#but it really does show how much of the character's 'personalities' are fanon

[to-rise-above-monsters]

how i interpreted the bertholdt thing was that armin’s understanding of annie deepened bc of bertholdt’s memories, not that it necessarily controlled his feelings (like how eren implied)

i reallyyy like aruani as a concept. they mean so much to me. ‘girl who doesn’t care for life’ ‘boy who cares so much’ (i also just love them as characters so much)

i think the downside for them was how long ago s1 was.

warning rant underneath (im embarrassed im so sorry)

i’d been such a long time fan but dropped off when there was a hiatus of the anime and decided ill just binge the manga when it’s done. the only real reason annie was on my mind was bc of how dedicated i was to the rba dynamic and how much i loved annie (and fanon annie) as a character. but she truly wasn’t a character for nearly half of the series.

i even knew someone who saw her in the crystal and asked me “who’s that?”

i think she suffered from fandom slightly but now it being canon ig they were right. it was a little annoying for fandom (a small part of it) deciding that every character needed to be paired off with each other and that annie must be in love with one of the boys she tolerates. maybe that was a small reason i found the canonicity so out of nowhere?

bc i love fanon ships for sillies but making a female character HAVE to hinge on a relationship with a man rubbed me the wrong way. but that’s not what aruani is in canon and im so thankful for that. but i still wish there was more

it sucks because there was really no way of developing her or their relationship while she was in the crystal and idek how someone could properly execute it but it was very jarring for her to come out of an absence that was longer than the timeskip for the readers. we hadn’t even seen her for i think six years? and then immediately she is fully canon with a character that we had followed for all the time she’d been missing.

idk i wish they had more. i wish it wasn’t hints. i wish it wasn’t the assumption that they must be romantic because of this, this and this.

their stuff in season 1 was so nice. i remember being so intrigued. but that’s all it kinda was? we never had a reason. why did she spare him? why did she seem to care about him in particular? why did she want to ‘be a good person’ for him? so interesting.

but we… never get an answer? is it because he called her nice? she clearly had empathy for him before that. but that wasn’t something ever shown. even the compilation of moments always seems to start in the middle of a blossoming relationship. there was never a moment that solidified their mutual respect and interest for each other. it’s just something that just… happened? off screen?

rereading all these years later, i can catch these things and be like ohhhh yeah ig that was them liking each other. but when it was happening in real time, it was the most jarring and insane jump. i was like woah woah buddy what is going on.

sudden blushing and confession was so crazy to me. it felt so sudden. and so did other ships. it felt like “ofc they were in love the whole time they’re a woman and a man who have some interest in each other”

honestly, something that could have been implemented maybe was that armin was genuinely talking to her not because he was in love with her but he did genuinely ‘want to see her’. maybe a scene of him reflecting on maybe why he wanted to talk to her so badly (he kinda does but i want it to circle back to his regrets and maybe acknowledging all the times she spared him or cared about him to a certain capacity). maybe a flashback of why annie respected armin so much. or when their relationship started.

and maybe showing him visiting her throughout? but from a lore perspective, i feel like that still wouldn’t work. sigh im so sorry. i have so many feelings and I don’t think I’ve ever actually written it out before 💀

idk im so sorry im rambling SO BAD. i think snk deserved to have a lot more breathing room and filler. letting my children just breathe and talk for a second. (i think that’s why junior high was so good and so well received)

i love this manga so much and i know some people hate the ending but i personally really love this series and it’s overall message and think it’s so well written. and i love anyone who is passionate about anything and loves things. i just like to write improvements or brainstorm headcanon/how i would tweak things🙏

anyways

isayama put his whole pussy into making yumihisu so explicitly romantic and intimate and loving throughout their entire relationship and decided he was done for the day<3

why did isayama put his whole pussy into yumihisu after saying he can’t write romance. and then fumble when it came to the straights.

[starthelostboys]

you know that post that's like "a character will eat a food in a movie/show and then the fandom will turn that into their entire personality"? the tlb fandom did that but instead of a food it's with marko holding a bird in like one shot of the entire movie.

[chocolate-cream-soldier]

-.-

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[leidensygdom]

The ways in which being asexual feels isolating

I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.

So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.

But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.

And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.

Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"

Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.

And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!

I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.

Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.

[booksandabeer]

Celebrating 10 Years of CA:TWS — A Stucky Rec List

Rec list for the CA:TWS 10th Anniversary Event @catws-anniversary (thank you so much for organizing this event! 💙) | Prompt: Memories

10 years, huh? 10 years of Captain America: The Winter Soldier. 10 years of what many—myself included—still consider to be the best MCU movie ever made.

But also 10 years of post-TWS fanfiction. 10 years of Bucky Barnes Recovering and Steve Rogers' Sadness Errands; of Up All Night to Get Bucky and Revenge Road Trips; of Winter Soldier Trauma Umbrellas and Everybody Needing A Goddamn Hug; of Good Bros and Soft Epilogues. 10 years and tens of thousands of Steve/Bucky fics later, here we are.

So, to mark the occasion, let's take a trip down memory lane and celebrate the movie and the stories it inspired: One fic from each year since it all began:

There's really only one rule here: All fics are set before, during, or after the events of CA:TWS and/or reimagine its plot in interesting ways. Naturally, many of the fics on this list are post-TWS canon divergent, but I tried to go for a nice variety of length, genre, and popularity to keep it interesting. Speaking of popularity, this is very much not intended as a round-up of ‘most popular fics of each year’ because—and I say this with all the love and respect in my heart for those stories and their authors—nobody needs a rec list for that, and I believe in spreading the love. Here we go:

Poltergeists by enemyofrome | 17K, T

Author's summary: When the helicarriers blow up and the Winter Soldier goes on the run, he takes Steve with him. He's got a name written in Morse code on the inside of his arm, a ton of questions he doesn't know how to ask, and now, a new handler with absolutely zero sense of self-preservation to contend with. Life is hard. In which Bucky tries to figure out whether he's a human being, Steve does everything he can to keep from losing him again, and there are lots of explosions.

Starting off with one of the best versions of the 'Bucky didn't leave Steve, he took him with him after the Potomac' fics that were (and still are!) so popular post-TWS. This one stands out because of its fantastic beginning, its interesting take on how Bucky was broken and remade into the Winter Soldier, and because it allows both characters to be messy. It's a popular fanon trope that it's Steve who brings out a ruthless, almost vicious streak in Bucky, but here it's emphasized that this is very much a mutual thing. Just like Bucky, who's often afforded the "excuse" of still figuring out how to be a person again, Steve gets to be difficult here—without ever turning him into a stubborn asshole. They're both traumatized, and they're both allowed to show it and to lash out, including at each other. Also, this fic will give you capital-F Feelings about morse codes and apples. Believe me.

sleepwalk back to the battle site by ftmsteverogers | 22K, T

Author's summary: “I’m going to track down every HYDRA agent that’s left,” Bucky says, buckling his gun deftly to his belt. “And then I’m going to kill them.” “Oh,” Steve says. “Come with me?” Bucky asks, dangerous hands tucked into his pockets.

A classic post-TWS fic that picks up right after the movie ends. Equal parts Revenge Roadtrip, Bucky Barnes recovering, and Steve Rogers being in urgent need of a good hug. This starts out intensely melancholic—Steve's despair and helplessness are palpable and there's a scene involving a drinking glass that still brings tears to my eyes just thinking about it. Halfway through, the story changes pace and becomes much more action-heavy, but it still manages to allow space for the quiet, intimate moments between Steve and Bucky. They have both become sharp and deadly men, but they're also allowed to be soft with each other. Their coming together feels sweet and inevitable. I also really enjoyed the Steve characterization here. His absolute conviction that Bucky is still Bucky at his very core and always will be, but also his emotional and intellectual flexibility to adapt to this still-new-to-him, changed version of Bucky rang very true to me.   

Surveillance by Sproings, 7K in 2 parts, G

Author's summary: If there are ears everywhere, that means it's somebody's job to listen. I hate my job.

Do you ever think about how SHIELD bugged Steves DC apartment and how horrible that was, but also...you're kind of curious what they might have overheard? Do you ever wonder about the people who listened in on his sad, lonely life? Well, here you go. An outsider POV fic told "through the ears" of an unnamed SHIELD agent assigned to spy on the private life of a man who doesn't really have much of one. The story begins just before IM3 and takes us all the way through the events of CA:TWS and beyond. It's clever, original and told with great empathy for both the subject under surveillance and the person carrying out that surveillance—who increasingly questions its purpose. Here's a small snippet to give you an idea of the fic's style:

He got a phone call, once. He put it on speaker, too, which was very exciting for me at the time. It was from an archivist at the Smithsonian. They seemed really surprised that he answered his own phone calls. The two of them talked for a long time about an exhibit the museum was planning. A very long time. As if one of them was starstruck, and the other was desperate for any kind of human interaction.

What Gets You Through by velleities | 12K, M

Author's summary: For Steve, getting through each day is a process – one he’s currently failing at spectacularly. Feeling out of place in this brave new world, he hopes to find a home in Bucky, and looks for him with everything he’s got. But Bucky doesn’t want to be found, and when he does touch base with Steve, he never sticks around for long. Bucky has embraced the modern age, leaving Steve lagging behind – or so Steve believes, until Bucky shows him otherwise.

This post-TWS fic revolves around five encounters in liminal spaces, and each time Bucky has pieced himself back together again just a little more. Despite their increasingly longer and more honest conversations, and Bucky's incremental progress, he always disappears again, leaving Steve to grapple with his heartbreak. There are quietly gorgeous moments in this fic (the bus and the church in particular were my personal favorites) as well as wonderfully crafted characterizations. Bucky is initially portrayed as somewhat feral in some ways yet surprisingly well-adjusted in others, and I love that Steve can't help but be a little annoyed at that. However, it quickly becomes clear that, in good old Bucky Barnes fashion, much of it is really just a front put up for Steve's benefit...

A Real Boy by itsnotbleak | 5K, T

Author's summary: It took the Winter Soldier three weeks to remember that human beings needed to sleep and eat. It took Steve far too long to realise the Winter Soldier was sleeping in his bed.

A wonderful, short-but-doesn't-feel-like-it fic (in the very best way) set immediately after CA:TWS, in which Bucky secretly and then soon not so secretly visits Steve in his apartment. Follow along as Bucky Barnes argues with his brain about sandwich toppings, the importance of a good night's sleep, and the necessity of personal hygiene. Also: how to best go about becoming a real boy (again). And who the hell is that Bucky guy anway? This is as soft and sweet a Bucky recovery fic as you're ever going to find. It's funny but not silly; sad in a way that all of these stories inherently are—because, well, these are some tragic boys—but not super angsty or depressing. A beautiful story with a lovely, hopeful ending.

Savage God by PottersPink | 36K, M

Author's summary (abbr.): Past, present, future, Steve knows Bucky Barnes. It’s why he recognized him when he found him in that alley in April of 1942, even though Bucky was older, stronger, wearier; he called himself The Asset, and had a metal fucking arm. He flinched when Steve tried to touch him, and when Steve told him he loved him, his first response was to ask why. Seventy years later, Steve wakes up in the twenty-first century, and he doesn’t know whether to be heartbroken or hopeful when some of the things Bucky revealed to him in 1942 start falling into place.

An absolutely riveting AU that will have you on the edge of your seat the whole time. I'm itching to talk about it more but I cannot since it would mean spoiling the hell out of it. What I can say is that it's a very intriguing and clever exploration of what would happen if Steve knew about the future but without really knowing any of the details. How would it change the events of CA:TFA and CA:TWS, and how would it change Steve himself? I so very much appreciate this characterization of Steve as smart, competent, and unwavering with a hefty dose of no fucks left to give. This fic features some really nifty time travel and plotting, great action sequences and a very satisfying ending where certain people get their much-deserved comeuppance. Plus: Bonus Shrinkyclinks (kind of)!

Charlie Lock by seapigeon | 105K, M (hard M)

Author's summary (abbr.): The Winter Soldier knows that sometimes, in order to make the kill, you must destroy what the Target lives for. Steve Rogers knows that he can't fight his captors. If he fights, they'll kill Bucky. But the price of his life is steep. Tony Stark has nothing left to live for, but he's needed. So all these miserable motherfuckers better stay alive, too. Clint Barton never expected to be a leader. But a leader he is, and no one else is going to die on his watch. --- A story in which the first wave of Project Insight succeeds, and the Avengers must pick up the pieces and find a way to stop Hydra from completing its work with Zola's algorithm.

This is not only the longest fic on this list, but also the angstiest one—by a mile, so please heed the tags. It's dark, disturbing, and brutal. However, it is neither relentless misery porn nor is it shocking for shock's sake, where everything is magically forgotten and/or healed the moment Steve and Bucky start kissing. Instead, the author puts these characters into an absolutely horrifying situation and then slowly, gently guides them out of it and into the light.

It's a Stucky fic but it's also a multi-POV ensemble piece featuring all the Avengers and other familiar faces. If you are someone who'll always be a little bitter about the unfulfilled promise of an Avengers found family, then this is for you. In this AU, they do not only fight together, but grow together in every way. They truly become a team, not just co-workers barely tolerating each other. The story takes its time exploring the characters and the group dynamics. Steve and Bucky are definitely at the center of the narrative but there is space here for every member of the team to grieve and adjust to the new reality and to find at least some measure of healing. It's a story about the meaning and the consequences of revenge, about hope and resilience, and about love in all its many forms. It also has one of the most satisfying title drops that will have you pump your fist in triumph when it happens. It's a tough read, but ultimately a very rewarding one.

SPELEVINK by Ginny_Potter | 10K, G

Author's summary: Bucky’s back. He’s leaving me messages through IKEA plushies, Steve texts Sam. jesus christ, rogers, Sam texts back. Or, Bucky lives in an IKEA Tiny Apartment, Steve is a dancing monkey once again, and somehow they find their way back to each other.

This is an absolute DELIGHT of a fic that will have you alternately laughing out loud and crying quietly into your SVARTFIBBLA blanket (super-soft, recycled polyester, 47x63"). It's ‘crack treated seriously’ at its very best and a clear homage to the fandom classic Infinite Coffee… (that’s not a dig or a spoiler, the author says so in the author’s note).

Now if you know me, you’ll know that angst o’clock is my happy hour and I’m usually not very into these heavy-on the-humor quasi-absurdist fics (because I’m super special and not like all the other girls, obviously). But. I LOVED this story so, so much. It’s such a fun read—even when it makes you cry—and it really became one of those ‘huh, I guess I’m into this after all’ moments of joyful (self)discovery via fanfic for me. I never thought a pair of oven mitts could move me like that, and I'll never be able to walk into an IKEA again without muttering "F******!" under my breath (iykyk). Absolutely fantastic.

a handful of dust by RecoveringTheSatellites | 20K, M

Author's summary: Steve looks for Bucky for a long time. But the thing is that Bucky doesn't get found, Bucky finds. Bucky always finds Steve. This takes a hard left after the Potomac and stumbles through the dark a lot after. Take a bit of running, the occasional synaptic misfire, the resurfacing of old memories, a dash or two of PTSD, and (eventually) a nice dose of action, stir, and serve over some unresolved issues.

Honestly, the second paragraph up there perfectly sums up the story. It's a good ol' fashioned Bucky recovery fic with some angst, some action, and a whole lot of healing and devotion. Steve and Bucky get to be very sappy about each other, but also extremely Badass Battle Boyfriends™ when somebody threatens their hard-won happiness. Both are allowed to be messy, unstable, and very co-dependent.

This was the first time this author played in the Stucky sandbox and I mean it 100% as a compliment when I say that you can tell. This is someone with "fresh legs" diving headfirst and very deep into the Stucky trope pool and they're doing it with great relish and enthusiam. The result is a story that rejects some of the tried and true conventions of the post-TWS fanfic canon and lovingly embraces others, but that is definitely aware of and in dialogue with the body of work that came before it. Also, it's just a really fun read that gives these two the very soft ending they deserve.

Everybody is Supposed to be Dead by pollutedstar | 22K, M

Author's summary: In 1944, Bucky Barnes falls off a train into the Alps, missing and presumed dead. Months later, Steve Rogers nosedives a plane into the arctic. In 2010, the Winter Soldier project is uncovered by S.H.I.E.L.D., and Bucky Barnes is found alive. Three years later, Steve Rogers’ frozen body is found in the ocean.

A really interesting AU and a fascinating exploration of what could’ve been; the impact it would’ve had on the events and characters if Bucky had been the one to be “found” first. How would it affect Steve to come back into a world where he isn’t quite so lonely and adrift, and where he does have the relief and reassurance of having Bucky by his side and at his back? How would that have changed the way he acted and reacted to this strange new world and the people and organizations trying to recruit him to their cause even though the ice hasn't even completely melted off his body yet?

There are a lot of astute and precise observations about characters like Tony, Natasha, and Clint in this story, and on top of that, it offers up some very compelling insights into Steve's conflicted and difficult relationship with his role as Captain America.

it's never over (hey orpheus) by romcommie | 12K WIP, 2/?, M

Author's summary: He remembers a song first and then everything else follows, burying him below. Or, Bucky Barnes pieces a life back together with a few choice verses, some duct tape and seventy years worth of spite. Steve Rogers tries very hard to relearn there's a life to be lived in the first place.

Ok, listen up, people! This is a WIP and there are only 2 chapters posted so far, but I haven't felt this absolutely bonkers excited about a post-CA:TWS fic in a long while. We're talking frothing at the mouth here. I have such a massive crush on this fic, it's a bit embarrassing, really. It's one of those fics where you know after just a few paragraphs that you're in very good, very competent hands. The wealth of historical and cultural detail; the way the story shifts/flips/flickers back and forth between time, perspective and narrative levels; the Bucky voice—it's all so well done! I'm so insanely excited to see where the author takes this!

ENJOY!

[ghost-bxrd]

Been mulling over Titans Tower and it's really interesting to me how it's treated in Fanon as compared to how the events transpired in canon. it's a really fun topic! Honestly, the original writing in canon is DOGSHITE but not for the usual reasons people cite.

Here's what does make sense in canon but is largely ignored (this is using canon characterisations at the time): First, it's all about the whole Titans team, not just Tim. They really downplay his death a lot, did not put up his statue or honour him whatsoever. Plus the hero community tends to victim-blame him a fuckton. Jason is showing that his death could've happened to anyone. Second, Tim and Jason are just two yearish apart—Jay died at 15, Tim becomes Robin at 13—so those Titans are more like his colleagues than anything else; he's not some older guy beating the shit outta them. Third, Tim’s indifference to Jason's comments and his cockiness about being a better Robin are pretty on-brand for his early portrayal as Robin. (I think fanon Tim derives a lot of his characteristics from his Red Robin run, which is valid as well! But here in particular we have Robin Tim... who... was... uh... a bit of an asshole when he was written back then and the HUBRIS on that man? Immaculate.)

What still makes this absolutely dog shit is the dialogue and how Jason is pouring his heart out to someone who he doesn't really care about. Jason... just doesn't operate this way... Why's he trauma dumping on... tim... ???? It makes no sense whatsoever because Jason really is someone who'd keep those vulnerabilities to himself. Why would he open up to... CANON TIM??? He makes scathing remarks when faced with Bruce and Dick because he knows the knife twists then and at he cares about their reaction. But not tim ????? Canon UTRH doesn't even mention Tim ????? ???? So in the end it's still shit imo.

I also find the use of Pit Madness in fanon super interesting, despite it not being canon. It's used to propel the Titan's Tower incident, which fascinates me because it shows how people are willing to work around its flaws to maintain consistent characterization in their works (which is !!! cool !!)

It's so interesting how many other incidents that do occur in canon aren't as well known as this one aren't given much thought. But this one is and it's interesting how people try to work with it regardless of it's flaws originally!

I'd really love to hear your opinions about it and how flexible you are with the Titans tower incident! :) How do you work with your Jason and your Tim? because it's cool to hear your analysis etc etc

Hooo boi okay i was planning on replying to this earlier but this deserves a proper, thought out response (which I’m shite at but I’m trying here. Words are hard.)

For one, I wholeheartedly agree with the whole trauma dumping thing.

Obviously we all have different tastes in media and I know there are quite a few people who enjoyed the confrontation with Tim, which is totally fine, but personally… yeah, not my thing.

I got into the Batman/batfam fandom via fanfic, so my first introduction was some version of Titans Tower I believe. I was super intrigued by the characters and the tidbits of lore sprinkled throughout that I immediately began reading up on them and digging through the internet for more info and background story on them. Which then quickly evolved into the part where my adoration for Jason’s character began and a short phase where I absolutely despised early canon Tim.

Like— all the victim blaming. He seriously couldn’t mention Jason without adding something derogatory about getting himself killed, which sat so, so wrong with me. Not to mention the Titans just accepting a new Robin right off the bat and joining in blaming Jason for his own death. I’m pretty sure that was the point where I swore off comics for a long while and decided to live off fanon 🤣

And then Jason’s part in the Titans Tower incident. I think part of how weird the canon event was is due in part to how the writers fumbled to depict trauma? Or maybe they just outright hated him because I know a lot of people back then despised Jason and his run as Robin.

Whatever the reason, I think I genuinely cringed when he revealed the Walmart Robin costume he was wearing. And then the trauma dumping.

Jason is smart enough to know Tim wouldn’t care about his grievances. I mean- dude just broke into his hideout to attack him, I think Tim’s about as done with Jason as with any other criminals, regardless of his past. And all that is proven by Tim fighting back tooth and nail without pause. He doesn’t even react to the accusation of the missing statue in Jason’s honor. Like, he genuinely doesn’t seem to care. And why would he? They don’t know each other.

And yeah maybe he was trying to beat some sense into Tim (which is still wrong but— vigilantes I guess? Idk) and make him quit Robin, but Jason’s also smart enough to know that Robins don’t quit easily. And then, as soon as Tim is down for the count and can’t keep fighting, Jason leaves. Just like that. No actual murder attempt, no kicking-while-he’s-down (at least as far as I remember).

It makes no sense. What would Jason be gaining from that encounter? Why would he blame the kid that replaced him and not the guy that did the replacing? Hell, it would make more sense for him to go after the Titans than Tim. Not the mention him casually doubting Tim’s talents when he must have done some background checks on him.

It’s why I like the idea of Pit Madness I guess, and that Jason actually went to the tower with the intent to kill. Because that way the entire thing wouldn’t seem so… pointless.

As for how flexible I am with the Titans Tower storyline, it really depends on the route people choose to explore. But I’m a huge sucker for the “Jason was Tim’s Robin” trope where there’s at least a mild amount of hero worship going on. 👁️ Oh, and happy endings. I can’t deal with tragedies.

But yeah these are my thoughts on it. Obviously no hate to whoever enjoyed the comic mentioned above 💚 we’ve all got different things we resonate with after all~

[absolutelynotsanebaby]

Okay, so I've seen a lot of posts on the "should Morro have stayed dead or should he have been given a redemption arc" and all that and I just kind of wanted to share my thoughts on the topic. I don't think his canon ending is bad, in fact there's a lot I like about it. It's a tragedy and a very good one at that. The way it ends with him and Wu, and with the whole "you can only save those who wish to be saved" quote? That's poignant, that has narrative weight. I think to say that it's bad is to ignore a lot of what makes Morro a good character. He's a reflection of Wu as a teacher, his teachings, and he's a foil to Kai specifically. He shows us why Wu works better now, and why he teaches the way he does. A large component of what makes his story have depth isn't just that he died young and was traumatized it's that he continued a cycle of trauma on with Lloyd (and Cole, if you considered that he dies indirectly due to Morro's actions but that's another topic). He's a bad person, he did really bad things, that's part of who he is. But, I think it's a misstep to call him irredeemable. I think that misses the point of his character entirely actually, like severely. Morro isn't irredeemable, he shows that he's capable of growth in the very scene he dies in! That's part of the tragedy too! It's not a 'hot-take' to miss the point of a character because it's the cool fandom opinion of the month actually. I know people are frustrated at the fandom misogyny in how people talk about Morro vs. Harumi and I agree, it is frustrating, but y'all are just spreading around just plain bad takes and that's getting frustrating.

On the topic of missteps, as much as I do like it, I also think it was a misstep in how DOTD handled Morro. In general DOTD has some interesting ideas and concepts but is overall flat and under-cooked. Morro's part in it isn't excluded from that. DOTD brings him back, it shows that he is extremely capable of change and growth, and understanding (which is something you guys like to ignore too, actually). Then, it has him just leave again, die and I understand why but I think it's very genuinely sad in a way I don't think was intended, or well done. I think it backtracks on the narrative weight his conclusion in Possessed had. Possessions' ending for him is sad but it has depth and weight. DOTD just brings him back for fan service, and again, just has him die, and it's because he wants to. I understand they were going for a "at peace" kind of approach with him but it just falls flat in my opinion. If they were going to bring him back, and I know this is kind of a debated topic, I think they should've just kept him. And everyone who says that he wouldn't be capable of change for that is dead-wrong, the show proves it, and just because you don't like it doesn't make it bad. In terms of how it's handled in fanon, I think it's a mixed bag. Some people do it really well, faithful to his character but other times I think he just gets hit with the fanonization beam really hard. Sometimes you see his woobification of him based on the trauma and death he went through, and that erases what makes him and any sort of possible redemption or relationships with him interesting. I think people tend to miss the idea that a redemption is both not something a character has to 'deserve' (because redemption doesn't equal forgiveness) and also something a character has to work towards. The idea a redemption has to be deserved (as a moral concept not a narrative concept), instead of something worked towards by the character presents in people downplaying his actions and effects, but also in people acting like redemption is inherently reductive to his character because he's bad guys, he's a bad guy guys. Bad guys don't deserve redemption guys (/sarcastic). To be entirely real, I do think redemption can and does have a place in his writing. You can't look at how he acted at the end of possession and DOTD and tell me otherwise. Redemption in fiction at the end of the day is a narrative device and trope, and how a character is written informs their development. Additionally, I think some of you guys take his "you can only save those who want to be saved" way way too literally. That, too, is tragic and it's not because it's right. When characters speak, nine times out of ten, you're not supposed to baselessly accept and internalize what they say as correct and true. Was it true when Cole said he wasn't a ninja after dying in the same season? Was it true when Kai said he deserves to be the green ninja, just because he said it? Come on. Also, just, I think sometimes this fandom needs to accept different people find different things appealing and cathartic. It's okay to prefer a tragedy, but it's also okay to prefer the idea of him redeeming himself (because it takes work) and healing. There's this whole argument about whether or not saying he should've gotten a redemption arc (kind of a stupid question to begin with, in my opinion) but at the end of the day, it's already done. Also, both ends of the spectrum can have the most frustrating takes on him, and yeah I'm going to be annoyed and salty about it if you couldn't already tell. Anyways, there's no proper point to this because it's really just be ranting about several things I find really frustrating about how people handle this topic, so take it as you will. You can disagree, but I'm not saying his ending is bad nor that his tragedy is bad. In fact if you disagree I encourage that this fandom is way too prone to just parroting each others (mostly bigger blogs) opinions and not their own personal ones, so yeah.

[the-way-astray]

The Ultimate Anti-Keefe Sencen Rant (Part One: Keeper through the first half of Unlocked)

taglist: @ahoyimlosingmymind @lucyshypemaster @myfairkatiecat @lilliesandlight @noideawhattodoorsay @sacrificialloving @i-want-to-be-hit-by-a-car @loreintheaether @whatistheretofearlookatrunfrom

Disclaimers before I start:

Do not, I repeat, do not hit that read more button right now. You will regret it. I promise you, you want to open this post in a new tab before you hit that button. This post brings new meaning to the word "long". To give you some numbers, this post is about 75 pages long in Google Docs, size 12 Times New Roman font. It took me more than three hours to read through it. You shouldn't expect to read this entire thing in one sitting. Do not, under any circumstances, hit that button without opening this post in a new tab. I'm warning you.

This rant will be very biased against Keefe. I'm only listing the things I do not like about Keefe. I have not listed a single thing I enjoy about him, few that there are. So if you're going into this looking for an unbiased "pros and cons" analysis, you've come to the wrong place. This is not an analysis. This is a rant. Do not confuse the two.

I will only list things I do not like about Keefe. If you want to argue that "oh, but [other character] did that too, and you didn't mention them!!!" that's because I'm not getting into any gripes with any other characters in this particular post. I despise Forkle just as much as I despise Keefe, for instance, but this is not a Mr. Forkle rant. This is a Keefe rant. This is solely focused on the things I do not like about Keefe. I may or may not agree with you on whether that other character that supposedly did the same thing deserves to be scrutinized for it, but the point still stands that I will not be getting into any Keefe vs. [other character] debates. In my rant, I do occasionally compare Keefe to other characters, but that's just to highlight my points about Shannon's treatment of him.

I am not a Sophitz shipper. I don't ship Sophie with anyone, actually. This rant does not come from a place of "Fitz is a better love interest for Sophie because Keefe sucks so much!!!" I will just put that to bed right now.

Feel free to pick fights with me or tell me that I'm not being fair. Feel free to counter every single one of my arguments. But please don't make bad faith arguments like "Keefe was basically just waiting around for Sophie and Fitz to break up in Legacy!!!" that are just not true in the slightest. (Yes, that is in defense of Keefe, I'm just trying to show an example of a bad faith argument.) I tried my best to be fair and not extrapolate anything beyond what I genuinely think Shannon Messenger intended for the audience to understand. So if you want to make a counter-argument, I kind of expect the same.

I actually really like fanon Keefe. No problems there whatsoever. Every single gripe I have is with canon Keefe. So, obviously I will only be discussing canon Keefe moments in this rant. I won't be talking about fandom issues at all.

My problems arise with both Keefe the person (his personality) and Keefe the character (the way he's written/his character arcs/development), so obviously this will be heavily critical of Shannon Messenger's writing. Just be aware. But I don't hate Shannon. In YouTuber withcindy's words, I find her writing to be unbearable sometimes, but I hope she gets her coin. I don't want this to make anyone hate Shannon. I don't hate her, her writing choices just frustrate me sometimes and I think it's fair to criticize them. There are many things I love about Keeper, like the worldbuilding (I have an entire post in my drafts ranting about how great the world is for the themes Keeper's trying to convey). I directly "address" Shannon at several points, but that's mostly for the sake of not making this a boring slog to get through.

I don't have physical copies of Keeper, Exile, Lodestar, or Nightfall as of the making of this rant. So quotes from those don't have citations. Every other book has a page number. I probably should've cited chapter numbers instead for those four but I didn't think of that at the time. Oh, well.

This will be very negative and discourse-y. I'm not really planning on sugar-coating anything. In my opinion, it's really important to be able to criticize the things you love, and I do love Keeper. So if you want to have a purely positive, uncritical fandom experience, it's probably not a good idea to keep going. Also, if you ship Sokeefe or like Keefe, just be prepared. While I personally do not believe they/he were written well, I understand that some people do enjoy them/him. I don't want this rant to make any people that genuinely love Sokeefe or Keefe start hating them/him. If you don't like Keefe or Sokeefe, you've probably come to the right place.

This entire rant is my personal opinion. We can agree to disagree. I get that some things I say are completely subjective, such as when I talk about Keefe's humor. That doesn't mean I think that anyone who loves Keefe's sense of humor is an idiot. I do use some strong language to describe some things, but that doesn't mean I think people who have different opinions than me are stupid. We just clearly have different tastes when it comes to things like this.

New disclaimer that I need to add right before posting this: I am not that blue anon (or any anti-Sokeefe or anti-Keefe anon). I don't even know how they managed to do that on anon. I also don't think Keefe was emotionally cheating with Sophie in Legacy. That's a completely bizarre statement to make. However, I do find that some of that person's statements are valid, however weirdly and passive-aggressively they made them, but I'm going to try to address it in a more respectful manner. So hopefully, if you continue reading this and you do like Sokeefe or Keefe, you at least understand where I'm coming from.

Keeper

“‘I mean, I can’t really blame her’—he gestured to himself—’but still, it’s awkward, you know?’” I don’t tend to like characters that brag about their looks. I know it’s a popular male-love-interest trope, but I can’t stand it. It makes the author feel like they’re trying way too hard to make the character ““““““cool””””””. Yes, I know he’s joking, but it quickly goes way too far later.

“From his disheveled blond hair to the way he’d rolled up his sleeves and left his shirt untucked, she could tell—he was cool.” Again, the narrative tries way too hard to get us to buy into the “cool bad boy” thing and it just makes me cringe so hard.

“He clearly wasn’t going to let it go [ . . . ]” Just keep in mind, Keefe just met Sophie a second ago and he’s already starting to push her for things she doesn’t want to tell. Yes, in this case, it isn’t particularly serious, but this definitely becomes a habit later on.

“‘Wow, most girls would be crying about a wound like that—most guys too. Even I’d be playing it up for sympathy and stuff.’” Going to let this go because they fix Keefe’s sexist comments in the graphic novel, so it clearly wasn’t intended for him to come across that way, but I’d just like to say that I’m so tired of the casual sexism in YA novels as a way of making a male love interest seem “cooler” or “snarkier”. It makes me cringe every time. (Keefe isn’t the only one that’s like this either. Fitz and Dex both make similarly sexist comments as well earlier: “What is it with girls?” said by Fitz and “Girls” said by Dex.) It comes across as even more annoying when you consider the whole thing about how the Lost Cities are supposed to be gender-equal. Shannon. What the heck.

“‘Makeovers?’ Keefe scoffed behind them. ‘You girls sure know how to have fun. Maybe you can braid each other’s hair and giggle about boys while you’re at it.’” Again, I’m going to let this go because they fix it in the graphic novel, but oh, boy. I have no idea what Shannon was thinking when she wrote this. All the guys make sexist comments, but Keefe easily gets it the worst. It just proves my point about how Shannon jacked it all the way up to eleven in an attempt to make Keefe “cool” and “funny”. 

“‘Actually, maybe that last part is a good idea. You could get the dirt on Foster, find out which guys make her heart go pitter-patter.’” This is completely subjective, but I find Keefe’s general sense of humor to be incredibly cringy. Like, who talks like that and doesn’t immediately cringe at themselves??? In real life, if someone spoke like that, I can guarantee that everyone around them would laugh at them. Also, he still doesn’t know Sophie very well and he continues to put her on the spot.

“‘Eh, that’s what they all say. But deep down girls always have one guy they can’t take their eyes off—isn’t that right, Fitz?’ ‘Why are we talking about this?’ Fitz complained.” Say what you will about Fitz, but I will forever be grateful to him for shutting down that nauseatingly cringy shitshow.

“‘Aw, don’t go getting good at alchemy, Foster.’” Again, this is completely subjective, but I find the way he calls Sophie by her last name to be a cheap trick to make him seem funnier and cooler. Which, in my humble opinion, it doesn’t.

“He winked, reaching for her hand.” Again, completely subjective, but my number one pet peeve when it comes to love interests in fiction is winking. Why is it that everytime an author wants to make a guy “cool”, they just make him wink so much you’d believe he has an eye twitching disorder??? Keefe is so unoriginal as a character. I have seen this sort of male love interest a thousand times in a thousand different YA series. 

“‘It’s almost too easy to annoy you, you know that?’” The thing about Keefe is that he doesn’t just joke around. He usually jokes around with the intention to annoy or embarrass someone. 

“[ . . . ] forced instead to sit alone in the corner while Keefe winked at her [ . . . ]” He winked at her throughout the course of an entire detention??? Wow. That’s just. Okay.

[cut because character limit]

“‘What do we have here?’ Keefe asked, snatching a red box from her thinking cap. He was definitely back to his old self without his father around. He glanced at the card and cracked up. ‘“Dear Sophie. I really enjoyed our dance, and I hope we can do it again sometime. Love, Valin.”’” Another example of Keefe making jokes that are just straight up embarrassing for someone else. Also, he just grabbed her present like that without her permission??? 

“‘I’m just teasing—sheesh.’” Keefe literally pulled the “But it was just a joke!” excuse as justification for putting Sophie on the spot like that. Wow, such a great friend.

“Keefe nudged Dex’s arm, then grinned at Sophie. ‘Interesting.’ ‘What?’ Dex asked. ‘Which one’s your gift, Dex?’ Sophie interrupted. She didn’t have to be a mind reader to know what Keefe was going to tease Dex about.” Here we mark the start of Keefe using his empathy to learn people’s secrets without their consent. He feels not a hint of remorse for it, and instead uses it as a way to breach people’s boundaries and embarrass them. As a lot of people have already said, Keefe is the primary reason empathy should have similar restrictions on it to telepathy. 

“She stared at Dex for a minute, so amazed she wanted to hug him. She knew Keefe would have a field day, though, so she fought the urge.” You shouldn’t be scared to hug your friend in front of your other friend for fear of what the other friend will say. 

“He’d hardly looked at her gift when he opened it, too distracted by the tunic Keefe gave him, which had I know what you’re thinking—and you should be ashamed of yourself embroidered across the front.” I will give credit where credit is due, though. This was cute as hell. But it also makes me frustrated, because it shows that Keefe can be a good friend if he tries. It’s not like he straight-up doesn’t know how to. He just doesn’t. Which is arguably worse.

“‘Yeah, busy juggling two girlfriends,’ Keefe interrupted. Alvar grinned. ‘Three.’ ‘Three?’ Della’s voice was as horrified as her expression. ‘Alvar, that’s awful.’ ‘Are you kidding? It’s awesome!’ Keefe corrected. ‘You’re my hero.’” That’s right, everyone. The sweet, thoughtful, funny, perfect Keefe dreams of being a cheater one day. What the heck, Shannon? Why would you make a guy you clearly want your audience to like and will eventually be the love interest a wannabe cheater? It’s clearly because she wants to make him seem cool and funny! So hilarious. Although this is more on Alvar. I know the fandom headcanons about polyamory, but given the use of the word “juggling”, it’s more likely that Alvar is a cheater. But I will also assume that this was another product of Keeper’s time, and will be changed in the second part of the graphic novel.

“‘All right, enough girly drama,’ Keefe said, shoving his way in. ‘I was part of the rescue too, remember? I’m the one who knew the tree you told Fitz about was the Four Seasons Tree, so if it weren’t for me . . . ’” How self-centered do you have to be to make the rescue about yourself??? Like, my guy. Have some self-awareness. Also, acting like Biana apologizing is just “girly drama” instead of a very real emotional moment is so, so degrading (and misogynistic, yippee). Disgusting behavior (which I wouldn’t mind if he ever apologized for it and showed some development, but it’s Keefe, so he never does, of course). 

“‘Ella!’ Sophie buried her face between the floppy ears, ignoring Keefe’s snickers.” Imagine laughing at your supposed friend (and crush) during an emotionally and physically devastating recovery period because you found it funny that she sleeps with a stuffed animal.

Exile

“‘Hey, a guy’s gotta look his best for the ladies.’ Keefe patted the back of his head. ‘Right, Foster?’” Ah, Keefe’s trademark cringily atrocious “humor” starts again. 

“‘Why do you need my help? Aren’t you the expert?’ Keefe snickered. ‘Ooh, good one, Foster!’” Another thing I don’t like about Keefe is that Shannon uses him as narration sometimes in order to pat her own back over making a joke. Like here, Sophie makes a comment regarding Vika’s ability to train Silveny, and we, the audience are obviously supposed to be like “Ooh, good one, Sophie! Get her ass!” But instead of just letting the audience have their natural reaction, Shannon feels the need to tell us what she thinks we need to feel. It becomes annoying because Keefe does it so much. It’s like Shannon doesn’t trust that the audience will have the correct reaction, so she has Keefe have that reaction so the audience knows what to feel. It’s basically the writing equivalent of saying “Get it? Do you get the joke? The joke was that Sophie made fun of Vika. Do you get it now?” This is more a Shannon thing than a Keefe thing, but Keefe gets it the worst. 

“‘Lame. I vote for The Unstoppable Team Keefe! Or Team Foster-Keefe if you’re one of those egomaniacs who needs your name in there. I can share some credit.’” Ah, here we start with Keefe’s list of atrocious nicknames for things. It’s one of my least favorite aspects of the way Shannon writes “humor”.

“‘What was up with the whole Amazing Flying Foster routine?’” Completely subjective, but I find Keefe’s nicknaming tendencies really grating.

“‘That’s another day of detention, Mr. Sencen,’ Sir Rosings shouted. ‘And one for you, Miss Foster!’ ‘Ooh, we can be detention buddies again!’” It’s a little thing, but Keefe never feels regret when he gets someone else in trouble. He only lathers it up with more teasing. I’d be so angry if someone got me in trouble and it wasn’t even my fault. It’s just terrible behavior.

“‘I’m not talking about anyone. I’m talking about you. And I know you’re up to something. I can feel it.’ He grabbed her hand, sucking in a slow breath as the crease between his brows relaxed. ‘I can feel your hope. It’s not much—but it’s there. And there has to be a reason for it. Besides—you’re going to need my help. Who knows the Vackers better than me?’” Keefe uses his empathy to force his way into Sophie’s fixing-Alden’s-mind plan. He tries to read her emotions without her permission so that he can use it as justification to get her to let him help. It’s just so icky. He then manipulates Sophie by insisting she needs his help (even though she logically doesn’t). 

“‘It’s a date, Foster!’ Keefe shouted, turning every head in the corridor and making her grit her teeth so hard her jaw hurt. ‘Looking forward to it.’” Keefe stop humiliating Sophie in front of everyone challenge. 

“‘Wow—you really sleep with this thing? I thought Fitz was kidding when he gave it to you when you were recovering.’ Sophie snatched Ella away [ . . . ]” Keefe continues to make fun of Sophie for her stuffed animal tendencies. You know, it’s possible to be funny and make jokes without actively tearing people down. But wait, you may say. Keefe shows some development later because he starts to sleep with his own stuffed animal! Doesn’t that mean he learned and grew? No, I would argue back at you. The issue is not actually that Keefe made fun of Sophie’s stuffed animal in particular. The issue is that most of Keefe's jokes actively revolve around making fun of someone and putting them down. And that never changes, even later in the series. This is simply one example.

[cut because character limit]

“‘This isn’t nearly as exciting as I thought it would be,’ Keefe complained as Sophie finished explaining her theory about removing Alden’s guilt and how she was trying to track down her own journal. ‘When do we get to, like, fly into the line of fire or sneak away to the Forbidden Cities?’” Another thing I don’t like about Keefe: he’s so whiny. For no reason. Shannon loves to use his whininess to make him ““““““relatable””””””. And he never develops! Ever! Most of the things I list about Keefe here would be fine if Shannon acknowledged them as character flaws and let Keefe develop. But he never does.

“He reached out and brushed Grady’s arm. ‘Whoa—that is some serious tension radiating off of you. Is it that bad?’” Again, here we see an example of Keefe breaching boundaries and using his ability to get people to tell him things they aren’t comfortable telling him. If Keefe was a Telepath, this would be breaking the law. In case you care. 

“‘Is that a diary?’ Keefe asked as Sandor handed her the sparkly journal. He tried to snatch it, but Sophie yanked it away just in time.” I- I don't even have the words to describe how atrocious this behavior is. Keefe just casually tried to invade Sophie’s privacy. For a joke. And imagine if she had written something embarrassing in there and he’d managed to grab it from her. He’d never stop embarrassing her over it, never stop spilling its contents to other people casually in the name of “humor”. And he’d treat it like a joke, instead of a very serious breach of personal boundaries.

“‘Should’ve figured it would have something to do with a boy.’ ‘I was five, Keefe.’ ‘What, and cute boys didn’t exist when you were five? Well, it’s true you hadn’t met me yet, but . . . ’” Ah, Keefe’s trademark cringy-ass flirtation starts. For the record, I think this might be my least favorite aspect of Keefe’s “humor”. I don’t tend to like characters that go on about how good-looking they are. I just find it so incredibly cringy and tone-deaf. But that’s just my opinion.

“‘Now we know they still have the pages. So we just have to figure out a way to steal them back.’” Ah yes, Keefe’s straight-up stupidity, which isn't quite my least favorite quality of his, but is the most frustrating. He’s really, really stupid if he thinks he can just. Track down the Black Swan and steal the pages back from the infinite amount of places they could be. 

“‘Hey, Captain Mood Swing,’ Keefe said, gently grabbing her arm.” Keefe’s cringy sense of nicknaming humor continues. 

Also Keefe’s nickname for Silveny will never not be the most cringeworthy thing in the entire series. His nickname humor is already horrible enough, but combine it with his tendency to crack potty jokes like he’s six? Simply atrocious.

“‘It’s just a theory right now—I need to think it through.’ ‘You mean we,” Keefe said, hooking his arm through hers. “We need to think it through. Team Foster-Keefe!’” Keefe stop forcing yourself into Sophie’s personal business challenge.

[cut because character limit]

“‘So, let me get this straight,’ Keefe said when Sophie was done explaining the new plan. ‘We don’t know where we’re going, or how long it’s going to take us to get there, and we’re flying to meet the Black Swan—who may or may not be evil murderers—and this whole thing could be a trap?’ [ . . . ] ‘Awesome! ’Bout time this project got a bit more exciting.’” Keefe is so fucking tone-deaf. He learns they need to go meet the Black Swan (who at that point they thought were maybe-murderers) to heal Sophie and that’s what he says? Wow. Real upstanding guy. It really just shows how he thinks this whole thing is a game, not a serious issue. (Yes, I know he later says that his jokes are a mask and that he does care and see the seriousness in an issue, however that doesn’t change the fact that his jokes are just straight-up insensitive to the people around him.) Also, remember what I said about Shannon using Keefe as narration? She does it like this, too, where she’ll recap a lot of what she just wrote using Keefe as a mouthpiece, just to make sure the audience really gets it. It’s a sign of insecure writing. But it’s not boring recap exposition, because a funny character says it! Right, guys?

“‘Of course I told them. Sheesh—you act like I’m some sort of troublemaker.’ He winked.” Take a shot everytime Keefe winks. You won’t even make it through half the series. It highlights another issue I have with Keefe. He thinks he’s so cool. With the swagger and the winking and the hair and the clothes, he tries way too hard to be ““““““cool””””””. And for me it just makes him extra cringy. But that’s completely subjective. Yes, I am aware it is a mask. It does not make it any less cringy. It just doesn't feel like something anyone would ever do in real life. I don't know how to explain that it just feels unrealistically fake. It’s just so . . . try-hard-y to me. 

“‘No—for the millionth time. You’ll know when we are because we’ll stop flying.’ ‘Okay, that’s how I’ll know when we’re there. But how are you going to know?’” Another example of Keefe being intentionally annoying, and another example of Keefe being so stupid you have to wonder if his abusive parents dropped him on his head as a child. Two for one!

Keefe continues to be stupid and annoying on purpose for a few more lines of dialogue during this scene, but it’s too much and I don’t want to copy it all. I’ve already put a sample in the previous bullet. 

Have to say, I love how annoyed Sophie is by Keefe in Exile. Everytime she is forced to involve him, she expresses visible annoyance. Wish that carried through the entire series.

“But then he leaned closer—close enough that she could feel his breath on her cheek as he said, ‘I know I crack a lot of jokes, Sophie, but . . . that’s just because it’s easier, you know? It’s how I deal. But that doesn’t mean I don’t care. I do. A lot.’” Ah, the famous boy-behind-the-jokes confession scene. First of all, why does he need to lean closer and get all up in Sophie’s personal space??? Especially since they are already really close together. That is so ugh. Secondly, just because he uses humor as a coping mechanism, doesn’t mean his jokes have to be rude, annoying, embarrassing, cringy, over-the-top, cracked at the wrong times, and just plain stupid. It’s possible to have a sense of humor that’s, get this, actually funny and cheers people up instead of tearing them down.

[cut because character limit]

“‘You don’t have to be. I meant what I told Sandor. I’m not going to let anything happen to you.’” How chivalrous. And how exactly is he going to do that? By being stupid at the kidnappers? Just the fact that Keefe thinks that he can protect Sophie shows how unprepared he is. But seriously, Keefe has only demonstrated stupidity up until this point. I still don’t understand how Grady thought it was a good idea to involve him. He’s just as vulnerable as Sophie, so that’s just a second person that’ll get hurt if something goes wrong. He’s not a bodyguard and he doesn’t have any training or special experience that would qualify him to protect Sophie. He’s just some guy. I think the logic was “Sophie’ll have a second person to protect her in case of an emergency”, but that makes no sense, because Keefe can’t bring anything to the table in terms of protection for Sophie. But how else are we going to kickstart a fan-favorite ship?

“He leaned back, taking his warmth with him. But at least she felt like she could breathe again.” Yep, Sophie literally felt like she couldn’t breathe because Keefe was all up in her personal space.

Everblaze

“‘Want me to push you?’ Keefe offered, laughing as Sophie jerked away from him ‘Come on, it’ll be fun—for me at least.’” (4) I have a physical copy of Everblaze, so I can list page numbers, and boy it didn’t take long for Keefe’s jerkish tendencies to show. He literally admits to Sophie that he’d find it fun to watch her be uncomfortable, which not only makes him completely selfish, but also somewhat cruel.

“But he shot Sophie a look that seemed to say, You will tell me everything later [ . . . ]” (63) Again, an example of Keefe insisting he should be a part of Sophie’s personal business. Why does he constantly want to know every single thing she knows? It’s none of his business.

“‘Dude, what is up with them not rhyming?’” (113) Shannon also does this thing where she’ll make Keefe use the same joke over and over and over. This is only the second time Keefe has made this joke, but it happens again and again and again. And even though the first time was pretty funny, the overuse kills the joke. 

“‘Write this down, Gigantor: You may not want to meet, but we definitely do. Name a time and a place or we’ll pelt you with sparkly poo.’” (114) I really wish Shannon would stop with the potty humor. Keefe is fourteen, not six. It makes him look even more annoying and childish. 

“‘That’s why you keep me around. Well, that and my stunning good looks.’” (115) More of Keefe’s trademark cringy and tone deaf flirtation. Nobody talks like this in real life, Shannon, because they would be laughed at.

“‘But I’m coming over after school and you’ll tell me whatever you’re hiding.’” (121) It is so annoying how Keefe thinks he’s entitled to Sophie’s secrets. He doesn’t ask her. Just forces his way in, just like he forced his way into everything else. It’s textbook manipulation. And she does. Not because she trusts him. But because he forces his way into everything. 

“‘You let Keefe help.’ ‘Not by choice.’” (124) Sophie literally admits that she didn’t want Keefe to help her. But in typical Keefe fashion, he forces his way into everything, because he’s nosy and rude and can’t keep himself in line. I’ve said this already and I’ll probably say it again, but I wouldn’t mind this if Shannon treated it like a real character flaw instead of just a quirky little trait. I would be okay with it if Keefe realized what he was doing was wrong and apologized and made an effort to get better. But he never does. 

“‘This is just a normal day for you, isn’t it?’ Keefe asked . . . ‘Go to school find out you’re covered in a dangerous substance, melt off a few layers of skin, and then hail your besty Councillor, tell him you’re ditching study hall to save the world, and he says “Cool, I’ll come with you!”’” (149) Leaving aside the objectively incorrect spelling of bestie, here's another example of Shannon using Keefe to recap and narrate at the audience. It’s like she doesn’t trust us to understand the story ourselves. You don’t need to pat yourself on the back by summarizing what just happened, Shannon. It doesn’t make it any less exposition-y if the character info-dumping stuff we already know at us is ““““““funny””””””.

“Keefe replaced it immediately. ‘I could do this all day.’ [ . . . ] Then he snatched the rest of Sophie’s effluxers and raced away, stabbing them in random places all over the grassy field.” (179) Keefe understands why guarding the school from ogres is so important, and yet he treats it like a joke. I’ve seen people say that Keefe can be serious when he knows something is important, but here he is, abusing a serious security protocol for cheap laughs and frustrating Sophie. He tries his very hardest to be annoying and honestly if I were Sophie, I’d just walk away and let him do his own thing. He can’t be serious, and he’s incapable of thinking about anything except playtime for more than a few seconds at a time. 

[cut because character limit]

“Okay, I’ve changed my mind,’ Keefe said . . . ‘Let’s plant this somewhere she’ll trigger it.’” (181) Keefe gets Sophie in trouble and once again shows no remorse. I don’t understand why Sophie hangs around him when she doesn’t need him in any capacity (at this point) and all he does is annoy, embarrass, and get her in trouble. If you want to get in trouble, that’s your prerogative. But dragging others unwillingly into your plan is one of the most selfish, egregious acts you can do.

“‘Has he ever even had detention?’ ‘Only when he listens to me. [ . . . ]’” (183) Yet another example of Keefe dragging someone down with him, this time being Fitz.

“‘Clearly it’s not a good idea to get you angry. Uh-oh, should I be afraid?’” (221) Keefe continues to be annoying on purpose.

“‘Oh—maybe we could be the Keefitzter!’” (343) When will Shannon stop torturing me with this painful nickname humor?

“‘That doesn’t really have the same ring,’ Keefe told her [ . . . ]” (344) This is like the third time he’s made this joke. Repeating a joke over and over doesn’t make it funnier; it’s quite the opposite, actually. 

“‘Nah, I’ll save it for my own wedding. Make my bride feel even luckier.’ He winked.” (396) I think the worst part is he really thinks he’s being smooth there. Honestly, it just comes off as needy.

“‘ . . . keep in mind that Miss Foster is, and always will be, my first priority.’ ‘Mine too,’ Keefe said [ . . . ]” (408) Another thing that strikes me as incredibly weird with Keefe is this strange obsession he has with Sophie. It becomes incredibly apparent in later books, but it definitely starts here. Sophie should really just be another random friend he’s made at Foxfire, but he’s willing to go to so much trouble for her, but why? There’s not a particular reason. Sophie didn’t do anything that meant he owed her and therefore had to help her and they didn’t have a particularly strong bond at all before he forced his way into her reverse-Alden’s-guilt plan. It’s understandable now that they’re closer friends, but the fact that he was just ready to fly across the ocean for a somewhat random girl is just. Very strange. Keefe is a massive case of obsessed-with-the-love-interest syndrome that plagues YA novels everywhere you go. And he doesn’t even have a particularly good reason.

“‘Cute and smart. No wonder Dex gave you a ring.’” (410) Keefe continues to make unfunny jokes that embarrass Sophie for his own amusement. 

“Plotting and scheming really were Keefe’s forte.” (431) We’ve been told this, but it’s simply not true. Keefe hasn’t come up with a single good plan up until this point, so I don’t know what Sophie’s talking about. Telling isn’t showing, Shannon. Show us a single good plan that Keefe has come up with. You can’t just tell us that and expect us to believe it because “Oh, it’s Keefe!!!”

“‘Admit it, Foster—you’ve been checking out the Keefster. And maybe even . . . the keester.’ [ . . . ] ‘[ . . . ] Unless you’d rather I go first so you can admire the view.’” (440) I think this might be Keefe’s cringiest joke yet. It’s a perfect combination of Keefe humor: annoying, embarrassing, tone-deaf, a dash of potty humor, all topped off with a finale of horrific flirtation. 

Neverseen

“‘I totally could’ve pulled that off. But then again, I’m Batman, so’—he draped an arm over Sophie’s shoulders—‘I could be your hero any day.’” (9) Keefe's horrible flirting is back. And he very obviously sees himself as Sophie’s “hero”, ready to save the day for her, as if she’s completely helpless. (I know it seems like this is just a joke at the moment, but there are several moments later on down the line that prove this point. I just wanted to put this quote here so I don’t miss it later.) That’s another thing I hate about Keefe. He’s always sacrificing a good plan for his own, because he thinks he’s smarter than everyone else and wants to be the hero. (Again, there are several moments later that showcase this, we’ll get there.)

“Keefe grabbed Fitz’s wrist and pressed his fingers against the exposed skin. ‘Hate to break it to you, but I can tell you’re hiding something.’” (26) Another example of Keefe breaching personal boundaries and using his empathy to extort secrets out of people to get him to tell things they wouldn’t ordinarily tell him. This happens a lot starting in this book, and yes, I am going to point them all out. By the way, what Fitz was hiding was not at all important to their mission. It’s a secret of Sophie’s that Fitz accidentally saw and was forced to tell because of Keefe. And Keefe tries to make fun of Sophie for it, but is cut off.

“‘[ . . . ] and tell the Black Swan to knock it off with the lame, non-rhyming riddles.’” (27) Shannon, repeating a joke for the umpteenth time isn’t going to make it funnier. And Keefe gets this the worst.

“‘You know he’s going to keep pushing until he gets what he wants, right?’” (31) That quote is said about Keefe, for context. And yes, I do know that. It’s one of Keefe’s most annoying qualities. But what I want to focus on is the fact that Shannon herself acknowledges that. It’s not like she isn’t aware. She just doesn’t want to give Keefe any development, instead treating it like a quirky little habit. 

“‘Uh, you guys are totally ignoring the much more important question,’ Keefe interrupted [ . . . ] ‘Am I the only one who’s noticed that dude is naked?’” (38) Keefe doesn’t know how to be serious, even when the time calls for it. They were in the middle of a discussion about how the Neverseen could’ve set a fire in the Forbidden Cities, and Keefe just jumps in and completely derails the conversation for a joke. Keefe. Learn the time and the place for this sort of behavior. No, indeed, Keefe cannot be serious, even when the time calls for it.

“‘They’ll have to keep their faces very close together,’ Mr. Forkle noted. ‘Foster and I volunteer!’ Keefe shouted.” (59) Volunteering someone for a very uncomfortable experience without their permission, ah yes, my favorite. And yes, Dex does it too, and so do Fitz and Mr. Forkle. I’m not exempting any of them from the blame. I’m just saying that this was something Keefe unironically said (and he said it first, too).

“He leaped from his pleisosaur to hers and prodded Sophie’s eckodon to swim away from the rest of the group.” (63) Shannon forgot to add “without Sophie’s permission and without giving any thought to breached personal boundaries” to the end of that sentence. Seriously, he just leaped onto Sophie’s eckodon with no sign she wanted him to, just because . . . he wanted to? Sophie’s wishes? Never heard of them.

“‘Relax,’ he said, tightening his grip on Sophie’s waist. ‘I won’t let you fall.’” (63) I hate when Keefe does things that Sophie doesn’t need “for Sophie”. It’s his worst quality, by a long shot. He projects what he thinks Sophie wants and then tries to fulfill his projection. Sophie wasn’t even scared she was going to fall. And he randomly starts putting his hands all over her. But I guess when you’re a love interest, that can be seen as ““““““romantic””””””. Keefe stop treating Sophie like a helpless object that he needs to save challenge.

[cut because character limit]

“‘I will never let my mom hurt you again.’” (63) It’s hilarious that he thinks he can control that. Just adds to his mind-numbing stupidity. There’s naivete, then there’s Keefe. Also, this entire scene is the first in a series of scenes that I like to call “forced consolation”, where either Keefe or Sophie will try to reassure the other of some fear they don’t have or are just not in control of. Shannon loves to lather these scenes up with “I promise I won’t hate you”s and “I will do everything I can to protect you”s and all sorts of other things that feel either forced or over-the-top. And at the end of the scene, you feel nothing’s changed or developed. It’s just Sophie and Keefe repeating things at each other and at the end you just feel like it was handled with too heavy a hand and you didn’t really get anywhere. In other words, it’s one of Shannon’s favorite forms of filler.

“‘Thanks,’ he whispered back, so close she could feel his breath on her cheek.” (65) He managed to be even creepier! Wow! This feels incredibly forced, too. I think Shannon assumes she can make any scene “romantic” if she makes Keefe lean too close to Sophie and then makes a mention of Sophie's heartbeat.

“‘We know some of the Neverseen are hiding in Ravagog. Give me a green crystal and I’ll hunt them down.’” (90) Moments that make me want to shove Keefe into a brick wall. Is he stupid??? Like, genuinely. He is so dumb. I cannot stand stupid characters. Maybe that’s me, but oh my gosh. This. This is just. I don’t even have the words to describe how stupid Keefe is. And the worst part is Keefe clearly thinks this is a smart plan. Like, wow. He’s so arrogant he genuinely thinks he’s the savior they all need. Not a stupid, reckless boy with no experience or training who’s going to get himself killed. Keefe. What are you on.

“‘Why is everyone assuming I’m going to get caught?’ Keefe asked. ‘You guys are clearly forgetting how awesome I am!’” (91) Because you will. Hundred percent guarantee. He knows nothing about ogres and their technology, nothing about sneaking into places with a large amount of security, he probably doesn’t even know what a Markchain is and why he’ll be found out because of not having it. The English language doesn’t have the words necessary to describe how dumb Keefe is. And he doesn’t even realize it. He’s just so convinced he’s better than anyone else and that other people haven’t created anything strong enough to hold the all-knowing Keefe Sencen. But stupid characters that genuinely think they’re amazing is a personal pet peeve of mine. 

“Fitz said something else too, but it was drowned out by the plethora of gagging sounds coming from Dex and Keefe.” (96) I don’t like Dex either, but that’s not what this is about, so we’re gonna leave that alone for now. Anyway, Keefe and Dex are both incredibly immature, acting like six-year-olds as opposed to thirteen and fourteen. And it’s rude. It’s not a good quality. They clearly do it on purpose to be annoying, so. Tearing down people because you can’t keep your nose out of their business is just not good behavior. Again, I’d be fine if Keefe showed some development. But as far as I know, he never apologizes for his rude behavior at all. (I believe Dex does, though, so Shannon clearly knows this is a possibility.)

“‘In fact, after I swear fealty I should have you all call me Emo.’” (110) I don’t think you know what emo means, Keefe. Also, in my humble opinion, it makes no sense that elves have a concept of being emo. My guess is this is Shannon’s attempt to make Keefe seem more like Tam. But more on that later.

“‘You’ll be Sophitz! Or Fitzphie!’” (110) I hate it when authors put ship names in their stories. It’s so cringy and almost feels like the author is trying to pat themselves on the back for acknowledging a certain ship in the series. And of course, it’s an undeniable aspect of Keefe’s “humor”. I can’t just not address it. 

“‘We can be Keefex!’” (111) Another instance of putting ship names into the series, although I doubt Shannon meant it that way.

[cut because character limit]

“‘Yeah, Fitz can pull off anything.’ Sophie blushed as she considered the implication of her words. Keefe groaned. ‘I knew we should’ve gone with the balding elixir. Next time!’” (123) To be fair, the argument I’m about to make is very thin, and I acknowledge that, so feel free to disregard it. But notice how Keefe immediately suggests a balding elixir right after Sophie complimented Fitz’s looks. It’s almost like he’s jealous of Fitz, which is not a bad thing, necessarily. Jealousy is a very natural thing to feel. But so many people try to make arguments that Fitz was cruel and jealous toward Keefe later on down the line, so I thought I’d point out an example where (in my opinion) Keefe is being jealous.

“‘And don’t think I was going to allow a Sophex meeting to happen.’” (135) More cringy ship name “humor”. 

“‘Anyone else getting tired of the Black Swan bossing us around?’” (142) God, Keefe’s whininess is so annoying in this book. Yes, the Black Swan are being annoying. But he should’ve dropped it after the first few times that he complained. Complaining isn’t going to fix anything and only makes him look annoying. 

“‘Is it okay if I enter your mind?’ Fitz asked. ‘Dude, do you realize how creepy that sounds?’ Keefe interrupted. ‘It’s less creepy than reading her feelings all the time without telling her,’ Fitz argued. ‘Hey, it’s not like I try to do that! You’re just mad that Foster can’t hide things from me.’” (144) Keefe gets bored, so he interrupts Sophie and Fitz’s cognate training for no reason. You know, because he’s incapable of keeping his nose out of others’ business for two seconds. And not only that, he has the audacity to say he doesn’t try to read Sophie’s emotions. Sure, he’s not doing it all the time, every time, but he does it when he feels she’s hiding something. I’ve already pointed out several instances of this, and there are many more to come. Instead of letting her keep her secrets and tell him on her own time, you know, out of trust, he uses his empathy to force it out of her, or pressure her to talk when she’s not ready (which by the way, is a textbook sign of a toxic relationship). He does this to people besides Sophie, as well. So yes, it is creepy. Way more creepy and toxic than asking someone for permission, by the way. So not only is Keefe straight-up lying about not trying to read Sophie’s emotions, he’s defending it. And the last part where he says that Fitz is jealous because Sophie can hide things from him. He’s missing the point entirely. When someone tells you something willingly, without being extorted or pressured, they trust you. When you have to force them and guilt them into telling you, they don’t trust you. So Fitz has no real reason to be jealous here. Keefe’s just being an asshole.

“‘You make her super nervous,’ Keefe answered for her. Sophie wished the Black Swan had given her laser eyes so she could skewer Keefe with her death glare.” (144) Keefe not only reads Sophie’s emotions without her permission, he also breaches several boundaries by announcing them to the entire room before she’s ready or when she doesn't want to. Why? Because he’s selfish and wants to cause a scene. Why? Because he’s bored. I wish I were kidding. That is seriously the reason. He got bored. He doesn’t care about Sophie’s feelings, or else he would respect them. 

“‘Promise me you won’t hate me,’ he whispered.” (175) We go into another one of Shannon’s famous forced consolation scenes. It makes no sense that Keefe would worry about Sophie hating him. He hasn’t done a single thing to make her hate him. Shannon just realized that she needs something for Sophie to comfort Keefe over, so she pulled something out of her ass. And it makes no sense. 

It makes so little sense that Sophie tried so hard with Keefe, but didn’t do the same with Fitz and Biana in Exile. This forced consolation scene goes on, ending in a “window slumber party”. Another thing I don’t like about Keefe is that it’s very obvious that Shannon favors him. It’s very unsubtle.

[cut because character limit]

“Keefe ruined the moment by grumbling. ‘But you didn’t learn anything! You had the Neverseen right in front of you—you talked to him!’” (197) That’s right, everyone. The sweet, selfless Keefe blamed Sophie for failing to learn anything! Which, by the way, he never apologizes for and never shows remorse for.

“Sophie heard him mumble under his breath, ‘He was right in front of them.’” (198) Keefe continues to blame Sophie for not figuring anything out, as if he could’ve done any better.

“‘My mom was probably part of everything that went down with Jolie.’” (221) No??? No! Jolie died over sixteen years ago. Keefe says this in response to the knowledge that his mom joined the Neverseen shortly after becoming pregnant with him. Keefe is only fourteen, meaning Lady Gisela was not part of what went down with Jolie. This is probably just Shannon forgetting her timeline again, but oh, boy, does it make Keefe look stupid. 

“‘When you or Fitz start dating, there will be crying in the Foxfire halls.’” (236) Another example of Shannon trying way too hard to make him seem “popular” and “cool”. It appears she hasn’t set foot in a school, because that’s not how it actually works.

“‘Everyone loves the bad boys.’” (236) Did. Did Shannon unironically write that??? I’m laughing. Oh my gosh. The sheer tone-deafness and cringe, I can’t.

“‘And Fitz isn’t perfect, by the way.’ ‘He’s close enough.’” (238) No??? Nobody is. And here’s a fine example of another forced consolation scene. Keefe lathers it up with the self-pity and feeling sorry for himself, and later on down the road, Shannon realizes that and her solution to that particular problem is hilariously atrocious. I’m writing this quote in blue so that it’s easy to come back to later, because I’m going to talk about it once we get there. But for now: Keefe’s personal pity party is clearly only there to make the audience pity him. All he’s doing right now is acting weirdly whiny and jealous of Fitz for . . . being “perfect”? Which again, jealousy is natural. But Keefe has never in his life tried to achieve perfection, and has in fact always tried to do the exact opposite, so why would he be jealous of Fitz for being perfect all of a sudden? It’s completely out of character for him. Shannon. You can’t just make Keefe jealous of Fitz for the sake of being jealous of Fitz because you want a forced consolation scene. It has to make sense. Keefe would never be jealous of Fitz for this particular reason. Keefe doesn’t try to be perfect at all. Why would he care that Fitz is “perfect”?

“‘I hate watching it,’ he whispered. ‘Them and Della. It’s all so happy and easy.’” (238) Wanted to include this because this is a good example of how jealousy actually works. Keefe has never had a loving family. So naturally, seeing a loving family would make him jealous. So, again, I will give credit where credit is due: this makes sense for him. 

“‘And you’re also there when your friends need you.’” (238) That is a laughably twisted version of the events of the previous couple of books. Keefe is not “there when his friends need him”, rather he forces his ways into their plans by either pressuring them or using his empathy very dubiously. The way Shannon has tried to twist Keefe into this pitiable, pathetic boy is just. Not working, when you consider what he’s been doing for the past few books. Just straight shot after straight shot of him annoying and embarrassing the crap out of Sophie and extorting things she very clearly doesn’t want to tell him out of her.

“‘[ . . . ] you promised you wouldn’t hate me.’” (239) Obligatory “don’t hate me” plea from this particular forced consolation scene. 

[cut because character limit]

“His aim with the throwing stars was flawless [ . . . ]” (343) How??? He hasn’t had any proper training??? And this goes for the climax of Exile, too, by the way. Shannon once again wants Keefe to be flawless at everything and save Sophie, but she fails to make any of it make sense, because Keefe never trains with throwing stars. This is a textbook sign of a character the author wants to make look “cool” without making it make any sense whatsoever. Why is he good at using throwing stars? Not because he trained! Probably because Shannon just wanted to make him look cool and badass. 

“‘You know what I think when I see things like that?’ ‘I never should’ve agreed to help such a loser—even if he has awesome hair?’” (345) Here’s another forced consolation scene. Why would Keefe think Sophie thought that, when literally a few seconds ago she confirmed she didn’t? I’m not kidding, Sophie literally says “‘You shouldn’t have to carry all that alone’” (345) just a couple of lines right before this line. She clearly doesn’t think Keefe is a loser, but he’s so wrapped up in his self-pity, he’s not listening to her. Shannon’s trying to milk the shit out of this, so she repeats the same thing over and over and over to instill pity for Keefe. And again, she lathers it up and uses too heavy a hand, so it just feels like we’re suffocating in Sophie’s pity for Keefe, not to mention Keefe’s pity for himself. 

“‘I have a major dark side, Sophie.’” (347) Shannon tried to make this all serious and dark, but it just made me laugh. Like, no. He doesn’t. He doesn’t have a dark side whatsoever. He’s stupid, sure, but he’s really soft, too. The fact that Shannon is trying to get us to believe that and trying to put us on edge is laughable. 

“[ . . . ] ‘and it’s a lot creepier when it’s Sophorkle.’” (369) Did. Did Shannon actually write that???? And the editor saw nothing wrong with that??? Oh, boy . . . I don’t even think I have to explain this one. And yes, this is in the name of Keefe cringy-ass “humor”.

“‘If you’re saying we should sneak into ogreville instead of sitting here watching Dex poke a gadget with sticks, I’m in,’ Keefe said [ . . . ] Keefe tried to drag her toward the door.” (405) Why did Shannon make that so literal? She literally made Keefe just be like We’re going to Ravagog right this minute, and then had him drag Sophie to the door. Like, wow. The literalness of the action is just so cartoonish and comical. Like I’m watching an animated cartoon for seven year olds. I don’t know how else to describe this.

“‘I say we storm Ravagog,’ Keefe said. ‘Who’s in?’” (457) Keefe continues to push for a plan that has no merits whatsoever and will just put people in danger. You know, because he couldn’t use his brain if his life depended on it. Also the way he says it implies he sees it as this fun joke-like thing, not something that needs serious thought put into it.

“‘And I thought secret Telepath conversations were the worst. Just so we’re clear,’ he told Tam. ‘I’m the president of the Foster fan club. And we’re closed to new members.’” (474) Keefe acts jealous of Tam for . . . talking to Sophie. What a great guy. What a non-possessive, non-controlling, completely justified thing to do. He acts like Sophie just talking to a guy is a threat to him. And let’s be honest, he says that the Foster Fan Club is “closed to new members” because he’s worried about whether Tam could like Sophie, or vice versa. And the fact that his idea is to try to stop Tam and Sophie from talking to each other is easily the ickiest thing he has done. Like, please go bang your head several times into a wall, Keefe. Hard.

[cut because character limit]

“‘Someone needs to tell Shade Boy the role of Troublemaker with Daddy Issues is already filled.’” (478) I- I don’t even have the words to describe how uncaring this is. Keefe literally sees a struggling teen and his first thought is “My ‘position’ is in danger”. How selfish is that? Tam (and Linh) have struggled way more than Keefe can even comprehend and yet all he can think about is this stupid jealousy he has for Tam. Also, the fact that he literally thinks in stereotypes and archetypes is laughably bad writing on Shannon’s part. Dumbing people down to categories to check off is atrociously terrible writing, and this is another symptom of Shannon using Keefe as a narrator to tell the audience things she doesn’t trust us to pick up on ourselves. She doesn’t trust us to know that Keefe is a troublemaker with daddy issues, so she has to tell us. Just like she doesn’t trust us to realize the same about Tam, so she has to tell us. 

“He’d turned into the boy in the boobrie dude’s tent again—scared and angry and lost.” (479) That doesn’t justify his callousness and horrible behavior towards Tam. Just because you can see why someone is doing something, doesn’t automatically absolve them of blame. Someone should’ve kept Keefe in line by explaining how tone deaf that comment was. But of course, since it’s Keefe, his actions will always be justified by the narrative instead of corrected.

“Keefe laughed. ‘Annnnnnnnd, the Foster panicking begins.’ ‘I’m not panicking,’ Sophie told him [ . . . ] She ignored Keefe’s laughter as she gave Fitz permission to enter her mind.” (496) First of all, counting and typing out all those Ns was a nightmare. Second of all, I think the reason Keefe’s intrusive behavior is accepted is because it’s just so normal. It’s just something you expect to happen with him because it’s Keefe, and treated like a joke. But it shouldn’t happen. Just because Keefe can feel Sophie’s emotions, doesn’t mean he has to tell them to people she’s clearly uncomfortable telling them to. And third of all, he laughs. He laughs because she’s panicking. What an upstanding guy.

“‘Whoa, now everything’s red and ripply,’ Fitz said. ‘Is that because she’s angry?’” (497) Keefe literally annoyed Sophie for his own amusement and fun. You know, as good friends do.

“‘Just tell them to stare into each other’s eyes and they’ll be good.’ ‘None of that, Mr. Sencen.’” (497) I will give credit where credit is due, Shannon did finally hold Keefe to a modicum of accountability. But this is the one time in all his atrocious behavior that he’s been held accountable, and even then, he never says sorry. 

“‘Why didn’t you tell me about this?’ Fitz whispered to her. ‘Dude, you don’t get to ask that,’ Keefe told him.” (505) Fitz can ask whatever the hell he wants. Especially concerning a group that they are all fighting. Telling someone they don’t get to ask why something was hidden from them is so completely out of line. And guess who calls Keefe out on this? Nobody.

“‘Because I seem to remember you having a bummer few weeks and then everything went back to perfect Vacker-land. So where’s my perfect fix?’” (505) Keefe disregards other people’s feelings and problems if he sees them as not as bad as his own. Now, you might be thinking, didn’t Fitz lash out at Sophie during Exile? Why isn’t that bad? Well, that’s not as bad because Fitz realizes what he did was wrong, apologizes for what he did and tries his hardest to improve and develop. You’ll notice we don’t get a similar heartfelt apology from Keefe for this incredibly hurtful and invalidating statement, or anything else he does or says throughout this book.

[cut because character limit]

“She knew Keefe didn’t want to talk to her, but when she saw his lights on she couldn’t walk away.” (507) Another piece of evidence suggesting that Sophie paid way more attention to Keefe and spent way more time making sure he knew she was there for him than she did with Fitz and Biana in a similar situation. Here Keefe is mad at her, not wanting to see her, and she still tries too hard to make him see reason, which is not something she does with anyone else. And that is another thing I hate about Keefe: Shannon shows clear favoritism toward him. He gets let off the hook for things other people don’t. He gets Sophie trying and trying and trying to make him see reason when he’s mad. And later, he gets a plotline all to himself, and takes up so much page time, it squeezes the other characters out. You can already see it in this book. 

“[ . . . ] she could’ve sworn he muttered something about Sophitz.” (510) Keefe is a horrific friend. He tears Sophie and Fitz’s cognate relationship (and friendship) down every chance he gets, and nobody calls him out on his incredibly possessive behavior.

“‘How are you going to get inside the city? And if you do get in—what then? You don’t even know where you’re going.’ ‘I’ll figure it out.’” (560) Keefe is so unbelievably stupid. The justification Shannon gave was that the guilt is making him reckless, but recklessness doesn’t equal stupidity. And when Sophie asks him perfectly valid questions, he says “I’ll figure it out”, meaning he put not a single thought into this. He’s really so arrogant that he thinks he can just walk into Ravagog with no plan and steal the cure. God, he’s so stupid, they should just leave him out of their plans for everyone’s safety. Stupid characters are a particular pet peeve of mine, so if I seem angrier than I should be, that’s why.

“‘Fine. I’ll wait until tomorrow night,’ he said. ‘Then I’m leaving.’” (561) Sophie didn’t even manage to completely dissuade him, she just stalled him. That proves that Sophie can’t save him from himself. Nobody can. And later, Keefe puts so much more than himself at risk. He has Sophie constantly worrying about him, so his actions affect her, too. That’s selfish behavior. And how much does he grow from it? I’m sure you can guess. 

“‘Yeah, this is why I should go by myself,’ Keefe said. The suggestion was met with a resounding ‘No!’ But Sophie knew Keefe wasn’t going to listen. If she didn’t figure something out, he would go alone.” (564) They just talked through all the challenges of their plan, none of which Keefe has a solution to, yet he’s still arrogant enough to believe that he can do it all himself. Stupid characters that think they’re great are the worst kind of character to me. The fact that Keefe genuinely thinks he can sneak past ogres and find the cure is mind boggling. He thinks he’s so great that he won’t get caught, but we know he would’ve. Someone is going to pop out of the ground and say “Well, he’s only fourteen!!!” Yeah, he’s fourteen, but this is straight stupidity, not youthful naivete. And the fact that Sophie specifically thinks to herself that he’ll go if they don’t figure something out just proves how selfish he is. Nobody wants him to go alone. He’s not achieving anything for anyone, and his actions do more harm than good. So, no, his actions are not selfless. More so the opposite than anything. He’s doing something that nobody wants and nobody needs. Except himself, of course. 

[cut because character limit]

“‘Oh good, Bangs Boy decided to join us,’ Keefe grumbled [ . . . ]” (570) Instead of being grateful for extra help that could get them out alive, Keefe continues to take shots at Tam for no reason. No reason other than he’s strangely possessive of Sophie, of course. Also, can I just say that Shannon wrote this rivalry so poorly? It’s not even a rivalry. It’s completely one-sided. And in later books, Shannon tries so hard to convince us that Keefe and Tam don’t like each other and it’s this whole thing and it’s all drama and this and that and the other. But she puts so little effort into describing why they don’t like each other that it falls so flat. Tam doesn’t even dislike Keefe. My guess is that he just (rightfully) sees Keefe as a nuisance. So really, it’s just Keefe that has this pathetic hatred for Tam, while Tam barely even acknowledges Keefe. As he should. But that’s just a guess. To know for sure, Shannon would actually have to focus on characters that aren’t Sophie and Keefe, so. 

“‘How do we know his little Shade tricks are even going to work?’” (572) Valid point, but Keefe is so unnecessarily mean and rude with that comment.

“Keefe snorted. ‘How does it feel to be rejected by dust?’ ‘Pretty good, actually,’ Tam snapped back, ‘since it means I can survive this mission.’” (573) Yeah, get his ass. About time someone called Keefe’s constant whining out. Keefe continues to haggle on Tam’s power, which will no doubt save his life several times, for no other reason than his pathetic hatred for Tam. 

“‘I could be back with the cure while the rest of you guys are still sleeping.’” (575) Words cannot describe how much I want Keefe to try to do just that, so the ogres can lock him in a cell and we never have to see him or his stupidity or arrogance again.

“Dude, you did not just insult the Hair.’” (581) Have some more cringy Keefe humor.

“Sophie couldn’t fight back her sob as Keefe handed Alvar the cache.” (661) We’ve at last arrived at the famous betrayal scene. And this is Keefe’s most selfish, asshole-ish action yet. First of all, it’s not him who was entrusted with the safety of the cache. It was Sophie. Which means that by handing over the cache, he puts her in massive potential danger with the Council, not himself. But that’s typical Keefe behavior. Thinking about how your actions will affect the people around you? Never heard of her. If the Council entrusted the cache to him, then it would be somewhat less selfish, because he’s the one that would then be in trouble with the Council. So he puts Sophie in danger and tosses the world’s most important secrets to a terrorist group without a thought in the direction of how he’s going to get it back. And for what? For the miniscule chance that the Neverseen would trust him and he could learn something important enough to finish this? That’s the thing with Keefe. He’s stupid, but he doesn’t think he is. He takes huge risks where the reward can’t in any scenario measure up to the price. It was a stupid risk. Not in any capacity could anything he learned ever measure up. But of course, Keefe thinks it’s brilliant. Because, you know. He’s stupid. Tell me why anyone trusts this guy again? Oh, and in case you think that Keefe learns or grows from this mistake, just you wait.

“‘I have to do this,’ he said. ‘Please don’t hate me.’” (663) Keefe has no right to ask this of Sophie in this scenario. He’s chosen his path, and that was his choice. He will and should suffer the consequences of that choice. Including all the people who now see him as a traitor. But of course, since this is Keefe, he doesn’t suffer a single consequence, and Sophie never truly hates him, although that would’ve encouraged at least a single iota of development for Keefe’s arc. 

Lodestar

“‘Sorry my note was so hasty. Next time I’ll make sure it rhymes.’” Sorry, no more page numbers, I don’t have a physical copy. I don’t know why Shannon insists on running the rhyming joke into the ground. Repeating the same joke over and over doesn’t make it funnier. 

So the thing about this scene where Keefe breaks into the principal’s office is that he does get held somewhat accountable. Every time he makes a joke and isn’t serious, Sophie calls him out. When he plays dumb and says he didn’t expect Sophie to hate him, she calls him out. He tries to defend his atrocious plan, she shuts him down. But that doesn’t last. 

“And there it was. Keefe’s guilt.” I still don’t understand what Keefe is guilty over. Because Shannon doesn’t bother to make it make sense. No logical person would feel guilty over their parent’s betrayal. Especially not when they didn’t like that parent much to start with. But how else are we going to get our precious forced consolation scenes, if Shannon can’t make up something for Keefe to angst over?

“‘What is the Lodestar Initiative?’ she pressed. ‘And what other lost memories did you recover? You said there were more.’ ‘It doesn’t matter.’ ‘Obviously it does.’” Sophie tries to get solid answers from Keefe and he continues to withhold. These aren’t just any old personal secrets either, they’re secrets that have something to do with the enemy they’re both fighting. By keeping this information away from Sophie, Keefe actively hinders her cause. But of course, he’s so stupid and arrogant and thinks he knows what’s best for Sophie that he’ll never see it that way. He is such a frustrating character and this book is almost the worst portrayal of him. 

“‘There’s always a choice, Keefe.’ ‘Yeah—I’m going to find a way to end this on my terms. That’s my choice.’” Wow, Keefe is such an arrogant idiot. He really just admitted that he was the only person he was going to listen to. Not anyone smarter than him, more experienced than him, hell, not even Sophie, who he’s supposedly doing this for. No, it’s just his way or the highway. Because he thinks he’s smarter than everyone else. Including their enemies, who have proven time and time again to be at least twenty-two steps ahead. He doesn’t even bring up his plan with the Black Swan. They might’ve taught him or told him something that could help. But no. He does it all himself, but he only cares about his own opinion, and Sophie’s. Oh and by the way, Sophie doesn’t call him out on any of this this time around.

“‘What happens when they notice it’s gone?’ He shrugged.” He literally just admitted he didn’t have a plan. That’s his thing. He’ll do something reckless (like giving Sophie the pendant back) and then not think about the consequences. He is so stupid, it hurts my soul. I cannot fathom how he manages to entertain this delusion that he can beat the Neverseen single-handedly. 

“‘You’d rather keep hurting the people who care about you?’ ‘I’m helping you!’ ‘And hurting us.’” He’s not helping. At all. Helping would be executing a plan that everyone agreed was a good idea. Helping would be brainstorming ideas for a plan with a group, so they can figure out all the pros and cons and go from there. Helping would be being there for the people that need him. But, no. Keefe instead embarks on a selfish quest to end things all by himself so that he can feel good about himself and maybe even so that Sophie will think highly of him. He doesn’t care about anyone else, he just cares about himself. If he did care about other people, he would consult them and consider their advice instead of disregarding it and assuming he’s the smartest person in the room, when in actuality, he’s most likely the stupidest. By a lot.

[cut because character limit]

“‘That’s what I’d been hoping for. But [Fitz] didn’t even raise his voice. He just looked away so I wouldn’t see him crying. So did Biana. Even Dex teared up.’ Seconds ticked by. Maybe minutes. It felt like forever before Keefe whispered, ‘What about you?’ [ . . . ] ‘I also helped you escape,’ Keefe reminded her.” Another thing that is so irritating about Keefe is how he doesn’t care about anyone except Sophie and puts her on this pedestal. He doesn’t care about any of his friends as much as he does Sophie, and he only bothers opening up to her. He doesn’t try to form a bond with anyone else, and he neglects all his other friends for Sophie. In this example, when Sophie tells him how the others reacted, he simply changes the subject back to her, instead of saying something about the others. When Sophie tells him how she reacted, he acts interested again. 

“‘Even if it is, the things you’re doing are real. That cache could destroy everything. And you handed it over like it was no big deal—’ ‘Because it wasn’t! They can’t open it. They’ve had all their Technopaths working on it, and they can’t break through the security.’ ‘And when they finally figure it out?’ ‘I’ll steal it back long before that happens. I can handle this, Sophie.’” No, he can’t. He’s proven that he’s incapable of thinking even an inch into the future, with his response to the monocle pendant situation. There’s no feasible way Keefe could’ve known how incompetent the Neverseen’s Technopaths are at getting into the cache. He’d never even heard of a cache before Neverseen. So it could’ve backfired massively. And how is he going to steal it back? He has no plan. He doesn’t know what he’s doing.

“‘It’s not a test. They . . . sent me here.’ ‘Why would they do that?’ Keefe’s eyes returned to the ceiling. ‘Probably because I suggested it.’” So let me get this straight: Keefe told the Neverseen to send him to Foxfire where all his friends go to school, and he thinks they didn’t find that suspicious at all? I'm laughing. Honestly, that’s hilarious.

“‘Miss Foster understands Mr. Sencen in ways the rest of us simply cannot. [ . . . ] He opened up to her. Leaned on her. Trusted her.’” Yes, because she wouldn’t leave him alone. Which is not a level of effort she put into anyone else’s problems. Think about when Fitz was spiraling over his father in Exile. Or when Fitz got stabbed. She didn’t pay nearly as much attention as she did to Keefe in his times of crisis. Again, Shannon has a massive bias toward Keefe. He’s treated much better than the rest of the supporting cast. But somehow, despite that, he doesn’t get any development at all. And the reason Keefe opened up to Sophie and nobody else is because he only cares about her opinion, and nobody else’s. He pedestalizes her heavily.

[cut because character limit]

“‘Need I remind you that Keefe’s doing the same thing our daughter tried to do?’” Oh, boy. I hate when people use this argument. In short, while Jolie and Keefe had the same plan, their executions couldn’t have been more different. Jolie was reached out to by both sides and the Neverseen had no idea that she was involved with the Black Swan at all. The Neverseen are well aware of Keefe’s involvement with the Black Swan. So, where Jolie just had to get the Neverseen to trust her, Keefe has to convince them that he betrayed his friends, a much harder task. Jolie also had a feasible motive, to get her bad match status erased. Keefe doesn’t have anything even resembling a possible reason for why he’d want to join the Neverseen. So the Neverseen are going to be even more suspicious of him. Jolie trained. She told the Black Swan what she was doing. She planned. Eventually, she got the Black Swan’s approval and she had their help. Keefe, on the other hand, did not do a single modicum of actually valuable training. He didn’t tell anyone, and he didn’t talk his plan through with the group. Nobody thought it was a good idea, and nobody’s helping him. He’s completely on his own. Keefe also has to live with them, which Jolie never did. That’s more opportunities to slip up, and a small difference like that can add up. And I know I’ll sound like a broken record, but Keefe is just. So stupid. He doesn’t think about his actions and their consequences, just barrels right into them. Jolie has proven to be very clever, leaving a list of clues that she knew only a Black Swan member would be able to find. 

“‘Oh good—so the thing That Boy stole is putting all of us in more danger,’ Grady muttered.” For the record, I find Grady to be an incredibly immature guardian, with what and his calling Keefe “That Boy”. But that’s not what I’m here for right now. And he does make a good point right here. Keefe is putting them all in danger, and he doesn’t even know if what he’s doing will have any sort of payout.

“How does Fitz not pee his pants every time you do this—or wait, DOES HE?” This book easily gets it the worst when it comes to Keefe’s humor. The potty humor is at an all-time high, and Keefe is even more cringy and annoying than usual.

“Besides—if she was going to trust Keefe, she had to trust him.” Why??? He didn’t do a single thing to earn her trust. Why should she trust him??? This shouldn’t be about Sophie’s feelings, they’re in the middle of a war, and that’s what should matter. Keefe has compromised a very important piece of intelligence, so she shouldn’t be trusting him at all. “Oh, but he's her friend!” Yes, he’s her friend, but the war is always more important than foolishly placing your trust in the wrong hands because of . . . feelings.  

“[Keefe] Luck had nothing to do with it. I planned it perfectly. [Sophie] That’s exactly the kind of overconfidence that’s going to get you killed. [Keefe] Not necessarily.” He really thinks he didn’t get lucky and that the whole thing was because of his “perfect” planning. But no plan is perfect. That fact that Keefe doesn’t know that is proof as to why he shouldn’t be doing this. A good planner understands that every plan has inherent risks and never, ever gets cocky because something can always go wrong. Keefe’s just not willing to see the risks to his plans. And that makes him dangerous. And so, so stupid.

“Yep—it’s a date. Tell your boyfriends not to be jealous.” Have some more cringy Keefe-style flirtation. 

[cut because character limit]

“[Sophie] Keefoster? [Keefe] Sounds way cooler than Sophitz or Dophie, right? And don’t even get me started on Bangs Boy.” Keefe’s cringy ship name humor is back at it again. I’m pretty sure he uses ship names more than the entire fandom combined. God, Shannon needs to stop using him to pat herself on the back. Keefe once again displays jealousy toward not only Tam, but Fitz and Dex. He subtly tells Sophie that she should be with him, not any of them, which is so utterly out of line that I don’t even have the words to describe how much I want to punch him in the face for his possessiveness. It’s not his right to tell her that. Also, objectively speaking, Keefoster sounds atrocious. It also sounds like “Keefe Foster”, and I’m sure Shannon is patting herself on the back for seeming so subtle. Sokeefe is a much better ship name, but is never actually brought up in the series. If Shannon intends to continue with this atrocious in-story ship-name-dropping, she could at least use a good one.

“[Keefe] [  . . . ] it is kinda nice having someone look out for me. [Sophie] You don’t make it easy. [ . . . ] His floating thoughts made it clear how determined he was to protect her.” Yippee, another forced consolation scene! Sophie and Keefe basically tell each other that they’re out to protect each other. Sophie says Keefe doesn’t make it easy on her, which is true. He takes advantage of her trust, runs into dangerous situations without a care in the direction of how it’ll affect Sophie’s mental state. And Keefe doing this whole thing to protect Sophie . . . no. Just no. He’s already admitted he’s doing this because he’s only willing to do it his way. He wants to do this for a multitude of selfish reasons, one of which is Sophie’s opinion of him and his character, which is not the same as doing something “for Sophie”. He’s doing it for himself. He doesn’t care about Sophie’s opinion on what he should do, or he would’ve listened to her. And the part about how it’s “nice [to have] someone look[ing] out for [Keefe]” is just. I can’t even. Keefe is so whiny. Plenty of people care about and look out for him. The Black Swan, frustrating as they are, Alden and Della, his friends, even Grady and Edaline. But of course the only one he cares about is Sophie. Because he only cares about Sophie’s opinion of him and nobody else’s. 

“You can ignore it all you want, Foster, but sooner or later you’re going to have to solve the triangle. Or should we get real and call it a square?” Fantastic, some more horrible Keefe flirtation! Also my feelings on authors using the term “love square/triangle” in their books is pretty much the same as my feelings about authors using ship names in their books. It’s so pick-me, like Look! I acknowledged the love triangle in my own book! Aren’t I the greatest? Isn’t that so self-aware of me?

“There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most.” Keefe infantilizes Sophie by saying she’s cute when she’s angry. She is trying to express her feelings, and all Keefe can do is be all Awwwwww. Isn’t that so cute? She’s angry! How adorable. It’s a form of invalidating someone’s feelings, by treating them like they’re just entertainment or by brushing them off like that. It’s some of the most manipulative behavior out there. It also saves Keefe from having to actually take Sophie’s feelings into account. His infantilization of her also shows up in his incessant need to protect her. It’s icky and gross, and authors should stop encouraging this behavior.

“Yes, I will call you Lady Lectures-a-Lot every time you transmit to me.” Have another example of Keefe’s cringy-ass nickname humor. 

“[Sophie] And can you focus for one second? [Keefe] I suppose I can try. . . . ” Keefe continues to try to frustrate and annoy Sophie on purpose. You know, for his own entertainment. As good friends do.

[cut because character limit]

“‘We also found my favorite bramble jersey,’ Fitz added. ‘I knew he stole it.’” Because stealing your best friend’s personal possessions and never giving them back is a completely normal thing to do. 

"But she needed to see Wylie’s memories for herself and make sure Keefe wasn’t there.” Here’s an example of Keefe’s decisions impacting Sophie. Her mental health has been on a decline the entire time she was at Dex’s; all she thinks about is whether Keefe will be involved and whether he’ll be able to trick the Neverseen and how he’ll get out of this one. All she does is worry, worry, worry. And it’s all on Keefe. He didn’t take Sophie’s advice into account when he made his decision (which he would’ve done if he truly cared about her) and it’s affecting Sophie.

“‘I know you’re going to get mad at me for saying this. But before we keep trusting him, we need to find out what he knows—and I don’t just mean the little bits he tells you during your nightly flirt sessions.’ ‘That’s not what they are,’ Sophie snapped. ‘Maybe not for you. But I doubt the guy who calls himself the president of the Foster Fan Club is going to have a bunch of private convos with you and not use that chance to try to keep winning you over.’” Exactly. Thank you, Tam. Finally, someone in the story who gets it.

“‘Keefe—we’re serious,’ Sophie said. ‘Oh, I know. Fitz is giving me his “I’m so serious” scowl. And you’re hitting me with a whole mess of emotions.’” Can’t believe I have to put up with Keefe again after all this page time without him. And does he know that? Does he really? Because if he knew, he would be serious. But Keefe is incapable of acting serious, even when the time calls for it. All he can do is joke. 

“‘We need to make sure you weren’t involved.’ Keefe rolled his eyes. ‘Would I be here if I was?’” Yes??? He could do all kinds of things. And Fitz was perfectly valid when he said that they needed to make sure Keefe wasn’t involved. Keefe is currently working with the enemy. It’s as simple as that. It’s not unreasonable to want to know if he was involved with one of their plans. On the other hand, it is unreasonable for Keefe to ask them to put all their trust and faith in him when he’s working with their enemies. He needs to stop demanding everyone change to accommodate him, and accept the consequences of his actions. 

“‘I would never be in your position,’ Fitz argued. ‘Yeah, you’re better at taking the easy way.’” No, he’s better at taking the smart, unselfish way. He’s better at not throwing everyone’s faith and trust in him down the drain because he wants to be the hero. 

“‘They have a network that stretches way farther than you could ever imagine. I’ve only seen a tiny piece of it, and it’s seriously terrifying. I can’t fight it without making some hard calls!’” By Keefe’s own admission, the Neverseen’s organization skills, plans, and goals are “seriously terrifying”. And yet, he thinks he alone can defeat them by working from the inside out. He also uses the word “I”, like he thinks he’s the only one. A Freudian slip if I’ve ever seen one. No, Keefe, you are not the only one fighting the Neverseen. 

“Uh, hello—you have me. I know I got a few details wrong yesterday [ . . . ]” Keefe says he got “a few details wrong” as if those few details didn't result in someone getting tortured. He’s incredibly incompetent, but trying to hide it. He’s got it flipped, actually. He got the plan as a whole wrong, and only got a few details correct. He didn’t get any actually useful information, and still thinks they should rely on him despite the fact that he’s proven he has nothing useful to offer. Because he’s stupid and arrogantly wants to believe that his way is the best way.

“‘Dude, are you blushing?” Fitz asked. ‘Only because I can feel what Foster’s feeling,’ Keefe snapped back. Sophie rolled her eyes. ‘I’m not feeling anything.’” Nothing particularly wrong with this, just this exchange makes me cringe every time. But that’s subjective.

[cut because character limit]

“[Sophie] You get why we had to make sure, right? [Keefe] It’s still not awesome knowing you guys sat around talking about how you don’t trust me. [Sophie] You don’t make it easy.” They can’t trust him. This is bigger than Keefe’s pathetic boo-hoo-my-friends-don’t-trust-me. They would if they could. He ran off and joined the enemy and they’re in the middle of a war. They have to think with logic, not emotion, and logic always says that anyone working with the enemy can’t be trusted and must be treated as such. It’s not a personal attack on Keefe. But Keefe will always see it that way.

“I can’t worry about that, Foster. I can’t think about what-ifs or maybes. I can only take it one day at a time—one assignment at a time—and fight my way through.” Did- Did Keefe just admit he doesn’t plan ahead? And try to spin it so it looks like a good thing? This is the guy they’re supposed to be trusting??? This is the guy that thinks he’s smarter than the Neverseen, who, by his own admission, have networks that stretch farther than the mind can comprehend? Serious???

“And ten minutes ago you thought I was Wylie’s fourth kidnapper. Remind me to thank Bangs Boy for that the next time I see him. And the Fitzster.” Thank them for making a logical decision? During a war? Yes, you should. 

“[Keefe] Aw, come on, Foster. I’m the cute guy who chooses to save the kids, remember? How can you resist me? [Sophie] Who said anything about cute? [Keefe] It totally goes without saying. Don’t even try to deny it.” Keefe’s flirtation is back and cringier than ever!

“[Keefe] And in the meantime, maybe I need to lose this cloak and see what happens. . . . [Sophie] Bad idea—especially after you took such a risk to meet with us today. [Keefe] There you go again with your logic. It’s really cramping my style.” First of all, why does Sophie need to tell him that losing the cloak is such a bad idea when Keefe himself literally said a few pages ago that it was a bad idea? Is he really that drawn to ideas that seem stupid? Is he really so arrogant that he thinks he can get away with that a second time? And secondly, here’s another example of Shannon using the same joke again and again.

“Ugh. I guess you do need to see that memory, don’t you?” This isn’t the best quote (said by Keefe, for context) to represent what I’m about to say, but oh, well. I can’t copy this entire scene down because this goes on for a while, but Keefe literally stalls on his end of the bargain he makes with Sophie for quite a long time. He considered not even holding up his end, even though Sophie had already held up hers. He only relents when he realizes Sophie needs to see the memory. Which is not good. It shows that he can’t be trusted to hold up his side of a deal unless he decides he needs to. 

“Keefe turned away, watching the waves crash onto the beach. ‘I don’t want you feeling sorry for me.’ ‘I can’t help it. But it’s not pity. It’s . . . I don’t know what the word for it is. I’m too conflicted.’” So, remember that quote I wrote in blue? We’re circling back to it. I said that Keefe is constantly feeling sorry for himself and that the scene just drowns in his self-pity. Shannon then realizes that this isn’t really a good thing necessarily, and her solution is just to have Keefe say that he doesn’t want Sophie feeling sorry for him. This is a sentiment that continues through the story, where Keefe claims he hates people pitying him. But that’s just Shannon telling us that. What she shows us is a completely different story, and that reveals that Keefe does nothing but wallow in his own self-pity, usually during his forced consolation scenes. It doesn’t matter that Keefe apparently doesn’t want anyone to pity him, because Shannon spends so much time trying to convince you to pity him that the whole thing falls flat. There are several more instances of this, but for now I’ll just write this in blue as well, because these two quotes are connected in one larger point I’m trying to make. 

[cut because character limit]

“[Keefe] Wow. That’s just . . . He burst into a fit of snorty giggles. [Sophie] I’m glad you find this so amusing. [Keefe] You don’t? Don’t tell me you actually believe him.” This isn’t about whether or not something sounds strange or funny or ridiculous. It’s about whether or not it’s plausible. At this point in time, it was very plausible that Keefe was created as a counter to Project Moonlark, even though he’s older than Sophie. So they were treating it like a real possibility. But Keefe laughs at it, because it sounds stupid to him. He doesn’t even consider it. Just immediately discards the possibility. Which isn’t a good thing. It’s a very close-minded attitude to have. Which is not good in the middle of a war.

“‘They know I’m here,’ Keefe told her. ‘There’s an ogre enzyme that stinks like the entire world is rotting, and I may have accidentally knocked a vial of it into the laundry basin while I was washing Fintan’s favorite cloaks. It can only be removed with selkie skin, so they sent me to get what I need to clean up my mess.’” I’m laughing so hard. Collecting selkie skin probably isn’t going to take more than a few minutes, and they’ve been talking a long time, so the Neverseen are definitely going to be suspicious of him. Honestly, this plan is even dumber than I remember.

“‘And I used those five seconds to drop off the bead before I headed here. It was perfect.’” Every time Keefe describes a stupid part of his plan and then refers to his plan as “perfect”, I take psychic damage. Smart people know that no plan is ever perfect. So the fact that Keefe thinks his plan is shows why he isn’t ready to be a double agent.

“‘Woo-hoo for bonus Keefoster time! Try not to get jealous, Fitzy. She still likes you better than me—but someday I will wear her down. I’m sneaky like that.’” Was- Was that a real line??? That Shannon actually wrote??? And then didn’t immediately erase? Keefe is such a jerk. This line proves he just sees Sophie as the rope in the tug-of-war he’s playing with Fitz. He doesn’t care about her. He just wants to “wear her down”, as if a real person with real emotions is something he can just mess around with until he gets what he wants.

“You’re so cute when you worry, he told her.” More classic Keefe infantilization. He once again invalidates Sophie’s feelings by dumbing them down and acting like they’re this cute, quirky, inconsequential thing.

“Fine. Forgive me for trying to have a little fun after yesterday’s drama.” Did you know. That it’s possible. To have fun. Without infantilizing others? More of Keefe’s jokes being mean/rude/generally atrocious behavior.

“[Keefe] She puts Bangs Boy to shame—and she doesn’t have stupid hair. [Sophie] I thought she always hid under her cloak. [Keefe] She does. But as the crowned king of good-hair land, I can tell when I’m talking to one of my rightful subjects.” Keefe’s jokes about his hair are so painfully unfunny and come off as cocky when Shannon oversteps. Which she does. A lot. We get it, he styles his hair to look a certain way because he’s such a wannabe bad boy. Now can we talk about anything else?

“But after everyone went to sleep, I tore open the seam in my cloak and found another black disk right where you said it would be.” He . . . tore the disk out of the cloak. When they have no idea what it does. And they know the Neverseen put it there for a reason. And he’s trying to be careful. He just tore it out??? How’s he going to put it back in and make everything seem normal again??? Is he really that dumb?

“Actually, I’m pretty sure this is good enough news that you’re going to want to kiss me—and I’m happy to accept an IOU, by the way.” Ah, Keefe, your humor never fails to make me cringe.

“[Keefe] ‘Ode to Keefe Sencen—that brave, lovable nut. He may not have teal eyes, but he has a really cute—’ [Sophie] KEEFE!” Keefe’s favorite pastime of annoying Sophie rears its ugly head once more. Also, will he stop comparing himself to Fitz for two seconds?

[cut because character limit]

“[Keefe] And brace yourself because I’m about to blow your mind. Are you ready for it? [Sophie] I’ve been ready for the last five minutes. [Keefe] You think you’re ready. But there’s no way you possibly can be. [Sophie] JUST TELL ME.” More of Keefe annoying Sophie just for the heck of it. I honestly don’t understand why she’d constantly want to be around someone who’s so annoying, it makes no sense.

“Just like I haven’t gotten any more info about the ogres’ test, or King Dimitar’s meeting with Fintan, or Fintan’s cache, or any of the things I can’t get anyone to talk about [ . . . ]” I don’t understand how Keefe is so stupid that he can see all this evidence right in front of him, even admit it to Sophie, and still think his plan to join the Neverseen was a good one. I- He’s just so stupid. He just ignores every. Single. Red. Flag. Just because he thinks he’s smarter than everyone else. You cannot trust someone this tone-deaf. You just can’t. I don’t know why the narrative keeps pushing the idea that Keefe just needs Sophie’s trust and he’ll be fine. Can’t he understand that Sophie just cannot trust him? That it’s just not possible?

“[Keefe] I did warn you. I just didn’t know the specifics. [Sophie] I know. But that’s the thing neither of us have wanted to admit. If you can’t give the specifics, everything you’re doing is worthless.” How stupid do you have to be to have to have that spelled out for you? You need to give specific warnings or they’re worthless. But Keefe needs to believe what he’s doing is worth something. How else will he keep his head inflated?

“He thought she didn’t have a plan, and that everything she’d said was just an angry rant.” Wow. Just wow. Keefe doesn’t trust Sophie, nor does he listen to Sophie. He only listens to himself. Sophie just admitted that to herself. By not listening to her and taking her advice to heart, he invalidates her feelings and her plans for his own. Now, why is Sophie’s plan better than Keefe’s, logically speaking? Because Sophie has a specific idea of what she’s going to do now. Keefe doesn’t. And he doesn’t listen to her or take anything she says into consideration. If he genuinely believes he’s doing this “for Sophie”, he’s seriously delusional. 

“Is this going to be another one of those nights where you spend the whole time yelling at me to come home? Keefe asked, making her sit up straighter as his thoughts filled her head. Because as much as I love it when you get all feisty on me, now’s really not a good time.” God, Keefe is so subtly invalidating. He treats Sophie like she’s just his personal worry machine, not a person with valid concerns and ideas. The flippant way he talks about her worry for him makes me so mad. He takes her worry for granted and throws it back in her face, without a care for how it would affect her mental health. He brushes her off and invalidates her because he thinks he’s so much smarter than everyone else. Not to mention he calls her worry “feisty” and further infantilizes her feelings and ideas. 

“‘Dude, save your daddy issues for another time,’ Tam ordered. ‘Fintan doesn’t care about you. He doesn’t trust you. And if you go back to him, he’ll destroy you.’ Keefe’s eye roll was epic. ‘Don’t you need to go fix your bangs or something?’” In case you need more proof that Keefe is the stupidest, most pathetic idiot ever. First of all, Tam brings up a valid point. And Keefe’s response is to make a personal attack. You know, because he’s stupid and has nothing actually good to say in response. He’s completely pathetic, with his stupid rivalry with Tam clouding all his judgment. He treats Tam’s suggestion like it’s stupid because . . . Tam is the one who said it. He can’t even dignify Tam with a proper counterargument. He is so stupid, I can’t stand it. He doesn’t know when to stop joking around or when to stop taking shots at people. He’s straight-up mean, and this isn’t even a time to be joking. This is a serious situation, and all Keefe can think about is this pathetic animosity he has toward Tam. 

[cut because character limit]

“‘Please don’t do this,’ she begged. ‘If you leave here with that crystal, you’ll trap us—and you’ll compromise Alluveterre.’ ‘The Black Swan can sacrifice one hideout for what this will get me,’ Keefe said. ‘And you can teleport. There has to be a cliff around here you can jump off to get the momentum.’” Yes, what this will get you. What that’ll get you is . . . something that you turned over to the Neverseen yourself (Kenric’s cache). This whole mess is Keefe’s fault. If he had just been less stupid, he wouldn’t have to sacrifice the Black Swan’s hideout to get the caches. Yes, Fintan’s cache would be a gain, but it’s not strictly necessary or needed. Nobody asked him to get it, he just arbitrarily decided that it’s what they need. You know, because he thinks they need it. He doesn’t understand risk or reward, and he doesn’t understand that some things aren’t worth sacrificing. Other people will have different opinions on whether or not something’s worth something else, but Keefe doesn’t do teamwork. He hijacks plans, then ruins them. He works off of what he, an inexperienced, scared, reckless teenager, thinks is best. Then he executes his atrocious plans without a drop of consideration from anyone else. 

“[ . . . ] but I’m even better at fixing things.’” No, no you’re not, Keefe. When has he ever fixed a single thing, up until this point in the story? Never. He’s only ever tried to do things that would get him killed but then is always stopped by Sophie. No, not stopped. Stalled. Even Sophie can’t reel him in. He’s only ever made Sophie go out of her mind with worry over him. He has no credibility to say that he’s ever “fixed” something. It’s simply untrue. The truth is: Keefe messes things up way more than he fixes them. 

“‘[ . . . ] know that I will end this.’” Keefe still thinks he’s everyone’s savior, he still thinks he’s the hero they all need, instead of the idiot all their carefully arranged plans are ruined by. I have never seen such a stupid, idiotic, arrogant, blind character. But maybe I just need to read more.

“You realize I’m not actually pooping, right? I mean, I know we’ve shared a lot of things, but I don’t think poop should be one of them—unless it’s sparkly and from an alicorn. Or blasting like a geyser out of a gulon.” Keefe knows Sophie is mad at him, and knows he should be grateful she’s even reaching out to him, and yet all he does is make the stupidest, unfunniest jokes to annoy her. It’s like he’s trying to sabotage his relationship with her. Also, Shannon’s use of potty humor never fails to feel incredibly out of place and so, so juvenile. 

“It doesn’t matter what I think. It’s not like you listen to me. The thought had a snap to it, and Sophie could see Keefe’s mind sting. But she wasn’t going to apologize.” Good. She shouldn’t. He deserves to feel that “sting”. All he’s done is ruin things, worry Sophie, and think he’s the greatest ever. He deserves to be put in his place. This isn’t even half of what he deserves. 

““I’ll be outside Lumenaria as soon as I bust out of here. I don’t care if there are patrols, I’ll find a way to evade them. I want to be close—that way if you need me, I can help.” Keefe, you realize you can’t just bypass security, right??? Like, they’re experts, and you’re a stupid teenager. You can’t just hide from them forever. Also, wow. The sheer arrogance Keefe needs to have to assume that Sophie’s going to need him, and him in particular. He still sees himself as Sophie’s savior.

[cut because character limit]

“[Sophie] I wish he wasn’t coming here, she told Mr. Forkle. It’s way too risky, and he’s only doing it because he feels like he needs to make everything up to me. [Mr. Forkle] He does need to make it up to you. Haven’t you realized that yet? That’s why you and Mr. Sencen work so well together. You both push each other to believe in yourselves. Don’t go easy on him now because you’re afraid he’s too fragile. The more you let him prove himself, the more he’ll realize he’s still worthy.” He does need to make everything up to Sophie, but Mr. Forkle is just. So wrong. If someone consistently ruins everything, they shouldn’t be given several more chances to prove that they’re “still worthy”, especially not without some additional reflection on their actions and especially not in a high-stakes war. They’ll just mess everything up again??? That should be common sense to a leader of a rebel group. Keefe needs to learn his lesson, and the only way to have that happen is to punish him for his actions. He needs to face consequences, and in a way that makes sure he doesn’t screw anything up again. And that’s by forcing him to stand on the sidelines. He cannot be allowed onto the “battlefield”, so to speak, when he actively puts everyone in danger by being there. He needs to understand everything that happened was his fault, and he needs to do something to stop himself from screwing it all up again.

“Keefe’s smile was somehow both breathtaking and heartbreaking, but it faded as he stroked her cheek [ . . . ]” Why is he randomly stroking her cheek when she just got up??? It’s so weird. Nobody does that. It’s weird and he needs to stop. And no, “they’re good friends” is not a good excuse. It’s incredibly strange to start touching someone’s face out of the blue. I can practically see Shannon patting herself on the back and thinking it makes their bond so much stronger. Really, it makes it so much creepier.

“‘All those months with them, thinking I was playing everything perfectly. I bet they were onto me the whole time. Just like my mom said. And they were planning this.’ He punched the sand, sending it spraying around them. Sophie held him tighter. ‘This is not your fault, Keefe. None of us realized what they were up to.’” Ah, another forced consolation scene, my dearly detested! And, look, Shannon even squeezed a “It’s not your fault” in there. While Lumenaria coming down is obviously not Keefe’s fault, it definitely speaks to his ego that he thought he was smarter than the Neverseen. Yes, he’s realizing now that he was wrong, but it doesn’t change the fact that he should still have to face the consequences. He joined the enemy without anybody’s approval. He can’t work with a team without hijacking everything himself and overturning everyone else’s ideas. He should still have to face the consequences of what he did. “I know now that I was wrong” doesn’t change anything. It doesn’t show any real consequence. It shows a tiny bit of growth, but nothing solid or meaningful. It’s a throwaway line that you could honestly miss if you weren’t paying close attention.

“‘It’s still huge,’ Sophie promised. ‘I know it doesn’t feel like it—but the secrets in those caches have to be important. That’s a victory!’ ‘A pretty weak one,’ he grumbled, trying to look away. She reached up and turned his chin back, waiting for him to meet her eyes. ‘You have to let this go. Don’t let this ruin what we have here.’” No, he’s right, Sophie. For once in his life. Sophie tries to comfort Keefe, and this entire scene feels so weak, like Shannon is desperately reaching for drama to fuel her beloved forced consolation scenes. In reality, it’s very simple. The caches have nothing on real-life implications. So, yes, the caches are a victory, but it’s a very, very weak one, and not at all worth the things Keefe did to get them. Also, Sophie grabbing Keefe’s chin like that is very, very weird behavior. Nobody does that with their friends, just grabbing their chins to force them to look at them.

Nightfall

“He’d also been working every day to make up for his mistakes.” Thank you for telling us that instead of showing it, Shannon. If he really felt sorry, he’d understand that he needs to change and stop being so reckless before he can safely be a part of plans and schemes again. If he doesn’t realize that, he’ll never stop putting people in danger.

“So, when Fintan asked for my blood, I told him he needed to prove that I could trust him by answering one question. And once he did, I had to hold up my end of the deal.” In case you’re wondering, the number of things Keefe screwed up during his time with the Neverseen is now: compromising Alluveterre, giving up his blood, freeing Alvar (although we know that probably wouldn’t have mattered, since they got away, but Keefe didn’t know that at the time, so I mean), and being wrong several times about the Neverseen going after Grady and Edaline. 

“But Fintan interrogated me when I got back, and I had to use the crystal to convince him not to burn off my arm.” This is the guy Keefe thought trusted him, by the way. Come on, he can’t be this stupid. 

“[Sophie] Do you really think Fintan would help you steal the caches if they’re actually important? [Keefe] Yeah, Foster. I do. Because he had no idea that he gave me the other piece of the code phrase weeks earlier, after he had too much fizzleberry wine.” Wait, the leader of the Neverseen got drunk in front of a teenager he doesn’t trust, and Keefe didn’t find that suspicious??? At all??? Really??? I can’t believe Keefe is that dumb . . . actually wait. This is Keefe. Never mind, I believe it entirely. 

“Trading my blood was a bad call. But I SWEAR the caches are still a score.” Keefe’s cockiness has come back in full force, y’all. Remember that forced consolation scene at the end of Lodestar where Keefe lamented about how the caches were a weak victory? Well, why bother with consistency? He thinks they’re a “score” now! This is what I mean when I say the forced consolation scenes are so dumb and only there for Shannon to milk some worthless comfort between Sophie and Keefe. She has to force it, which means half the time it makes no sense, so she either has to pretend it didn’t exist and reset for the next one, or contradict herself like she did here. Either way, it will just lead to another forced consolation scene, and eventually there’s only so many times you can take Sophie and Keefe having the same conversation over and over again.

“I’ll fix this, okay? Keefe promised. I’m going to fix everything. You mean ‘we,’ Sophie corrected. WE are going to fix this.” Speak of the devil. Here comes a forced consolation scene. Also the fact that Keefe still believes he’s going to fix everything by himself shows he learned absolutely nothing from his mistakes. It’s Keefe, so why am I surprised that he’s gotten zero character development?

“Does that mean you don’t hate me? Keefe asked. His mental tone sounded softer—almost timid. [Sophie] I told you, I’m never going to hate you, Keefe. [Keefe] But I keep giving you new reasons to change your mind. [Sophie] Yeah, you really need to stop that. She offered him half a smile, and he gave her the same when she added, But we’re in this together.” Wow, Shannon didn’t even take that long to dive into a whole mess of a forced consolation scene, complete with a trademark “Don’t hate me, please”. Again, it makes no sense why Keefe thinks Sophie would hate him. She’s talking to him, isn’t she? And she never stopped. She isn’t mad at him and she doesn’t hate him, and that’s plainly obvious to anyone with a brain. But how else is Shannon going to milk the drama for all it’s worth, if not by repeating the same conversation over and over and making her characters look dumb in the process?

[cut because character limit]

“Sophie fussed with her jeweled sleeves—which matched the emeralds lining the knee-high boots she’d slipped over her lacy gray leggings. Biana had frustratingly pointed out that elaborate clothes would do a better job of disguising her gloves, so Sophie was trying to force herself to get used to wearing glitter and frills. Keefe’s lips tilted into his famous smirk as he crossed the room to stand closer. ‘I meant that as a compliment, Foster. Sparkles look good on you. So does the new hairdo.’” I know this is a (very annoying, very harmful) trope in fiction, but the fact that Sophie is visibly uncomfortable wearing fancy clothes, and Keefe's only response is to be like “Well, it looks good!” is so objectifying and degrading. It shows that he doesn’t particularly care about her feelings or comfort, only the way she looks to him. I get that it’s a trope, but most things about Keefe that I’m criticizing are tropes, so. 

“He reached up, his fingers skating gently along the edge of the intricate braid weaving through the front part of her hair.” Possibly Keefe’s most creepy trait is the way he just . . . randomly touches Sophie. Like completely out of the blue. He’ll just touch her face or hair, which is so strange. Like that isn’t normal, and you shouldn’t be touching someone there without explicit permission. Especially not in such a . . . implicative way.

“‘If you’re trying to impress me, it’s working,’ he told her, and she felt her cheeks warm—until he added, ‘But, you always impress me, so maybe you were thinking of someone else?’” What makes him think she’s dressing up for him specifically, or even for someone else? That’s such an arrogant assumption to make. As if everything Sophie does out of the ordinary must immediately be for him or some other guy. Also, if Sophie and Keefe are so close, why doesn't he know about her plan to dress up to hide her gloves?

“Somehow he’d moved closer, and Sophie’s throat went dry as he reached up and touched her braid again.” Keefe sure invades Sophie’s personal space a lot in this scene. That’s not romantic, by the way. It’s creepy and possessive.

“‘[ . . . ] and while I’m sure you and the Fitzster won’t mind the excuse to stare into each other’s eyes—’ ‘It’s called Cognate training,’ Sophie corrected. ‘And that’s not what we do.’ ‘Keep telling yourself that.’ Sophie ignored him.” Again, Shannon making the same joke over and over again isn’t going to make it funnier. Also, Keefe is once again annoying Sophie because he thinks it’s funny and cool. Sophie having to ignore him shows that she doesn’t want to talk about it.

“‘And yeah, she’s fooled me in the past. But I’ve had a lot of time to think about things, and I’m pretty sure I’ve figured her out.’” You’d think that Keefe would learn not to underestimate a Neverseen member from his double agent catastrophe (and he did, canonically), but of course, Shannon now needs to undo all his (small bit of) character development so he can make the same mistakes over and over. He is so stupid. And arrogant. And so many other things. If he thinks he can outsmart his mom, who’s been playing the long game this entire time, without a care or thought in even the vaguest direction of a plan, then I don’t even know what to say. And his use of the words “I” and ���me” prove that he still thinks he can do this all himself. With no input from anyone else. So tell me, where exactly is his development from his failed double agent disaster?

“‘Pretty sure?’ Sophie repeated. ‘You want to risk everything on pretty sure?’ ‘The only thing I’m risking is me.’ ‘Which is way more than I’m willing to lose.’” Again, Keefe doesn’t care about anyone’s feelings about a plan except his. He only wants to barrel his way through life and he’ll do what he believes is the best thing for everyone, regardless of whether or not everyone else agrees. His constant need to risk himself is tiring and repetitive. When is he going to change and grow? It’s also incredibly selfish. He knows how that will affect his friends and loved ones, especially Sophie. And yet, he still wants to do it anyway. 

[cut because character limit]

“‘Keefe snorted. “I’m betting Bangs Boy won’t.’ ‘Well, maybe he would if you’d stop calling him Bangs Boy.’ ‘Yeah, but that’s never going to happen.’” Shannon once again makes a pathetic attempt to create this narrative that Keefe and Tam have this mutual dislike of each other and it’s funny because they’re similar and this and that and the other. Again, no, the “rivalry” started when Keefe got jealous of Tam because he saw Tam as competition over Sophie. And Tam doesn’t even hate Keefe. He just finds him an excruciating nuisance. Which he is.

“‘Sorry, Gigantor,’ he said through gritted teeth as he scrambled to the other side of the room. ‘Foolish is my specialty.’” Keefe displays a resistance to valuable character development and change, almost as if Shannon heard complaints about Keefe’s lack of development and doubled down on it, but none is as bad as this book gets it. Keefe adamantly states that “Foolish is [his] specialty”, as if that justifies his actions, and talks about being stupid as if it’s just a quirky little personality trait, not a flaw he needs to work on and fix. It’s not a flex. It’s something that he needs to fix, and as soon as possible, too. He can’t just keep being stupid and, when confronted, say “Well, that’s just how I am, so you’ll have to deal with it”. That is so selfish, I can’t even process it. He displays such a resistance to change, such an arrogant attitude toward himself where he thinks he’s fine the way he is, that even though he actively puts people in danger, he doesn’t see a need to work on himself.

“‘I’m all good now, Foster. Unless you want to try kissing it to make it better.’” Have some more hideously horrific Keefe-style flirtation.

“‘Unleash the lecture! Here, I’ll even start it for you.’ His voice shifted up to an uncanny impersonation of hers. ‘How dare you ambush me, Keefe? I don’t care if you’re the most gorgeous guy I’ve ever seen—WAY better looking than other guys with their dimples or weirdly teal eyes. You had no right to show up and surprise me like that!’” Keefe just can’t stop bashing Fitz or Dex, can he? He’s so possessive that he actively brings down his supposed friends in his quest to gain Sophie’s attention and approval. Tell me, if he’s really meant to end up with Sophie, why does he act so insecure about her friendships with other guys? And the fact that he’s treating a very serious issue like a joke shows, once again, that he cannot be serious. He can’t think about other people for even a millisecond if it means going against his own wishes. And when it’s all over, all he wants to do is joke about it and hope that calms the other person down so he won’t have to face the consequences of his actions. It’s really quite manipulative, if you think about it. Means that he can distract the other person from the fact that he disregarded them and brush it all under the rug. 

“‘Don’t I at least get points for not hailing her by myself, making the deal alone, and running off to Ravagog without you?’” No, because he still forced his own plan onto Sophie and didn’t care about her opinion at all, despite the fact that apparently they’re a team. Remember, Sophie did not have a say in any of this. 

“‘I didn’t want you hesitating because of me, so I thought I’d make the hard decision for you—but everything after that was up to you.’” There is no good justification for taking someone’s choice away from them, and the fact that “everything after that” was “up to” Sophie is irrelevant, because she’d already been forced into a course of action she didn’t believe was correct.

[cut because character limit]

“‘Or maybe you’d rather I put my incredible Empath talents to work and help you solve the complicated square you’re always telling yourself is a triangle?’” More cringy humor that’s Shannon's horrible attempt to be self-aware in her own story, featuring the literal use of the word square and triangle with regards to Sophie’s love life.

“‘Come on, Foster, admit it—that was pretty clever.’” There is nobody on the face of this planet that brags as much as Keefe does when he pulls one tiny, slightly smart thing.

“‘Did the Mysterious Miss F. just agree that I’m a genius? Because that’s what I heard! And it’s filled my heart with all the warmest, softest fuzzies.’” This quote is only a couple pages after the one before and oh, boy. Keefe really can’t stop patting himself on the back for a single good idea. I wonder where that comes from . . . maybe that arrogance I was talking about . . . 

“‘But whatever it takes, it’s going to happen. Do you know why?’ When she didn’t answer, he took both of her hands, and she couldn’t ignore the rush of warmth that tingled through her when she met his eyes. There was no teasing glint to be found. Just pure determination when he told her, ‘Because Team Foster-Keefe is going to win.’” Shannon’s ability to cram forced consolation scenes into just a few lines is truly astounding. First of all, this is incredibly cringy. I’m sorry, but it’s true. Keefe’s dialogue has never been so horrifically embarrassing to read. Also, the way he just randomly grabs her hands and stares into her eyes is so weird and so forced. Isn’t that what he’s always making fun of Sophie and Fitz for? At least they have a good reason. So that also makes him a hypocrite. 

“‘Just the usual,’ Keefe told him. ‘Foster’s going on and on and on about how she can’t live without me. It’s really quite exhausting.’” Keefe’s flirting is at its worst in this book. It’s genuinely so bad, I can’t understand how it can be mistaken for charming or funny. 

“‘His idea of excitement is when he changes the way he parts his hair.’” More examples of Keefe tearing people down using his jokes, even if it’s subtle.

“‘Maybe not run off and join the enemy?’ Fitz suggested. The words were like a record scratch, screeching everyone into awkward silence. This was the first time they’d all been together since Keefe’s betrayal. Keefe cleared his throat. ‘Yeah . . . so . . . about that.’” Keefe only apologizes because Fitz brings it up. He never would’ve done it without that. He doesn’t bring it up himself, so it doesn’t really mean much. Yes, Sophie tries to tell him he doesn’t have to apologize and he still does it, but he wouldn’t have without Fitz bringing up how he ran away. 

“‘I’m sorry. I know you think I’m an idiot for running off. And . . . I guess I am. I thought the fact that my mom had built something she called my “legacy” meant that I was valuable enough to the Neverseen that they’d bring me in on all their plans and I could find a way to stop them. But it turns out I’m worthless.’” He’s not worthless, he’s stupid. And the wording of this is very intentional on Shannon’s part. It’s intentionally worded to attract pity and sympathy. It’s poor Keefe again, being called worthless again, oh, we should all go and feel sorry for him now. He is such a pity magnet. And he didn’t even apologize for the right thing. He apologizes for being stupid, sure, but he never apologizes for disregarding everyone’s feelings and ideas and forcing his own plan into action without consulting others. He never apologizes for not considering others’ feelings. It’s all just me, me, me with him. 

[cut because character limit]

“‘No, you’re not.’ Surprisingly, the words came from Tam. ‘Having a family like yours messes with your head,’ he added, tugging his bangs over his eyes. ‘I know how that goes. You still made a bad call—or lots of bad calls, actually. But . . . if you don’t do it again, we’re cool.’” Oh, and it works! The next line is Tam telling him that it’s not his fault, because his family’s bad! That doesn’t change the fact that Keefe made a decision to not tell anyone what he was planning, deciding to compromise several key pieces of intel so he could get back something he gave away, and generally be very arrogant. He didn’t consult or talk with anybody about it. Yes, Tam acknowledges that Keefe made “bad calls”, but where’s the mention of Keefe’s utter disregard for ideas that aren’t his?

“‘The only reason I’m including Keefe is because his mom seems to want him involved. Why else would she insist we contact her with his blood?’ ‘Plus, y’know, Foster can’t live without me,’ Keefe added. ‘Don’t make me smack you,’ Sophie warned. Keefe smirked. ‘I’d like to see you try.’” First of all, Sophie’s reasoning is chock full of logical fallacies. Yes, Keefe’s mother wants him to be involved, but why does that mean he, in particular, needs to go to Ravagog? They have no information at this point that says that he needs to be the one to go. And why should they listen to Keefe’s mom anyway? They don’t trust her. Also, Keefe annoys Sophie on purpose once again, and his annoying flirting gets even worse. Also, Shannon insists on making the same joke over and over, but this time, the last time he made that joke was less than a chapter ago, so it’s even more annoying. 

“‘Should we take bets on how many stairs Foster makes it up before she trips?’ Keefe asked. ‘I say she’ll lose it on the sixth step.’” Who. Wrote this??? It’s genuinely so bad. I swear, almost everything Keefe says in this book is top tier cringe.

“He snickered. ‘At least this proves I know you better than the Fitzster.’ ‘No, it’s that I have more faith in her,” Fitz corrected. “That’s what being Cognates means.’ ‘And yet, I seem to remember Foster hiding some sort of important secret from you during your trust exercises. Did something change while I was gone, or . . . ?’” Keefe is so weirdly possessive of Sophie. He acts like every single thing is this ridiculous tug-of-war over her with Fitz. He never passes up an opportunity to take shots at Fitz, his supposed best friend. Also, guessing when someone will trip is pure chance. That doesn’t show any sort of bond at all. I’m going to interpret that as a joke, because there’s no way even Keefe is stupid enough to believe that. He prods at Sophie and Fitz’s weak spots (the secret), like he’s hoping it will unravel. All he cares about is putting down Sophie and Fitz’s cognate relationship and bolstering his own relationship with Sophie. It’s such a disgusting yet subtle thing to do. Honestly, if Shannon had handled Keefe better, he could’ve been a character that could be used to teach kids about subtly manipulative and toxic relationships.

“‘Ugh, anyone else ready to vomit from the Fitzphie?’ Keefe asked. ‘I am,’ Dex said, as Linh asked, ‘Did Fitzphie become an actual thing?’ ‘I don’t even know what “Fitzphie” is supposed to mean,’ Tiergan noted. ‘Want me to explain it?’ Tam offered.” Seriously. Who wrote this. Shannon. What. What is this. The excessive use of in-story ship names is atrocious, but Shannon decides to double down on it. Leaving that aside, Keefe expresses a desire to “vomit from the Fitzphie”. Tell me that’s not possessiveness. Keefe is such an atrocious, toxic friend, and Shannon really cranks it up to eleven in this book. All he does is whine about how close Fitz and Sophie are, tear their cognate relationship down, claim his relationship to Sophie is better, and generally act very possessive of Sophie.

[cut because character limit]

“‘Ugh, score one for Fitzphie,’ Keefe mumbled.” Here, we see Keefe literally track points as if Sophie is a game he needs to win against Fitz (his “best friend”). All Keefe does is act jealous of Fitz and Sophie because he selfishly wants to be with Sophie. His constant whining is so annoying and again, Shannon use of ship names in-book is the most cringy, appalling move I’ve seen her make.

“‘I know! Our little girl is growing up and getting so snarky!’ Keefe pretended to wipe his teary eyes. ‘I’ve never been so proud.’” “Our little girl” . . . that totally isn’t creepy or infantilizing at all. The way Keefe talks about Sophie here is genuinely so gross, even if it is a joke. 

“‘We still do,’ Sophie argued. ‘We just have a lot going on.’ ‘And yet I sure seem to see a lot of Keefe these days. . . .’” He’s not wrong, Sophie. You kinda, sorta neglect everyone that’s not Keefe. It’s annoying how much attention he gets when he’s not even the main character.

“Keefe spotted the crush cuffs about ten seconds after he got to Havenfield the next morning—despite the long-sleeved tunic Sophie had worn to keep them covered. And he dragged out the rest of the story with a relentless bombardment of questions.” Can Keefe keep his nose out of Sophie’s personal business for even a minute??? The “dragged” here is very telling: Sophie would not have chosen to tell Keefe all this of her own free will. He bombards her with questions, and so she tells him, not because she wants to, but because she knows that he won’t shut up until he has the full story. This is Sophie’s secret. Sophie’s business (and Dex’s). Keefe has no right to ask about the cuffs at all. The fact that he “retelentless[ly]” asked her questions until she was forced to tell him the entire story is not a good thing. It does not demonstrate trust, but quite the opposite: a breach of personal boundaries. Keefe is so toxic, I honestly find it impressive how Shannon has twisted him into a seemingly perfect-angel love interest.  

“‘In his head, he wanted the Dexphie ship to set sail so badly that he kept fighting for it, even when he got some pretty clear signals that he was bound for a crash.’” I’m sure you can guess my feelings about the use of the word “ship” in-story with regards to romantic ships. Shannon really needs to stop making Keefe act like he’s outside of the story observing it like the audience is. It’s just. Too cringe. 

“Keefe smirked. ‘So that’s what kept you up tossing and turning? Wondering if I’ve registered for the match?’ ‘Ugh, that’s so not what I was saying.’ ‘Suuuuuuurrrrre it wasn’t.’” Keefe once again annoys Sophie just because he thinks it’s funny. Also, thank everything that’s holy for e-books. I would not have looked forward to typing that whole word out by hand. 

“‘Everything?’ Keefe asked. ‘Even . . . ’ He made an obnoxiously loud kissing sound. Sophie shoved him away.” Keefe’s horrific flirting is even cringier than normal in this scene. Nobody talks like this. And his favorite pastime of annoying Sophie comes around again.

“But then he leaned back and added, ‘I have way too much fun annoying you.’ Sophie sighed. ‘That does seem to be one of your talents.’ ‘And you adore me for it. In fact, maybe we should find out if we’re meant to be.’ He puckered his lips and Sophie shoved him a little harder that time.” Keefe blatantly admits that he loves to annoy Sophie. Annoying someone is not the basis for a good relationship. What are Keefe and Sophie even going to talk about once the Neverseen are defeated? It’ll just be Keefe annoying Sophie and Sophie acting annoyed, and Shannon pretending that’s romantic. And the part where Keefe says Sophie “adore[s] [him]” for annoying her??? What??? There are several points in the story where it’s clear that this isn’t true (and I’ve pointed out all of them, hopefully). Nobody likes being annoyed. Especially not on the regular and especially not when that’s Keefe’s only real personality trait. Put this all together with some of Keefe’s heinous flirting, and you get the recipe for a perfectly cringy scene. 

[cut because character limit]

“‘Do you realize that thanks to you, sweet, innocent little Dex has now kissed someone before I have? And you too?’” It’s not a competition, Keefe. Geez. Also, wow he really thinks that because he’s a “cool prankster rebellious bad boy”, he should be the first one to get a kiss??? That’s what the “sweet, innocent little Dex” comment is telling me. Does Keefe really, actually think in stereotypes???

“‘I realize it’s hard to believe, considering . . . ’ He waved his arm in front of himself, like his looks said it all. ‘Don’t get me wrong—I’ve had plenty of offers, but . . . ’” Kill me now. This is a fantastically cringy line, complete with Keefe’s cringy tendency to draw attention to his looks. We get it. You look good. It doesn’t need to be your entire personality. 

“‘How about I steal the Fitzster’s match packet for you?’ Keefe suggested.” I hope that wasn’t a serious suggestion. Genuinely. But Keefe is such a shitty friend, I think he would’ve done it if Sophie had wanted him to. He’s willing to steal a very personal document and give it to someone Fitz doesn’t want to see it. You know. Just because.

“‘Am I supposed to see this as bravery?’ Dimitar asked him. ‘The arrogant young elf lord who dares to taunt me?’ ‘Psh, like the Council would ever make me a lord,” Keefe snorted. “Though, Lord Keefe does have a nice ring to it.’” Who responds like that to that sort of question??? Keefe was accused of arrogance by a king that has something he desperately needs and his response is literally just make jokes. More evidence that he can’t be serious even when the time calls for it.

“‘That’s not what we agreed on!’ Sophie snapped. ‘Maybe not. But I’m not going to let you face any consequences for this.’ Keefe slipped his mom’s scroll from his pocket and Sophie felt her jaw fall, wondering when he’d stolen it from her.” I think you know what I’m going to say, because I’ve said it a million times already: Keefe doesn’t care about Sophie’s feelings or input, he hijacks their shared plan for his own, he steals from her, blah, blah, blah. But you might be thinking, Wait, but Sophie does get mad at Keefe this time and does hold him accountable this time. He actually learns and grows! And you would be partially correct. But not completely. So this quote is mostly here because I’ll refer back to it later. I’ll write it in red so you can find it easier. 

“‘That was an incredibly dangerous move,’ Lady Cadence told Keefe, blocking him from following the ogre king. ‘Oh, you want to talk about dangerous?’ he asked. ‘How about the part when you almost started a brawl with King Dimitar? You were supposed to be the person at this meeting that he actually likes—that’s why we brought you!’” The two scenarios are not even remotely comparable. Keefe acted irrationally, with no inkling as to how Dimitar would react. He didn’t know what would happen, and he clearly planned this all in advance, even though he knew it was dangerous. Lady Cadence simply pointed out a breach in trust in her relationship with King Dimitar and told him she didn’t appreciate it. She knows Dimitar and considers him a friend, so she knew she wasn’t in any real danger from him. The idea that she “almost started a brawl” with the king is a complete exaggeration. She also wasn’t planning on having that conversation, it simply came up.

“‘And you can hate me if you want. But I made a promise when I found out my mom was with the Neverseen—she only gets to hurt me. It’s the only way I can live with myself.’” How noble. Except it gives him a convenient excuse to play the hero and ruin a group-made plan in favor of his own because of his own arrogance and overconfidence. So, not so noble. 

“Keefe grinned. ‘You really are adorable when you worry. But you don’t need to. I wouldn’t have agreed if I didn’t know I can handle it. See?’ He pulled his hands free and showed her how steady they were.” More of Keefe’s infantilization of Sophie! Yay! And if he really thinks he can handle it, he’s a massive idiot. A massive, arrogant idiot.

[cut because character limit]

“His motions were somehow both sluggish and erratic, and when he tried to pivot, the weapon slipped from his grasp.��� And here is where we need to talk less about Keefe as a person and more about the way he’s written. Here, it’s explicitly stated that Keefe is terrible with a blade. Makes sense, he’s never handled one before. But, as we know, he’s about to defeat the ogre king in a sparring match. Keefe largely uses his skills in the match, but in terms of plot, it still makes no sense that he’d be able to defeat the king of a species whose entire culture is based around fighting and war. Yes, he’s trained in his skills extensively, but he’s never actually used them in a spar like this. There’s so much more to battle besides simply throwing everything you’ve got at your opponent. Dimitar should be able to predict what Keefe’s going to do next, even if Keefe tries a sneak attack, because Keefe’s never learned to hide that and never learned how to disguise his next move. Dimitar should be able to wear Keefe out so much that he doesn’t have the energy to use his skills anymore, because Keefe’s never learned how to conserve energy in a useful manner during a battle and never learned how to make every single strike count. Dimitar should be able to take Keefe down in a single strike, because Dimitar should know where the body’s weak spots are and how to cause the most pain with the least effort, which Keefe doesn’t know. So, no, Keefe simply using his skills should not be enough to defeat Dimitar when he has nothing else in his arsenal. And this is all to say: the point of this sparring match is to make Keefe look a hero. Even if it makes no sense. Keefe is written to be triumphant in this scene. It’s plot convenience at its finest. Shannon loves to do this with Keefe, where she’ll make him have some ability he realistically wouldn’t have because she needs him to be somewhat badass to uphold his “bad boy” image. 

“‘The grip on that one’s faulty,’ Keefe mumbled, kicking the weapon aside and snatching a dagger with a palm-length blade. ‘This one looks perfect for sneak attacks.’ ‘You can’t sneak up on him in an open ring,’ Sophie argued.” More evidence of Keefe just straight-up being incompetent when it comes to fighting. Which is fine by itself. But he can’t be incompetent at fighting and also win a sparring match against the king of a species known for their legendary fighting skills. Again, this scene is a massive example of plot convenience to make a character look good. It shows how Shannon favors Keefe. Honestly, he should’ve just lost the sparring match. Would’ve made the scene more interesting, and might’ve given Sophie, the main character, a chance to shine by quickly improvising a way to talk King Dimitar into giving up the starstone anyway. It might’ve also curbed Keefe’s ego, though I doubt it. 

“‘The only loss will be yours!’ Keefe sidestepped Sophie and charged into the ring, dagger raised, eyes wild, leaping for the ogre king.” Another example of Keefe’s straight-up stupidity. 

“‘There you are,’ Keefe whispered, his breath warm on her cheeks. ‘You’re good now, right?’” Keefe stop breathing all over Sophie’s face challenge. 

“‘I’ve never been so proud of us!’ Keefe said, holding up his hand for a high five.” I’d just like you to remember that Keefe can feel Sophie’s emotions. He knows how angry she is at him right now. And his immediate reaction is to try to joke his way out of it instead of treating it seriously until he’s forced to by Sophie. He literally tries to dumb this down and make it seem like it’s not as bad as it is so that Sophie won’t be mad at him. It doesn’t work, but it’s an incredibly manipulative thing to do. 

“‘Awww, my girl keeps getting snarkier and snarkier,’ Keefe said proudly. ‘I’m not your girl,’ Sophie snapped back. ‘And don’t think I’m done being mad at you!’” Keefe calling Sophie “my girl” is a form of infantilization, because he obviously doesn’t mean “my girlfriend”. Thankfully he gets called out on it. This time. 

[cut because character limit]

“Foster’s not ready to face her feelings,’ Keefe stage-whispered. ‘I’m ready to strangle you,’ Sophie countered.” Keefe’s joking here (and in the process annoying Sophie, but what else is new), but the implication is obviously that Sophie’s too scared of her feelings to face them and that she needs Keefe to swoop in and decipher them for her. Her own feelings. Do you see how that might not be the best thing to say, Keefe? Do you? Even if someone is wrong about their own feelings, that’s their prerogative. It’s always their choice of whether or not they want to face their own feelings or not.

“‘Maybe you’ll finally knock some sense into him.’ ‘I doubt it.’ Keefe winked, but Sophie looked away.” More of Keefe acting like his stupidity is just a quirky little trait instead of a flaw that could cost him or someone else their life. Being stupid is not a personality trait. It’s a flaw. He needs to stop treating being stupid like it’s this innate trait that’s just a part of who he is. It’s not.

“‘I’m guessing at least a week. Maybe more.’ ‘Yeah, that’s not happening,’ Keefe told him. ‘You’ll regret it if you don’t,’ Elwin warned. ‘Play this smart and the most you’ll have is a thin scar. But if you’re not careful, you could end up with nerve damage.’” Is Keefe really so stupid that he’s going to choose to have permanent damage because he won’t bed rest for a week of his life? This is. I can’t even.

“‘That depends on what my mom tells us,” Keefe argued. “If we’re heading straight to Nightfall—’ ‘You’re not going to Nightfall,’ Sophie interrupted. ‘You’re doing bed rest until Elwin says you’re better.’ Keefe smirked. ‘It’s cute that you think that.’” Why does Keefe need to be so stubborn about everything? Even this??? He literally throws away a perfectly smart thing to do with no drawbacks because . . . he wants to be with Sophie when she goes to Nightfall. That’s it. Again, he pedestalizes Sophie to such an extent that it makes him stupid. 

“Keefe wrapped his arm around Sophie. ‘Foster gets all worked up when she’s trying to protect me.’ ‘That’s not what this is about!’ Sophie snapped, pulling away.” Keefe literally tries to flirt his way out of Sophie’s anger, with a dash of infantilization thrown in for funsies. 

“‘Though would it kill you to do the smart thing, just once, and actually listen to someone when they’re giving you good advice, instead of thinking you know everything and doing whatever you want?’ Keefe considered that for a second. ‘Yeah, that might actually kill me.’” I seriously have no words. Keefe literally admitted that he’s stubborn to an excruciating extent, stupid, and arrogant, and he doesn’t see a problem with that at all. He genuinely just believes that they're innate parts of him, not flaws. 

“Sophie couldn’t look at Keefe after that. She didn’t want to see the hurt in his eyes as she dug out her home crystal.” If he’s hurting in this scene, then he deserves to be hurting. All he’s done is do stupid stuff and hijack everything without consideration for other people. So, yeah. He deserves it. 

“‘In case you need help deciding, I’d go with the part of you that wants to run over here for an epic Team Foster-Keefe hugfest, and not the part that wants to rip off my arms and smack me with them.’” Oh, yeah, I almost forgot. Starting in this book, Shannon uses the suffix “fest” incessantly, and doesn’t stop. It’s such a terrible choice that while it’s cringy the first few times, it quickly becomes unbearable as she keeps doing it. And Keefe gets it the worst.

[cut because character limit]

“‘I’ve also been eavesdropping outside—plus, Forkle hailed me this morning and caught me up on everything that’s been happening. So I already know about the giant beast things my mom made, and how we have a drugged Alvar in custody, and how all that boring stuff from Lady Cadence’s report about bacteria turned out to have something to do with flowers, and how there’s apparently another Nightfall in Atlantis that’s not part of my legacy, and that’s where we need to go to get your parents. Oh, and my mom wants us to steal from it and destroy it—which totally kills the fun, but I’m still game for blowing a Neverseen hideout off the planet.’” Another example of Shannon using Keefe as narration. It’s like she doesn’t trust that her audience will follow the story, so she feels the need to recap it. But wait, that’s boring! It’s fine, just have a ““““““humorous”””””” character do it! It’s a trick a lot of writers do when they think their audience is stupid, or they think what they wrote is too convoluted and want to make sure their audience has it straight. It’s also something authors do to pat themselves on the back, like, See? I wrote all that. And you just spent the last third of the book reading all that. Now, appreciate how much work I put in. I’m not saying Shannon doesn’t deserve praise for that plotline, and I genuinely think it's good, but I can’t stand it when she uses Keefe as a summary or narration gimmick. She could’ve just had Keefe say “I know everything I missed” and left it at that.

“‘How much groveling am I going to have to do before you trust me again?’” Keefe shouldn’t have to “grovel” to regain Sophie’s trust. Groveling is just words, no action. To regain trust, he’s going to have to prove that he won’t hijack everything and take over again. This is why this particular arc (miniarc?) of Keefe’s makes no sense. He only goes through this development because Sophie was mad at him, not because he actually realizes something about himself. And then Sophie immediately trusts him again and lets him work with her on everything again without any period of time where she’s suspicious of Keefe. What I’m saying is, Keefe’s breach of Sophie’s trust never really impacts their relationship. They have a fight, immediately make up the very next time they see each other, and then it’s over and done. There’s no period of time where it’s still a sore spot. No work to get to a point where Sophie feels like she can really trust Keefe again. As a result, it falls completely flat because Keefe didn’t earn anything. He just apologized and that’s it. But that shouldn’t be it. He should have a long way to go from now. An apology is just the start. Sophie shouldn’t forgive instantly. It just feels so cheap. It really shows how Shannon just wants a quick fix to Keefe’s problems instead of a real arc with real character development. 

[cut because character limit]

“‘I’m sorry, Sophie. Really. And I’ll do whatever it takes to make it up to you. That’s why I stayed in bed, even though I knew my mom had to be dragging you into a million dangerous things. I wanted to prove that I could do the right thing. Well, that and Ro threatened to tie me down and cover me in flesh-eating bacteria if I didn’t, and I could tell she meant it.’” Keefe says that he stayed in bed because Sophie would’ve wanted him to and because he wanted to “do the right thing”. That’s . . . not what his motive should’ve been. His intention should’ve been to get stronger and heal. That’s it. There should be none of this nonsense about “doing it for Sophie” or “doing the right thing”. He should want to get better so that he doesn’t have permanent damage. Again, his weird obsession with impressing Sophie and doing whatever he thinks she’ll want is showing through, and had Shannon been a better author, she could’ve made it a flaw and related it back to his abusive parents and how he’s always craving attention because he never got enough from them or something. But instead, it’s hailed as a great quality. So, remember when I said I’d refer back to that quote I wrote in red? This quote is a primary example that, while he does apologize to Sophie, he doesn’t actually change from this incident. There are several moments down the line where you will see that Keefe still hijacks plans and still disregards Sophie’s feelings. An apology, sure, but there’s no actual growth. (I’ll put this quote in red too, so it’s easy to see that these two things I’m bringing up are connected into one big point.) So to people making the argument that Keefe was finally held accountable and developed from this whole thing, I hate to say it, but Keefe is just as infuriatingly arrogant as before. 

“‘Because you can be wrong and still smarter than these guys,’ Keefe told her with a grin.” Ah, Keefe’s arrogance never fails to make me cringe practically out of my body. Maybe if he was more open-minded, we wouldn’t have to deal with his stupidity.

“‘So maybe you do it wrong,’ Tam suggested. ‘It’s a puzzle,’ Keefe argued. ‘The pieces should only fit together one way.’” Keefe is so stupid that he literally tries to claim that the “pieces should only fit together one way” after just having seen evidence to the contrary. Literally, I’m not kidding, Sophie just put the puzzle together differently than him like two seconds ago and he says this. I knew he was arrogant, but damn. Can’t Shannon tone it down a little to at least try to make it seem like she gave Keefe actual development?

“‘She probably thinks I’m too dumb to put the key together the right way.’” This logic is so stupid. Even if Keefe was dumb enough to not be able to put it together, it’s not like he works alone. Someone in the Black Swan or something would’ve figured it out. And his mom knows that. His entire argument here makes no sense.

“He reached up and wiped one of the tears trickling down her cheeks.” Another weird example of Keefe touching Sophie’s face. It’s quite creepy, and it’s strange how Shannon tries to make it seem touching.

[cut because character limit]

“‘Okay, two choices,’ Keefe told her, standing up and tilting her chin toward him. ‘You can tell me what’s wrong. Or I can put my Empath powers to work—but keep in mind, Option B will likely pick up on all kinds of other feelings.’ Sophie gave him her surliest scowl, but he didn’t back down.” First of all, here’s another example of Keefe touching Sophie’s face creepily. Secondly, Keefe just extorted Sophie’s personal feelings out of her. He just threatened to use his empathy on her if she didn’t tell him what was going on. He then said that if she didn’t tell him the thing she obviously doesn’t want to tell him, he’d not only use his power on her and figure it out, but would also probably pick up on other things she doesn’t want him knowing about. Sophie then makes it very obvious that she doesn’t want to do it, but he “didn’t back down”, by which Shannon of course means “didn’t respect Sophie’s feelings and her right to keep them to herself”. That is so. That is just. I don’t understand how Shannon somehow managed to twist this into Keefe caring about Sophie. He threatened, coerced, manipulated, and extorted her into telling him, sure, but caring about her??? Don’t make me laugh. Keefe is possibly the most toxic character in this entire series, and it is disgusting how Shannon gives the impression that this is caring behavior, or correct in any capacity at all. When someone wants to be left alone, you leave them alone. Keefe needs to go back to seventh grade health class, where they teach you that no means no. 

“‘I take it that means you haven’t joined Team Foster-Keefe?’ Ro asked. ‘Because I have to admit, they’re pretty cute together. Especially when she gets that look in her eye like she’s going to tear off his head.’” Ro is . . . a whole other subject. But oh, god. Shannon. What are you doing. If someone consistently and constantly “gets [a] look” in their eye like they’re “going to tear off” the other person’s head, then that’s a sign that that other person is annoying and that they don’t enjoy spending time together. The other person is obviously driving the first person crazy and enjoys it, so why would you encourage that??? Stop feeding into this narrative that that’s a healthy thing to have. It’s not. It’s completely toxic for Keefe to take pleasure in annoying Sophie, and it’s disgusting that Sophie is just expected to put up with it.

“‘Figured you guys would say that,’ Keefe told them, ‘even though you can’t really stop us.’ He winked at Sophie.” Oh, boy. Shannon’s really leaning into Keefe’s “bad-boy” persona, isn’t she? Someone needs to explain to her the level of cringe this invokes. Also, the winking is back. Wow, isn’t Keefe so cool. You know, cuz he winks at Sophie like they're in on a secret or something. Isn’t that so badass.

“‘But I think you’re also forgetting, Foster, that we’ve managed to get a lot done when school is in session. We stopped the gnomish plague while going to Exillium—and you managed to look into the Everblaze while juggling midterms. You even got your abilities fixed—and healed Alden—during the first term this year.’” Shannon, please stop using Keefe as summary and narration. We know. We read the series. We don’t need you to recap it for us. We’re well aware.

“‘You’re welcome for making it so you don’t have to stare at ten thousand reflections of yourself every day,’ Keefe told him. Sophie elbowed Keefe as she sat beside him. ‘You don’t get to brag about leaving me covered in shattered glass.’” Keefe literally just joked about destroying Foxfire . . . wow. The audacity is. Just, wow. Sure, Sophie calls him out, but it’s very light-hearted. Again, Keefe is incapable of being serious, even when the topic or time calls for it.

[cut because character limit]

“‘Much as I’m enjoying this sudden overflow of adorable Foster-rage—it’s not worth it.’” Ah, more of Keefe infantilizing Sophie and invalidating her feelings. If someone finds your anger or worry “adorable” and acts like it’s this cute little quirk, then that’s never a good thing. Especially if they enjoy it. Someone who cares about you should never enjoy seeing you angry or worried. 

“‘Uh, we all know Foster can’t bear to be away from me—and art is about honesty. That’s why I made sure I have the best hair.’” Sometimes, I wonder how some of the shit Keefe says can even be real. How is he not collapsing from the cringe? Keep in mind, this is all taking place in front of a large audience.

“‘Only for some people,’ Biana noted. ‘He gave the rest of us mood candy. Again.’” Yes, because he only cares about Sophie and prioritizes her over everyone. He only cares about her feelings and her wishes. He doesn’t extend the same courtesy to anyone else. In other words, he pedastalizes Sophie to such an extent, it makes him blind to other people’s wishes. He has such tunnel vision, it’s funny. He’s very neglectful of his other friends.

“‘I’m sure she didn’t. This’—he traced a finger over the crease between her eyebrows—’doesn’t make you very convincing.’” Keefe really needs to stop touching Sophie’s face weirdly.

“He strode over to her, and she tried to back away but crashed into the wall.” Ah, the infamous scene. Keefe once again invades Sophie’s personal space. He moves toward her, and when she tries to move away from him, he doesn’t let her move. Wow. Real upstanding guy. This is not romantic. This is creepy. 

“‘Oh, I know. But you’re forgetting something, Foster.’ He was close enough to reach out and gently tuck her hair behind her ear as he leaned in to whisper, ‘I like a challenge.’” And then, as if creeping all over Sophie wasn’t enough, he gets up in her face, touches her face, and says this cringy-ass line. Again, this is not romantic. This is creepy. 

“‘On the one hand, the look on Fitz’s face is pretty priceless right now, and I know it’s killing him not to say, ‘But we’re Cognates!’ But on the other hand . . . don’t go thinking this lets you into the Foster Fan Club, Bangs Boy!’” Can Keefe let any guy in their group do anything for Sophie without immediately seeing him as a threat?

“She could feel him reaching for her glove—and yanked her hand away.” Keefe tries to breach Sophie’s boundaries. But what else is new.

“If she’d had it her way, she’d be alone. She’d even tried asking Keefe to leave, but there was no getting rid of him.” Sophie literally asked Keefe to leave her alone, and he didn’t. He disrespects her boundaries, invalidates her feelings and assumes that she wants him around all the time, even when she tells him she doesn't want him there. That’s not being caring, that’s thinking you know someone else’s feelings better than they know their own feelings. This might be Keefe’s worst act yet. When someone wants to be left alone, you leave them alone. You don’t assume that they don’t know their own wishes and encroach on their space, instead. It’s disgusting and manipulative, and the fact that Shannon said that in a throwaway, forgettable line shows that she doesn’t understand how horrific that is. It’s also another example of Keefe being arrogant and assuming that Sophie always needs him when she’s down. Only him, because he knows her so well! It’s very cocky and somewhat entitled behavior.

Nightfall Short Story:

“‘Look! I’m all better!’ Keefe promised [ . . . ]” Why did Shannon have to make Keefe so unbearably annoying. Like, seriously. He’s told he’s going to have permanent damage if he doesn’t do bed rest and his reaction is literally Oh, well. He needs to stop treating serious issues like jokes.

“‘I can always pry those pouty lips open and pour it down your throat,’ Ro added with a smile that showed every single one of her pointed teeth.” Why is Keefe refusing to take his medicine??? Is he really that stupid and excruciating?

“‘It’s only for a week’ ‘Uh, do you realize how many times Foster can almost die in a week?’” Does Keefe really think he can stop Sophie from almost dying??? Just because of his . . . presence??? Wow, he’s even more arrogant than I thought. 

“He didn’t care what anyone said. Sophie needed his help.” Oh, boy. He really does see himself as her savior. How adorable. And by adorable, I mean obsessive and creepy. Is he really so stupid and stubborn that he’s willing to risk doing permanent damage to his body just so he can . . . see her? He won’t even be able to go with her to Nightfall??? What exactly does he think he’s going to do?

“Then he was lost to his floaty dreams, most of which focused on the gold-flecked brown eyes he could never get out of his head.” What Wattpad author held a gun to Shannon’s head for her to write this??? Damn . . . he really does have an unhealthy obsession with her. 

“‘It is. It’s going to take me a little while to make it—but it’ll seriously top every gift she’s been given before.’” Fantastic. So he’s still as arrogant as ever. Even after whatever miniscule amount of character development he supposedly gets in this story.

“From that point on, he only had one goal: to be whatever Sophie needed. Not the hero. Not the one taking charge of everything. Just a guy ready to listen and help and be there for her. A friend. Until she was ready for more.” The fact that his “one goal” is essentially to be obsessed with Sophie is kinda. Not good. Keefe is a classic case of obsessed-with-the-love-interest syndrome. It takes over everything and he can’t even do a week of bed rest without obsessing over her every single day of it. Also, the part at the end where he says “Until she was ready for more” . . . bro. I do not have the words to describe how disgusting that is. He just sort of . . . assumes that one day he and Sophie will end up together. Now, think back to all the times he’s begged Sophie not to hate him. Even at this moment, he knows Sophie’s angry with him. If he truly thought she would hate him, why would he assume that he’d end up with her someday? It’s a walking contradiction. It’s so revolting to assume that one day someone you like will end up with you. It also proves my point that Shannon only throws all those “Please don’t hate me”s in there to attract pity for Keefe. If he actually believed she would ever hate him, he wouldn’t assume so readily that one day she would be “ready for more”. Pick a lane Shannon: he can either be sure Sophie will want to be with him someday, or he can think she hates him, but you can’t have it both ways. They’re opposites.

Flashback:

“‘[ . . . ] forced herself to meet Keefe’s ice blue eyes. ‘I’m fine.’ When he raised one eyebrow, she added, ‘I’m just frustrated [ . . . ]’” (7) That’s right, the page numbers return. And I have physical copies of the rest of the series, so they’re here to stay. It may seem like Keefe is just trying to check on Sophie and make sure she’s okay, which is a noble cause, but when someone says they don’t want to talk about something, that means they don’t want to talk about it. That does not mean you prod and prod until they spill. So many things Sophie tells Keefe get twisted and people think she tells him because she trusts him, but more often than not she doesn’t and he just prods her or extorts them out of her.

“‘You’re so adorable when you worry. I’ve told you that, right?’” (12) Yes, you have, and saying it more doesn’t make it any less icky and gross and infantilizing. It’s like he’s dumbing Sophie down to this object who only exists to entertain him with her adowabuw wittle feewings, instead of a person with very real, very complex emotions.

“He traced his thumb over the sliver of skin between her glove and the edge of her beaded sleeve. ‘There’s something you’re not saying right now. I can feel it.’” (12) Keefe once again breaches boundaries because he can’t keep his nose out of other people’s personal feelings. He has no right to just help himself to Sophie’s emotions like that. It’s a massive breach of boundaries, and then using that to try to pry the secret out of her is nothing short of repulsive behavior.

“‘Come on, Foster. It’s me. You know you can trust me.’” (12) Does she? Does she know that? Because it seems like in order to trust Keefe, Sophie would have to know that for herself, instead of having Keefe feed that to her. Sophie likely does trust Keefe, even if her trust is misplaced, but saying it like that is very, very manipulative. And Sophie really shouldn’t trust Keefe, because almost everything she tells him is manipulated and extorted out of her. She’d tell him a lot less if it weren’t for his toxic traits and extortive empathy. 

“‘Lord Hunkyhair,’ Keefe corrected. ‘What? It’s accurate.’ He tossed his head like he was in a shampoo commercial.” (20) I forgot about this atrocious nickname.

“‘Fintan knew Keefe would be dumb enough to go after them,’ Ruy added, ‘so he had our Technopath make a couple of replicas.’” (89) I mean . . . he isn’t wrong about Keefe’s stupidity.

“Tam and Keefe had been feuding since the moment they’d met—even though they were so similar it was kind of hilarious.” (117) Again, if Shannon wants us to believe that Keefe and Tam have this deep rivalry, rather than Keefe being jealous of Tam and Tam thinking Keefe’s annoying because he gets possessive of Sophie, then she’s going to have to put a lot more effort into it then that.

“‘It’s okay to hate me,’ Keefe said from the doorway.” (138) Oh, boy, here comes the forced consolation scene pity-party. That’s going to take up a whole two chapters, by the way. I don’t know about you, but I really don’t want to watch Keefe wallow in his own self-pity while Sophie strokes his ego for two entire chapters. 

“‘Fintan’s good. His emotions always felt normal when I asked about the caches. A little nervous. A little suspicious. Exactly the way he would’ve felt if they were real.’” Wait, Keefe asked Fintan about the caches??? This is just getting better and better, by which I mean Keefe’s getting stupider and stupider. My guy. Have some subtlety. When asking about something you want, you don’t just outright ask that. Keefe’s even dumber than I thought. Seriously, how did he think he was smarter than the Neverseen?

[cut because character limit]

“‘Don’t beat yourself up about the caches. We’ll figure something out.’” (140) That’s the thing, though. Keefe needs to do some serious thinking about his choices and how they affect the entire thing. He needs to have that development. But Shannon wants to convince the audience that he’s fine the way he is. He doesn’t need to repent and change! He just needs to be entirely devoted to Sophie and everyone will still love him. He faces no consequences for running off with the Neverseen at all, despite the fact that he set them back. A lot. He’s still allowed to be in on all their plans and still trusted. Do you see what I mean? It’s like it never happened. It’s like he never ran off to join the Neverseen. There’s no impact. Everyone still trusts him, everyone still relies on him, nobody’s wary, nobody thinks he’s going to mess something else up, even though he’s proven, time and time again, that he’s reckless and cannot be trusted. Keefe cannot be trusted. But the narrative refuses to acknowledge it. He should be forced to sit on the side while everyone else comes up with a plan that excludes him. That should be when he realizes he can’t be trusted because he thinks he’s smarter than everyone and messes everything up. Keefe’s arc practically wrote itself for Shannon, but she refuses to let her character have growth. Keefe needs to have people, especially Sophie, be mad at him, so that he can realize what he did that was so wrong.

“‘You don’t have to tell me I’m a jerk,’ Keefe mumbled. ‘I already know.’” (147) Does he? Because if he was truly sorry, he would volunteer to sit on the sideline, so he knew he wouldn’t mess anything up again. He would volunteer to face whatever consequences he should’ve had coming for his actions. But he doesn’t. Because he isn’t truly repentant. He’s just throwing a pity party for himself. In the end, he’s just a pity magnet whose only purpose in the story is to lay it on thick so that he can gain more and more pity. There’s really nothing to pity him for. He did the action, so he has to face the consequence. It’s that simple. But he doesn’t. Remember what I said about how Keefe, despite Shannon claiming he doesn’t want pity, really does nothing but wallow in his own self-pity to make the audience feel sorry for him? Well this entire scene is a prime example.

“[ . . . ] every reckless decision he’d made over the last year was all part of his desperate attempt to relieve the shame and fear that were eating him up inside. That was the problem with guilt.” (148) By the way, Keefe’s whole “legacy” backstory is just another excuse for his actions. In the barest sense, nothing Keefe’s mom does or plans for him is on Keefe. He has no control and none of that’s his fault. So the fact that Shannon built his entire story on the fact that he’s guilty over something he didn’t do is so stupid I don’t have the words for it. If he doesn’t have something to be guilty over, how can he be a pity magnet? But if he does have something to be guilty over, he’d actually have to do something to deserve that guilt, right? So Shannon tries to have it both ways. Her precious Keefe can’t do anything actually wrong, or he won’t be so perfectly innocent anymore. So where’s his sob story going to come from? Oh right, he’ll just feel responsible for his mom’s actions. A perfect fix to the conundrum. But really it makes no sense at all. And it gives her every excuse to heap a suffocating amount of pity on him while simultaneously having him insist he hates pity.

“‘Too bad I’m stuck being the designated loser,’ Keefe said under his breath.” (149) Quite the pity party he’s throwing for himself there. Nothing ever got accomplished because someone wallowed in their self-pity. And that’s all Keefe does. 

[cut because character limit]

“‘Do you trust me?’ she asked. ‘Of course I do---that’s not the problem.’” (151) No, he may think he trusts her. But he really doesn’t. If he truly trusted her, he wouldn’t keep thinking he’s smarter than her and making plans without consulting her. He would value her input in his plans if he trusted her. He would stop feeling this incessant need to protect her and trust that she’d be able to handle herself. Because, let’s face it, more often than not, Keefe ends up giving Sophie more grief and worry than anything. She’s always worried about him and he’s even set her progress back several times. But he still thinks he needs to be there for her all the time. Not to mention, he doesn’t trust her decision when she says she doesn't want to share her feelings and thoughts with him, so he forces them out of her. True trust isn’t constantly leaping into that person's business and constantly trying to save them when they don’t need or want you to. True trust is trusting that they know what they want and need, and acting accordingly. 

“‘Umber wouldn’t have been able to find you if I hadn’t given you that pendant. Just like the day the Neverseen broke Silveny’s wing because of the Sencen crest I was wearing.’ ‘And you know what both of those things have in common?’ Sophie asked. ‘You had no idea that the Neverseen were manipulating you.’” (151) You know what I’m going to say. Forced consolation scene. The first statement Keefe says is valid. That mistake was on Keefe. He’s the one who thought he was smarter than everyone and then made such horrible mistakes that Sophie and Fitz will now have to recover for a third of this book. That was entirely on him. And honestly, pity shouldn’t be the automatic reaction. Anger is fine, too. But if Sophie’s angry at Keefe (as she should be), how can the narrative continue to pity him? But Keefe’s second statement is clearly thrown in there to attract pity. Look, it’s poor Keefe again, blaming himself for his mom’s actions again. It’s not pitiable. It’s just plain stupid. That wasn’t on Keefe in the slightest. The narrative then tries to equate both these actions with each other in Sophie’s statement, which is clearly an attempt to absolve Keefe of any blame for what he did when he was with the Neverseen. He underestimated his opponent and in his overconfidence, thought he could outplay them. He took a stupid risk without considering what his team would think and stole the pendant back without a thought in the direction of whether the Neverseen would suspect him. He even says in Lodestar that he didn’t know what he was going to do if the Neverseen figured out what happened (I have the quote up there somewhere). That’s the thing. That entire situation is on him. It’s his mess and his fault. But the Sencen crest isn’t. Shannon, please stop comparing two incomparable situations to make Keefe look good. Also, what does Keefe even want? What is the point of him doing all this wallowing? Does he want Sophie to blame and hate him? No, obviously not. Does he want to be punished and face the consequences of his actions? No, because if he did, he would suggest that. So, in the end, all his wallowing, and dare I say whining, is just that: whining. It leads nowhere, does nothing, results in no ideas for how Keefe wants to prevent something similar from happening again, and is just Shannon trying to make Keefe pitiable. There is no point to any of this. It results in no change, no development, no ideas from Keefe about how he will change, which makes it the perfect recipe for an easily resettable conversation. Because that’s all these forced consolation scenes are. The same exact conversation, which results in no change, so that it can be had over and over and over. 

This scene is so unbearably long, and for what? Unfortunately, I can’t copy down the whole thing, but oh, boy. Shannon really needs to stop these horrible forced consolation scenes that eat up so much time. 

[cut because character limit]

“‘Ugh, I shouldn’t tell you this, since it’ll just make you think I’m even more messed up than you already do—’ [ . . . ] ‘All I know is, weapons and blood don’t bother me the way they bother other people, so . . . yeah. Feel free to think I’m super creepy—” (161) The forced consolation is really being laid on thick. Shannon has switched from Sophie comforting Keefe over his guilt over something he didn’t do (over and over and over, just so Shannon can really annoy the point into us) to Sophie saying Keefe isn’t creepy because . . . weapons and blood don’t bother him. Huh??? Why would someone get freaked out because someone else isn’t bothered by blood??? That doesn’t automatically make them a killer. What kind of leap in logic is this??? But of course, Shannon has to have something to fuel her forced consolation scenes, and she’s burnt out all the Keefe’s-guilt-over-his-mom thing, so she has to switch to something else. Also, Keefe couldn’t be more of a pity magnet. He literally thought that Sophie would hate him because . . . weapons don’t freak him out. While they’re in the middle of a war. Wow. Shannon so badly wants us to pity him, it’s pathetic. Sophie needs to be Keefe’s personal assurance robot over something, so now it’s his nonaversion to blood. That’s the thing. Sophie always has to reassure Keefe of some dumb thing he shouldn’t worry about, and Shannon loves to blow it out of proportion to make it seem like this huge thing when it’s not. That’s why her forced consolation scenes are so forced. Because the consolation happens over the stupidest things. And there’s so many of them, like Shannon’s trying to convince us that we should really think this is something worth spending so much page time on. 

“‘Well, I think it’s safe to say that the Fitzphie slumber party is a total snoozefest,’ Keefe said [ . . . ]” (219) Keefe’s incessant use of ship names and the term “fest” returns with a vengeance. I honestly don’t get how Shannon didn’t see how juvenile his dialogue sounds. He doesn’t sound fifteen. He sounds six.

“‘You’ve had this campus to yourself all night every night, and you haven’t caused even a tiny bit of chaos.’” (223) Is this guy for real??? Serious??? While she’s literally on bed rest? I- I don’t have the words to describe how stupid he is. And if he isn’t being serious, then oh, boy, are his jokes so atrociously bad it concerns me.

“‘I’m really not in the mood.’ ‘I know—that’s what makes it extra fun. Go on.’” (225) Keefe stop salivating at any opportunity to annoy Sophie for his own amusement challenge. Keefe stop being a selfish piece of shit challenge.

“‘I thought if they saw me as Captain Committed, they’d teach me something good.’” (227) Shannon really needs to stop with the atrocity that is her nickname humor. 

“‘I shouldn’t have brought up any of those worries. Edaline warned me that you need to stay calm right now.’” (231) Nothing to say about this right now, but just remember this quote. I’ll touch on it in a little bit. Coloring it green to make it easy. 

“‘Rest. Recover. Take whatever medicine and time you need to get strong again. And trust the rest of us to cover anything that comes up while you’re down.’” (233) If only Keefe had taken his own advice a book ago . . . and someone's going to say "But he learned his lesson, didn't he?" To that, I say I've already covered all the reasons why he really didn't.

“‘I didn’t get swoony,’ Sophie felt the need to point out. ‘Keep telling yourself that, Foster. Keeeeeeeeeep telling yourself that.’” (235) First of all, counting those Es out was misery. At some point in Nightfall, Shannon really starts to jack up the amount of times she does that stretchy-word thing. And secondly, Keefe’s lack of self-awareness is as cringy as ever.

“‘I think Scaley Butt should be near Krakie so it looks like they’re swimming together. And then Bitey could be close to The Stink so it looks like he’s trying to chomp him.’” (251) A perfect example of Keefe’s atrocious mixture of potty humor and nickname humor, in the worst way possible.

[cut because character limit]

“‘Yeah, what time should we arrive to catch the Great Fitzphie Ooze Fest?’” (301) Someone needs to take away Shannon’s ability to type the word “fest”. Also Keefe’s horrible nicknames paired with immature humor strikes again. 

“‘I thought you weren’t supposed to be teasing Fitz,’ Sophie reminded him instead. ‘I’m not, but . . . he makes it so easy.’” (303) So when Keefe doesn’t want to set Sophie’s recovery back, he takes measures to make sure he doesn’t (remember that quote I told you to remember?), but when he has to do the same with Fitz, he doesn’t even seem remorseful when he slips up. He clearly favors Sophie, and remember, Fitz is supposed to be his best friend. He really doesn’t care about Fitz or his recovery at all. But he cares about Sophie’s.

“‘Hear that, Ro?’ he interrupted. ‘She’s giving me her serious voice.’” (304) Another example of Keefe infantilizing Sophie and dumbing her feelings down for the sake of a joke. Awwww, isn’t her serious voice so cute? She only does that when she thinks she has something important to say to us grown-ups! Awwwwwww. 

“‘He really doesn’t know when to quit, does he?’ Ro asked Sophie. ‘I’m pretty sure it’s a disease,’ Fitz told her. ‘Coping mechanism,’ Keefe argued.” (309) Shannon, pointing out Keefe’s flaws doesn’t give him character development. You actually have to like. Develop him. Also, the fact that Keefe had the perfect chance to reflect and change and instead decided to be as resistant to growth as he always is really says something about him.

“‘Why else would you spend so much time helping Miss Foster’s cause?’ ‘Uh . . . you’ve seen how cute she is, right?’” (312) Oh, gosh. Shannon really cranked Keefe’s atrocious humor up to eleven for this book, and since a good chunk of this book is filler, that’s all we have to go on for a good section. And if I thought it was bad when it was sectioned out, it’s even more unbearable now that Shannon is dumping it all on us at once. First of all, Keefe basically flat-out admitted a good chunk of his motive is because he wants to impress Sophie. People will argue and say that he’s just joking, but reading his short story was proof enough that he’s not really kidding. And second of all, Shannon really uses the word “Uh” a lot in this book right before someone makes a joke. It was fine at first, but it becomes so noticeable as the book goes on. It’s like she’s trying to tell us to brace for a joke. 

“I tell Keefe that stuff because it’s been the only way to get him to open up to me, she explained.” (323) Actually, more often than not, she doesn’t want to tell him anything. Usually, he forces it out of her with his empathy or manipulation or his general annoying demeanor. But thank you for twisting the narrative, Shannon. 

“Keefe guessed most of the story on his own, and I couldn’t deny it because Empaths are annoyingly impossible to lie to.” (324) That is not what happened. It’s explicitly said that Keefe “dragged the story out of her through relentless questions” (paraphrase, I have the real quote up there somewhere). He didn’t have to ask that. He could’ve respected Sophie’s boundaries and feelings. But he always has to stick his nose in everything when he thinks it’s his business. Fitz actually has a way better reason to know than Keefe; he just wants to improve their cognate relationship, but Keefe just wants to be nosy.

“She wasn’t sure if they were allowed to tell him—but it was so much easier than arguing.” (336) Keefe has literally annoyed Sophie so much that she doesn’t even think it’s worth the fight to keep a secret. That’s not good. It means that Sophie just succumbs to whatever he wants without a thought. That’s pretty much the highest sign of a toxic relationship.

“‘But you're kinda scraping bottom if you’re using me as the model of good decisions. Especially decisions concerning my parents.’” (337) Once again, Keefe shows that he’s fully aware of how dumb he is, he’s just so overly stubborn that he refuses to change. Shannon acts like this is an innate part of her personality and refuses to acknowledge it as a flaw. 

[cut because character limit]

“It’s always fun when you get feisty.” (355) I’ve said this about a gajillion times, but Keefe’s infantilization of Sophie is so horrific, it’s like he doesn’t care about her at all. He just sees her emotions as amusement for himself. 

“My life isn’t perfect, Fitz argued. Maybe not. But it’s pretty close, dude. I mean, yeah, Alvar’s a creep—but you still have your dad. And your mom. And Biana. And you’re still top of our class. And you’re Foster’s Cognate and . . . even without all of that, you’re still a Vacker. You’re always going to be the golden boy everyone expects greatness from. And I’ll always be the mess.” (360) Wow, Keefe is throwing quite the pity-party there for himself. If he didn’t want pity (which he explicitly says), then why does he keep saying he’s a mess? What are people supposed to say to that, besides You’re not a mess? Does he want them to tell him he’s a mess? This is a real thing people do, by the way, where they say negative things about themselves so that other people will reassure them they’re wrong. Keefe’s a massive hypocrite. If he truly didn’t want any sympathy, he wouldn’t keep saying he’s a mess and keep forcing the subject. Also, Fitz’s life is not perfect. Especially not now. I touched on this briefly before, but Keefe wouldn’t be jealous of Fitz being the top of their class. It makes no sense, when Keefe goes out of his way to cause trouble for himself in the academic department. It might make sense if Keefe tried and studied and still never matched Fitz, but we already know he doesn’t care. So this is another statement that’s just meant to attract pity and sympathy.

“Sophie had no idea what that meant—but it didn’t matter. I’m always going to be your friend. So am I, Fitz added. You sure about that? Keefe asked [ . . . ]” (361) Again, if Keefe really didn’t want pity, he wouldn’t keep going out of his way to say things that invoke pity. He would try to stay as far away from the subject as possible.

“‘Remember that? Such a classic Keephie moment!’” (380) Shannon needs to stop doing this whole self-aware thing. It doesn’t make her look smart to have Keefe talk about the ships in this series like he’s not involved in the story. It’s incredibly cringy.

“Is this that thing adults do where they make you think they’re giving you what you want but really they’re just wasting your time?’” (381) Another thing Shannon does is try to make the kids ““““““relatable”””””” by having them complain about adults all the time. Which is not how teenagers actually are. And once again, Keefe gets it the worst. Also, ungrateful much? Tiergan essentially offered to give him what he wants and he still fights it.

“‘Yeah, well [Sophie wearing Linh’s tunic] still breaks the fan club rules. As penance, I’m getting you a tunic that says, Empaths Give Me All the Feels, and I expect to see you wear it twice as often as Bangs Boy’s.’” (421) This is a joke, but the fact that Keefe makes such a big deal out of the tunic says a lot about his pathetic jealousy of Tam.

“Nah, he likes you better than me. Everyone does.’ ‘No they don’t.’ ‘Oh really? Tell me this: Have you heard from the Fitzster since he went home for the happy family reunion?’” (519) Another example of Keefe wallowing in self-pity. This book easily gets it the worst. It feels like everytime Keefe’s on-page, Shannon uses it to invoke more and more pity for him. If he doesn’t want people to pity him, then why does he keep saying things that invoke pity??? He doesn’t need to. Again, what exactly does he want Sophie to say? “Yes, Keefe, everyone hates you”? He is such a pity magnet and I get so tired of his constant whining because Shannon just does it so much. Then Keefe has the audacity to turn around and say shit like “I don’t want your pity”. Like, Keefe. My guy. You kinda sorta aren’t really giving them a choice with the things you say. 

[cut because character limit]

“‘Everything okay? Need me to leap over there? I will—I don’t care if Ro wins the bet.’” (521) First of all, if Sophie was not okay, what is Keefe going to do to make her feel better? Talk to her? He’s already doing that right now. Maybe read her emotions and extort a secret out of her? Also why does he automatically assume that Sophie needs him when she’s feeling down? That’s just. Such a bold assumption to make. Also, the fact that he’s so obsessed with Sophie to the point of throwing his bet under the bus just because she . . . looked tired? Is not good. That’s not a good thing. It’s a textbook sign of obsession. And Keefe’s obsession with and prioritization of Sophie is incredibly toxic. Again, if Shannon had made that out to be a negative quality on his part, it would be fine. But instead, she makes it seem like a desirable trait. He’s probably not willing to do that for anyone else, too. Like I’m sure he wouldn’t be willing to do that for Fitz, since he’s already admitted that he hasn’t talked to Fitz since he left the Healing Center. That’s on Fitz, too, sure, but a relationship goes two ways. So it’s also on Keefe.

“‘Sounds like I need to head over there after Daddy’s little hugfest tomorrow.’” (522) I just ranted about his obsession with Sophie, but this line is mostly here because it’s another example of Shannon’s love for the term “fest”.

“‘I can tell there’s something you're not telling me right now—but I’m not going to force you to talk about it. If you say you’re good, I’ll trust you.’” (522) Where did this sudden change come from? I know I’ve complained about this incessantly for this entire rant, but this seriously came out of nowhere. There was no development that led to this. It’s also a complete throwaway line, like blink-and-you-miss-it kind of thing. It’s a good thing, but it feels like Shannon randomly realized how creepy Keefe has been this entire time and shoehorned this in so it’d make him feel less creepy. Well, telling isn’t showing, Shannon, and it doesn’t change the fact that Keefe does this. A lot. 

“‘[ . . . ] if you and Fitz are visiting troll-baby hives without me, I am definitely losing at life, you know?’” (671) Someone needs to tell this guy that he doesn’t have to be a part of everything that happens in Sophie’s life. 

“‘So . . . you don’t hate me?’ Sophie rolled her eyes. ‘Ugh, how many times do I have to tell you—I’m never going to hate you!’ His smile looked tired. ‘Well. I guess that’s good enough. For now.’” (684) Again, Shannon really tries hard to make us pity Keefe. Also, that last part. Sophie not hating Keefe being “good enough” “for now” obviously implies that Keefe expects something more from her in the future. Shannon almost certainly wrote this with Sokeefe implications in mind, which is such a shitty thing for Keefe to say. He’s basically saying “You being my friend is fine for now, but one day I expect something more”. It’s honestly incredibly shitty. But also really subtle. So it can be skipped over or accidentally ignored.

“‘Thank you for thinking about me,’ he whispered. ‘No one does that.’ ‘Lots of people care about you, Keefe,’ Sophie gently corrected. He sighed. ‘I guess, but . . . ’” (725) The end of that sentence should be “those people who care about me aren’t you, and yours is the only opinion I care about because I pedestalize you heavily”. Again, if Keefe really didn’t want pity, he wouldn’t keep bringing things like this up. Plenty of people care about Keefe. He just pushes them all away except Sophie and then turns around and basically claims Sophie’s the only one thinking of him. Again, he prioritizes Sophie and then gets all woe is me, nobody cares about me except Sophie when he is the one pushing them all away.

[cut because character limit]

There isn’t really a quote to go with this, but Keefe only uses his emotional-calming breezes for Sophie, when it’s been proven they can work on anybody. He doesn't use them to help Fitz, although Fitz definitely could’ve used a couple throughout the climax of this book. He doesn’t use them to help Linh, either, when Linh learns about Tam. It's another way he pedestalizes Sophie to an unhealthy extent, and it’s not a good thing. 

Flashback Short Story: Keefe

“‘Sophie’s not some prize that Fitz and I get to fight over. She’s a person. And she has her own feelings—and no one knows those feelings better than I do!’” Again, it feels like Shannon randomly realized she had Keefe act like a jealous, possessive, manipulative asshole for the past book and wanted to turn that around so she added this in. But saying it doesn’t make it true. The mountain of evidence I’ve provided should make that clear enough. Again, it’s part of Shannon’s not-so-subtle pedestalization of Keefe. And the part where he says “no one knows those feelings better than I do” . . . oh, the nerve. The only reason he knows why she’s feeling what she’s feeling half the time is because he uses his empathy to extort her secrets out of her. It’s usually not because she wants to tell him or trusts him with whatever she’s feeling. 

Legacy

“‘Tell me why you have that cute little crease between your eyebrows.’” (70) You already know what I’m going to say. Keefe finding Sophie’s worry cute is textbook infantilization. But also, if he finds her worry and anger so adorable, what’s he gonna do when the Neverseen are defeated and Sophie doesn’t have as many things worrying her?

“‘You already know my mom gave me a letter to deliver to a house in London with a green door,’ he reminded Sophie as she made her way over. ‘And you said Fintan told you she sent me there to recruit somebody.’” (75) Yet another example of Shannon using Keefe’s dialogue as narration for things the audience already knows. I’m sure you’ve all heard of the “As you know” cardinal writing sin, but this is even worse than that because writers usually use it to convey something the audience doesn’t know. But Shannon literally used this to convey something the audience is already aware of. What the heck??? Shannon, stop treating your audience like we’re stupid. We read the previous book. We know what’s happening.

By the way, Sophie has some of the issues I’ve talked about here, too. Within a few pages alone in this chapter, she’s already gotten butthurt that Keefe left her out of one of his personal projects and tries to force her way into it (being nosy about things that aren’t strictly her business) and grabs one of his notebooks without his permission while he looks visibly uncomfortable and flips through it (invading his personal privacy). So it’s not just Keefe that has the problems I’ve listed here. But this list is strictly about Keefe, as I’ve said, so I won’t talk about anyone else, so in case you’re thinking “Well, [other character] did that too, and you never talked about it”, it’s because this list is solely reasons I don’t like Keefe. 

“‘I’m not sitting any of this out! And if you try to lock me up, it’s on.’” (88) Keefe once again demonstrates a startling lack of growth. He acts like a petulant child whose parents won’t let them go outside while it’s raining or something. He just got information that the Neverseen, specifically Tam, have been ordered to kill him. And knowing this, he insists on not “sitting any of this out”, even though he knows that he’s been ordered to be killed. He once again doesn’t care about how this might impact Sophie’s mental health, and his stupidity is back with full force. When you’re told that someone wants you, specifically you, dead, you listen. He’s so headstrong and arrogant that he thinks he can just, what, not be killed by pure determination? The Neverseen have already proven he can’t just do that. If Keefe could just make a single smart decision in his life or listen to a single good piece of advice, he might not be so annoying and frustrating as a character all the time.

“‘If something goes down in Loamnore like Forkle’s predicting, I will be there with you guys. Just like I’ll be there for anything else that happens—so let’s not make this into a fight, okay?’” (90) Once again, Keefe proves that he cannot take good advice. He throws his loved ones’ mental health under the bus because he’s too selfish not to sit one battle out for their sake. He still hasn’t faced a single consequence for the whole running-off-to-join-the-Neverseen thing, which he admitted in the last book was his biggest mistake. Actions like that should have consequences. And when you’ve been preemptively warned that you might be killed and still choose to go into the battle . . . wow. That’s just plain stupidity. And again, the fact that Keefe is willing to forsake Sophie’s opinion on the matter is ridiculously arrogant and taking-over-ish.

[cut because character limit]

“‘You’ll say, “Wow, that’s the hottest Wanderling I’ve ever seen! Who knew a tree could have such awesome hair?” And then you’ll all sit under my stunning leaves and write poems about my general amazingness.’” (91) Again, Keefe doesn’t know when to be serious. You can’t just joke your way through everything. Some things need to be treated with an appropriate amount of gravity. And Keefe doesn't know when to shut up with the jokes. It’s not a good quality. It makes him tone-deaf and insensitive. 

“‘I can joke about anything!’” (91) Like I just said, this isn’t a flex. It’s not a good thing. It’s very much a bad quality to have. People don’t need jokes all the time. They need them during appropriate times. 

“‘We’re always complaining that we don’t have any good leads. But I’m the lead. And I can’t help you guys if I’m hiding.’” (93) Keefe’s even stupider than I thought, which is really saying something. If Keefe’s the lead, then by definition, he doesn’t have to go anywhere to be useful. His argument is literally “I’m a lead to possibly useful information so you should let me go places”. Serious??? Real??? Bro. Keefe can be a lead sitting at home just fine. You don’t have to go anywhere to draw in a notebook. The fact that this is his argument and the fact that it’s not countered is just plain ridiculous. And stupid. Did I mention stupid? Because this argument is so stupid.

“‘Master elixir maker, ultimate gadget manipulator, and he scored a Foster kiss before Fitzy.’” (94) Keefe literally just casually spilled Sophie’s secret, emphasis on secret, to Sandor and Ro when he knew Sophie didn’t want him to. That’s just. And it’s treated so casually by the narrative. Sophie gets over it in half a second, and she just tells Keefe to stop distracting her. That’s it. This is a huge violation of trust and privacy and Keefe just every-so-casually violated it to try to distract Sophie for half a second. That’s just. It’s so. That is revolting behavior. It’s toxic, it’s selfish, it’s embarrassing (for Sophie), and Keefe, once again, faces no consequences for his actions. The line is a complete throwaway one, and Shannon’s attempt to make this a seemingly normal thing to do instead of the disgusting thing it really was is pathetic. I’d also like to mention that just a book ago, Sophie wouldn’t even tell Fitz, her cognate, who only wanted this information for the sake of their bond, the full story, because Dex had not consented to having the secret spilled. And now Keefe just spills it and you’re telling me Sophie’s just chill with that???

“‘See, but “smart” isn’t my brand. I’m more “reckless dream guy without a care”! It’s part of my whole “bad boy” image.’” (95) Did. Did Keefe just describe himself using blatant stereotypes? Wow. I- That’s just. Wow. Shannon really doesn’t have a single iota of shame. Also, her trying to make Keefe’s recklessness seem like a personality quirk instead of a very real flaw that could get someone else or himself killed is very troubling. Shannon. Stop treating Keefe’s recklessness like a good thing and stop letting him do reckless things without a hint of consequence. I promise nothing bad will happen to you if Keefe is allowed to grow and develop like a good character.

[cut because character limit]

“‘Yup! But I can’t stop her, so I might as well let her take you down with me.’” (97) This is Keefe talking about Ro using him as a lie detector to extort Sophie’s secret out of her, by the way. Which Keefe agrees to do. Which he wouldn’t do if he really was a good friend. Just like Sophie wouldn’t have to make this deal with Ro if Keefe would just listen to good advice for once and do the smart thing. But he doesn’t care about Sophie’s mental health, and he doesn't care about Sophie’s feelings, because or else he would respect them by agreeing to stay out of the Neverseen’s way and not using his empathy to extort secrets Sophie clearly doesn't want to share out of her. And Ro. Honestly, she’s even worse than Keefe, partly because of her personality, but mostly because of the wasted potential. Keefe was always going to be the “bad boy angsty prankster with daddy issues that causes trouble” trope that we've seen a million times. But Ro could’ve been so much more. She’s the ogre princess, and the most Shannon could do with her is make her a Sokeefe fangirl.

“‘He just doesn’t take no for an answer—you know how Keefe is.’” (147) Take that quote out of context, Shannon. I dare you. I wish Shannon would stop treating Keefe’s toxicity as a quirky little trait. The “you know how he is” implies that he’s like that because Keefe’s just Keefe, not because he forces his way into everything even when he shouldn’t. No means no. That is the number one rule of a healthy relationship. We teach this shit in school to teenagers so they don’t end up in abusive relationships, come on, Shannon. Even some random kid with a C- in health class knows more about toxic relationships than you do.

“‘I just love how it took you less than a day after your little chat with Bangs Boy to cut me out of everything.’” (215) Why are we looping back to this conversation??? We already spent almost a hundred pages of the book on it, and no, that is not an exaggeration. You can check. But of course, Keefe can’t not whine. He can’t not be annoying. He can’t not be stupid and nosy and unconcerned for his own safety and take everything Sophie does without him personally.

“‘Not saying she wouldn’t try. But I bet you anything Keefe will find a loophole.’” (270) I really wish people would stop acting like Keefe’s this super smart, all-powerful entity that can get out of any situation just because he’s Keefe. More often than not, Keefe is really stupid. He’s certainly not smart enough to figure out a way to escape an ogre dungeon. People need to stop acting like Keefe could get out of anything. It’s just another way Shannon tries to convince us he’s this smart guy, which is another way of propping up his arrogance.

“‘Yeah, Dex told me all about how not exhausting that was last night, when he checked in to tell me how things went for you two in London, while someone was off doing something with Mr. Forkle that was clearly both frustrating and intense—as most things with Forkle tend to be.’” (351) Sophie immediately goes to Keefe, and he subtly blames Sophie for not telling him what happened because of what she was doing with Forkle, which he even admits was frustrating and intense. That is such an asshole move, I can’t even. He literally blames her for not checking in with him because she had an emotionally exhausting day. Wow. It’s like he expects Sophie to be as obsessed with him as he is with her. 

[cut because character limit]

“‘But do you really think you’re going to be able to leave here without telling me what happened with the Forklenator? If you do, you’re going to be sorely, sorely disappointed—and covered in biscuit crumbs.’” (351) Again, Keefe as good as admits that he’d force Sophie to spill if she didn’t tell him what happened with Mr. Forkle. His extortive ways need to stop being glorified and start being treated like the horrific manipulation it is. 

“‘Soooooooo, what you’re saying is, you think I’m the king of bad decisions,’ Keefe said, laughing when Sophie fumbled for an apology. ‘Relax—I know what you meant. I’m just giving you a hard time. And you have a point. I’m not necessarily great at doing what I’m supposed to do and giving people what they want. And I’m not usually sorry about it either.’” (352) Those goshdarned Os. Shannon. Please stop doing that. It’s so annoying. And why is Sophie trying to apologize? It’s clearly Shannon’s way of making Keefe seem somewhat right. But the truth is, Keefe needs to have these hard truths shoved in his face. He needs someone to tell him unapologetically that he makes horrible decisions and he needs to reflect on that and change. And lastly. That third sentence. Keefe literally sounds . . . proud. Of the fact that he’s never sorry. He’s never sorry about his horrible decisions and he’s fine with that. His arrogance extends so much so that he knows he’s made bad decisions and knows that he should apologize, but doesn’t. And then he brushes that off so casually, like Haha, I don’t apologize for my mistakes. Aren’t I so quirky? People who are genuinely trying to be better usually aren’t like that. Keefe's toxicity and refusal to change even when he knows he should is so frustrating. Like he’s completely resistant to change and Shannon thinks that’s cool and badass. It’s not. It’s cringy and try-hard and most importantly, annoying.

“Keefe snatched Fitz’s wrist. ‘I knew it!’ ‘Knew what?’ Fitz shouted, trying to wrench his arm away. Keefe tightened his grip. ‘Shhhhh, let the Empath work.’” (367) Oh, boy. Keefe really is such a manipulative asshole. He grabs Fitz’s hand to read his emotions because he wants to know why Fitz is offering to search his dad’s memories. He really can’t respect his supposed best friend’s privacy, can he? He can’t control himself; when he wants to know something he needs to have it right away. He breaches people’s trust and boundaries. Fitz tries to “wrench his arm away”, meaning that he’s uncomfortable and clearly doesn’t want this. But Keefe instead tightens his grip and forcibly extricates what he wants out of Fitz, even having the audacity to say “let the Empath work”. What an asshole. Honestly. He’s such a piece of shit. He’s a terrible person and the fact that Shannon is romanticizing this behavior is revolting.

“Keefe smirked. ‘I think the moral of this conversation is, females are cruel.’” (369) I know I said I was ready to forgive Keefe’s sexist comments in the first and second books because they likely weren’t intentional in the way they came off (and are more of Shannon’s problem than Keefe’s really, but all of Keefe’s problems are inevitably Shannon’s, so) and they’d been removed from the graphic novel, so it was safe to say that Shannon didn’t want them there on second thought. But this book? It was released in 2019, seven years later. So yes, I’m counting this. And I said this once or twice already, but authors need to stop having male love interests be so casually sexist as a way of making them ““““““cooler””””””. Especially in a world where sexism isn’t supposed to even exist, oh my goodness. 

[cut because character limit]

“But she couldn’t leave without making sure Keefe was okay. He assured her he would be—and the third time he said it, he almost sounded convincing.” (371) That’s right. Sophie checks on Keefe not once, not twice, but three times to make sure he’s okay. Because . . . his dad’s going to have his memories searched by Fitz. Something that doesn’t even really involve him. But Sophie didn’t show even close to the same level of concern for Fitz, even though he’s clearly going through something with Alvar and Keefe explicitly says he’s feeling a mixture of embarrassment and anger. She doesn’t try to talk to him about it, doesn’t try to make sure he’ll be okay. Nothing. But Keefe has to be pampered and pitied. Of course. It shows another clear prioritization in the narrative of Keefe.

There’s not really a single quote I can pull to show this from Legacy (although there is actually a quote from Flashback page 48 that I have up there somewhere), but Sophie claims she understands all of Keefe’s actions because he’s doing it because of guilt with what happened with his mom. Every reckless decision he’s made was in an attempt to cope with that, right? But now, Fitz is going through the same thing. And not for a single second does Sophie try to apply the same understanding to Fitz about what it must be like to feel guilt and shame over a traitorous family member. Instead, all that spare pity goes to Keefe. The double standards, honestly.

“‘And don’t think I’m going to forget about the E.L. Fudges you owe me,’” (371) It’s a small thing, but Keefe never actually asks Sophie to get him the cookies. He just demands it from her, and now she apparently “owe[s]” them to him. 

“‘I mean, I feel like if there’s one thing Fitzy and I both excel at, it’s making you angry.’” (542) You should never excel at making someone you care about angry. That’s not a good thing. (Yes, this applies to Fitz as well, but at least he always apologizes and makes amends. Keefe, not so much.)

“‘Okay, but just because you guys are smart enough to think of that doesn’t mean the Neverseen are,’ Keefe argued. ‘And even if you’re right, isn’t it worth it to double-check?’” (558) Is he really this stupid. Please tell me this isn’t real. Keefe. This is the Neverseen. Of course they’re smart enough to think of that! They’re always a million steps ahead and for the last seven books, we know that underestimating them leads to terrible things. Keefe’s stupidity is really just so. Ugh. And no. It’s not “worth it” to “double-check” a place where they know the Neverseen frequently go. All Keefe ever wants to do is run straight into danger without a plan and all Sophie (and the narrative) ever does is let him without any consequences. 

“‘Yeah, well, then you proved my mom’s a murderer, so excuse me for freaking out a little,’ Keefe snapped, tearing a hand through his hair.” (559) Freaking out would be understandable. And he is. But Keefe wants to go straight to London to a place where the Neverseen are known to go without a plan just because . . . he thinks it will trigger a memory. No guarantee, he just thinks it will. This guy is so stupid, and I’m so tired of the way everyone in the story (mostly Sophie) just bends to his will. Because it’s Keefe. 

“‘I don’t care about safe or smart right now,’ Keefe added quietly. ‘I care about finding the truth. Just let me walk those streets. That’s all I’m asking.’” (559) No, “all [he’s] asking” is to go to a place where they know the Neverseen go. He also literally admitted that he doesn’t care about safety or being smart. Why the heck does anyone take this guy seriously? He should be put in his place right now, not encouraged. But that’s what the narrative does. Instead of punishing him for his reckless behavior, the narrative instead glorifies it. Not to mention, he’s not supposed to go anywhere the Neverseen could be right now. Because they think they’re trying to kill him. 

[cut because character limit]

“Mostly, though, she’d seen Keefe like this before—dangling by such a very, very thin thread. There was too high of a risk that it would snap and he’d run off without her.” (560) And when Keefe needs something, everyone needs to bend over backwards to accommodate him. He’s such a spoiled brat and it’s so tiring to watch the narrative justify his actions over and over again. He gets special treatment. As soon as he needs something, even if it goes against every single logical decision that could possibly be made, Sophie will make sure he gets it. Or at least Shannon will. He should not be encouraged, he should be punished for this. 

“‘I know I’ve made huge mistakes in the past, but I’m trying to learn from them—and the last thing I ever want to do is let you down. Okay?’” (568) He says, while going on an excursion to a place where the Neverseen regularly go after blatantly admitting he doesn’t care about safety or being smart. He just wants to get his way. That’s his problem. He’s so emotional, and not at all rational. He can’t see two steps in front of him because all he cares about is himself and what he thinks he can find, and he’s willing to sideline smarter ideas because he still thinks he’s smarter than everyone. So no, he has not learned a single thing. It’s laughable that he thinks he has. And we also get more pedestalization of Sophie, with him saying he never wants to let her down. What about letting Fitz, his best friend, down? What about the rest of their team? What about Mr. Forkle? What about Alden and Della, who he thought of as his own parents? Goodness.

“[ . . . ] she was planning to use midnight as the ‘we need to get home and face the consequences of our actions’ handy cutoff [ . . . ]” (573) It’s worth it to say that Sophie doesn’t want to go to London. She never did. She only goes because Keefe goes, and she knows that he will do something dumb if she is not there to babysit him. She knows it’s a bad choice, but she (rightfully) doesn’t trust Keefe, so she takes the responsibility to make sure they get home safe on herself because she’s knows Keefe will not prioritize that. The fact that she goes is again, another clear show of her lack of faith in Keefe, because all he’s done is do reckless stupid things. To say Sophie trusts Keefe is blatantly false, because if she did, she would not have given into him so easily even though she herself thinks this is a bad idea and she would have trusted that he wouldn’t try to run off himself.

“‘Thanks for the warning, by the way,’ he told Tam. ‘As you can see, it worked super well.’” (579) Keefe is just so. I don’t even have the words. Not only does he not listen to Tam after being warned about a possible attempt on his life, but he literally flaunts his disobedience and stubbornness in Tam’s face. He’s so arrogant, he literally cares about one-upping Tam over the possible attempt on his life. 

[cut because character limit]

“‘We had her,’ Keefe said again. ‘And Tam would’ve been free if he’d just come with us.’ [ . . . ] Just like she stopped herself from reminding Keefe that when he’d been with the Neverseen, there’d been a moment when he’d chosen to help Alvar escape instead of fleeing with her and her friends. They’d have that conversation later. Once Keefe had calmed down. And once she’d had more time to process what had happened—because even if Tam did have a good reason for what he’d done, it could still end up being the kind of mistake they’d all pay the price for.” (587) Except they never do “have that conversation later”. Shannon loves to drop the ball on important conversations that should take place between Sophie and Keefe in exchange for her forced consolation scenes. Then she says that even if Tam’s “betrayal” had a good reason, they’d still all pay the price. Which she never thinks about when Keefe did a similar thing in Lodestar. She never allows herself to think that Keefe may be in the wrong after Keefe escapes with Alvar and the crystal. Even though Keefe did that of his own free will and Tam was forced. Just. The double standards when it comes to anyone that’s not Keefe. It’s just another example of how the narrative favors Keefe. 

“‘This . . . is the nicest thing anyone’s ever done for me—by a lot.’” (598) Again, with the pity-partying. I don’t understand why Shannon insists on making Keefe wallow in all this self-pity. He takes any opportunity to remind Sophie of just how terrible his life is, even when it’s not relevant, and then we’re supposed to believe he doesn’t want pity? That’s laughable. Why would he keep saying these things if he didn’t want pity or sympathy? That’s not how that works. Also, this statement is objectively untrue. Alden and Della cared for him as much as they could. All the adults offered their places when he didn’t know where to go. But, once again, Keefe only cares about what Sophie does for him. He takes everything else for granted. It makes him come off as whiny. I think offering your place to stay is a much better favor than getting someone cookies, but okay. Why must he be such a pity magnet?

“‘I mean . . . the next time I see Bangs Boy, I’m going to kick him somewhere extra sensitive.’” (598) For what? For helping Gisela escape? Like Keefe did with Alvar when he was with the Neverseen? Oh, what a hypocrite. By that logic, someone should kick Keefe, since he did much worse things. Here’s a list: compromising Alluveterre, giving up his blood, freeing Alvar (which probably wouldn’t have mattered, given the whole Lumenaria thing, but Keefe didn’t know that at the time), being wrong several times about the Neverseen going after Grady and Edaline, giving up the cache and bringing back fakes, and giving Sophie the tracker that led the Neverseen to her and Fitz. Where’s his punishment for all that? Why is everybody so ready to forgive him? Of course, Sophie doesn’t call Keefe out for any of that despite saying she would not even fifteen pages ago (the quote from two bullet points ago). 

“‘If you have other things to do—’ Keefe tried to tell her. But Sophie shook her head, channeling Sandor when she told him, ‘I go where you go.’” (625) Sophie then sidelines her duties for Keefe’s incredibly stupid mission to find two black bottles from literal years ago. When I say the narrative favors Keefe. This is what I mean. Sophie puts Keefe above her team. She cares more about his ill-fated search for the bottles than she does about her own job. Shannon. Stop acting like everything Sophie does when she blatantly puts Keefe above everything is justified. 

[cut because character limit]

“‘Uh-uh, Foster. You’re not making me sit all this out.’” (643) Keefe is really so dumb that even now when he has all the information, he still wants to go running straight into danger. And I think this is a good time to talk about one other thing. You can count on two things when it comes to Keefe. One: He’ll always throw a pity party for himself and mope around and whine and cry and be all It’s all my fault, woe is me, and then immediately follow that up with a “I don’t want your pity”, as if that lessens his pity-partying, and two: He’ll always want to be in on the action because he thinks he’s smarter than everyone else, although he’s usually the stupidest person in the room. However, these two things are directly contradictory. If Keefe really thought everything was all his fault, he would volunteer to sit missions out. He would say that he’s a liability and that he’s trying to work on himself and that he wants to make sure he won’t fuck anything else up, so he’d want to sit out things like this to ensure he didn’t mess everything up. That’s how I know he doesn’t actually care about anyone but himself and his wishes, and that he’s just trying to make everyone feel bad for him when he brings up how everything is his fault. If he really did want to change and improve, he’d do some self-reflection, realize he’s always the problem, and tell everyone that he’s going to not go into the field so he doesn't mess everything up like he always does. Yet, he’s the opposite. He always wants to go straight into the action without a thought or plan. When he throws his pity-parties, he never explains to Sophie how he’s going to stop himself from messing everything up again. He just says “I’ll do better, I’m trying to be better”, and then he just leaves it at that. If he truly felt that everything was his fault, he would not always think he’s smarter than everyone and override everyone’s plans with his own. Bottom line is: Keefe’s a massive hypocrite. Every single thing he does or says is in stark contrast to something else he says or does. And the narrative just lets him get away with it, every time. He is so frustrating. 

“‘You won’t be missing out on anything, except watching me fail epically at being Team Valiant’s leader and Fitz’s girlfriend,’ ‘You’re not failing at either of those things,’ Keefe assured her quietly.” (644) Oh, she definitely is. And Keefe is a major part of that, too, because Sophie favors him over everyone, including Fitz and her team. But that’s not his fault, it’s the narrative’s. What is his fault is telling Sophie that she’s not bad at these things. Good friends know when to call out their friends on their bad behavior. They don’t instead tell their friends to stick their head in the sand and ignore it. They don’t pedestalize their friends to such an extent that they are incapable of believing they could ever be in the wrong. This is an extreme example, but if your friend was an alcoholic, would you tell them that everything’s fine and that they aren’t failing miserably at life because they’re drunk before ten in the morning everyday? No, because good friends know when to call their friends out. They don’t encourage it or sugarcoat it. If Keefe would stop pedestalizing Sophie, he would tell her that yes, this is all her fault, actually, and he would assure her that she can still fix her mistakes and might even give her pointers on how to do that. But Sophie is failing at these things. It does nobody any good to pretend she’s not. Navigating this miserable minefield of a forced consolation scene and getting to this quote actually made me put down the book and laugh. Because seriously. How is this real? How?

“And Sophie started to shake her head, but he reached up, gently grabbing her chin.” (644) Another example of Keefe creepily touching Sophie without her permission. It’s not okay, even if they’re close.

[cut because character limit]

“Sophie closed her eyes, taking a second to remind herself that Fitz had every right to be upset. But for some reason that felt hard to believe at the moment.” (675) There’s no real quote that goes with what I’m about to say, so this’ll have to do. This has more to do with the way Keefe is written rather than the character himself. When Keefe has a reason to go batshit, Sophie’s there with him, usually in an atrociously written forced consolation scene, comforting him and telling him it’s not his fault. When she’s not, the narrative at least justifies his actions a considerable amount. Most other characters don’t get that same treatment. For example, Fitz. Fitz told Sophie and Keefe both (well, actually, it was forced out of him by Keefe, but details, am I right?) that he was searching for Alvar. It���s that same mix of guilt and frustration and anger and embarrassment (the last two are canonically confirmed, page 367, I have the quote up there somewhere) that causes him to embark on this quest. Sound familiar? That’s exactly what Keefe feels with regards to his mom, and his feelings manifest as reckless decisions. They make him stupid. They make him overly emotional. They make him dangerous. And most notably, they make everyone fall over themselves trying to feel sorry for him. Of course, Keefe does deserve some sympathy, but the amount that the narrative showers on him is completely over-the-top. Where is that treatment for Fitz? He embarks on a mission to find Alvar to relieve himself of those same feelings, which isn’t viewed with nearly as much sympathy as Keefe’s reckless decisions to do the same with his mother are viewed with. Then when Keefe and Sophie take over his project and completely screw him over, then literally let Alvar go which is exactly what Fitz has been trying to avoid which they are fully aware of without even getting Fitz’s permission, the narrative makes Fitz out to be the bad person. He’s just trying to do the same thing Keefe is, in a less reckless, dangerous, stupid, and emotional manner, may I add, and he’s instantly villainized for it. How much do you want to bet that if this exact thing had happened except it was with Gisela and Keefe, the narrative would have tripped over itself to justify Keefe’s (rightful) anger? Oh wait . . . it already did. With Tam in London. I almost lost sight of that moment among the mashpot of similar moments that are all designed to heap as much sympathy as possible onto Keefe. That’s what I’m saying. Most people don’t care as much about Fitz’s feelings as they do Keefe’s, not because his feelings aren’t valid, but because the narrative drains any excess sympathy you might feel for him and dumps it all onto Keefe. It’s nothing but biased writing. 

“‘I mean, how hard is it to shape a threat into a clever couplet or two?’” (694) Shannon needs to stop making the same joke about rhyming notes. Also, Keefe once again demonstrates a lack of seriousness during a crisis.

“[ . . . ] ‘you don’t have to worry. I’m not going to let my mom hurt anyone.’” (694) As if he can control who his mom hurts. You would think he would’ve learned that by now, but it’s Keefe. I am not even close to being surprised. Also, another example of a forced consolation scene with no point! Yay!

[cut because character limit]

“‘Did I not mention?’ Keefe called from somewhere in the shadows. ‘I brought friends.’” (729) Exactly. So he didn’t have to come. He claims he came to help out with an exit strategy using Linh’s dwarven bodyguards, right? So really only Linh was necessary here. Keefe didn’t have to come at all. His excuse was pathetic. He really can’t stay out of the crew’s way, even when everyone, including Keefe himself, agrees that it’s the best plan. But he can’t help but hijack their shared plan for his own. Sound familiar? That’s right, it’s what he did in Nightfall and so many other books and claimed to be learning from. But this right here is proof that he didn’t learn anything. The crew’s entire plan hinged on the fact that Keefe wasn’t going to be in Loamnore. That was the whole point. So by coming, Keefe didn’t just trip up a few small details, he literally ruined their entire plan. He didn’t have to come, he came because he wanted to. Because, once again, he really thinks he’s smarter than everyone. His arrogance never fails to astound me. 

“And she wondered how much it had cost Tam to give her that warning about Keefe. How desperate he’d been to avoid the exact situation they were now in.” (740) And Keefe knew that. He knew exactly what it would mean for him to come to Loamnore after explicitly and clearly being told not to. He’s literally that ungrateful of all the warning attempts, all the ways Tam risked his life to deliver them, and completely takes Tam for granted. He’s a horrible excuse for a person, honestly. 

“‘I know,’ Keefe told him. ‘And I tried to listen.’” (744) What does that even mean??? Excuses, excuses, excuses. He could’ve listened if his head wasn’t so far up his own ass. Once again, the “reason” that Keefe came to Loamnore was because he realized they didn’t have an exit strategy, right? But the exit strategy didn’t need him. It needed Linh’s bodyguards. He was completely and utterly unnecessary.

“Keefe slept through the next day—and Sophie chose to stay in the Healing Center with him.” (774) Which she never does for anybody else. Not Fitz in Neverseen, not Biana in Nightfall. As a matter of fact, she never even checks in with Biana on-page to see how she’s doing after the Nightfall incident. More examples of Sophie and the narrative favoring Keefe to such an extent it’s ridiculous. And of course, Sophie will neglect several things and people because of this. And it’s even worse because Keefe brought this all upon himself, while Biana and Fitz didn’t.

“Victory? Didn’t they care about what happened to Keefe?” (776) The narrative is so caught up in what happened to Keefe that it’s completely biased. What happened in Loamnore was a victory. Everyone survived and Enki was made to pay for what he did. That is literally a victory. But as soon as something bad happens to Keefe, that’s enough to make it so that it’s not??? It’s another example of biased writing. 

“He hadn’t woken up the next day either—the third day—even after Sophie decided to transmit the plea over and over.” (778) Sophie literally stays in the Healing Center for three days to look after Keefe, who’s not even awake for her to talk to or cheer up or anything. So she’s effectively wasting time, but of course the narrative doesn’t see it that way. How else will Keefe get his special treatment? How else will Sophie neglecting everyone for Keefe be justified? It’s honestly such an insult to both Sophie and Keefe as characters. Keefe is favored far too much by the story and it’s very obvious that Sophie would do several things for him that she wouldn’t for anyone else (and vice versa), like stay in the Healing Center with him while he’s unconscious for three days just wasting time. 

Unlocked Part One (Sorry, I only finished everything up until the novella. Part Two coming soon, I guess?):

First of all, I have to say that Keefe’s editing of his file is just ridiculously immature, even for a sixteen(?)-year-old. It’s very obvious that Shannon did this because people like Keefe so much and because she’s trying to make Keefe seem “cooler” and more of a bad boy. Personally, I find the attempt hilariously pathetic, but it probably landed with most people, so. And his edits are so boring and unwitty, too. Typical Keefe.

“SPYBALL APPROVAL: None [BUT I HAVE FRIENDS WITH CONNECTIONS, THAT’S ALL I’M SAYING. . . .]” (92) Why would you. Say that. In an official file. And purposefully cast suspicion on people around you. Why.

“SIGNIFICANT CONNECTIONS: [ . . . ] [SWORN PROTECTOR OF THE MYSTERIOUS MISS F]” (93) I would say this is probably a joke, but given Keefe’s attitude throughout the series, It’s very clear that it’s not. Why would you embarrass yourself like that in an official government file???

“[[ . . . ] SHE THINKS SHE’S WAY SMARTER THAN SHE IS. [ . . . ]]” (93) Oh, I think she’s pretty smart. Gisela’s shown time and time again that she’s capable of outwitting and manipulating people into doing what she wants. Meanwhile, here’s Keefe, a stupid teenager, who, by the way, as of this point hasn’t gotten the better of her even once. So I’m not really sure how much we should be believing this guy.

“[[ . . . ] ‘HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF’?]” (94) I- I don’t even have the words. This is the cringiest thing I’ve read today. Possibly the cringiest thing I’ve read this year. Why is he saying this weird shit in an official government file??? Is Shannon really that desperate to show us that Keefe has a crush on Sophie??? Also, nobody knows anyone better than they know themself. To say that is to write off someone’s feelings. Sophie will always know Sophie better than Keefe knows Sophie. That’s just how it is. Also, this section is about his empathy, nothing to do with Sophie. But see how his mind jumps right to her and immediately connects her to it? That's a textbook sign of obsession and pedestalization. Sophie has nothing to do with his strong empathy. But he brings her up anyway. That’s not a good thing. 

“[THOUGH . . . KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.]” (94) Why the hell would you say that in an official government file??? Also, the fact that he thinks the “Foster Oblivion” is not cool . . . like that’s literally none of his business??? God, I wish people would stop harping on Sophie for being oblivious. It’s literally none of their business and also not a bad thing. Sophie can decide what she wants or doesn’t want to believe.

“[BUT THE REST OF THE STUFF IN THIS SECTION IS SOOOOOOOOOOOOOOOOOOOOOO GETTING REDACTED. SERIOUSLY—BOUNDARIES, PEOPLE! FOSTER’S AMAZING—AND OBVIOUSLY WORKING WITH ME MAKES HER EVEN MORE AMAZING. . . . ]” (97) First of all, counting out all those Os was hell (there are twenty-two). Shannon really needs to stop doing that. That’s what italics are for. Second of all, “boundaries”? Oh, wow. This is so funny, considering all the times Keefe violates Sophie’s boundaries all the time. So not only does he encroach on her space, now he’s a hypocrite. He (rightfully) thinks it’s weird that the Council have an entire section speculating on their relationship, but then in a previous section he says that the Foster Oblivion can be “kinda not cool sometimes”? What?

[cut because character limit]

“[[ . . . ] FOSTER GETS TO DO WHATEVER SHE WANTS, OKAY? SHE CAN LIKE WHOEVER SHE WANTS OR BE CONFUSED ABOUT WHAT SHE’S FEELING. SHE CAN EVEN BE OBLIVIOUS—IT’S HER LIFE. HER CHOICE. AND EVERYONE NEEDS TO STAY OUT OF IT.] [EVEN ME.] [ESPECIALLY ME. I WOULD NEVER WANT TO . . . ] [NEVER MIND. MY POINT IS, LET THE POOR GIRL FIGURE THIS OUT ON HER OWN. [ . . . ]]” (98) If you’ve seen withcindy on YouTube, you probably know about the whole “It’s your choice” thing and how Rhysand invented feminism. If you don't, I highly recommend watching her ACOTAR videos. They’re hilarious. Anyway, that’s what immediately came to mind when I read this scene. Aw, how noble Keefe is. I really wish Shannon would stop beating the audience over the head about how good and sweet and pure and selfless and kind and amazing and spectacular and perfect and angelic and endearing Keefe is. Like Shannon, show not tell. Every time Shannon wants us to see how perfect Keefe is, she just makes him spit out some bullshit that nobody would realistically say. Then he just turns around and continues with his shitty actions, and Shannon thinks that makes him the perfect guy. No, it does not. He’s honestly giving fake-woke vibes with this word vomit. You know, the kind of people that say all the right things but never put it into action? That’s Keefe. He claims everyone needs to stay out of her life because it’s her choice, but then he goes around reading her emotions without her permission and extorting information out of her that she isn’t comfortable sharing. What a hypocrite. Honestly, Sophie should be running. He then says to let Sophie figure it all out herself and even he shouldn’t interfere, which directly contradicts all the times he himself interfered and made jokes about Sophie’s romantic life for his own amusement. More hypocrisy! Love this guy.

“[[ . . . ] I DIDN’T FIGURE IT OUT FAST ENOUGH, AND SHE USED ME FOR A WHILE. BUT THAT’S ALL DONE NOW, AND IT’S ONLY A MATTER OF TIME BEFORE I TAKE HER DOWN. LET’S MOVE ON, SHALL WE?]” (98) Here, we have a serious contradiction. We’re constantly told Keefe feels overwhelming guilt at his mother’s betrayal (for what reason, I can’t fathom, but whatever) and that he thinks he messes everything up. But at the same time, he’s also easily able to brush right past it and claim that at some point he will for sure “take her down” (because his arrogance is the only thing that can trump his guilt). 

“[[ . . . ] I REALLY DON’T NEED ANYONE REMINDING FOSTER HOW MAD SHE WAS AT ME. [ . . . ]]” (100) Another example of the section having nothing to do with Sophie (it’s about him becoming a Mercadir), yet Keefe still somehow managing to drag the topic of Sophie’s anger at him into it. She’s on his mind all the time. I cannot emphasize enough how strange it is to think this is a good thing. It’s not romantic, it’s obsessive and borderline creepy. Also, Sophie is not going to read this file. Calm down, Keefe.

“[WHY IS THERE NOT A SECTION ON MY AMAZING HAIR????]” (100) Have some more old-school, cringy Keefe “humor”. Ah, it’s just like the good old days when he would talk about his hair almost non-stop.

[cut because character limit]

“But I was only half listening because she gets this cute little crinkle between her eyebrows when she’s trying to be serious, and it makes me want to reach up and smooth her forehead with my fingertip—and I’m betting she’d think I was super weird if I did that, since it’s not like she’s my . . . ” (481) Yes, this is an actual thing Shannon wrote that got past the editors without anyone dying of cringe. First of all, I hate the way Keefe talks about Sophie. She’s just this soft, kind of ditzy, child-like sort of figure in his head. He admits that he doesn’t care what she has to say, he just cares about how adorable she looks while she says it. This is a textbook sign of a toxic relationship. You should care about what your partner/crush says, because that shows that you see them as a person, not as your personal cover model. Also “trying to be serious” paints Sophie as this impudent little child who’s trying to get the attention of the older, more experienced adults and it very much implies that Sophie is not serious, but awwww, look how cute she looks trying to be serious, isn’t it adorable? Except Keefe and Sophie are the same age. So this is another case of textbook infantilization. I hate how this is made out to be normal and healthy in this series, it makes me so angry. And that last part isn’t anything specifically bad but it reads very oddly and is not at all the way real people think. What the heck.

“Pretty sure I’m just stalling, because this feels kiiiiiiiiiiiinda pointless.” (481) Not a Keefe-specific thing, but Shannon needs to stop stretching out her words like that. Especially since he’s literally writing this. Who writes like that??? Just underline it please, Shannon.

There’s a whole paragraph here on page 482 (if I had a digital copy I would copy-paste it here just to show you how cringy and long it is, but sadly, I don’t) which is clearly Shannon just trying to make Keefe look smart while also rubbing his daddy issues in our faces so we can drown in our pity for him. It’s not funny, which I assume it was meant to be. It comes off really, really cringy.

“I’m sure I’ll be digging into my mess of mommy issues soon enough. For now, let’s get back to the day Daddy Dearest met the Mysterious Miss F, shall we?” (484) Correct me if I’m wrong, but the point is this whole draw-memories-and-write-about-them thing is to try to find stuff Keefe’s mom might have erased from his head, right? So why is he completely sidestepping that very valid quest for a deep-dive into his daddy issues? This is not an issue I have with Keefe the person, but rather the way he’s written. Shannon sidesteps what makes logical sense for the story in order to fluff up the story with more Keefe content. In other words, the story’s coherence and logic is sacrificed for more Keefe page time where it doesn’t make sense. And I’m sick of it. It’s ridiculous, and nothing short of shameless fanservice.

“Once they do, they either feel awkward, or weird, or they start pitying me for having such a horrible family.” (485) Maybe if you wouldn’t talk about it all the time and rub it in people’s faces all the time, people would pity you less, hm? (And I am not saying Keefe shouldn’t talk about it, by the way. I'm just saying talking about it so much is not indicative of a person who wants to repress this or doesn’t want people to pity them. If Keefe truly didn’t want anyone’s pity, he wouldn’t keep bringing up his family all the time when it’s not necessary. But he does. It’s really contradictory. Pick a lane, Shannon.) It’s very clear Shannon only has Keefe constantly talk about how much he hates everyone’s pity because she needs to hide the fact that half the time, he’s the one committing that particular act. 

[cut because character limit]

“Thankfully, Foster didn't do that. She just felt sad—and a little bit indignant. And if I hadn't already known I liked her, I would’ve—” (486) First of all, what? Sophie has pitied Keefe for his horrible family several times over the course of the story. It’s constantly shoved in our face as every single other character takes a backseat in the story because poor, precious Keefe needs his pity from the audience, remember? So he’s not even right. Also, how is feeling sad for someone significantly different than pitying them? In both cases, you understand what the other person’s going through and wish it weren’t that way. You feel sorrow at the other person’s suffering. Pity is bad, but feeling sad for someone is good? What? Shannon’s really out here in the trenches trying to make Sokeefe sail off of weird, irrelevantly tiny details and minute differences like this. Keefe literally says that if he hadn’t already liked her, he would’ve started liking her . . . because of that completely insignificant difference. What. What, what, what. The entire point of this horrifically put-together explanation of the memory is to push Sokeefe. Please, can we please involve Keefe in something that isn’t designed to push Sokeefe? That last sentence . . . nobody talks like that. Certainly nobody writes like that. I think it’s supposed to be cutesy, like awwwww, look at poor Keefe with his adorable crush on Sophie, he’s so down bad, but it comes off so weird.

“[ . . . ] I guess that might’ve also had something to do with the bumps and scrapes and broken ribs I got when Mommy Dearest and her Neverseen buddies showed up and tried to steal Silveny. [ . . . ] But that’s not what this memory was about.” (486-487) Once again, we are veering in the exact opposite direction of what the point of this all is. Why do we care about Sophie and Keefe on an alicorn? What exactly does that have to do with Keefe searching for memories his mom might’ve taken from him? Nothing. It’s just another example of Keefe and Sokeefe being pushed above all sense and logic. It’s ruining the cohesiveness of the story. Why do we care? What is the point? 

“All I did was make a bunch of jokes to distract her—and it was super fun feeling her get all annoyed and embarrassed. I mean, look at that adorable blush! I could see it even with the moonlight washing out most of the color.” (488) Keefe’s thoughts about Sophie are truly heinous. He enjoys annoying her and embarrassing her, even back then, when he didn’t really know her that well? Wow, sign me up! I love it when guys annoy and embarrass me. Makes me feel really great. Definitely makes them well-rounded and grounded in reality. I suppose the comment on Sophie’s blush isn’t infantilization in this case, but the way Shannon tries so hard to push Sokeefe at every moment possible is really grating on me. And that last sentence. Who talks like that??? “I could see it even with the moonlight washing out most of the color” what the heck. Why does he talk so stilted like that??? Who. Talks. Like. This.

[cut because character limit]

“In fact . . . if I’m keeping it real . . . I’m pretty sure that blush is the reason I drew this memory. [ . . . ] That was the first time it felt like . . . maybe I had a tiny shot at making this brave, beautiful, blushing girl like me. [ . . . ] But there’s a teeny, tiny chance. And that’s enough. For now.” (489) This all feels so incredibly forced, like Shannon wants so desperately to show you why Sophie and Keefe would be so good together before she actually puts them together. It’s such an insecure way of writing. You shouldn’t have to spoonfeed your reader with weird rambles to show why a pair clicks. The readers should be able to see that themselves through the genuine, candid interactions you write. Through their dynamic. Through their relationship. But Sophie and Keefe’s relationship is chock full of boundary breaching, constant annoyance and embarrassment, and a lack of trust. So spoonfeeding it is! Also the way Keefe thinks about Sophie is just so. Ew. To me. Like it’s so over-the-top for no reason. Nobody thinks like this, even about their crush, even about their long-term crush, even about their long-term crush who they really, really, really like. I cannot believe this got past the editors, I am dying of cringe here. Also, I really wish Keefe would stop tacking “for now” at the end every time he talks about who Sophie will pick, because it really undercuts his supposed support for her choices. What, sometime in the future, he’ll feel like a chance isn’t enough? That’s what that “for now” is giving.

Keefe: I don’t want your pity. Also Keefe: “It’s super, super fun to be me, isn’t it?” (491) (Yes, I am aware that he said this in a private journal. But he says plenty of stuff like this out loud, too. So yeah, he really is just an overhyped pity magnet.)

“Any trust I was supposed to earn from handing over Kenric’s cache vanished the second Sophie did. And I knew the Neverseen were never going to trust me.” (494) He knew that from the start? And didn’t just leave after that? He knew his plan was hopeless and still went along with it. I know I’m beating a dead horse but somehow this makes his plan even stupider than it already was, which is pretty stupid. He literally knew his plan was bullshit. And he still did it. Because he wanted to “save[] the day and fix[] everything” (493). What the heck. Keefe is just. I don’t know how this is a real character. He is just so infuriatingly stupid, I’m actually speechless.

“And I’m pretty lucky no one got seriously hurt, and that Foster forgave me. I wasn't sure if she would.” (494) She really shouldn’t have, not without some serious work on Keefe’s part to gain her trust back. And what has he done since then? Oh, right, he’s hijacked their shared plans, refused good medical advice until he was forced to, extorted her feelings out of her, spilled personal secrets, and not agreed to stay away from the Neverseen when they thought they were specifically gunning for him. Where has he ever done anything to show even the slightest bit of development? He’s basically the same Keefe. No growth, no change. It really is a miracle that Sophie forgave him. Oh, wait, no it’s not. Because Shannon’s writing the series, and she needs Sokeefe to happen. Right. I forgot.

[cut because character limit]

“Sometimes I still worry that some tiny part of her holds it against me. That she’ll never fully trust me. That she’ll always see me as the guy who betrayed her and stole from her and ran off with the enemy.” (494) This would be really cool to explore if it was actually done. Sophie holding this against Keefe and struggling with that in the aftermath of Lodestar would be an awesome way to develop their relationship and have them overcome that hurdle and give them both some much needed development. But we know that aside from a single line at the beginning of Nightfall, Sophie never really blames Keefe. She just immediately forgives him for his time with the Neverseen. It’s pathetic writing. Something like that should have consequences. But it doesn’t, because then our poor Keefe will have to be *gasp* villainized. There could be this whole arc about how Sophie doesn’t trust Keefe the same and it impacts their relationship subtly and both of them feel it but don’t want to talk about it and it’s this giant, gaping hole. Then finally there’s a climax where Keefe confronts her about it and maybe she yells at him and he agrees that he’ll do anything to get her trust back. Then he does it. He does the smart thing, takes the smart advice. And he learns. He understands what he did was wrong and is truly a different person now. Honestly, the fact that Shannon explained this out shows me that she’s aware the possibility of this arc exists, but unfortunately, didn’t actually put it into action. Would it have been the most original conflict ever? No. But it would’ve been much better than whatever this dumpster fire of a lack of an arc she actually wrote is. I think I might’ve genuinely enjoyed Sophie and Keefe as a couple if she’d just made them have some distrust that they overcome through genuine work and growth.

“I make myself remember that expression every time I have to be around Fitzphie. It stops me from screaming, DON’T PICK HIM—PICK ME. [ . . . ] I did that. Not sure I deserve to be forgiven.” (494-495) One thing I really don’t get is why we need this commentary. Half the actual novella is written from Keefe’s perspective. I’m sure Shannon could’ve snuck in something to this effect into his actual inner monologue. Instead, we get this incredibly unsubtle, beating-over-the-head of a pity party. The implication here is that Keefe feels if he hadn’t made so many mistakes, he would’ve been a better partner for Sophie than Fitz, which is not his right to decide. Even if Keefe was a perfect angel who’d never made any mistake ever in his life, Sophie still has the right to choose who she wants to be with. Being a perfect person doesn’t automatically make you entitled to a romantic relationship. So the fact that Keefe thinks this is just so icky and gross. Seriously, the only thing stopping him from being unsupportive of Sophie and Fitz’s relationship (who are his friends, may I add) is the reminder of his own mistake? So if he hadn’t made that mistake he would shamelessly think he was a better choice for Sophie? This is borderline “nice guy” behavior. Then at the end he throws himself a pity-party as a little cherry on top, but of course he doesn’t actually think that, because if he was truly worried about whether he should be forgiven or not he would try to be better. Listen more. Deflate his head a little. Stop thinking he’s the smartest one in the room all the time. But he doesn’t, because he doesn’t care. He is a walking contradiction, the definition of a hypocrite. He annoys the shit out of me.

Also this memory contributed nothing to finding his erased memories and was instead just another vehicle to beat us over the head with Sokeefe content, which makes the Everblaze memory the only one that has actual significance to the task at hand so far.

[cut because character limit]

“I almost lost her. And if I had, it would’ve been all my fault. All of this is my . . . ” (497) Keefe go one page without throwing yourself a pity-party challenge (impossible). Seriously, instead of blaming himself for things that are his fault and that he can learn and grow from, he blames himself for this??? I don’t know how Shannon is even coming up with this stuff. But how are we going to get our pity-parties, no matter how little they make sense, if she doesn’t pull drama out of her ass? Also, once again, this memory has nothing to do with Lady Gisela or Keefe’s erased memories or anything to do with his condition at all.

“That’s been my plan for a long time—and not because I don’t think she can take care of herself. Because she shouldn’t have to. She’s dealing with enough pressure and responsibility and people trying to kill her. If there’s anything I can do to make things easier for her, I’ll do it. No matter what.” (499) I really wish Shannon would stop beating us over the head with all the reasons Sophie and Keefe are perfect for each other. Stop spoonfeeding us, Shannon. If they really do go together well, we’d be able to see it from their bond with each other. We don’t need to have all the reasons they should be together listed out in front of us like we’re reading a textbook. Shannon makes Keefe say all the perfect relationship green flags, as if any normal person talks, writes, or even thinks like this. This is an amazing example of Shannon’s tendency to tell, not show. Now that we’ve covered the tell, let’s talk about the show. Keefe feels the need to take care of Sophie because “she shouldn’t have to”. Okay, but that goes beyond just her physical health. What about all the times she’s wondered what stupid shit he’s going to do next and worried about him? What about her constant need to babysit him so he doesn’t do something dumb? What about the fact that she’s started giving into his plans because she knows she can’t stop him (when they go to London, for example)? Does he care about her enough to think about how his decisions might affect her? Is he even really taking care of her in any effective way? Oh, and this next part actually made me laugh out loud. Sophie’s dealing with so much pressure and responsibility, what if I made that worse by constantly doing stupid things and making her not trust that I’ll listen to good advice? What if I made that worse by making her constantly worry about me because she can’t trust that I’ll do the smart thing? “No matter what”, my ass. If Sophie asks him to sit something out, he doesn’t. If Sophie asks him to obey good medical advice, he won’t. If Sophie comes up with a plan with the group, he ruins it. He’s clearly not willing to do even the most basic things for her. Again, telling us this doesn’t make it true, Shannon. If you look at Keefe’s actions throughout the story, they tell a very different story. When has Keefe ever done anything to make Sophie’s life easier?

Also, this is another memory that doesn’t add anything to Keefe trying to trigger his lost memories. Just more Sokeefe propaganda. Yes, I’m calling it propaganda, because as I’ve hopefully made painfully clear, often the things we’re being told in this commentary thing don’t align with Keefe’s actions throughout the story.

[cut because character limit]

“Or the fact that I was only there because Alden basically asked me to join Team Fitzphie. (Yeah, I know. I wanted to say no. But I said yes for her. She deserves to decide what she wants—even if it’s not me.)” (500) Even if it’s not you? How generous of you to make that clear, Keefe. Sure, Keefe’s above the bar, but the bar’s in hell, so I don’t really know how much that means. Also, he only came because of Sophie? Sophie? The trial wasn’t even personal for her. It was personal for Fitz, his supposed best friend, and Biana, who he apparently thinks of as a sister. And he came for Sophie? Keefe’s gargantuan tendency to pedestalize Sophie and revolve every single one of his decisions around her strikes yet again. He wanted to say no, and the thought of Sophie changed his mind. Sophie. Not Fitz and Biana, for whom this would certainly be a strenuous occasion. Sophie. Goodness. 

“Pretty sure that’s what my mom is counting on. . . . And before I go any farther down that depressing thought-path, let’s move on.” (501) Isn’t that the point, though? To think about his mom and try to see if that triggers anything important? He really should go down that path. Why does Shannon keep sidestepping the actually valuable point of this exercise in favor of . . . whatever the heck it is that I’m reading???

“Pretty sure that proves this project is a waste of time. It hasn’t triggered any new memories. I haven’t learned anything new about stellarlune, or those humans my mom killed, or the letter I delivered, or anything else. Seems like a pretty epic fail. But what else is new?” (502-503) No??? Keefe cannot be this dumb. I refuse to believe it. Maybe the reason the project failed was because . . . none of the memories you chose were of your mom or anything to do with her projects, with the exception of the third and last one, and in those cases the connections to the behind-the-scenes of his mom’s projects were so vague that it’s hard to get anything solid. We know for a fact that Keefe drew the human guy holding the letter. Why didn’t Keefe try to write about that? That actually has a connection to his mom’s project. Same things with the shattered memory they discovered. The memory he remembered about his mom using a starstone to leap to Nightfall. The memory of his mom talking to Brant and Alvar. Anything actually connected to what he’s trying to find. No shit you aren’t going to remember stuff about stellarlune if you draw and write about riding an alicorn with your crush. Are we being for real right now??? And yeah, Shannon could’ve done any of the things I just described. This Keefe-draws-his-memories-and-comments-on-them concept is actually a great idea, Shannon just used it in the worst way possible: to push Sokeefe instead of actually using it for its intended purpose. Imagine how cool it could’ve been if we got a drawing and commentary on the letter or the starstone, or even anything Keefe may have seen during his time with the Neverseen. This is such a waste of potential it pains me. I really wish Shannon would stop sacrificing logic for the love triangle. It’s ruining the story.

Congratulations, you made it to the end. That must've taken you at least a few hours. Go drink some water. I'm going to make a Part Two after Unraveled's release, so. That's a thing.

[zahri-melitor]

I know you've all been waiting for this one: Sum of Our Parts (yes I finally got to Meghan Fitzmartin).

The very first thing I'll say: yeah, I see why DC commissioned more stuff from her after getting this and seeing the response. It's a solid opening showing her ability to write Tim.

There were a lot of moving parts that needed to be re-established and tidied up in this story, and I can see the list being worked through:-

Name: being very clear Tim is currently Robin, because since Tynion's 'Tec run ended, his name and costume have been varying by who is writing him with very little consistency.

Tim not going to university: this probably did need a push back on, because Tynion just waved the door open on that again during Joker War.

The fact that Tim and Steph are broken up (sort of essential for the plot being told)

Playing with the themes of moving on from Robin (but in this case using it as a frame to actually be the bait and switch that it's coming out instead)

Bernard is clearly an OC from the ground up who shares a name and hair colour with his previous existence. Which, look, Bernard was a pretty thin character with basically two personality traits (conspiracy theorist/trying really hard to project cool), and it is of course fairly arguable that Bernard was projecting a front at 16 that he no longer needs now he's accepted his identity. But it would be nice to have that conveyed in the text, rather than something you infer to try and connect two characters who are otherwise unalike. Especially given how much of the story is Tim reflecting on himself.

Even a line or two more about how he doesn't feel the need for a front anymore to line up with Tim having revelations. "Tell Tim Drake...he helped me realise my true self. Who I am" is nice enough but it could still use some more acknowledgement of how that changed his personality. It's just this nice parallel that could have helped develop the themes more securely. There's a bunch of possible implications you can read into the story (particularly in terms of how the Dowd parents really ARE characterised lightly as Fanon Drakes, between the polite fronts and implications that Bernard was previously abused at home in this) and this is one of the things that while I don't mind how much of this story Fitzmartin was telling via implication, a few more concrete things confirmed would have helped.

If I were going to make a solid stab of a guess at what sections of Robin Fitzmartin liked/reread in the lead into writing this, I honestly think it was Fabian Nicieza's Robin run (and probably parts of Red Robin). It's just...a lot of the characterisation has some very similar notes to it. Tim's got the same sort of smug confident edge to his internal commentary, the ways his skills are portrayed, and Detective Williams even reminds me quite a bit of Officer Jamie Harper. (I don't think she actually looked back over Willingham).

It's also very much a coming out story, and I do appreciate in that Fitzmartin does try to be delicate about it and doesn't whack you over the head with the bluntest lines possible (I just suffered through that in Infinite Frontier #0 with Alan Scott and good god did I cringe the entire way through the 'yes while you are my biological children and I have indeed been married. to women. I am gay. Listen to me come out.'), the amount of implied themes she levels through it is still substantial. It could have used slightly more focus on the actual underlying mystery.

I can also see the start of the situation where the story needs to decide whether Bernard Knows or Doesn't Know. Because both states would allow for situations with a lot of drama (and potentially identity shenanigans which are the best shenanigans), but just having it as sort of vacillating in the middle as something that doesn't need to be investigated? It's leaving a lot of potential storytelling on the floor that could instead be used to send Tim through the wringer. (Also Tim wow half of that cult probably could have figured out your identity, you weren't subtle)

Look, I don't think this story contained the greatest Barbara Gordon characterisation ever written, but it was within the bounds of overly-interfering, self-righteous and pushy Babs, which is something that does pop up at times. It felt in conversation with her characterisation in Batgirl 2009, and while I don't LIKE the way Babs is written in it, especially in regards to Steph, it makes sense in terms of the direction DC was pivoting at this point in terms of leading into the whole Batgirls title.

Fitzmartin was also clearly using Steph characterisation from very late Robin/BFTC/start of Red Robin, when they were fighting, in terms of how she's trying to have Steph needle at Tim's sore points, and set up a dichotomy of 'Steph has it together/Tim does not'.

And yes, Belén Ortega's art is very, VERY pretty.

[bloomeng]

Woke up to people upset on tiktok (fork spotted in kitchen) because I didn’t make Dick fem/slutty enough in the au. They can argue with the wall but “I think I know more about american girl doll than you do genius.” Anyway, it reminded me that I actually wanted to talk about that.

So first off I think there’s a misconception that Dick is the “fem” brother, same with Tim, that I think stems from people unintentionally projecting femininity onto them in fanon because they’re the most queer/queer-coded of the bunch. But in the text they’re really not that feminine. That’s a whole can of worms that’s far more nuanced than my silly au deserves. Maybe I’ll touch on that in more detail in a dedicated post because I do think it’s worth noting.

But also this has nothing to do with whether or not they can wear skirts. Anyone can wear a skirt imo, it’s just clothing that somewhere along the way we decided was gendered. It didn’t use to be.

I didn’t put Dick in a skirt for several reasons (he’s my fav so yknow I sat around thinking about it)

a) I didn’t think he’d get anything out of wearing one therefore his artifact would respond to that. In general I personally think Dick is neutral about most clothing. I think he is concerned with comfort though he does enjoy novelty. Most of his flashiness comes from him trying to garner a reaction and isn’t wholly indicative of his authentic taste.

b) He’s an acrobat and relies on flipping around. Not that these outfits are practical at all but this is such a large part of his character that I needed to retain. A skirt would just annoy him because of how much it gets in the way.

c) I was trying to match the vibe of the original outfits.

Jason on the other hand I legit think would get something out of a skirt, but it’s also notable that he tends to be a long range fighter (guns and all) and I think if this were a comic or a show the skirt would add some really cool action shots with the recoil of a gun and the swing of his hammer.

Cass got a skirt because she loves dance and I was mimicking ballet outfits. And again I think it would make for some sick action lines while fighting.

[midnightsunnyday]

Thinking a bit about Mammon and what we know of him canonically, his behavior, values, principles, and conduct, and how they seem entirely different from what we know of his fanon interpretation.

Canon Mammon is…well, let’s just call a spade a spade, he’s a clown. The certified Butt-Monkey of the brothers, if something bad is going to happen, nine times out of ten, it’s going to happen to him. Dude is a truffle pig for trouble and for the most part, loves to sniff it out and roll in it.

Have the fans explain it, and Mammon is a saint who's never done anything wrong in his life ever, yet story-wise, Mammon’s downfalls and shortcomings are usually due to his own dubious inclinations, though to be fair, are a consequence of him being the literal physical manifestation of one of humanity’s sins: greed. We see this through his gambling habits, his tendency to engage in shady deals or practices, his lying, and his cheating, but what really gains him the ire of most of his siblings and others is his tendency to steal and sell any and everything he assumes may bring him a profit, regardless if the item is sentimental or not.

Needless to say, Mammon isn’t the most respected of his brothers, and they remind him of it every chance they get, specifically with the words “scumbag,” ‘moron,” “idiot,” “money-obsessed moron,” etc. Mammon even suffers for his actions physically, with Lucifer finding little issue in stringing him up and leaving him there to rot for a while.

There’s also the fact that in the first season of the OG game, like most of the brothers, Mammon is kind of an asshole. Your typical Tsundere archetype, his personality is initially brash and not too keen on learning of his forced role as a human attendant, constantly insulting the MC while bemoaning his position all the while, a position he almost fails in upholding more than once when the MC’s life is threatened.

Yet because this is an otome game, Mammon eventually begins to have feelings for the MC as soon as the fourth lesson, and that whole being your “first” thing holds a lot of weight to Mammon, so much so that he’ll bring it up repeatedly. He becomes a bit more clingy, vying for the MC’s attention, to the point where personal space is but a mere myth to this man.

For you see, beyond his salty attitude is a man with a huge heart. Canon Mammon is competent and capable of showing a surprising amount of wisdom, intelligence, strength, and kindness when he puts his mind to it (the man admits himself to being sensitive, after all).

Despite his shortcomings, there’s a reason Lucifer entrusted Mammon with the MC, as out of all of his siblings, he is the only character capable of keeping his “bloodlust” in check. And despite his flakiness at times, Lucifer relies heavily on Mammon to complete certain tasks, to the point where he’s accused of showing favoritism towards the secondborn. Speaking of which, that second-born title also includes his power level, having the ability to clearly fight and defend himself, yet choosing to either run or hide from altercations, if possible. It’s rare for him to get angry or fight back, which is why it’s so scary when he does.

More importantly, Mammon is completely and utterly in love with the MC. This is true for all the brothers, but Mammon is the most consistent, a constant in his character that never changes and is the main drive to his appeal imo. Unlike the other brothers, who seem to have interests and relationships outside of the MC, Mammon’s focus is single-targeted, and it’s one of the many reasons why he’s the most popular character in the game. There are no limitations to his affections. No scary or overly complicated parts to his character. We are his “first,” and that’s a comfortable place to be because regardless of what we do or how we look, Mammon isn’t one to give up and will literally fight, yell, and cry his way into your heart, whether you choose someone else or not.

However, you wouldn’t be able to tell this with Fanon Mammon, a soggy wad of therapy session tissues. He is an absolutely miserable wreck of a man. A traumatized, suicidal-inclined, helpless dude in need of a serious hug. A prone character to hurt/comfort fics, he's the trauma dumpster for the fans who like to project, which would be fine if it weren’t for the fact that these traits are sometimes treated as actual aspects of Mammon’s canon character. Fanon Mammon is essentially boiled down to his most pathetic traits, woobifying him. In fics where the brothers are present, such as Lucifer and Asmodeus, expect them to be written OOC to make Mammon appear even worse. In essense, Fanon Mammon not only has his complexity completely taken away, but takes away the complexity of everyone else around him in the process.

I'm not certain why this happens to Mammon more than other characters. Maybe because of his "kick the dog" status in canon, which causes people to sympathize with him more. And if you're someone who can relate to a lot of Mammon’s shortcomings, then that probably adds to his "woobie" nature.

And this isn't to say you can never go beyond canon and write Mammon any other way, yet it's like I've stated before, there's your headcanon and there's canon. You can think what you want, write what you want, yet something doesn't become a fact just because you want it to be/are emotional about it. And you also don't get the right to attack people for it.

Anyway, these are just things I've noticed about his fanon vs canon that I personally don't like, though opinions are always appreciated.

[misspermitted]

Random Vampire Diaries discourse but I’ve been thinking about Bonnie and Kai and why they interest me so much. Because usually TVD’s sexually charged “he’s a terrible person but he’s infatuated with you” thing doesn’t interest me. Like I enjoy watching Klaroline and Delena as a guilty pleasure, but it doesn’t interest me. He’s just obsessed with her, and she eventually brings out the good in him, yada yada the messed up toxic guy brings out her dark side yada yada, she realises her power and so on. And I just don’t really care. I just watch it, and then I move on. I don’t linger on it for days and think about the characters.

But this random Bonnie and Kai thing that went on for 10 episodes, for some reason every so often I just think about them for days on end. And I reckon it’s because what the actors were setting up with them was really unique and not that trope. But then, since TVD is really badly written, after the prison arc they tried to turn it into the “guy is infatuated and redeems for her” and Chris Wood (who plays Kai) legitimately refuses to act that (which, like, good on him). So then they dropped the Bonnie/Kai storyline and just made him a villain.

But what were they then? At least originally? Because every time I get obsessed with these characters I go into fanon and it ruins my obsession, because it’s just that whole “evil guy is infatuated” thing all over again and it just doesn’t feel like them.

So let’s go through my reading of the Bonnie/Kai prison arc:

For me, what originally caught my attention about these two was that I thought Bonnie was the actually obsessed one. At least at first.

How Bonnie acts during their first scenes together

Bonnie spends seasons without her magic and this random guy shows up and gets under her skin so much she actually unlocks it? What? And the reason given is that she needed to save Damon but the spirits had straight up taken her magic. Her friends have been in life and death situations for ages and she couldn’t do anything about it to the point where she takes on dark magic. Clearly it is not just a desire to save her friends that unlocks it. And her becoming anchor does not change the fact that it had been confiscated. Forever. Who is this random guy that got her to unlock it by just taunting her?

And then she spends the whole first few conversations legitimately flirting back with this guy. Who just tried to kill her friend. When Bonnie doesn’t flirt with people. Like we have never seen Bonnie (until now, no bonenzo erasure) actually be interested in any villain ever. She typically just glares at them.

And that’s something that gets me about their dynamic. Bonnie acts so different around Kai than she does with anyone else. When Bonnie has dealt with evil sociopaths before. This guy is not new.

Bonnie tries to kill Kai (the first time)

What does Bonnie do when dealing with evil vampires or evil warlocks? Usually shes the one who is the voice of reason. With the plan. Who comes in at the end and saves everyone. Not Kai. She straight up throws an axe at him. On a hunch. When he actually hasn’t done anything that bad.

Bonnie doesn’t kill people a lot before this point. Unless she thinks it’s necessary. And they have to have done something really bad and she actually seems upset afterwards. But not Kai. Literally all he does is threaten them a little, offer to be friends, and kill his family 20 years before. Which is incredibly low stakes given the other stuff people do in TVD. Why does he get under her skin so much?

It’s so weird to me that she’s so against letting him out. I mean Bonnie is stubborn and has a strong sense of justice, but she also does bad stuff for the greater good. It’s far more like her to let him out for the greater good of getting them both out, and then stop him. But she’s not actually being reasonable.

Even Damon calls her on it. How she’s acting more impulsive and negative than he is. Just because Kai exists. It’s a level of caring and irritation that we don’t actually see from Bonnie a lot, who is usually cool and collected and strong.

How Kai acts in most of the prison world arc together

Kai meanwhile acts towards her how he later acts towards Elena. Flirty and off putting. Though he does later seem to realise that Bonnie is legitimately impressive and useful in a way that he decides Elena isn’t (which is just factually true). But Kai (in the first half) is a sociopath who uses people for his own benefit, and that is exactly how he treats Bonnie.

Especially later, after Damon is gone, he tries to play the sympathy card so many times and the “you’re different” tactic, but it’s all a lie and Bonnie is aware of it. And this it the other thing that I love about their dynamic, Bonnie is clearly very diverted and unsettled by this guy, but she is not an idiot. She has watched Caroline and Elena both fall for bad boys saying that they'll "change" for them. And she has spent the whole time saying they're being incredibly stupid. And she doesn’t turn from that awareness.

In my opinion, that’s the first thing that makes Kai act differently around her, the realisation that she is not gonna fall for any of that. He waits four months to manipulate them, and then suddenly is really impatient about when to do the spell? Why? And I think it’s because he realises that he’s not gonna get her to agree for long. She’s too observant. She figured out who he was so goddamn quickly. And she’s only gonna be scared for so long.

Kai takes her to his house

It’s so weird for Kai to take her to his house. He knew how to get out. He could’ve just left her. And it would’ve been less risky, since it’s clear at this point that he treats her as a danger.

Like he could just kill her. It would be safer to kill her. Bur he doesn’t. He brings her to his house. To gloat? He never seems interested in doing that before now. He’s cool for them to view him as irritating or a child or something to be scared of, depends on what’s useful. You don’t even see him gloat to Jo.

And this actually makes sense. Kai doesn’t care. Why would he need to gloat. He has a goal and he just needs to achieve it. Once he achieves it his revenge will be done and he will have won. He doesn’t have to villain monologue. He won. That’s satisfying enough.

In my opinion this is where Kai stops acting normal towards Bonnie. Like she’s just something to use for his goal. Or, rather, his goal changes.

Kai says he brings Bonnie to his house because he’s never had someone to share it with before. I feel like he might actually be telling the truth here, because it’s the only thing that makes sense.

Kai tries to manipulate Bonnie the day before wearing all his possible masks. An abomination making her scared and powerless. A misunderstood monster playing on sympathy, flattering her and saying he wants to be like her. And he believes it works. But it doesn’t. Bonnie not only outsmarts him, she outsmarts him and mocks the masks he wore. She take his manipulative bear that is supposed to be his attempts at fake kindness, and literally sends it away. He spends the whole first half of the day repeatedly trying to scare her and make her feel powerless, and her counter plan is all about how she is not powerless at all. He’s not in control. He needs her magic. And that’s hers. She controls it. And now it’s not here anymore. You’re welcome 😇

And while this is incredibly iconic of Bonnie, and irritating for him, it also means Bonnie sees past all those masks. For a guy who’s clearly used to pretending. For a guy who was always seen as an abomination even when he wasn’t. It clearly interests him that she actually just doesn’t see him as a monster, at least in any superficial way that he can use. Bonnie Bennet knew him well enough to know that he was lying.

So Kai brings Bonnie to the place where all of his memories are. Where he grew up. Where he killed his family and the blood is still there. And it’s clearly not to gain her trust through being misunderstood (the blood is still there, and he shows absolutely no attempt at remorse). And he is legitimately cordial and doesn’t restrain her, so he’s not purposefully trying to make her powerless or scared. So what’s his angle?

This is the thing, where Kai acts different as well. He shows resentment about his upbringing when he mentions it, not sadness or any pity based emotions. He babbles and cooks because he (as we learn) likes cooking. Bonnie later interprets it as him trying to gain her trust just to betray her out of sadism, but 1. Kai isn’t actually a sadist. Kai likes control, and can get angry and violent. He doesn’t care if he’s stabbing someone or not. We see it as he gets out, violence and manipulation is a means to an end. Always. And there is no end aside from revenge for him to try to betray Bonnie. Especially because Bonnie has been very clear that she will not trust him.

Then there’s the fact that he is not, as we’ve addressed, actually doing anything that would lead to trust. None of the previous masks. He’s actually being very open and generally having dinner with a psycho in the house covered in blood stains from when he killed children is not a trust building exercise. (Honestly, kind of weird that she thinks it was supposed to be. What, were you actually warming up to him during that dinner? A little suspicious Bonnie.)

But if, instead, Kai is doing all this to share himself with Bonnie. To be seen. He’s so irritated when she doesn’t understand: “Can’t you see I’m trying to apologise?” And then she very clearly states that she is not interested in spending any time with him, seeing anything, sharing anything, aside from the last dinner.

And we wonder why he puts it off, if his entire plan is just to stab her, leave, and gloat with a pager. Why does he drag the dinner longer than necessary? He’s about to leave, he’s been impatient to leave this entire time, but he actually puts it off. There is no reason to. He’s about to be around so many people to communicate with, but he wants to spend as much time with Bonnie as possible. Why??

And if the ascendant can only be used in the Mystic Falls tunnels, and he flies all the way to Portland, and it’s getting dark when he grabs the knife in the tree stump, then he puts off his return for an entire day. Just to eat spaghetti. Really slowly.

It only makes sense if he’s there specifically because his goal is to hang out with her. He wants to share. She pretty much acknowledges this and says she will never, ever care or like him. Stop trying to share with her. Leave her alone. Which, if he’s this excited about being seen, would be infuriating for him.

How Bonnie acts after he leaves

What really got me about the whole arc, though, is how Bonnie talks about what happens. Because that really shows how weird these two are.

Bonnie is furious with Kai and when she’s explaining what she went through to Damon, and doesn’t emphasise the stabbing or the manipulation as the worst part, but that Kai left her. All alone. He abandoned her.

Which is crazy, because that is so intimate for a complaint. But that is what she holds on to. Damon didn’t abandon her, even though he did. Her friends didn’t abandon her, even though they did. This random sociopathic guy abandoned her. Bonnie has the opposite of an abandonment complex, she is constantly overlooked and left and never gets mad about it, except this one time. With Kai. Who there shouldn’t have even been expectations about.

But it’s clear they were both aware there was. Despite Kai promising to leave her alone after a last dinner, his message isn’t “have fun” or something like that, it’s “I lied.” But he didn’t lie? He left her alone?

It’s like they were both aware that he was sharing and there was an expectation there. Where she would say she wanted to be left alone but he wouldn’t do it anyway, and she would keep paying attention anyway. That they were gonna play the “follow you around” intimacy game. Except Kai is like, woops jokes on you I can get out and I’m not taking you with me. Even though it was a given that I was gonna try to win you over, for fun. I know the hell I just condemned you to, enjoy.

Post Kai getting emotions (sort of)

And this reading gives an entirely new light to their first interactions post Kai getting emotions and how furious she is that he is trying to get her attention. Because fuck off, I gave you my attention and you left me. We’re not doing that again. You get nothing from me.

And also why he can’t stop thinking about her. Let’s be honest, the “I want to be forgiven” is bullshit. It’s far more, “I’m a new me and I want to be seen.” And Bonnie just refuses to. Not this time. I will not understand Kai as more than a monster. He doesn’t deserve that from me.

Kai asks her to spend the afternoon with her and she says no. Fuck you. You don’t get me to willingly walk into your house again. Fuck off.

It’s just so weird and personal especially to Bonnie. Like this is where I think they were getting Bonkai wrong. Kai is always shown as so unbelievably obsessed with her, but he doesn’t really think about her until she gets back. And it’s with the same weird determination that Kai gets about all goals.

It’s Bonnie who is so out of character. Despite all the stuff she’s been through and abuse she’s suffered, it’s Kai somehow that changes her. And makes her more emotional. Bonnie is the one that is weirdly touchy about it all and structures her life around (not) seeing him. Bonnie is the one that’s unreasonable about her reactions to him.

And it was so fun seeing a female character, especially the “saviour” female character, be so concerningly “enemies to lovers” obsessive over a guy, and the guy being so oblivious to it. Like it’s funny seeing all of Bonnie’s friends go “maybe you should chill out about Kai” and her just go “NO.” Meanwhile Kai’s just over here like “so Bonnie can see through everyone including me, so if I can convince her there’s a new me, that’s confirmation that I’ve changed 😊 Ah she’s so pretty I wish she’d stop trying to kill me. But Bonnie’s just like that I guess.” But she’s not. She’s not like that at all!!

I wish they’d explored it more but at the same time, if Julie Plec was gonna fuck it up then I’m okay with them going the villain route.

[longing-for-rain]

Out of curiosity, what makes you feel drawn to Zutara as a lesbian. Is it still relatable to you?

It does feel relatable to me. Obviously it’s a heterosexual relationship, but given the lack of good and complete representation of lesbian relationships in the media, I still gravitate towards certain aspects of romances like this.

There are many reasons why, but before I get into it, I want to preface this by saying that the point of this is not to say that Zutara is “lesbian coded” or anything like that so please don’t construe it that way. It’s a heterosexual relationship, period. All I’m saying here is what I, personally, enjoy about it as a lesbian.

The biggest reason I like it is because it represents female desire to me. I know the BoyMom and Pick-Me brigade hates that I’ve described Zutara that way in the past—but it’s true and I stand by it. That is the reason why Zutara became so popular and why its fanon narrative is almost entirely driven by female fans. It directly reflects their desire in a romance and what Katara’s canon one was lacking.

I honestly didn’t have strong feelings about Zutara until I saw the backlash it received. The narrative and the fans both treat Katara as if getting with anyone besides Aang makes her selfish, or that she’s neglecting some kind of duty by doing so. Katara’s voice and desire is fundamentally unimportant to the writers, because they always focused on Aang’s feelings over hers, and even though fans try to pretend otherwise, the dominant narrative surrounding this relationship has always been about Aang. How he needs airbending children, how his heart would be broken if she left, how he needs her to rebuild, etc.

And from Katara’s side, even though she never shows that she shares Aang’s level of interest, fans insist on reading in signs that aren’t really there. They also focus on logical reasons why they’d work. Aang is nice, he’s fun, he’s a prodigy like Katara, both have suffered in the war, etc. At first glance, it seems like a good match…but we never actually see the writing demonstrate how they actually connect over any of these things.

Good in theory, but bland and passionless in reality.

That narrative resonated with me in a bad way, because it’s exactly how I’ve felt as a lesbian. It reflects the pressures I’ve felt to put aside my desire for love to date a man instead. I’ve been told to my face that it’s selfish for me to “choose” another woman—a person I actually desire—over a man.

“What about children?”

“This is going to make your life so much more difficult!”

“Think of your family!”

“Jakey is such a nice guy, can’t you just give him a chance?”

“You have so many interests in common with Jakey and he has a good job! Why won’t you go out with him? It makes so much sense!”

“You’re so shallow, being fixated on looks. What if your perfect match comes along, but he’s male? Would you really say no?”

“You only want that because you’re a pervert. You need to stop being so obsessed with sex and think about the person instead.”

It’s eerily familiar, that’s all I’m saying. A lot of these ideas are used to attack Zutara and its fans nearly verbatim.

Katara isn’t a lesbian, but like a lesbian, Katara in the context of Zutara commits the crime of marrying for love and desire over duty. Some people see that as an evil act of selfishness, but to me, it’s just love.

We can’t control who we love, and I like to see the narrative of a female character breaking free from the social expectations placed on her to pursue it. No; Zuko isn’t the “safe” option, their relationship would be heavily criticized, and it could even endanger them. But that relationship is one they both feel passion for, and together, they would draw power from one another and use it for good. Their love and connection is powerful, and they would have fought hard for it. Because love is worth fighting for.

That’s deeply admirable to me, and an empowering narrative when I think about how I’m inevitably going to have to fight hard for any love of mine. But it’s worth it to me—it’s always worth it.