warren visiting the Lighthouse. The Blue Butterfly appears and it touches Max and as the Butterfly flies away, Max says "Goodbye Chloe as Warren holds onto Max and shares a kiss at the Lighthouse."

[luxurychristmaspudding]

let me be needed

summary: the mandalorian pays you an unexpected visit. you both get more than you bargained for.

pairing: din djarin x f!sex worker!reader

ratings/warnings: 18+, MDNI. set in the star wars universe. sub!din, soft dom!reader, oral (m receiving), thighriding. established sexual relationship. you get cockblocked by grogu and feel a little sad at the end :(

wc: 3k

an: written for @iamasaddie's writing challenge!! <3 i know i said this would be for dieter, i know. it still might be. the links to din are SO tenuous but that tin can has left me with devastating brain rot.

The Razor Crest is docked in a terminal in the main part of the city, but you are yet to see the Mandalorian. 

Not that you particularly expect to, but it’s rare that he takes a trip to your city and doesn’t visit. 

You’ve been busy enough with customers all day not to dwell on it, and as the evening begins to wind down, golden light slanting through the windows, you begin to make peace with the fact that he might just not have time. He has the child to look after, and, presumably, quarry to retrieve. 

You make your way back to your room with a fresh cup of caf, passing the droid which mans reception and the welcome area. 

‘You have a client waiting,’ it says, smooth and robotic. You frown.

‘Who?’

‘A walk in. They did not leave a name.’

You nibble at your lip and sigh, gut swooping, heart kicking up a notch at the thought of him seeking you out at last. You shake it away. The last thing you need is to be disappointed further by some ragged old merchant laid out on the bed.

When the metal of your door clicks and sweeps open, you do well to suppress your delight. The Mandalorian is sat upright on the mattress, hands clasped over his lap.

‘I’m surprised to see you, Mando,’ you say, placing your mug on the console and busying yourself with your data-pad to check his information. ‘I wasn’t expecting you today.’

‘I wasn’t expecting to be here.’ He answers, voice smooth and husky through his vocoder. But it’s twinged with something a little different, a little warmer - you notice it the more he speaks. You smile up at him.

‘Anything changed?’ 

‘No.’ He says, and you tick the relevant boxes on the data-pad, tucking it away again on the console by the threshold.

‘Business or pleasure?’ You ask, locking the door.

‘Business.’ 

Your mouth quirks.

‘Nothing to do with me?’

He cocks his head at you, and you flutter your eyelashes like he hasn't already paid the droid on reception your fee and, likely, a generous tip. 

‘No. No bounty for you.’ 

You smile with your teeth as you move towards him, the helmet tilting to watch you, to look up and down your body.

‘So pleasure, then?’ You purr, placing your hands on his shoulders.

‘Pleasure.’ He echoes, voice a little tighter than normal, betraying him more than you’re used to. You cup the side of his beskar cheek, stroking your thumb over the cool of the steel, though you know he can’t feel it.

‘What do you need?’ you ask, gently. ‘Do you want to watch me again? Or do you want my hands?’

Mando’s head drops to look down and away from you. You’re getting used to it - to an extent - his hesitancy, his shame. It spurs you on, wants you to make him feel good, to realise his desires. To live them, and not push them away. It’s why you wait for him to come around.

‘I want -’ he starts, but cuts himself off with a choked sound, and you tilt your head. You place two fingers below his helmet and tilt his chin up towards you.

‘Use your words, Mando,’ you remind him. You’re rewarded with a sharp intake of breath.

‘I want - your mouth.’ He breathes.

And whatever you were expecting, it was not that.

You keep his chin tilted upwards, eyes searching his visor as though you could see the face beneath.

‘You’re sure?’

The Mandalorian nods, once.

‘Yes.’

You nod back, considering, thumb swiping back and forth again over the beskar.

‘Are you gonna be good?’

A broken moan filters through the modulator, and his head tips back further of its own accord.

‘Yes.’

You smile down at him.

‘Take yourself out for me, baby.’

You step away from him as the hunter’s hands scrabble with his fly, shifting his hips up briefly so he can pull his cock from his trousers. He grunts when it makes contact with the cold air of your room, and holds it steady, squeezing at the base. You coo at him, at the deeply flushed tip, at the precum already smeared down his length.

‘Oh, baby boy,’ you breathe, lowering yourself to your knees with two hands on his. You blow even cooler air on his tip, smirking as he flinches and hisses. ‘How long have you been like this?’

‘Dinner.’ He grits out. You raise your eyebrows at him.

‘Hours?’

He nods quickly, squeezing his base again. You watch, thrilled, as more precum oozes out.

‘Yeah. Couldn’t leave without seeing you. Knowing you were so close by. Just had to get the kid to sleep.’

You pout at him.

‘My poor Mandalorian. Let me make it better.’

He watches with dogged devotion as you lean forward and brace your elbows on his knees. You watch as his gloved hands clench the edge of the bed in anticipation as you draw near, watch his thighs tense beneath his clothing and armour as he feels your breath against his skin.

You don’t let him think anymore before you’re licking a long, hot stripe from his heavy balls to his tip, and his whole body goes slack, helmet thumping against his breastplate. When you do it a second time, a ragged, torn breath echoes from the modulator, and you hum against him, bringing a hand to his base to squeeze as you slot your lips over the tip.

Mando knows the rules from here. He has to watch you, has to keep his visor trained to your movements, has to keep his hands to himself. These are his rules every time. 

You’re excited to see how he holds up tonight. 

You swirl your tongue around his slit, and he groans long and loud, twitching as you flutter at his frenulum. His precum is thick and salty in your mouth, and you swallow it greedily before loosening your jaw and taking him all the way to the base. 

The Mandalorian’s whole body goes rigid as he watches you, feels you take him down your throat and swallow around him.

‘Fuck,’ he half-sobs through the modulator, and you hum against him. ‘So good. How is your mouth so good? How do you -’ he cuts himself off as you begin to bob up and down him, swirling your tongue and hollowing your cheeks. He chokes out moan after moan, lost at what to do with himself. 

But he doesn’t touch you. He’s a stickler for rules, after all.

When you pull off him to breathe, you make sure he sees you palm your tits through your dark tunic. Make sure he sees you cup your sex through your trousers, rolling your eyes back for good measure, already feeling the wetness soak through the linen.

‘Fuck, baby,’ you groan, ‘If you could feel what you’re doing to me.’

He moans desperately as you move your mouth back to him, taking him faster, deeper, stroking what you can’t manage so easily.

You huff against the neatly trimmed hair at his base as your nose presses against his belly, and the Mandalorian physically holds his breath, drawing his spine straight as you swallow around him again, as you move a hand to cup his balls, feeling them tighten.

‘Please,’ he gasps, ‘Please, please, I’m so close -’

You draw off him, painfully slow, and pump him with your hand as you talk.

‘You wanna come, baby boy?’ You coo, fluttering your eyelashes and drawing your brows together. His helmet bops hastily, sharp breaths being drawn in through hidden teeth.

‘Please,’ he chokes.

You nod.

‘You can come, baby. You’ve waited long enough.’

He whimpers loudly, unrestrained as you continue pumping his base and sucking his tip, fluttering and tracing with your tongue, sucking with just enough pressure to send him hurtling over the edge. His hips push up into your throat as he comes, spilling himself, warm and salty, down your throat. His cock twitches and jumps as he moans brokenly above you, the noise unusually vibrant through the vocoder. You keep him in your mouth long enough for the overstimulation to kick in, and let him whine and beg and thrust shallowly a little longer before you pull off him, smiling.

You swallow and open your mouth, and he groans at the sight of his spend disappearing. 

‘You okay, baby boy?’ You ask as you gently tuck him back into his trousers, doing up his fly. He tries his best to catch his breath, heavy head hanging limply between his shoulders.

‘Yeah,’ he gasps. ‘So good. Thank you. So good.’ 

You hum approvingly at him, standing. 

The sight of him still so spent, so fucked out, has you burning. You press your thighs together through your trousers just as he looks up. 

His movements are languid, his words slurred, but his shoulders square. His hands twitch at his sides, loosening their grip on the mattress.

‘Take them off,’ he begs. ‘Please. I just want to see -’

You raise an eyebrow at him, at his tone. You want to be unimpressed, want to be disappointed. But the horrible, deep ache you feel in your core won’t let you. You’re soaked, and as Mando continues to meet your eye from the helmet, you begin to move.

He sucks in a breath, huffs out a moan as you hook your thumbs in the waistband and push them down. They pool easily at your feet and you step out of them, left bare after having forgone underwear as soon as you’d seen the Razor Crest this morning.

Your chest heaves, and all the Mandalorian can do is stare at you, taking in the shiny slick covering your pussy, so painfully obvious now you’re not covered.

‘You’re wet,’ he says, voice heavy and desperate, cracking. ‘You haven’t been touched. Come here. Come here, sit down -’ as he moves one of your legs on either side of his thigh and presses you down onto it, hands on your hips. You let him, going easily, brain fogged with arousal. 

The metal is bitingly cold, and you hiss as your clit makes contact. But Mando continues, unfazed. 

‘Go on, pretty girl,’ he groans. ‘Go on. Wanna see you come like this. Want you to feel good, too.’

You moan against him, driving and grinding your hips down. It feels wrong, the way he’s so quickly taken control, but having him finally in charge makes you feel lightheaded. Wanted, needed.

And it already feels so good.

‘Good girl,’ he whispers in your ear as you lay your head on his shoulder. ‘Such a good girl. Using your fucking mouth on me. I want you to come. Need you to come.’

You moan loudly against him, gasping at the coolness, how solid he feels as he rocks you back and forth. You’ll recall this later, imagining his cock instead, imagining dragging yourself over it, onto it, feeling him thick and long, moving inside you as you whisper praises to each other, as you clench around him. The tightness in your stomach grows more ferocious, winding itself until it’s hot, strong. If you can catch the right angle, if you can steal five more minutes -

A loud, ringing shriek fills the room, and you jump out your skin. The Mandalorian’s firm hands on your hips are the only thing that keep you from leaping up. He growls as your heart hammers in your chest, as you look around wildly for its source.

‘Mando -’ you moan -

‘Keep going. It’s nothing.’ He grits, and the shock of hearing his voice firm like this, close and a little clearer than usual, makes your cunt clench. You moan against his pauldron, teeth scraping against the metal as you give in, as he moves your hips faster, as you feel yourself moving easier over the slick you’re swiping over his armour.

‘Feels so good,’ you murmur. ‘Wanna soak you. Want you to go back outside to your ship and everyone to know where you’ve been. Want them to know how you made me come for you.’

He groans back at you, digging his fingers into your flesh, pulling, pushing, pulling, pushing, and you grit your teeth against a particularly strung out fuck as his vambrace begins to shriek and buzz with more urgency. Mando’s hands on your hips falter and then stop completely. You whimper against him, sucking in air as you bury yourself in his clothed neck.

‘I’m sorry,’ he says, and you tilt your head back to gaze, bleary-eyed, at him. ‘I have to go.’

He lifts your hips effortlessly off his lap and sets you on unsteady feet, holding your arms until he’s sure you won’t fall.

‘Did I do something wrong?’ You croak, panic clawing up your throat as he rises. Your legs shake, wet almost down to your knees, and you feel so bare and vulnerable. Fuck, you should have known -

‘No. No. Stars, I -’ The Mandalorian looks around the room, exasperated. He looks down and catches sight of your wetness spread on his thigh guard. He groans breathily, and your cunt pulses at the noise. ‘I want to stay. I want this. It’s the kid -’ he huffs, shaking his head. ‘He’s fuckin’ with the ship. Maker, the day he listens -’

‘It’s okay,’ you soothe, relieved. ‘It’s okay, let me clean you up.’

‘No.’ He barks. You flinch, and he rounds his shoulders apologetically. He repeats it, softer. ‘No. I want people to see. Want them to know,’ he steps closer, a gloved hand coming out to touch your jaw. You allow your chin to dip into it. ‘And I want to remember. Before I come back.’

You swallow, staring into his visor, seeing yourself reflected back - needy, wide-eyed - a state he has never had you in before.

Another sharp, tinny noise echoes from his vambrace, and he hisses out a frustrated, pained sigh. You soften your gaze.

‘Next time.’

‘Next time,’ he agrees. ‘Next time, I’ll - I want you to feel so good. Going to make you feel so good.’

You can’t help the shudder that runs down your spine, the way your body curls in on itself at his promise. Mando clears his throat, agitated, and busies himself with signing the data-pad, his back to you. You’re grateful. The longer he stares at you, watches you, the easier you find it to forget about the adorable little green frog he travels with.

‘And get your helmet checked,’ you say absentmindedly, gathering your trousers from the floor. The Mandalorian stops at the door.

‘What?’

You flush, biting down on your lip. Shake your head, shrug.

‘Your vocoder. One of the filters for the frequency bands in the modulator sounds like it’s damaged.’

He whips his head to look at you, unreadable. You twist your mouth at him.

‘Used to be a mechanic.’

‘A mechanic?’ He asks from the doorway. You try to smile at him, wishing you’d kept your mouth shut.

‘Little while ago, now.’

The Mandalorian stares at you for a while, the beskar of his helmet glinting in the low light from your bedside. You shift from foot to foot, heart beating so hard in your chest you can feel it in your arms. Leave, you chant in your head. Please leave, please go, please -

‘What happened?’ His tone is so soft that it skips past being condescending. Past the point of what’s a pretty girl like you doing in a place like this and straight to worry, to sadness. Stop. Stop.

‘The usual,’ you say quietly. ‘Not enough money, some hostile competition.’

‘You didn’t have anyone who could help you?’ The question is simple. You know why he’d ask it. Mandalorians have always been big on family, only abandoning them with good reason.

‘No. My parents died when I was young. A man who lived close by took me in. He was a farmer. Taught me all he knew,’ you huff a little laugh. ‘If it weren’t for him, I’d have been a foundling.’ Your heart stutters and you suck in a sharp breath as soon as you say it, eyes shooting to the Mandalorian’s visor. He doesn’t react, doesn’t move an inch. Your skin burns hot, anyway. ‘Sorry.’

‘It’s okay,’ he says. ‘What planet?’

You furrow your brow at him.

‘Lothal.’

He looks away, up at the steel ceiling, piecing it together.

‘Your hostile competition…’ 

‘The Empire.’

A breath rushes through his vocoder, easily heard through the fault in the mechanics.

‘And the farmer?’

‘Got me out in time. He - he didn’t -’ The softening of the hunter’s stance is enough to tell you he understands.

‘I’m sorry.’ He says.

‘It’s okay.’ You murmur. You want to reach out, want to touch him. Want to be held, even against the coldness of his breastplate. People don’t usually ask, don’t care enough. But he has, he does. He curls up in your arms after a particularly intense session. He loves watching you come. He makes you feel safe, like he sees you. 

It makes you feel sick.

The silence is heavy, thick, until you turn your back to him to place the dirtied trousers in the laundry chute. It breaks the spell, and you clear your throat.

‘You should get back to the child,’ you say, strained, facing him again.

The Mandalorian dips his head, once. 

‘Take care.’ He says, voice part-controlled, wrapped over that warmth trying to escape.

‘You too. Be safe.’ The words are soft, quiet as they leave your lips. Mando nods at you once more, still, before stepping out into the corridor, past the droid, back out into the city.

You watch him go, bereft, throat tight. And you can’t work out for the life of you why.

[thewertsearch]

AA: alpha dave still has a long way to go AA: hes still not at ease with his mortality AA: but people like us have to be! AA: we have to be prepared to die a thousand deaths before our quest is complete AA: the master we serve demands it

Well, you died a thousand deaths, because that was your style. I think Aradia's army of doomed duplicates was a bit of an outlier, honestly.

Seriously - how did the trolls spawn thousands of doomed timelines? The kids made plenty of mistakes, but we've only seen three doomed Daves.

TG: im just one dead dave offered up to the time god AA: pretty much

It’s a pretty raw deal, isn’t it?

Sure, the sting of being doomed is lessened somewhat by the existence of a confirmed afterlife, but it's still unfair. Every Time Player is constantly dancing on the knife’s edge of doom, and their failure will kill everyone.

TG: why are you even here like why are you showing me this AA: im not showing you im just visiting your bubble AA: it projects your thoughts and memories AA: as well as other things relevant to you much like the clouds do in skaia

Turns out the Horrorterrors do have their own clouds, and they’re liminal spaces full of ghosts and forgotten memories. To be fair, that's pretty on brand for a race of Elder Gods.

TG: if im seeing this TG: shouldnt i be able to do something about it TG: or stop it from happening or TG: i dont know like anything to keep helping my friends

That’s the spirit, Dave! You're not out of the game just yet, and there's surely something you can help with, out here in the Ring. Maybe you could deliver the Tumor to the Sun - its explosion isn't going to kill a ghost.

Plus, if you really can access memories from alternate Daves, you might be able to learn things that none of the Alpha Players are aware of. Maybe there's a Doomed Rose who figured out Scratch's plan, or a Doomed Karkat who knows how to stop Gamzee.

TG: what do i do AA: nothing AA: none of this is your business anymore AA: its time to move on

Move on to where, though? These bubbles look like the the end of the line.

Plus, I don't think any iteration of Dave would be comfortable leaving his friends behind to suffer - not when he might be able to help. Aradia didn't go gentle into that good night, so why should he?

[tonydaddingham]

so @theeminentlyimpractical and i were yodelling at each other in the DMs last night talking about general time-fuckery stuff in s2 and trying to riddle it all out, and i mentioned that i had noticed something that only now seems obvious from the s1 scriptbook (and im sure that someone pointed it out in 2019 but im wondering how relevant it still is):

everything is running late.

working backwards chronologically in s1, we have when newt arrives at jasmine cottage:

unfortunately the line isn't in the show, but in the interest of pooling all resources, the scriptbook says the following:

NEWT - I swerved to avoid Tibetans in the road. At least, I think I did. I've probably gone mad.

ANATHEMA - If you have, noone's going to notice. You're twenty minutes late.

we then know that crowley was late for arriving to collect the antichrist:

which the scriptbook doesn't elaborate on/give a timeframe, and may be extraneous to the previous and next example, but the antichrist is reportedly part of the Great Plan, so im including it for the moment.

but the kicker is agnes nutter, right?:

a precise and accurate prophetess who doesn't foresee that pulsifer would arrive late to execute her? how?

so when it came down to it, i started to wonder where something might have happened that has shunted the timeline along, between 10-20 minutes... maybe something in eden? but no - laure cracked it:

GOD - Archbishop James Ussher claimed that the Heaven and the Earth were created on Sunday the 21st of October, 4004 BC, at 9:00 a.m. This too was incorrect. By almost a quarter of an hour. It was created at 9:13 in the morning, which was correct.

now. all of the times don't match up completely, but the general sense is that the world may be running a little behind schedule, compared to what it should be - ie. the timeline that agnes predicted, and ussher/his team calculated.

we know that adam reset everything at the end of s1, but:

given that he's not omniscient, would he know that the world is 15 mins behind schedule (and therefore, when s2 starts, are we still running late)? probably not, so does he revert things back but keeps the world on the original clock, so to speak?

alternatively, did he reset the clock, and is the universe that we see in s2 actually on the correct time?

this might not mean much, if anything at all (see: it's just all for The Bit), in the grand scheme of things... but im now starting to wonder if it does. because what would have happened if everything had run on time? because maybe it's not so much thinking about individual events, and how they would have played out otherwise if the world had been on the 'correct' timeline all along, but maybe just the sheer possibility that there is an 'alternate reality' in which those 10-20 minutes meant things played out very differently?

ive talked about the chair (x), and ive talked about the sideburns (x), and ive talked about how crowley somehow seems to be existing at a different time to everything else around him (alternatively - whickber street itself is running in a different... reality? timeline?), as well as the random moments where time seems to disappear entirely/the clock swaps its hands around in ep6 (x). about crowley's comment about it being "too late", and how he seems to act slightly odd just before aziraphale tells him about the metatron's offer (x)... but is it all somehow interconnected? and connected to the 13-minute delay?

and if it is... what caused it? what might have delayed god by 13 minutes, or what might have gone wrong to cause the delay, that has then had a hypothetical knock-on effect, whether it be because adam did fix it, or didn't fix it?

[rqbossman]

Hello Mr Bossman! (and possibly anyone else who reads this)

Its an honour to be here, I have a few questions. First i appologise for the long paragraph, you may dismiss it for the questions at the bottom. For context, i am here after finishing TMA and being up to date with TMAP, i then went over and listened to RQG, and have just finished listening to Epilogue 3 and might i just say, good sir I am grateful for your podcasts. I am currently just a few months away from my final exams of High School, and as someone who even just 1 year ago was very lost, struggling with school and being just overwhelmed. TMA isnt exactly comforting, but the characters and plot managed to serve as a good form of escapism while sorting myself out. I found my self engaging more in creative things that i had originally put aside in favour of maths and science (which i hated but thought i needed to do). I started drawing again, even if just fanart. and i found things going well. By finding podcasts, story telling and these communities have helped me in my own understanding of what i want in life. I got an ADHD diagnosis earlier this year, and almost directly after started RQG and as my first hyperfixation (that i was aware of as an hyperfixation) gosh dang it hit hard. (in a good way). Ive been able to do so much more creative writing and drawings, and got re-involved with a small dnd group with some friends who i played one game with almost 4 years ago now. So overall, inspirational sounds cringe, but it was. Im doing my best with the upcoming exams, but trying to get in to Medicine is not my only prority, and the fact ive been re-introduced to my first love (Literature and story telling), im planning to go do an Arts degree and i know i wouldnt have been able to confidently make this decision, or even have survived this long in the school system without the work you and your coworkers do. Now the sap is out of the way, Question time! (if you could answer even just one of these questions it would be so cool)(they go in order of RQ relevant to random stuff)(dont feel pressured to answer all/any. i know i wrote alot): 1. what would you say is the best way to draft out a long-form story. (with "Erasing the Line" as an example) Did you start at the end, with the links to the overarching plot.

2. When working with the players (in a form of TTRPG), what did you do to make sure you didnt miss relevant timing of plot points/ avoid creating spoilers while still giving enough detail?

3. What are good places to start with making a job out of storytelling/voice acting/audio etc. In the case of RQ, how is this a job and where do i sign up please! /j (what i mean is, how is best way/how did you find all the people involved and was there a common path that you were all on before getting to where you are now?) 4. Do you have recommendations for Terry Pratchett Books, i may be an literary-leaning student, but it seems i have never actually properly read any of his books. so where is best place to start?/What did you read first?

5. Similar authors or similar inspirations? Did you have a favourite podcast you listen to in your free time that you havnt had a hand in producing/directing/working on. 6. Favourite song/album/artist. And more specifically, what you like listening to in background when doing either writing or (for ttrpg) character research/game planing. 7. Since the olympics are on at the moment, what has been your favourite sport to watch, if you have been watching at all. Thank you for your time :)

Thankyou for all the kind words. Knowing our work is helping people really keeps our engines fired up. Let's see if I can't answer your questions: 1. I "sandbox" which is where I just shove everything I can think of into an unorganised bullet point list. Characters, setting, plot, all of it in one big mess. Then I decide what type of story you want to tell, copy and paste to a new document and then start to organise the thoughts (with the sandbox on standby if new stuff comes in I don't know what to do with). I think of it like scultping, you cut away bits and reshape until something comes out the other end that is story shaped. Only then do I attempt to build the sandcastle and put something coherant together like a synopsis or scratch draft etc.

2. Very tricky. I did a complete review and update of all notes after each recording session and don't forget the audio eas edited. I made lots of gaffs that you never heard as audience.

3. I contacted anyone I could convince to take part and just proved I was serious by overworking. I don't reccomend that route. Unfortunately it really is "who" you know. That doesn't mean chase established professionals as much as it means you need to get out there and associate with other up-and-comers who match your vibe. For me the route was long and windy and not a particularly good example. 4. I normally recommend people do not read his books in publication order. Don't get me wrong, its wonderful watching his craft grow from one title to the next but I would recommend new readers tip their toe into his later works to see if they like where he ended up before committing the time. I often recommend 'Monstrous Regiment' as people's first one. My favourite though is 'Thief of Time.'

5. I don't get much time to listen to podcasts in the last couple of years. I used to listen to a lot of non fiction. 'Stuff you Should Know' and that ilk. I also read a fair amount of classic YA fiction to unwind (Windinsger trilogy, Bartimeous, stuff like that.) 6. Paul Simon's Graceland but when working I assemble a playlist for each seperate project that is tonally appropriate. If I really need to focus I listen to Classical Minimalism. Or the Old School Runescape soundtrack. I'm allowed to be ecclectic. 7. I am actually in an incredibly busy work crunch at the moment so haven't seen any of it!