#but it doesn't men she never was important???

[megaderping]

I feel like when people emphasize Akechi's murders, they often act like his motivation only boils down to "daddy issues" or they really make light of the impacts societal discrimination can have on a person. "But Futaba didn't end up like Akechi," I've seen people say, but the thing is, Akechi is meant to show the worst case scenario. Someone without anyone left to uplift him, to ground him, and to give him a reason to be better. Futaba had Sojiro, though that hardly justifies her mother's death, nor the horrible mistreatment from her relatives or what Shido put her through by framing Wakaba's death as a suicide. Futaba was in a very dark place, and she needed a helping hand. The Phantom Thieves saved her. But Akechi didn't have that helping hand when he needed it most. He lost his mother at a very young age, endured the foster system, never finding a new forever home, and at his absolute lowest point, was granted power he didn't understand with no one to guide him, and wanted to get close to Shido to one day backstab him and give him a taste of his own medicine. The murders came later, when Shido "instructed him." And given the way Shido yells at Akechi about what happens to people who cross him, and given what he did to Futaba (the men in suits), his cleaner, and how many people he had on his side, on top of Sojiro making it very clear how cutthroat Shido was to his enemies... Akechi was screwed no matter what. His face, his name, all of it could be used to ruin him in the real world. Alone, he would not have been enough to go through Shido's Palace, given how much trouble the Phantom Thieves had as a group. Plus, y'know, this:

Something so many people ignore when they talk about Akechi and his murders and ignore everything else the narrative tries to say about him.

What P5 tries to say about Akechi is so important to its core themes. That, if Akechi hadn't been a victim of so much injustice, he might have never gone to such lengths. That doesn't undo the damage he's done, but it's so important to understanding why the game approaches him with sympathy rather than writing him off as pure evil. Because it didn't have to be this way. If he had just met Joker sooner, if he had just had somebody. Akechi represents what can happen to vulnerable children who are failed by systems meant to uphold justice and other ideals, and how those who have nothing, who have only ever been hurt, are far more likely to lash out in turn. Persona 5 places so much importance on the suffering of children and the ways society needs to improve for the sake of children. That, I think, is one of the key reasons Akechi is framed as a victim. He is a warning, a cry to do better.

[piscespetals]

summary: in which sevika becomes your boss at The Last Drop

content: this fic is another multi-chapter work! i hope you enjoy.

content warning for this fic: depiction of sa (this chapter only), blood, slight gore/fight scenes, cursing, sexually explicit content. pretty heavy topics to be honest, it makes a lot of commentary on how it's like to live in Zaun. since this chapter has an sa scene (very lightly detailed scene but still hints to it), if you would like to skip that part, there will be three asterisks (***) that indicate when the scene begins and when it stops so that you can do what's safer for you. sa will not be talked about alot in depth for the rest of the chapters, and i will give a content warning to chapters that hint or reference it.

word count: 3k

thanks for reading!

Part One

When you are first hired at the Last Drop, it only takes 4 hours for Sevika’s name to circulate the building and make its way towards you. 

The first time you spot her, she is brushing through a crowd of drunkards, seemingly not wanting to be approached with an expression as hard as stone. The tall woman, attractive and large as she may be, is intimidating. Her figure, although only in your line of vision for a few seconds, is something made of pure muscle and height. You know that she could easily tower over you if she wanted. 

Despite her quick and fast entrance, it only takes your first day to realize that Sevika isn’t someone that you fuck around with. And based on the way that your coworkers and supervisors tense at the mere mention of her name, it’s obvious that she’s someone important here.

Throughout your first month at the Last Drop, any other appearances of Sevika is no different. Her steel cold stare could freeze anyone to death. You’ve seen her drag people upstairs only for them to never come back down (who knows what she or Silco did with the body?). You’ve seen the way she dominates the deadliest men–how she doesn't let them silence her. 

How she challenges them…

You've also seen the way that your coworkers have gotten their heart broken, hoping to be the one-night-stand turned lover that changes Sevika’s promiscuous ways. And every time, your coworkers end up heartbroken. Gender doesn’t really seem to matter with Sevika. She’s ruthless with everyone. She’s mean.

And, God, you really hate how much you like mean women.

At first, you thought it was amusing to be pining after her. It isn’t surprising, since you've had your fair share of passionate romances (and heartbreaks) with people similar to Sevika. Like a moth drawn to a flame, you can’t seem to stay away from them.

But now it’s been over a month and you can't help but wonder when the crush will dissipate. At this point, it's entirely inconvenient.

You've managed to keep yourself out of the limelight for the majority of your time at the Drop. You’ve found your rhythm by staying in the kitchen, away from the wandering eyes of questionable strangers. Away from Sevika.

But that only lasts for so long.

Amy, your boss, manages to shatter your Switzerland bubble on a Thursday evening at noon. It’s exactly the last thing you want to hear: “I need you to swap schedules with Janessa,” Amy barks.

It isn’t a suggestion or question. It’s a demand. 

Your mouth opens to object, already feeling that familiar pang of agitation within you. But Amy doesn’t hang around long enough to hear. 

“Thanks!” She calls over her shoulder, briskly walking behind the counter and towards the kitchen.

Your teeth grind and your jaw clenches. With balling fists, you stand there for a few more minutes. Trying to simmer down. Trying not to get fired.

You cook. You make new recipes. You may even help the dishwashers every once in a while (especially on nights that are packed). 

But you don’t buss and you don’t wait. That’s Janessa’s ballpark. She’s known as one of the best waiters in town. Her reputation followed her as she hopped in between different restaurants before landing at The Last Drop for good. She’s usually quick, efficient, polite but not too polite (no one ever could be considering the kind of people that this job attracts). 

The idea of Janessa swapping places with you in order to cook an overwhelming amount of food under the pressure of constant verbal abuse? That doesn’t sound right. 

Well, it doesn’t sound like something she would willingly do.

“I tried to help you out,” Max, your coworker, whispers. He clicks his tongue while washing down the countertop of the bar. You forgot that you were holding a conversation with him before Amy interrupted. “I overheard her talking to Nessa about it and offered the swap.” Max blinks through his thick lashes, which are covered with clumps of purple mascara, before he makes eye contact with you. “The bitch told me I wasn't qualified. Can you believe it?”

You snort underneath your breath, nearly choking at the idea of such a conversation happening.

Max—a petite curly-haired himbo with stunning hazel eyes and nails long enough to claw your heart out—most certainly isn't a popular bartender due to his skills. He has charisma, a charming personality and a smile that can make anyone stop in their tracks. He’s willing to listen to anyone that needs a shoulder to cry on (which is almost always every regular that comes here),  and he doesn’t mind sucking up to Amy as long as it means that he has full control of the bar. He’s been employed here long before Amy’s time, which you truly believe is his saving grace.

He knows the history, the neighborhood— the business very well.

But mixing drinks? Not his strong suit.

Seeing him out on the level ground with numerous tables to handle would be comical. A train wreck for sure, but definitely comical.

“Did she say why Nessa was swapping?” Self consciously, you peer at the rest of the pub over your shoulder. Everyone is seemingly out of earshot but it doesn’t hurt to be sure.

Max’s shoulders tense. He stops his scrubbing, right hand still holding onto his soaked disinfecting cloth as he sends you a sidelong glance. “Not my place to tell.”

The hairs stand up on your arms as you register his reply.

The sound of the entrance door opening is what shatters your reverie. Just like that, Max’s shoulders relax. A smile spreads across his face, this time not quite reaching his eyes, as he looks towards the door. “Welcome to The Last Drop!” He says, voice dipping into that flirtatious cadence you know all too well.

That is all he is going to say on the matter. You know Max doesn’t like gossiping about people’s shit. And your coworkers definitely have a lot of messy situations throughout their employment here. He wants no relation to any of it. 

You pick up on the hint, instead swallowing your curiosity and looking at the incoming customer. It’s one of the workers from the brothel across the street. She’s a leggy brunette with towering stilettos and a resting bitch face as cold as stone. She’s just as unapproachable as the last time you saw her. But there’s a spark in her eye when she regards Max. Based on her last few visits, you’ve grown to learn that she’s taking a liking to him.

“Well, that's my cue. I’ll leave you to…do your thing,” You mumble, fighting off a smirk. Max peers at you with a quizzical expression as you gesture vaguely to the bar around you. “Or whatever nonsense you do up here…”

“Hmph,” He rolls his eyes. “Shouldn't you be back there making shepherd's pie or something?”

“You mean working? Something you're not familiar with, I’m sure.”

“With a face card like this? I’m too fabulous to work.” He winks before gesturing towards his face. “A reality you're not familiar with, I’m sure.”

A laugh erupts out of you as you click your tongue. You’re walking towards the kitchen, ready to clock out for the day and finally rest, when you hear the lady of the night approach the bar. You believe her name to be Scarlett, and her voice is a low and silky murmur while she addresses Max.

When you glance over your shoulder, you can't help but notice the way her cleavage spills over her frilly corset top. Her braids are pulled into a bun on top of her head, eyes alluring as she peers at Max through thick long lashes.

Too caught up in all the glamor that Scarlett is, you walk right into a nearby wall (because that is unfortunately what happens whenever beautiful women are near you). 

Max and Scarlett immediately glance at you. Max, with that all-knowing smirk, and Scarlett's raised eyebrow is enough to make you want to dig yourself a grave.

But you don't. Instead, you clear your throat, apologize and shuffle to the kitchen with haste.

The air is thick with cigarette smoke.

That’s one of the reasons why you hate waiting. 

You don’t mind occasionally working in such an atmosphere. After all, you are one of the few chefs that regularly make an appearance everyday. So you’ve grown accustomed to walking through the boisterous crowds of smokers and drunken belligerents before and after your shifts.

But then, for the rest of the shit, you usually find solace in the kitchen—swallowed by plates and dishes and food and ingredients—which is more your forte.

“Hey pretty lady,” A bald, greasy buff man grumbles. His eyes are set on you yet simultaneously far away. Out of focus. “I’m getting hungry. Why don't you come over here and serve me?” Then he winks with a shit-eating grin that makes you queasy.

“You're not in my section,” You reply dryly with a shrug. “But I'll let Dylan know that you're ready to order.” 

“I don't want Dylan,” His eyes linger on your chest, before trailing down your entire physique. It's almost as if he allows his entire train of thought to become visible for everyone to read. 

Your teeth grind as you quickly scan the room once more. Dylan said that he was stepping out for a 5 minute smoke break 40 minutes ago. 

There's a part of you that doesn't want to give in. You don't mind being the one coworker that won't take on more tables than absolutely necessary. Especially when you were voluntold to switch job roles with someone you barely even know, and without even being told why.

If it wasn't so hard to find a job lately, you're pretty sure Amy’s management within itself would be enough encouragement for you to quit. But you really, really need the money. Despite the toxic work environment and occasional harassment from drunk citizens, this is the closest you've come to financial stability in years. You can’t afford to fuck it up.

A heavy exhale leaves you as you shift your feet. “Have you had a chance to look over the menu?” You ask, eying the man with distaste.

His grin widens. “No. What do you suggest?”

“Well, we offer a lot of stuff really. If you're in the mood for something more fulfilling, we have different stew dumplings. I'm not sure about your allergies though, most of the stews here are made with—”

“Surprise me,” Then he gives you another once over.

There is a part of you, a small part, that's tempted to reach across the table and rip out his eyes. You hate the feeling you experience when men unabashedly undress you with their eyes; especially when it’s from creepy old men. 

Even more so when said men don't know how to respect boundaries.

But you ignore the idea of doing such a thing. Instead, you turn on your heels and walk away.

Or, at least, you try to walk away. 

***

A tight grip wraps around your wrist, pulling so abruptly that you nearly fall over. It happens so fast that you barely register it. A breath, hot and pungent with liquor, travels across the base of your neck before meeting your nose. “You didn't ask me if I wanted anything to drink.” The man adds, voice low and gravelly.

Then more is happening...

And that's what makes you snap. 

Within seconds, you're reaching for your knife, which you had previously placed inside the pocket of your apron. 

A fire courses through your veins as you retract the blade.

“What the fuck!” The man yells, letting go of your wrist. He presses a palm against his right cheek, which now has a wide gash that is gushing with blood.

***

You don't give him time to say anything else. Your elbow comes in contact with his throat, jabbing his windpipe with as much force as possible. He staggers from the impact, landing with his back on top of the table behind him as he gasps for air.

Your knife, now dripping with his blood, digs into his chest. You hold it there, watching him wince when you apply pressure.

“If you ever so much as breathe in my direction again,” You mutter darkly. He’s squirming uncomfortably, a pool of blood soaking through his shirt as your knife continues to pierce his chest.

The pub has grown eerily silent and the heavy weight of countless eyes begins to register.

“I…I-I,” The man underneath splutters in shock. Beads of sweat gather around his forehead as he peers up at you through a cloud of fear. Thirty minutes ago, you’d have been surprised to find him roughed up by someone half his size, especially considering how large his biceps are. 

But then again, The Last Drop seems to be filling up with tons of useless goons nowadays.

“We’ll deal with him.” The voice that breaks your reverie is unrecognizable—feminine and raspy. 

That's when your head snaps up and you realize just how tense the atmosphere has become. Many citizens watch you silently, some mouths ajar while others look ready to egg you on. It's never really a typical Friday night at this place without people trying to drunkenly fight each other.

It's rare, though, that  employees become the main culprit.

Something moves closer to you—a person. “Hey, it's alright. I-”

Still on edge, you're quick to react. You inhale sharply, grip tightening around your knife with reflexes that feel like second nature.

A low growl fills the air, the sound of metal colliding with metal following soon after. Then your blade is being knocked out of your hand, something powerful grabbing both of your arms.

A flash of grey, the smell of cigarillo. Warmth. Undeniable warmth.

“Woah, it's just me." The voice is so close, yet so far away.

"Look-" Then... "Maxwell, I need you to come and help." The voice speaks again. This time even firmer. A woman’s voice. 

When your vision adjusts, you lock gazes with a pair of stormy grey irises. They're merely inches from yours, peering down at you with a gaze that is steady. 

That's when you realize that you can't move because she's practically towering over you. Holding you.

It’s Sevika.

You must have tried to attack her, clearly caught off guard. Surely, you hadn't meant to. For a split second, you lost it and now here she comes, seemingly out of nowhere. It was merely a reflex—a fight or flight response.

“It's me. Sevika," She announces, voice sharp as if she's trying to to speak through a wall. "I'm having them take him upstairs. He’ll be dealt with,” She repeats, almost as if it's a promise. She searches your eyes, grip loosening around your arms, “I’ll make sure of it.” She adds. Despite her expression being made of steel, there's something that flickers in her eyes. It appears only for a millisecond but it's glaring enough to somehow recenter you.

Her shoulders appear to relax when you start to feel present in the room again.

She waits for you to reply. And waits.

And waits.

And waits some more.

Then, “I can handle myself,” Is all that you manage to say. 

She stares at you for longer. You can see the gears in her brain shifting, but you aren't exactly sure of what to anticipate next, or even how to accept the fact that you just tried to attack your boss with a pocket knife.

“I’ve got her,” This time, the source is coming from someone familiar. Max. “It's okay,” He whispers, drawing closer. You feel him before you see him. The tips of his claw-like nails brush against your shoulders as he gingerly grabs a hold of you. 

Only then is when Sevika breaks your gaze, this time turning to Max. “Staff lounge.” The brute woman orders. 

“I’m fine.” You counter. 

The edge in your voice says otherwise.

“...Then I need you to grab Amy,” She continues, completely disregarding you. “I would like to know why we have a chef waiting tables during the busiest rush of the week—”

“I don’t need to go anywhere,” You press, voice raising a few decibels.

Sevika jaw’s clenches, icy eyes flickering towards you. “You nearly decapitated someone. You—”

“...I have four hours left. I will leave when my shift is complete.”

Her nose flares. “Lounge. Now.”

Before you can reply, she’s turning on her heels and walking away.

Unfortunately, Max agrees with Sevika.

It’s apparent in the way he immediately grabs your shoulders after her departure. Every citizen seems to be watching the entire escapade because this is the quietest you’ve ever heard the pub be during a rush hour.

“I’m fine!” You hiss, frustrated by the whole ordeal. You are perfectly capable of defending yourself. You don't need staff members to coddle you. “Seriously.”

Max doesn’t reply, merely huffing underneath his breath as he guides you past the bar and towards a back hallway that leads to another room. 

When the two of you have reached the lounge, he finally says, “You're shaking.”

Your eyebrows furrow. “What?”

He leans forward, grabbing both of your hands,“ You're shaking.” He repeats, looking at you dead in the eyes. That's when he lets go and you peer down at your palms.

A frown spreads across your lips at the sight of your trembling fingers.

“You nearly killed the guy,” Max continues. “Where did you learn to fight like that?”

“It was only self-defense.”

“I'm not saying you were in the wrong,” A flicker of worry meets Max’s eyes. “That asshole deserves everything you did to him, probably more, But,” He winces. His gaze trails off to a distant place behind you. “Chef’s don’t usually do what you just did.”

Before you can reply to Max, the door flings open. In walks the petite redhead that you instantly knew to be Amy. She’s light on her feet, eyes alert and face flushed. At first, you’re surprised to see her in such a state. 

Shortly, though, Sevika enters the room. Then it all makes sense.

Sevika’s domineering in all aspects and has a ferocious air about her that can make anyone feel...tense. 

You thought she was the last of it, but another pair of footsteps walk-in behind her. 

“S-Sorry,” The person stammers, side stepping so they can scurry around Sevika and find a chair to sit in. The person is Dylan.

“This won't take long,” Sevika announces. She seems annoyed, not even looking at anyone else in the room. “Starting tomorrow, nothing about tonight will be brought up again. Now, Amy.” She turns to Amy, who instantly shrinks in her chair. “Why wasn't Janessa on the floor tonight?”

There's a beat of hesitation before, “She's working the kitchen now.”

Sevika’s nose flares. “If you moved her because of last week, I want you to think over your explanation very carefully.”

Another beat drags. Amy blinks. She gapes. She blinks once more. Her cheeks are tomato red at this point. “I-”

Sevika presses on. “Did Silco somehow change his mind?” 

“...No.”

“So you deliberately went against Silco’s orders and switched Janessa to the kitchen. Meanwhile,” Sevika’s eyes flicker to you. Your stomach lurches. “You make our only competent chef work the floor, after I told you that she isn't up for debate. And you expect me to show you mercy?”

Amy doesn't answer. She's on the verge of tears, which shocks you.

Amy is a bitch.

She’s known for brutally reaming people for simply breathing wrong. She doesn’t hold back and she doesn’t mind doing it in front of customers either. You know her to be stone cold. Heartless. Void of compassion and depth.

You never thought that you’d see the day where she’d get her ass handed to her.

Sevika turns to you, face filled with hard lines and calculating orbs. She stares at you for a few moments. You don't quite understand if she’s sizing you up or mentally chastising you. But you wait for her to fully collect her thoughts.

“If anyone touches you like that again,” She slowly begins, voice low. “You do what needs to be done. Whatever that means to you. Do you understand?” 

Your muscles freeze at her words.

No questioning? No reprimands?

“You aren't mad?” You clear your throat.

You were fully expected to get reamed for tonight.

Sevika raises an eyebrow, “Do you want me to be?”

Heat spreads across your body. You don't answer her question, deciding to move on. “Does Silco know about tonight?”

She grows more perplexed, “Do you want Silco to know?”

In the corner of your eye, you watch how stiff the rest of the staff members become. The room is so quiet that you nearly hear a pin drop.

It’s obvious that Silco finding out about this would cause a shit show.

Sevika takes your silence as an answer. 

“None of this will be mentioned again after tonight.” She breaks eye contact and turns to the rest of the room. “Is that clear?”

Everyone nods.

“And Dylan?”

Dylan jumps at the sound of his name. “Huh? I mean, yes? Y-Yes, ma’am?”

“If you disappear for that long again, you won't have a job to come back to.”

“Yes, ma’am. I-I mean,” Dylan blinks with swimming eyes. “Sorry.”

Sevika chooses then to shove her human hand into her pocket, glancing at you once more. When she retracts it, you notice that there is something shiny and silver that she's holding.

Your knife.

Silently, she holds it towards you. 

When your feet stay planted—brain struggling to process everything that's happening—she exhales heavily, evidently becoming impatient.

Clearing your throat, you force yourself to close the distance. You grab your knife, knuckles grazing her palm, which ignites a static shock. Your fingers jump away from her instantly. If the skin contact startled her, her face doesn’t give it away.

“Thank you,” Is all that you say. You hate how vulnerable you sound.

She merely nods. Then, “He's upstairs, by the way. Definitely suffering from what you did to him but not harmed any further." She pauses, rubbing her lips together. "Did you want to come upstairs? It's your call on how you would like him to be handled."

You eyes widen at the realization.

She took him upstairs to do god know what (everyone knows that if Sevika takes you upstairs for any other reason than discussing business, then you probably aren't coming back down). You'd never thought she would include employees in such a thing.

Even with a matter such as this.

"I'll give you ten minutes to think about it," She continues on. "If you decide to come upstairs, he'll be waiting. Otherwise, go home. Tomorrow you'll return to the kitchen.” Then she turns on her heels, adding, “Amy, I expect your desk to be cleaned out by midnight.” Before she walks away. 

In the midst of her departure, your eyes begin to burn. 

Max and Dylan are already stepping out of the room, completely shaken up by the entire situation.

Being reprimanded by Sevika is never on anyone’s bucket list.

You idle there for a while, letting all of the events replay in your mind as your muscles start to unspool. Fidgeting with your knife, you allow the blade to extend. That’s when you notice that his blood has been cleaned off and your blade sharpened.

Amy wails pathetically while curling into herself. 

Her cries are nothing more than brown noise at this point. You're too preoccupied by the hammering of your heart, and the way that Sevika’s words have tattooed themselves onto your hippocampus:

If anyone touches you like that again, you do what needs to be done.

[gotta-winwin]

(🎄) ... mirth and good cheer - xmas special teaser

⭐ starring: vernon

🎄preview: vernon used to fly back to new york every christmas for one reason only: his childhood best friend. christmas used to be his and y/n’s thing, until he got seemingly too busy to ever return. now, as y/n departs to korea for the first time, she can’t help but wonder if her and vernon would ever cross paths again. vernon, unbeknownst to her, has been wondering the exact same thing. as the boys set up their christmas tree in their dorm, he does his best to ignore how hints of y/n still seemed to linger throughout the holiday air. 

tw/cw: idol!vernon x nonidol!reader, childhood friends to lovers, estranged friends, slight miscommunication, fluff, slight angst, best christmas romcom vibes, features svt members, stubborn!reader, equallystubborn!vernon, use of y/n, flips between past and present day

🐻‍❄️ release date: christmas day

☁️ masterlist & a/n: dropping a vernon x reader fic for our xmas special! doesn't vernon just scream childhood bestie to lover (੭˃ᴗ˂)੭ i just know i'm going to have sm fun writing this cuz the dynamic is so interesting! its already giving christmas romcom vibes and omg you guys are not ready.

11 DAYS FROM CHRISTMAS 2024:

“That’s not how it’s supposed to work.” Mingyu slapped Vernon’s hand away from the tree they were decorating. “It’s supposed to be symmetrical, not whatever you’re doing.”

Vernon had to admit he wasn’t really paying attention. Their dorm auntie, the one who came around once a week to clean up the place, had baked them gingerbread men as a Christmas gift, and the smell felt like it had seeped into the walls of their dorm. It was a nostalgic smell, one that took him back to his childhood, new york and-

“Vernon?” Mingyu waved a hand in front of his face. “Are you even listening right now?”

He blinked, brought back from his thoughts. “Sorry, hyung. What?”

Mingyu could only let out a deep sigh, moving to place the bauble where he intended it to be. “You’re like this every Christmas. If you miss her so much, why don’t you just fly back?”

Vernon didn’t really know why he wasn’t flying back. He certainly could be, they were off work for the holidays and a plane ticket back wasn’t hard to find. He would be doing himself a favor, putting himself out of misery and finally seeing his childhood best friend. The thing was, he wasn’t really sure if Y/N wanted to see him. He shrugged. “I don’t miss her.” It was a lie and everyone in the room knew it. 

CHRISTMAS DAY 2003: 

Everyone who knew either of them would say they were smart kids for their age. Both only five, they whispered secrets to each other like little middle schoolers would on the playground. 

“My parents say I’m going to Korea.” Vernon whispered to Y/N as they watched a christmas movie. “Forever.” Vernon always had a dramatic, theatrical side to him, even as a child.

Y/N could only frown. “Forever? Why?” She couldn’t imagine her best friend moving anywhere without her. “Am I going too?” 

Vernon mirrored her frown on his own face. “I don’t know.” Sensing her sadness, he reached over and gave her a hug. “I’ll visit every year.” He promised. 

“Every christmas.” Y/N insisted. She had always loved christmas above all else. “So we can watch movies again.”

Vernon agreed. “Okay. Every christmas. It’ll be like-” He paused, his young mind searching for the word. “Tradition.” He smiled at her, proud of the big word. 

“Promise?” Y/N stared at him with wide eyes, reaching out with her pinky, extended. “Pinky promise me.” 

Vernon grasped her pinky with his, shaking it firmly. He felt like a grown up, making one of those important business deals. “I promise.” Turning back to the screen, he let out a whine when he realized they had missed the best part. “We missed the part where the grinch screams down the mountain.” He complained. “I wanted to watch that part.”

Y/N got up, searching for the remote. “I’ll turn it back.” 

Their dynamic never changed, even as they grew older. Vernon walked through life, Y/N following behind him with eyes filled with admiration, gently nudging the boy whenever he got distracted and began walking off-track. It stayed that way even with the distance, until one Christmas, Y/N woke up and Vernon had not returned. 

CHRISTMAS DAY 2016:

“Mom?” Y/N called as she walked slowly down the stairs. She had returned home from university for the holidays and was confused when Vernon wasn’t at his usual spot to welcome her home. “Where’s Vernon?” He was usually back from Korea by now.

She didn’t like the look of pity her mother was giving her. “He didn’t tell you, honey? He’s been so busy with work, looks like he can’t fly back to join us for christmas this year.”

She felt her heart sink. She had been looking forward to spending time with him, even if it was just a couple of days out of the year. “Oh.” Of course, she understood. His work was important and she was sure the kpop industry couldn’t be easy. “That’s okay. I guess he must’ve been too busy to tell me.” 

--

“What are you still doing here?” Joshua frowned at Vernon, who was lying down on his bed. “Shouldn’t you be in New York by now?” He was used to Vernon flying back to New York every christmas since they had met. 

Vernon let out a huff. “Not going back this year, Josh.” 

“Why not?” His friend pressed, confused. Vernon was usually so excited to go back. “Isn’t your friend going to be sad?”

“I can’t miss any more practice before our comeback. One Christmas should be fine.” Vernon explained, although his voice betrayed his disappointment. He had been looking forward to going back home, to be able to see Y/N again. He thought to himself that one christmas couldn’t hurt, right?

One christmas missed turned into two. Then four. Then the timing felt too long and awkward and Vernon just never got the confidence to ever go back.

10 DAYS FROM CHRISTMAS 2024: 

Korea was beautiful underneath a sheet of snow. Y/N had landed last night, having made up her mind to give living in Korea a try. Ever since graduating university and landing a job as a screenwriter, her friends and family had always urged her to try working for the Korean film scene. 

She supposed she had always just avoided the country because of Vernon.

Her new job writing for some K-drama started after New Years. She thought maybe spending Christmas in a new place would bring back the mirth and good cheer the holiday used to give her, but she knew she was here for a different reason. A selfish and pathetic one. It burned her, that a part of her still wished to bump into Vernon after all these years. She knew he was doing well, SEVENTEEN was soaring through new heights and she had kept tabs on his ongoing success. It was the only way she kept going: his large internet presence sometimes made it feel like he never even left at all.

It hurt her the most that he could be doing so well without ever seeing her again.

Rounding the corner to the coffee shop, she rubbed her raw hands to regain heat. Ordering, she was relieved to find out she could still hold a conversation in Korean. It had gone rusty, the only people she ever used Korean with back home was Vernon’s dad and sister. 

“Hello?” Someone from behind her tapped her on the shoulder. “Do I know you from somewhere?”

[kousanosgf]

men, minors dni

‧͙⁺˚*･༓☾　☽༓･*˚⁺‧

sevika x f!reader

you take care of sevika when both of you decide to spend the night at the club

tags: fluff, lap dance, oral (sevika receiving), fingering (sevika receiving)

an: was written while i was listening to my soft/chill tyla and rosalia playlist, keep it in mind for the atmosphere (⁠⁠ꈍ⁠ᴗ⁠ꈍ⁠)

‧͙⁺˚*･༓☾　☽༓･*˚⁺‧

the night was still young but the party was in a full swing. you were not yet drunk on the alcohol but the atmosphere and music made you euphoric. you were dancing for the past hour, the gentle beats of the drums, mbiras and xylophones, guitar string that jumped from upbeat to more sensual led your body. it was something you preferred more than the hard electronic noise of other clubs, which were more common in zaun.

though something or someone was missing. you left the dancefloor, making your way to the bar. a bartender nudged a glass of water your way and you took it in one swing, thankful to the woman.

hands captured your waist from behind, one real and the other mechanical, a body pressed close to your back.

"vika", you smiled and reached your hand back, sliding a palm on sevika's neck. "i'm all sweaty". you wrinkled your nose smiling.

"you often are when we're together", the woman whispered in your ear with heat but it only made you laugh. sevika was in your favorite drunk mood: touchy and blabbering sweet nonsense.

"missed you", she sighed heavily, like you didn't came here together. "well, someone could've dance with me". sevika only huffed out, grumpy, making you giggle again.

you signaled to a bartender for a new set of drinks. as you untangled yourself from sevika's grip you took the glasses, pushing one in her hand. "come on, baby", you moved away from the bar to the private booths, choosing one and closing the heavy curtains.

the booth was nice, muted colours, little trinkets hanging here and there, inviting soft and, mostly important for саун, clean pillows. sevika plopped down on the seat, drowning in the cushions.

she was too quiet today, not that she would run her mouth nonstop in your or anyone else's presence, but definitely more quite than usual. "what's wrong?", you poked her gently in the side as you took your place beside her. she just grumbled in response. okay, so no reason really, you blamed alcohol for her attitude.

"did you watch me dance?", you try to get her mind out of the dark places. you put your knees under yourself to sit a little higher to be able to put your arm around her shoulders. she leaned into your embrace.

"barely. too much people", sevika answers, clearly sulking over the fact.

she never was the one to care for parties and definitely not participating in them, usually preferring some dimly lit bars and a long card game. but ever since you appeared in her life she made sure to follow you around to the clubs. "just care for your safety, princess", sevika would say. and that's a solid reason, zaun can be harsh on anyone, so noone would say no to a woman like sevika taking a role of a bodyguard. in this case though she *loved* seeing you move as if the dancefloor was your natural habitat, your home.

"been staring at me the whole night from your dark corner. people probably think you're some creep", you joked everytime later, when you went back home or moved somewhere private, like today.

"let me make it up to you", you untangle yourself from her and climb on her lap. sevika's real hand immediately gribs your thighs, running up to cup your ass cheek.

"no touching, babe. it's a performance." you smile and slap her hand away playfully. sevika frowns but doesn't try to do anything else.

you let your hair down, slowly dragging the hair band. the muffled music changed to something more slow, fortunately setting the right mood, you hummed the tune.

sevika's gaze was turning heated and hungry by a second, following your hands as they dragged on you body, starting with you hips, going up to your sides, to your neck, tangling in your hair and moving back, all while you swayed from side to side, making waves with your torso, coming closer and father to press against sevika's body.

"don't be mean", she whined under you after couple of songs, her fingers twitching in a need to touch.

and you were being mean, you knew that. you just couldn't help yourself to tease your girlfriend when she was so cute, all mushy and relaxed.

"told you, i'll make it up to you", you leaned closer, whispering in her ear.

the sound of a zipper opening is too loud. you can feel yourself on edge already. but this is not about you. you raise your eyes, looking over sevika's face. her eyes arr closed, she's breathing heavily. she's beautiful like that, she always is, really. but something about her soft expression, how relaxed she is under you awakens butterflies in your stomach.

her hands grip your waist as you move to stand up, holding you on her lap.

"come on, vika", you protest and push her hair out of her face. "if you want something, i gotta stand up". she let's you but complains while she does it.

you slide down on the floor, sitting on your knees now in front of her. sevika feels a tap on her hips and raises them to let you make a quick work of taking off her pants and underwear.

she's not wet enough yet, you notice as you slide your fingers between her folds but it's not much of a problem. you love taking it slow with her, spending all the time in the world leaving kisses and light bites on her inner thighs, while your hands roam around her body, squeezing her waist, feeling her muscles, your fingers traveling up and down the hair on her stomach.

"please" sevika whines and that's exactly what you were waiting for, that's how you know she's ready.

you move closer, though it feels like you can't be even more, skin touching skin. your fingers slide with ease inside of her and you feel like you're the one who needs to moan in pleasure. her pussy is hot, clenching around your digits.

"so good, baby. so pretty". you praised her because how could you not. sevika holds herself from moving too much so she wouldn't mess up the game you're playing, her hips staying in place but already trembling.

"don't even need to tell you what to do, yeah? always know what i want from you".

at last, as you move the tips of your fingers inside of her, you put your mouth on her. your tongue flat, you try to get as much as you can, starting from the place your fingers connect with her hole, going up, pressing on her clit and dragging it to her press. the sounds she makes are heavenly, sevika is so worked up she moans loudly, arching her back. you sure if anyone stands right outside the booth, they could hear it. it only makes you want her more, to make her scream that everyone in the club would know how weak she's for you. the woman who scares every thug on the streets of this city turns into a soft and whiney mess in your arms. that kind of power makes you dizzy.

you suck on her clit, hollowing your cheeks to put more pressure.

"wait", sevika breaths out.

"what's wrong, baby? already ready to cum?"

both of you want it to last so you give her time, withdrawing your lips and fingers completely and going back to caressing her inner thighs.

"gonna eat you out so good, gonna make you feel so good, vika."

her hands press on your head when she decides she's ready, guiding you back to her dripping cunt.

"need to promise me one thing, though", you smile as she nods without questions.

"look at me, 'kay? don't close your eyes."

you return to where you stopped. you try to be soft and careful at first, kissing her folds, occasionally flicking your tongue between them or pressing it on her clit, all while you hold her gaze. you smirk and huff out as her eyes remind you of some sad puppy, asking for more.

"fuck", she swears as you quicken you moves, getting messier. you can swear that's where you belong. between her thighs, squeezing your head so all the noise becomes muffled, like you're underwater, your tongue deep inside of her and your nose rubbing her clit.

it's cute, you think, how obedient she is for you, still trying to look you in the eyes, as you asked her, fighting the need to roll them back and just arch her back, leaning her head on the sofa back.

your face is drenched in her juices, few drops falling on the floor between your knees. you're so worked up, your panties are probably all wet but your pleasure isn't a top priority now. and honestly seeing sevika brake under your mouth is pleasurable enough.

as you feel her squirming and moaning more and more, you know she's close, so you put your arms under her knees and raise them on your shoulders. she never lets you do it while she still can control the situation, worried that it's too much for your smaller frame. but now sevika is going crazy with her own pleasure and you don't have to deny yourself.

it takes her couple more seconds to cum finally. her eyes roll back and she gives herself a moment of weakness as she throws her head back but quickly returns back to hold your gaze when she remembers your request.

you guide her through her orgasm, slowing your moves and letting go of her legs.

"relax, sweetheart", you laugh as you finally tear yourself from her pussy and climb back in her lap. your hand covers her eyes and you feel her eyelashes flutter, tickling your palm.

"you're a dream, vika."

sevika reaches for your lips and you meet her halfway through. the kiss is slow and sloppy, both of you need time to get some air and steady your breath. her cheeks now wet too. it does something to you, seeing her own juice on her face, makes you want more of her.

"fuck, vika. gonna destroy you when we get home. promise."

[jesteriajunovix]

(Spoilers) Just a Reminder to Curly Sympathizers

Jimmy and Curly are not "Problematic Favs". They're literally thematic vessels for THE problem.

CW: Mentions of SA, and Abuse

Curly (And Pony Express as a Company) Never Cared to give Anya Pysche Evals. Curly only started to care for that when it doubled as an occupational hazard to him and his image.

Curly actively vouches for Jimmy as a crew member despite his "struggle" on earth. I don't see how it'd be far-fetched to assume that involves some form of Misconduct with the fact Curly literally says

"You've gotten through difficult situations before" RIGHT AFTER talking to Anya the actual Victim.

Curly doesn't understand why Anya was talking about the locks on the sleeping quarters and moves past it to reinforce the company's logic. [The Company and Curly can not be bothered to consider or provide actual safety for women. It is an afterthought that resembles a cruel apathy towards women's perspectives in a corporate work environment.]

Would Curly have given the gun to Anya if she asked? Probably not. While that is somewhat debatable It rings to the shitty isolated environment where Anya would have to take up such a mindset. Not to mention Curly is clearly super pals with Jimmy, so if that was a concern he'd probably take Jimmy's (and the rest of the guys) side considering he later took jimmy's side under the fact he sexually assaulted a woman.

The first thing Curly says to Jimmy after trying to consolidate Anya is "I Can Fix This". Curly enables Jimmy to find ways to get out of taking responsibility for the harm he did to Anya.

Curly buckles to the fact his mind is more focused on his position and reputation as a Captain rather than the personal impact Jimmy's harm has caused Anya. This issue is an occupational obstacle to him first and foremost.

Jimmy: "This can be remembered as a tragedy".

Jimmy: "The Tuplar crew was never found."

Jimmy: "You're standing at the top. Feet in cement. Right?"

Curly: "...Right."

And his complacency and dissonance of that truth leads him to do absolutely nothing.

I have seen so much art, and discourse treating him like he wasn't an active enabler. You know what. Fuck it. Half of this is going to double as an Anya Post. thinking about how people disgustingly twist her character to redeem two shitty men who are completely at fault irks me so much.

Anya

The fact that Anya doesn't really get to build herself as a character outside of the scenes that reinforce her tragedy, and antagonist environment feels super sucky.

The purpose of such a narrative direction is of course meant to feed into Jimmy's resentful apathetic attitude towards her, and emphasize the cold unfeeling corporate entity that hired her to be on the tulpar, but as a narrative choice, it still feels rather cruel to take in. Jimmy literally erases her personhood from his mind and only internalizes her presence as a threatening womb while taking the rest of the games runtime to focus on himself and the other men on board.

I see many renditions of Anya in fanart. Adding to her character in ways people weren't really given the time to appreciate or take in during the actual game due to how little she's left with.

I find her canon resolution both annoying and interesting due to this type of interaction where the fans are being pushed towards an interpretive play pen where they are motivated to give Anya more characteristics, quirks, and perspectives than she was allowed to have or emphasize within the game.

Using such field of creative deliberation to redeem the men that actively harmed her is such a gross way to use that play pen.

To get into some interpretations

A pretty important moment occurs after Anya runs out of the medical room during the painkiller scene with the thought:

"I have to believe that our worst moments don't make us monsters"

I think there are quite a few different ways to take this line in this moment, but to share my own perspective I believe it most likely stems from these potential factors:

Anya is trying to maintain a metric of empathy and trust to continue to control herself in the current conditions and stresses she's under at this moment. The needs of the crew can not be upheld without this kind of thinking while under the orders of her abuser.

Anya still cares for Curly and is disconnecting the harm he caused from the rest of his humanity as a person who is also suffering.

Anya is reflecting on her own legitimacy while the internalized trauma she went through makes her feel alienated from herself. Accepting the actual piece of shit that is Curly allows her to hold faith in herself as a person through the shared correlation of pain and "mistakes" as she percieves it bonding her with Curly.

While somewhat ambigous I think its important to generally understand these types of potential layers when interacting with the themes and subjects presented by Anya as a character. Ideas which are critical and dissective of Anya as an actual Subject above a simple generalized understanding of her peripherally as a victim.

also Idea 2 doesn't make Curly vindicated. Curly was the only member that Gave Anya some sense of care (As ingenuine as that care was). That dependency is toxic and was unfortuately potentially of mental necessity to Her. To reframe it as a point for Curly to show he was better than what he presented himself to be so deeply annoys me with how uncritical that reframing is when addressing the actual faults and mentality that led him to his bedridden state. With how little Anya is already focused on, it feels like that interpretation and dynamic hands Curly the position of "Subject" while Anya still remains an "Event" to some people.

That kind of thinking not only significantly reeks of a lack of indulgence in actually trying to further interpret the facets presented in Anya's character, position, and mental state, but also dilutes the meaning to be had in analyzing Curly as an enabler. The framing of Curly as an "Enabler in Rehab" or "Tragic Casualty" feels so utterly ignorant, redundant, and enigmatic to my senses when he is so utterly undeserving compared to Anya who barely gets any other elaboration or analysis from the community outside of "awww wasn't that sad" or sensationalization around "The Event".

I WOULD go into Anya's logic leading up to her death, but thats a post and analysis for a different tumblr user to take care of. I honestly just gradually have developed new ways to hate the Mouthwashing fandom, so I really needed this to make mental space for the next few horrible bizarre takes i'll inevitably see about this game.

[thefirst3chapters]

There's something about the Danes men recognizing the Gilmores' happiness in their final OS episodes. ("You look happier than when I saw you last." / "I just like to see you happy.") Maybe the S6 writers weren't sure that this was going to be Jess's last appearance, but this was Luke's definitive end for the series; in either case, at the time these episodes were written, they were the show's final statements on who these characters are.

It's established over and over how well Luke and Jess know the Gilmores and vice versa. Luke knows exactly what Lorelai brought to Bid-a-Basket day and has her wardrobe memorized and steadfastly believes that she can start her own inn even when she's convinced that she's failing. Jess knows that Rory isn't herself when she's in Hartford and remembers her birthday even though he's barely seen her in years (and ASP directly confirmed that the intention was to portray them as seeing each other for who they are). This mutual sense of knowing is baked into the first times both couples meet. The first time Lorelai met Luke, she pestered him during a lunch rush for coffee and for him to tell her his birthday until he relented. The first time Jess met Rory, he stole her book and wrote all over it. Both of these actions could've been horrible first impressions for anyone else, and on paper could've been horrible first impressions for Luke and Rory specifically, but they were charmed and intrigued, and they treasured the written keepsakes they were left with.

Even with this intrinsic knowledge, the Danes' failures as partners often boil down to the same problem: they retreat when they're in crisis. With their biggest, relationship-ending conflicts (Luke keeping April from Lorelai and the fallout of Jess not graduating), they spend months thinking that they have everything under control when they really don't and fail to tell the Gilmores anything. This is perhaps Jess's core flaw in S3 even more so than the fact that he left; he didn't have anywhere to stay, and finding out who his father was probably ended up being an important catalyst for the person he became, but he wasn't able to share any of that with Rory. She directly brings up her hurt over Jess not telling her anything when she's in the car with Lorelai and when she's on the phone with him, and her unhappiness here is so similar to Lorelai expressing her unhappiness about her relationship with Luke when she's in the car with the therapist. ("I don't like how I feel and I don't like what I do." / "I'm not happy, and I feel crappy all the time and I just think I've had it.") They've both been left behind.

This isn't the end, though. Luke and Jess spend their time apart from the Gilmores still loving them while also building/rebuilding their professional lives, coming to terms with their pasts, and showing up for their families. This is what I think separates Jess leaving from Christopher leaving. Christopher had options and resources to be in Rory's life but chose not to be a consistent presence, and Lorelai accepted that. Rory points this out to Lorelai in S5 E9: "You're just always waiting for him to get himself together." Rory can tell that dynamic isn't healthy from the years she's watched it play out. She doesn't let Jess back into her life when she knows he isn't ready, and he grows up without her out of his own determination. His circumstances were never really like Christopher's, and Rory was left in the dark about that at the time, but when he returns in S6, I think she recognizes the difference. There's a reason why Rory shares her deepest insecurities with Jess in AYITL and sprints out of her house because she can't wait to share her happiness with him but has such an emotionally distant relationship with Christopher. As for Luke and Lorelai, they gradually get closer in S7 as they learn to trust each other again. Luke turns to Lorelai when April is sick and he needs a character reference, and Lorelai's letter helps him win partial custody and reveals where her heart truly lies, which is a catalyst for her relationship with Christopher ending once and for all. Lorelai asks for Luke's help when she's looking for a new car, and even though it doesn't make sense to him, he finds a way for her to have the exact same model again because he knows it's important to her.

Then we get to those final scenes. At Truncheon, Jess can tell just by looking at Rory that she's happier now that she's back at Yale and is editing the newspaper. She breaks his heart, but he makes sure she'll get back to her car safely and offers himself as an alibi because he still wants the best for her. In "Bon Voyage," Luke stays up all night helping the town set up Rory's party and sewing a tarp together but doesn't even want Lorelai to know. Luke and Jess have hurt the Gilmores and been hurt by them, but for both of them, their final act in the OS is quietly, selflessly wanting Lorelai and Rory to be happy. I just can't fathom a Luke who doesn't love Lorelai or a Jess who doesn't love Rory; that love is imperfect and doesn't solely define either of them, but it's an inextricable part of who they are.

[twelvemonkeyswere]

How is dandadan about misogyny?/gen

I feel like it's particularly about how misogyny is the evil of the story. I haven't read the manga so I can't attest to how the story goes, but so far Dandadan has touched on heavy topics that tell me this. Also, content warning there for what I'm about to explain. Topics include stuff like sexual assault, the struggles of motherhood (particularly of single mothers), and the cataloguing of women into stereotypes, like the Angel vs the Whore. All this connects to the exploration of the show of specifically male violence against women. Old women and their knowledge - from wisdom to fairytales - is an important part of the story as well, placing a lot of relevance to what we know as "old wives tales", often dismissed by patriarchal structures.

One of the protagonists is a teenage boy, Okarun, who doesn't fit with his other classmates, and is bullied mostly by boys (though when a girl makes fun of him it also adds nuance, since she's also playing into a misogynistic stereotype because she thinks that's how she keeps her popularity in a patriarchal structure). One of the highlighted differences between Okarun and other boys is that he sees women as people. He defends his female friend from being badmouthed by the boy who bullies him, for example.

The show literally starts by having Okarun being attacked and having his penis and testicles magically removed, but he never lets that affect his sense of self. If anything, it adds to his strength since he begins training to fight the magic forces that attacked him, and he wants them back because that's a part of his body. But to me it reads like. Yes, it's often played as silly fun because an emasculated man ha ha, but also removing the stereotypical macho behaviors and beliefs makes a man stronger and more powerful.

The women of the show all face different complications based on the assumptions others make of them, and the misogyny of their environment hurts them deeply. Many of the magical monsters they encounter are in fact traumatized women who have become Creatures due to magic as they try to correct or avenge the wrong that happened to them in the world. The suffering of women leads to monstrosity, but so far it's always understood the real monster was the men who caused the harm originally. Women have an uphill battle, the show has said several times now, and when they get violent back it's seen as a horror story.

So there are many things like that that make me realize Dandadan gets that right at least. It still remains a shonen show and has a silly tone and ridiculous things happen and some might judge the character designs or some tonal approaches, but it consistently understands the objectification and oppression of women in a patriarchal society is a real and serious matter. it understands the violence of misogyny is always the ultimate evil behind it all.

[crownmemes]

Relationship Advice Sentences, Vol. 2

(Sentences for those in need of relationship advice, and those that like to give it. Adjust phrasing where needed)

"Do you think I should ask him to marry me?"

"Men are like dogs - they like being stroked, but for God's sake, don't let them hump your leg!"

"There is one infallible method of indicating to a girl that you love her: don't eat any dinner tonight."

"I'm uncomfortable about sex."

"Give and take is the foundation for any working relationship."

"How are you ever going to find your soulmate if you won't go and talk to anyone?"

"It's important to keep eye contact with your date."

"Once he's got whatever he needs, he'll cast you aside."

"Even love has a dark side."

"I love this ship. I have from the first moment I saw it."

"Falling in love is like jumping off a cliff; you just have to believe and let go."

"Soppiness is at the very heart of a successful love letter!"

"Whatever gave you the impression that I was remotely interested in your private life?"

"Yearning won't make it happen."

"You don't have to fall in love at first sight, you know."

"What if he won't forgive me?"

"Can I give you a little advice about women?"

"She's just what you need - someone who can see right through you!"

"The trick is not to think about it."

"Don't let love make you out to be a fool."

"You can love someone and not like them."

"I suppose you're going to suggest I try online dating next?"

"How do you convince someone that you're not cheating on them?"

"Marriages don’t fail because couples get bored. They fail because, while they’re dating, people pretend to be the person they think their partner wants and then, well, there’s only so long you can keep that up."

"You probably don't believe that love at first sight exists, but I assure you, it does."

"Just because you say something to a person doesn't necessarily mean you mean it."

"Men often say that, but they don't mean it."

"This is just you projecting your own intimacy issues on everybody else!"

"They say that you can't love two people, but they're wrong."

"Never underestimate the female of the species. It won't end well."

"All you need to do is love him. You can figure out the rest as you go."

"Just tell her how you feel! If you won't, then I will!"

"All relationships hit speedbumps."

[dimmadoome]

The reason I dont want Daenerys to be the prince that was promised is because the Targaryens are colonizers and Daenerys herself is such a white savior archetype that I can't truly get behind her story line ending with her being the promised prince. Dont get me wrong, she is a fantastic character and I'm rooting for her ...to stay in mereen and fix the problems over there. Its where her story is. Its where she can do to most good and where her ending deserves to come to fruition. She is the breaker of chains. She is the Khaleesi. She is the Mhysa of those people. Her task should be to end slavery since she has the power to do something about it. Especially because its something she herself basically experienced as a 13 yo girl sold to an old man horse lord. Thats her story and its an important one.

Jon Snow and by proxy, The Starks, are the ones with a real dog in this fight over in westeros. The Starks are the people indigenous to that continent. The Starks have fought this foe before and the Starks have been the kings of winter 40 times longer than the Targs have even been in westeros. Theirs is the story of the north and the white walkers. Jon's is the story of the white walkers. He is the one uniting the factions. He is the one doing the dirty work to win that war. His is the blood of the first men and the Targaryens, a warg and possible dragon rider. The lord commander of the nights watch and the first person to really sound the alarm on the white walkers.

It just doesn't feel genuine to have Dany swoop in with her dragons to save the day in a continent she feels entitled to that she had never stepped foot in and has no idea how to rule, after her father killed the ruling Starks and started a war that left her entire family dead. She just...doesn't have a place there.

In summation, yeah Im pretty sure Dany is gonna be the prince who was promised but fuck that I hate it and the colonizer mindset her fucking family rode in on. Jon Snow all the way.

[loosescrewslefty]

Besides Momo, all of the girls who 'fall' for Okarun do so using him more as a prop than a person. Because Okarun is a quiet guy who is nice to everyone, it's easy for these girls to project their own wants and needs on to him so they can pretend he's the ideal guy they want without needing to put in the effort of actually building a relationship with him.

But Momo doesn't do that.

In fact, she actively tries to avoid falling into that trap by giving him a nickname so she isn't reminded of her celebrity crush every time she talks to him. Instead, Momo puts in the time and learns to know Okarun. His likes and dislikes, his fears and passions, all the little things that make him tick. She actively seeks him out just so they can hang out and talk to one another and doesn't back down when he tries to push her away because he's afraid she'll eventually grow to dislike him and leave first. Momo doesn't want Okarun to suit her taste in men. She knows he's not her usual type, but she connected with him and wants to get to know him better because that connection and Okarun himself are important to her, which helps their relationship and the progress they make feel natural and earned.

In terms of the female romantic rivals, it also helps that all of them are fleshed out characters who have more purpose beyond just advancing the plot for the main couple's relationship. For example through the course of the story, Aira and Momo's friendship with one another deepens to the point were it starts feeling like Aira is more invested in said friendship with Momo than her supposed crush on Okarun. I've never seen that happen between female romantic rivals in a shonen before as generally the purpose of rivalries like that is to give male readers the fantasy that all girls want them so badly that they will shank a bitch if they think they're competition. In comparision the frienemy relationship of Momo and Aira is funny and endearing and it's a joy to watch the two of them have each other's backs while also snapping when they're face to face.

Surprising thing about Dandadan is Okarun randomly pulls different girls throughout the manga, but all of their feelings for him are not very deep (you could argue Aira, but I think her feelings were kinda insta-love which is then used as mostly a gag- kinda unsrs to watch)

-Aira is already obsessed with him the next time they meet

-Vamola is obsessed with him after a random kiss (then ends up being explained it was for plot and not real romantic feelings)

-Rin- what foundation, and her whole vampire attraction moment was literally a joke 😭🖐

But Momo's relationship with Jiji then later Unji are taken much more seriously with strong foundations for why they have feelings/might be growing feelings for her, while also feeling realistic and subtle

Like I'm sorry but this was cute and we have never gotten a such a significantly intimate moment like this from Okarun with any of Momo's love rivals 🖐

Zuma got a whole arc with her to himself like??? Insane you can tell when Yukinobu locks in for the love rival plots LOL

In exchange for Momo's outward very obvious bursts of hilarious jealousy we get more complex love rivals for Okarun to battle lmao, least that's how I see it

(By "more complex" I mean in regards to them as love rivals, all the characters are equally complex as just characters)

Okarun got game but Momo got GAME GAME like they sense her baddie wife energy

Momo is a total catch like she's literally MVP for almost all the fights in Dandadan, and the only times she isn't is when she literally isn't present- so I don't blame them 😌💅✨️✨️✨️

And ofc in the end all these people's feelings for our MCs are only there to develop their romance, bc they obviously only want each other

Sidenote ppl who are like "wow a pretty girl has to be paired with a nerdy loser guy again"

Bitch listen

First of all he has his ultra baddie form

Second of all he is devoted to the nth degree to Momo and only Momo, all his thoughts are consumed by her, and everything he does is for her happiness and safety

Like the way he got so fucking mad a dude was degrading her right in front of him??? The way Okarun was used to being pushed around and bullied for most of his school life but he threw hands with a rando immediately with no hesitation for her sake??? She wasn't even in the room to hear it??? A MAN

No Okarun slander shall be tolerated here ✋️

[tae-shimura-is-my-wife]

I will never get how people have a the nerve of saying that Rukia isn't important to Bleach or that she's useless, when the entire Bleach story wouldn't exist without her! Rukia not only liberated Ichigo's powers but made him discover a whole new world and find a place to fit in and feel good again! She literally made people from gotei 13 break their own rules for her, made a quincy work alongside with a shinigami and much more i don't get it!

[fromtheseventhhell]

It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character

[allsortzofcrap]

i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.

im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????

i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.

it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.

was it intentional? did they somehow not pick up on the implications? was it random?

i can't fathom it. it keeps me awake.

[mademoiselle-cookie]

@missshelllo You know you can just reblog. It's easier and more practical.

But I will try to answer all your points. Keep in mind english is not my 1rst language.

But the manga was written in the 21th century. If you write a character having a sexist behavior, you treat him as him being sexist, even if it's to say it's normal for this time. A Bride's Story does that, and its story takes place near the Caspian Sea during the Russian conquest of Central Asia in the late 19th century. So NOT the most feminist place in the world. The women are still strong and developped and the sexist situations are treated like sexist situations even if they're normal and banal.

Or The Apothecary Diaries. It takes place in a fictional country based on Imperial China during the Tang dynasty, so again, not the most feminist place. And the sexist situations are called out by the author, even sometimes just in passing, even if no one can do anything about it.

(Or Mulan. The movie is not sexist and is considered extremely feminist despite taking place in a sexist context.)

It's also forgotting someone really important. Sir Arthur Conan Doyle. Born in 1859, who wrote A Scandal in Bohemia in 1891. In this short story, the only apparition of a character named Irene Adler, SHE OUTSMARTS SHERLOCK AND EVADES ALL HIS TRAPS. She shows a lot of independence, adaptability, and intelligence, win against a man and leaves to live her best life.

Arthur Conan Doyle wrote better female characters in 1891 than a 21th century author. Ryōsuke Takeuchi had no excuse for what they did to their female characters.

Also, Sherlock Holmes is treated as a sexist indivudual during Irene's arc. Why is he the only one? The author can called out their characters, they just choose not to when it's their favorites.

So there were about 50 women supposed to go to a dating event with only 2 men? If it was to get to know each other with a view to going further, why other men aren't there to do just that? Two men can't take care of this much women and it's a massive waste of time. It's not how it works. I don't know where to begin bc this idea is so stupid. The noble society will not force the Moriarty to organise a harem event. Even weddings are occasions for nobles to meet and chat with other people, including from a romantic perspective. Why not a tea party which goal is to meet people? It makes no sense.

Also, it doesn't answer why there's no chaperone. It's a really important thing at the time. You don't let a woman alone with another man, unless he's from your own family.

It's not just "girls alone party", It's a noble party, where the participants are taught etiquette from a very young age, and whose reputation is PRIMORDIAL. Reputation, especially for women, is extremely important. You may never get married because of this (worst fate for women of that era) because no one wants you, even if it's completely false.

Yes, women, even with etiquette, can be viscious, but they will be more subtle. They would try to do that in a way that will not hurt them. They will not act like middle-schooler kpop fan. They're adult!

And yes, some women would think they're entitled to everything, but there's a way to show that.

She's not supposed to be a strong woman going for what she want. She's supposed to be a gross individual that makes William uncomfortable with her sexual harassment. If their gender was swapped, the lady would rightfully seen as a creep, and William as a victim. It would not have been a "joke".

And it's disturbing that she is the only overweigth woman at the party, also the only woman who think harassing someone is a good idea. It's fatphobic af.

Yes, but William is mysteriously the most populair one, more than Albert, despite not being the heir and being, for the public knowledge, just a mathematician.

Even the servants get drooled all over, despite not having any statut or title.

And it doesn't explain the groupie behavior of all this women. They're educated adult.

Yeah but if you can't enter, it's not an issue if someone want to peak in. It's normal to want to lock your personnal office when you have guests. It would have not been suspicious.

I don't know what it's an answer to, but even at this time, William's plans are stupid and wouldn't work if the characters weren't Gary Sues and the world's logic wasn't bent to let them win.

William's plans don't work bc it's in the 19th instead of the 21th, it's bc it's a manga. I already talked abt this here.

But we don't see it.

I talked a bit more about this here but to be quick: we don't see what they publicly do as the Lord of Crimes.

Their last missions/arcs we saw were : Irene, the burglary, Jack the ripper, this chapter abt William/Sherlock and the commoner student, the tea party and William past.

From tome 6 to tome 9 (at least), we never saw the Lord of Crimes acting publicly, it's always in secret. So how can the public knows? And can WE knows what the public knows? How can they see him as a real person/entity when it was just a rumor before?

William makes mistakes? Really? When?

Or at least when it is treated as a mistake? I complain a lot abt him not wearing a mask while leaving a crime scene, but the story never points how absolutely fuckingly stupid it is, and the guy who caught him still thinks he's super smart and never acknoweldge what a fucking clown he was when he caught him. The famous Lord of Crime accidentally revealed is true identity to a media tycoon. And the author is not banging William's head for his stupidity. It's sound like a joke.

To go back to my example with DBD, when Edwin makes a mistake, he pays the price. When he tries to hit a powerful witch when he doesn't know how to fight, he gets sent flying; when he uses magic on a cat to force it to talk, he's stuck in a city across the ocean from home with a witch who wants revenge; when he refuses to talk to his best friend about what happened with the Cat King (bc he's figurating his sexuality in the worst situation possible), Charles is terrified and stressed out. (None of this mistakes come from stupidity or wickedness, Edwin has his own reasons to do what he does. But they're still mistakes)

At this point Sherlock is so inferior to William, I hardly believe he will be able to capture him, not if it's exactly what William want.

And William is a robot, he has no flaw, no real weakness. He's always perfect. He always has a plan and predicts everything. It's not credible and really boring. If at least the plans were really smart, and could actually work. I never have the thrill of seeing something intelligent, at best I have the writer thrill of imagining something better. I describe them often during my reviews so you can check that.

Sorry, but there is no substential difference between adult Will and child Will. Mentally, he's the same. He's still way better than anyone, even when they're supposed to ouclass him, he's still know more than it's realistically possible, he still manipulates people extremely well, he's still has no qualm torturing or hurting people he deems deserve it. He has the same personnality, can handle himself and his brother really well and has access to a lot of money despite being street orphan. Even his brother didn't change much, he's way to calm for what's happening in front of him.

The only difference is that it's way more irrealistic.

Is it treated as flaws or just quirky character traits? Did he really pay the price for that?

I don't remember the map thing so it either didn't happen yet, or it wasn't a real issue. The narcolpesy is just a joke, it never bothered him in his missions. The only women I remember he had problems with were the ones at the tea party, bc of their groupie behavior, and he wasn't the only one. Don't remember the overthink things, is it your interpretation? If it wasn't and the author really intended it like it, wasn't play like a real issue or a mere joke?

When I say flaws, I'm talking Sherlock who understimates Irene bc she's a woman and gets manipulated by her. I'm talking abt Sherlock being irascible and difficult, so much that Watson gets angry at him. Sherlock had to deal with the consequences of his actions.

To take Edwin as an example again:

Quirky character traits:

Not understanding the modern world (the only time it could have been an issue, he managed to understand it anyways despite being in a highly stressful situation)

Talking like a 1900 person

Flaws:

Not liking trying new things

His pride

His lack of bedside manners

His jealousy

The first one is light and fun, the other create problems for him and/or advance the plot. And they are, even if partially, overcome.

In Moriarty the Patriot, the plot never advance bc of William's flaws or mistakes (only when he get caught by Milverton and it's never treated as a mistake). And William... never changes. Even from when he was a kid, he's still the same.

Moriarty the Patriot Vol. 9

"En troupeau"

(translation: "in a flock")

It's only in the french version, not the english one. I don't know japanese so I don't know if it's the original intention to use words this negative and insulting toward women. The issue is, even if it's just the french translators who did a massive mistake, I had no problem believing that was just the author casually insulting women (my money on the english translators softening the term. Also the eng ver I read was fanmade).

Maybe in another manga, I wouldn't have minded. Like if the character is supposed to be a misogynist and you're supposed to think bad of them for that and not agreeing with them. But Albert is not supposed to be a sexist asshole. And given the manga's striking record in its depiction of women, I don't feel lenient.

And that's just the beginning.

(first picture of the guests)

♫ Où sont les hommes ? ♫

No reason why there shouldn't be men at the tea party. Or at least why women shouldn't be accompanied by chaperones. Etiquette was very important back then, and you wouldn't leave a woman alone with a man. The Moriartys are ONLY men to the rest of the world. No one would leave them with women alone.

Good Manners

Noble women have all received an education in good manners. They are more subject to the severity of etiquette than men. There is very little chance of seeing them throw themselves at men by elbowing each other and calling each other "primbêche" (again, only in the french version. In the eng one, it's just "these girls...")

Especially if the person in front of them is of a different rank than hers. The hierarchy is very important within the nobility and determines who you can talk to, how, who to be friends with, who to marry…

Sure, I know bc I've read hundreds of romance novels about English aristocracy but the author prides themself on depicting the real England of that period and doesn't even know that? Any webtoon whose story takes place in an aristocratic environment knows that, even when it's not the same universe as ours.

So no, aristocratic women don't behave like groupies (and of course the Moriartys have groupies, what did I expect)

It's basic for an author to do research. How many authors have you seen joke that they'd be mistaken for serial killers if you looked at their history? Do you know how long I searched for descriptions of the pain of tattoos for a fiction I'll never write?

It's crazy to put so little effort into a story that claims to be ambitious.

Servants

Nobles are raised from birth to view commoners - including servants - as inferior. Often, servants are more of a piece of scenery than actual human beings. It’s not meanness, it’s just their upbringing.

Of course, that’s the theory. There are exceptions. But that’s what they are, exceptions. Which are generally kept to oneself, and not shown publicly. Noble women won’t openly swoon over the Moriarty’s servants.

And if they ever got hurt doing something stupid, they would be more upset about their injury than about the lost work of a servant. That's what happens when people are used to having everything served on a plate since birth.

(And in this situation, the servant would indeed have been at fault. In a party with many people, an element that can easily hurt was accidentally thrown by the hip thrust of a not very thick woman? Thank goodness there was no one behind.

The protagonists obviously think that these women are wild and stupid. Why didn't they babyproof the entire property? Especially the rose garden, which is a place they know will be very busy.)

Flirting

Obviously, the woman who dares to flirt with William in an aggressive and vulgar way is fat and ugly. All the others are pretty and thin, except her. She can't be a pretty femme fatale who is used to having men at her feet and thinks that William will be the same. She must be an idiot who has the audacity to think that William will be attracted to her, whose inner ugliness is reflected on the outside. It's not stupidly fatphobic at all.

Popularity

Why are the Moriartys so popular? They are handsome but in the eyes of the general public, that's about it. They are not the only men who are attractive and have good status/wealth. In any case, their beauty is the only criteria cited to justify the obsession they are the object of (and it is NOT the most important criteria for noble society). Nothing justifies the groupie behavior of apparently all the noble ladies . They are not k-pop stars. Will is just a mathematician, not even the heir, and he is the one who receives the most attention?

There is no accounting for likes - and dislikes. If people think Jayden Revri is average-looking, I can assure you that there are women who don't swoon over the Moriartys.

The art isn't bad, but it's not good enough to rave about the characters that much. So all these compliments ring hollow. Just like in R&C

The chapter is just: look how beautiful and popular the main characters are.

(I won't talk about these ladies swooning over a math class)

Secret

William was showing off by saying that he put protection systems in his office to protect their secret. But apparently, he didn't think of a very basic one.

Locking the door.

The girls who entered his office don't seem very bright like all the women in this manga, so I highly doubt that they picked the lock (and even less broke down the door). And if these very young, naive girls managed to do it, they need to put better locks. It should be easy with a genius like Von Herder.

Speaking of him, why is the secret meeting room in the basement so poorly hidden? How did the dog (who is just a dog with the intelligence of a dog, not a spy looking for the Moriartys' secrets) get so far? Its owner too? Is the entrance to the basement so poorly guarded?

There is once again a simple solution.

A door. Locked. Hidden by a curtain or a screen. Or even the same appearance as the wall. How did they not get caught before with such miserable discretion measures? (Well, they got caught, because William and his brother are too stupid to wear a mask)

Sure, there is the wine cellar right next door. Well, they might as well not put the secret room just next to it, especially if it has no protection against intruders. Otherwise, they could have put away everything that could be compromising. And I maintain, at least a door should be put in the basement entrance.

"King's scholars"

Of course the brothers got nicknames at school because they're so cool and smart. It would have been stupid to be discreet. Especially since one was known for being stupid. And another wasn't a noble at all to begin with (he didn't get bullied for that? Lucky him)

???

How does he know it's for William specifically? They don't know they've been exposed and Milverton officially has no interest in William.

Explanations please!

Sherlock

And one booger for Sherlock, one!

Court case

I have nothing to say in particular about the trial, I don't know enough about law or how it was done at the time. For MTP standards, it's pretty good since we're shown the reasoning and it more or less holds up. Nothing transcendent (I'm pretty sure no judge will side with a street kid demanding blood, over a nobleman) but of a quality expected for this manga. The problem is elsewhere.

It's William again.

There is almost no difference between adult Will and child Will. He has the same mentality, the same habits, the same level of intelligence, the same impressive culture compared to his peers. Even considering that he lived in a bookstore and is a genius, it becomes hard to believe when he can speak and manipulate so well at such a young age and has such a vast culture. William has been perfect and superior since childhood. His adoption into the nobility, his aristocratic education and the years passed have made no difference. He is essentially the same.

(this is a problem his brother shares, being exactly the same as his adult version while he is far from having received the education necessary for it to be credible. But he is very secondary and does not have the ridiculously intelligent side)

And all this would not have been a problem if he had FLAWS. Flaws are important elements for a character, it makes them endearing and above all credible.

Look at Edwin from Dead Boy Detectives. He is very intelligent, has an impressive memory and a gigantic library of knowledge (and extremely kind despite a tragic past and strangely neither racist nor sexist despite the context in which he was raised). But if he is my babygirl, it is because he is a fucking diva (also, the other characters can shine independently of him).

William has no flaw nor weakness, no prospect of evolution, nothing. He's boring.

"The most famous trial in the world"

The newspaper tycoon only learned about this story while investigating William. Even Bond didn't know about it. So not very famous, no.

(to be fair, in french, it's just "of the century". Doesn't work either)

Cruelty

It's ridiculous how much they try to portray young William as cool when he should just be crazy. He's a kid who's 100% ready to cut up another person. The MC are only the villains they're supposed to be when it's cool and edgy, otherwise they're classic good Samaritans. When those two notions are opposite.

Higher Intelligence

You discovered his identity because he didn't think to hide himself when leaving a crime scene. Stop saying William is smart.

I repeat myself but by dint of repeating that the MC are exceptional, it has no weight anymore (especially if it is not compensated by their flaws).

Lord of Crime

Glad to see non-noble people being skeptical about the Lord of Crime but it makes no sense that he is already so famous and popular. When we see the main characters act, it is usually very discreetly, like with Jack the Ripper, or Irene. So how did he becomes so famous? The general public has no proof that he actually exists, it is just a rumor, but everyone treats him like a real person.

Bendley

A person who lacks finesse and is not very subtle. I wonder if he is sincere because it is so exaggerated but that is a question that the manga asks itself so not so much a criticism. And he is clearly treated with respect - more respect than Sherlock.

Reputation

It is sad that Milverton is supposed to be a very bad guy and not subtle (not a flaw tho), but given the situation in the US, and even in France, I can't honestly say that he is unrealistic.

In conclusion, this image I found which sums up William and his gang very well

[born-to-lose]

I love being the always single person in my family, mad respect to my sister for constantly dating guys for the last 8 years, I would have shot myself

[ghostlyheart]

Being a lesbian is so good and so freeing. You mean I get to love women for the rest of my life??? For free????