#but it's important so I'm still gonna publish it

[dragonnarrative-writes]

Fun fact, most of us who engage with each other on the internet are not irl friends. So what your "friends" are okay with doesn't mean that everyone is going to be okay with it.

This is for the original person, who may never see this, but also for everyone:

"Rice cooker" and "bean muncher" are both references to cultural cuisine. They do not make sense outside of the target person's cultural identity. By OPs own words, it's a "joke" appealing to their "dark" sense of humor. What makes it "dark" is that there are negative associations with those terms and their cultural contexts. What is supposed to make it humorous is that everyone present agrees that the negative associations are not applicable. But someone reading your words doesn't have that assurance.

Jokes are only funny if the speaker and audience agree on the premise. Dark humor is only funny if everyone agrees on the premise that the subject matter is bad or wrong. Racial slurs are not funny outside of your friend circle. I'd make the argument that it's not funny inside of your friend circle either, because your response tells me your friends might not feel comfortable telling you if they're uncomfortable. Because your argument is that you were raised to find other's discomfort funny, and so you can't be responsible for your own behavior.

If you're interested in a bit of education, more below the cut:

There is an important difference between a slur and an insult. An insult is a slight against an individual person, for example, making fun of a person's sense of style. A slur is a pejorative that indicates contempt for a group, literally, "the target of this slur is negative/undesirable for being a part of this group." (Here is a link to a paper on pejorative language. CW for explicit examinations of slurs in an academic context. Personally, I think the section on Slurs and Truth-Value Gaps is very useful for considering the harm of slurs, but that's not the only theory explored in the paper by any means.)

Wow, that means a lot of common insults (and jokes) are slurs, aren't they? So things that someone in your inner circle might experience as an individual insult and therefore relatively harmless might have a greater context that impacts people outside of yourself.

The use of slurs in fandom signals to people who believe those negative stereotypes that they have allies in the community. Unfortunately, when you call COD characters racialized and cultural slurs, someone sees that and receives reinforcement of the idea that "Character = pejorative = they are bad for their racial or cultural qualities." Do you agree with that sentiment? I hope not. But that's the signal that gets put out.

This also impacts who gets to participate in fandom. The same way women have been discouraged from playing CoD by sexual harassment and jokes and pejoratives about "belonging in the kitchen" and "women's games," racial and cultural slurs discourage members of fandom from participation. When you indicate that a character is undesirable for being a part of a group, real life members of that group are pushed away.

racism in the community.

it's under the cut for those who want to read this. i don't have many examples and i apologize, and i'm not name dropping for my own safety [ last time i called someone out i was mocked by them, and was really insecure about my chosen aesthetic for a bit. ]

now, i know we've talked about the racism within the community and Gaz, but can we talk about the racism in the community with Horangi? someone I follow [ won't name drop for now ] recently said this in response to someone saying it's weird they call Horangi "rice cooker"

that just feels like a lot of words for "I can't be racist, I have [type of race] kind of friends!" like i genuinely understand they're fictional characters, but you shouldn't be racist against fictional people just like real people, the fuck? like they can't be like "oh yeah! you can call me [hurtful thing] it's fine."

any comments exposing the person in the screenshot will be deleted.

[gguk-n]

Chapter 1- Anonymous Conversations

Unravelling Max's Mystery (Max Verstappen x Online Friend!Reader)

Series Masterlist

Summary- Y/N formed an unexpected bond with a boy behind the screen. He doesn't have many interest it seems, except for reading her stupid poems.

{Reader's POV}

12/07/2012

Dear Diary, Stella is leaving for Canada tomorrow forever. Today was the last day of school before the summer break so I went to Stella's house after school. It's so shitty, how can she leave me like this and before the start of high school. I don't have any friends other than her, what am I supposed to do??? This isn't fair, first Faye moved back to her home country a couple years back and now Stella. It's like they don't even care about me. I made a google plus account so we can stay in touch. Actually everyone's on google plus, I'm just late to the party. I'm sure we'll still be close.

02/01/2013

OMG!! I think I'm in love. There's this new boy band, One Direction. Ava told me about them last year but I brushed her off saying they weren't my cup of tea, but OMG!!! They are fucking perfect and I love Niall so much. He's so cute and has the dreamiest eyes and his accent, I'm gonna faint. I bought the Take Me Home album yesterday!! I even put up their poster above my bed, hehe!! Sooooo, I may or may not be writing now. I think I'm gonna be an author. The stuff isn't great like Shakespeare but I'm sure I'll improve. I've written a couple poems and Aria read them and she thinks they are great. I'm gonna start uploading them on google plus. I made a separate page for it, under a pseudonym. If I really improve, maybe I can publish my work.

I was sat at my laptop, typing the latest story I came up with during lunch so I could upload it. There were a lot of people who were reading my work and even encouraged me. There is improvement, but then again, we can do better, I'm sure. My parents aren't very happy with how I'm wasting my time writing instead of focusing on my education since I'm in high school now. I finished typing the story and clicked the upload button, I got a comment on the post. It was from this guy, named Max, just Max. He always read all of my work and writes the nicest comments under them. I haven't spoken to him personally ever since my mother kept warning me about stranger danger and that it could be some 50 year old dude. But his comments are encouraging and make me want to write more. I hope he knows the kind of effect he's having on me.

My birthday is in a couple of days, I don't know what I'll do since I don't really have a lot of friends. Even Aria is away during that time, so I don't really have anyone to go out with. My parents are busy as always.

So, out of desperation or sadness, I don't know which one, I posted on google plus saying that it was my birthday. The first person who replied was Max as always. I really wanna know when this guy sleeps or how he gets any work done if he is online so much. He messaged me personally too, to wish me again and even asked what I did. I couldn't lie because my heart was heavy, so I told him. I literally just unloaded about not having any friends and spending the day alone because work was more important for my parents. He was so nice about it. He spent the next hour talking to me and cheering me up. He's apparently 15, from Netherlands. He loves cats and lives with his dad and sister. He sounds like a fun guy.

After that, both of us ended up chatting on google plus regularly. I would message him immediately after school and spend the next couple of hours talking to him. Some times, he'd be gone a couple weekends but it was no biggy. I'm sure he had other commitments instead of entertaining a dumb teenager.

Max's birthday is on 30 September. I wanted to be the first one, so I stayed up late to match the dutch timings and wished him. He replied a little while later. He wasn't very excited about it. I get it, maybe his friends aren't there or couldn't make it to his birthday. I was gonna cheer him like he cheered me up. I wish I could send him a present. He really was a light in dark time. When I had no friends in school I could rely on, he came like the knight in shining armour. I just want to be a good and reliable friend to him like he is to me. He is such a sweetheart. We've never spoken on call yet. I guess I'm still a little scared and we've only known each other for a few months. I'm gonna hold on that but Max is a genuinely nice person in my eyes. But his dad doesn't sound like the nicest person from what he says, but I can't tell him that his dad is shitty so I just read his texts.

18/12/2013

Dear Diary, Maxie is the cutest. I haven't seen or heard him yet but I feel like he is. Otherwise, why would he encourage me to follow my dreams? He was so understanding and gave great advice. You might wonder why I needed the advice, diary. I told my parents I wanna pursue a degree in literature and we had a huge fight since apparently I'm throwing my life away and I should try to get a proper degree that might get me a job. Apparently, I'm not thinking straight. I've been thinking about becoming an author for some time now, it's my one passion, I've realised. And if it means struggling, I would rather struggle and be happy than be in a dead end job. Just because they are some big shot business people doesn't mean I wanna do that do. ugh!!! I hate them. Maxie calmed me down honestly, he heard me out and told me it was okay to follow my dreams. I think he is such a good friend. I won't tell him that, he has a big ego as is. LOL!!

I've been gaining a lot of traction on my posts on google plus. I have a couple thousand followers but Max is the most active of them all. Max is so effortlessly funny. He did ask one time if we could talk on call, I told him that my microphone was broken. I'm still a little skeptical. I know, even though I'm literally sharing everything with him, I've never spoken on call or video with him. Maybe some day.

04/03/2014

Dear Diary, I got a new phone and a new number. The previous one was one of my parents multiple numbers but this one is my own. I feel like an adult, hehe!! I made a whatsapp, maybe I'll share my number with Maxie and we might start chatting on there. Google plus had become a bit of hassle and I'm not uploading on it like I used to. I usually only open it to talk to Max. I think it would be better to shift it to another service. He's been a little busy this year compared to the last, didn't tell me much but I think it has to do with him being in his final year of high school. Can't relate, but I hope I'm done with high school soon. It fucking sucks. But on the bright side, I've gotten close to Nia and Aria and I could call Aria my best friend but she considers Nia her best friend. I don't mind being her friend. I have Max anyways.

Max has been quite busy lately, but I don't blame him. I would be busy in my final year of high school too. Even with all that, he has taken time out to talk to me. I did share my number with him, so now instead of google plus, which is a barren wasteland, we text on whatsapp. I've suggested talking on call some time when he's free, which hasn't happened yet.

We had set up a time to talk, it was really early here but I didn't mind, I was up anyways. I couldn't wait to hear his voice. I was anxious as well, what if he's some pedophile; all these thoughts raced through my head when my phone rang. Max- Hi, Y/N! Y/N- Hey, Max!! How are you? Max- I'm good, what about you? Y/N- Yeah, I'm good too. haha!! This is so weird talking to you. Max- yeah, you sound pretty. Fuck was he flirting, is this flirting? A million thoughts ran through my head, no one's ever flirted with me before. I felt my cheeks heat up. Y/N- You sound nice too. I mean....you have a nice voice. Max- haha, thanks, this is the first time some one has said that. Y/N- soooo, what have you been up too?? You've been so busy lately. There was a pause on the other end. I heard shuffling. Max- yeah, I've been busy with stuff. I'll be done soon for a while now. Y/N- That's great I need my best friend back! The conversation flowed smoothly. It didn't feel like we were talking on call for the first time. I had a lot of fun talking to Max. He sounds like a teenager, much to my relief. He's just as funny on call as he is on text.

After that, we ended up calling each other regularly. Max would answer my calls whenever but sometimes I felt bad about calling him at the crack ass of dawn in Netherland so I would avoid calling him whenever. He is so kind and listens well but damn does he talk. Every one who knows me calls me talkative, if they heard Max their ears would bleed. But I like hearing him talk, he has the most random and vast knowledge, he's helped me write too many of my papers because I didn't have to research, I could just ask him; he's like a walking encyclopedia.

17/05/2015

Dear Diary, I think I'm in love. It's not some celebrity this time but I think it's Max. I don't even know that dude's last name but I'm in love. He not like the guys in school, he's so mature and funny and sweet and understanding and he supports me so much. I didn't know when or how but I think I love him. Obviously I won't tell him. It's prolly a crush since I have't dated anyone ever. I'll get over it, can't ruin my friendship over this. As is, he has gotten so busy. I think he is going to college. He didn't say it explicitly but why else would he be so busy right now if not applying for colleges. I don't know the dutch education system but I'm sure he busy pursuing higher education. He said he liked cars, I think he'll do something with cars. I didn't really ask in more details. I'm sure he'll tell me when he wants to. We have a chill friendship, we share when and what we want to. Alas, I hope this crush doesn't ruin my friendship.

09/08/2015

This is bad, my crush on Max has only gone on to increase. He's so kind to me, what am I supposed to do? Also he's the only one who can calm me down after a fight with my parents regarding my future. Sadly, he gotten so busy. He's gone for a while every few weeks. But lately he's been free. We've been talking a lot. He sounds a lot more rested lately too. I'm sure college is tough. But he's strong and I know he'll do it.

[Little did Y/N know, Max was busy racing across the world in Redbull's junior team. He was in his first year as a formula one driver, hence he was so busy. Max had no intentions of telling her, he liked being just Max, a guy from Netherlands who could talk to her. He enjoyed the disconnect he got with her]

[totalswag]

can i request rafe x fwb reader where reader finds out hes dating sofia and she goes to confront him that he didnt even have the decency to let her know their arrangement was over and he says "who said it was over?''

stuck in the middle - RAFE CAMERON

authors note as you guys may notice i'm finally publishing requests that you guys sent me. super sorry this was very late to publish. i hope you like what i wrote and it was what you hoped. so, thank you for sending this requests.

requests are still open so feel free to send them my way and i will get to them and put them into my docs :) if you click on the bold red ink it will take you to my ask box lovies!!!

summary you find out through people and social media sofia and rafe are together. you go to confront rafe about this since he never thought to tell you that your arrangement was over.

warnings friends with benefits, mentions of sex, cursing

Lately, you've been having this weird gut feeling in your stomach. No idea what the meaning behind it means but you want to find out what it could be. You started feeling this way whenever you were with Rafe on a random Wednesday.

Rafe and you have been friends with benefits for about three months now. When you two came to this agreement, you agreed that it was solely for your sexual pleasures and not to establish feelings for each other, and that the most important thing was to let each other know if one of you became serious with someone else so that the bargain could be broken off.

You overheard a rumor at a party this past Friday about Rafe and Sofia being together for a month. You couldn't believe your ears and wanted to vomit. Sofia works at the island's country club, and Rafe visits it from time to time.

The next day, you decided to do some research to be sure this was accurate. Even as you looked at her Instagram, the emotion returned. You checked her story highlights and discovered what you were looking for. Your stomach sank.

She had a couple pictures on her highlights that you knew were of Rafe, including one with his right hand on her thigh in his car and another with his back to her as he looks out into the distance. Based on what you discovered, they appeared serious.

What made you upset was the fact Rafe and you have been seeing each other for three months which meant he'd been with Sofia for who knows how long before he asked her to be his girlfriend.

"Why didn't he tell me?" You asked yourself, setting down your phone and running your hands through your hair, upset that you found out at random person at a party.

There's a part of you that doesn't want Rafe to be with Sofia. There's a part of you that wants him all to yourself. Regardless, he should've told you the arrangement was over.

That was the deal.

After thinking about what you should do, you decide you are confronting Rafe about this, tonight. You are gonna make it seem like you want to hookup but really you are telling him what you found out.

you- are you busy tonight? i wanna see you

rafe- funny you say that because i wanna see you too

rafe- meet me at the spot at 9pm.

"I'll be back in an hour or so," you tell your mom as you go past the living room, holding your keys. "I'm going to hang out with Samantha."

"That's fine, sweetie; please stay safe tonight, I love you," your mother adds, smiling.

When you get to the spot you see Rafe sitting in his car on his phone. You parked your car next to him so he knows it's you- when he sees you get out, he unlocks the car.

You sigh casually as you sit in the passenger seat.

Rafe says smiling "Hey pretty girl" in a tone that makes you weak in the knees, leaning over the center console to kiss you but you pull back.

"We need to have a little chat, Rafe," maintaining eye contact.

His smile fades, and he looks at you, puzzled, "What do you mean?" His response indicated that he was nervous or knew what was going to happen.

"Why didn't you tell me you and Sofia were together, Rafe? You never once said to my face, "Y/N, we can no longer meet up like this anymore because I have a girlfriend now," mimicking Rafe's voice, "we've been hooking up this entire time while you've been in this relationship that I had no idea about until I heard someone talking about it," you explain frustratedly in your voice and expressions.

In the midst of your rant towards him, he places his hand over his lips, chuckles, shakes his head, and looks down at his lap.

"Why the fuck are you laughing?" You ask, folding your arms, leaning back against the passenger door, annoyed.

He glances up from his lap, licks his bottom lip, and smirks: "Who said it was over?"

Before you could respond his lips were already on yours.

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[tinandabin]

SAGAU but the the reader is the ACTUAL creator

Thorny love: part 5

Previous part: part 4

a/n: am I back from the dead? I dunno, but yesterday night I felt like writing and wrote another part. so, I decided to publish it here also!

________

"Yo-Your Grace... You are finally here.." Ei spoke, her eyes wide and her legs shaking a bit. It almost looked like she was gonna cry. However, her face hardened up as soon as more people started gathering around you and her. Perhaps, you were the only one to catch a glimpse of her expression. She is an Archon, she too has a reputation to uphold in Inazuma, after all. "Hello, Ei. How have you been?" You smiled at her, hand going up to ruffle her hair. Revelyn still hadn't let go of your robe, her hold on it tightened a bit.

Ei's breath hitched as soon as your hand messed with her hair. "I'm..." She tried to find the right words to express her feelings, but she couldn't. How can she explain that she felt as if a part of her had been torn from her when you left her? It felt as if...she had been plunged into never-ending despair and loneliness. She missed you, very dearly. The place where her heart should have been, felt strangely empty without your embrace, your smile, your eyes, you.

Your hand retreated soon enough, "You don't have to answer, Ei." You gently told her, sensing her inner turmoil. It hurt you to leave your creations suffering and in agony, it truly did so. But some actions are sadly enough, necessary.

Ei smiled and nodded, hand coming to hold yours when she saw another hand grasping your robe. Immediately, she looked at the culprit only to see the face of the impostor. How dare she even show her face here after all she did? The thought made her scoff. She not only deceived the Archons but even you. The nerve of some people.. And now she acts all angelic and needy when you show up? But of course, Ei won't say anything. Not in front of you. 

"And who might be the coward behind you, Your Grace?" Ei gestured towards Revelyn behind you. You smiled beamingly, gently prying Revelyn from behind you. "Oh, come now, Ei, you don't remember her?" You asked her innocently, quickly realizing the jab she was throwing towards Revelyn, but brushing it off. You don't wish for an argument to start over here, of all places. 

Ei stared at Revelyn for a moment, taking your hint to not taunt her. "I do, Your Grace. How could I not?" 

"I'm glad to know so, " You put your hands on Revelyn's shoulder, your touch sending an electrifying shock of pleasure through her body. "Everyone misunderstood Revelyn. She's a very sweet and angelic girl. I'm sure she will fit right back in, hm?" 

Revelyn stood awkwardly, clearly wanting to be anywhere but here. She decided to keep up her act of cowardice until you left. "Um.. Hi," Her meek voice spoke up, a slight tremble to it. She batted her eyelashes at Ei, smiling softly. "I'm Revelyn.. Revelyn Aniela. " 

The surname struck some nostalgic feeling inside you. You had a brief feeling that perhaps you had heard this somewhere before, that perhaps someone dear to you held the same surname. Someone close to your heart, your mind, your soul- but who? Who was that? You can't recall. Aniela. Aniela. Aniela. So familiar, yet so distinct. Maybe it was simply the name of a friend long gone, you would love to give yourself this benefit of doubt, but you're not the kind of person to do that. You're the Creator for fuck's sake, if you're remembering something, then that must be because it's important! It was of significance, you wouldn't just remember a random surname, right? Right...?

You shook your head, deciding you're indeed giving yourself the benefit of the doubt because you're too old to deal with this detective stuff. Frankly enough, if you think about it more, you'll probably just get a headache. Best to leave it be, now. You'll just ask Seraphina to play detective, like always. You cleared your throat. "So, what are we waiting for? Shall we go?" 

Ei nodded right away, grabbing your hand and Intertwining your fingers. "As you wish, Your Grace. " 

Revelyn was left behind to catch up. 

__________

A few days passed in Inazuma without much commotion. You spent most of the time with Ei, Revelyn of course stuck around so long as you were there. Personally, you were tired of both of them. They need to stop clinging to you like you're their mother. Ei, you understood why she clinged to you, considering she didn't see you for months on end, but Revelyn, who lived with you for like... the past month, it wasn't very understandable. Lile be for real, Revelyn. You not tired yet? Like. Girl. Stop embarrassing yourself and get some self respect and go where you're actually wanted. 

So, for both your sanity and their's (Lie), you decided to leave both of them together to socialize and become the best of best friends. (Lie. You just wanted time to yourself and wanted to meet Yae Miko.) Of course, you were, for the first time, surprised to see both Ei and Revelyn unite together. Merely for the purpose of notetting you leave but hey, progress! They atleast united for a common goal, no matter how troublesome that may be for you. 

Their combined forces weren't enough to deter you, in the end, you won and they were forced to talk to each other or sulk together, or maybe, a rare possibility, but have a heated make-out session. Who knows. Whatever works, works. They're on their own now and you're on your own, to meet Yae Miko and have a heated make-out session with her perhaps. It won't happen, maybe, but the thought is entertaining though. You're like, 93% certain Miko would agree if you asked. It's not like she hasn't suggested that before. Ah, enough thoughts. You're here. 

"Good grace, it's such a heavy task to climb these hills to just be graced by your presence, Miko, " You let out a whine, leaning against one of thr shrine. "You should know my old bones can't hold for long-" A book was placed against your lips and a fluffy, really fluffy and soft, tail caressed your thigh sneakily. "My my, Your Divinity, you ought to know, I don't fancy you saying those words. You look very beautiful, and ravishing, might I add. " Yae Miko said, leaning in close to you with a smirk on her face. 

You placed a hand on her wrist, gently removing the book. "I'm happy you think so, but might I say, you look even more delightful, " You replied back with a grin. This flirty playful banter was always your favorite thing to do in Inazuma, apart from watching Revelyn and Ei be at their throats, of course. "Oh please, Your Divinity, you flatter me. But we both know, you're the most beautiful-" You placed a finger on her lips. "Ahhh, shhh. Nothing more to speak of this topic. You can't argue with me on this, you're, of course, the most stunning woman in Inazuma, " 

Miko let out an offended gasp, "Inazuma only? Is that my beauty's worth to you, Your Divinity? I'm offended, " She pouted, clearly putting up an act just for you. 

"No no, my dear. I meant in whole Teyvat. It would be a crime for me to think your beauty isn't other worldly, " 

And this playful banter continued on. 

_________

On the other side, Revelyn and Ei were indeed having a heated make-out session. Not the kind you're thinking of. 

"Oh, so as soon as my graceful creator leaves, you suddenly drop the act of cowardice?" Ei stared at Revelyn, a cold and unrelenting aura around her. 

"Your creator...? Psssh," Revelyn let out a mocking laugh, "Please. Your words are blatantly false!" She glared at Ei, her fists clenching at her sides. 

"Shut up, you witch, you casted a spell of sorts on my graceful creator, didn't you? That's why she is completely and utterly fooled by you!" 

"Oh? I'll cast a spell on you too and turn you into a monkey if you don't shut up!"

You walked in with a smile. "Guys. I just had a make-out session with Miko-"

________

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a/n: hi! if yr name is cut, then that means I couldn't tag you. if in the next part I won't be able to tag you, then your name will be removed from the taglist. please ask me to tag you again in the LATEST part to be readded to the taglist! thank you (❁´��`❁)

Masterlist

[mostlysignssomeportents]

Petard, Part III

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/01/miskatonic-networks/#landlord-telco-industrial-complex

Last week, Trump's FCC chair Brendan Carr reversed a rule that banned your landlord from taking kickbacks in exchange for forcing you to use whatever ISP was willing to pay the biggest bribe for the right to screw you over:

https://arstechnica.com/tech-policy/2025/01/fcc-chair-nixes-plan-to-boost-broadband-competition-in-apartment-buildings/

Corporate fascists and their captured regulators are, of course, that most despicable of creatures: they are plagiarists. Like so many of our tech overlords, they have mistaken dystopian sf as a suggestion, rather than as a warning. I take this personally, because I actually wrote this as an sf story in 2013, and it was published in 2014 in MIT Tech Review's Twelve Tomorrows, edited by Bruce Sterling and published in 2014:

https://mitpress.mit.edu/9780262535595/twelve-tomorrows-2014/

I adapted it for my podcast, in four installments:

https://archive.org/details/Cory_Doctorow_Podcast_278

https://archive.org/details/Cory_Doctorow_Podcast_292

https://archive.org/details/Cory_Doctorow_Podcast_293

https://archive.org/details/Cory_Doctorow_Podcast_294_-_Petard_04

And, given the new currency of this old story, I thought it was only fitting that I serialize it here, on my blog, also in four parts.

Here's part one:

https://pluralistic.net/2025/01/30/landlord-telco-industrial-complex/#part-one

Here's part two:

https://pluralistic.net/2025/01/31/the-blood-speech/#part-two

And now, onto part three:

One of the early Ftp code contributors was now CTO for an ISP, and they'd gotten their start as a dorm co-op at Brown that had metastasized across New England. Sanjay had been pretty important to the early days of Ftp, helping us get the virtualization right so that it could run on pretty much any cloud without a lot of jiggery and/or pokery. Within a day of emailing Sanjay, I was having coffee with the vice-president of business development for Miskatonic Networks, who was also Sanjay's boyfriend's girlfriend, because apparently ISPs in New England are hotbeds of Lovecraft-fandom polyamory. Her name was Kadijah and she had a southie accent so thick it was like an amateur theater production of Good Will Hunting.

"The Termite Mound?" She laughed. "Shit yeah, I know that place. It's still standing? I went to some super sketchy parties there when I was a kid, I mean sooooper sketchy, like sketch-a-roony. I can't believe no one's torched the place yet."

"Not yet," I said. "And seeing as all my stuff's there right now, I'm hoping that no one does for the time being."

"Yeah, I can see that." I could not get over her accent. It was the most Bostonian thing I'd encountered since I got off the train. "OK, so you want to know what we'd charge to provide service to someone at the Termite Mound?"

"Uh, no. I want to know what you'd charge per person if we could get you the whole Mound — every unit in the residence. All 250 of them."

"Oh." She paused a second. "This is an Ftp thing, right?"

"Yeah," I said. "That's how I know Sanjay. I, uh, I started Ftp." I don't like to brag, but sometimes it makes sense in the context of the conversation, right?

"That was you? Wicked! So you're seriously gonna get the whole dorm to sign up with us?"

"I will if you can get me a price that I can sell to them," I said.

"Oh," she said. Then "Oh! Right. Hmm. Leave it with me. You say you can get them all signed up?"

"I think so. If the price is right. And I think that if the Termite Mound goes with you that there'll be other dorms that'll follow. Maybe a lab or two," I said. I was talking out of my ass at this point, but seriously, net-censorship in the labs at MIT? It was disgusting. It could not stand.

"Damn," she said. "Sounds like you're majoring in Ftp. Don't you have classes or something?"

"No," I said. "This is basically exactly what I figured college would be like. A cross between summer camp and an Stanford obedience experiment. If all I wanted to do was cram a bunch of knowledge into my head, I could have stayed home and mooced it. I came here because I wanted to level up and fight something tough and even dangerous. I want to spend four years getting into the right kind of trouble. Going to classes too, but seriously, classes? Whatever. Everyone knows the good conversations happen in the hallway between the formal presentations. Classes are just an excuse to have hallways."

She looked skeptical and ate banana bread.

"It's your deal," she said.

I could hear the but hanging in the air between us. She went and got more coffees and brought them back along with toasted banana bread dripping with butter for me. She wouldn't let me pay, and told me it was on Miskatonic. We were a potential big account. She didn't want to say "But" because she might offend me. I wanted to hear the "but."

"But?"

"But what?"

"It's my deal but…?"

"But, well, you know, you don't look after your grades, MIT'll put you out on your ass. That's how it works in college. I've seen it."

I chewed my banana bread.

"Hey," she said. "Hey. Are you OK, Lukasz?"

"I'm fine," I said.

She smiled at me. She was pretty. "But?"

I told her about my talk with AA, and about Juanca, and about how I felt like nobody was giving me my propers, and she looked very sympathetic, in a way that made me feel much younger. Like toddler younger.

"MIT is all about pranks, right? I think if I could come up with something really epic, they'd –" And as I said it, I realized how dumb it was. They laughed at me in Vienna, I'll show them! "You know what? Forget about it. I got more important things to do than screw around with those knob-ends. Work to do, right? Get the network opened up around here, you and me, Kadijah!"

"Don't let it get to you, you'll give yourself an aneurism. I'll get back to you soon, OK?"

#

I fished a bead out of my pocket and wedged it into my ear.

"Who is this?"

"Lukasz?" The voice was choked with tears.

"Who is this?" I said again.

"It's Bryan." I couldn't place the voice or the name.

"Bryan who?"

"From the Termite Mound's customer service desk." Then I recognized the voice. It was the elf, and he was having hysterics. Part of me wanted to say, Oh, diddums! and hang up. Because elves, AMR? But I'm not good at tough love.

"What's wrong?"

"They've fired me," he said. "I got called into my boss's office an hour ago and he told me to start drawing up a list of people to kick out of the dorm — he wanted the names of people who supported you. I was supposed to go through the EULAs for the dorm and find some violations for all of them –"

"What if they didn't have any violations?"

He made a sound between a sob and a laugh. "Are you kidding? You're always in violation! Have you read the EULA for the Mound? It's like sixty pages long."

"OK, gotcha. So you refused and you got fired?"

There was a pause. It drew out. "No," he said, his voice barely a whisper. "I gave them a bunch of names, and then they fired me."

Again, I was torn between the impulse to hang up on him and to hear more. Nosiness won (nosiness always wins; bets on nosiness are a sure thing). "Nicely done. Sounds like just deserts to me. What do you expect me to do about it?" But I knew. There were only two reasons to call me after something like this: to confess his sins or to get revenge. And no one would ever mistake me for a priest.

"I've got the names they pulled. Not just this time. Every time there's been any kind of trouble in the Termite Mound, MIT Residence has turfed out the troublemakers on some bogus EULA violation. They know that no one cares about student complaints, and there's always a waiting list for rooms at the Termite Mound, it's so central and all. I kept records."

"What kind of records?"

"Hardcopies of emails. They used disappearing ink for all the dirty stuff, but I just took pictures of my screen with my drop and saved it to personal storage. It's ugly. They went after pregnant girls, kids with disabilities. Any time there was a chance they'd have to do an air quality audit or fix a ramp, I'd have to find some reason to violate the tenant out of residence." He paused a moment. "They used some pretty bad language when they talked about these people, too."

The Termite Mound should've been called the Roach Motel: turn on the lights and you'd find a million scurrying bottom-feeders running for the baseboards.

I was going to turn on the lights.

"You've got all that, huh?

"Tons of it," he said. "Going back three years. I knew that if it ever got out that they'd try and blame it on me. I wanted records."

"OK," I said. "Meet me in Harvard Square, by the T entrance. How soon can you get there?"

"I'm at the Coop right now," he said. "Using a study-booth."

"Perfect," I said. "Five minutes then?"

"I'm on my way."

The Coop's study booths had big signs warning you that everything you did there was recorded — sound, video, infrared, data — and filtered for illicit behavior. The signs explained that there was no human being looking at the records unless you did something to trip the algorithm, like that made it better. If a tree falls in the forest, it sure as shit makes a sound; and if your conversation is bugged, it's bugged — whether or not a human being listens in right then or at some time in the infinite future of that data.

I beat him to the T entrance, and looked around for a place to talk. It wasn't good. From where I stood, I could see dozens of cameras, the little button-sized dots discretely placed all around the square, each with a little scannable code you could use to find out who got the footage and what it's policy was. No one ever, ever, ever bothered to do this. Ever. EULAs were not written for human consumption: a EULA's message could always be boiled down to seven words: "ABANDON HOPE, ALL YE WHO ENTER HERE." Or, more succinctly: "YOU LOSE."

I felt bad about Bryan's job. It was his own deal, of course. He'd stayed even after he knew how evil they were. And I hadn't held a gun to his head and made him put himself in the firing line. But of course, I had convinced him to. I had led him to. I felt bad.

Bryan turned up just as I was scouting a spot at an outdoor table by an ice-cream parlor. They had a bunch of big blowing heaters that'd do pretty good white-noise masking, a good light/dark contrast between the high-noon sun and the shade of the awning that would screw up cameras' white-balance, and the heaters would wreak havoc on the infra-red range of the CCTVs, or so I hoped. I grabbed Bryan, clamping down on his skinny arm through the rough weave of his forest-green cloak and dragged him into my chosen spot.

"You got it?" I said, once we were both seated and nursing hot chocolates. I got caffeinated marshmallows; he got Thai ghost pepper-flavored — though that was mostly marketing, no way those marshmallows were over a couple thousand Scovilles.

"I encrypted it with your public key," he said, handing me a folded up paper. I unfolded it and saw that it had been printed with a stegoed QR code, hidden in a Victorian woodcut. That kind of spycraft was pretty weaksauce — the two-dee-barcode-in-a-public-domain-image thing was a staple of shitty student clickbait thrillers — but if he'd really managed to get my public key and verify it and then encrypt the blob with it, I was impressed. That was about ten million times more secure than the average fumbledick ever managed. The fact that he'd handed me a hardcopy of the URL instead of emailing it to me, well, that was pretty sweet frosting. Bryan had potential.

I folded the paper away. "What should I be looking for?"

"It's all organized and tagged. You'll see." He looked nervous. "What are you going to do with it?"

"Well, for starters, I'm going to call them up and tell them I have it."

"What?" He looked like he was going to cry.

"Come on," I said. "I'm not going to tell them where I got it. The way you tell it, I'm about to get evicted, right?"

"Technically, you are evicted. There's a process-server waiting at every entrance to the Termite Mound doing face-recognition on the whole list. Soon as you go home, bam. 48 hours to clear out."

"Right," I said. "I don't want to have to go look for a place to live while I'm also destroying these shitbirds and fixing everyone's Internet connection. Get serious. So I'm going to go and talk to Messrs Amoral, Nonmoral and Immoral and explain that I have a giant dump of compromising messages from them that I'm going public with, and it'll look really, really bad for them if they turf me out now."

It's time for a true confession. I am not nearly as brave as I front. All this spycraft stuff, all the bluster about beating these guys on their home turf, yeah, in part I'm into it — I like it better than riding through life like a foil chip-bag being swept down a polluted stream on a current of raw sewage during a climate-change-driven superstorm.

But the reality is that I can't really help myself. There's some kind of rot-fungus that infects the world. Things that are good when they're small and personal grow, and as they grow, their attack-surface grows with them, and they get more and more colonized by the fungus, making up stupid policies, doing awful stuff to the people who rely on them and the people who work for them, one particle of fungus at a time, each one just a tiny and totally defensible atomic-sized spoor of rot that piles up and gloms onto all the other bits of rot until you're a walking, suppurating lesion.

No one ever set out to create the kind of organization that needs to post a "MIT RESIDENCY LLC OPERATES A ZERO-TOLERANCE POLICY TOWARD EMPLOYEE ABUSE. YOU CAN BE FINED UP TO $2000 AND/OR IMPRISONED FOR SIX MONTHS FOR ASSAULTING A CAMPUS RESIDENCE WORKER" sign. You start out trying to do something good, then your realize you can get a little richer by making it a little worse. Your thermostat for shittiness gets reset to the new level, so it doesn't seem like much of a change to turn it a notch further towards the rock-bottom, irredeemably shitty end of the scale.

The truth is that you can get really rich and huge by playing host organism to the rot-fungus. The rot-fungus diffuses its harms and concentrates its rewards. That means that healthy organisms that haven't succumbed to the rot-fungus are liable to being devoured by giant, well-funded vectors for it — think of the great local business that gets devoured by an awful hedge-fund in a leveraged takeover, looted and left as a revolting husk to shamble on until it collapses under its own weight.

I am terrified of the rot-fungus, because it seems like I'm the only person who notices it most of the time. Think of all those places where the town council falls all over itself to lure some giant corporation to open a local factory. Don't they notice that everyone who works at places like that hates every single moment of every single day? Haven't they ever tried to converse with the customer-service bots run by one of those lumbering dinos?

I mean, sure, the bigs have giant budgets and they'll take politicians out for nice lunches and throw a lot of money at their campaigns, but don't these guardians of the public trust ever try to get their cars fixed under warranty? Don't they ever buy a train ticket? Don't they ever eat at a fast food joint? Can't they smell the rot-fungus? Am I the only one? I've figured out how to fight it in my own way. Everyone else who's fighting seems to be fighting against something else — injustice or inequality or whatever, without understanding that the fungus's rot is what causes all of those things.

I'm convinced that no normal human being ever woke up one morning and said, "Dammit, my life doesn't have enough petty bureaucratic rules, zero-tolerance policies, censorship and fear in it. How do I fix that?" Instead, they let this stuff pile up, one compromise at a time, building up huge sores suppurating with spore-loaded fluids that eventually burst free and beslime everything around them. It gets normal to them, one dribble at a time.

"Lukasz, you're don't know what you're doing. These guys, they're –"

"What?" I said. "Are they the mafia or something? Are they going to have me dropped off a bridge with cement overshoes?"

He shook his head, making the twigs and beads woven into the downy fluff of his hair clatter together. "No, but they're ruthless. I mean, totally ruthless. They're not normal."

The way he said it twinged something in my hindbrain, some little squiggle of fear, but I pushed it away. "Yeah, that's OK. I'm used to abnormal." I am the most abnormal person I know.

"Be careful, seriously," he said.

"Thanks, Bryan," I said. "Don't worry about me. You want me to try and get your room back, too?"

He chewed his lip. "Don't," he said. "They'll know it was me if you do that."

I resisted the urge to shout at him to grow a spine. These assholes had cost him his home and his job (OK, I'd helped) and he was going to couch-surf it until he could find the rarest of treasures: an affordable place to live in Cambridge, Mass? Even if he was being tortured by his conscience for all his deplorable selloutism, he was still being a total wuss. But that was his deal. I mean, he was an elf, for chrissakes. Who knew what he was thinking?

"Suit yourself," I said, and went and made some preparations.

#

Messers Amoral, Nonmoral and Immoral had an office over the river in Boston, in a shabby office-block that only had ten floors, but whose company directory listed over 800 businesses. I knew the kind of place, because they showed up whenever some hairy scam unravelled and they showed you the office-of-convenience used by the con-artists who'd destroyed something that lots of people cared about and loved in order to make a small number of bad people a little richer. A kind of breeding pit for rot-fungus, in other words.

At first I thought I was going to have to go and sleuth their real locations, but I saw that Amoral, Nonmoral and Immoral had the entire third floor registered to them, while everyone else had crazy-ass, heavily qualified suite numbers like 401c(1)K, indicating some kind of internal routing code for the use of the army of rot-fungus-infected spores who ensured that correspondence was handled in a way that preserved the illusion that each of the multifarious, blandly named shell companies (I swear to Cthulhu that there was one called "International Holdings (Holdings), Ltd") was a real going concern and not a transparent ruse intended to allow the rot-fungus to spread with maximal diffusion of culpability for the carriers who did its bidding.

I punched # # #300# # # on the ancient touchscreen intercom, its surface begrimed with a glossy coat of hardened DNA, Burger King residue and sifted-down dust of the ages. It blatted like an angry sheep, once, twice, three times, then disconnected. I punched again. Again. On the fourth try, an exasperated, wheezing voice emerged: "What?"

"I'm here to speak to someone from MIT Residences LLC."

"Send an email."

"I'm a tenant. My name is Lukasz Romero." I let that sink in. "I've got some documents I'd like to discuss with a responsible individual at MIT Residences LLC." I put a bit of heavy English on documents. "Please." I put even more English on "Please." I've seen the same tough-guy videos that you have, and I can do al-pacinoid overwound Dangerous Dude as well as anyone. "Please," I said again, meaning "Right. Now."

There was an elongated and ominous pause, punctuated by muffled rustling and grumbling, and what may have been typing on an old-fashioned, mechanical keyboard. "Come up," a different voice said. The elevator to my left ground as the car began to lower itself.

#

I'd expected something sinister — a peeling dungeon of a room where old men with armpit-stains gnawed haunches of meat and barked obscenities at each other. Instead, I found myself in an airy, high-ceilinged place that was straight out of the publicity shots for MIT's best labs, the ones that had been set-dressed by experts who'd ensured that no actual students had come in to mess things up before the photographer could get a beautifully lit shot of the platonic perfection.

The room took up the whole floor, dotted with conversation pits with worn, comfortable sofas whose end-tables sported inconspicuous charge-plates for power-hungry gadgets. The rest of the space was made up of new-looking worksurfaces and sanded-down antique wooden desks that emitted the honeyed glow of a thousand coats of wax buffed by decades of continuous use. The light came from tall windows and full-spectrum spotlights that were reflected and diffused off the ceiling, which was bare concrete and mazed with cable-trays and conduit. I smelled good coffee and toasting bread and saw a perfectly kept little kitchenette to my left.

There were perhaps a dozen people working in the room, standing at the worksurfaces, mousing away at the antique desks, or chatting intensely in the conversation pits. It was a kind of perfect tableau of industrious tech-company life, something out of a recruiting video. The people were young and either beautiful, handsome or both. I had the intense, unexpected desire to work here, or a place like this. It had good vibes.

One of the young, handsome people stood up from his conversation nook and smoothed out the herringbone wool hoodie he was wearing, an artfully cut thing that managed to make him look like both a young professor and an undergraduate at the same time. It helped that he was so fresh-faced, with apple cheeks and a shock of curly brown hair.

"Lukasz, right?" He held out a hand. He was wearing a dumbwatch, a wind-up thing in a steel casing that was fogged with a century of scratches. I coveted it instantly, though I knew nothing about its particulars, I was nevertheless certain that it was expensive, beautifully engineered, and extremely rare.

The door closed behind me and the magnet audibly reengaged. The rest of the people in the room studiously ignored us.

"I'm Sergey. Can I get you a cup of coffee? Tea? Some water?"

The coffee smelled good. "No thank you," I said. "I don't think I'll be here for long."

"Of course. Come and sit."

The other participants in his meeting had already vacated the sofas and left us with a conversation pit all to ourselves. I sank into the sofa and smelled the spicy cologne of a thousand eager, well-washed people who'd sat on it before me, impregnating the upholstery with the spoor of their good perfumes.

He picked up a small red enamel teapot and poured a delicious-smelling stream of yellow-green steaming liquid into a chunky diner-style coffee-cup. He sipped it. My stomach growled. "You told the receptionist you wanted to talk about some documents?"

"Yeah," I said, pulling myself together. "I've got documentary evidence of this company illegally evicting tenants — students — who got pregnant, complained about substandard living conditions and maintenance issues, and, in my case, complained about the network filters at the Termite Mound."

He cocked his head for a moment like he was listening for something in the hum and murmur of the office around him. I found myself listening, too, but try as I might, I couldn't pick out a single individual voice from the buzz, not even a lone intelligble word. It was as though they were all going "murmurmurmurmur," though I could see their lips moving and shaping what must have been words.

"Ah," he said at last. "Well, that's very unfortunate. Can you give me a set and I'll escalate them up our chain to ensure that they're properly dealt with?"

"I can give you a set," I said. "But I'll also be giving a set to the MIT ombudsman and the The Tech and the local Wikileaks Party rep. Sergey, forgive me, but you don't seem to be taking this very seriously. The material in my possession is the sort of thing that could get you and your colleagues here sued into a smoking crater."

"Oh, I appreciate that there's a lot of potential liability in the situation you describe, but it wouldn't be rational for me to freak out now, would it? I haven't seen your documents, and if I had, I can neither authenticate them nor evaluate the risk they represent. So I'll take a set from you and ensure that the people within our organization who have the expertise to manage this sort of thing get to them quickly."

It's funny. I'd anticipated that he'd answer like a chatbot, vomiting up Markov-chained nothings from the lexicon of the rot-fungus: "we take this very seriously," "we cannot comment on ongoing investigations," "we are actioning this with a thorough inquiry and post-mortem" and other similar crapola. Instead, he was talking like a hacker on a mailing list defending the severity he'd assigned to a bug he owned.

"Sergey, that's not much of an answer."

He sipped that delicious tea some more. "Is there something in particular you wanted to hear from me? I mean, this isn't the sort of thing that you find out about then everything stops until you've figured out what to do next."

I was off-balance. "I wanted –" I waved my hands. "I wanted an explanation. How the hell did this systematic abuse come about?"

He shrugged. He really didn't seem very worried "Hard to say, really. Maybe it was something out of the labs."

"What do you mean, 'the labs'?"

He gestured vaguely at one cluster of particularly engrossed young men and women who were bent over screens and worksurfaces, arranged in pairs or threesomes, collaborating with fierce intensity, reaching over to touch each others' screens and keyboards in a way I found instantly and deeply unsettling. "We've got a little R&D lab that works on some of our holdings. We're really dedicated to disrupting the rental market. There's so much money in it, you know, but mostly it's run by these entitled jerks who think that they're geniuses for having the brilliant idea of buying a building and then sitting around and charging rent on it. A real old boys' club." For the first time since we started talking, he really seemed to be alive and present and paying attention.

"Oh, they did some bits and pieces that gave them the superficial appearance of having a brain, but there's a lot of difference between A/B splitting your acquisition strategy and really deep-diving into the stuff that matters."

At this stage, I experienced a weird dissonance. I mean, I was there because these people were doing something genuinely villainous, real rot-fungus stuff. On the other hand, well, this sounded cool. I can't lie. I found it interesting. I mean, catnip-interesting.

"I mean, chewy questions. Like, if the median fine for a second citation for substandard plumbing is $400, and month-on-month cost for plumbing maintenance in a given building is $2,000 a month, and the long-term costs of failure to maintain are $20,000 for full re-plumbing on a 8-10 year basis with a 75 percent probability of having to do the big job in year nine, what are the tenancy parameters that maximize your return over that period?"

"Tenancy parameters?"

He looked at me. I was being stupid. I don't like that look. I suck at it. It's an ego thing. I just find it super-hard to deal with other people thinking that I'm dumb. I would probably get more done in this world if I didn't mind it so much. But I do. It's an imperfect world, and I am imperfect.

"Tenancy parameters. What are the parameters of a given tenant that predict whether he or she will call the city inspectors given some variable setpoint of substandard plumbing, set on a scale that has been validated through a rigorous regression through the data that establishes quantifiable inflection points relating to differential and discrete maintenance issues, including leaks, plugs, pressure, hot water temperature and volume, and so on. It's basically just a solve-for-x question, but it's one with a lot of details in the model that are arrived at through processes with a lot of room for error, so the model needs a lot of refinement and continuous iteration.

"And of course, it's all highly sensitive to external conditions — there's a whole game-theoretical set of questions about what other large-scale renters do in response to our own actions, and there's a information-theory dimension to this that's, well, it's amazing. Like, which elements of our strategy are telegraphed when we take certain actions as opposed to others, and how can those be steganographed through other apparent strategies.

"Now, most of these questions we can answer through pretty straightforward business processes, stuff that Amazon figured out twenty years ago. But there's a real risk of getting stuck in local maxima, just you know, overoptimizing inside of one particular paradigm with some easy returns. That's just reinventing the problem, though, making us into tomorrow's dinosaurs.

"If we're going to operate a culture of continuous improvement, we need to be internally disrupted to at least the same extent that we're disrupting those fat, stupid incumbents. That's why we have the labs. They're our chaos monkeys. They do all kinds of stuff that keeps our own models sharp. For example, they might incorporate a separate business and use our proprietary IP to try to compete with us — without telling us about it. Or give a set of autonomous agents privileges to communicate eviction notices in a way that causes a certain number of lawsuits to be filed, just to validate our assumptions about the pain-point at which an action or inaction on our side will trigger a suit from a tenant, especially for certain profiles of tenants.

"So there's not really any way that I can explain specifically what happened to the people mentioned in your correspondence. It's possible no one will ever be able to say with total certainty. I don't really know why anyone would expect it to be otherwise. We're not a deterministic state-machine, after all. If all we did was respond in set routines to set inputs, it'd be trivial to innovate around us and put us out of business. Our objective is to be strategically nonlinear and anti-deterministic within a range of continuously validated actions that map and remap a chaotic terrain of profitable activities in relation to property and rental. We're not rentiers, you understand. We don't own assets for a living. We do things with them. We're doing commercial science that advances the state of the art. We're discovering deep truths lurking in potentia in the shape of markets and harnessing them — putting them to work."

His eyes glittered. "Lukasz, you come in here with your handful of memos and you ask me to explain how they came about, as though this whole enterprise was a state-machine that we control. We do not control the enterprise. An enterprise is an artificial life-form built up from people and systems in order to minimize transaction costs so that it can be nimble and responsive, so that it can move into niches, dominate them, fully explore them. The human species has spent millennia recombining its institutions to uncover the deep, profound mathematics of power and efficiency.

"It's a terrain with a lot of cul-de-sacs and blind alleys. There are local maxima: maybe a three-move lookahead shows a good outcome from evicting someone who's pregnant and behind on the rent, but the six-move picture is different, because someone like you comes along and makes us look like total assholes. That's fine. All that means is that we have to prune that branch of the tree, try a new direction. Hell, ideally, you'd be in there so early, and give us such a thoroughgoing kicking, that we'd be able to discover and abort the misfire before the payload had fully deployed. You'd be saving us opportunity cost. You'd be part of our chaos-monkey.

"Lukasz, you come in here with your whistleblower memos. But I'm not participating in a short-term exercise. Our mission here is to quantize, systematize, harness and perfect interactions.

"You come in here and you want me to explain, right now, what we're going to do about your piece of information. Here's your answer, Lukasz: we will integrate it. We will create models that incorporate disprovable hypotheses about it, we will test those models, and we will refine them. We will make your documents part of our inventory of clues about the underlying nature of deep reality. Does that answer satisfy you, Lukasz?"

I stood up. Through the whole monologue, Sergey's eyes had not moved from mine, nor had his body-language shifted, nor had he demonstrated one glimmer of excitement or passion. Instead, he'd been matter-of-fact, like he'd been explaining the best way to make an omelet or the optimal public transit route to a distant suburb. I was used to people geeking out about the stuff they did. I'd never experienced this before, though: it was the opposite of geeking out, or maybe a geeking out that went so deep that it went through passion and came out the other side.

It scared me. I'd encountered many different versions of hidebound authoritarianism, fought the rot-fungus in many guises, but this was not like anything I'd ever seen. It had a purity that was almost… seductive.

But beautiful was not the opposite of terrible. The two could easily co-exist.

"I hear that I'm going to get evicted when I get back to the Termite Mound — you've got a process-server waiting for me. That's what I hear."

Sergey shrugged. "And?"

"And? And what use is your deep truth to me if I'm out on the street?"

"What's your point?"

He was as mild and calm as a recorded airport safety announcement. There was something inhuman — transhuman? — in that dispassionate mein.

"Don't kick me out of my place."

"Ah. Excuse me a second."

He finished his tea, set the cup down and headed over to the lab. He chatted with them, touched their screens. The murmur drowned out any words. I didn't try to disguise the fact that I was watching them. There was a long period during which they said nothing, did not touch anything, just stared at the screens with their heads so close together they were almost touching. It was a kind of pantomime of psychic communications.

He came back. "Done," he said. "Is there anything else? We're pretty busy around here."

"Thank you," I said. "No, that's about it."

"All right then," he said. "Are you going to leave me your documents?"

"Yes," I said, and passed him a stack of hardcopies. He looked at the paper for a moment, folded the stack carefully at the middle and put it in one of the wide side-pockets of his beautifully tailored cardigan.

I found my way back down to the ground floor and was amazed to see that the sun was still up. It had felt like hours had passed while Sergey had talked to me, and I could have sworn that the light had faded in those tall windows. But, checking my drop, I saw that it was only three o'clock. I had to be getting home.

There was a process-server waiting ostentatiously in the walkway when I got home, but he looked at me and then down at his screen and then let me pass.

It was only once I was in my room that I realized I hadn't done anything about Bryan's eviction.

[lurkingshan]

Bestie @my-rose-tinted-glasses sent me an ask but tumblr is being a weirdo and won't let me publish it, so let's try it this way. The ask:

Wonderful day in Thailand. but now for the important questions. Of all the ql thai couples, which wedding would you like to be invited to and why? Rose💜

So let's talk QL weddings!! First of all, I would like to give a shoutout to a few excellent weddings already depicted in Thai QL:

And I would have liked to have been personally invited to every one of them, thank you very much. I'm a very fun wedding guest! I drink like a fish, I'm a happy drunk, and I love to dance, and on top of that I'm a mom friend and consummate problem solver who will absolutely take over and handle shit if the wedding planner is incompetent.

As for the weddings I would still like to see, oh I definitely have a list:

Oyei and Cher, Wandee Goodday: This is within the realm of possibility in the very near future and I will be lighting all my candles and manifesting hard for the next month.

Ten and Prem, Cooking Crush: Those were definitely engagement portraits on the wall in that epilogue and I would like to see it! I feel strongly that if I don't see at least one pair of OffGun characters get married onscreen I will simply perish.

Patts and Tai, La Pluie: You just know Patts is gonna be so extravagant and Tai is gonna be such a drama queen about it. To restore balance to the universe, Tien should get to throw a tantrum and make Tai's wedding all about his latest fight with Lomfon.

Tian and Jiu, Khun Chai: I just think Tian deserves it!!!!

Every couple in The Warp Effect: We can make it a dorky group wedding if we have to, whatever it takes to see all those beautiful queer people lawfully wed to their chosen partner.

Phumjai and Yang, Love in Translation: They are business partners in love, they should get to have a wedding with a silly photoshoot in the aisles of their store.

Any pair, Knock Knock Boys: Stay with me now, I think the bl boys should get to partake in the time honored het tradition of getting drunkenly married on a bender and regretting it.

Khanin and Charan, The Next Prince: If this show does not deliver an extravagant royal wedding, what are we even doing here??

I recognize that some of these shows are long over, but I see no reason why we can't have the things that we want. Happy endings and wedding specials for everyone, I will pay!

[nova-is-a-writer-now]

Hidden Embers

Series summary: You return to your home state the summer after graduating college. The relentless Texas heat, the suburban southern bubble and your treacherous relationship with your mom give you the feeling this will be a long summer. That's until Joel Miller enters the picture.

Summary: Your welcome-back party brings a re-encounter with one of your dad’s old friends, one you don’t remember looking so good.

A/N: Hello strangers, haven't seen you in a long long time. This is something that's been on the works for months now. Ideally, I wanted to put this series out when I had a good enough chunk of the story finished since I'm the most undecisive person ever. However, I wanna start posting some chapters on here as I go and then post the full completed thing on AO3. I will warn you though, it is very likely that as I write the story, I will keep on making some changes to previously posted chapters just so in the end it all makes sense and it's cohesive, I will let you guys know whenever there has been a major change. Take this as me asking the tumblr girlies to beta read this series before i publish it over on AO3. In any case, I hope the ones who decide to start reading here instead of waiting for the full thing enjoy it very much, I'm very open to suggestions, opinions and constructive critisism. :)

Warnings: Age-gap (Reader is 22, Joel is 46), Dbf!Joel, mommy issues

It was your first summer back home after graduation. The relentless Texas heat was bringing memories from your childhood that had been buried away until now, some of them felt more like dreams at this point. You had never been too good with the heat, but spending four years in chilly, gloomy New England had certainly birthed a new appreciation for it.

You weren’t sure you wanted to come back and stay for the entire summer, but your southern-to-the-core mother has a knack for getting her way. Something about “You were away for four whole years, I’m sure you can spare us a couple months before you jump right into a job in god knows where. Who knows? Maybe you’ll end up moving back and finding something around here, a nice guy to settle down with and finally get your life going.” 

God forbid. 

Naturally, in true southern fashion, your parents had to make your graduation celebration a neighborhood affair. A big barbeque, with all the nice people your parents grew up with, went to highschool and college with, who married and had kids with each other. People who haven’t, a day in their lives, given a single thought to what might exist outside of their perfect suburban bubbles. 

You weren’t trying to act ungrateful – it was a celebration of one of your most important milestones after all. People were coming together to congratulate you and your achievements. But if it were up to you, none of them would have been invited and you wouldn’t have celebrated it like this. Honestly, you missed the trips you used to take with your dad as a kid, all the way out in the countryside. Just the two of you for a week during the summer, staying in an old cabin that creaked and shook whenever your steps were too heavy. You don't remember why you stopped going, but you wished you still did. It would have been a much nicer celebration.

None of today’s guests knew you as anything other than your parent’s daughter, the shiny new thing your mother was choosing to show off. You knew that’s how it was gonna be the second your mother told you there was no point in attending your college’s graduation party, why would you when they could make you your own celebration back home with all the nice neighborhood people instead of a room full of strangers?

Your dad had good intentions, you knew that… deep, deep down. But it had always just been the three of you, and even when it was blatantly obvious your mother was in the wrong, even when there was no way of justifying her behavior, he still stood behind her, echoing her words. 

And that's how you ended up here, prepping food for your own graduation barbeque, decorating your own garden, cleaning up your own house so it would be squeaky clean for people you hadn’t seen in well over a decade. It’s what a “Do it for me, i’ll make it up to you I promise. The community is just really important to your mom” from your dad gets out of you. 

You had probably been looking at yourself for a good twenty minutes now. Nothing you tried on felt quite right. It was either too formal, too casual, too revealing or too childish. This was a direct consequence of moving out of the south at the ripe age of 10; No one in Virginia taught you how to dress for a neighborhood barbeque. 

Last minute you land on a blue sundress, delicate white flowers scattered around, long enough to cover your knees but not enough to make you look like you just walked out of Sunday school. You took that as a win. 

At the sound of your mother loudly complaining about no one in the house ever helping (a comment undoubtedly directed at you), you decide to drag yourself downstairs. The sooner you get this party started, the sooner you could be done with it.

Rushing down the stairs, distractedly gathering your hair up with a tie, you unexpectedly bump into something – or rather someone.  

"Easy, there. Where's the fire?"

That familiar voice… same old Joel Miller. A few more grays overpowering the darkness of his hair, a couple more wrinkles here and there and a deeper tan painting his skin a more caramel-y shade. But it was still him. 

You knew very little about Joel, just that he was your dad’s best friend for as long as you could remember. The periodic phone calls they filled with hour-long football discussions, the christmas cards exchanged and birthday wishes texted. You remember him being around the house a lot before moving out of Texas, although the specifics of it escape your memory.

Now he’s standing right in front of you, firm hands holding you by your arms to make sure you won't lose your balance, and you’re faced with the fact that twenty-two-year-old you might be seeing Joel Miller through a different lens. 

Your brain isn’t really doing what it’s meant to do, which in this exact moment would be produce an acceptable response for the six-foot-something man with broad shoulders, dark brooding eyes and a musky, woody scent that made you wanna… No. Focus.

“I am so sorry, I didn’t even see you there… I didn’t think anyone would arrive until five.” you finally reply to his expectant stare. 

“No need to be sorry.” He says back, letting go of your arms once he’s sure you’re able to stand on your own. “Well, welcome home. Haven’t seen you since you were running around in mermaid tees” 

Yeah, now seemed like the right time to look for a hole in the ground to crawl into. 

“Oh, that’s not fair, I grew out of my mermaid phase long before we moved.  I was well into boyband territory last time you saw me” you try to joke your way through the conversation, hoping the burning sensation crawling up to your cheeks isn’t as obvious as it feels. 

The embarrassment of the moment would have churned your insides for much longer if Joel's mouth hadn't quirked up in a charming smirk, so captivating it was hard to believe he wasn't aware of its effect. 

That on its own was already causing some conflicting feelings to boil up inside you, but then he had the nerve to let out a small chuckle he seemed to have been trying to hold back. He was chuckling... Texas’ resident grump was chuckling at your joke, which wasn't even that funny if we’re being fully earnest. Why did you like that thought so much?

You were about to say something, anything really, in a shameless attempt to see if you could earn one more of those, when your mother's approaching voice snapped you out of the haze.

“Are you gonna make me drag you in here, or will you do me the courtesy of helping out... Oh, goodness me! Joel! I didn’t hear you come in, you’re here early.” She switched gears faster than a professional racer. Suddenly, she was back to being the neighborhood’s sweetheart, her voice dripping with that sickly sweet drawl.

“Yes, ma’am. Sorry for the intrusion,” Joel replies, slipping back into his usual, almost stiff demeanor. Whatever new side you had seen of him a second ago was quickly gone. “Hank asked me to drop by a bit earlier to bring him the grill. Said mine’s better suited for the amount of meat he’s buying.”

“Oh, how that man refuses to listen. I told him we didn’t need that much meat. I'm making a whole lotta side dishes,” she whines, waving her hand dismissively. “Well, I guess everyone will be taking leftovers home then. Hank went over to the store to grab me some stuff I was missing. He should be back in a heartbeat.” She glances back at you and, in that passive-aggressive tone that almost anybody else would miss, said, “Well, sweetheart, don’t just stand there. Go help Joel unload his grill and show him what a good host you are.” 

It was only your third day back home. Somehow, four years of freedom had made living in this household even more unbearable. 

Smile, turn around, walk away. Choose your peace, choose your peace, choose your peace.

Heavy footsteps echo yours all the way to the garage, where Joel's truck waited. You let him walk past you to unlock the tailgate. “Your mom hasn’t changed one bit, has she?” Joel says distractedly while grabbing some metal pieces that looked like parts of his grill. 

“Oh, if you only knew.” you say back, trying your best to conceal the sharpness of your tone. 

He hands you the cold metal parts, surprisingly lighter than you anticipated. You were convinced he only made you carry them to let you feel useful. “Believe me, I know. Known your mom since way before you were even a thought runnin’ through her mind.” 

Right. Because Joel happens to be your parents’ age and over twice your senior. One of the many reasons why getting distracted by the way his muscles flexed while picking up the grill was so beyond wrong. 

“You uh… you still live a few houses up the street?” You asked, trying your best to redirect your reckless thoughts. 

“Same old house.” He replies with a slightly strained voice from carrying the weight. Once he set it down in the backyard, he turned around to take the pieces you were holding onto. “Renovated some of it, built a new pool out back.” 

“That sounds nice, might have to check it out sometime.” You said it without even thinking much. What compelled you to think it was acceptable to tell a man you haven't seen in over a decade you would like to ‘check out’ his pool, was beyond you.

You thought Joel would chuckle it off or maybe not even acknowledge it, which he would’ve been well within his right to do, but he looked up to you from his leaning position next to the grill and said “Yeah, I think you might.” 

You couldn’t shake off Joel’s words throughout the whole afternoon. 

First chance you got to zone out in between introductions, awkward small talk and getting asked the same thing for the thousandth time, your mind drifted back to Joel’s words. 

He was just being polite, right? He has always been a gentleman after all. Maybe it was just the southern hospitality in him, maybe he didn’t even mean it and was just trying to be nice.

Yeah, I think you might

You were probably just reading too much into it, but the way he said it seemed like a lot more than just being polite. Or, and this is a very big possibility, it’s been way too long since you’ve let anyone take you to bed and you’re latching onto the first man who looks your way. 

You try to distract your brain with the old lady in front of you instead, who’s been chatting you up about her four cats for over fifteen minutes. She’s surprisingly nice but you think you’d be enjoying her chatter a lot more if your mind wasn’t so distracted.

She notices as much.  “You doin’ alright there, sweetheart?” 

You  brush it off as best as you can. “Oh, I'm alright. I just think the trip and the unpacking is finally catching up to me.” You stand up from the lawn chair you’d been lounging on. “I’ll go grab myself a drink, can I grab you anything?” 

She smiles sweetly up at you and replies “No, sweetness, you go ahead.” 

The chatter outside dulls out as you close the glass doors behind you. You don’t bother turning on the kitchen overhead lights, relying only on light seeping in from the back yard.

The chill from the fridge hits your chest as you crack the door open to grab a can of coke. Just as you pop the tab, a shadow leaning against the door frame makes you jump. 

“Jesus, give a girl a warning.” you say bringing your hand to your chest trying to slow your heartbeat back down. 

“Sorry darlin’, didn’t mean to scare you.” Joel's voice comes from the shadow

Darlin’ ? Lord, were you screwed. 

You hoped the dim lighting was doing enough to hide the burning red that was probably staining your cheeks already, especially since Joel was pushing off of the door frame and walking over to you. 

“Needed a break from the crowd too?” you ask softly, cutting through the quiet.

The corner of his lips curves up in one of his killer smirks and you can already tell that’s gonna be one of your favorite things about him. “You readin’ me like a book.” 

You give him a tiny smile and take a sip of your Coke, the cold liquid a welcome distraction. “I thought you’d be manning the grill.”

He grumbles softly, the sound reverberating in his chest. “Hank’s got it covered for now. Figured I’d come check on you.”

You look up at him confused. “Check on me? Why?”

He shrugged, his eyes meeting yours with an intensity that made you feel seen in a way you hadn’t felt in a long time. “Just wanted to make sure you’re doing alright. This can’t be easy, coming back after all this time.”

More than the charming smirks or the pet names or the indecipherable jabs, this knocked the air out of your chest. You were so used to everyone telling you how lucky you were, how wonderful your parents were and how great it was they could put you through college, how perfect of a life you had and how easy it seemed for you to deal with it all. You get it, that’s how it looked from the outside and you didn’t blame people for thinking that. But the truth was you had just become shockingly skilled at hiding your struggles, pretending you had everything under control and plastering a big, dazzling smile on your face.

Somehow, in the few hours that Joel has been around you, at least in this past decade, he managed to see right through this smoke screen you’ve been building your entire life to keep people from seeing what’s going on inside. 

It leaves you speechless for a second. “Oh, um…” you can’t take your eyes off of him now, far too unconcerned to notice if you’re staring. “It’s been… exhausting and a bit hectic but, you know... I’m alright. Thank you for asking, Joel.” His name slips out of your lips so easily, like you could picture yourself saying it over and over again without ever burning out. 

He looks down, almost like he isn’t used to doing this either, like he’s searching for something else to say. Then his hoarse voice breaks through the silence “Well, if you’re not, you know where to find me.” 

With one last glance, a lingering one at that, Joel turns back and leaves where he came from. Like he didn’t just tip your entire world out of balance. 

And you’re left there in the dark, trying to figure out what the hell this feeling on your chest is and why, on god's green earth, your father’s best friend won’t leave your head. 

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[petrichal]

One Piece 1132 talk, my heart is full (and I'm freaking out again)

Can I just take a moment to comment on how this reminds me of, firstly, the first episode of Vicky the Viking, and simultaneously also, Luffy in Fuschia with Shanks?

It almost feels like an homage, it's super cute.

But BOY was this chapter so damn whimsical and exciting. It feels like a long time since the Strawhats have entered an island where there's no enemy (aware to them) that they're about to defeat; They're planning for a feast and it's a good time, it feels like a breather from all the chaos happening to the rest of the world lol

This spread is crazy btw

Elbaf feels like the fantasy land for me. A rainbow bridge where you can ride on (which, you can ride on rainbows this entire time and only the giants knew?? wild), island clouds in between levels, a whole village built on a tree with medieval architecture, waterfalls flowing down into the Underworld, just the sheer scale of it; It's SO good. I'm always in awe whenever they just pan over to an island's first look, and it was the whole island first with Yggdrasil and now this??? If you count Legoland then we have like 3 showings of Elbaf so far, and they just don't miss, they're so stunning.

Also this

This can make a grown man cry.

Usopp and Luffy, as they look on Elbaf, are thinking of the same thing. They both remember making this declaration, of someday going to Elbaf, a dream made by two boys just fresh out of East Blue and only on their second island in the Grand Line. And they made it. Usopp's dream is realized in this moment, and it's heartwarming that Luffy understands how important this was to Usopp as well.

(In a way, we as readers made it too. and yeah I cried a little lmao what of it)

And as if that's not enough, the narration starts, and halfway in the last page, as the narrator says "my account" that made me wonder "?? Is this someone actually talking?", in the last panel, with a ドン!！as it introduces a familiar name:

LOUIS ARNOT. LOUIS ARNOT, THE GUY WHO WROTE THE BOOK ABOUT LITTLE GARDEN, THE BOOK THAT NAMI OWNED THAT WAS ON THE MERRY BEFORE???? HUH????

I fully freaked out LMFAO because I've always been fascinated with the fact that explorers exist in the world of One Piece and they just have books annotating their experiences of the islands they go to and Louis Arnot is the only explorer we know of ever that's published a book about his expeditions, and the name drop just caught me off guard it's RIDICULOUS

The way we got introduced with Louis Arnot in Little Garden was with Nami remembering that she had read a book mentioning the island's name, and it was natural that we then got an excerpt from the book in the style of the usual One Piece narration, but here, this was so sudden (no segue, just appeared on a spread) that it makes the last panel with the all black background mentioning 'Louis Arnot' stand out.

I'm not saying that he's gonna appear as a character but hmMMMaybe??? (not likely lol) It's either that or I'm spouting nonsense and this is just a call back to when we first heard of Louis Arnot in Little Garden (which was on the last panel as well!). I still really like the idea of this faceless storyteller warning people of the islands he'd visited.

It also got me curious about Elbaf as an island?? What do you mean "Do not overstay your welcome"??? "Lost time"??? Do people lose track of time on Elbaf, and that's why giants experience time differently??? (👀 I like this theory I'm locking it in)

All in all, I feel like a kid again with this chapter, it truly feels nostalgic in the most magical way TvT

(edit: cause I totally missed this silhouette the first time ive read it, and he has been appearing (assuming this is the same person who was drinking sake when the Strawhats were approaching Elbaf just a few chapters back), but I believe this is. probably Shiki?? the kasa hat is totally hiding his dumb wheel chicken head???? maybe???

Like I know that's the common theory on this guy but the thing that makes me hesitate is idk what Shiki can bring story-wise, unless he's been disillusioned from being in Elbaf due to this thing Louis Arnot mentioned, or maybe there's just more to unpack from him than what we already know 🤔 curious)

[serinesaccade]

Les mis Enjoltaire ficrec list part 1

Hi all, I decided I'd do a scan of my extensive bookmarks list to bring together basically everything I've consumed of enjoltaire. I have not been publishing much but I can still share what brought me joy. These are not in a reasonable order (just by my reading history chronologically) and I'll be limiting them on a one-fic-per-author basis so I don't just recommend you my fave authors 100 times. See below the readmooore for the first part of this effort (page 1-5 of my bookmarks)

dressing apollo by Tegami

Model Enjolras and hot mess designer Grantaire on a reality TV show, handled brilliantly. What else do I need to say.  how sweet and lovely dost thou make the shame is also essential reading.

With My Feelings On Fire (Guess I'm a Bad Liar) by pumpkinspiceprouvaire

Enjolras and Grantaire enter the stupidest and pining-est arrangement of all time. This list is going to make it very obvious that I have trope preferences and frankly, I don’t care. This is Delicious and so is basically everything else by this author

Walk Me Home by kjack89 for serinesaccade

It is impossible to pick a good fic by kjack89 out of their infinite library of good fic so I cheated and picked the one written for me

no more cyanide kisses (i’m methylene blue) by Mousetrap

Hurts so good

send you my love on a wire by blairs

Hilarious fics, gotta love blairs

i looked to you instead by Anonymous

suckerpunch by televisionbodies

say my name a million times (and i still haven’t heard you say it enough) by dyhtps

the road not taken by Petr1chor

Another heavy debate over which fic to pick out of many greats

Revolution Barbie by StrangeOccurrence

Lesbiabs but like weirdly serious and sexual

It's You And It's Been From the Start by stellatundra

Screaming

best practices in seasonal dessert distribution: a primer by twofrontteethstillcrooked for stardust_and_sunlight

Brownie sweet

Beautiful & Good by Riotstar

Emotionally difficult for me to read like I am not sure I can continue but? Important?

in momentum. by AnnaBolena for ShitpostingfromtheBarricade

how long it's gonna be (before we get on the bus and cause no fuss) by samarskite 

The Finer Points of Communication by ShitpostingfromtheBarricade

God I love this author

And Pages To Go by femmebingley

here i am leaving you clues, by moonswinger

you can’t kill me after this fic bc I am already dead

Ho, Ho, Oh No by catstrophysics

stuck together by whooves

fire in our bellies and furtive little feelings by sarahyyy

Classic bigtime writer with big big list

the first time we met we hated each other by mariuscourf

I get so excited when they post

Silvertongue by resnovae

Compromise by Akigriffin

I am a sucker for acespec

What’s it like to date someone? by Wildrivver

Patron Saint of Silent Restraint by vivalataire for emmettcadrian

If It Ain't Baroque, Don't Fix It by vivalataire

Lost in Translation by ellevaire

It's Not the Same Anymore by ShameDumpster

Insanely cute and deeply real, I read it over and over

Witchboy by tothewillofthepeople

Ughh how does one write so good

[ask-whitepearl-and-steven]

Would you mind sharing your planning process of the comic? I'm starting to brainstorm a fiction idea and right now the ideas are very messy and I wanted to know if you could show how you plan what happens on a season and on an episode, maybe with an example of a season episode you already published, so I can learn how to organize myself?

I really, REALLY appreciate you coming to ask me for help with this. It's awesome to hear that you respect my writing enough to seek me out as an authority on such things, or at least enough to ask for advice.

But I'm gonna be real with you - what you're asking for is not a quick slapdash reply that I can whip up in my free time. What you're asking for is an hour long video essay (with examples) on the level of an educational creative writing online course.

And I--I don't know if I have it in me to do that right now. Not with everything else I'm trying to do. (Sorry.)

BUT.

What I can give you instead is a basic rundown, and maybe some recommendations for where to this stuff.

To be absolutely brief: For me, the best way to visualize how I plan would be to make a flowchart.

Keep in mind that....... I don't ever actually.......MAKE. A flowchart.

Mostly, I am just using this as a visual representation of how my ideas flow from and to each other in a coherent way. The reality is that this skill is something you have to develop until it becomes second nature.

As an example, let's take the episode(s) where I introduced Seaglass.

This little arc was planned in season 3, but really started to come into play in Season 4.

To make it happen, I started with the obvious main idea: SEAGLASS.

I then broke it down into multiple smaller ideas:

If you notice, the main plot of this doesn't even start when the Seaglass exposition does. Steven makes Seaglass back in season 3, but doesn't know about it. But these ideas are still important to acknowledge as being a part of the main plot.

I then fill in MORE space between these larger ideas.

This whole set of steps is just a logical progression of me playing 'how do we get there'. I make up plot points and say 'what happens to get from A to B?'

And keep in mind - this may seem kinda obvious. That's because... it should be! But that's how the planning happens.

Realistically, it's just a bunch of asking myself questions. The same exact questions I refuse to answer in asks.

"What happens next? What would happen if....?" "Why doesn't Steven know about ....?"

"How would Steven find Seaglass if he doesn't know she exists?"

Well she's small and green, kinda like Peridot. So he goes looking for Peridot and mistakes Seaglass for her.

BAM! You've got yourself a plot point. That's a plan, baybee!

And then just kinda rinse and repeat.

And eventually, you want to make sure that you have some sort of connection back to the main plot point. In this case, it's the realization that Steven CREATED LIFE.

Again, I want to stress - I don't actually........plan.... by writing this down.

I do this process in my head. Often, multiple times per chapter, writing and editing to make it make more and more sense. The important part is about asking yourself questions. The same questions your readers should be asking.

"Why is this character doing this?" "Why is this event happening NOW?" "How will A find out when they realize what B has done?" "What is the BEST time for B to find out...? What is the WORST time?"

All of this takes imagination. It isn't about organization. It's moreso about learning to tetris plot events into their most snug spaces. It's about thinking of events as a staircase, which eventually leads to a larger staircase of plot arcs.

And as a final note, I will say that someday, when I'm less busy, I may make a video about plot. But it will take more time and effort, and for now, please just watch videos by other creators! I'm sure they're just as good at it as I am.

[snapscube]

you don't have to publish this or whatever but I wanted to say, I'm right there with u on Projects That I Put On A Schedule And Then Couldn't Stick To That Schedule. it kinda sucks (especially, I imagine, if you have an audience asking about the things; being unknown has its pros and cons) but at the end of the day imo trying is the important thing and doing it infrequently is better than not at all. keep doing you and put out what you can and want, when you can and want, and people will enjoy it regardless of frequency or scheduling or whatever

hey i appreciate this a ton <3 admittedly i was very grumpy over the assumption that just because no shame was intended w/ asking me like that about projects i haven't updated in a while that it would mean no shame was caused LOL. it's actually, in a cruel twist of irony, something i have very specifically been insecure about over the past couple of days and i already wasn't having the best morning in general. whoops!

i think a lot of people assume by default i am a much more put-together person than i actually am just because i have some semblance of success haha. truth be told everything that i am able to put out is a god damn miracle in the sense that i am constantly fighting to do so against rampant fatigue and depression. i always always want to do more, and i have every intention to do so. i always assume i can if i just try hard enough since it seems easy enough for other folks, which is why i sometimes over-promise. but i'm still really trying to make things fit every day, and lately i have admittedly not had a lot of success. i have not given up yet tho! i think 2024 is gonna prove to be a year where i have to call on a bit of a hail mary approach because i KNOW there's a better way than what i've been doing. whether that's through a massive output change in terms of schedule, or whether that's a huge break, or whether it's sunsetting certain parts of my online output in the interest of focusing on things i'd rather be using that limited stamina for. feels like SOMETHING's gonna have to give.

anyway, i hope to never come across like i'm taking peoples patience for granted. it always legitimately sucks when people earnestly want to see something return, and i do too, but i have no better answer to where it is aside from just "i couldn't do it"

[leebrontide]

A legit way to fight the climate crisis from where you're sitting right now

As promised, in honor of Earth Day, I've written some suggestions for how you can write a letter to the editor for your local paper, and reach some people who otherwise might get a more...shall we say restricted view of climate news. Letters to the Editor remain a surprisingly important political vehicle. People see letters to the editor and they feel like they're hearing from their neighbors- real people with authentic, down-to-earth agendas. They're the second most read part of the paper, after the front page. Take that stage!

Step 1- Pick an article in your local paper to respond to. Today is Earth day, and lots of papers will have at least something about climate crisis or environmental protection on it's pages. Local papers are better, because, as you can imagine, papers like The New Yorker get a lot more submissions to compete against, and anyways they don't have the same sense of local opinion.

Don't fret if your local paper leans conservative! That means it has readers we REALLY need to reach! And they may be more open to reading about these issues in a paper than online, which particularly a lot of older, don't feel like "the real world".

Step 2- Figure out what you're going to say! Maybe there's a glaring error in the article you want to address. BUT, if you're not sure, you can look up your local organization that's fighting for these goals. For example, I could look up and find MN350, because I'm in Minnesota. Going to their social media and their webpage/newsletter archive gives me an inside look at what people who are really immersed in these subjects have to say about what's going on.

So, for example, I see that my local group applauds Minneapolis's efforts at going to all clean energy, and has a timeline, but that people on the inside are saying that without a dedicated funding stream, people implementing these changes will have to either hope federal funding stays stable or fight for funding in the city council every year. Ok, now when there's an article about Minneapolis's plans, I have something to say.

Step 3- Draft it up.

The goal here is to be short and to the point.

Opening line: Identify which article you're responding to, and maybe your feeling about it.

First paragraph: What is the specific issue? What is a relevant fact and why does it  warrant public concern?

Second paragraph: What would you say that we do in response, or what would you ask your neighbors to do?  Why?

Third paragraph: What is currently being done to address the issue and how could people who have been persuaded act?

This should be no more than 150 to 250 words TOTAL.

While you're wording it, some things to keep in mind- stats and facts are good, but don't use a lot of acronyms or jargon. Expect your readers to be coming at this with about an 8th grade education.

If you have a sense of what the people you're talking to find persuasive, lean into that. For example, for my letter to the editor, I emphasized that chaotic funding leads to lack of ability to plan ahead or bulk-buy. I know the people I'm talking to like things to be common-sense and detest governmental waste, so that's an easy one.

If you want extra help, I have a list of best practices for communicating about the climate crisis right here.

Step 4- Proofread, then submit it via whatever process your local paper has. The goal, if you can manage is, is to submit something within 48 hours of the original article's publication. That's the sweet spot for most papers.

BONUS ROUND!

You did that, and still have a little energy for the environment left? There's one more thing you can do to super-charge your effort!

Guess what, you can stack the deck in favor of your specific letter being published.

But it will involve using a phone.

That's right, if you REALLY wanna turbo boost this thing, you're gonna call the paper (or have your non-phone-adverse-friend or family member pretend to be you and call the paper).

Call as soon as possible after the editor would have received the material.

Use pleasant persistence to speak with the right person. Don’t stop at a receptionist or secretary. Create enough POLITE urgency about your letter that you get through to the specific reporter or editor who will decide whether or not to print your piece.

Provide the editor with specific local info and urgency. Focus your conversation on why this issue is relevant to their readers.

Get specific feedback and/or a specific commitment from the reporter. If they don’t want to print the letter, find out why and what adjustments you can make to get it printed.

If they agree to print it, find out when you can expect to see it in the paper. The you can tell other people. Even if memaw isn't a big climate activist, she might show your letter to everybody she knows if she knows you wrote it.

And that's the process! I know that's a lot of information to throw at you, but ultimately, it can be pretty quick to crank these things out. And, again, these have been proven to be powerful persuaders. We need as many people as we can to be in this fight, so go and get them!

And always remember, you're not just combating ignorance, you're combating hopelessness, helplessness, and burnout! You can inspire people to think about what's possible.

PS if any of you actually do this, please let me know. It'd make me so happy.

@onbearfeet @basil-gardens @punkypine @rederiswrites @veritatemquarens @radioraja

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[thatscarletflycatcher]

Annotated Editions: the case of Jane Austen's Persuasion

The other day I made a post about my poor opinion of David Shepard's annotated editions of Jane Austen's novels, specially in terms of how much praise they get in the Austen fandom. That last qualifier is important, because while in general I do think they aren't great in a vacuum, it's specifically the place of honor they get in fandom that makes my judgement harsher; not because popular=bad, but because, well, if you claim to be excellent, you should be excellent.

So I'm gonna try here to compare three annotated editions: Shepard's, Norton Critical, and Oxford World's Classics.

Let's begin with the introductions/prefaces. Prefaces are complicated, because for the most part there is a tradition in this sort of literature to treat them as a free space for an essay, basically fulfilling the role of an afterword, instead of working as an introduction, as a summary of the historical, biographical, anthropological, artistic, etc, clues that will facilitate and enrich the comprehension of the text by the reader.

How goes Shepard about his introduction to Persuasion?

There's a brief note to the reader before the preface itself explaining what kind of notes he has added to the text; so far so good.

The preface itself is roughly divided in the following sections:

a biographical sketch of Jane Austen (5-10%)

comments on the spot Persuasion occupies popularity wise in the list of Austen novels, followed by, as Shepard's argument for why it is so;

An in-depth comparative analysis of the whole plot and main characters of the novel, with other Austen novels, pointing "pros" and "cons." (90-95%)

A comment on how he thinks Austen's style would have been moving forward, disagreeing with Virginia Woolf.

The first section is useful to contextualize the work, but the second is basically spoilers + Shepard's opinions on the novel and on the novel as compared to other Austen novels; this latter part is of little or none usefulness to the reader, and even its quality as an essay has several very weak, "sloppy" points. For example, the assertion that Persuasion, like the rest of Austen's novels is a romance; not only because many would disagree, but because a good introduction would include a discussion of the genre of the novel, and for an Austen novel the discussion and explanation of the nature and tensions of romance, bildungsroman and comedy of manners is VERY important. Another weak point is the blank assertion that Austen never wrote a scene between two men alone, which is false). Another notorious absence in this introduction is the historical setting of Persuasion; it is a rarity between Austen novels in how relevant the Napoleonic Wars are for the plot and how firmly they date the narrative. Tied to this are considerations of class, and the meaning of the navy as a symbol of meritocracy and Austen's special relation to it through her family... none of which are even mentioned in this preface.

How does the Norton Critical Edition by Patricia Meyer Spacks tackle the same part?

When did Austen write the novel and when was it published.

Brief summary of currents of opinion on tone and theme of the novel.

A discussion of traditional views on the "femininity" of Persuasion.

Critical evaluation of this in relation to contemporary analysis of the ethical and the political in Austen and the novel.

Her own interpretation of the novel as an ethical study on the concept of self-love.

A brief note on the choices made for the presentation of the final text.

I do think, even by this brief summary, one can uncontroversially say this is a better preface. While it still lacks the practicality of information that is mentioned rather than explained about the context of the novel, its use of spoilers is sparse and isolated rather than extensive. No supporting references to other novels are made (which I think is a good thing, because those involve a certain requirement of familiarity for the reader), and while the personal interpretation of the editor is presented, it is not an opinion on why Persuasion is popular, but a reference, a way for the reader to organize and approach the text of the novel.

Now on to Oxford World's Classics, introduction and notes by Deidre Shauna Lynch.

Napoleon and the briefest historical context he provides for the novel

An analysis of Persuasion's uniqueness in the Austen canon through the character of Anne

The permanence/change break through the changed roles of houses and the predominance of travel in comparison to previous novels

The role of memory and with this a tieback to continue elaborating on the historical context of the Napoleonic Wars in England and the cultural change it brought in the understanding of History

Persuasion as a sequel-like novel, for which a main interpretative key is that of History and Memory

A stronger attention on aging and disability

The interrelation between war history and social history in the novel, and the time frame of the events

More elaboration on the theme of past and present and personal history, with a contrast between Sir Walter's reading of the baronetage and Anne's reading of the newspapers

An interpretation of Persuasion as commentary on Sir Walter Scott's restoration plots; Wentworth and Mr. Elliot as two forms of return of the past.

An analysis of The ConversationTM between Anne and Harville still on the theme of personal history.

A comparison between the two endings of the novel

The assertion that the novel isn't melancholy and nostalgic in the end, but open to the future

This introduction is much more meandering and essay-like than the Norton one, and in that way much closer to Shepard's, in its use of spoilers and commentary on a text the reader is unfamiliar with. It's definitely not a GoodTM introduction as introduction, but it still includes mentions of important historical context and keys to reading the text; and its commentary provides references not only to other authors writing at the time, such as Scott and Wordsworth, but of more contemporary sources as well. There is some poliphony to it beyond a mention in passing to Virginia Woolf.

Besides that, it's also worth mentioning that the volume includes a brief biography of Austen and a chronology of her life elsewhere, a full note on the text editorial choices, a selection of bibliography for further reading, and three context appendixes on rank and social status, dancing, and Austen's relationship with the navy. As much as I'd think those appendixes should have taken the place of preface and the preface a place of afterword, the information to the reader has been included.

In terms of this kind of extra, Shepard has included a chronology of the novel, maps, and pictures in his notes, which are features the other editions don't have that might be of interest; but he has not provided good contexts like the Oxford edition does, either in the introduction or as appendixes; or pieces of solid, well researched essays and contextual texts like Norton does. Both Oxford and Norton include the cancelled chapters in an annex; he doesn't.

Someone would reasonably argue that Shepard chose to include all contextual information in the notes, and here is where personal opinion comes across the strongest: I think he does it that way, not for the reader's convenience, but for the padding of the notes and to inflate the value of his role as an editor. The addition of titles to the chapters of the novel, and the repetition of notes and information serve, in my opinion, the same end. In my opinion, there is a substantial difference between providing someone contextual information before they engage with something, and giving it as the something unfolds. Your first experience of a soccer match would be entirely different if someone told you the rules of the game, the stakes of the particular match, etc, before you get to the stadium than if they were to feed them to you during the match; and I think the former is a much more satisfying and rich experience.

So, notes!

Shepard's editions have lots and lots of notes. For example, for Chapter I of Persuasion he makes 65 notes, against 9 of Norton and 15 of Oxford. A first impression would say "oh, that's a really nice lot of info!" until you stop to think if this is really such a heavy text that it requires a note every 40 words on average. That's almost two notes on the extension of this paragraph alone. Let's dig a bit more to see where are the differences in selection.

Norton's, as you might have guessed now, tend to be editions heavy on the commentary side through essays and articles, and so notes are minimal and sparse. The notes on this chapter are on "baronetage", "patents", "creations", "Dugdale", "worsting", "chaise and four", "Tattersal's", "black ribbons", and "alineable". None of the notes go over a line. Oxford includes all these, and adds "High Sheriff", "exertions of loyalty", "duodecimo", "heir presumptive", "awful legacy", "dear daughter's sake", "every ball", and "his agent". Listing all the Shepard notes would be exhausting, so let's try some general classification of the notes that aren't the ones above:

3 geographical notes that amount to "this is a place in England, see map", which are easily understood in context.

14 glossary notes which usefulness/necessity is very variable. Awful and town are very reasonable notes; one wonders the necessity of notes on bloom and independence which are easily understood by context.

This theme of usefulness extends to the rest of the general notes. That stillborns were not uncommon during Jane Austen's era, or that Austen's fabricated entry of the baronetage actually does look like an entry of the baronetage is trivial and not necessary for the understanding of the text at all. That lady Russell is the widow of a knight is something that the text will state the following chapter, and that knights ranked below baronets will be heavily implied there too. The explanation of what an old country family is literally reads as redundant. Many notes are like this: information that is trivial, explained further on in the text or easily understood through context. This is specially the case of notes like the one saying that cousin marriage wasn't illegal, that people of high status spent a lot of money showing it off, and that rich people also went into debt.

There are useful notes, but when you trim them down to the actually pertinent and useful, there aren't many more than the ones included in the Oxford edition.

Now let me take a look at some of the notes shared between Shepard and Oxford:

On patents/creations:

Shepard:

The book listed families in order of receipt of the title. Thus Sir Walter would first see the earliest patents (i.e., grants conferring the baronetcy); there would be only a “limited remnant” of them because most early baronetcies had expired by this point due to the death of all possible heirs. Sir Walter could only know this by consulting another book such as Dugdale (see note 9) and comparing its list of all baronetcies with the entries in his baronetage, for the latter would show only existing titles—that he has done this indicates how obsessed he is with the matter. This carefully acquired knowledge arouses Sir Walter to admiration for himself as the holder of a surviving baronetcy. He would later come to the many pages showing the creations, or new titles, of the last (i.e., eighteenth) century and feel contempt for their relative newness (his came from 1660; see note 12).

Oxford:

limited remnant of the earliest patents: a title was also referred to as a patent: ‘a writ conferring some exclusive right or privilege’ (Johnson). Sir Walter regrets the passing away of the families whose titles date back to the seventeenth century. James I had created the title of baronet in 1611 and had used the financial support he obtained from the baronets he created to fund his army in Northern Ireland. endless creations of the last century: Sir Walter’s contempt for the low-born recipients of the new titles that the government had distributed would extend to those who, like the commander of the Fleet, Lord Nelson (the son of a mere country clergyman), had recently been rewarded with newly created peerages for their war service.

Oxford omits information that will be said explicitly later on in the text (that the Elliot baronetcy dates from 1660), and in its place includes a very relevant example of a new patent to show why Sir Walter looks with contempt upon new creations, rather than simply repeating what the text says.

High sheriff:

Shepard:

The High Sheriff (often simply called sheriff) was, after the Lord Lieutenant, the leading official in a county, responsible for the execution of the laws. He served for one year. The position, usually held by a member of the gentry, carried great prestige and would be a source of family pride.

Oxford:

the chief representative of the Crown in county government, the High Sheriff presided over parliamentary elections and the administration of justice. Holders of the office (which is now a mainly ceremonial one) were chosen annually from among the principal land-owners of the county.

While Shepard gives me something I can gleam from the text itself (the social importance of the title) Oxford tells me what his job entailed.

The note on duodecimo is an interesting case, where technically Shepard's information is more complete, but he spreads it in such a way as to pad his note count and extension. He simply notes that it is a small book, and refers to a note on books on chapter X:

“Large” could refer to thickness but is more likely to refer to length and width. At this time books came in widely varying sizes. The principal ones were folios, in which a standard sheet of paper was folded in two to make the pages, quartos, in which the paper was folded into quarters, octavos, in which the paper was folded into eight pieces, and duodecimos, in which the paper was folded into twelve pieces. Thus the length and width of a duodecimo would be one-sixth those of a folio. The type of book would influence its size. Popular books, especially novels, tended to come in smaller sizes, while serious, scholarly ones were usually larger. Thus the size of Charles Hayter’s books helps spur the Musgroves’ worries about excessive studying. They might be naturally inclined to such worries, not seeming bookish at all themselves.

What's the reference for this note specifically? "and having been found on the occasion by Mr. Musgrove with some large books before him, Mr. and Mrs. Musgrove were sure all could not be right, and talked, with grave faces, of his studying himself to death." Clearly the natural place of this note is on "duodecimo" in chapter I, but by this strategy Shepard not only manages to make two notes out of where there should be only one, but inserts notes visually in chapters in such a way as to make it appear like he has lots and lots of substantial, erudite explanations to make all the time. This strategy he repeats a lot through the text.

It's these habits of trickery, of padding and puffing up that I find intellectually dishonest, and rather inexcusable in a man who is an academic and must know better. I have also accused him of sloppiness. Perhaps I could have been more charitable and say that Shepard is a Historian by profession, and the things that touch on the literary and the philosophical, his references are much more scarce and lacking, not particularly well researched (in contrast with his historical notes). I mentioned how despite being relatively similar in tone and aim, the contrast between Shepard and Oxford showed that the Oxford annotator was familiar with literary authors in ways Shepard wasn't. This reflects in notes as well. For example:

Pinny

Shepard:

Charmouth is another coastal town (see note 8, for a description). Up Lyme sits atop the ascent next to Lyme, and offers views of the town and sea. Pinny is a spot a little west of Lyme. (For locations, see map.)

Oxford:

Many readers encountering this description of the scenery of Pinny, just west of Lyme, have detected an echo of the poet Samuel Taylor Coleridge’s ‘Kubla Khan’ (composed 1798; published 1816). See lines 12-13: ‘But oh! that deep romantic chasm which slanted | Down the green hill athwart a cedar n cover. . . .’ The romance of the landscape is the product of a series of landslides, which have carried into Pinny Bay some of the cliff paths on which Austen must have walked during her stay in Lyme.

Marmion and The Lady of the Lake/Giaour and The Bride of Abydos

Shepard:

These are two long narrative poems by Walter Scott. In contrast to the above poets, Scott immediately achieved great popularity. The two poems cited here, his most widely read, were among the best sellers of the age—and in this age, poetry generally outsold novels, at least until Scott’s own novels appeared. Both poems are stories of love and war, set in sixteenth-century Scotland; a critical element of Romanticism was fascination with the past, especially the medieval past, and Scott was central to fostering this sentiment. Jane Austen mentions each of these poems in her letters. These are two narrative poems by Lord Byron, the other highly popular poet of the time. Both are tragic love stories set in the Middle East; fascination with foreign lands, especially ones regarded as highly exotic, was another feature of Romanticism.

Oxford:

The first two titles refer to long narrative poems, romances of medieval times, published by Sir Walter Scott in 1808 and 1810; the third and fourth refer to ‘Turkish tales’ published by rival poet Lord Byron in 1813. The poets’ representations of warrior heroes committing doughty deeds in picturesque settings probably contributed to their wartime popularity. Still, the notes that Byron appended to his poems adopt a more cynical view of their heroes’ sabre-rattling than do the poems themselves, in ways that distinguish their account of heroism from Persuasion’s, idealistic view of its chivalric war hero. Anne and Benwick prove themselves faithful observers of the literary scene when they attempt to adjudicate between Scott and Byron (an attempt they resume on p. 90). Similar efforts at a comparative evaluation of the decade’s two most commercially successful poets are pursued in William Hazlitt’s The Spirit of the Age (1825) and the anonymous A Discourse on the Comparative Merits of Scott and Byron (1824).

Our best moralists

Shepard:

These could refer to a wide array of works, especially from earlier years. The eighteenth century, whose spirit Jane Austen exudes in many respects, was characterized by a general preference for prose and an emphasis on greater rationalism than the Romantic period. Moral essays, frequently supported by observations on life and contemporary mores, were popular throughout the century. Collections of letters, often highly polished, also appeared. Finally, biography developed as a significant genre, and it, like much of the prose of the time, often had a moralizing tone, pointing out lessons and presenting examples of virtuous behavior.

The difficulty in following precepts of patience and resignation had been a popular theme of many writers, especially when discussing the influential philosophy of Stoicism, which counseled rational indifference to the ills of life. Similarly, as in all ages, many who preached virtue did not always live up to their preaching. One of the most influential prose moralists of the eighteenth century, and a favorite author of Jane Austen’s, Samuel Johnson, addresses this point in one of his essays (The Rambler, #14). He writes that “for many reasons a man writes much better than he lives.” But he argues, “Nothing is more unjust, however common, than to charge with hypocrisy him that expresses zeal for those virtues, which he neglects to practice; since he may be sincerely convinced of the advantages of conquering his passions, without having yet obtained the victory.” Rather, he claims that such a man should be commended for attempting to impart to others some of his own, possibly hard-earned, wisdom. From this perspective, Anne’s counsel to Captain Benwick, which does certainly come from her own extensive experience, would represent a valuable and benevolent service to him, whatever her own failings in achieving patience or self-control.

Oxford:

The texts Anne prescribes to Benwick would very probably include works by Samuel Johnson. Throughout the second half of the eighteenth century readers made an almost medicinal use of the essay series The Rambler (first published 1750-2), in which Johnson treats such topics as the dangers of solitude and the necessity of resignation in the face of loss. Johnson’s biographer James Boswell claimed of The Rambler that ‘In no writings whatever can be found . . . more that can brace and invigorate every manly and noble sentiment’ ( Life ofJohnson, ed. R. W. Chapman (Oxford: Oxford University Press, 1983), 154).

Here I would note that the much longer two-notes reference of Shepard sits between vague and repetitive, and that in my opinion both sin by omission of Shaftesbury (Anthony Ashley Cooper).

Dark blue seas

Shepard:

Byron’s The Corsair, a work Jane Austen mentions reading in a letter (March 5, 1814), begins with the lines, “O’er the glad waters of the dark blue sea, / Our thoughts as boundless, and our souls as free.”

Oxford:

Benwick and Anne perhaps recall the second canto of Childe Harold's Pilgrimage (1812). Its description of the hero’s voyage from Greece and of the ‘little warlike world within’ (ii. 154) he enters when he boards the ship certainly glamorizes nautical life: ‘He that has sail’d upon the dark blue sea, | Has view’d at times, I ween, a full fair sight’ (ii. 145-6). They may also be remembering the lines that open The Corsair (1814), a description of the freedom that the poem’s pirates enjoy as outlaws: ‘O’er the glad waters of the dark blue sea, | Our thoughts as boundless and our souls as free’. In a letter of 1814 Austen sounds jaded about the Byronic heroes, such as Harold and Conrad the Corsair, who enthuse Captain Benwick: ‘I have read the Corsair, mended my petticoat, & have nothing else to do’ ( Letters , 257).

'eleven with its silver sounds’

Shepard:

The origin of this phrase, which seems, based on the quotation marks, to be from a particular text, has never been identified for certain. One commentator, Patricia Meyer Spacks, suggests the phrase may allude to a line in The Rape of the Lock by Alexander Pope, a poet Jane Austen certainly knew well: “And the pressed watch returned a silver sound.” The phrase does not represent a literal description of the operation of the clock, for the component parts of a clock were made of other metals than silver, usually brass or steel. Clocks were standard parts of a home, designed for elegant appearance as well as utility.

Oxford:

The literary allusion has not been traced. In 1921 Herbert Grierson conjectured that Austen was here misremembering the description of the coquette’s morning rituals that Alexander Pope gives in The Rape of the Lock (1712): ‘Thrice rung the Bell, the Slipper knock’d the Ground, | And the press’d Watch return’d a silver Sound’ (i. 17-18).

Note how here Shepard is crediting Meyer Spacks, but does not reference where (the Norton Critical Edition), whereas the Oxford annotation traces the conjecture to what appears to be its original proponent.

The pen has been in their hands

Shepard:

At this time there had been moves to improve the quality of women’s education, but it still was inferior to men’s, especially at the higher levels—no universities admitted women. As for books, while women had come to constitute a substantial portion of those who wrote novels, men dominated virtually all other fields of literary endeavor.

Oxford:

even as she has Anne object to examples from books, Austen echoes the precedents set by figures in the literary tradition who have previously commented on men’s monopoly of the written word. Anne sounds like the Wife of Bath in Geoffrey Chaucer’s Canterbury Tales , who is exasperated by male clerics’ representations of women, and, closer to Austen’s time, like Richard Steele’s character Arietta, who recounts the story of Inkle, the mercenary Englishman, and Yarico, the native woman of Jamaica whom Inkle betrays, so as to counter her male visitor’s trite examples of female inconstancy. Arietta observes, ‘You Men are Writers, and can represent us Women as Unbecoming as you please in your Works, while we are unable to return the Injury’ (.Spectator, 11 (13 Mar. 17 n)).

I'm not saying that necessarily Shepard's notes should be absolutely excellent in every single way and aspect in order for it to be a serviceable/good annotated edition; but all the things I have mentioned above make them appear to me thoroughly undeserving of being considered excellent, above the rest, or definitive.

[kithtaehyung]

I'm glad that 3Tan will be published but for me it probably means the end of this beautiful adventure. Because where I live I probably won't have the opportunity to read your book and my heart aches :( 3Tan helps me live. I literally read a chapter every day. I think no one will understand it who doesn't feel what I feel. This story and waiting for the next chapter gave me wings and above all the will to live and a reason to get out of bed every morning. Now I'm afraid that I won't have the opportunity to finish the story with it. Regardless of this, I'm happy for your success. You deserve it!

omg babe!! it’s gonna be okay, the publishing (if it even happens) won’t be for awhile🥺 the physical copy of the series is just gonna be printed for personal gifts, so it’s not officially done at that point. and I wouldn’t go forward with real publication until it’s all over for awhile anyways🫂 no worries, yeah?

having 3tan accessible to everyone regardless of where they are will keep being extremely important to me. it’s helped me and many others, whatever we’re going through or needing help with at any given point in time. and we’re still gonna close out the main storyline! I wouldn’t pull it before then, that would be super out of character for me🤣

so you’re good. thank you for saying this and I understand the concern🤍 what you said is one of the many, many reasons why i write.