#but it was like one of the first animes i watched so it has a very special place in my heart

[macleod]

A few years ago, I ended up watched the first episode of "Babylon Berlin", a german neo-noir thriller taking place c. 1929, entirely in silence (w/ captions).

And, I thought it was the most intense, visceral, truly astounding beginning to a show I had ever seen. Absolutely mesmerizing. But, as it turned out the audio jack on my projector at the time was just starting to fail.

When I started the second episode and saw a caption that effectively said "dramatic music plays", so descriptive I know, I realized that the sound was off. Once I resoldered the internal connection back to the board, only about thirty minutes had passed, and was still deep in the haze of magnificent steaming cinema, something I thought may have been one of the greatest works of the transitio from quality cinema to streaming I had ever seen (S01E01 came out in Oct '17, relatively early in the "cinema-like" streaming timeline). I immediately rewatched it with sound... and while it was a great episode, it was certainly not as wondrous of an experience.

About halfway through I turned the sound down to bare levels, somewhere around the 5% mark, just to have something fill the dead air.

Soon after, perhaps that day(?), I introduced my flatmate to the show, who wasn't too keen on any of my strange indie films (or really, movies or shows in general if they weren't anime). I turned the audio levels up after the first episode, and they agreed – we had to watch the show with the most minimal volume possible. We ended up binge watching the entire first season that way.

Later, we introduced about seven or eight others to watch it that way at a viewing party we used to occasionally put on (10+ hour get together where everyone brings a movie, or a show, or a playlist of videos - usually indie - and talk about them, often you end up in a competition for the most Unwatchable, Visceral, Psychedelic, Disgusting, and/or Strange by the third meeting).

Everyone loved it. I still try to get anyone I can to watch at least the first episode this way, especially as their first experience, so if you want to try it – check it out. Babylon Berlin, has four seasons, with a final fifth season releasing sometime this year. 40 episodes.

With severance season 2 around the corner it’s time for me to share the time I accidentally watched 4 minutes of an episode on mute and thought it was a brilliant way to show the sensory deprivation experienced by the innies

[hellsslibrary]

hi so ive been binging ur works lol I love that u write for blue lock and specifically the male reader !!! Sosoo I'd love to request a shidou x mean top male reader ? Like shidou keeps acting out so reader puts him in his place?

I do three things on purpose. I make you cut onions so I don't cry, I cling to you during horror movies because you get too focused, and I bend over in front of you during training because you're a dirty dog (real quotes from my husband as titles day one).

MASTERLIST is here.

#a.n. : You two humiliating a non-existent guy for the size of his dick........ Basic Tuesday for any gays, I guess.

!!Warnings: tom!dom!male!reader, sub!bottom! Shidou, overstimulation, time before the first selection, so you fuck in a room full of other people at night..... So, humiliation of a guy for a dick actually (not in his face tho), sex on a futon, Shidou without hair gel (I heard that someone didn't like Shidou without gel and cried hyperbolically), he calls you 'cupcake' one time.

One hundred and seven times.

You've thought about killing him so many times. Strangle him. Take his head off. Castrate him. Burn him. Drown him... Anything, really. Why is this idiot even more annoying than usual? Who knows. Well, obviously not you.

Your eyes watched him praise a player again. Of course, this is not surprising for him, he is very respectful to good players, but now? Fuck, this is out of bounds.

You can see perfectly well how his hands stay on this guy for too long. And the way his eyes look at you from time to time. It's been repeated too many times today.

Does he want you to crack? But no. He's going to do it today. And it won't just crack, it will come apart at the seams.

The sound of the futon moving can be heard in an almost empty room as your body bends over his, while his face is buried in the pillow, trying not to moan too loudly. Not that he cares about it, but you do very much.

"I'm s-sorry, cu-cupcake, please—!" he exhales raggedly, clutching at the thin fabric, trying with all his might to stabilize himself and his body from your obviously not gentle thrusts, which seemed to knock his soul out of him piece by piece.

A rhetorical question escapes your lips, and an almost animal grin appears on your lips, seeing his condition. "Now we're just barking, right? You forgot how to bite pretty quickly."

Shidou just whimpers, feeling his body twitching from your thrusts inside his sloppy hole. His curls are disheveled on the bed, and some are stuck to his cheeks or neck from sweat. He just couldn't look into your eyes as usual, knowing full well that he would break even more... He dug his own grave after all.

"That guy couldn't have brought you to this state, you know? He definitely has a dick smaller than my little finger," you reason, lowering one of your hands from his waist lower, feeling the muscles of his stomach tighten as you slide over them, reaching his v-shaped line, and then his crotch. "Don't you agree?"

"Fuck, yes! Def-definitely, yes... Probably th-the same size as an a-ant," Ryusei giggles, swallowing his saliva, arching his back harder, which makes you hiss, feeling like he's become a little tighter.

Although his giggles immediately fade away when you grab his overexcited, spent cock. You immediately slap the hand that's trying to stop you, grabbing his length, making him choke on his own sob.

Tears began to form in his eyes, lingering on his blond eyelashes, and then trickling down his cheeks. He couldn't take another round! He wanted to, but probably couldn't. You're huge, you tease him, you fuck him, you humiliate someone for the size of his dick... Did I mention that you're huge? Anyway, it's fucking Hell! He's a fucking puddle under you, even though he wanted to stay under you like that, because that's actually what he wanted.

Maybe you'd be more gentle if your count of murder methods stopped at about sixty.

"Still fucking want me like this, huh? How many times did you cum?" you ask rhetorically, realizing that he won't answer, just smiling, and then slapping his ass, which makes him squeak, and you enjoy his sounds, because you can't see almost anything.

"Don't worry, I'll do it over and over again until you don't even have the thought of leaving me anymore, do you understand?" Ryusei nodded, and his cock jerked in your grip, forcing you to enter him up to the hilt, and then pull your dick out of him, which immediately turns around to look at you. "Or maybe I need to make it so that you can't stand at all without help..."

Shido pales almost immediately, sensing the sincerity in your voice, and then moans too loudly when you thrust into him again. Your hand tangles in his hair, pressing his face back into the pillows so that he doesn't wake anyone up and so that he stops making silly excuses about how he wants you to pull out your dick.

He looked like a black hole right now, honestly. So he'd better not pretend to be a clogged pipe right now.

[takes1]

ur blog is so pretty...

if you are okay with it, do you have any headcanons bout what type or p0rn the Karasuno boys would watch? 🌹

what type of p*rn would the karasuno team watch?

warnings. heavy nsfw under the cut. minors DNI

characters. suga. daichi. asahi. tsukki. kageyama. hinata. nishinoya. tanaka. yamaguchi. details. lots of kink discussion - just about anything you can think of

links. my masterlist. my ao3. more haikyuu. my imagines. requests open.

suga९᠀ - likes a good storyline video. loves a bad one. shitty acting gets him laughing, and he needs every chance he can get to feel as though he isn't sinning. won't say no to an amateur flick, but he likes the structure of 4k videos, and is a suuuucker for the 'oiled up' aesthetic.

asahi९᠀ - buddy has a rampant size kink that doesn't get much of an outlet. downside: most videos that cater to this are not what he wants, because of the unavoidable infantilization in most of them. so he opts for amateur vids with bigger guys turning out their smaller girlfriends, wives; extra props if there's some real, organic dirty talk, or if it happens to be super low-quality.

daichi९᠀ - has no shame about his oral fixation. face fucking. deepthroat. he's got any video with some lucky dude getting good head memorized by the title and the preview. his favorites are either: when the guy stays hands-off and silent, or when she takes a load down her throat. not much in between.

tsukishima ९᠀ - is a filthy animal with a porn addiction. will watch/has watched just about everything under the sun. he had a bukkake faze, a gangbang faze, but is now proudly serving his bdsm faze with specific interest in femdoms. shiny, black heels get him hard in an instant. has done the tried-and-true bdsm questionnaire in his spare time and does heaps of research on the community, usually as a pregame to jerking off.

kageyama ९᠀ - no particular preferences. but if he's got a crush on somebody, he will strictly watch lookalikes. it wasn't a conscious habit at first, but after the third time it happened, he couldn't articulate any other reason to look up seven descriptors in the search bar and get 0 results. how well/quickly he gets off is based on how well the actor or subject looks his crush. it's a long endeavor, too. he edges for as long as he can, and almost always does it twice.

hinata ९᠀ - can't watch porn long enough to build any strong preferences. has sensitivity/premature ejaculation issues, so he tends to just listen to whatever video he landed on. this has opened more of a pipeline to nsfw audios, instead. loves the sound of two bodies coming together, especially all the little pants and huffs in a video that aren't faked. has gotten insanely good at being able to tell if it's fake, too.

nishinoya ९᠀ - doesn't watch videos; similar problem to hinata. instead, yuu buys physical hentai novels. big fan of monster-fucking. tentacle stuff is a staple in his readable porn. he guards his collection with his life and would sooner lose a limb than have anybody go near the shelf that he keeps them hidden behind. once, asahi stood too close during a sleepover and -naturally- yuu bit him as a distraction, just to get him away from the area.

tanaka ९᠀ - wlw videos. solo-girl vids. he can't stand to watch something with a guy in it. it's huge turn-off, especially when the dude is too loud, or in the way, too soft, or straight-up ugly. learned to love the slow, women-catered stuff that's 40 minutes long and has plot to follow. also picked up a lot of tongue tricks from these vids, too. (congrats, kiyoko!)

yamaguchi ९᠀ - mmf threesomes. i think ya'll know what i'm getting at, here. either he 1: is poly and doesn't know it, 2: is gay and doesn't know it, 3: is genuinely very enticed by the idea of overstimulating a gorgeous girl, OR 4: can't see himself as enough for a potential partner, and this might be a subconscious way of evading that insecurity.

notes. i'm very sorry to any who were looking for ennoshita, kinoshita, or narita. i tried, but genuinely couldn't get anything going for any of them. they all seem like nice guys, but there's no material that i can properly make nasty.

taglist. @integers @paradoxicalwritings @yuchacco

links. my masterlist. requests open.

[ct-multifandom]

Big day for annoying people (me)

The two new eps of ML were good? Like wow it’s been great so far except ep 3 was comparatively a flop imo. Werepapas was so, idk, enticing lore-wise but I don’t have much to say that other people haven’t except that they’re clearly NOT neglecting past plot points, making the tone too silly goofy all the time, nor retconning important stuff like some people worried they would. We have been FED. I’m sure Felix is involved in that ring bs somehow, but idk if his intentions are pure or not.

Warning for the only salty thing I’m gonna say on this post: I’m so tired of going into the fandom tag and seeing people whining about “bad writing” problems that literally never happened based entirely on their own incorrect predictions they made up to make themselves mad. Ugh anyway. This post is gonna be about small details I latched onto in Daddycop!

We got to see glimpses of Sabrina and Max’s rooms this ep! Max’s room looks like a Star Trek spaceship but the books on his bookshelf are kinda giving those reference books at the library of like, archived government documents or research papers iykwim whereas the books in Alya’s room look like manga. An interesting thing I noticed in Sabrina’s room is that she has a line of framed certificates on the wall, maybe academic awards or something similar

Did they ever say if Markov can see Kaalki or not? I’m sure they will eventually but idk which option I like better. It’d be cute if they were friends but it’d be pretty funny if he had to watch Max talk to the secret floating ghost who lives with them now and not question it

List of things Sabrina dumps in the trash: yellow nail polish, the brooch Chloe gifted to her/bribed her with in season 1, the cat ear headband from her Chat Noir cosplay when she and Chloe were roleplaying as him and Ladybug in season 3, a beret, maybe the one Chloe tried to bribe her with in s1, Chloe-style sunglasses, a Queen Bee doll, a photo of them together in the old animation, and a mug/tumbler? Maybe a gift from her as well idk maybe they’re selling Queen Bee-themed Stanley cups over there.

:((((( Aw Sabrina nooo I hate seeing her so sad and the way she lied to her dad so he would think she’s happy and has friends

I think this might be the first time the show referred to Fire Captain Hessenpy by name?

Marinette’s scooter has the T+S logo on it and a sticker that says Boulangerie Paris

Between eps 2 and 4 I’m getting the sense that Sabrina uses Miss Hound as an escape kinda like CN where she feels like she can become instantly likeable, trustworthy, helpful, and useful through the inherent credibility of being a superhero. She has anonymity, can sort of start over on a blank slate, and is automatically implied to be a good person since Ladybug entrusted her. I’m guessing we’re gonna see more of that blank slate idea with other characters and what they’ll do with it, but it’s telling that Sabrina decides to transform to resolve people’s minor inconveniences, especially when she’s feeling bad about herself. It’s like she’s proving a point to herself but also giving herself something productive to do.

The GIRLS Ahhhhh let’s go lesbians

Noticing a clear absence of Alix. Ik the special implied she has to keep hiding in the burrow from Lila but she’s all normal-looking in the intro and they can’t shelve her forever. I feel like something is gonna change to make her be able to return.

^^^ ALSO she’s the only hero with zero design updates and my theory is that the purpose of that is so she can do contrived time nonsense like going back to earlier seasons and going forward without contradicting anything or revealing which time period she’s actually from

I gotta say the side character writing has progressively been better and better throughout the show. Atp they really feel like actual people with their own opinions and motivations. In the early days they felt more like lovable NPCs who talked occasionally but now they’re real characters? With free will? I feel like I just watched Pinocchio get turned into a real boy

The pro-healthy eating censorship/propaganda/whatever in this show is so funny omg. Juleka: I brought fruit tea Mylene: wow that’s so much better than the sugary soda we had last time LMAO. To balance out Rose holding a bag of popcorn they gave Zoe two burlap sacks full of oranges which tbf I’d rather snack on those during a movie than popcorn but still. I saw a vid recently about gravity falls adding random bowls of fruit next to characters eating junk food because they were getting flagged as promoting unhealthy habits. I keep thinking about that moment in Ikari Gozen when Mari asks Kagami out for “juice” when any normal teen would’ve said “coffee” like nope no caffeine in my good Christian miraculous

Love Kagami being a pretentious film nerd go hang out with Nino

RED ALERT YOU GUYS Mylene has an inclusive pride flag pin on her overall strap. Like the rainbow flag with the trans triangle and the black stripe. It’s not subtle or anything it’s just right there wow. Damn

The pin above it reminds me of Timebreaker’s logo. I wonder what some of these pins mean

Ok last season they seem to have established that Sabrina became friends with Marc and Nathaniel who were both explicit Sabrina Supporters since their akuma episodes, so it feels sort of convenient that they were written out of the narrative for this ep. I do see the whole Girl Squad thing and how she feels excluded when all the girls in the group hang out together without her, doing traditional girl things like movie night sleepovers, so I do think it’s totally valid. Her having absolutely zero friends is hyperbolized though.

On that note I have to wonder if the school might have several lunch periods because none of the male characters expect Adrien and Nino were there. Or maybe they just stage the scene with whoever is convenient. They might have flexible lunch schedules and all the other characters are off somewhere else.

Rose mentioned a girl whose name I didn’t recognize and after rewinding i can’t tell what she said. Aglie? New character? Maybe she’s that black girl with pink hair who was sitting with Adrien, Nino, and Sublime at lunch

KAGAMI AND ONDINE ARE CANONICALLY FRIENDS this is like the Superbowl for me. I’m so excited for Sleeping/Princess Syren I need to see her.

God the girls were so messy in that scene where they didn’t want to invite Sabrina lol I kinda love it I can’t even be mad

Zoe, your lab safety is atrocious. Not only are you taking your goggles off while still in the lab, but then you *leave the room* and *touch someone* with your gloves still on?! Diabolical. What are they even doing, soldering computer chips?

Marinette when I catch you Marinette

Roger’s relationship with Sabrina is actually so cute even though he’s kinda misguided as a person GOD when he’s on his way to console his crying daughter and Lila enters his mind space and he’s cradling his arms like he’s clearly seeing her as his baby 🥺 nobody talk to me

Alexa play I bet on losing dogs by mitski. Myyyy baby my baby…

We got a glimpse of the baddest bitch in Paris Xavier Ramier I’m so happy

Sabrina shapeshifted her necklace into a brooch. Huh. I guess you can just do that

The power of believing in herself allowed her to yassify her own character design into a cuter and more fashionable superhero! This is basically just like real life if you think about it

Her ball has a doggy nose on it awww

Lila telling Roger to turn around so she could back him up and fire the anti akuma was badass okay

I’m not sold on the loud ass makeup they have a lot of the characters wearing so I’m glad we got to see the girls with clean faces at the end there. Wow they look so normal! I’m also loving the pajama designs. I had to pause and look at all of them.

Zoe had to stop and hit Sabrina with that rizz stare to make sure Sabrina wouldn’t be coming up with any platonic explanations for her behavior

I never thought I’d say these words, but I think a love triangle between Sabrina, Zoe, and Max would be fun. Imagine Zoe is into Sabrina, Sabrina isn’t exactly catching the hint and sees Zoe as a really nice friend, Sabrina kinda likes Max, and Max is like damn these bitches gay. Good for them.

The end card is so baby omg

I TOLD YOU GUYS Sabrina was gonna get a makeover and people were like uH No iTs JUsT An aNimATioN eRroR oF a ScRApPEd DeSiGn girl why the hell would they leave a scrapped design in the intro, and there’s no way they would accidentally not notice that much less repeat it

Mark my words white haired Caprikid is not an error either he’s real and he’s gonna collect all the chaos emeralds to get that way

A new diabolical twink has hit the scene. Ray’s pompous ass immediately reminded me of Preminger from Barbie. He looks like he rides horses. Like he tells people he’s into sports but then you find out the sport is just horse riding. Immediately invested. Who is this diva. I want him to get hit by a bus.

Ooooo Zoe was up to some Delinquent Shit in America this is so juicy. I looove when suspiciously perfect characters get revealed to be secretly fucked up that’s the best. I’ve always loved those types of headcanons, that she was expelled from her last school and moved to a different country all of a sudden for her mom’s PR. If you think about it, that’s exactly what happened to Chloe damn. Daughter commits PR disaster, do zero parenting about it, relocate daughter far away to start over with little consequence! I wanna see some parallels. I feel like she made it sound like she moved because she was getting bullied at her old school, but what if that was a lie, or at least a partial lie? You know shit’s serious when the exposition is in the post-post-endcard scene

The pacing of these episodes has been satisfying compared to previous seasons, especially 5. They aren’t trying to shove too much in, but there’s still a lot happening and fiiiinally a nice mix of plot and fighting. I was getting irritated by how rushed a lot of the fights were last season like might as well just not have them at all

Late edit: back to the pajamas because I forgot to analyze them, I have noticed that Juleka’s pants have bats on them :) frickin bats. They also have like… a crescent moon with something sitting on it? idk what that is. It’s like a pattern of cute spooky Halloween imagery. But the pants and her black lace tank top versus Rose’s sparkly pink unicorn onesie is adorb.

Zoe has a yellow tank and seems to be wearing her usual leggings under running shorts um? Outside clothes in bed? And her pink slides give the whole thing a sans undertale vibe. Oh what the fuck why do the feet of her tights have individual toes lmao. The horror. I hate it.

I can’t tell what Mylene is wearing except a black t-shirt that might have something white on it. OMG EDIT 2 ITS IVAN’S T-SHIRT FROM HIS OLD DESIGN YOU GUYS SHES WEARING HER BF’S OLD BAND TEE AS PAJAMAS. This is headline news myvan nation. She has maybe pink shorts and her slippers look like Uggs.

Kagami’s silk pjs look luxurious. I love how her clothes this season went from just preppy to being very obviously EXPENSIVE like she’s blending in with the gang but she’s still clearly rich af.

Sabrina’s pjs are a classic set with her usual argyle pattern on them. 10/10 would give her a warm glass of milk and read her a bedtime story. I wonder what she needs eye drops for because she told Roger she needs to pack them.

Excited to see more yay! I love the little details. It’s kinda a bummer that Sabrina spent most of her hero focus ep sobbing but we ball (see what I did there) and the end was so cutesy. So excited to probably watch episode 11 before episode 6

[vegetanalysis]

I talked about this earlier when I shared this post about Vegeta letting his guard slip for a brief moment in the anime and betraying his exhaustion to Krillin and Gohan, shortly before the battle with Frieza begins.

The other little humanizing moment we get of Vegeta before his doomed fight with Frieza is this one, and I love it so much because, in terms of storytelling, it is a subtly effective way of preparing the audience for what is about to happen to Vegeta.

Throughout the Saiyan Saga and the first half of the Namek Saga, we've been schooled by the narrative to see Vegeta as a vicious, cruel, inhumane antagonist who has no qualms about hurting children and slaughtering innocent people to get what he wants. That perception of him has already begun to shift as the audience observes his cunning and determination on Namek. He becomes especially interesting as we see his cleverness on full display: we watch him get beaten unconscious by Zarbon in their first encounter, taken captive to Frieza's ship, and then successfully trick his captors and escape with the Dragon Balls. He's an enchanting antagonist and it's hard not to root for him, at least a little!

And then we catch a disconcerting glimpse of Vegeta doing something utterly normal and relatable, like calmly washing his face in front of a mirror. It creates sympathy with the character because it's a quiet reminder that this fierce, vindictive, nigh-unstoppable antagonist is a person with...basic hygiene routines?! It rounds out Vegeta's character and establishes commonality with the audience in a small way, setting the stage for his fight with Frieza, when we will get a raw glimpse of who he really is.

Gotta be pretty for when Frieza kills him.

[sillygoofyqueer]

So, originally Crowyuan occured when Bingge was already Demon Emperor, then came the idea of him becoming known as the Corvid King while Binghe was still a little disciple. What if he transmigrates and becomes known as the Corvid King before Binghe is even born? What if he finds this poor abused slave boy and decides This Is Mine Now before realising Oops! He's taken the scum villain under his wing, metaphorically and possibly physically too. Too bad, that's his son/little brother now. Oh but what if he transmigrates a little earlier and it goes the same except it's with both Shen Jiu AND Yue Qi? Or with all the other slave children too because he feels bad just saving two, even if those two are the only ones relevant to the original plot?

Wow....the Original™ Crowyuan timeline........back in the good old days where I didn't have so many different AUs to think about.....(/silly I love them all) ANYWAY. Corvid King crowyuan would definitely stumble across the street kids - he gains B-points n shit through answering prayers and gaining followers, so of course he's going to listen to the prayers of some poor little street children with nowhere else to go. It's not like he doesn't have the means to look after them, whether that be giving them to couples who badly want a child but can't have one for whatever reason, or placing them into orphanages that he funds himself (note: they don't know that he's funding it, they just believe there's a generous rich person donating whenever they need the money). However, when he's dealing with this new band of street kids, there is one child who just....does not want to let go of him. He scorns Crowyuan's existence when the deity first finds them in the alleys, offering gentle words of reassurance despite the late hour and leading the children along (yes, "Come Little Children" style, what kind of animal do you take me for?). Unlike the other naïve idiots, Shen Jiu and Yue Qi have seen this played out before. A stranger comes in the night, promising food and a home and love, and those who follow are found not long after. Dead. Crowyuan watches on in...a mixture of respect and worry as one of the children tries to explain the danger of following strangers in the night to the others, and another stands back and watches it happen, scorn clear upon his face. These children should not know the harsh dangers of life, not so young, but it is good that at least two of them are smart enough to not trust strangers, even if that isn't necessary in this instance. So, he offers proof of who he is. He sits down and tells them who he is, and he makes them pray, so he can listen to what they want. The snappy, unimpressed child doesn't, he just glares and scoffs when his friend drops his head down, but then shifts as if to protect him if necessary. When he respond's to this friend's prayer aloud - "Xiao-Jiu would be happy and safe in a bed, I think" - everyone seems to startle. (Of course, he has to repeat this exercise many times until this snappish child, this 'Xiao-Jiu', finally relents). He finally is able to lead these children to a nearby orphanage, ran by people who could do so much good with just the right amount of gold, and he drops them off there along with a pouch filled with gold. However, when he turns to leave, Xiao-Jiu clings to him. He stares up at him with a sort of fury in his eyes, demanding to know who he thinks he is, ditching them after dumping them off with these random people. A street child who speaks to a god, whose fear of being left by his saviour outweighs his fear of the power this creature wields, and does not hesitate to cling to this deity's robes with his dirty hands.

[factual-fantasy]

27 Asks! Thank you! :}} 💞

@peaspods

I might not be understanding, but I'm imagining this as people opening up commissions so people can give them money and they can turn around and donate that money to me..

I fear that this would create the opportunity to scam people.. "I'm taking commissions on behalf of Factual Fantasy! They're very sick so please commission me!" only for them to run away with the money they make..

I've been thinking a lot about setting up some kind of commission/donation thing because I'm starting to kind'a need the money.. but idk, I'm just kind'a run down and need some time to keep thinking about it. Thank you very much though <:)))

@zecromgen5

Thank you very much! :) And I've been hanging in there.. there hasn't been much improvement to my health or my mental state. The fact that in April it will officially been over a year since my health started to decline, and the fact that I'm going to spend my birthday at home collapsed on the couch has made me feel very sad <:( But I'm doing my best to work on it.. I'm hoping this new advice from my doctor helps me feel better <:)

And something good HAS happened actually, I got my tablet/FireAlpaca to work again! :))

XDD SJKFJSH AWW! THANK YOU SO MUCH!! :DDD

I've only seen a bit of it from Markiplier. So far I'm 50/50. Somethings I like and others I don't care for 😅

@neo-metalscottic

Thank you so much! :D 'm glad you've liked my recent artwork!! :}}}}

Also for Homes eyes, that was just meant to represent its oppressive presence and the fact that its watching them in that moment.. 👁️👁️

And I don't have any plans for any of the neighbors or Wally to figure out the house is alive. My AU is more like "a day in the life of" thing. Having someone discover Home is alive would move the plot forward. Which I don't feel like doing <XDD

Now communication... Home understands the concept, but he has no way of communicating other than creaking the floorboards and slamming doors..

I've heard about the well. That could work for Cliffjumper and Breakdown maybe.. and the twins perhaps.? But wouldn't they have to have Tailgates body in order to revive him? Hmmm.. idk actually,,

I've watched the bayverse movies, most of Prime and a few other things here and there. I didn't mind the bayverse movies that much, but I can see why a lot of people don't like them <XD

I just imaging trying to consume more than one Transformers media would be a lot to take on.. and I also don't like the animation styles of most other transformers shows 😅

(That's actually how I decided to watch Prime. I took a look at all the shows and went "this one looks ugly, this one looks ugly,, this one looks REALLY ugly.. Oh, this one doesn't look half bad. TFP it is then!")

@acreaturecalledkyfa

I've watched Markipliers first video on it. So far I'm not sure how I feel about those two 😅

The way I immediately opened YouTube and went looking for it XDD

@fandomcenteral (Link in ask)

Thank you so much! :DD This will come in handy!

@mason-gaylord

Aw! Thank you so much!! 🥰🥰

@im-nice-but-i-dont-like-you

Jangles would be a helicopter probably, Gerald would be a tank, Cici would be a Miata and Bibi would be a slightly raised up Miata XDD

Aw, I'm honored that you miss them <:}} Though I don't know if I'll draw them anytime soon.. I'm really not into inserted OCs anymore <:(

I'm waiting on Markiplier to release more videos on it <XD

@fadlingartisanfreakwinner

I like to imagine that Pokémon can learn dozens of moves. But 4 is the limit for official Pokémon battles. So any wild Pokémon in my comics can use/learn as many as they want :0

And yeah, they had that chat eventually. I just never got around to drawing it 😅

@wolfie-777

Nah nah its just iced tea XDDD

@whereismycupofcoffee

:DDD Thank you so much!! :}}}}

AAAA THANKYOU SO MCUHH!! :DDDD

@nuggybee

Yeahh,, Sky has its ups and downs. I'm currently in one of its downs. It seems like I'm let down by everything they're releasing 😓

@smithanonsworld

I feel like I've never seen a rabbit that color... its so cute 😭💞💞💞

@heaventhehedgi3

That sounds like me! Though I don't draw Octonauts anymore 😅

I'll keep it in mind! :0

🥹🥹🥹Aw... that's so sweet! Thank you so much!! 😭💞💞

@captain-skyler1987

You made an account just to follow me? :DD Aw that's so sweet! :) Thank you!

Also I'm sorry to hear you got the flu :(( I hope you're better by now!

I also have not played Dandy's world 😅

@stargirldrawsx3

The first thing that came to mind was very anxious all the time 😅

@network-warrior-01

Ah, that was an April fools post. <XD There is no drawing

[woooshworldtwo]

AT A LOSS

TAGS: WIFE!READER [Originally just mentioned once in dialogue but otherwise just spouse is used when describing said relationship between characters], Husband!Caracalla x Reader x Unrequited!Geta, Mentions of sex, Brief mentions of slavery [gladiators in the Colosseum], Brief mentions of animal cruelty [animals participating in the Colosseum], Historical inaccuracies, I'm not sure what else.

FIRST NOTE: I think I wanted to try accentuating the care he wants to give reader and therefore ends up treating those around him as what he sees them as- disposable and like shit. Geta is a TERRIBLE man so I guess I just wanted him to be pining for someone he knows is out of reach. I was gonna make it a series to like Caracalla x partner reader x unrequited Geta. if this is the first chapter, ngl idk where to trail off from there. i kind of write while im smoking just to fuck around so maybe i could write at least five-ish chapters if i think of a good enough plot. WHAT DO YOU PEOPLE THINK?? who knows i could even do the same with Caracalla, it could make sense cause he literally kills his brother in the movie

SECOND NOTE: pov ur me, high off like five tokes and u watch Gladiator 2 the day it comes out on Paramount+. BOOM, obsessed, love it, don't even care about the historical inaccuracies. For some reason, as someone as not all there like Caracalla is, having that deep relationship with his brother, once he notices that lil interest Geta has, or even just the doubts of others finally becoming to a point where my guy has to LOCK IN to keep his partner w him. not cause they don't love them, I think it would be cause he loves THEM too much. I'm talking bristling at the notion whenever he thinks of them together. JUST UNSPOKEN TENSION. do u guys enjoy that?

THIRD NOTE: unfortunately, i have more to talk about but no one to say it to so ur my audience. yelling into the mic i ask, do you guys think I should write porn of Caracalla and reader FUCKING?? idk if it would even include Geta- IT COULD, WHATEVER YOU GUYS WANT. I sort of just wanted to explore writing intimacy as an actual action instead described as thoughts. leave ur thoughts on what u guys think on that too bc im literally so curious.

PLEASE DON'T COPY MY WORK, I BET YOU

Summer in your lungs, and alcohol swimming in your stomach; Caracalla wonders if he's seen beauty such as yours. Never alone in the hours of the night, the lovers he takes soon notice how harder he is to satisfy, to sedate into a warm puddle wrapped in expensive sheets- instead becoming unflinching to the pleasures that usually melt his tortured mind.

Intense with his emotions, he swears this affection was there from first glance. Taken sight of you at in your hazy glory; the clothes accentuating the shade of your skin, the warmth of your eyes, it only takes months before you two wed.

From there, days are blissful. Misery always follows, but he finds with your company at his side, falling into the episodes of madness are rarer and rarer.

Perhaps it's the sweetness of your soul mending what his lacks, or having the closeness of your body distances the pestering thoughts appearing out of thin air. No matter what is it, with his claws dug into your being- he refuses to let go.

Dimmed by what other's consider insanity, it's difficult not to see Caracalla's growing lucidness. Coming face to face with it, Geta realizes any foes and enemies of Rome has never been as close as his brother has to the inner workings of his mind.

Divided by grace, the affection for you has been its limit. As the eldest, Caracalla bears the pitying glances from other's in the palace; to have the responsibilities laid on Geta is blasphemy, but who else can handle its weight when his mind is in two?

Who else to lessen its everlasting ache if not you? For that reason, such as many others, is why he cannot risk this becoming what he has grown familiar with- sharing with his brother.

Holding the same curiosity he did in the faint moments of childhood, his Adam's Apple bobs faintly- and when you look to follow its movements before returning your gaze to him: a faint shiver is felt and repressed in that same breath. "Caracalla?"

Asking in a murmur, he knows what you're referring to. Living with you these past handful of months, he can recall the number of times you've cut each conversation he's thought out into nothing more than small talk. In one worded questions, he cannot help but admire the relaxed sight of you.

So much so, he allows you to each time. Tossing the unspoken plans of connection for small talk, he nods. A hint of a smile is seen, and alone from that, you beam back at him.

Genuine like the sun, to continue seeing it, it makes it easy for him to keep spew out half thought words in hopes something he says would land. "He will arrive shortly, do not worry.", it ends with your name, echoing from his mouth, and although the God's have given him the same glory they themselves hold at their fingertips; nothing has sounded as holy.

Bounded by faith, the prayers he spills are ingrained in the folds of his brain, but once consumed in these times of power, he wonders if he should dare step closer to the soul he swears should beat for him.

"... Geta?", Unknowing for how much time has past, the beaming smile you once held is melted into a small frown. Quietly urging him to the present like he's seen you do with his brother, there's a warmth blooming in the hallow part of his chest.

Cherishing the brief concern, it only seems to remind him what Caracalla has naturally and what he takes the scraps of.

Still leaned back into the expensive marble, the wall itself is a pale enough color to forget about, instead focusing on the features he, too, fantasizes of in passing moments alone.

"Where did you go?", Too familiar with speaking to the other emperor, the question is thoughtless when spoken, yet its weight is felt nonetheless. "Nowhere. Just here.. Are you enjoying yourself?", Taking a pause, he eventually speaks again. It's done when walking to the the throne nearing Caracalla's; the one you sit in.

"Quite the spectacle.", Your eyes peer down at the sight below; bloodshed in the Colosseum's sand doesn't make your stomach twist like it once did, however when watching captured men swing weapons- and seeing another one fall, you look to him again.

Sitting at his own throne, you find his eyes already on you; a quirk upturning on his lips to show the pleased buzz your words give him. Gladiators from conquered lands, their purpose in Rome is to win their survival and amuse any passing visitors. Yet in the past year or so, since your arrival, he's found a deeper sense of pride at their display.

Growing passed the Senator's praise, passed continuing his parents past teachings, he has found serenity in the amazement you hold so clearly.

Seeing your wonder at the captured animals; their stature towering over the sand's flat ground, using its strength to trample over any competitors- he finds himself chasing the occasional bursts of attention he manages to keep with in your magenta sunlight.

Never promising loyalty to anyone; he chases it when you're unable to give it, the mess of concubines and courtesans who he cannot remember the names nor the faces of, only remembering their similarities to you- their purpose has been asked for more as of late, and neglected all the same soon after.

No matter if it was seeing a person with hair similar to yours, a familiar sounding voice, even just dressed in clothing resembling your own; they were sought out after in hopes of finding you in them.

He finds it only lasts briefly.

Of course sex is endless, at the call of his voice and at the stop of a groan; services are there to satisfy whatever craving he has. But after each round of breathlessness, he finds that hunger for what is missing growing into something insatiable.

Hours spent, feeling their bodies, picturing what your own must look like underneath the white moonlight casting into his bedchambers. Each thrust is heavy with yearning he cannot mend, moaning for warmth he cannot have; he damns Caracalla in those times for finding you first before he did.

Perhaps then would you be his spouse. To bed you the same way his brother does would be true nirvana, to hear those same whimpers he knows you're able to make, to feel you shiver and tighten around him the same way those people do; it's what he longs for.

He's certain then he'd be more than just rough, chasing whatever high is made in a blurry of orgasms- it becomes difficult to differentiate who is with him and who is imagined; not when his eyes are shut and your image is all he sees in its darkness. Tenderness is taught, and if his brother was able to learn to extend that same to you; there is no doubt he'd do the same.

"Are you enjoying it?", Turning your focus back onto Geta, his answer is a hum. The sound is husky from passing thoughts, and strain for what should be hidden; he takes a moment to gather his words.

"I always favor your company, the spectacle is merely entertainment.", Repeating what you said only minutes ago, the unexpressed emotions behind it is registered in your mind- and although brushed off originally, that denial you have becomes harder to not believe Geta's feelings becoming more noticeable in the time spent at his brother's side.

"The ambience of cheering Roman's, animals in pain, and dying men; no wonder we have such lively conversations in these times.", Another quality of yours he finds endearing is your dryness. The harshness soaked into your veins from being raised by your family has not changed you the way it has him he notices; viewing the cruelties of Rome in whatever light you could shed, he once again almost smiles, a quirk of his lips turning upwards showing.

"Complaining to the emperor for the privileges he's given you? What an ungrateful wife you are.", Breaking out into a smile, what is said is anything but malicious. Leaving Caracalla unmentioned; unsaid, his mind is soothed from its ache, mending itself when remembering it's just you and him- hidden away.

Alone in a place where he can pretend you two are more than in-laws, there's a warm stirring at the sound of your laughter. Filled with humor you express so freely, it reminds him of conversations with your father throughout the years; his stories of your youth.

Defiant in ways he wishes he'd seen, and mischievous in ways he knows you still are; the only changes is now you're not tangible. Yet, lost in affections like he never got to be as a boy, he doesn't mind who he's face to face with now. Not in the slightest.

"Forgive my insolence, emperor; I plead for it.", Clearly you speak to Caracalla too much because the shiver trailing up his spine goes directly into that heated feeling in his abdomen. Aware you're unknowing to the effect you have, it only worsens at the hint of playfulness heard.

"Oh, you're forgiven. The God's have extended their mercy onto you today, but be wry, they could change their mind.", Unwilling to give into the arousal brewing, the tension he's created in his body, he replies with a smile- one that lingers too long.

Mischief isn't needed to be noticed in the palace, not with the two emperor's having their souls intertwining themselves with your own- no longer being unheard by those around you, that streak remains. It brings an amusement greater than bloodshed to Geta, and even more so to Caracalla. Smoothness of your words he swears is coated with the sweetest of wines; it disarms what would be seen as scrutiny as nothing more than a jest.

With humor being forgotten in such trying times; outside of what the Colosseum offers, and outside of the different celebrations of another conquered land- Geta finds your spirit is lightening to what is constantly dampening in his.

Shouts of Roman's are heard, like you predicted, and another man falls. However, with neither of you truly paying attention to the sight; their deaths were not offered the same graciousness you're given so carelessly, so frivolously: and when one of the last remaining takes their bow to surrender- only then do you look away.

To see your eyes of amusement grow into something unreadable, his own smile dims into a frown.

Standing from the throne, his hands rest on the Bisellium's railing, he grips onto it tightly when seeing below. Blood stains the sand as always; the deceased laid out over it in the afternoon heat, and the two lone man kneel. Meters away from one another, your eyes flicker between them, and soon Geta speaks up again.

Mercy is yelled in the air, and when he asks you, his voice is quieter than intended, "Shall we show mercy?"

Sparking what was lost, you nod, and another smile is seen, "Mercy."

Prayers do not solve what is inevitable, he finds, not when the God's blood soars through his body. The threat of rebellion, and the stings of betrayal, that mask that hides it all becomes wavering whenever he's with you; wishing to you like he did as a child to the God's for power, to worship you in ways he only should deities- it almost feels blasphemous.

Even more so now, when you don't understand the importance behind what he says; the grace he offers, the laughs he lets slip out- it is only the beginning of what he could promise you.

FOURTH NOTE: Now that you've made it this far, I wanna like drift away from what I was writing on my old account. it was just small paragraphs, but writing on a laptop just HITS DIFFERNT- literal hours spent doing this shit. I don't rlly wanna take requests bc i feel like my time is just too hectic for that, BUT I WOULD LOVE to hear your guys thoughts!! Okay, small series on these characters- Quinn Mossbacher, Simon Kalivoda, Ethan Russell, DIMITRI KRAVIOFF, DANIEL MARKOWITZ, JASON HOCHBERG, and finally our beloved; Caracalla. bad part is I haven't most of the movies they're in, so i don't want it to be inaccurate.

FIFTH NOTE: currently i'm writing a Johnny Storm fic series inspired by the new Fantastic Four trailer (writing the third chapter of what could be a five or even eight part series if I get to understand that franchise better), an Eddie Muson fic mainly just to fuck around and post that old one I never got a chance to. also an Adrian Chase fic i found on my laptop, another one for Koby from the one piece live action (I was inspired when the show first came out), and joe goldberg

FINAL NOTE: I've wanted to get into watching Yellowjackets. LOVE THE SHOW. Another thing I wanted to ask bc when I write for women characters, i like to write them as WLW. SO would you guys like it if i also wrote for Iris (Companion), SISTER BARNES (Heretic), Jinx (Arcane), Lucy Maclean (Fallout), Rhiannon Lewis (Sweetpea)?? one day if i sell out and get a membership to Prime or those silly addons; I WILL.

[alexa-yukiyu]

Unfit Babysitter ft Sukuna

A/N First one to go! I can’t remember if I came up with these or if they were dreams but here they are, I think I have three or four ideas already written down, just have to fledge them completely

Reader here is replaced by Dokucha which stands for reader in japanese for the enjoyment of both reader and oc character readers

Sukuna looked bored at the child running before them, playing around with a wolf-like curse. The two ran in circles, the child trying to catch the curse, giggling escaping them as they did.

“Sukuna-sama,” Uraume called, catching the man’s attention, his eyes glancing at his subordinate letting out a hum in response.

“The village downwind has sent a group of sorcerers to our location; provided they don’t die on the way, they should arrive within the next hour.”

“Are they any good?”

“Their techniques were quite unique. However, they lack the talent to master such abilities.”

His disappointment was soon cut off as he dismissively turned his sight back on the child only to let out an annoyed grunt at the lack of said child in front of them.

“Should I retrieve them?” Uraume questioned, watching as the sorcerer stood up and made his way into the forest past the clearing.

“No, I will be getting the brat myself this time

“He was right; these maggots have not the first idea how to use their techniques in an effective way; it would have been fun to play with one that knew what they were doing,” he tsked, dropping the severed head of the sorcerer

“And you,” he growled, turning around to face the curse that stood next to Dokucha, dread filling their animal features as the sorcerer slowly made their way closer to them, a taunting smile on his face as he did

“I should have known better than to have allowed a measly cursed to live,” he drawled as he drew closer,

“Here I thought even a pest like you could be useful, but you aren’t even capable of keeping tabs on a brat,” he spoke, the malicious grin on his face growing at the fear growing on the animal as he raised one of his hands to strike them down stopping his attack as Dokucha stood in front of the wolf protectively

“Go away, Kuna!”

“Ha?! I saved your ass, and you dare say that to me?! Move,” he snarled.

“No! Mr. Snuggles protected me!”

“Who the fuck is Mr. Snuggles?!”

“Mr.Snuggles!” Dokucha exclaimed in glee as she gestured to the wolf curse, who nervously shook his head. Sukuna’s attention shifted to him being anything less than thankful for the ‘praises’ of the child.

“He’s the best! Much better than you, Kuna!” They gloated, placing their hands on their hips in a proud stance. The wolf looked their way, silently begging the child to cease their words, comedic tears sliding down its snout as their situation worsened with each second.

“Is that so?” Sukuna growled, sending a scathing glare to the curse.

“Mmhm, just like me! You’re no match for me, Ku! Give up, and I will show you mercy!” they called with an exaggerated laugh, escaping them, only to pause and let out a small squeal as the sorcerer easily reached them and took hold of them.

“HA! A weakling like you is nothing more than an insect compared to me! What do you take me for?!” He Cackled as he looked at the child now dangling from one of his arms by their feet.

“Y-you’re, You’re, a-a-a”

“Can’t even speak properly, and you speak about defeating me?!”

“You’re so mean, Kuna!” They snap a frown on their face

What do you think? This one is kinda meh

[thewadapan]

School Days review

Yeah, School Days is actually pretty good after all.

When you google "School Days", on the first page of results there's a reddit thread asking "hey, why do people hate this show?" OP gives a succinct summary of the show's themes and praises it for its tight focus and psychological depth.

The comments in that thread are fucking crazy. The top-voted comment includes this absolute gem: "Sekai is an emotionally manipulative bitch". Some users gesture towards a faint understanding that School Days is a deconstruction of harem anime, but almost to a one they claim the character writing is unrealistic. Nobody seems able to look past the show's metatextual meaning to just look at it on a straightup subtextual level—that is to say, it's not just being different to other anime for the sake of contrarianism, it's making a serious point about misogyny and toxic masculinity. Describing Makoto as a "character" at all is almost missing the point; he's practically a force of nature, and the vast majority of the show is concerned with the psychological manoeuvring of the girls in his class trying to manage and shape his behaviour.

I only know about School Days because @weaselandfriends is constantly banging a drum about it being a secret masterpiece. Gee, I wonder who the OP of that thread was! Cannot imagine being on a "School Days slaps" grindset for eight fucking years now.

(CW: discussion of underage sex, full spoilers follow)

I'm going to take a cowardly centrist route and say that School Days does in fact slap on a conceptual level, but that the execution in many places leaves a bit to be desired. It often feels repetitive. I watched the thing on 1.5x speed because, as someone who reads fast, watching subbed anime is like watching paint dry. The dialogue often feels awkward (unintentionally so, as in), which I'm willing to partially chalk up to the translation; maybe some of the clunkier lines feel more natural in the original Japanese. The imagery is often kind of laughably blunt: in some cases it works, like Kotonoha's red yarn like she's pulling her own fucking arteries out of her body, and in other cases it feels derivative and hackneyed, like the whistling kettle in the final episode. Maybe that was more original in 2007, I don't know—I would've seen the same thing in Harry Potter and the Goblet of Fire two years prior.

School Days does set out to pull the wool over the eyes of its presumably-mostly-young-men audience, by putting them in Makoto's POV. The show is adapted from an eroge, where the player literally would have inhabited Makoto and made his choices for him, and the "objective" of the game would have been to unlock sex scenes with all the schoolgirls. The trick with the anime is that it removes the possibility of choice, creating an impactful dissonance as Makoto's actions become increasingly alien and harmful. Inversely, as Makoto's sexual exploits escalate, we see less and less of them; by the end, the whole thing is routine, not eroticised in the slightest, we see people putting clothes on afterwards, sneaking around darkened rooms.

At the start, though, it's all panty shots and boobs. And like, how do you depict the objectification of women, from an internal perspective, without just... objectifying women? This has basically always been the classic problem with satire. If there is a way of doing it, School Days hasn't figured it out, so it just rolls up its sleeves and gets on with it. Where School Days stumbles, in my opinion, is that the fanservice shots leak out of Makoto's POV and into the scenes where it's just the girls on their own. Nevertheless, I think that even pretty early on School Days is unmistakably saying, "this is a bad thing". There's a discordant note to everything, a threat of another shoe waiting to drop. At the start, it takes the form of these innocuous remarks as the characters try to interact in good faith: Sekai is constantly like, "There's nothing wrong with feeling attracted to a girl! But maybe she doesn't feel comfortable with it! Have you thought about how she might feel?"

That's the great tension of Sekai, and indeed of much of the show's conflict: there is a world where Makoto and Sekai are just friends, and where Makoto is faithful to Kotonoha, and everyone lives happily ever after. Maybe Sekai really is earnestly trying to cross this gulf between genders, and wants to just make Makoto understand, so everyone can be happy. But from the start, there's a question of Sekai's motives; embodied by Sekai's friend Setsuna, who trails after her constantly asking, "But do you like him really?"

Setsuna is an interesting character with her own motives. There's a reading where she has a crush on Sekai, but can't pursue it because of her family's impending emigration; she ends up hanging around Makoto and desperately attempting to protect him from the consequences of his actions to preserve his relationship with Sekai, expressly stating that she wants Makoto to be a proxy for her after she's gone (though leaving any romantic feelings unspoken, that's just my interpretation). This escalates to the point of her having sex with Makoto on the condition that he breaks off another engagement with Otome, which is such a self-defeatingly doomed gambit that it becomes tragically clear Setsuna has lost all control over the situation. I got the impression that Setsuna somewhat envied the other girls' entanglements with Makoto: the bit where she kisses him while he's asleep, in an attempt to create a personal memory before she leaves forever, is haunting. Like Sekai, Setsuna ends up manufacturing a romance between herself and Makoto as a way to be with him "by proxy", without earnestly confronting her own feelings.

Anyway, my point is that early on, everyone is treating Makoto like a person, which is sort of their mistake. They're like, oh, a boy with a crush, how cute! What's the worst that could come of this? He's a bit clumsy, but I'm sure he means well! And progressively, mercilessly, the show is like: no, he does not mean well. This dude has absolutely nothing in his life except sex. Girls only exist to him as people to have sex with. Guys practically don't exist, as he can't have sex with them. And for these teenagers who are discovering their sexuality, the very fact that Makoto soon starts having these rumours circulating around him is what gives him some allure: he's a sexual entity, he can be thought of in that way, there must be some reason all these girls are acting so crazy over him. Even a character like Hikari, who early on was crushing heavily on the anime's one (1) other male character, Taisuke, ends up taking her turn with Makoto; whatever feelings she had for Taisuke are forgotten, the anime doesn't even bother establishing how that romance works, because it doesn't need to, we've already seen Makoto use his exact same wiles on like three girls already.

School Days has aged well not just because the years since have yielded a better cultural understanding of its subject matter, but for its "production design": what would have been a timely present-day setting at the point of its release ends up turning the whole thing into an early-2000s period-piece. The fashion and environments are distinctly noughties. Perhaps the most consistent bit of visual symbolism in the whole thing is the flip-phone: whenever a character is holding their phone, you can think of them holding their heart in their hands. They're like the fucking soul gems from Madoka Magica. Sometimes, people leave their hearts in the other room, or block each others' hearts, or search their hearts for good memories. The "cell phone charm" from the first episode is brought up towards the very end, seeming bitterly quaint in retrospect. Right before she kills him, Sekai sends Makoto a text which just reads "sorry" copied and pasted hundreds of times. And of course, the ED shows a propped-open cellphone with a slideshow of photos of the girls.

I think in terms of its place in history, School Days speaks to this information age where young girls are being bombarded with cultural messaging that the best way to get ahead is to sexualise oneself while simultaneously slamming everyone else for their sexuality. Girls aren't just competing with one another for the attention of boys; now, they're competing with online pornography. Sekai works as a waitress at a maid cafe (?), and sometimes wears the outfit for Makoto when they have sex. During the School Festival, the girls theme their class as a maid cafe (drawing on Sekai's experience, I think?), and are shown using "absolute territory" as a last-ditch resort to steal people from the other classes. As part of the festival, they have a secluded area curtained off with a bed, encouraging couples to go there for sex acts—but later, it turns out some of the girls have set up a camcorder, and they use the footage to reveal how everyone is cheating on everyone else. While the exact events are obviously taken to an extreme, subtextually everything in School Days tracks 100% with my own experience growing up in a Bri'ish high school, and it feels like things have only gotten worse since social media really tightened its grip on our society.

The most common talking point I see regarding this show is that the characters are "stupid". And it's like, no, they're not stupid, what planet are you on, they're fucking children! (They're children, fucking!) Most of them have probably never been in a relationship before! Everyone in the show is pursuing their own interests; it's just that often, they're in denial about the reality of the situation, because to acknowledge the reality would run against those interests. It's funny, Makoto hardly changes his behaviour throughout the whole show—it just becomes more extreme—but the only thing that affects whether or not his behaviour with Sekai is good or not is whether or not Kotonoha is his girlfriend. The use of "girlfriend" as a role is weaponised by both Kotonoha and Sekai against the other constantly; like declaring "you're It!" At once point while cooking for the school festival, Makoto starts groping Sekai's ass, and she goes, "Geez, stop it! Stop it I said! What'll you do if someone sees us?", only for Makoto to reply, "Then it's okay if no-one sees us?"; this motif of a private sin recurs with Setsuna's character, particularly in the masked play that crops up a couple of times. In what context is an act of desire okay, or not okay?

Halfway through the show, I remembered Emily is Away, a short Western indie visual novel. Released in 2015, Emily is Away is very consciously an early-2000s period piece, wearing the whole time period as an affectation. The whole game is a series of text conversations on an IM client with a girl; after key choices, you are told "emily will remember that".

I fucking hated Emily is Away when I played it. It made me so, so cross. Because after I finished my first playthrough, and got a miserable, unsatisfying end, I naturally started the whole thing over and tried again. I picked different favourite bands. I acted completely differently. And yet, no matter what I picked, during the timeskips between sections, my viewpoint character would do the exact same shit and the relationship fell apart in exactly the same way. The second playthrough was a complete waste of time. It seemed like I, the player, was being railroaded, that the writer simply hadn't the imagination to conceive of a truly interactive narrative with a wildly diverging chain of events.

But of course, that's the whole point, obviously. Emily is Away plays a mean trick on the player, where it outright lies that "you" are making meaningful choices, when in fact "you" are merely spectating the actions of the viewpoint character, a specific guy who is, by nature, a certain way. It posits that all this shit on the computer just doesn't fucking matter, it has nothing to do with how we feel about each other, that it's only our actions in the real world that matter. The thesis of Emily is Away is that sometimes, for some immutable reason, shit just doesn't work out between two people, and there's nothing you could have done differently that would have changed that.

In the timeline where you go the party, you regret going to the party. In the timeline where you don't go, you regret not going. So, the game says, what's the point in regretting at all?

I totally understood this, after finishing the game. But, fuck, I was still pissed about it. The game lied to my face. It put me in the position of being a shitty person, and I didn't like that. It left a bad taste in my mouth. I'm still not sure if Emily is Away is actually any good; I think I like it conceptually, but maybe the writing sucks, I played it eight years ago. My point is that I think School Days is trying to pull the same trick as this one game, but in a much more mean-spirited way, to much more devastating effect, and I suppose I can't be too surprised that it pissed off a lot of people. If I hadn't known upfront what to expect- well, I wouldn't be watching ecchi anime in the first place, but you get the point, maybe I would've been pissed too.

If you break out of the "anime" mindset for even a second, and allow yourself to think that what you're watching is a frank portrayal of events, rather than some hyperreal cartoon, then Makoto is obviously just a little sexual predator. He's constantly pushing the girls past their limits, groping tits, going in for kisses, often against their express wishes. He initiates all the sex we see, and while in a certain sense it's all consensual, everyone involved is under the age of consent, and the show is making a very strong case for why underaged sex is a problem. When Sekai gets pregnant, Makoto wants nothing to do with her—"It's not my fault!"—but it's made clear he wasn't using any contraception, so, c'mon.

School Days is very deliberate in omitting adult characters entirely. Teachers mostly exist in the form of textbooks being read offscreen. I think we get a line of dialogue from Sekai's mom, if I remember right? It presents this world where Makoto basically has free reign to do whatever he wants to the girls, and everybody knows about it, but nobody is doing anything about it. When Sekai murders Makoto, there isn't a scene where anyone notices his absence, finds out. Kotonoha carries his severed head across town without anyone noticing, kills Sekai, and makes it onto the boat without getting caught. The show ends on a montage of idyllic school scenes, as if to say, "nobody noticed, everything just carried on". And again, to a certain kind of guy, I think this would stretch plausibility to the point of causing offence. For me, I think it's speaking to something very real.

Makoto's bedroom is barren except for his computer and magazines: porn, and porn. In the back half of the show, the void left by the absence of adults is filled by Makoto, Sekai, and Kotonoha, who are thrust into this horrible domestic drama, as everyone else in their class blocks Makoto. Makoto relays Kotonoha's recommendation for an abortion clinic to Sekai. He and Sekai sit diagonally across a table in a living room, and suddenly Makoto's school uniform looks like a salaryman's suit, a size too big for him, like he's walking around in his dad's clothes. Sekai tries to prepare a big meal for him, in a fucked-up parody of domesticity, but ends up destroying the whole thing after Makoto spits in her face yet again; later, she sees the remnants in the trash, an uneaten chicken leg poking out, and sees a little of herself in there, and that's basically when she decides to take the knife and kill Makoto. She stabs him in the belly, which is what Kotonoha will later do to her; both are imitating the original sin of the pregnancy.

Kotonoha explicitly chooses to kill Sekai this way because she believes Sekai is lying about the pregnancy—which we can pretty safely say isn't true, based on the scenes where Sekai is on her own. There's this horrible, horrible shot where the camera is looking out at Kotonoha from inside the gut wound, and she observes, "Just as I thought. There's no-one in there." And it's like, is she talking about this baby, still so early in the gestation that it's scarcely even an idea? Is she talking about Sekai, or Makoto, these two people who turned out not to care about her at all? Or is she peering straight through the screen at the viewer, complicit in this atrocity? The shot mirrors the bag containing Makoto's head earlier in the same scene; when Sekai unzips it, the inside is just a black void, and we aren't shown the contents. It's honestly more unsettling to infer it—that bag's not big enough for all of Makoto—and have it "made real" by that final shot of Kotonoha pressing the severed head into her chest on the boat. The memes were more right than they knew: "Nice boat."

Overall, I think School Days extends a lot of empathy towards its female characters. Or, if nothing else, it takes care to give them complex and distinctive internality, which is more than I can say for a lot of anime. Kotonoha initially represses her feelings for Makoto, and then when she feels pressured into reciprocating his intimacy, she soon gets turned into a social pariah for it. Early on, there's this eye-roll-inducing scene where Kotonoha is like "the other girls used to make fun of me because of my huge boobs", and from Makoto's perspective it's like "great, you've got huge boobs!", but then from Kotonoha's perspective, she spends the whole show getting slut-shamed, doesn't she? As a coping mechanism, she builds up elaborate delusions around Makoto—Makoto wouldn't let this happen to her, would he!?—which make it impossible for her to see how he's harming Sekai at the same time, culminating in the "I think you've made up your pregnancy for attention" beat. Their own internalised misogyny prevents the girls from identifying their common enemy.

If I'm being totally blunt, I feel like I can pretty safely put most of the comments regarding School Days I've seen online into a big bucket labelled "HAS NEVER HAD MORE THAN ONE GIRL INTERESTED IN HIM AT ONCE". Like, "I can't believe this Makoto guy! Why doesn't he just dump Kotonoha and date Sekai, who he's obviously more compatible with?" Bucket. "Makoto is so spineless and needs to stop letting these girls manipulate him!" Bucket. "There's no way the teachers would let him get away with this!" Bucket. "What do these girls see in Makoto anyway?" Bucket. "Sekai is such a bitch!" A new, bigger bucket labelled "NO BITCHES".

What I'm interested in is takes from School Days haters who aren't brainpoisoned anime fans, who might even nod along to all my analysis of the show's themes here, but who nevertheless think it's a bad show that deserves to be reviled. What part didn't you like? Is it the part in the OP where you see every female character naked one after the other? Yeah that part's pretty bad. Is it that windowpane-shattering digital transition that gets used once or twice? Is it the utter self-seriousness with which it tackles its ludicrous melodrama? I can see how, if you don't let yourself start to think "oh, those poor girls!", if you don't have that emotional buy-in, the whole thing might just feel comically edgy, sophomoric. I don't think there's any level on which School Days is fun to watch, and I'm not saying it's a secret masterpiece either, but I guess it more-or-less landed for me.

[asnowperson]

Tanbi to Heroine - Literary classics adapted into shoujo manga

I want to talk about the book of my dreams: Mangaka! Sekai Bungaku - Tanbi to Heroine (マンガ化! 世界文学 耽美とヒロイン). It's a compilation of shoujo manga from the 1970s and 1980s which are adaptations of classics from world literature. Each manga has a little introduction about its artist, and the work it was adapted from. Thank you, our Tosho no Ie overlords.

It came out in 2022, and I'm so happy to own this book. After watching Aoi Bungaku and falling in love with what they did with Kokoro there, I've always wanted to see more anime/manga adaptations of literature. Seeing how authors/directors give the works their own interpretations while still staying faithful to the original work, and not trying to do a 1:1 adaptation can be great, as long as they don't jump the shark. Speaking of which, I even liked Gankutsuou despite the bizarre 3D space mecha fights because Edmond Dantès was still there. I can't get mad at it when the director gets the core of the work right.

Anyway, I want to present this awesome book and the manga collected in this volume!

Hagio Moto – Shiroi Tori ni Natta Shoujo (白い鳥になった少女)

Adapted from Andersen's The Girl Who Trod on A Loaf, and first published in Bessatsu Shoujo Comic 1972/12.

Hagio tells the story from the point of view of the girl who becomes a bird at the end of the tale, which is a very nice touch.

2. Mizuno Hideko – Cendrillon (サンドリヨン)

Adapted from Grimm Brothers' Cinderella, and first published in LaLa 1977/9 & 11.

With Mizuno's exquisite art, this Cinderella adaptation is the perfect fairy tale. On the first and last pages Hideko-tan breaks the fourth wall to give us information about the original work, and going "bruh, these are supposed to be tales for kids but some brutal stuff goes on in them. What's with all the mutilations and eye-gouging?!" It's adorable!

3. Maki Miyako – Hanakagerou (花陽炎)

Adapted from Murasaki Shikibu's The Tale of Genji, and first published in Big Comic for Lady 1987/2.

This excerpt is taken from vol. 2 of Maki's Genji Monogatari adaptation, and depicts a scene that doesn't exist in the original work: Hikaru meeting Lady Fujitsubo for the first time. I must say that all that Genji Monogatari Japanese went over my head ;_;

4. Miuchi Suzue – Takekurabe (たけくらべ)

Adapted From Higuchi Ichiyou's Takekurabe, and first published in Hana to Yume 1977/1 & 2. This story is actually part of Miuchi's Glass Mask. In the manga, it was acted in the third act, “Kaze no Naka wo Iku.” Compiled in vol.s 3-4 Hana to Yume comics version, vol.s 2-3 of Hakusensha Bunko, and vol.s 3-4 of the digital ebook.

Conveying the subtleties of the character through the way Ayumi and Maya acts is quite ingenious. We get adaptation-ception with this one, and I loved it. It really made me want to read the book to get to know Midori better.

5. Sakata Keiko – Okisaki to Nemuri Hime (お妃と眠り姫)

Adapted from Charles Perrault's Sleeping Beauty, and first published in Comic Tom 1989/1.

I haven't read Sakata's works, but she always strikes me as being the odd one in the shoujo scene. And this manga just strengthened my conviction. Her adaptation of Sleeping Beauty focuses on the ogre mother of the Prince, and her loneliness. Which is another ingenious way of going about adapting a fairy tale from a completely point of view. Her funny-looking art and humor adds to it.

6. Fumizuki Kyouko – Shiroki Mori no Chi ni (白き森の地に)

You get this color image I found online, because scanning this gorgeous double spread was impossible. And it's in grayscale in the book.

Adapted from Louis Hémon's Maria Chapdelaine, and first published in Bessatsu Shoujo Friend 1977/3.

I had no idea about this story, but wow, Hémon sure lived a life... This story that takes place in Canada feels really comforting. I'm surprised this didn't get an anime adaptation. Sure, it's not long enough for one, but it'd make a perfect comfort shoujo. "Comfort shoujo" as in people dying and the protagonist growing up after being hit by misery and having to make life-altering choices. I can see why this was popular in Japan.

7. Yamagishi Ryouko – Rapunzel Rapunzel (ラプンツェル・ラプンツェル)

Feast your eyes on this color Rapunzel illustration from the Yamagishi artbook I have.

Adapted from Grimm Brothers's Rapunzel, and first published in Bessatsu Shoujo Friend 1974/6.

Queen Yamagishi does not disappoint: We go full psychological and read about how parents ruin childrens' lives by projecting their shortcomings in life onto them, and their twisted sense of "love" can be worse than a sorceress's curse. Prince charming therapy time, baby!

8. Sato Shio – Bijo to Yajuu (美女と野獣)

Adapted from Madame de Beumont's Beauty and the Beast, and first published in Papermoon Shoujo Manga Fantasy Shoujo Manga – 1001 Nights (5.11.1980).

This short yet poignant adaptation really brings out the love in the story. She distilled the tale, and left what touches your heart the most in these 8 pages.

This work was also originally published in full color, and it's so gorgeous that I bought the book it was first published in. I hope to have it within the month.

So yeah, if you need to gift something to your old-shoujo loving friend, you now know what to get :)

[seventeenlovesthree]

Madoka Magica Ship Analysis - HomuMado

Based on these two polls [X] [X], I will write an analysis that'll also include how I feel about the ship (similarly to my Digimon shipping game analysis posts).

Disclaimer: I won't claim this to be a conclusive/definitive analysis of all of the ship's aspects. I have watched the original 12-episode-series and movies (including Rebellion), the Magia Record anime and I've read several manga series (the Original, The Different Story, Wraith Arc, Rebellion Story, Oriko Magica, Another Story, Mitakihara Anti-Materials). But I'm aware that I haven't seen/read all of what's out there and am also not thoroughly familiar with the games. Plus, oftentimes, ship dynamics vary depending on which series/timeline you are looking at. I'm fairly certain that thousands of words must have been written about this ship already, better and more elaborate than I probably ever could - so this is going to be my personal take on it.

Whether canon provides input on them or not.

As the main faces, characters (and ship) of the entire franchise, it's absolutely impossible to watch/read/play the series without taking note of Madoka Kaname, Homura Akemi and their dynamic. Their characters, arcs and development are irrevocably connected with one another - no pun intended (yet) - and without them, we wouldn't even have a story to talk about to begin with. But let's start at the beginning, shall we.

On one hand, we have Homura - who initially started off as a shy and timid girl, prone to sickness and ridden by insecurities. Presumably raised as an orphan at a government-funded orphanage, she struggles to find her way, fitting in at school, keeping up, making friends and socializing in general - thus she becomes an easy target for corruption (we shall keep this in mind for later) and is almost being dragged into suicidal tendencies by a Witch... If it wasn't for the pink-haired Magical Girl (and her senpai) who is going to rescue her - and Homura has no idea yet that she'll end up committing her entire life and purpose to her soon after.

Madoka initially starts off as not considering herself to be anything special - but is still determined to do good as a Magical Girl, she appears to be straight-forward yet kind, gentle and welcoming... Especially towards Homura. So - is it really surprising that Homura, timid, insecure, lonely Homura, would end up thoroughly enchanted by Madoka? The first real friend she must have had in ages? The person who smiled at her, reached out and encouraged her in her pure, innocent ways? Absolutely not, it's highly relatable, endearing... And thus, it shall be even less surprising to see Homura not wanting to lose her again. The feeling of being wanted, appreciated - of not being alone anymore.

After watching Madoka sacrificing herself, ending up killed by Walpurgisnacht in the original timeline, Homura makes her wish to become a Magical Girl herself - not just to meet Madoka again, but to be the one to rescue her this time. What appears to be a wish of determined, unexpectedly confident heroism at first will, just like every other wish, turn out to be a multi-layered mess of human complexity. An underlying desire born from affection - that will eventually turn into something deeper, desperation, obsession, whatever you may want to call it.

Homura lives through countless timelines, repeating the same month over and over again to save Madoka, discovering the fate of Magical Girls to become Witches eventually along the way, becoming more and more skilled at weaponry combat... At some point, she was already perfectly ready to become a witch alongside Madoka, as long as they're together, destroying the entire world - but is held back by Madoka's wish to prevent her from falling for Kyubey. And thus, Homura thoroughly hyperfocuses on her personal mission, so she won't lose the last bit of hope, no matter how bleak the situation may be. However, in the process, she is growing more and more distant, not only from Madoka and their fellow magical girls, but also from herself. Hardened by the experiences, she develops a cool facade and a stoic attitude, swallowing and locking away emotional attachment to anything and anyone that is not Madoka in order to reach her goal.

With every timeline resetted, more karmic energy revolves around Madoka - but with Homura's wish revolving around saving her, she also becomes increasingly more timid, reserved and insecure each time(line). While her general stance on Homura is still mainly the same - finding her, her look and name cute/pretty -, their ability to relate to one another dwindles with every reset. Homura's attempts at reaching Madoka, as desperate as they may appear, rather scare and alienate Madoka - who cannot possibly understand what she has been going through, the time she had spent, the absolute commitment...

Until Madoka eventually makes her own wish to honour all of Homura's achievements - until she wishes for witches to never have existed and, enabled by all the karmic energy, she becomes a literal Goddess in the process, the Law of Cycles to keep magical girls from despairing, creating an entirely new universe... One in which she has never existed as a human, but only as a concept. Selflessly wishing for everybody's happiness - whereas Homura wishes she didn't. While Madoka thanks her for all she had done for her sake, giving her her red hair ribbons as memory for safekeeping, Homura cannot fully accept this new reality. She does fight on at first, honouring Madoka's wish within a world that has Wraiths instead of Witches, determined to defy anyone and anything that shall threaten her legacy... But this state isn't meant to last.

The long twintail-braids shy, timid Homura used to wear alongside her glasses, mirroring Madoka's red-ribboned twintails as a symbol of innocence, are merely a memory of who Homura Akemi is going to become. For the sake of her initial wish, for the sake of devotion and love that have turned into an obsession that doesn't allow much deviation. And her will to keep living in Madoka's universe is fragile - as she has to overcome temptation in the shape of shape-shifting Wraiths, showing her her beloved Madoka once more - just for example.

And eventually, despair takes over: Trapped within a Witches barrier inside of Homura's own Soul Gem, a world has formed that technically would have granted her biggest wish - a world in which Madoka exists happily alongside her and her/their friends, fighting together, living a peaceful life... But this world is just a facade as well, meant to lure the Goddess into a trap to regain power over the old Witch System of an alternate reality. And Homura, whose hair can never be turned back into braids again, who has lost her way and purpose, turned into a Witch and is ready to sacrifice herself if it means keeping Madoka safe once more. But even as she is, once again, mercifully saved by Madoka in the end in return in another act of selflessness - Homura's initial wish takes over. To be the one to save Madoka - in Homura's sense, means to stop her from being selfless for once, giving her the chance to live a normal life in another fake reality. It's Homura's, presumably, selfish desire in contrast to Madoka's - as they have truly become opposites in every single way. In order to fulfill her wish and become Madoka's sanctuary - even against her will -, she became a Devil to defy the Goddess' universe, following a corrupted form of love once born from the wish to protect the one most important to her. To maintain the image of Madoka she had formed in her head, regardless of whether that is what Madoka has eventually become and wished for by herself. And thus, she cannot wear Madoka's red ribbon, the sign of her legacy and innocence, anymore. A black dress and red eyes now have to face a white dress and golden eyes. The braids cannot return... At least not for now.

... Too long, didn't read: There is A LOT to work with, you already know all of this and yet, I am pretty sure I haven't been able to capture every aspect of them.

Whether I think why and how they’d work.

As mentioned, depending on timeline, universe, state of progression, their dynamic tends to be WILDLY DIFFERENT. You can take Moemura/Shy!Homura and OG!Madoka, you can take Cool!Homura and Anime!Madoka (and their various states in between), you can take EndofAnime!Homura and Madokami, you can take Rebellion!Homura and Rebellion!Madoka, Homucifer and Madokami and you can take Homucifer and FakeWorld!Madoka... The possibilities are ENDLESS (especially when you also include the more comedic-leaning portrayals in spin-off mangas like Homura Tamura).

The good part about this is - you can basically pick your poison, you can make this dynamic as wholesome or as toxic as you desire your own personal brand of Yuri to be. Which is, in my opinion, one of the aspects that make Madoka Magica and HomuMado in general so unbelievably intriguing.

Let's start with the toxic side of things, because I would argue that this is where Rebellion left us hanging and where Walpurgisnacht Rising might continue (at first): Homura's wish and her mingling created a very idealized version of Madoka in her head that she wishes to protect and maintain. Her initial thankfulness and endearment towards the kind, strong Madoka in the original timeline have basically been replaced by her unshaken desire to SAVE her. She has to be the one who (selfishly?) stops her from being selfless, she has to be the one to shield and protect her from any harm, keeping her locked in a precious glass bowl preferably nobody else can mess with. The problem here is that this version of Homura (which is basically Homucifer, but also several stages of her before that) cannot accept any other reading of reality than her own. Yes, in an ideal world, she could have allowed Madokami to finally take her away to exist with her in lesbian heaven for the rest of eternity - but that was not what Homura had wished for. And also probably not what Homura thought she deserved after everything she had done. In a way, having her turn into Homucifer was also some kind of self-chosen punishment as a "sinner"...

And Madoka, honestly speaking, probably had a very idealized version of Homura in her head as well. I'm not just talking about Rebellion!Madoka (or FakeReality!Madoka for that matter), whose memories had been tampered with, but also Madokami - who claimed to have seen all that Homura had done for her, in all timelines and realities... But apparently, she hadn't noticed her state of mind, her being so close to despairing and snapping because she just couldn't take this universe. That she couldn't let Mami or Kyouko in, no matter how hard they tried. She still felt alienated from them and lonely, thus she always reverted back to her initial goal, as she simply didn't belong into this universe. It kinda leads me to believe that it may be impossible for even Madokami to see Homura as anything other than the braided girl from the very beginning, her "best friend" from the original timeline.

Long story short - these two need to actually TALK for once. Getting to know their REAL CURRENT selves in whatever state or timeline that may be. Seriously, letting Madokami and Homucifer have a verbal conversation about all these misconceptions and misunderstandings about each other, talking about needs and desires and BOUNDARIES in a meta-kinda-way would be incredibly satisfying to watch. (And I am pretty sure, such scenarios exist in both fanfiction and doujins, but I haven't found them yet!)

Personally, I also highly enjoy the dynamic between Moemura and OG!Madoka - even after a few timelines have passed, as it has been depicted in the second season of the Magia Record anime. It gave me the impression that Homura had already gained a little bit of confidence and Madoka was still hands-on enough for them to be on a similar wavelength - which makes their dynamic among the healthiest in the entire franchise and gives them a lot of opportunities to bond and develop. For Homura to form a proper sense of self, encouraged by but not entirely dependent on Madoka. Actually, this version is also incredibly close to the Rebellion dream versions of Homura and Madoka - which, unsurprisingly, also is one of the most peaceful versions of them, having them sit together in a flower field, talking for hours about actual things. However, this Homura is still hyperfocusing on Madoka here - and it may not even have been her 100% authentic self, since her memories had been influenced by Homura's vision of her.

However, you have to allow them to talk and actually get to know each other and their flaws, let them banter and tease... Let Homura see and learn to accept undesirable aspects of Madoka - and let Madoka shout back at her if necessary. Deep down inside, they both adore and admire each other - which is why they were compatible in the original timeline in the first place. Homura admired Madoka for her strength, whereas Madoka admired Homura for her coolness. And they absolutely have the potential to help the other to become their best selves. But they need to see each other for who they really are and thus have to abandon codependent tendencies for it to work; Homura has to accept that Madoka is her own person who doesn't need to be overprotected - and Madoka has to accept that she cannot "save" Homura just by herself, but that she may encourage her to get therapy to deal with her self-image first. Let Homura understand that "love" also means to let go. Let her see that different people define "love" differently as well and that you have to understand how your significant other loves to love them back right.

Whether I’d prefer them as platonic or romantic ship.

When I had watched Madoka Magica for the first time approximately 10 years ago, I was positively - and obviously - in love with this ship and its potential. I adored Rebellion for how tragically it portrayed it - and again, I'm not even sure if I did them justice in comparison to everyone who wrote about them before me. As outlined above, it has various layers to pay attention to and I absolutely cannot wait to see how Walpurgisnacht Rising will add to my initial analysis of them. Because their dynamic WILL change, there is no denying.

Even after all this time, I still (want to) see the romantic potential between them. They may not be my favourite Madoka Magica ship anymore, but I still rate them very highly due to their complexity, my own nostalgia and hopefulness - although I'm aware that I would ship them in very idealized ways myself that are self-indulgently peaceful (and required a lot of therapy). As much as I want to see them get a happy end one way or another - I am currently very invested in exploring Madoka's and Homura's polycule potential dynamics with the other members of the Magica Quintet and am looking forward to writing more ship analysis posts soon!

[thetireddoktor]

Cotl AU: Webs of Fate

Below is the beginning of my Lore for my Au: Webs of fate

How the Bishops Earn Their Crowns

The Crowns are not given freely. They are not inherited, or are they simply bestowed by divine right. To earn a Crown, one must suffer, not just any suffering, but a loss that reflects the opposite of the power they are destined to wield. Only through enduring the very thing they are meant to counterbalance can they be deemed worthy.

Each Bishop's ascension follows the same cruel cycle:

They live, unaware of what they will become.

They face great loss—the negative reflection of their future power.

In the depths of that suffering, the Crown appears to them.

If they accept it, they are forever changed, marked as a Bishop/God.

The Bishops and Their Trials

Shamura, Crown of Peace → Loss through War

Watched their home burn. Their people slaughtered.

The Webs of Fate, reduced to ash by their own mother.

Only after war took everything did the Crown of Peace appear.

Their irony: They wear the Crown of Peace, yet they have become War itself.

Kallamar, Crown of Healing → Loss through Pestilence

Watched disease consume his people, helpless to stop it.

Every healer, every cure—failed.

Only after the sickness had claimed everything did the Crown of Healing appear.

His irony: Now he can heal, but he could never save the ones he loved.

Leshy, Crown of Order → Loss through Chaos

Lived in a world of wild, untamed destruction.

No structure. No control. Anarchy devoured all.

Only after his world collapsed under chaos did the Crown of Order appear.

His irony: He now enforces Order, but he was born from Ruin.

Heket, Crown of Harvest → Loss through Famine

Watched crops wither, animals die, people starve.

No matter how hard she fought, there was never enough.

Only after hunger had taken everything did the Crown of Harvest appear.

Her irony: She creates abundance, yet she knows what it means to starve.

Narinder, Crown of Death → Loss through Life (or Immortality?)

He watched the cycle of life continue endlessly, trapping him.

Or he saw others die while he remained, unable to follow.

Only after he lost his connection to death did the Crown of Death appear.

His irony: He rules over death, yet he is cursed to never die.

Before Narinder's imprisonment

The crowns had different eyes based on their uncorrupted powers. All eyes are inspired based on symbols based on their ability.

Shamura's was the first to become corrupted, their 'Peace' hardly lasting more than a few centuries, turning from a Sun to a Crescent moon, much like the one in Cotl. "The rising sun after peace, dawn shining over a new day.

When the corruption takes hold, it twists into the shape of a crescent, a harbinger of change. It signifies that the sun has set on peace, ushering in the cold, unrelenting night of war." The "Corruption" is Shamura's trauma, from their loss. Shamura, though they had lost their way, works to keep their Siblings from falling from grace like they had, being the Wise elder sibling they needed, encouraged them to expand outside their comfort zones. Some tried to expand their power more than others. I guess this is the uhm.. Most I've gotten so far. I hope yall enjoyed reading. Next up, Shamura's Origin's.

[11queensupreme11]

So I have a question? You know that song lyric “Would you still love me if I’m no longer young and beautiful?” By Lana Del Rey. Okay so I’m gonna give you a scenario I’ve been thinking about adding to my story (as a draft for the next interlude after I finish the next reaction chapter)

So it goes a little like this:

Let say Percy who was a goddess (like in the last ask) got cheated on by Cu and, in her despair, killed herself.

(This is just a draft but I do plan on starting the chapter with her suicide note to her children first. Then to each of the yans individually. And maybe a couple to the friends and family she made on the way. So like a note to Shiva and his wives, Adamas, maybe Hercules and Prometheus, and…Ra(surprise! 🤭) honestly, I plan on making his a mixture of kinda funny/sarcastic, but also nostalgic and sad.)

Everyone finds out of course. And Zeus, devestated by the loss of his favorite neice, incensed by the disrespect shown to the Greek Pantheon by the Celtic Pantheon, spurred on by his son, brothers, and pantheon’s devestation and righteous anger at Percy’s death, along with the Egyptian, Norse, Abrahamic,Hindu, etc. Pantheons’ anger with what Cu did, obviously, declare war. The heavens are split and in utter chaos as the two sides form and each side is gathering allies for the upcoming war (it’ll be known as the “The Divine Schism” later on.

So, as u can imagine, this results in a lot of death, a lot of emotions flying around, and it isn’t even just the gods fighting other gods. Or Percy’s children fighting her other children(wish she begged them in her letter not to do, but she’s gone now; and her children are just as unhinged as their dads) . It also causes the humans to fight too because she was friends with a lot of them and a lot of them blame the Celtic people for 1)encouraging the views that made Cu think it was okay to do that (which is hypocritical because they still believe or once believed and would have done the same thing just due to the time period they were raised/born into, but a lot of them liked Percy so she was the exception) and 2) for not trying harder to keep him under control back when he was still a human on Midgard (Papa Adam is REALLY disappointed).

ANYWAY!

At this point, the war has gotten bad enough that the Fates, the Morrigan, the Norns, and all the other gods and goddesses related to fate and destiny realize that sooner or later the gods are going to end up fighting each other into extinction (with the humans in Vallhalla doing the same) and so they do some research (through their powers which were given to them by “the-Powers-that-Be” (which I actually mentioned in a chapter already but basically that’s the power that created them, their universe, and all the other universes that exist or will ever exist) and find out that, while Percy did die when she killed herself, for whatever reason, she didn’t end up going to Niflheim and instead got reincarnated into a different universe and nope🤭🤭it’s NOT the PJO universe. Which universe it is, I’m going to keep that a secret for now but I wouldn’t mind doing a poll to see which universe everyone would WANT her to be in. It might even help me decide. (just know it’s gonna be an anime universe. So either One Piece, Bleach, Naruto, or something else. It’ll have to be one I’ve read or watched before tho.) but it’s a secret, even to me, until I actually sit down and write this chapter.

Anyway, they find her reincarnated soul (in this I think I’m going to make it so that she only remembers SOME of her past life as a goddess and a demigod and it comes to her in her dreams) and, in order to stop the godly war that threatens the very foundations of their universe, they sit the Pantheons down (what’s left of them anyway) and tell them about what happened and where she is now. This, of course revitalizes the yans (ESPECIALLY CU!!!) because they see it as a second chance to get her back and make SURE she NEVER leaves them EVER again. (I’m talking they might actually lock her in a palace where they watch her every move 24/7 for the rest of eternity)

So they come up with a plan to basically kidnap her from this other plane. In this other universe tho, she’s lived a full, happy life. Sure it had some challenges (if she’s in One Piece I’m gonna make it so that she was Ace’s sister so she def fought in Marineford (love interest: Shanks), if in Bleach I’m making her the Captain of one of the divisions (Love interest:Sosuke Aizen 🤭🤭), if in Naruto ( I honestly can’t see her as an assassin/killer which is literally all ninjas are trained to do when u get to the crux of it so maybe like a political figure of peace? A daiymo maybe? Idk I’d have to figure it out (love interest: Kakashi Hatake, Itachi Uchiha, or Madara Uchiha depending on what time period I want her to be reincarnated into)

I plan on having her influence a lot of stuff, fall in love, have children with said Love Interest, and be an old lady by the time they start looking for her ( might have to write this in three parts since I do want to dedicate a chapter to her life in that other universe).

I’m still trying to figure out all the logistics since I want it to be believable and not just super random and unorganized because there are a lot of moving parts.

But my question to u is what do u think the yans will think (at this point in time) or do about an old, grandma version of Percy? Will it matter to them? She won’t be the same Percy at this point. She might remember some things about them but for the most part she won’t remember them and tho she might have the same morals as the last Percy, because of the stuff she went through in this new universe, she isn’t just physically different (old) but mentally too.

EVERYTHING HERE IS PERFECT BUT I JUST HAVE ONE CORRECTION:

"while Percy did die when she killed herself, for whatever reason, she didn’t end up going to Niflheim and instead got reincarnated"

it's niflhel!!! niflhel (or oblivion, nonexistence, whatever) is where all gods and mortal souls (after dying in the afterlife) go to when they die!

anyway.................

AIZEN SOSUKE????????? AND KAKASHI????????????

dude i genuinely don't know who to vote for, kakashi has been my anime crush SINCE I WAS A LITTLE GIRL, and aizen's so fucking daddy too omg why would you make us pick between them that's so cruel 😭😭😭😭😭😭

as for your question, age wouldn't matter much to them cuz they can just forcefully revert her back to her prime or back to whatever age/appearance they last saw her as!

the issue is the mentality 😞 if she's too different (like if she's not the same sweet, cheery, uwu, and infuriatingly annoying and troublesome girl that they know, then they might actually feel defeated. it's percy.... but at the same time it's not THEIR percy

tbh they'd probably try to find a way to revert her back to the percy they know, but if that doesn't work or they can't do it, then it's back to despair and anger 💀

[ohwhataniight]

Toi aussi, tu détestes la vie? - Part 3

Part 2 Part 1

Dance in bars and restaurants Home with anyone who wants Strange he's standing there alone Staring eyes chill me to the bone

Life becomes a steady litany of routine, waking up every morning, going to work, taking care of a growing toddler, dealing with teething and learning to walk together. John is exhausted but accepting. Loss stings, and there are days when he doubts he deserves any of the peace, when he doubts he deserves to be alive and happy. He still doesn’t dare to imagine a good life for himself, not after being left behind, the love of his life gone. But he’s letting the new in.

Molly buys them a Polaroid, and Sherlock orders an inordinate amount of film. He photographs Rosie as she sits in the middle of the carpet, basking in the light coming in through the window, putting a foot in her mouth, rubbing her eyes with chubby fists, throwing a toy across the room, being tossed in the air by John. Through the lens of the Polaroid, Sherlock quietly and dilligently documents their shared existence, archivizes the moments, the building blocks of their new life, as if he’s terrified of their escape.  

John watches Sherlock, as he gives Rosie her bottle, bleary-eyed, first thing in the morning, as he yawns and rubs his eyes with the sleeve of his robe, dishevelled and endearing, three human animals growing together. He pulls the blanket over their curled forms as they nap away on the couch, the toddler safely tucked under the detective’s arm.

One evening, with Rosie under Molly’s care, they find themselves in a dimly lit bar in Camden. They haven’t done that in ages, and John has almost forgotten what it is like to relax, just the two of them. It’s nothing like old times, yet he finds himself clinging to every new experience. They discuss Rosie’s schedule, make some babysitting plans with Mrs. Hudson for the following day, go over the grocery list, then satisfied with themselves, order a glass of whiskey.

Libertango comes on the speakers. John witnesses Sherlock’s lips curling upwards momentarily, only faintly, as if he’s remembering something. He looks distant. John swallows hard.

“Do you remember our dancing lessons?” he asks, and immediately wishes he could take it back. They have danced around charged conversations about the past (their past) for so long, it feels surreal to openly talk about what only they know they’ve shared.

“Of course I remember our dancing lessons, John, you were quite impressionable.”

“And impressive?” John asks with a teasing smile.

“Very impressive.”

Are they... flirting? Did he initiate it? John doesn’t know anything anymore.

“Dance?” Sherlock offers his hand over the table, taking him aback.

“What, now? Here?”

“Yes, John, let’s see the impression you’ll make on the other patrons”.

“Exhibitionist much?” John raises an eyebrow, but takes Sherlock’s hand, feeling his ring burn as it touches warm skin.

They stand up and walk to the empty stage. Sherlock lets him lead. The steps immediately come back to John’s mind, and suddenly he doesn’t care anymore about the inquisitive eyes that follow them as they sway around the ballroom. He remembers Mary’s smaller form in his arms. This is... different. Still intoxicating, but different. Different even from those first dances they shared together behind closed curtains, at Baker Street. Maybe he’s just drunk. Or maybe he’s been brought into this world solely to hold Sherlock Holmes.

“Your skills are indeed very impressive,” Sherlock hums, leaning down so that their foreheads almost touch. John longs to taste the rosey lips, to bury his face in the crook of Sherlock’s neck, to claim him as his own. He’s been used to these thoughts lately. He has almost accepted them, learnt to live with them. And yet, he finds himself wanting more, craving everything that Sherlock is willing to give him.

They pay and stumble out of the bar, bury their cold hands into their pockets and walk side by side without really talking, thick icy clouds emitted from their mouths. They even stop over the Thames for a moment, to share a cigarette. “My last one,” Sherlock grins. John raises an eyebrow. “Then better make the most of it,” he says, taking the cig between his lips and taking a deep drag that burns his lungs, decades after his last smoke. He knows it’s not what they should be doing, but he wants to do everything with Sherlock. He wants to know what the smoke tarring his lungs tastes like, and then he wants to walk by his side as he cuts down on the old habit. But he’s giving him this.

Sherlock leans over the railings of the bridge. The soft breeze plays with his hair, tousling it, as they watch the glittering lights from the scyscrapers cranes and  floating on the water surface. John takes another drag, then turns to face him. Sherlock’s eyes have a glint in them as he turns from London to John. “Beautiful,” he mutters. John remembers the time he was waxing poetic about the stars, it feels like a lifetime ago.

He leans over the bridge, over Sherlock, and touches his chin with his thumb. Sherlock turns around with a look of bewilderment in his eyes. With a single inhale John kisses him, softly at first, an exploration, then bringing his hands around Sherlock’s neck and pulling him in. Sherlock responds with fervour, throwing his arms around John’s neck and slowly exploring his mouth as London watches.

They never want to stop dancing.

To be continued...

[luvvums]

SQUID GAME HC'S [THEIR FAVORITE ANIMAL/PET?]

Sum: Just some random headcanons of my boys to start my tumblr! This is also pt. one!

Characters: Dae-ho // Yong-Sik // Thanos // Namgyu

[ COMING SOON: Gi-Hun // Myung-Gi // Jungbae // In-ho ]

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🐯 DAE-HO 🐯

• Tigers LOL

• It's in the name can you blame him? Of course he'd base his favorite animal off his name.

• In all honesty, he definitely loves all big cats in general. (Small cats too, but relating to bigger ones makes him feel very strong lol)

• "If I could get a pet tiger, I'd name it 'Daeho junior'."

• (For practicality, he prefers big, big dogs!)

👓 YONG-SIK 👓

- DOGS ALL THE WAY!!

- Prefers small dogs because they're easier to maintain and carry.

- Would probably get a Maltese and finds it funny when it reminds him of his mom when she's annoyed with him.

💊 THANOS 💊

- A racoon dog...

- He REALLY likes them

- Whenever he does sees one online, he'll just go silent before showing whoever's close his phone and saying "Bandit..😐" in english

- In regards to having a PET, his fav would be cats tbhhh ..cats remind him of Namgyu- i mean what!

💉 NAMGYU 💉

- THIS MF HAS A CATTTT

- Finds it easier to like them since they're easy to take care of.

- especially when he comes home from his job as a club promoter, high off a new drug💔

- firm believer he watches cat videos on his phone even while at the club

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This is the first time I've written for a fandom and POSTED it so I hope it's actually good 💀 I might do a part two with the other guys, idk it just feels embarrassing but at least I'm free🤞🏻