#but it does end with pretty bad world state overall

[cokou]

What OP Men post about you on Reddit

OP 男性があなたについて Reddit に投稿するもの。

𝑴𝒖𝒍𝒕𝒊 𝑪𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓 𝑭𝒊𝒄

sum. Your boyfriend posted about you on reddit. ˏˋ°•*⁀➷ tw. NSFW ON KIDDS PART! Fluff overall! ˏˋ°•*⁀➷ a/n. Im sorry for so late uploads, i got sick once again😭😭😭 // Do not translate or transfer any of my works, this is my only account (exp. AO3) will not be cross posted anywhere else. // Masterlist

r/NSFW Eustass.Kidd

I (25 M) fucked my girlfriend (24 F) so hard that i had to get her into the hospital to get a medical treatment on her cervix.

The doctors told us that everything was wounded up inside her and it looked like she got abused from her lacked of walking, we had to get police involved in our house to investigate what had happened and found the dildo i used on her and it was examined on their lab for any contaminated illness.

My girlfriend refuses to see me from how bad her state had gotten and the police interogated me to make that everything was okay at home. My best friend had gotten involved from how bad my girlfriend couldn't walk and had to assure that I wasn't abusing anyone to the police, it took 3 days for them to fully give out on the case.

My girlfriend had been discharged from the hospital 2 days ago and she still refuses to talk to me, i got her flowers for apology and her favorite food as an apology. She told me that she could take all of me in bed and now everything just went downhill since i got out of control in her.

Now everyone of my friends teases me about what happened and they laughed me off every time they see me, Reddit what should i do?

Comments;

Her problem dude, she said she could take it!

You're at fault for taking her word at all. ➣ Eustass.Kidd replied: fuck off single mf.

—

r/girlfriends Msxr.Kill

My girlfriend (24 F) and I (26 M) have been dating for almost 5 years now, tomorrow will be our 5th anniversary and I'm planning to propose to her, but the problem is I don't know how. My brain can't take so much ideas so much and my friends aren't helping me at all.

My girlfriend is the most precious person ever, and i believe she deserves the best in the world. My ideas can't convince me enough that they're good for her, and what if she doesn't like it and rejects me? I don't want that. I asked her bestfriend on what places she especially loves, and I was told to take her on an aquarium proposal.

I don't know what to do and my girlfriend is making me all nervous around her as well, i need help ASAP.

Comments;

Eustass.Kidd: Just tell her to marry you wtf ➣Msxr.Kill replied: You're not helping at all Kidd.

Heat_er: You suck at planning lol. ➣Msxr.Kill replied: Heat I don't wanna hear that from you, you don't even have anyone to love.

—

r/AITA Dr._Trafalgar

Am i the asshole for kicking out my girlfriend from my office?

I, (26 M) kicked my girlfriend (24 F) out of my office because she knocked off all the papers off my shelves and dragged me out forcefully. Now she refuses to talk to me and it's been 2 days. My friends told me that i was the asshole and was wrong for kicking her out.

But the thing was those papers were almost 592 pages and i only ended up finding 578 of them, now my girl moved to her friends house and absolutely doesn't answer my calls or text messages.

Her friends texted me that i was the asshole for not spending time with her and paid attention all to myself only not her needs, the papers were worth so much that i could feed her and let us both live together financially, and now i was forced to redo all 592 pages in A WEEK.

so am i the asshole?

Comments;

Your.name: Yes yta🙄 ➣Dr._Trafalgar replied: get your ass home.

—

r/girlfriends Chef_Sanjii

My girl is the best in the whole wide world, she's do beautiful, so pretty, so perfect, and every thing she does hypnotizes me. Her beautiful nature makes me inlove with her more every second, her intelligence for everything makes her so special, she is not like any other women ever.

In fact, she is the best in the whole whole world. Not only does her pretty face shine in the darkness, but the way her body sways when she walks or does something is so majestic. I'm so lucky to have such a girlfriend like this, and i know that she will always love forever.

The way she interacts with even the smallest things are cute, in fact all of her is cute. The way her hands hold something and it shows that her body is perfect in every inch. She's none like others, no one can ever EVER compare to my girl, one day i will marry her and see her on the aisle and i wouldnt be able to hold my tears as she walks in a wedding dress.

Her facial features resembles a goddess, she trurly is flawless. No matter what anyone says, she'll be the most MOST perfect woman in the whole entire world. I love love her so much, she's the best that ever happened to me. Her love melts me warm and her words make me putty on her hands.

It's safe to say that she too, loves me, and that our relationship definitely is mutual. Love her so much.

Post was liked by Msxr.Kill & 7,251 others.

—

r/wifey Kuz._an

My wife's cooking is terrible but I don't wanna tell her that and destroy her feelings.

My wife and I had been married for almost 9 years now, she cooks for me daily ever since we have moved in together. Her cooking used to be good, but for some reason it tastes like burnt ketchup over burnt cheese. It looks appealing to look, but the tastes seems to be missed.

Her seasonings are full of bell pepper and black pepper, it terribly sucks. I love my wife to the fullest, but when it comes to her cooking, It feels like I'm on a prison cell. I'm sorry My Love, it's the truth.

Comments;

Unknown: Being honest is his forte. Unknown: COMMENT DELETED Unknown: Atleast your wife tries. Unknown: COMMENT DELETED

©Cokou 2024, all works belongs to me.

[darklink82]

Netflix Devil May Cry review

I've taken a break from the overall discourse and replayed Devil May Cry 3 to get the bad taste out of my mouth and I've come to a realization, there are aspects of this show that could have been used to make a great Devil May Cry story...for Nero.

(Breathes in)

The Terrible Shit.

God there is so much stuff in this show that was flatly terrible to include from the outset and I'm gonna need to clear that out from discussion to move forward so...here goes.

The deliberate and blatant allegories for the Iraq War and immigration were terrible ideas and it's pretty clear that they were written by someone who was trying to be "neutral" on immigration and superficially against the Iraq War...let me explain

Immigration

The show presents the idea that many of the demons in the demon world are weak humanoids who can barely breathe the air there due to "pollution" of some kind. It also posits that all demons are descended from humans who were trapped in the demon world thousands of years ago so they are practically just cute monster people being oppressed by Mundus and the ugly and monstrous demons who are also seemingly also descended from humans too...I guess. Anyway, to get into the allegory issues, this presents an explicit scenario where some pitiable "demons" try to escape into earth for a better life and some monstrous "demons" try to sneak into earth, seemingly just to kill and maim people...I can't be the only one here who sees how fucked this is as an allegory right. To top it all off there is a scene where the barrier between the human world and the demon world is taken down and it results in a near apocalyptic massacre, which would be fine in a story that just about fighting demons but this is also a story where demons are mutants trying to escape to a better life so the allegory also becomes "open borders will result in white genocide". It's a bad allegory done badly and I couldn't stop thinking about how bad it is. ONTO THE NEXT TERRIBLE ALLEGORY

Operation Iraqi Demonic Makaian Freedom

So beyond the terrible immigration allegory they also threw in some War on Terror comparisons too....yippee. It is never subtle about this, the first episode has the president of the United States get briefed on Terrorist Demons while he complains that the last guy only had to complain about Saddam, There is a scene where the US military engages in mass murder of innocent demonic men, women, and children with machine guns and portable crematoriums, and it ends with the US military invading the demon world, killing everyone indiscriminately, and establishing private resource mining operations to the tune of American Idiot by Green Day.... and I have to be honest, it feels like all of that was justify having a scene where the US military does atrocities to the tune of American Idiot rather than to make any kind of coherent statement about anything. U.S. Military Bad may be a correct statement but what does any of this have to do with Devil May Cry?

The Bad Shit.

Dante feels like a MacGuffin in this story. He does get some of the better fight scenes but he is also constantly getting knocked out and tied up somewhere 4 times in this 8 episode season. This leaves him separated from the rest of the plot and he mostly just has cool action scenes, but little character development or connections to the themes that the story is (poorly) exploring. I also hate to sound like one of the usual suspects but he shows Quicksilver level speed early on in the story but Lady keeps being able to get the drop on him over and over and over to the point that it's just stupid.

The White Rabbit is a fun and well acted villain who is genuinely unique as far as Devil May Cry antagonists go...until he is revealed to be a human with the most bog standard "I am an ally/member of [DISCRIMINATED GROUP] but I was victimized and driven insane by the actions of [DISCRIMINATING GROUP] so now I will kill them all no matter how many [DISCRIMINATED GROUP] I have to kill along the way" type villains. He even gets a massive power boost and becomes a generic hulk monster. There was so much potential with him but he just ends up boring and standard.

They turned Lady into an IDF Soldier...I don't want her to get a redemption arc, I want Dante to knock her out and leave her in a crematorium truck for the rest of the next season.

Changing all the magic into "quantum physics" is boring as all hell. And it isn't even humans trying to use science to explain demonic magic, the demons explicitly say it's quantum physics as well. The games always had some magitek around but it was never explained and mostly just added to the mystique of the locations, making it explicit science ruins that. It's also just boring on its own, makes everything feel less special.

The CGI demons were distracting, they contrasted way too much from the admittedly excellent 2D animation for me to stop noticing it.

I personally found the decision to make all the "innocent" demons into humans with weird bits and all the "evil" demons into monstrous creatures offensive and cowardly for what should be obvious reasons. The only "monstrous" demon that has redeeming qualities is the one that can shape shift into a human.

They overstuff the ending of the season in such a way that I can't see a good and coherent season 2 that can juggle ALL of the plot threads that they create at the last minute. We have:

The US military invading Hell and doing war crimes

Arius and the Oroborous company strip mining hell, likely connecting to Lucia's (whitewashed) cameo in episode one

Vergil either working for Mundus willingly or being brainwashed and creating demonic ISIS

Dante needing to escape DARKCOM's custody and acquire Ebony and Ivory

Lady's redemption arc

Dante and Vergil's rivalry

It's just gonna be a mess.

Nitpicks and fan rage

The demons get offended when their homeworld is called hell or the demon world. Instead they call it Makai....which is Japanese for Demon World. That's just lazy.

Agni & Rudra are objectively worse than they are in the games, being just generic dumb monsters wielding swords rather than being cordial sentient swords wielding bodies.

I don't mind cursing but holy shit does Lady curse too much in this show, to a very distracting degree.

If Dante ever gets serious in this show then I only hear Nero. Sorry, Johnny Yong Bosch is just too iconic for me not to hear it.

Vergil says that he is the storm and then he approaches all over them.....we get that Bury the Light is a fucking magnificent theme but that was fucking ridiculous.

The licensed soundtrack was honestly distracting at times but that's gonna be hot or miss for people.

The Good Shit

The IDEA of there being a larger number of good or benign demons in the demon world is actually an interesting one, and the idea that many would want to go to earth so that they could escape the oppression that they experience in the demon world is something worthy of exploring in Devil May Cry. I can even see an argument that Sparda sealing off the realms did effectively prevent many demons from "waking up to justice" the same way he did. There is even plenty of support for benign and friendly demons in the games and 2007 anime. Cerberus, Agni & Rudri, and arguably Nevan from Devil May Cry 3 are fairly cordial and honorable, they just oppose Dante because it's their duty and willingly join up with him after they are defeated. Brad from the 2007 Anime was summoned to bring his monstrous master into the world but changed his ways after experiencing both love for another as well as the joy and freedom of life on earth. Modeus was a student of Sparda who chose to become a pacifist, seemingly having been on earth long enough to gain preferences about strawberry sundaes. And then there are Trish and Lucia, one only needing a single act of kindness from Dante to completely turn on Mundus and the other being a full demon raised by humans. My main issue with the way the show handled is that it reeks of cowardice and "shitty magneto writing"

The 2D animation is genuinely great giving us fun visuals and great action scenes.

The first few episodes had a lot of fun and energy to them but the severe vibe changes in Episode 5 are gonna make or break the series for a lot of people.

Episode 6 was honestly pretty good even though it felt somewhat out of place in the story, serving primarily to compare and contrast Lady and the White Rabbit's back stories until they finally collide in tragedy. Its biggest drawbacks are that it doesn't feel like a proper part of the show while also being the primary source that confirms that Lady is indeed party to war crimes. They started gunning down civilians before the portal even opened.

Theoretical alternative show that would have fucking rocked

If you already have Johnny Yong Bosch you should at least look into having him play the character he already plays and Nero would have actually been a really good character for some of this plot...as long as they got rid of the overt Americanization of the story.

Nero is a part demon orphan who was raised by a loving, human, foster family who lost his foster parents to a demon attack. This and other demon related tragedies eventually result in him embracing his demonic side so that he can use that power to protect his family and others. During the events of Devil May Cry 4 he learns that the local Sparda worshiping cult has been transforming humans into demonic hybrids and that he is related to Sparda by blood somehow. After taking down the corrupt church and accepting his demonic power he settles down as a demon hunter and eventually becomes a foster father to a group of children who were orphaned during the events of Devil May Cry 4.

The White Rabbit is a human orphan who was rejected by his human foster family before finding his way into the demon world before being adopted a kind family of weaker demons. The loss of his adopted sister to the cruelty and harshness of the demon realm inspires him to find a way to bring his foster family and other weaker demons to the human realm where they can be safe. However, an organized group of human demon hunters slaughter everyone he was trying to save, leading him to inject himself with demon blood and make an alliance with demon lords for revenge against them, regardless of how many of those he once tried to save will die in the process.

The parallels are RIGHT FUCKING THERE Come On.

By primarily replacing Lady and Dante with Nero you could focus the story on a single person's journey and reactions to everything going on, especially if you are going to stick to an 8 episode format. Instead of retreading DMC 3 they could create a more original story and show how Nero resolves problems without Dante or Vergil around. (you can also have him stop the mass murder in episode 5 cause that was gratuitous and just...not something I wanted to see in a Devil May cry show)

Anyway, way too long rant over. Have fun.

[thekingofwinterblog]

You know what the most annoying thing about the Twists regarding the Elves in Inquisition was?

That all the twists, if taken on their own, would make for a really good story.

The reveals about Solas backstory and how him and his fellow God Kings rose, became decadent, warred with each other and fell, setting the stage for their transformation into the Old Gods is frankly speaking, some of the best lore that Dragon Age ever had, and lines up really well with how the world is structured while explaining how the Old Gods came to be, how the elves fell, and so on.

That the tevinter imperium when it conquered the nation of Arlathan was not the great imperial state lead by mighty mages their descendants liked to think they were, but instead a bunch of weaklings that needed years and years to take on one, measly city-state that had utterly obliterated itself in civil war.

There is so much great stuff here.

So where did it all go wrong?

The answer, is of course execution.

Inquisition overall is a great game... But man did it drop the ball so hard with the Elves that it's pretty much hard to believe that they will be able to tell a nuanced story about them in Dread Wolf.

Everything from the companions, to the world itself as the game presents , to retcons regarding mages that's there, not to tell a story about the elves, but to try and make the Templar vs mage conflict grey.

Starting with the companions, we have a great example of coming so, so close to greatness... and then falling right on it's face.

The game has two Elf companions, solas and Sera... and the contrast between them really illustrates the big picture with how incapable Inquisition is with trying to tell a nuanced picture with the elves.

Solas as a character is perfect. Love him or hate him, he is a fully fleshed out character with very clear, defined, understandable motives that makes sense to him.

And most importantly of all, his way of viewing the world is WRONG. The game acknowledges that he is wrong.

The entire story of where dragon age 4 is heading, is all about how the Dread wolf, for all his knowledge and intelligence and genuine virtues, is at the end of the day, a monster, who is willing to see the world burn to restore the Elves magic and immortality.

He is a racist, he is bigoted, and ultimately misguided. Despite all his development with the inquisitor, he does not manage to grow enough as a person that he manages to abandon his genocidal goals. And the game does not pretend othervise.

That is what makes the story of Solas rise to become the big villain of the sequel great.

There is no disconnect between the story, the characters, or the way the game wants us to view solas.

Solas is far, far more bigoted and close-minded than any of the dalish he so despises, and the game ultimately does not pretend othervise.

Which brings us to the opposite end of the elf spectrum with Sera.

Sera is a very disliked character by a lot of people, but by dalish and elf players/fans more than most.

Just like Solas, she is bigoted, racist, and ultimately misguided in her hatred of her fellow elves, whether they be city elves, or Dalish, or ancient elves.

And that frankly, would not be a problem if the game acknowledged that fact. If her character arc was about it, and either how she could not overcome her own issues, or actually managed to grow beyond them, she could have been a great character.

The problem is the fact that the game is not willing to handle this fact head on. Its not willing to come out and portray Sera as just as bigoted against her own kind as Solas is, and to treat this as a flaw.

Instead the game treats her as if her biggest flaw is that she's annoying, and not the fact that in a game that is in many ways about setting up the rise of the dread wolf, she is just as bad as Solas, just from a different origin point.

Sera should have been a mirror to Solas, both from a story point, as well as a thematic one, but unfortunately she is not.

Hell, she doesn't really overcome her racism either. The closest she comes to doing so, is basically burning out on hating the dalish and other elves in trespasser, not admitting she was actually wrong to hate them so much in the first place.

The game does not treat Sera's disdain for other elves and their culture as a problem, and it does not give a dalish inquisitor the option to tell her to go fuck herself on the topic that you are given with Solas if you really desire to do so.

You are given the option of kicking her out of the inquisition, but not actually stand up for the dalish or even city elves the way the player could against Morrigan's flemeth raised cruelty in origins, anders and Fenris obsessions with, and hatred for templars/mages in da2, or solas ideals in inquisition.

And thats a problem that really illustrates the bigger issue with the way Inquisition took what could have been a great story about the Elves and the reveals about their anceators, and frankly ruined it.

The dalish and city elvea were very thouroughly fleshed in both Origins, Awakening and DA2.

However, city elves largely managed to avoid being utterly destroyed by the narrative the way the Dalish were, for the simple reason that outside briala, we don't get much if any interaction with them at all, making them essentially a non show foe the game for the most part. They don't get a city elf inquisitor, and so we have no point of view to look at them from a pc perspective.

They got off much better than the dalish though.

Starting off with the arguably single worst thing in all of DAI is the retcon that Dalish clans, if there is more than two mages in a clan, sends off the third one alone in the wilderness to fend for themselves. This goes against absolutely everything that has ever been established about the Dalish, and worst of all, wasn't even an addition meant to demonize the dalish, instead being an addition to handwave away the obvious fact that the Dalish had a much better system than the human circles when it came to magic... Which in turn was made irrelevant by the fact the Avvar was later shown to have a much better and more effective solution to the possession question anyway.

It was, in essence, a pointless retcon, that overall only made the dalish look bad, and has now opened the door for the idea that most dalish clans acts like this, and will be portrayed so in future games.

Its bad, but unfortunately it was only the start.

The game goes out of its way to portray absolutely every single person who critices the dalish as having a point, that they brought on their own downfalls, even as they are being the most imperialistic, racist assholes imaginable, while the dalish inquisitor can only offer a token of defence for his people, a far cry from way origins allowed you to handle the same situation wheter your main ethnicity was ferelden, mage, city elf, dalish, casteless or dwarven noble.

But nowhere is it worse than the way the game handles the fall of the dales.

Now the actual lore you learn about it, is not bad. At all. I know some complain that the reveals that ameridan(and presumably other elves) worshipped both the creators and the maker, as well as the fact that the dalish unfortunately did have a bad relationahip with the rest of the world, in particular orlais, is bad storytelling, but i firmly disagree.

No the problem is the execution.

Ameridan is not wrong when he says that The Dales should not have distanced itself from the rest of the world, especially not in the face of a blight... But the Dales of his era were in turn not wrong when they argued that the Orlesians were little better than the imperium, and they would be completely right.

This is not a grey issue, its a grey and black issue.

Orlais was, and still is an evil, expansionist empire with 99% of its population living as serfs, that can be raped and beaten at will, little better than slaves.

The dales were the morally right side of the exalted march on the dales. No amount of new lore we learned in inquisition has changed that fact. We simply get the details fleshed out a bit more to add context.

Orlais was going to invade and enslave the elves anyway, as they proved through their actions against all their other, very much fellow Adrastian neighbors.

The problem is that you are not allowed to express this kind of point of view and stick to it like steel.

The characters you meet having the bigoted opinion that the dales ultimately brought on their own fate is NOT a bad thing in and out of itself... the problem is that you are not allowed to challenge that opinion the way you could challenge Lelliana's view of the dalish in origins, or the way you could tell both Anders and fenris to go fuck themselves on their extremist opinions all through da2, and ending that fuck you by killing them in the endgame.

And thats a real shame, because just looking at characters like cassandra's character development through Inquisition, you could easily have made a really compelling narrative put of a dalish inquisitor who stuck by his or her principles, and actually challenged the people they met's racist views on the dalish the way you could in origins, just with a more fleshed out and(unfortunately something way too many people just cannot emote to a character withouth) an actual voice to raise those arguments with.

I do genuinely like Inquisition, and i think it's overall a much better game than DA2... but man did they drop the ball with the elves so hard.

I feel so sorry for anyone who really got invested in the elves as their favorites factions, and i honestly don't think the elves will be handled particularly well in Dread wolf, especially as the only Dalish we are likely to see fleshed out will be the villains fighting for Solas.

[vaniliens]

Long ass opinions / critiques on milgram under the cut before t3 actually hits

Im not even that mad / hateful of mlgrm at all tbh & I think & hope you can tell that from the fact that my main gripe with it isnt really "This project was awful from start to finish it never should've happened" but rather "There were better (& Arguably easier) ways to tell this story & get the point across"

i understand 100% why they thought, on paper, why this would've been a cool project to work on and It Is!! They did their best, i really love how it takes inspiration from the vocaloid community from the abstract symbolism filled MV's, the deco covers, how theres an interconnected story, and the potential of community guesswork & discussion of what this song and/or MV means. I might be a bit biased bc i got into it after being dissapointed in how lacking the virtual singers / vocaloid [community] feels in project sekai besides the commissioned songs but overall i think its really cute, even if its technically just what art as a whole is about 😭 You know, making you engage & think about The Implications. Getting the inspo from the voca synth community allows the project to stand out bc of how its presented. Its unique, its fresh, it keeps you on your toes.

I love how it (tries) to tackle well known & relevant issues in japan (& tbh the rest of the world), like ableism, misogyny, child abuse, call-out culture, homophobia, the entire prison system, etc. and how the victims and perpetrators react to it. Its very interesting. Its very clearly trying to humanize & sympathize even the "worst of the worst", and i appreciate how its one of the main themes in the story even if some of the audience didnt quite catch it. Its showing how simply punishing people who did wrong isnt the answer. Like theres SOOOO much nuance to unpack both in universe with the crimes & prisoners and in a meta sense through the way the story is presented, the way the audience reacts, the discussions, thoughts, developments, etc. Its so cool. They've clearly put a lot of effort into it.

At its core the Milgram Project has always been less about solving the crimes and more about asking the audience "Why do YOU think X happened?" Its basically a bunch of character studies!! You're peering through their hearts, examining their own version of the truth of their crimes, and drawing your own conclusions based on that raw, intrusive data that the system has given you. Aagh.

Unfortunately in my own humble opinion all these elements combined is exactly why it doesn't work as well as it could've And arguably should've for a project all about seeing the good or at least understanding eachother.

It asks "Why did X did it?" but it doesnt give us a platform to actually state Why they did it in any way, only to answer & play into the prisons b&w thinking, and you cant in any way reverse any of their verdicts once its been casted. And thematically it works. I mean its about a warden in a prison full of people who have taken lives, its doing its job to mirror the reality of real life Innocent (No punishment or otherwise legal consenquence) vs Guilty (Punish) verdicts, legally or non officially, as it should. But idk it doesnt really Help us understand why a character comitted their sin. It only introduces downwards spirals, which only makes the characters less willing to provide their actual motive(s) as time goes on. I get that the main thing its criticizing is the legal & prison system but its getting in the way of sympathizing with "Bad" people. Which again IS the point, thats EXACTLY what the prison system does and why its so harmful, it dehumanizes people to hell and boils down their entire personhood to "Guilty" but like???? It doesnt really provide an Out, or anything more Productive to think about. WHICH IS THE POINT & I KNOW THAT BUT IT KINDA FEELS LIKE IN THE END THERES REALLY NOTHING YOU CAN DO WHICH IS PRETTY NIHILISTIC???

Its like "Theres no point in examining why these people are the way they are bc everyones gonna suffer no matter which button you press in the end!! No you cant gain deeper optional insight either bc we're permanently rolling with THIS now." and what doesnt help are the extra contents like the voice dramas & interrogation questions where the characters themselves add more fuel to the fire by threatening eachothers or the wardens lives??? and it leads to people discussing 'Which Verdicts to Vote [to minimize the in universe damage so these fictional definitely-not-representatives-of-real-life-issues-&-its-consequences characters can be safe]' instead of 'Actual Insightful Character Analysis [to help eachother find our own conclusions no matter what it is & to improve ourselves as a person through examining fictional scenarios]' and it leads to COMPLETELY unproductive discussions and flame wars and its so upsetting to see.

Its fucking tearing itself (& the fandom) apart by making ITSELF perpetuate the black & white "Theres a CORRECT answer to this EXTREMELY morally gray & heavily nuanced situation!!!" thinking for the sake of criticizing (More like making a parody of) the prison system. Like wow who would've thought that the system designed so that literally everyone in it is turned into mere "GOOD" VS "BAD" caricatures of themselves would be a good sytem to EXAMINE PEOPLES COMPLICATED LIVES with. Does that make sense. Like isnt it ironic how what we call "Meta voting" is, in the end, more about these fictional characters lives than it is about us, as the actual living breathing audience who are capable of accepting things outside the dichotomy and are able to self reflect before its too late? us, the humans whos lives are more fragile and thus require more care from eachother than mere 2d drawings? Isnt that so ironic

AND I WANT TO MAKE IT CLEAR I GENUINELY, WITH ALL (or none in this case) OF MY HEART, DON'T AND CAN'T EVEN BLAME ANYONE WHO META VOTES. BECAUSE THE PRISON. THE PROJECT ITSELF. ENCOURAGES IT. AND IN THIS TRIAL AND EVEN THE PREVIOUS ONE WITH KOTOKO'S BEATINGS, PROVES THAT IT HOLDS WATER. MORE THAN ANY CHARACTER ANALYSIS. MORE THAN GENUINELY UNDERSTANDING WHERE THESE CHARACTERS ARE COMING FROM.

And the beautiful thing about it is that theres ALSO a discussion to be made about this, intentional or not, about how our actions weigh more than our thoughts / feelings which is ofc correct. This also ties in it with its theme, of taking people's lives and under what conditions is it considered something "Neutral" (even "Positive / Good") vs "Punishable" and ofc also the punishing & restraining that comes with getting a guilty verdict part, an action that leads to someone else's forced in-action.

Still though, in what way does this really help support the Actual Main Theme, which is understanding eachother / the prisoners, people who youve seen arguably the worst of? Its grappling between wanting to make the audience GENUINELY THINK and self reflect vs a show about people going through hell and you CAN be both but again!! with way milgram is run, because of the active audience participation it needs & encourages & the way it boxes the audience into these 2 choices, it was always going to snowball & sway more to the latter. Its becoming less of a thinkpiece & more just a shocking spectacle where everything is in "Superhell"

"Oh anyone can die in this prison if the audience messes up badly enough" do you think thats a good way to send your message. Just kill off a character whos arc wasnt even finished yet. When their deaths only serve to make things worse and thus more shocking and "High Stakes"? When their deaths are only punishing the audience who wanted to understand everyone in the prison by

1. forever 'Locking' said dead character(s) out of any new developments

2. Possibly make things more muddy & unclear in the trial, as the rest of the characters would be affected by the death(s) and would most likely close themselves off even more to cope with the trauma?

And. Like. Again I cant even get that mad bc can you blame the writers when theyre all forced to write shit on the fly based on OUR unpredictable reactions??? Ex. Did they expect Amane to get a guilty in the 1st trial despite the sympathetic MV which features a child repeatedly being abused?? They also have to choose and try to balance between making the horror of the situation clear while also providing a way for these present horrors to bring out the characters past crime. Its so complicated.

I really really hate how this happened. Please. If milgram had no audience participation and if it was instead just a linear story or 2 this wouldn't have happened.... everything would've been in the writer's control and thus we would've been guaranteed a more fulfilling story even if it lacks the explicit audience complicity to the violence & abuse. See: come on man, THE OFFICIAL PREQUEL NOVELS.

Alternatively, seeing as the trial 3 curtain call is LITERALLY called 'Route: Your [Curtain] Call,' implying that there were other routes we could've went on, it could've been a video game or better yet a visual novel. Then we'd be able to fully explore the characters as much as we want, even if, by resetting the game multiple times to get the routes to FULLY understand these charaters, it lessens the emotional impacts the deaths will have.

I dunno man i just wish it didnt get this complicated I just wish it was presented better....

"So what do you think happened? Was this justified or not?" I dont know man we're busy making sure people dont die so we dont miss out on any new info even though the act of 'making sure people dont die' is making us Waste the opportunities we have to get said new info. WE'RE in storytelling superhell.

[yakool-foolio]

A recent tweet from drtwt confessions says “people need to realize how terrible of a writer/bad person Kodaka is. Almost every single female character he’s ever written is a misogynistic caricature and he’s only gotten worse over time. DR1 had legitimately really well written women. but compare that to Rain Code, where every women is either dumb/loli bait/cooker bait or just exist to serve a man, it’s really not a good look, that’s not to mention all the borderline illegal sexualization of CHILDREN in his games, which seems to be cranked up to 100x in The Hundred Line (literal sex scenes with minors) dude’s a real creep. Y’all need to stop trying to defend him.

Do you have anything to say about this?

I won't defend Kodaka for his very apparent character writing flaws throughout the years. I tend to view DR1's blatant usage of slurs and mishandling of a cross-dressing character (often times viewed or headcanoned as trans by a decent size of the fandom, mainly by a lot of recent first-time players looking at the character from a modern, more inclusive perspective) as a 'sign of the times' in Japan during the early 2010s, before much of that language has been fought against as time goes on. It certainly doesn't make it any less awful to read, but I acknowledge that it was the general environment of 'othering' everyone lived in and accepted at the time (and a majority of places around the world still do, some worse than others). The other Danganronpa games and Rain Code improved in some aspects but stayed the unfortunate same in others.

For Rain Code in particular, we got a pretty darn well-written non-binary character, but the few main female characters in the game suffer from Kodaka's neglect. I strongly believe that Shinigami is the best written female character in Rain Code, maybe even compared to the best in Danganronpa such as Sakura, Peko, and Maki. Fubuki is also a fairly well-written female character in my opinion, as her lack of knowledge about the world is explained through her sheltered, neglected, and uneducated childhood before being forcefully kicked out into a harsh world, and her parents are clearly deemed at fault for her flaws, even if not directly stated. But I admit her character doesn't get as much of a chance to shine as brightly as it could due to the overall structure and potholes in the narrative of her respective chapter.

As for the two female antagonists, Guillaume was a threat in the back of the player's mind more than a character. She has her moments to talk, but she is nothing but a vessel to push the plot forward, same with Dominic. I really wish their 'brains and brawn' dynamic was explored and complexified more, but it seems there's a conflict of interest between the conflicts of chapter 3, amidst the murder investigation, the bomb defusal, the flood, and the peacekeepers. With all these different overwhelming dangers, Guillaume and Dominic fade into the background when recalling the dramatic events of the chapter. Martina is another case of having the good bones of a well-thought out character, but the complete U-turn of her resolution shatters many players' opinions of her, understandably so. Initially, she's set up as Yomi's loyal subordinate, lovingly following his every order. The player is primed to theorize that Yomi is the reason she acts the way she does, manipulating her into becoming a completely different person, only for it to be revealed that she's demented because of her heartfelt desire for power of her own accord in chapter 2! Yomi only served to fan those wild flames already burning within her. But then the end of chapter 4 crashed down upon a great antagonistic character by making her give up all of her motivations, including her powerful role that she so desperately wanted. I've already spoken about her botched redemption at length in another post, so I'll spare y'all the rest here.

I think this person's point about Hundred Line is where the argument is the most shaky. Whether you like it or not, there are teenagers that are going to experiment with their sexuality and have sex. You may not like it, but that is what sometimes happens when curious teenagers want to try something new and supposedly exciting, emotionally driven, and rebellious (listen I can't say it like it's fact I'm just an oblivious ace don't swing your sword at me). I personally do not mind depictions of fictional teenagers having sex because it's definitely something that has happened and will still happen in real life. If we were to claim every depiction of teenagers having sex in media was illegal, a huge amount of classic horror movies and high school dramas would be on the chopping block. Not to mention that stories involving sexual acts between teenagers can still have literary value, especially cause a lot of these stories aren't just plotless sex scenes. Sex scenes in general can enhance characters' personalities by showcasing them in a very vulnerable state of mind and body as they work to communicate with each other in a very personal interaction. There are definitely lines in the sand that can be drawn on what is considered actually illegal in terms of explicit imagery of minors in fictional media, as many countries have their own varying laws against it (listed in this Wikipedia article). But Hundred Line is the least of my worries when it comes to that.

[maryfailstowrite]

Do you want to know who one of my favorite DRA characters is???? do you??? no, you don’t, but I’m telling you either way: it’s Kinji Uehara. Here’s why.

(obviously, spoilers for DRA ahead, so…. beware :))

So, to me, Uehara is an intriguing character from the start. When you hear the title “Ultimate Priest”, it makes you imagine a loud guy who is going to ramble on and on about God and religion and accepting Jesus Christ into your heart and all that… but you’re met with a quiet man that explicitly tells you that he doesn’t force his faith onto others. Even Yuki is a bit surprised, and this brief conversation leaves you wanting to find out more about him…

And oh man, do we find out more.

I think his first shining moment is in chapter two. When Kinjo is trying to start his dictatorship- I mean cult- Sorry, when Kinjo is trying to establish himself as leader of the group, and says that whoever doesn’t agree with his conditions must get out and will be seen as a preliminary criminal from now on. We see Mekaru get out and tell Kinjo he’s insane, which is a power move, by the way, but expected from her. This is Rei Mekaru we’re talking about, after all. She ain’t taking no one’s bullshit. Then Kizuna gets out (not without yelling and crying a bit before, of course), which was also expected given her mental state at the moment… And then there’s Uehara. He literally just gets up and leaves, and only explains himself because Inori asks him to.

So far, Uehara has been a pretty tame person. He got along with everyone, helped at the trial, and overall, he had never gone against anyone. But now he opposes himself (or, rather, Kinjo opposes the both groups against each other, but that’s another tale) against the main group of students, and decides, for some unknown reason to everyone, that being seen as a potential murderer is better than having to follow Kinjo’s rules.

His response to being asked why he’s leaving? This:

Then he walks out. Just like that.

Obviously, the Ultimate Priest would be a pretty moral-driven person, right? He’s supposed to be a spiritual leader, after all.

The first interpretation of this we make is that associating with Kinjo and following his orders would eventually make Uehara do something that goes against his moral compass. Even if Kinjo tries to make himself seem reasonable and reliable, it’s pretty damn obvious he’s not after the first trial. We know that he has a pretty black and white view on criminality, as far as thinking that all murderers (no matter their motive, circumstances, etc.) should die, a moral view that is a stark contrast to the Christian concepts of mercy and forgiveness. Concepts Uehara, as a priest, would base his world view on.

Kinjo and Uehara are basically opposites, morality wise. Kinjo would do anything (and in his case, it really is anything) to maintain the order he believes the world (in this context, the school and his classmates) should follow, and he’d go to any lengths to make sure justice finds every person he sees as ‘bad’, no matter how drastic or dark anyone else thinks his methods are. Uehara, on his end, doesn’t hold any grudges against any of the students that stopped talking to him after he left Kinjo’s group, and he doesn’t even hold a grudge against Kinjo, who is the whole reason why he’s been ostracized from his classmates. He still collaborates with the investigations and in the trials, and there’s nothing that points to him being mad at anyone for basically leaving him to his own luck in a killing game. He believes in and practices the mercy and forgiveness he’s been taught to have as a priest…

Or does he, though?

(Note: There is another interpretation to his response after being asked why he’s leaving. But we need to know what happens after chapter two to make it, so we’ll get to it later.)

Now, chapter three is his chapter. It’s his last chapter alive, and here’s where we get a more deep dive into him. But we can’t talk about any of this without talking about the murder itself, so… let’s get that out of the way.

The third murder case is incredibly gruesome (or at least it was for me), especially Inori’s death. You can hear her screaming for help inside the lab minutes before you open the door and find her tied up and burnt to death. It looks like an excessively cruel murder, especially considering there was no real reason to kill her in such a painful way. She was one of the weakest, if not the weakest character in the cast (physically speaking, of course), and she wouldn’t have shown much resistance if simply attacked (especially against someone like Uehara, who is double her size).

Plus, aside from Inori and Yamaguchi, two other people were attacked. Kinjo was left unconscious on the library floor, and Mekaru was taken out with chloroform and shoved into a locker. It feels unnecessary, and like attacking more people means the possibility of leaving more clues behind… but we’ll get to that later, so hang on for a moment.

Now, personally, after the victim reveals, I was conflicted. I had gotten spoiled, so I already knew who the killer was… and I was in denial about it. I wondered what could’ve driven Uehara to commit such a cruel and almost sadistic crime, and I was a bit scared they would pull the ‘oh my god, this character that seemed calm and collected up until this point is actually super insane and a cold-blooded murderer’ thing the original Danganronpa always does in chapter 3. In this aspect, I was pleasantly surprised.

Uehara being the traitor is a super surprising reveal. Even after ‘solving’ the murder case and voting correctly, it had never crossed anyone’s mind that Uehara was the traitor. Yet, that was exactly why the murders even happened in the first place. The motive video they had been given only existed to give Uehara instructions: If he killed now, the children Monokuma had kidnapped from Uehara’s cathedral would be freed, and if he didn’t get caught, he’d get to see them after getting out.

Of course, Uehara complied. Those kids were very dear to him. And we discover that originally, Uehara’s plan was far less gruesome: He kidnapped Inori from the infirmary and killed her with the spear while she was passed out (I assume he used the chloroform on her too, since she’s passed out when Yamaguchi finds her). But Yamaguchi’s appearance throws his whole plan away, and, as we see in the trial… Uehara breaks down easily under pressure. In other words, he panicked.

I think this is pretty important to understand why he did what he did. He never intended to kill anyone if it hadn’t been because Monokuma coerced him to, much less in such a horrible way. But after killing Yamaguchi “on accident” (wasn’t an accident, but it wasn’t his original plan), he probably started panicking and tried to bullshit his way out of it. He knew he couldn’t just let Inori go, because she’d immediately know he was the one that killed Yamaguchi. Even if she was passed out as he tried to save her, if a guy tried to kidnap you and someone else appeared dead a few hours later… it would be pretty suspicious. Plus, her coat was drenched in his blood, so… yeah, no way she wouldn’t put 2 and 2 together. So, Uehara started putting together a new plan with the first things he saw on the way. He had the phone on him, so his mind probably went there first, and then he started making up the rest of it from there.

Don’t take this as me trying to excuse his actions, though. Even if we think he didn’t realize just how painful his method was when he planned it, he still fucking electrocuted someone alive, which is horrible. He could’ve let Inori go and let her know he was the culprit, sacrificing himself, because the children would’ve still been released. He still had that selfishness in him to want to survive. But I think that imagining him making up a new plan on the way in a panicked state makes it easier to understand why he did things that seem completely unnecessary. And since we already know he’s not good under pressure because of the trial… I don’t think it’s hard to imagine him like that. He most likely acted on the first ideas he had using things he already had on him (the phone for Inori, the chloroform with Mekaru) or the first things he found, and that’s why his plan is so messy. Why did he drag Yamaguchi to the library when he could’ve just left him in the art room’s locker? To leave him next to Kinjo? He wanted to pin the murder on the guy that believes all murderers should die? While said guy was unconscious? Or was it just to confuse everyone and make them think the murders happened at the same time? And why did he shove Mekaru in the locker with the dried blood? That was basically leading the cast to an important clue. Why did he leave Inori’s coat in the art room’s trash? Knowing that they would investigate there, since that’s where they found Mekaru?

Like I said, the more murders/attacks, the more clues you potentially leave behind. And if we take into consideration that he was acting on the go, and that he didn’t have much time to cover up what he was doing (because he did a ton of shit)… It was impossible for him to get away with it. He probably knew this, but he held onto the hope that perhaps he’d be able to survive, and that’s why he breaks down when he realizes he’s cornered in the trial. But when he realizes that he’s been caught, he calms down because… at least the children are safe, right? Right?

One of the most heartbreaking moments in this chapter is the reveal that the children are, in fact, far from safe. Before killing Uehara, Monokuma shows him (and the whole cast) a video of the children’s dead, decomposing bodies, driving Uehara into a state of shock he dies in. I think this is a great way to make the cast’s fear and hate for the mastermind grow, but I feel like it’s also there to make a point. Uehara tried killing his classmates so that the kids could survive. He tried to choose by himself who lived and who died, and in the end, it only caused more deaths. This situation brings a pretty interesting debate to the table, and a pretty important one for the development of the game too.

And that’s what makes this case different from your usual chapter three double murder. The murders didn’t feel pointless. In the original Danganronpa series, it felt to me like some of the murders were just… there. Especially the third cases. They didn’t help develop anyone’s character, they didn’t help advance the overall plot, they just happened. For example, the third case of Trigger Happy Havoc. Celestia goes from being the “Queen of Liars”, a calm and collected woman that maintained her cool even when faced with the deaths of her classmates… to a horrible liar that was caught in, like, 5 seconds. Not to mention, her motive was money. Sure, I can perhaps sympathize with the fact that she wanted to make her dream come true with that money… but as the Ultimate Gambler, she could’ve won that money after getting out of the killing game. It isn’t a particularly strong motive, and it doesn’t make Celestia’s character better or more interesting. The reveal that Celestia was actually Taeko Yasuhiro is probably the most interesting part of this chapter, but we probably didn’t need two murders to happen to make that reveal, did we? Plus, she dies like, half an hour later, so it’s not like that reveal served for much. The deaths of Hifumi, Taka and Celestia don’t particularly develop anyone’s character, and they don’t push forward the overall plot either. They get rid of characters they didn’t want surviving, and that’s about it.

But DRA chapter three didn’t feel like that. And I think the main reason for this is, surprisingly enough, Kinjo.

The third trial is the start of Kinjo’s downfall. Like I’ve already stated before, Kinjo and Uehara are opposites when it comes to morality, so I believe it could only be him who pointed out Kinjo’s issues. And he does it in the only way Kinjo would listen to him: Using Kinjo’s arguments to support his own actions (and the murder he committed).

When Kinjo is going on and on about Uehara being a serial killer (which isn’t factually correct by the way, but sure, Mr. Cop), Uehara tells him that it’s strange Kinjo is showing such strong opposition to him and his actions when they were both using the same logic. Of course, Kinjo is a bit taken back by this, and asks Uehara to explain…

Uehara then responds with this:

He quotes Kinjo. He’s not only using the cop’s logic against him, no, he’s using the same phrase Kinjo used to defend himself and his actions to defend his crime.

After this, Uehara elaborates further: He explains that he sacrificed the lives of the fifteen students for the lives of 100 children. He just chose to save the most people, even if a few lives were lost in the way… Doesn’t that remind us of someone?

Kinjo deliberately chose to put a few people in danger for a chance at saving a higher number of them. He didn’t directly kill anyone, sure, but he wouldn’t have cared if they were killed. Kinjo protected everyone else and left the ones that didn’t agree with him to die, because he thought that was the way in which the most people would survive.

Uehara knows he wasn’t in the right. He knows murder is still an awful act, no matter what the reason was, and that he’ll have to pay for it in the afterlife. But Kinjo doesn’t. Kinjo thinks picking and choosing who survives and who doesn’t is the right thing to do. That’s what Uehara wants him to realize: That the reasoning that drove him to kill is the reasoning Kinjo was using as a leader, and that it would only drive Kinjo down the same path Uehara was dying in: a path of blood-stained hands, a path of guilt, and a path of death.

No one can play God. Not even the Ultimate Priest.

And Kinjo actually reconsiders his stance after the trial (and after everyone turns against him). Even if it was a dead end, because Kinjo ended up just standing stronger on what he believed in until the fourth trial, it makes him wonder about his actions, and it foreshadows what happens in chapter four. It lets us see that Kinjo doesn’t stand as strong and he seems, and that his views are bound to fall apart sooner or later.

Uehara and his murder case develop Kinjo’s character. He’s quiet after Uehara asks him to reconsider his stance so far (which is a lot, considering how much he bitched every time a murderer was found guilty), and he even asks Yuki if he’s wrong the next day. The trial, and especially the conversation with Yuki that it triggers later, helps us see Kinjo as a man who’s been put under too much pressure for too much time. A man that has been trying to protect everyone around him his whole life, but that had a completely wrong approach to it. Instead of the crazy bitch we see him as the whole time, we get closer to the actual person Kinjo is, not the leader he makes himself to be.

Of course, one could argue that having him just break down in chapter four would’ve led to the same series of events (aka him trying to kill himself, and therefore remembering everything and triggering the plot for the rest of the game), but… it wouldn’t have felt the same. If Kinjo had fainted in the fourth trial, then killed himself the next day, it would’ve just left us with a sense of helplessness. It would’ve felt like something that was bound to happen, because no one could’ve helped Kinjo… and that’s what case three brings to the table. Kinjo could’ve been helped. Uehara helps him question his actions, and if only Yuki had pushed Kinjo in the right direction when he opened up to him, perhaps we could’ve seen a much different Kinjo for the rest of the game. But that doesn’t happen. Case three makes us see Kinjo waver and falter, and it foreshadows what happens later on: it lets us know that Kinjo’s confidence wouldn’t last forever, and that he was going to break sooner or later. And it also adds to Yuki’s sense of despair when he sees Kinjo shoot himself in front of everyone: he knows it didn’t have to happen like that. He knows he could’ve helped, he knows he had the chance to, but he wasn’t capable to step up when Kinjo needed him. It makes the scene feel a lot different, and I really like what chapter three adds to the further development of the game.

But when has this turned to be about Kinjo, huh?! This post is about Uehara, so let me get back to him now. Remember the note I left after talking about chapter two? That there could be another interpretation to what he tells everyone when he leaves the group protected by Kinjo, but that we needed to know what happened in chapter three to talk about it? Yeah, let’s talk about it now.

“I always act in the way I believe is right”. We can still interpret this as him refusing to work under Kinjo’s leadership, since it would be a direct betrayal to his core values as a priest. But knowing now that he’s the traitor, it makes me think that perhaps it wasn’t so much about him not wanting to work with Kinjo as a leader, but rather about him wanting to distance himself from his classmates. I think that “doing what the believes is right” could mean causing the least harm he could to his classmates, and distancing himself from them was the only way he had to do that. Knowing he was the traitor would hurt much less if he didn’t get along with anyone in the first place, right?

We get to know the person Uehara is before the death game, even if briefly, from the flashbacks Yuki has in chapter six. We know he tried to think of the well-being of his classmates. We know he was the one that lead Inori and Yamaguchi to the warehouse while the Monokumas attacked the Kisaragi Laboratory in an attempt to protect them, and we know that even if he had a hard time adapting to a class environment when he first entered Hope’s Peak, he formed a bond with Yamaguchi because “he is a more warm-hearted man than any of them”. When one of the Monokumas enters the warehouse, and Yamaguchi holds him so that Inori and Uehara can escape, Uehara tells him that he’ll come back for him. And even in the killing game, we get to know him as a gentle-natured person, and we see just how deeply he cared about the kids he took care of at the cathedral (to the point of becoming completely numb when he finds out they’re dead). Even when he tried to kill, his original plan was to make the least harm possible… but that went horribly wrong, so not like it counts too much (again, I’m not trying to excuse his actions or take any responsibility from him, that murder was fucking awful). He was going to betray everyone sooner or later, sure, but I can imagine him trying to do it in the least harmful way he could. He was forced into a position where he had to do that to cause minimal damage, after all.

Uehara goes from being a quiet person that doesn’t seem like he’ll do much for the plot, to one of the most interesting (and important, in my opinion) characters in the narrative. DRA excels at creating characters with many layers, characters that feel human. There are few characters that can be considered a hundred percent good or bad, because… that’s not how humans work. It plays with the roles you expect the characters to have, it plays with your expectations, and it still allows room for a lot of interpretations of its characters and events (which is something I love in all pieces of media). And isn’t this the beauty of it? The humanity of media? Being able to see and reflect completely different ideas from the same content? In the end, all this doesn’t matter. I could write a whole book of interpretations and theories for the game, and it wouldn’t matter. What matters is that there is room for different interpretations, and that they all together build an independent and unrepeatable experience for the player. So, if there’s something you have to take from all this… enjoy your games. Write about them. Analyze them. Draw fanarts. Make AU’s. Cosplay. I don’t care how good or bad you’re at it, enjoy your favorite pieces of media to their fullest. Allow them to make you think. That’s the only thing that matters, after all. And that’s why I’m writing all this.

Oh, and also, love Kinji Uehara. That’s, like, super super important too. God bless you all, and see you next time.

[miraculouslbcnreactions]

Sorry if you answered this before but do you plan on watching S6 of Miraculous ?

I'm not sure. I'm certainly not planning to watch it as it comes out, but I may watch it once it's streaming. While I'm clearly quite critical of canon, I did genuinely enjoy a lot of things prior to season five. Little moments and character interactions that made it worth watching the individual episodes even though the overall plot kinda sucked. It was a good blend of entertaining in the micro and bad in the macro, making it something enjoyable for my partner and I to watch and then talk about.

Season five wasn't like that. There are a mere handful of good moments and most episodes gave me nothing of value, so I'm very hesitant to give canon more of my time. This is extra true because season five ended the show's first big arc, making it a really good off point as I'll fully admit that seeing Gabriel's ultimate fate was a draw for me. Now? There's really nothing left to look forward to. I no longer care about the canon square, Lila is one of the most obnoxious villains ever written, and both of our "leads" have been character assassinated into characters I don't really want to watch, mostly because they're not allowed to learn and grow, but they have the kind of character flaws that desperately need them to learn and grow for their characters to stay engaging.

Marinette's issues are pretty obvious, but Adrien was done equally dirty, just in the exact opposite way. It's really hard to get excited about for a male lead who isn't strong enough to make it to the final fight after five seasons of promising that it was "us against the world." Especially when every other character was able to overcome the nightmare dust! At least Marinette is doing things and talking to people even if those people aren't necessarily the people she should talk to and her actions aren't the ones she should be taking. Adrien just keeps sitting stuff out and doing nothing to change his situation because one of his big flaws is his passivity and it's aggravating! He's supposed to be an action hero!

And before anyone rants at me about victim blaming, please remember that this is a story and Adrien is a fictional character who - as best I can tell - isn't even intentionally written as a victim. While he is one in terms of what actually happened, the story does not seem to view him as one so I don't think his writing is some active choice to rep victims and, even if it was, I'd still have issues with their choices.

Either way, Miraculous is not the type of show that is here to give us deep character analysis. It's a rom-com superhero show for kids and that is the type of content I tuned in to watch. I was here for Ladybug-the-smart-badass and her faithful, flirty hero partner, but the show is giving me nothing on either front. Ladynoir was barely a thing in season five and I don't think we got a single Ladrien moment. Those relationship dynamics were my two biggest draws. My third tier dynamic was Adrienette and even that failed me because they didn't even give us Marinette growing up enough to be the one to ask Adrien out because, as stated above, the characters are not allowed to grow because that would mean that the episodes have to be watched in a specific order and it leads to terrible writing choices.

I've honestly given the show way more time than I ever planned while running this blog! I didn't expect it to get popular enough where I'd go away for a week and come back to over a dozen asks! I just wanted to vent about season five for a bit because the writing was just so incredibly bad that I needed an outlet to stop stewing over it. I've found that writing a thing down and throwing it into the ether is a great way to get my brain to move on and stop thinking about it, thus the blog.

[flower-boi16]

Hazbin Hotel Is A Show That Exists

So...after five years of waiting, Hazbin Hotel is finally out. I had very low expectations going to Hazbin - not only because of the current state of Helluva Boss (Its spin-off show) but also because of all the things I was hearing about it from people who saw the leaks - needless to say, it wasn't very positive. I was expecting this show to be a complete disaster on every single level, though deep down, I did want to be excited for this show - as I did used to briefly be a fan of Viv's work until I realized HB's MANY writing issues, so I went in with low expectations, expecting the show to be awful while deep down hoping that MAYBE It'll MAYBE end up being good. And after watching the first four episodes I can say that...

The show isn't awful nor is it that good. It's just...PAINFULLY average. In this post I'm going to give my current thoughts on HH based on the first four episodes that are currently released. Note that these are only my current thoughts on the show - there's a chance that MAYBE the show will improve in the second half of season 1. But for now, here are my current thoughts on the show:

1. The Animation & Visuals

The animation is...fine. The characters definitely look very rigged at times, but the animation is at least pleasant to look at. An issue I have is the camera work - sometimes the camera work can be VERY off at times. The show would constantly cut to different perspectives in some of the scenes and it becomes a headache to look at. It's especially bad at the beginning of the Happy Day In Hell song - where the camera looks like it's having a stroke during the sequence as it constantly cuts to different perspectives a LOT.

That being said - the camera work is mostly fine throughout the rest of the show so it's not too bad. So overall, the animation looks fine. I don't love it, but I don't hate it.

2. The Comedy

The show's comedy is...actually pretty ok. There were a few jokes that got a good laugh out of me, especially in episode 3, the episode that isn't written by Viv, so it therefore is the funniest episode of the show so far. I am surprised by the lack of sex jokes in the show which is at least a plus. That being said, a lot of the jokes in the show don't really land - mainly the ones that Angel Dust makes. So really, the comedy is OK. I don't hate it, but I also don't love it either.

3. Worldbuilding & Plot

So now let's talk about the main plot of the show as well as its world-building. Ok so the main conflict for the show is that due to someone killing an Angel during the last extermination - the exterminations are going to happen twice as fast now (6 months instead of one year). The mystery of what happened to the angel...lasts for about two episodes before we're given an answer in episode 3, and then it's just resolved like that.

Aside from that the series mostly revolves around its premise so far which is good. Alright, now lets talk about the lore and worldbuilding - basically Lucifer used to be an angel in Hevean but was seen as a trouble maker and Adam demanded that Lilith fuck him (or something Idk Idr) and Lucifer and Lilith fell in love blah blah blah Lucifer gave an apple to his new lover Eve blah blah blah the apple was cursed blah blah blah the apple created hell blah blah blah It sent evil to the world and Hevean was pissed about that so they banished them to hell blah blah blah Lucifer became sad blah blah blah Lilith didn't blah blah blah Hevean started doing exterminations because they were afraid of Hell's power.

(Semi-accurate description of the opening exposition dump). Ok so a few things; 1) I already asked this in another post but why did Hell never choose to fight back against Heaven when Heaven shouldn't have any power over hell because Hell was a realm created by Lucifer? Also, why does Heaven even have any power over Hell to begin with? and 2) So Heaven is eeeevil now and is going to kill all of Hell. Like I already said, it would have been more interesting if Heaven wasn't evil, and it also would've been better than this Hevean v Hell war we're probably going to get in the finale.

They even changed the reasoning to why Heaven started doing the exterminations, instead of it being because of an overpopulation problem now it's because Heaven was afraid of Hell's power...

...which contradicts the pilot which is canon to the series. But then the show just goes back to the overpopulation problem as the reason for the exterminations???? Like??? Which is it, is it because Heaven is evil or because of an overpopulation problem??? PICK ONE!!!

Hell is also kinda boring of a setting, it's just our world except red. That's it. So the lore and worldbuilding is kinda eh, Heaven is just evil cuz ofc it is and the lore has some problems. Its funny to how one of the lyrics of Adam's big villain song is "its all black and white", and since Adam is the bad guy and Charlie's goal is to redeem sinners, the show is trying to go for a "it's NOT black and white" message, but that's kinda ironic considering that this Heaven/Hell conflict is very black and white in it of itself; Hell good Heaven evil. That's it. Not saying black-and-white conflicts with a good guy and a bad guy are bad, most shows can make them work and be interesting, but Heaven would have been more interesting if it wasn't evil, at least IMO.

4. The Voice Actors

A lot of the discourse surrounding Hazbin until its release was the new voice actors. Let me just say I don't dislike the voice actors here; I think they are fine and they fit the characters decently well. Their singing is also decent as well. So I don't dislike any of the voices, they are fine for the most part and fit decently well with the characters.

5. The Songs

The songs so far are...fine. If there was one thing that HB consistently got right, it was the songs. Even if I dislike HB, the songs are actually pretty good (for the most part...). Hazbin's songs are...decent. There aren't any songs that I can say are bad, though I have some issues with the show's music; mainly the fact that the show sometimes shoves in songs...for the sake of having a song.

If you want to make a musical with songs you need to make sure each song has a distinct purpose for the story; take "Part of Your World" from The Little Mermaid. Before this song, it's pretty easy to infer that Ariel has an interest in the surface world - with her collecting human stuff and all. But the song further shows us her desire to see the surface - to see what it's like above water. It shows her desire to see the surface in the form of a song - it has a purpose within the story because it tells you something about the character.

Hazbin Hotel meanwhile sometimes has a problem when it comes to shoving in songs for the sake of meeting the song quota; the two biggest examples are "Hell is Forever" and "Respectless", as well as "Whatever It Takes". These songs are all completely unnecessary and they give us information that could have been communicated through simple dialogue rather than characters bursting out singing.

"Respectless" in particular feels less like a song and more like the characters just...singing a conversation with each other. The song is completely unnecessary and is just there to fill the song quota per episode. None of the songs I've mentioned are necessarily bad, but they suffer from being unneeded (HB also sometimes has this problem in season 2 mainly in episodes 3, 4, and 7).

Aside from that issue - the songs are...fine. None of them are bad but some of them are kinda useless and don't serve much of a purpose. I at least liked Happy Day in Hell and Poison, aside from that most of the songs are...ok. I just don't find most of them that memorable.

6. The Characters

Now, let's talk about the characters. First I'll talk about the main cast then the villains.

Charlie - I think Charlie's...fine. I always like overly positive and happy characters for protagonists so I was going to like Charlie anyway. She's fine; she's easy to root for and she's likable enough.

Vaggie - Vaggie's also fine. I do like her snark in episode 3, but aside from that there isn't much that interesting about her.

Nifty - Nifty's cute. Nifty's funny. I like Nifty.

Angel Dust - sigh Ok so I didn't like Angel Dust in episode 1 because of the fact he was another character whose one character trait is being excessively horny. And I also find all his jokes painfully unfunny. I'm not really in a position to judge how well his abuse from Val was handled so since I held a poll asking SA victim's thoughts on episode 4 and most of them voted no I'll just say that they didn't handle it very well and move on. So ya don't care for Angel Dust.

Alastor - Ah yes the creepy radio demon. He's also fine, I like his whole style and stuff.

Husk - Husk's whole purpose in the first three episodes is pretty much just to be pissed off at stuff, I kinda liked the scene where he talked to Angel Dust in episode 4 but aside from that, Husk is kinda just..fine...like everyone in this main cast.

Now let's talk about the villains so far!

Adam - Don't care for him. Sigh look Adam could be an entertaining villain but so far his dialogue and jokes are just painfully unfunny and I don't care for him as a villain. I could talk about his sidekick whose name I forgot but she's gotten so little screen time I can't form an opinion on her yet.

Also isn't it funny how HH was meant to be a female-focused show yet the males get more focus so far (As I've already talked about)? Ya, I thought so too. Anyways, the characters are...fine. I don't hate any of them, but I also don't really love any of them either. None of them are that interesting so far to me.

That's pretty much what I can say about everything in this show so far; I don't hate the animation but I don't love it either, I don't hate the comedy but I don't love it either, I don't hate the songs but I don't love them either, I don't hate any of the characters but I don't love them either.

7. Conclusion

So, that's my current thoughts on HH based on the first four episodes. Well...it's certainly a show that I watched. It's amazing to me how a show could be so consistently painfully average in pretty much EVERYTHING, from the animation to the songs to the comedy to the characters, to the episodes themselves, Hazbin Hotel is the most painfully average show I've watched so far. It's not bad so far, but it isn't good either. Again, maybe the show will improve when the latter half of season 1 comes out...

...or it will just get worse. I'm expecting the latter unfortunately due to the trailers making it look like there's going to be a Heaven/Hell war which means the show is probably going to abandon its premise like its spin-off (...that came before the main show was released). But ya, Hazbin Hotel is painfully average so far, probably a 6/10 so far, expecting the show to probably get worse, goodbye.

[vegetabletaxi]

headcanons about harry anderson no one cares about but like 5 people and i

i need to stress he is in my brain daily and i need to get some thoughts out please talk to me about harry anderson egbert guys please /silly

⭐🧵headcanons under the cut 🧵⭐

🧵 it's stated in "the insiders" that he has stage fright, but we are not given an explanation as to where it came from.

i like to imagine it's because he grew up with so many successful people in his family circle. not just because they are gods - but because they have talents that they are incredibly successful at. he's not as funny as his father, he's not as smart as his mother, he's not as savvy as rose, etc etc- and yet, he was brought into the spotlight from an early age nonetheless, having mentioned being in magazines and such. but he never talked, or said a word. meaning, he hasn't shown the world his potential at all yet... and he's terrified of doing so and disappointing them. his family, his friends, even strangers. it's a lot of pressure. and the more he lets it fester, the worse it gets.

🧵 he's in the theatre club but he's never properly acted/sang in front of anyone or participated in a play.

he's only been responsible for costumes. he really wants to participate - he rehearses for months on end before auditions - only to chicken out last minute.

🧵 he loves making other people shine more than shining himself.

we know he makes clothes. clothes are an art of self expression - and he loves dressing other people up so they can show their true potential. plus...it distracts him from his own failures.

🧵 he makes clothes for people that really need it, does a lot of charity work. the homeless, orphans, other school's plays, small local movies, etc.

he just loves to help out. he is genuinely a friendly person that cares and likes to keep himself busy.

🧵 ...and he also does make up!

this falls into the same category as the clothes thing, i think. he has a vanity table in his room. it's not hard to imagine him helping out with that too whenever he can.

🧵 he has officially been excused from holding presentations at school, much to his peer's dismay.

roxy knows his glossophobia (stage fright) is pretty damn bad, so she asked the school not to have him participate in things like that. people in turn think that he gets special treatment because of his god mom. overall he's not disliked though. i just think most people don't really know him, and tend to think of him as somewhat of a snob, if a friendly one. however his grades are only painfully average, partly because of this.

🧵 his relationship with his mom isn't perfect

now don't get me wrong, roxy is great, and they love each other very much. but i do think she has trouble talking about problems, and difficult things in general, and tends to keep things on the lighthearted side, which makes it hard to communicate issues with her. harry anderson would rather pretend he's got everything under control than bother his mom with 'frivilous problems'. ...one of such being kind of uncomfortable with aunt jane when he gets older. plus, he really doesn't want to disappoint her. he feels like he already is.

🧵a master of imitation

he can imitate any voice he wants to with perfect precision, including his mom's. makes calls to the house from school a lot easier. though she's pretty sneaky and finds out about this eventually lol

🧵 probably kins rarity from my little pony /lhj

🧵 he has the last name 'egbert', despite lalonde sounding better, to keep john's father's name alive.

🧵 unlabeled

he is very well versed in lgbt topics, as roxy made sure to teach him, but he doesn't really care to think about himself that way

🧵 born intersex but they really stuck with the name harry anderson so they just assigned him male at birth

told him he's free to choose when he's older of course and roxy refused to do any surgery on him. he just kept going with it though. for one he doesn't truly care about gender but also it's the name his dad wanted him to have, and he misses him a lot.

🧵 he gets along well with kanaya

clothes making go brrr :)

🧵 john does visit for some holidays, which he's happy about. but the day after that, he finds himself extremely sad he's gone again. he never calls back.

i love john but he absolutely is stuck in his own little "theyre fake anyway" narrative. also he's depressed as shit L bozo. this leaves harry anderson with the irrational fear that if only he had been better, he would've stayed "this time".

🧵 played a ton of retro games, and watched a lot of retro movies as a kid, because of roxy and john's influence

he tries talking about it with others but they have no idea what the fuck he's talking about ever

🧵 sometimes roxy is too lazy to do her make up so she lets harry anderson do it in the mornings

just thought that was a cute little domestic thing they do

🧵when john finally comes out as june, he helps her pass better

seeing as harry is so good at voice imitation he can help her voice train, and of course would be more than happy to make clothes that flatter her figure. finally someone will indulge him in dress up :)

anyway that's it for now byeeee

[clawsextended]

as an autistic woman, selina first and foremost deals with her least favorite form of ableism: the you’re too pretty to be autistic trope. it drives her fucking bonkers. she was diagnosed by the good doctor bloom over @godblooded and once she started to learn about it her own mannerisms felt very apparent.

enormous swaths of her attitude are straight performance — selina masks so constantly, so frequently, only ever taught to mask and nothing else. in fact, she doesn’t even know how to unmask when she’s alone. even all by herself, selina finds her true self so intolerable that to act liberally even alone would be an act that turns her stomach. she cannot deal with herself — cannot entertain the dark, racing, pulsing thoughts and the way she is quite literally stuck in a state of hyperphantasia that’s perfectly comorbid with her synesthesia, which is another story.

now what is hyperphantasia? it’s a psychological condition in which the person in question cannot escape a constantly vivacious memory/imagination that means their experiences are extremely visceral and dangerously clear, so much so that it’s something that it can be extremely real to deal with. it’s been called “mental time travel”, which is a person’s ability to visualize the past or the future with a sharp clarity. as a direly traumatized individual, selina’s overactive imagination tends to become gruesome, and she’s witnessed the most gruesome acts possible firsthand from an age as fragile as cheaply made glass.

if you want to understand why selina is so flighty, impulsive, antagonistic, whimsical, spontaneous, and overall? chaotic. it’s because she’s living on a different and yet same timeline than you at any given moment. she’s experiencing a reality that is not your reality. the things you’re hearing and seeing? she is not perceiving them the way you think she is, or the way you intend. not usually. she’s hearing phantom tones in your voice that simply aren’t there — she can’t stop hearing the blood running down the drain two rooms away that’s not even a drain. she’s perpetually stuck in her worst moments and they won’t end and you’re interacting with her and her attention is neatly, horribly, unwillingly divided. she doesn’t want to lose her shit, but she sure fucking is. likely, you would be too if you were constantly tortured by your own internal process and it colored the whole world around you as purely malicious.

this turns as easily inwards as it does outwards. while she’s irrationally shrieking at bruce about him giving her a compliment, she’s also ripping herself apart on the inside, screaming just at loudly at herself to shut the fuck up, god, you stupid bitch, just shut the fuck UP. it’s a troublesome thing that rears its head when she reaches a peak of irrationality, when her mania flares at its absolute worst and she can’t find what end is up. she needs understanding the most when she simply can’t break through enough to communicate the how bad it is, when she’s so deep in a delusional state of mind that can’t be broken through with anything but time, patience, and clarity. selina struggles to keep herself in check, but she subscribes strongly to the cliche that time really is the great decider, the healer of so many things. maybe she can’t manage to hurdle right over this with the usual insistence, bullheaded as she may be, but she’s gained experience. she’s learned how to be patient with herself, how to recognize things that before would’ve been easy to ignore. now she can express when that buzzing sensation sets in. she knows it before it becomes the ball of panic and static that devours her conscious thought. she imagines it like a great angry scribble with teeth — dr. bloom had frowned, and selina saw her mask slip when those blue eyes twinkled with faint empathy, not an ounce of sympathy. she hadn’t hated the sight, for once. the drawing of her rage felt like telling some forbidden inside secret. she wasn’t sure what felt so unsafe, until it had occurred to her there and then her fear of being understood was considerably larger than all other things.

selina’s internal workings are rusted with blood and stopped with clotted marrow. the cogs are misshapen and jagged. the rhythm is a cacophonous screech, and the machine begs for rest after constant overheating. but she can’t rest, can’t slow things down, can’t take it as it comes — she absolutely must know every angle, must secure every route. she’s a strategist at heart, and has always been a rogue, a con artist, a career criminal. her very soul is bent toward extortion, grand gestures, toward sweepingly fancy thoughts that snowball into absurd actions.

selina will respond to statements you either seemingly did not make or will utterly misread the tone, delivery, and contents of the ones you do. she doesn’t mean to do it, but she has a viewpoint colored brightly with bias gleaming through its veins. fear is her most prominent emotion, and it twists her interactions into completely unpredictable things. understanding her is playing russian roulette. every time. except the thing about it is there are more or less bullets in the chamber depending on her mood. she’s always playing a dangerous game with herself and this is only intensified when her mental state is in a precarious place.

but fuck if she isn’t trying.

[polydamnory]

⚠️EA / Somehow Whole Spoilers⚠️

Okay, I’m just gonna start this off with saying I have always been a hater of the “but it was all a dream” trope. I know there’s more to this than that, but suffice to say I wasn’t the biggest fan of this ending. That isn’t to say it was bad writing, or I fully hated it, nothing like that. Erik’s writing has always impressed me, and this is no exception. But this just wasn’t the story twist for me personally, and a not insignificant part of me wishes it had gone down a different route. (If I see even one fucking anon on those confession blogs being genuinely shitty about this I swear to GOD-) 

With that out of the way, I’m now going to gush about the things that I really did enjoy about this finale (because it is the finale in case some of you weren’t sure, he labeled it as such in the EA post) as well as some things I think I are going to be relevant to the overall lore of the Redatedverse going forward. 

First off, I cannot BELIEVE that Erik spoiled the fact that Anton was a werewolf with a fucking Fooliverse video and none of us had a clue. Absolute icon, I genuinely love that so much, this is like the Azmidi thing but even funnier. I do kind of wish he was a different kind of shifter, we already have so many wolves and it’d be fun to see more of a variety. Didn’t expect him to actually be working for DUMP either. I wonder if he really is good with tech tho, considering he functioned as a sort of hacker in the Imperium universe. Hope we get to see more of him going forward. (Also is his partner still an earth elemental? Does he even have a partner in the real world?) 

Also, unless stated otherwise, the fact that “the Asset” might’ve just headcanoned James to be a bottom is so funny to me (this of course depends on what reality his BA took place in - his emphasis on him just being a facilitator makes me lean towards dreamscape considering how he spoke before everything *ahem* went down in that audio, but then again I’d assume working in any way for DUMP would be stressful so could be either or). 

Marcus, or Marc what have you, may not suck in the way we knew him to but he still sucks in a different way, so glad to know that’s still a reality lol. 

Wasn’t expecting to meet another victim of Quinn - even with the twist being revealed that this was just a dream and “the Asset” just being a latent human, he was still very much a surprise. 

I guess this means there’s a lot more information about how the department works made public than I thought there was, although the way they were partially depicted in the dream really just drives home that seemingly a lot of the public doesn’t have a high opinion of them (see implied fantasy racism towards demons). 

With how much “the Asset” knew about the Meridian (because some of that does seem to line up with what we know about it from other storylines), I guess it’s fair to say that this did take place later in the timeline considering that this appears to be more public knowledge (I think James said something about it being spoken about on the news), just maybe not as in the future as we thought considering this seems to take place relatively soon after Quinn getting caught. 

Anyways, this was still pretty enjoyable, even if it is based off of something I’m really not a fan of, and I totally see now why (aside from him also getting sick) Erik had to postpone this one for a bit. Never gonna complain about getting so much content at once. Hope we continue with more of the narrative driven stuff in the next couple weeks - now more than ever I need to know what the fuck is going on with Avior. Also give me more Anton content please and thank you.

[stitching-in-time]

Voyager rewatch s7 ep12: Repentance

This one really seemed like it was trying to be a critique of the U.S prison system, but ultimately pulled back too much to effectively do that. It still works as a character piece for Seven, but overall it feels like a missed opportunity to make a statement on an issue that's still a problem in the real world.

I only vaguely remembered this one, so I was actually pretty surprised at how strongly it came out against the alien prison guards ferrying prisoners slated for execution that Voyager rescues. The guards are violent and prejudiced against their prisoners, and definitely portrayed as the bad guys they are. Neelix even strikes up a raport with one of the prisoners, who doesn't seem as violent as the rest. He claims to have been falsely accused and condemned because of prejudice against his species. When Neelix does some research, he finds statistics that back up the man's claim, which is obviously a parallel for real-world racial profiling in the American legal system. I was pretty surprised at how woke that was for a mainstream show in the 90s, but then they walked it back later, when the prisoner ends up trying to escape with the help of a message he got Neelix to send for him, thinking it was just a regular letter home. They show Neelix feeling all betrayed and angry over the man's actions, and the audience is obviously meant to conclude that what the man said wasn't true, and that he really was guilty, which absolutely defies what should have been the point of the episode. The idea that an innocent man wouldn't try to escape execution, or harbor hatred for his violent captors, is incredibly clueless, and the idea that lying to Neelix or attacking his captors somehow showed that he must also be a murderer, and deserving of the execution awaiting him, is equally awful. Portraying a character who says they've been a victim of racial profiling to actually be what they've been stereotyped as, is basically coming out on the side of the oppressor and saying the inequality is justified, and that's not what Star Trek should ever be about.

That whole subplot really upstaged the rest of the episode for me. The main plot, with Seven becoming friends with a formerly violent prisoner, who's inadvertantly cured of his violent impulses after the Doctor uses Seven's nanoprobes to heal him after a beating from the guards, is a more of a theoretical what if than a parable for real world situations. In this episode, the aliens let the victim's families decide what happens to convicts, and most of them choose execution. I suppose the remorse and total lack of violence the man ends up with is meant to make the audience feel the wrongness of his impending execution, but as someone who doesn't think the death penalty should exist under any circumstances, I didn't need a 'what if a prisoner could be totally rehabilitated? Should they still die?' story, because I think the answer to that is always no- no state should be able to legally kill people, regardless of what they've done. I guess maybe it was also trying to make a point about the wastefulness of sentences that serve only as punishment, and make no attempt at rehabilitation, but undermining the part about how racial profiling plays into who gets charged with crimes in the first place, and how that plays into the sentences they recieve, undercut that message in a big way. Saying that it's bad to execute someone who is totally cured of violent tendencies, and is not a danger to society, while true, isn't an especially radical stance to take, especially since they seemed to imply with the subplot that executing people who are violent is somehow ok.

I did appreciate Seven's part of the story, of how she saw a parallel between herself and the alien prisoner, who had a fault in his brain corrected so that he was finally able to feel remorse over the people he'd killed, and revulsion to the idea of violence in the first place. Seven's evolution from feeling no guilt over what she did as a Borg in the beginning, to now, when she obviously feels it keenly, is some really good character development. She feels compassion for others much more now than she did then too, and advocates strongly for the man to have his sentence commuted. When his appeal is denied, she feels guilty again, since she felt that they were so similar. She thinks that because she killed far more people as a Borg than he ever did, she deserves a death sentence more than he does. Janeway tells Seven that the horror she experienced as a Borg, of having her free will denied and her mind and body used, was more than enough punishment for anyone, putting a button on the point that compassion and acceptance are the only way to actually rehabilitate anyone. That was a nice ending for Seven in this ep, but the rest of the story fell short. It ended up giving in to the idea that the alien criminal justice system, and by extension, our real-world system, is well meaning, but simply imperfect, rather than taking on the more complicated truth of our real-life criminal justice system being founded on flawed premises of racial prejudice and profit motivation in the first place, and acknowledging that that's what's at the root of it's inability to truly mete out justice for prisoners or victims.

Tl;dr: A flawed attempt to do a parable about the criminal justice system, that pulled back from hard-hitting criticism to take a softer stance that would be less controversial. A lot of good character stuff for Seven, but very disappointing in how the subplot with Neelix ended up siding with the oppressors.

[loopy777]

AtLA Book Water Soundtrack Review

You all know how we've wanted this soundtrack for years and suffered through such explanations as 'the original sound files probably don't exist anymore.' Thankfully, Avatar Studios has seen fit to re-record the music of the first season with a full orchestra, as part of what I assume is a media blitz meant to build hype for the live action Netflix remake. But we all know that remakes, even in music, often don't live up to the original. So, how did it turn out?

(Er, the soundtrack, I mean. The Netflix thing hasn't been released yet.)

With a sigh of relief, I can report: It's great!

Thankfully, the sample track didn't turn out to be indicative of the entire album. The composition of everything else is pretty faithful to the original versions, as far as I could tell. In fact, the overall sound is pretty close to my memories of the original music, despite the use of a full orchestra to record this version- with the exception of the drums, which in the HiDef sound files I downloaded sound fantastic and successfully make my floor and walls shake. (I make no guarantees about what you get if you listen to streaming, mp3 files, or the vinyl disks. This is why I pay a premium for FLAC files or CDs.) I loved turning up the volume and getting blasted by the classic Avatar theme in glorious orchestral quality.

Plus, some tracks are vastly improved by these recordings, while also being true to the original. The best example is the Northern Water Tribe entrance music, which I always thought sounded a bit chintzy and repetitive in the original track (but I admit my opinion might be colored by the poor quality of the recordings we have access to). The new version has a much fuller sound and enough variation to justify the length. I suspect this might come down to which of the original tracks used real instruments and which had to rely more on synthesized sound.

I suspect, though, that the vocals on this album are all the originals, and that's why the Koizilla music makes the chorus less prominent; it probably couldn't be mixed together with the new orchestra without sounding bad. In most cases, that's not a problem, but I do mourn that the Kozilla music doesn't sound quite right. But, on the other hand, Mako's singing has never sounded better.

The album has all the music I'd expect of a soundtrack for Book Water. The Fire Nation, Kyoshi Island, and Jet all get good suites that showcase their themes and music, something that just doesn't exist anywhere in the original recordings. The famous stuff -- the opening theme, the Avatar State, the 'into the sunset' peaceful music, the Agni Kai, Aang's antics, the full "Winter, Spring, Summer, & Fall" tune in both full instrumental form and with Mako's singing, and of course the ending credits -- is all here. The season finale is heavily represented, but that's appropriate as those episodes got a lot of new music and all of it is great. And if you've only been able to content yourself with the fan-made soundtracks we've had to piece together over the the years via promotional releases and episode rips, there's some good stuff here that you might never have heard by itself before, like the fun bit of music for June.

And because I'm compelled to nitpick, I'm a bit annoyed by the order of the tracks. I like to listen to soundtracks in chronological order, and while that kind of thing isn't really feasible with something as long and repetitive as a television series season, this album does a serviceable approximation with its order- except for two weird cases. The Blue Spirit introduction comes after the music for his escape with Aang, and the music for the encounter with Koh comes after the music for Aang's arrival in the Spirit World. I assume this is because it makes for a better hi/lo/fast/slow sequence as part of the overall, but I would have preferred the order of their presentation in the cartoon.

So, in conclusion, this is the soundtrack we've wanted all these years, and everyone should stream or buy it or at least pirate it in enough numbers to raise eyebrows. I want the other two books done this way, and I think we as a fandom deserve it, despite some of the fanfic I've seen you people write. ;)

[ciaossu-imagines]

So, I used prompt 7, number 14 from Day 17 of the event for G. from Katekyo Hitman Reborn! I don’t often get to write about the Primo Generation characters, so this was fun!

Does the character take any sleeping aids (ex: pills, melatonin supplements, etc.)?

So, obviously there weren’t many sleep aids available during the Primo generation’s time period so we’re going to modernize this generation a little, just because sleeping aids are more plentiful and available now.

Now, overall, despite being a night owl by nature, I don’t see G. as having a really hard time sleeping. Most of the time, he sleeps pretty well. It takes him a bit to fall asleep but once he is asleep, he’s pretty dead to the world for at least a good four to five hours.

It’s why G. can’t really nap. Once he’s out, he’s solidly out for hours on end. He can’t just sleep for little amounts of time and honestly, the half-hour he meant to spend napping is just enough time for him to fall asleep.

Like I said – getting to sleep is the hardest part for him. He lays down and tries to relax and go to sleep. However, there’s something about this relaxed state that really fires up his brain and he gets preoccupied with whatever’s in his brain and it takes him a while to sort out his head and shut his brain down enough to fall asleep.

The only time this doesn’t ring true is if he’s sick or physically just absolutely exhausted. If he’s sick, G.’s someone who needs a lot of sleep to heal up and feel better and after injury or spending a lot of time fighting or staying up, he’s out like a light when he finally does get the chance to sleep.

The only time G. really has serious sleep issues other than this is when he’s really stressed about something or really excited about something. He’s so impatient when it comes to things he’s looking forward to and he’s so eager to get to them that he finds it hard to unwind enough to sleep. And, of course, stress does the same thing for him, where his brain won’t shut down and his body is tense, and he can’t unwind.

It’s at those points where he really does have an almost impossible time falling to sleep, where it can take him two to three hours to even fall asleep and his body doesn’t actually conk out like he normally does.

At those points, I think G. would try to suffer through it rather than take sleeping aids. If it got really bad, he would rather use melatonin than an actual over the counter sleeping pill or a doctor prescribed one. He doesn’t want the risk of drowsiness or grogginess the next day because it could seriously impact his work.

[indominusavenger]

I'm gonna come out and say it; No Way Home sucked. Sure, it had some good moments but in my opinion, it does not live up to the first two instalments of the trilogy. I liked the first part of the movie but as soon as I knew where the second part was going, I fell off that train pretty quickly.

Not only did it make MCU Spidey end up with the same tale as his two predecessors but it also undoes Peter's entire establishment in Marvel's overall franchise. What was the point of the last four movies putting him on the roster with Earth's MIGHTIEST Heroes if you were just going to take all that away and make it like he exists in a completely separate world from them? What was the point of the three cameos we had from RDJ, Samuel L. Jackson, and Benedict Cumberbatch in their iconic roles to show that interconnected universe as with every other MCU movie, only for that to be stripped away at the very last second? Might as well have been another one of Sony's solo ventures at making a series after TASM but it's not and that's why I HATE the uncertainty of Peter Parker's future in the MCU. However, given the current failing reality of the MCU with every new movie that comes out, I can already confirm it's nothing good. In fact, it probably would be best if progress stops altogether before Marvel really is stuck in the dust and just a part of a magnificent past with no legacy to carry on. (This is a side note but that is still a big issue for me anyways that I may expand upon later in another post. In the meantime, go watch all the video essays on YouTube, I'm sure you'll find many good ones.)

He had a unique story that fit into the overarching plot of the MCU and the premise he had was different from the previous Spideys which is what was so interesting about his character development. This Peter Parker had friends that weren't introduced before, or at least, they were more developed than in other series; he had a superhero as a mentor, not a scientist turned villain due to unfortunate circumstances; he had a guy in the chair who wasn't after him or turned villain because his father was one, he had two crushes that were friends, he was part of clubs and acted more teenage-like than the last two. He interacts with other heroes, joins the Avengers, fights THE villain, perishes, comes back, loses his mentor, and is still expected to keep on going.

For crying out loud, he was asked if he was going to be the next Iron Man but he knew he wasn't which is what Far From Home set out to show us. And to all those who called him Iron Man Jr. in Homecoming, I hope you know that you make no sense and I think Marvel did a wonderful job making him stand apart. He was a kid admiring one of his role models and now that he actually had a connection to him, of course he was going to want to be like his mentor but even Tony recognized that he wanted him to be more, not like him. This shows Iron Man himself had great respect for the young hero.

Now, moving onto No Way Home, two main things that annoy the heck out of me; Peter being forgotten (obviously) and Aunt May dying. I'll start with Aunt May's death. To be honest, it was a completely unnecessary death and it actually doesn't make sense for the purpose it had in the movie. The punchline "With great power comes great responsibility." loses its premise as soon as you recall Civil War's intro to Peter in the first place. Uncle Ben had already died, Peter was Spider-Man at this point, and remember what Peter told Tony when they met, why the older hero related to him so much? "When you can do the things that I can, but you don't... and then the bad things happen... they happen because of you." So he already learned that lesson on responsibility and by the time we get to No Way Home, this kid had learned lessons also involving the universe at large. Why are we rehashing Uncle Ben's offscreen death with Aunt May if Marvel literally stated that was overdone? Make that make sense. But oh, it was to make something big and dramatic happen in the movie because we needed to mOve aLoNg. Peter lost his parents, his uncle, and mentor; can you come up with something new other than parental figure losses? Why do TASM Peter and OG Peter still have their Aunt Mays and even if it was just a deleted scene, technically TASM Peter's dad? Huh, then what do you say there? Why did MCU Peter Parker have to lose ALL his parental figures?

Finally, the thing that probably broke most of us; Peter being wiped from everyone's memory. As I stated earlier, his entire existence within the MCU just vanishes, like that, in seconds. So......... what was the point of his existence up till now in the MCU? What was the point of his specific development and growth if he was just going to get forgotten? Why was he meticulously introduced at the height of the Avengers' conflict and then constantly involved with some other MCU hero/important character if he was going to be removed from that? If the Avengers were never a big deal, why make him a part of that at all and why were we still bringing them up at the climax of the film? For those who bring up the argument that he's supposed to be a solitary hero, well that was the worst way to have introduced him then, right? But Marvel chose that route, not any other. Which is why that decision still makes no sense to me. You put him in a world where he wasn't the only superhero and he was going to interact with other heroes which none of the other Spider-Men had and that already put him in a unique position. Why give him a background that was going to get swiped?

Imagine that, making five blockbuster films that gave him a firm standing in the MCU at the peak of Phase 3 and then in his sixth film, his last standalone which is supposed to be his most shining moment, he gets the rug pulled out from underneath him to give him a blank slate? You might as well have thrown every script out from 2015 to 2019 including him before they were ever written or considered. It's the equivalent of undoing everything you just worked on in a school project that's worth 40% of your final grade. Think about that for a second. Marvel just undid 6 years of work and investment in a single character for them to go back to the beginning. Why didn't you just do that then from the start? You could have had more classic Spidey a long time ago by that train of thought (which I really didn't want because we already saw that twice and this Spidey was something fresh).

Anyways, thanks for reading. This is 2 years worth of disappointment and frustration put on the page.

[got-into-worm-by-mistake]

Arc 11 - Halfway Reflections

I'm gonna guess, based on what I know, that the Arc 11 Interludes are gonna be pretty different from 11.1 to 11.8, so probably worth doing a Arc reflection here, after having Read 11.8, but before I do the interludes.

Arc 11 is pretty good. Gives us a much closer look at just how shitty the city has gotten - very reminiscent of like... post-Katrina New Orleans... but with superpowered gangs making the recovery efforts harder.

We get to see Taylor actually starting her Warlord career, we get to see Taylor taking requests from her subjects, as it were, and actually going out on a little quest. We see how her power can give her the ability to police her zone in a way that no one else really can - the ability to see what's coming and then deal with it from a distance. Again, bug control - seems lame. Isn't. Isn't at all.

The Merchants get their moment in the sun after having been lurking uselessly at the edge of the narrative for a while... and they get wrecked by Faultline and Co who are just trying to get some Case 53 Intel. We get another hint of Cauldron... well, existing, and a sign of their supposed reach and power. It's definitely a long time for that to get a payoff, but I know we'll get it.

the Merchants as being the sort of... embrace the madness of the times kind of faction makes sense, and the way that Skiddy is deciding to try and manufacture triggers is believable - obviously people would try that - and also clearly only works on the scale that he's doing it because of the state of the Bay. And the Merchants, like the short-sighted idiots they are, have decided that they're gonna try to prolong this process, which is... a choice.

Admittedly, I didn't expect this to be Arc 11's main part - I kind of expected S9 to play a larger role, and I'm sure a blind reader coming in would be like 'where's these serial killers I'm getting teased about?, what about that end of the world shit?!'

Arc 11's first half gives us more 'Taylor fighting villains, being a less bad option' which is a regular fare to make her further descent into supervillainy more palatable to the reader but the thing is... Taylor never really becomes a Supervillain in anything but the surface? Like, yes, she does bad things, but villain is really not a great descriptor of her so far, and probably never will be. She never loses sight of her ultimately heroic goals, and she's not going like... she's not pulling a 'Knight Templar' trope, where she does so many horrible things in the name of a righteous cause, believing in her righteousness.

I am led to believe that there is a common notion in large swaths of the fandom that we aren't supposed to believe that Taylor is making good choices here. Like, good as in 'correct' or 'most effective', and Taylor is definitely a biased POV and all, but honestly, it's hard to see her being effective at what she's doing, or at what's coming, if she doesn't make them? Very few of her choices have actually made things significantly worse for much of anyone who doesn't deserve it at this point (She's hardly solely responsible for Dinah) beyond maybe Amy after the bank thing, and as with Dinah, that probably would have happened without her anyway.

Overall, I like Arc 11. I think 8 still wins as the best so far, but 11 is up there.