#but its still a form of love

[kutyaharapas]

i dont think my brain can conceptualize love. or at least from the information i gather

[starry-bi-sky]

There are two things that Damian knows that he knows Father doesn’t.

He has an older brother

He was dead

(And a secret third thing: Damian was glad he was dead. They did not get along.)

Well. No, correction, they were two things that Damian knew that Father didn't. Past tense. Strange magic swirled through the air and created a mirage before his eyes, and immediately a scowl forms across his face.

The mirage shifts and shimmers like the light hitting a slowly turning prism, and then it settles into a memory. One that Damian does not recall. Like looking into a tv screen, it shows, faintly, a room, with most of the magic going into the image of a crib.

His mother was standing on one side, and next to her, standing on his tiptoes was a small five year old boy looking up at her. With dark hair and skin that was only few shades lighter brown than Damian's, the little boy's resemblance to Damian was undeniable.

However, his eyes were blue. Not green. Damian's scowl deepens, and he sinks back. "Danyal." He mutters, and feels eyes turn on to him.

Danyal Al Ghul. Damian's older brother. A prodigal swordsman like Damian, and five years his senior. He'd be fifteen if he was still alive. His memory of the last time he saw his brother was still clear in his mind.

(A sword to Danyal's neck. Stars were glittering through his window. Damian was five, Danyal ten. He is not sure why Danyal had snuck into his room, all he remembers is hearing a sound and on instinct reaching for his sword.)

(His brother had intercepted easily. But had not shoved the sword away. Moonlight hit his blue eyes, and Damian remembers seeing the pupils shrink to let the light in. His eyes looked almost silver.)

(His brother bares his teeth at him. Damian wants to slice his neck more than anything, and he bares his teeth back. "Good." Danyal says, his voice low in a hiss, "Your reflexes are good, little brother.")

("Of course they are," Damian remembers snarling, and presses the sword closer. But it does not budge. "I am an Al Ghul.")

(Something unrecognizable passes through his brother's eyes, and his mouth twists into something like a smile. "I know." He says, and tilts his head downwards at him. "And you will be great.")

(His brother shoves the sword back, causing Damian to stumble. And like the wind, he is gone.)

(The next morning, he goes on a mission with mother and a few others. Mother is the only one to return with Danyal's sword, and a red-eyed look in her eyes. Damian does not mourn. Now there's only one of them.)

"Momma." The little Danyal-mirage speaks, a furrow between his childlike brows as mother lowers a bundle into the crib. His blue eyes watch her, and lifts onto his toes to peer into the crib as she sets the baby down. "Who is this?"

Their mother's hand comes to rest along his back. "This is Damian, my son." She murmurs, voice low. "He is your little brother. Protect him well."

Damian scoffs internally -- not likely. He remembers every spar he ever had with Danyal, every harsh word and insult. His pushing, pushing, pushing for Damian to get up. To try again. Do it again. The only kindness he ever showed him was when his fingers bled. And even that was harsh, firm. Rolling gauze around his wrist and scolding him, telling him how to wield his weapon better.

(It was the same as everyone else, but somehow it hurt worse coming from his own brother.)

But he watches his older brother's youngest self tilt his head to the side, and then reach his chubby hand through the crib's bars. He runs small, blunt fingers over the baby's arm, and the baby jerks. Through the crib's bars, Damian sees himself grab Danyal's fingers.

And he scowls even deeper.

And Danyal's eyes... widen. He lets out a little gasp, and a small smile Damian's never seen him wear tilts at the corner of his mouth as he looks up at their mother. "Mother," he whispers, "he grabbed me!"

Damian... his scowl falters, for a moment.

He doesn't wait for a response, he looks back to the baby with sparking eyes. His expression melts like sugar as he bounces the finger being gripped tight by the small hand. "Hello, little brother." His brother says, voice its of usual firmness, but there's more fondness underlying it than Damian's ever heard. "My name is Danyal."

The mirage shifts before Damian can comprehend his older brother's voice. It shows the crib again, appearing as if a few days had passed. There is night lilting through the nearby window, and a creek of the door. The baby doesn't stir.

Danyal sneaks in, still wearing his training clothes and a sword strapped to his side. Damian's scowl returns, watching him creep over to the crib. Of course -- the last night he saw his brother wasn't the only time he'd snuck into his room.

Would he go so low as to attack an infant? Damian wonders, watching his brother cross the room to his crib. But while his fingers rest against the hilt, they never curl to unsheathe.

His brother peers into the crib again, and there it is again, that smile wider in the corner of his mouth. It's not a full one, but its as uninhibited as it gets. Dripping honey-sweet with awe. "You are so tiny." Danyal whispers, and pokes a finger back through the crib. It wriggles, then pokes Damian's cheek gently. "Was I as small as you when mother gave birth to me?"

There is no response from the baby. Not a coherent one anyways, the little thing snuffles and turns his head, mouth open to latch. Danyal stills, his eyes grow ever wider again.

Danyal says nothing else, just rests his cheek against the crib and watches the baby sleep in silence. The affection never leaves his young face.

Damian feels unsettled. Off-foot. This Danyal is foreign to him... He wonders what happened to have changed his brother's mind on him.

There's a scuffle, quiet, but there. Danyal picks up on it just as Damian does, and his head pricks up like a deer, head already turning away from the crib. The affection leaves his face, falling away like water into something serious. His blade is already slightly unsheathed.

Two assassins, belonging to grandfather, burst out of the shadows. Their swords swinging into the air and ready to strike.

Danyal kills them both, his back to the crib. It's not without struggle, and when the two assassins lay dead on the floor, the baby is wailing at the top of his lungs. Danyal has a laceration cleaving down diagonal of his cheek. It's close to his eye, just barely missed blinding him.

Damian never knew how he got that scar. He does now. (He doesn't know how to feel about it.)

His brother clutches his bleeding face, sheathing his sword as tears well up onto his face. But he turns towards the crib, and hurries over. "You're okay, you're okay, you're okay." He hushes rapidly, the League-drilled seriousness fallen away to reveal a panic-stricken five year old. He sticks one hand into the crib, the one not clutching anything, and grabs little Damian's hand.

Their mother comes bursting in that moment, and Danyal turns his head towards her. "Mother." He says, his voice cracks un-wantingly. Their mother steps over the bodies of the assassins easily. "They tried to kill Damian."

"But they did not." Talias says, kneeling down next to the crib to inspect Danyal's face and Damian's well-being. When she finds nothing of concern beyond the injury, she continues. "You killed them before they could, Danyal. Well done."

The mirage of his brother nods, his eyes teary and red.

Damian... is discomfited. he never thought Danyal would kill assassins for him. He would have thought his brother would sooner look the other way. The mirage shifts again, and it quickly shows time passing.

Danyal sits in Damian's nursery every night, after that. He lays at the foot of the crib with his sword, a pillow and a blanket with him. Some nights there is nothing but peace -- or as close to peace as a baby could achieve -- and some days assassins break in.

Danyal kills each one.

The mirage shifts again, and it shows more memories of Danyal interacting with Damian during his youth too young for him to remember. His first steps, his first words.

"Danya." The small toddler of Damian says, arms reaching for Danyal.

A frown curls across Danyal's face, and pulls Damian into his lap. "No, no, little brother." He scolds, voice firm but.. softer. "It is Danyal, Damian. Danyal."

"Danya!"

Damian's brother sighs, but there is that same-small tilt at the corner of his mouth. A glimmer in his eyes. A glimmer... that Damian is finding he recognizes.

(He always thought his brother got that look in his eyes when he was mocking him. Was he wrong?)

The mirage shifts again, and this time it shows only mother and Danyal, alone. Danyal is older, taller. Seven, if Damian had to guess. Mother has a stern look on her face, her hands tight on his shoulders. "Damian will be starting training soon, my son."

Ah, then close to eight then. Training starts, always, at three years old. He watches Danyal nod, his expression mimicking their mother's. His arms are folded, always folded, behind his back, always neat.

"You can no longer have the relationship with your brother as you did before." Mother says.

Danyal's expression... falters. It shifts, it fluctuates. He looks surprised, thrown off. Like he isn't quite sure he heard what mother just said. His brows furrow. "What... do you mean, mother?"

"I mean what I said, Danyal." Mother says, stern, "Ra's will be keeping a closer eye on Damian now that he is of age to begin his training. He will not like if he sees you both getting along."

"I am sorry, my child. But your relationship with Damian ends here. You are rivals now, not brothers." In a cruel form a gentleness, mother raises her hand and tucks a stray curl out of Danyal's face.

Of course. Damian never had a relationship with his brother because of Grandfather. Of course. No, he's not feeling a little bitter. No. There's not an inner child that still, like a candleflame, wishes that he'd had a bond with his only flesh and blood.

Danyal is dead now. So it's not like it matters. He's happy about this.

Danyal frowns, and he steps back. He looks lost in thought. "We are still brothers, mother," he says, argues, and looks up to meet mother's eyes. "Let me train him, I will make sure he gets the skill he needs. If we must be rivals, then I will teach him how to defeat me. If he can defeat me, he can defeat anybody."

Their mother, and Damian, both blink in unison. Then mother smiles something sharp, calculated. She folds her hands behind her back. "Then do it. But you will make him hate you."

"...So be it."

Damian.... Damian is silent. His world axis has been tilted on its head. He is sliding, and sliding, and sliding down. Spinning. Many things click into place at once.

More memories from the mirage show. It shows Danyal training Damian. It shows their arguing, their bickering. It shows Danyal going to their mother to praise Damian and his skills, how fast he is picking up on the sword. How one day he will surpass even him.

It shows Danyal sitting outside Damian's bedroom door every night, listening in for anyone who dares to break in. His knees drawn to his chest, his sword at his side. Sometimes he sneaks in, sword drawn, when he hears a sound.

Some nights, Damian wakes up. He remembers those nights. Danyal standing over his bed with his sword unsheathed and tight at his side. He remembers the instant terror as he immediately reached for his own weapon.

His brother always scolded him for his lack of vigilance. That had he been anyone else, Damian would have had his neck cut. He would've been dead already. It only made Damian's hatred of him grow.

But he understands now. Because there were assassins in the room that Damian, four years old, three, did not notice. Not until later. He always assumed the attacks on him after Danyal's death had been because now there was a new heir to target.

It had been the only lesson he'd been even somewhat grateful for.

Then finally the mirage shimmers, and it shows Danyal, ten years old, in one of the training rooms, mid-spar with Mother. It's fast, sharp, impressive and like a blur. Damian is unsure if at ten which one of them was the better swordsman. Some of the assassins who have never met Danyal said Damian was, but the ones who had said it was Danyal. He'll never know.

In a lull in the fight, when their swords are crossed, mother speaks. "Ra's wants you and Damian to fight." She says, teeth grit into a deep scowl. The cross breaks and Danyal jumps back, he frowns.

"We have fought, mother." He says, and dives in first, swinging for mother's feet. Mother dodges, and slices at his arm. He swerves out of the way, twisting on his feet like a dance. "We are always fighting, doesn't he see our spars?"

"Not a spar like that, my son." Mother says, a snarl in her voice. She lunges, and Danyal blocks her blade. "A fight to the death. Father has grown tired of having two heirs."

That gets Danyal's attention -- or, more accurately, it distracts it. His eyes widen, and his sword lowers for a single moment. A mistake. "What?" Is all he gets out before mother has him on his back, her blade pressed to his throat.

He freezes. As does Damian. Danyal's brows furrow, then unfurrow, only to knot up again. "Mother, what do you mean a fight to the death?" He flips to his feet when mother removes the sword. She walks over to grab her water.

"Must I repeat myself, Danyal?" Mother snaps, rubbing her forehead before swigging from her canteen. "Father wants to find out which one of you is the stronger heir, and so you will fight to the death after your training in a few days."

Danyal's tan face loses a shade of color, he looks ashy. "There must be some mistake!" He exclaims, his arms gesturing out as he peers around mother. "There is a five year disparity between us, Damian has only just started training two years ago. It would be an unfair fight!"

"Do you think me unaware?" Mother whirls on him, and there is a grief-stricken look on her face. Like she is already mourning Damian's death. Damian feels ill. "Your skill is far beyond what Damian can accomplish right now, and there is nothing that I say that can convince Father otherwise."

Danyal wears an expression like he is scrambling for answers. A white knuckle grip on his weapon. There is a long silence, and his lower lip curls up. His throat bobs, he swallows. "Is there really nothing we can do?"

Mother makes a frustrated sound, pushing her loose hairs out of her face. "Not unless Father changes his mind, or I send one of you away. But Father would surely send someone to look for you or Damian."

"What if one of us faked our death?"

Mother stills. As does Damian. No, he thinks, stiff as a rod, no way. These mirages were lying, nothing but figments of an imagination. Of some quiet what-if that Damian had not yet stomped out.

Mother's expression shifts, and then turns contemplative. Danyal notices, and keeps pushing, he looks as hopeful as he could get beyond his usual unwavering, stone-like expression. "One of us could go to father--"

"No." Mother cuts off, voice sharp. Danyal wilts, confusion flittering across his face. Damian, from the corner of his eye, sees Father tense as stone. His white-slit eyes have not left the mirage. Nobody's has.

"Father will undoubtedly check there first, it would not be a good idea. You or Damian will have to go somewhere where he would not think to look. Someone unaffiliated with the League."

Danyal's face falls, shutters, and then closes up again into stone. Mother begins to pace, and Danyal's blue eyes follow her. "So a stranger?" He asks, and there is disgust lilting into his voice.

Mother nods, and she looks just as offput as Danyal.

The mirage of Damian's brother rolls his shoulders back. "Then I will do it, mother." He says, voice unwavering. There is a stubborn note behind it all, one that Damian recognizes. "I will fake my death, and Damian will stay here."

Mother's eyes turn sharp on him, and she stops in her spot. She pivots. "Are you sure?" She asks, eyebrow raising, "There is a chance you will never meet your Father if you leave. Nor will you see I or Damian again, if you do this."

Something like fear flickers across Danyal's face, eyes widening momentarily -- as if that very thought had not crossed his mind. But then it smooths over to sharp determination. He nods. "It would be the same for Damian if it was him instead. I will do it, Mother."

Damian feels ill again. Father has a strong set in his jaw, his teeth grinding.

Mother stares at Danyal, and then her expression softens. And like before, it is grieving. "In a few days time, I and another member of the League will be going on a mission to the American States. I will tell Father that you will accompany me, once there we will dispose of the other member and then orchestrate your death."

The American States. Danyal was here, in the country. He was out there somewhere -- but no this was fake. It had to be. Danyal was dead. A fool who got himself killed on a mission with mother and left the title of Heir to Damian.

Or maybe it had been his plan all along. His and mother's both.

...Was mother ever going to tell him?

The mirage of Danyal nods, sharp. Understanding. There is a gleam in his eyes that is not pride, it is tears. And when Mother leaves the room and leaves him alone, the stone-like expression on his face crumbles and falls.

His brother, ten years old, curls up his lip in an ugly way. It wobbles as the tears in his eyes do, and he brings up his hand to slam it over his mouth. And sinks to his knees, a yell-like sob muffled behind the skin.

His brother, ten years old, looks smaller than Damian remembers him being, and cries.

Damian has never seen Danyal cry. Not once in the mirage of memories, nor in his own.

The memory holds for a minute, and then disappears. And no new one shows up. The magic is gone, and it leaves a silence in its wake. Heavy, staticky, and full of revelations.

So there are two things that Damian knows that his Father now knows too.

He has an older brother

His older brother is alive.

(And a new secret third thing: Damian wasn't sure how to feel about it.)

[yudol-skorbi]

i have lots of feelings about them

[damiel-of-real]

that fucking flower i hate

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[shakingparadigm]

It seems like Unsha is.... fairly tame? At least compared the horrendous feats of Urak and Heperu. He almost seems more grounded compared to them? Unlike Urak and Heperu, who are obssessed with winning to the point of trying over and over again, Unsha accepts his loss gracefully and moves forward with other things.

Ivan was a gift to Unsha's wife for her birthday. He chose children based off of their potential, and when Ivan showed the most promise he gave him full investment. Instead of forcing out Ivan's talent through more heavily abusive means (nurturing, it seems to be called), he brings Ivan to success through sponsorships, methodical marketing and exposure. Unsha considers the things he learned from being with Ivan and takes interest in what Ivan's thoughts might have been before death. He says that despite everything, Ivan was worth the investment and worth the loss.

I'm not trying to say that Unsha was a "good parent", he was neglectful to Ivan's personal needs and worked him relentlessly among other things. There definitely could have been more diabolical actions that haven't been revealed yet. He undoubtedly viewed Ivan as a product that he needed to sell (a businessman in all areas), but it's just interesting to note his differences and train of thought. Much to think about.

[dimeadozencows]

I have endured what no one on earth has ever done before

I put my lips to the hands of the man who killed my son

[mxfrodo]

y'all for fucking real. don't fucking write slave fics or x reader fics of aventurine's slavery??? are you guys out of your goddamn minds???

[rawliverandgoronspice]

I think what particularly annoys me with the "zelda was always gameplay before story" is that... it's not true? At least I don't think it's true in the way people mean it.

Zelda games were always kind of integrating story based on the standards of the time. When game stories were in game pamphlets, Zelda's stories was in the pamphlets. ALTTP tried to tell a pretty complicated stories with the limitations of the time. OoT was actively trying to tell an epic, cinematic tale packed with ambiance and expand what 3D could offer that 2D games struggled with. Majora's Mask is deeply character-driven in many, many ways. Wind Waker and Twilight Princess are both pretty concerned about their stories, down to the point that some people were bored by TP's cutscenes in particular. Skyward Sword, from what little I have played it, is very very invested in its characters and their journey (and 2D Zeldas have Link's Awakening, Minish Cap... None of them are visual novels, but they are concerned with emotional journeys, character arcs, mysteries about their own world...)

What is true is that the narrative wraps around the mechanics, and not the other way around. The mechanics drive themes, aesthetics, emotional beats and character journeys; and that's great. The world is a puzzle, and the world is delightfully absurd when it needs to be, full of heart when it calls for it, dark and oppressive when it suits the player experience.

That does not mean the games aren't invested in their stories. Even BotW has a pretty complicated story to tell about an entire world rather than one specific tale or legend --all of it at the service of the gameplay, which is exploration and mastery of your environment.

So. Yes, none of the Zelda games are million-words long visual novels that care deeply about consistency and nuance; but stories don't need consistency or deep lore to be meaningful and serve an emotional journey. Again: gameplay is story. The two cannot be so easily parsed from each other.

And Zelda as a franchise obviously care deeply about story, characters and setting (and still does right now --otherwise there wouldn't be a movie), even if it doesn't try to imitate prestige narrative-driven games, which is great and part of why I love this series so much. Doesn't mean it couldn't have done better in the past, it obviously could have, but I feel like pretending that nobody ever cared about story or character is just... false? It's a huge disservice to the devs too. Some of them obviously cared immensely.

The "gameplay above story", at least in the extent to which it is paraded today to defend TotK, mostly, is a really recent development. And I think it's one that deserves to receive some pushback.

[tyudeongi]

티즈토끼 ! ATEEZ + BUNNIES @ 2023 ATINY DAY

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[starry-bi-sky]

Out of Context Danny Phantom Memes for a fic i haven't posted (yet)

[rin-solo]

Pls tell me I'm not alone—

[tapestryundone]

quiet is right handed and always holds the blade in his right hand as a result. he is tied to the narrative that the narrator constructed through the blade and no matter what happens in any runthrough the knife will always end up in his hand at least once no matter what he does or what he truly wants

the princess is always chained by her right hand. no matter what, she is always bound to the cabin and the narrative that the narrator constructs. tsm is represented through countless arms and yet the princes is always placed in a basement with her right hand shackled

both quiet and the princess are trapped in the construct, parallel to one another. the knife is to the long quiet as the chain is to the shifting mound

in the prisoner chapter, if quiet becomes chained then he must lose the knife. there is no purpose to overlapping ones shackles, he just trades one for another

anytime that the princes recieves the knife, she becomes free of her chain. there is no purpose to overlapping ones shackles, she just trades one for another

the knife and shackles are equivalent, and both must be shed in some way for the shifting mound and the long quiet, or the princess and quiet/hero

at the heart of the shifting mound, the princess will always be free. the shifting mound is free to choose anything she wants. shes waiting for you to choose. the apotheosis establishes that she could destroy the construct if she so chose, but if the long quiet doesnt break free with her, destroying the construct will destroy him, too. she is free of her shackle but she has a choice between leaving with the long quiet or killing him- mirroring that the long quiet has a choice between leaving with the shifting mound or killing her. only that the shifting mound made her choice, and that is that no matter what happens, she will not destroy the long quiet

at the heart of the shifting mound, quiet has the choice to take the knife and give into the narrators script- to abide by it or return to its beginning and reread the story all over again- or to abandon his own shackles and free himself from the story the narrator wove

effectively, the chain and the blade must be abadoned in some way for the two to be free. with or without reaching the heart of the shifting mound, neither can be free until the remnants of the construct are abandoned, until their unique tether to the construct is left behind

and if the two are a palindrome, then the letter in the center is the cabin- a structure that exists for both of them and is a construction of the narrator that they both influence differently but in equal amounts. they both have been built around it and feom it, very literally, and the chain and blade are both offshoots of it that the narrator uses to control them

[the-kestrels-feather]

Not to sound like a boomer but I remember back in my day Markiplier was just the Funny Jumpscare Videogame Man™️

(I ADORE Edge of Sleep and the like and I'm glad he's getting to make the content he wants but also... The Duality of Man)