#but it didn't work

[tblsomedoodles]

The Preferable Alternative - part 14

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rare 6 pg update! b/c the pacing was better if i stopped the scene there.

Leo: That was weird.......ANYWAYS!

: )

[blitzbuckz]

manwhore it is then.

[roseadleyn]

the pain of being Grizelda Agriche ;

❝ we'll never be those kids again. ❞

❝ they made me into a weapon and then told me to find peace. ❞

tagging ; @elychee, @mysticmeena, @loekas, @d10nsaint, @parkykwho, @rouecentric, @giyuus0nlywife, @sidra-29, @dxmoness, @nxccolo, and @that-one-pretty-bitch.

[gildeddlily]

my something flag is that, as a seasoned marauders fan, I've never read All The Young Dudes. I tried to, finished half the thing, then got bored and stopped. just like that. and now I can't stop seeing videos or posts talking ab it while i'm just there being pretty and voluntarily ignorant

[bucketofchum]

Sometimes my subconscious brain just gives me Bad Endings

[nyaboshi]

NYEHEHE

OCs:

— Achlys

— Koa

— Pier

— Hephaestus

— Atraeus

— Moon

— Kaida

oc asks: not-so-nice edition

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?

betrayal: Has your OC ever been betrayed by someone they thought they could trust? Has your OC ever betrayed someone who trusted them?

bound: Has your OC ever been imprisoned or captured? What happened? How did they get out? Did the experience leave any scars?

break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

failure: What's your OC's greatest failure? Have they been able to move past it? Does anyone else know about it?

fear: What is your OC's greatest fear? What do they do when confronted with it? Are they open with their fear, or do they hide it away?

future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?

ghost: Who or what haunts your OC? What happened? How do they live with their ghosts?

guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?

hate: What does your OC hate? Why? How do they act towards the object of their hatred?

heartbreak: Have they ever had a relationship that ended badly? Experienced some other kind of heartbreak? What happened?

hide: What does your OC hide? Why do they hide it?

hunt: Who or what is your OC hunted by? A person, a feeling, a past mistake? Is your OC able to let their guard down, or are they constantly alert?

mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?

midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?

mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?

monster: Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?

nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?

pain: What's the worst pain your OC has ever felt? Do they have a high pain tolerance?

secret: What's one secret your OC never wants anyone to know about them?

skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?

torture: Has your OC ever been tortured? Would your OC ever torture someone else?

wound: How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?

[rioblitzle]

working retail

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[bluefeatheredvelociraptor]

Típica infancia mexicana, jajajajaja

Fan animation - Panchito and Jose taking care of the kids xD

Camara by Jose Carioca

Link audio original: https://www.youtube.com/watch?v=sAWVPIrP8l8

[gwydionae]

Behold, one of my best friend's Halloween costumes, recorded and uploaded by a complete stranger with over a million views on tiktok! (I'm so proud!!)

[inkpotsprite]

This was after he blew up all of the Leagues tech.

[post-grammatic-stress]

If you've ever told a person who's had to be bedbound for a period of time that you wish you could "just stay in bed", DO IT.

Stay in bed. For days. But don't get up if someone needs you to, or you get bored, or you get antsy. Don't do anything other than rest. Just lie in your bed, whether you need to get stuff done around the house or socialize or anything else "productive". You'll have to cancel on people, you'll disappoint them, they won't understand.

And if you're thinking, "well, i CAN'T just be in bed. There's stuff that has to be done - I have plans", maybe ask yourself why you assumed a disabled person doesn't have plans or things to do or desires.

[charlesoberonn]

[eileithyiia]

Thyia's exact reaction to seeing Hera being chained up and hung in the sky. After seeing this, she did try to go and help her mother, but one of her aunt's stop her and take her and I'm assuming Hebe away and off the mountain until the whole event was over.

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.