#but if you like my comic and want more characters
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I’m always wanting to help broaden people’s horizons in the tabletop sphere but I totally empathize with anyone worried about crunch heavy systems, that was a major fear of mine when I started getting into the hobby. Here are some super simple, easy to introduce games for your table!
Sentinel Comics The Roleplaying Game
Do you like superheroes? This game is perfect for superheroes! Although it’s also ideal for emulating anime, pulp stories, and I’ve had some success using it to run a game where everyone is a monster. It’s going to use all your dice except the d20, character creation is super fun and loaded with options but if you struggle with decision anexity don’t worry there’s a guide to rolling up a random character. In all my time with the system I’ve never rolled up a random who want super interesting and had me itching to play them. The game uses the GYRO system of its own invention, this gives you three health zones (Green, Yellow and Red) that grant you more and more options as scenes go on. This really recreates cinematic moments where the hero is down to their last breath and clutches the win a massive gamble of a move. You can find this game on the Greater Then Games website along with the Sentinel Comics Card Game which is also amazing.
Hunter: The Reckoning (Fifth Edition)
Don’t know anything about World of Darkness? Don’t worry, neither do the hunters! This is a fantastic and simple system with a focus on the narrstive that will break your group away from D&D’s more war game-esque system. If you’ve wanted to run a game based on Buffy or Supernatural, both of those are pretty much Hunter’s core DNA. Players are mortals who discover their world is filled with monsters like vampires, werewolves, ghosts, and demons and set out to reclaim the night from mankind’s ancient enemies. If you enjoy this game then you’ll probably also enjoy the other two World of Darkness 5th edition games out right now, use this to springboard into Vampire and Werewolf!
Blades in The Dark
A system using a modified version of Powered By The Apocalypse, you mastermind heists through flashbacks and on-the-job thinking. If you like Ocean’s Eleven or just want to run a heist game heavy on the critical planning part but light on actually wargaming out the plan, this is perfect for you. Default setting is a fantasy steam punk world you can really play around a lot with, a great pallet cleanser from sword and sorcery games.
Imagine a person who only consumes Batman-related media. That is, they only watch movies and TV shows that have Batman in them, only read books that are novelisations of Batman media, only play licensed Batman video games, and so forth. This is not so absurd an idea; Batman-related media is sufficiently popular, varied and widespread that restricting one's media consumption in this way is completely feasible. However, I trust we can agree that if you actually do this, you will be left with very strange ideas about what popular media looks like.
The next step in this analogy is undestanding that if the only tabletop RPG you're acquainted with is Dungeons & Dragons, you have the same grasp of the tabletop roleplaying hobby as our hypothetical Batman Guy has of popular media.
#gaming#tabletop roleplaying#tabletop rpgs#dungeons and dragons#d&d#world of darkness#please play world of darkness#sentinel comics#give this list to your GM!!!!!!
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Hi! I dont usually ever send asks but I saw your post about including more DC characters in your AU's and was wondering if you were ever planning on including Kate Kane and/or Renee Montoya as they are two of my favourite characters in all of DC and almost never appear in batfamily fics even though they both work with oracle, nightwing, huntress, and other members a surprising amount in the comics. I like the idea of Kate especially being reluctantly enamoured with Peter, and that she would remind him of Col. Rhodes as I feel they have similar no-nonsense attitudes, dogged determination, and militant mannerisms while being pretty gentle on the inside. You might have answered this before but are Peter and Col. Rhodes close? I would assume they at least know each other pretty well from his friendship with Tony. Also thank you so much for LOF and all your writing - it genuinely brings me so much joy. <3
i 100000% want to write Kate Kane in the future, though i still need to read up on her, Renee, and Helena to make sure i'm writing them correctly. i started LoF worried about juggling too many characters in the plot and also didn't actually know a lot about the batfam outside of what i'd already been reading, considering LoF was supposed to just be me and alighterwood messing around with a silly au, i didn't think to put more than the cast we have. other aus will definitely have them in the future because i feel bad i missed out on them. i briefly considered putting at least Kate in LoF, but i feel like she would have at least been MENTIONED before now, and it would feel like a cheap throw in. she deserves more attention in another au
and i hadn't thought about it, but Kate and Rhodey ARE pretty similar. Since Rhodey is Tony's best friend, he and Peter get along very well! i hadn't mentioned him too much in LoF itself because, well, LoF was supposed to be 15 chapters originally. it was supposed to be wrapped up a while ago but then i got a little too into writing it. and i made a mistake forgetting how present he'd have been in Peter's life. admittedly, this comes back to me having a hard time juggling so many characters. he'll be showing back up in a couple chapters (when we finally get our Avengers POV) and i hope to remedy that mistake
#i mean he's been mentioned a couple times in LoF? i think?#so i could have done worse and not mentioned him at all#so i'm giving myself a C+ for how he's been handled so far#because peter had been fairly focused on the situation involving his parental figures and his training more than anything#so if they weren't actively training with Peter or were not a parental figure they weren't mentioned as much#i had a rhodey counterpart mentioned in the chapter with happy's counterpart#but i think i scrapped it because it didn't feel like it fit his character#so yeah here's hoping i can give rhodey the attention he deserves later#as well as Kate and Renee and Helena in another au#erinwantstowrite#ao3#ao3 fanfic#leap of faith ao3#leap of faith catch me if you can#thank you for the ask!#peter parker in gotham#dc#marvel
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Hi, do you have a request? If so, could you make Bane and Scarecrow (separately) if their crush confesses his feelings to them? (You can add other villains if you want) have a nice day :D
Bat-Villains x Reader
You confess your feelings to them
Characters: Joker, Harley Quinn, Poison Ivy, Bane, Scarecrow, Two-Face, The Riddler & The Penguin
Being in my Batman-Comics era, this made me so happy, thank you! Hope you like it <3
Joker
- Confessing your feelings to the Joker is a feat in itself. His mind is a labyrinth, twisted and sharp, and he hardly ever makes it easy for anyone to get close. So, when you manage to muster up the courage and spill your heart out, he’s taken aback. His smile is unnervingly wide, but there’s a flicker in his eyes—a flash of curiosity and something darker that makes you wonder if he actually reciprocates.
- Joker’s interest in you grows even more as he realizes you’re different from his typical followers. You aren’t afraid of him, nor are you drawn in by just his dangerous allure. You’ve seen past his twisted laughter and manic acts, and you still want him. This intrigues him, even bothers him a little. How could anyone see anything in him other than madness? Yet, there you are, looking at him like he’s human, and it’s both terrifying and intoxicating to him.
- He teases you relentlessly after your confession, never letting you forget the vulnerability you showed him. “Oh, darling, you’re just too sweet for me,” he’d purr with a devilish grin, leaning in way too close. He loves watching you squirm, enjoying every bit of control he has over your emotions, almost like a game. But deep down, there’s a hint of admiration. You’ve got guts, and he respects that.
- The Joker’s way of showing affection is, naturally, unconventional. Sometimes it’s an offhanded compliment; other times, it’s a madcap scheme he drags you into, letting you play a part just because he wants you close. When he pulls you into his schemes, he’s almost like a kid showing off his toys, reveling in your reactions—whether it’s awe, excitement, or even horror. It thrills him to know he has that effect on you.
- Every so often, though, you catch him staring at you with a look that’s almost soft, a dangerous vulnerability creeping into his gaze. He covers it up quickly with a quip or an exaggerated gesture, but you know you saw something real. It gives you hope, even though you know that being with him will always mean walking the tightrope between love and chaos.
- Over time, Joker starts to grow possessive. It’s subtle at first—a smirk when he sees others vying for your attention, a warning look thrown at anyone who gets too close. But before long, he’s unapologetically possessive, wanting you at his side, sometimes even in situations where he wouldn’t usually bring someone along. “You’re mine,” he’ll say with a dark, playful tone that sends chills down your spine.
- Joker will never admit he has feelings for you outright, but in his way, he shows it. The more he involves you in his world, the closer he brings you to his madness, the clearer it becomes. To him, love is chaos, control, and the thrill of having someone he can warp and twist yet who willingly stays. You’ve become his favorite muse, his inspiration, the one who reminds him that even monsters can find someone to care for, in their own twisted way.
Harleen Quinzel aka. Harley Quinn
- Harley is surprisingly giddy when you confess your feelings to her. She’s spent her life surrounded by people who see her as a joke or Joker’s sidekick, so to have someone see her as her own person—and even like her for it—makes her heart swell. She’s blushing like crazy, giggling with delight, and probably wraps you in a tight hug before you can even process her reaction.
- As bubbly and playful as she is, Harley takes your confession seriously. She’s been through enough heartbreak and knows what it’s like to be used or ignored, so your affection means the world to her. She’ll ask you so many questions, wanting to know every little thing you feel, why you like her, and what you think of her quirks. She wants to believe it’s real, but part of her is scared it’s too good to be true.
- Harley is incredibly affectionate, and once she knows you care for her, she’s not shy about showing it. Expect surprise hugs from behind, spontaneous kisses, and laughter-filled moments. She’s like a whirlwind of emotions, sometimes leaving you breathless with her enthusiasm. She loves to make you laugh and will go out of her way to cheer you up, even if it means pulling out her silliest antics.
- She also starts to show a fiercely protective side, a side of her that you usually only see when Joker’s around. Harley may be quirky and fun, but she’s also a skilled fighter, and she won’t let anyone mess with you. She’ll even pick fights with people who look at you the wrong way, shooting you a grin afterward and saying, “Nobody messes with my sweetie and gets away with it!”
- Despite her tough exterior, Harley is vulnerable with you in a way she rarely allows herself to be. She’ll open up about her insecurities, her past, and her struggles with self-worth, trusting that you won’t judge her. She’s scared of being abandoned, of not being enough, and it’s clear in the way she clings to you a bit tighter than she would anyone else. It’s her way of telling you she doesn’t want to lose you.
- Harley’s loyalty is unwavering. Once she’s fallen for you, you’re as good as family to her. She’ll bring you little gifts, things that remind her of you, and surprise you with thoughtful gestures. Whether it’s a flower she picked up or a silly trinket she found, each one is given with a smile and a “This reminded me of ya!”
- With Harley, every day is unpredictable, a mix of chaos and love. She might drag you into wild adventures or plan the most unconventional dates, but through it all, she’s committed to making you feel cherished. She’ll never hide her feelings for you, wearing her heart on her sleeve and reminding you every chance she gets that you’re special to her, her own little piece of sanity in a world gone mad.
Pamela Isley aka. Poison Ivy
- When you first confess your feelings to Poison Ivy, she’s quiet, studying you with that piercing, assessing gaze of hers. She doesn’t let emotions cloud her judgment easily, and she needs to be sure your words are genuine. But when she realizes your feelings are sincere, there’s a rare, subtle softening in her expression. Her walls don’t crumble easily, but for you, she might just let one or two down.
- Ivy’s affection is a quiet, powerful force. She’s not overly demonstrative, but her way of showing she cares is through small gestures that speak volumes. A soft touch of her hand against yours, vines that subtly wrap around you protectively, or even a single, precious flower left for you in a place she knows you’ll find. Every gesture from her is intentional, calculated, and rare, making it all the more precious.
- One of her favorite ways to spend time with you is in her greenhouse. She’ll invite you to work alongside her, teaching you about the plants she loves as if they’re old friends. Sometimes, she’ll even let you help nurture the rarest ones, a gesture of trust few ever receive. She finds it soothing to have you nearby, feeling like a kindred spirit amid the chaotic Gotham world.
- Ivy’s protective nature is fierce. She sees the world as cruel and selfish, and anyone who hurts you quickly becomes a target of her wrath. If anyone so much as tries to harm you, they’ll find themselves facing the fury of the natural world—thorns, vines, and deadly spores at Ivy’s command. But with you, she’s gentle, careful, almost reverent, knowing that you see the good in her that others overlook.
- Ivy isn’t one for typical romance, but she enjoys creating beauty just for you. She might grow a unique plant in your favorite color, a species found nowhere else, just to show her affection in her own way. It’s her version of saying “I love you” without needing the words. And sometimes, when she catches you admiring her creations, she allows herself a rare, genuine smile.
- Though Ivy is usually serious and somewhat reserved, she has a playful side she only shows around you. Sometimes, she’ll playfully summon vines to brush against you or weave a flower crown for you, a small smile tugging at her lips as she watches your reaction. In these quiet moments, you can see the softness she hides from the rest of the world.
- Ivy is drawn to you because of your calmness and respect for the natural world, something she finds rare in Gotham. You’re like a breath of fresh air, and she finds herself surprisingly at peace around you. She might not be able to put it into words, but she knows that being with you makes her feel connected in a way she hasn’t before, making you her safe harbor in the storm of her mission.
Bane
- When you confess your feelings to Bane, his reaction is one of quiet surprise. He’s not used to hearing confessions of love—respect, fear, yes, but love is something rare in his world. He’s silent for a moment, his intense gaze holding yours, and there’s a flicker of something softer behind his usual stoic expression. For a man like him, vulnerability is dangerous, but with you, he’s willing to risk it.
- Bane’s love language is protection and physical presence. He doesn’t rely much on words but instead lets his actions speak for him. He’ll always be by your side, a solid and unbreakable presence, making sure you feel safe in his care. It’s his way of telling you that as long as he’s around, nothing in this world will harm you.
- Though he may seem intimidating, Bane has a gentle side he only shows to you. He’ll be mindful of his strength, his touch light and cautious, always making sure he doesn’t hurt you. If you’re ever in danger, however, his calm façade drops instantly, and his fierce, unyielding side comes forward. In his eyes, protecting you is non-negotiable.
- Bane loves sharing stories with you about his life and past, opening up in a way he rarely does with anyone else. His voice is deep and steady as he recounts his upbringing, his struggles, and his victories, wanting you to understand who he is beyond the mask of strength. He doesn’t hold back, trusting that you’ll accept him, scars and all.
- Despite his hard exterior, Bane has a surprisingly romantic side. He might bring you something small but meaningful, like a flower he picked from a rare spot he found on his travels, or a trinket that reminds him of you. He isn’t vocal about his affection, but each gesture is thoughtful and sincere, a sign of the care he holds for you.
- Bane admires your calm, composed nature, finding it a perfect balance to his intense personality. With you, he feels at ease in a way he never thought possible. You’re a reminder of the peace he’s always sought but never quite found until now. Sometimes, he’ll sit in quiet contemplation with you, enjoying the stillness of your presence.
- In private, Bane allows himself to be more vulnerable, letting down his guard and showing you his softer side. He might even let you touch his face, something he rarely allows anyone else to do, leaning into your touch with closed eyes as if grounding himself. In these moments, you’re the only one who sees the man beneath the mask, the one who loves you fiercely and would do anything to keep you safe.
Jonathan Crane aka. Scarecrow
- When you confess your feelings to Jonathan Crane, it surprises him. He's so consumed by his own dark philosophies and fear experiments that he's not used to genuine affection. He looks at you, studying your face as if you’re another psychological puzzle to solve. But he sees no ulterior motive in your eyes, and, though he rarely shows emotion, there’s a flicker of vulnerability in his gaze.
- Jonathan expresses affection in a rather unconventional way. Instead of typical romance, he offers you pieces of his twisted intellect. He might discuss his latest experiments or philosophical thoughts with you, valuing your opinion in a way he seldom does with anyone else. If he asks you to assist him with his research, it's his odd way of showing trust and letting you into his world.
- Crane finds comfort in your calm and composed nature. For a man who thrives on fear and chaos, your grounded presence is a rare stability. He’ll often sit in silence with you, just observing or talking quietly about his theories. The quiet moments you share become a reprieve from the relentless psychological battles he wages with Gotham.
- The Scarecrow isn’t one to be overly affectionate, but he shows a dark protectiveness toward you. If anyone even thinks of causing you harm, Jonathan will unleash his full arsenal of fear-inducing chemicals without hesitation. He may not be expressive with words, but he’s ruthless in ensuring no one dares to cross you.
- One of his subtle ways of showing affection is by sharing his fears with you, something he keeps hidden from everyone else. He’ll discuss the fears he had growing up, or his fascination with understanding fear in all its forms. Sharing these secrets with you is his way of revealing the man behind the mask, trusting that you’ll accept his complexities.
- Jonathan admires your resilience and ability to stay calm, even in his most chaotic moments. You’ve become a constant in his life, and though he won’t openly say it, he finds himself feeling at peace when he’s near you. He may even develop a rare habit of reaching out to hold your hand, an act he considers a grounding tether in his unpredictable world.
- Sometimes, he’ll leave small notes or bookmarks in the psychology books he knows you’ll read, with cryptic messages or quotes that he knows will make you think. It’s his way of letting you into his mind without having to speak it aloud, and he takes pleasure in watching you puzzle over his hidden meanings.
Harvey Dent aka. Two-Face
- When you confess your feelings to Harvey Dent, you can see the internal struggle play out on his face. Harvey—the man he used to be—is vulnerable and hopeful, while Two-Face, the darker half, is wary and skeptical. It’s rare to see him so conflicted, but when he realizes you’re sincere, he gives you a small, tentative smile, one of the few true ones you’ve seen.
- Harvey’s love language is mixed with his duality. Some days he’s sweet, protective, and deeply caring, a glimpse of the old Harvey who fights to emerge. Other days, his darker side takes over, and he becomes more distant, protective but harsh. He’s constantly at war with himself, but he does his best to show you both sides, hoping you’ll accept him fully.
- A symbol of trust for him is letting you hold his two-headed coin, the one he uses for all his decisions. He’ll let you flip it, letting you “decide” for him in those moments when he’s overwhelmed. This is an enormous gesture from him, showing that he values you as a balance between his good and bad sides.
- Harvey’s protectiveness over you is intense and fierce. He’ll use all his resources to make sure you’re safe in Gotham’s dangerous world, and if anyone tries to harm you, he’ll make sure they regret it. His duality comes into play here—sometimes he’s gentle in his protection, and other times, Two-Face’s wrath is ruthless and merciless.
- On good days, he’ll reminisce with you about his life before the accident, sharing memories of who he once was. In these moments, he’s vulnerable and nostalgic, as if hoping you might remind him of his better nature. He doesn’t have many people he can trust, but you’re one of the few who sees the real Harvey underneath.
- Harvey loves to show you both sides of his life, taking you to high-end places and then to his more seedy hideouts, introducing you to the two parts of his world. He’s nervous about showing his darker side, but he trusts that you’ll understand him. It’s his way of including you in every aspect of his life, letting you in where few others ever go.
- He has a unique way of showing affection, giving you small, rare smiles or reaching out to touch your hand with his scarred one. He’s insecure about his appearance, but with you, he feels a bit more at ease. Sometimes, he’ll even catch his reflection with you in a window, seeing the contrast and finding a strange peace, knowing you accept him fully—scars, darkness, and all.
Edward Nigma aka. The Riddler
- When you confess your feelings to Edward, he’s taken aback, blinking in surprise before a smirk forms on his face. He immediately assumes you must be drawn to his intellect, as he sees himself as the ultimate puzzle. After the initial shock, he responds with a playful, “I knew you would eventually fall for my genius.” But there’s a genuine glint of excitement in his eyes, and you know he’s truly thrilled.
- Edward loves to impress you with his intellect, often challenging you with riddles or complex games he creates just for you. If you manage to solve his puzzles, it only makes him admire you more. There’s a playful arrogance in the way he’ll lean over your shoulder and whisper, “I didn’t make it that easy, did I?”
- Being with him means you’re his partner in crime (literally and figuratively), and he values your opinion on his schemes. He loves the idea of two minds working together and enjoys discussing plans with you, carefully considering any clever ideas you bring to the table. To him, you’re a rare equal, someone who can match him mentally—a compliment he doesn’t give lightly.
- Edward’s affection is quirky and, at times, even a bit competitive. He enjoys subtle one-upmanship with you, and if you can outsmart him, he’s surprisingly delighted, showing a rare sense of pride in your intelligence. He even begins to share details of his most elaborate plans, trusting you with things he wouldn’t tell a soul.
- His protectiveness comes in the form of setting traps and riddles to keep you safe. If anyone so much as thinks of harming you, they’re met with a labyrinthine trap or a series of riddles that they’ll struggle to solve. It’s his way of keeping you out of danger, knowing that his “defenses” will thwart anyone who poses a threat to you.
- Edward loves leaving you little riddles and coded messages to find, each with a hint of affection or admiration hidden inside. Whether he’s planning a date or just wanting to make you smile, he’ll slip a puzzle into your daily routine, and your clever responses only make him fall harder for you.
- Though he’s not the most emotionally open, Edward surprises himself by genuinely enjoying the softer moments with you. Whether it’s a quiet evening where you’re both reading or analyzing mysteries, he feels more at ease than he ever has. It’s new territory for him, but he cherishes every moment—even if he’ll rarely admit it outright.
Oswald Cobblepot aka. The Penguin
- When you confess your feelings to Oswald, he’s absolutely shocked, and he stammers for a moment. Used to people being interested in him only for his power and status, he’s genuinely moved by your feelings. He adjusts his suit with a confident flourish, but it’s clear he’s flattered, his eyes softening as he says, “You…really mean that?”
- Oswald is incredibly attentive and chivalrous toward you. He’s always quick to hold doors, pull out chairs, and offer his arm with a refined yet protective air. He adores treating you to the finest Gotham has to offer—luxury dinners, elegant galas, and private rooms in the Iceberg Lounge where it’s just the two of you.
- When he’s with you, Oswald can’t help but show off his power and influence. He’ll make sure you’re treated like royalty everywhere you go, and if anyone disrespects you, they’ll face his wrath. There’s nothing he won’t do to protect you, whether it’s using his connections or intimidating someone into compliance.
- He’s deeply proud of having you by his side, often flaunting your relationship publicly as a way of reminding others of his newfound joy. Though he’s a ruthless criminal, he feels a sense of pride and warmth in being with someone who loves him for who he truly is. In his own way, he strives to be worthy of you.
- Oswald has a softer, more vulnerable side that only you get to see. When he’s not putting on his “Penguin” persona, he opens up about his difficult past and insecurities, grateful to have someone who listens without judgment. He’s deeply grateful for your presence in his life, even if he has trouble expressing it directly.
- Oswald loves to spoil you with extravagant gifts, from rare jewelry to designer clothes. He takes great pride in watching you wear something he picked out, and he’ll always remind you, ��Only the best for my love.” It’s his way of showing affection and devotion, compensating for what he lacks in typical romantic expression.
- If you’re ever threatened, Oswald’s protectiveness skyrockets. He’s not afraid to use his network of henchmen and connections to make sure you’re safe, even if it means crossing dangerous lines. Though he’s often ruthless, there’s a soft, fierce loyalty when it comes to you, and he’ll do anything to ensure you’re untouchable in Gotham’s treacherous world.
#dc#dc comics#dc comics x reader#dc comics imagines#dc comics headcanons#comics#dc x reader#dc headcanon#dc imagine#batman x reader#batman headcanon#batman imagine#x reader#joker x reader#harley quinn x reader#poison ivy x reader#bane x reader#scarecrow x reader#two face x reader#riddler x reader#penguin x reader
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I probably will never do a "GEAR-SHIFT Yellow" comic... but I will still make sprites!
More info below the cut
Roles:
Clover: No role change, but new name (Rowen)
Martlet <--> Dalv
Starlo <--> Ceroba
Kanako <--> Feisty Four
Chujin <--> Mo
Axis <--> Decibat (Decibot)
Rowen! A police officer in training that aims to keep EQUITY at all costs They jumped down Mt Ebott to investigate the 5 lost souls
AXIS A little wind up toy that, despite not having any sort of intelligence or consciousness: Is a massive prick. Winding it is heavily discouraged, as he'll just cause havoc due to being built a bit weirdly But can you really get mad? It was one of Chunjin's first toys
Martlet After the tragic death of her mentor, decided to help everyone she could with her carpentry skills! Recently, she's decided to help around the monsters in the Elden Catacombs, but due to her OSHA violating attire, she accidentally broke her wing But that won't stop her!
Dalv, the Royal Guard After having to encounter a not so merciful human, he decided he wouldn't let another monster be hurt by it again, and joined the Royal Guard right away! He's a bit better than Martlet, but he's still a big softie when it comes to friendship
Nine Tailed Fox (or her real name, Ceroba) Used to dress up as a Samurai for her daughter Kanako, but seeing as it not just brought her joy, but also to almost everyone in the West Side, decided to keep doing it, in order to keep bringing hope to those close to her But, sometimes... she gets a bit TOO in character
Kanako (Too young for a persona) Always following around Nine Tail Fox, wanting to one day, be just as strong as her! (basically Monster Kid)
Starlo... A simple corn farmer, he enjoyed this life, as simple as it were But... when he made a promise to that old innovator, to continue his research, and set Monsterkind free... He was set on that promise. And trust me when I say, he takes promises, very, very...
sirius.
Decibot The Central UG Library is a technological marvel, despite its main appeal being its books. But, as a library, it needs someone to take care of loud guests. (Sprite by my good friend Yoshi the Pyrosaur)
Mo A crazed con artist that, above all else, wanted to make a monster soul strong enough to be able to break the barrier, and perhaps even go toe to toe with a human He would test on anyone he could, be it on 4 volunteer farmers, to even himself Which, led with his own demise. But before he could die, he made the local corn farmer make a promise, a promise to finish his work.
Chunjin Just your local toy maker, he sometimes likes to go to different areas of the Underground to give out free toys to people passing by But of course, you can always donate a bit of money if you want
#undertale#undertale au#undertale yellow#uty fanart#uty clover#starlo uty#ceroba uty#uty kanako#uty dalv#martlet#uty axis#decibat#sprite art#sprite edit#pixel sprite#pixel art#utdr
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Pepperman PT + MLP Creepypasta [WARNING!: Lots of text] Let's admit honestly that MLP Creepypasta has already become a separate fandom, existing separately from MLP itself, whose stories are one better than the other. I've had an image of Pepperman in the role of "Lil Miss Rarity" in my head for a long time. Why her? Well, explanations in the studio! 👏 1. There is something in common between the characters of both, and both are creative natures and love themselves; 2. Both have cats (this is not a reason, but just a fact); 3. I can imagine Pepperman as the same sado-masochist, but in his "role"; 4. Let's admit that Pepperman can be a "Daddy" too 🌚✨️ 5. Lil Miss Rarity used to be one of my favorite creepypastas (which I only knew a quarter of, it turns out, because the rest of the story was shrouded in darkness for me for many years, and... I just didn't understand the rest of the events when I learned the rest of the story, so for me only a part of it exists and that's enough for me). Well, if I explain the image, then... I took from the original Lil Miss Rarity only scars with scratches and a black eye. As for the brand, sorry, but I removed it, because there is nowhere to put it on Pepperman, but the question is, would he have made it as a "sign of devoted and mutual love of fans and himself", the answer is "yes", damn it!>:) For some reason I wanted to remove his shoes and gloves, exposing his paws and hands, replacing them with something else (I don't know what it is, like... the remains of his shoes and gloves? I have no idea how to explain this😐), like for the sake of convenience and "beauty". As for the doll, I'll go into a little more detail about it, because I slightly changed the events in the story, if Pepperman were like Rarity. I'll start with the fact that the wounds were not left by his kitten Chili (because he, logically, is a kitten, not aggressive and physically cannot scratch him), but by Noise, who ruined his paintings and statues once again. During the fight, Phil got injured and he killed Noise, and in fear and panic, in order to cover his tracks, he made a doll of Noisette because of Noise's connection with her (now Noisette's phrase: "You will always be in my heart" played with irony, lol) and placed his heart there, hid the remains (he does not remember where), and disguised the blood as paint (which he later drew with due to carelessness, but from there came the pleasure of drawing with this, and then a tendency to cruelty). Don't ask what I smoked to come up with this, I just wanted to speculate on this topic, to bring his image to at least some logic. And finally, I made the style of the drawing almost like from the comic about Lil Miss Rarity herself. I thought it was appropriate here. Yes, I didn't color Pepperman himself, he was originally in b/w, but I colored him in digital format, just to show the approximate shades of his palette as a whole. Is this necessary at all? 🤔 No, but if someone was still interested in finding out, here it is. And while I was drawing, I listened to 2 songs dedicated to this creepypasta (and I took the phrase written next to it from the song and replaced the word "mommy" with "daddy". So yes, now we have a cruel, but "loving" daddy😏.
Color version:
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My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.
I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.
So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.
(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)
Character Design
Here's how Juniper Smith is described in the books, ch 2:
I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.
This is how he looks in the comic:
I would more or less give this full marks.
In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.
The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:
Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.
I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.
Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.
And here she is (as she's introduced) in the comic:
Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).
And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.
I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:
(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)
Story
I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.
Spoilers for later in the series follow, I guess.
These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?
I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.
So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.
One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:
When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.
Content Rating
Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.
First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.
Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.
Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.
The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.
Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.
Conclusion
This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.
Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.
So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.
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Modded by @loupy-mongoose.
Jamie Wild was a character originally created as a trainersona more than a decade ago, who gradually evolved into a character all her own and ended up the protagonist of a yet-unpublished Soul Silver Nuzlocke called Shadowed Soul. In recent years, after these many years of building her character and the Pokemon world around her, I've been wanting to make her completely my own, world and all.
Someday I still hope to tell her Nuzlocke story and keep up with her in the Linden Roots world, but here I will be giving an alternate version of that story--Some elements will remain the same or minimally changed, while some changes will be drastic. So both stories will hold their own merit, when comes time to tell them both. :>
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Asks Notice:
I'm having the inbox open only so that people can ask about specific curiosities, and allow for prompt inspiration. This is not an interaction or Role Play blog! I won't say it's impossible, but any asks worded as such will likely not be answered as such, and may not be answered at all. That being said, I do reserve the right to answer as I see fit. XD
For now I will leave anonymous available, but I will turn it off if anyone chooses to act in ill-will or with weird intentions.
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Some notes about this story:
-The setting is the same world as my other story The Matters of Life and Death. So some things, such as staffwyrms and the way magic works, is the same between stories.
-I currently plan to tell it in a slice-of-life manner, probably through mixed means of comic, artworks, answered asks, and potentially writings.
-My aim with this blog and story is to have fun above all else! It's something I feel I shouldn't have to say, but at the same time I also feel I've lost touch with that particular motive. So I'm hoping to remind myself that my art and stories are mine, and are for my entertainment first and foremost.
For those interested in this old tale being made new, welcome! I hope you enjoy the journey! ^w^
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Content warnings under the Read More (To save space.)
WARNINGS LIST FOR THIS BLOG (Subject to updates)
DEATH INJURY/BLOOD VIOLENCE SPIRITUAL/SOUL DISCUSSION. (Not really in a Christian sense, but I'll try to tag it as such if it gets too close.) CHILD ABUSE CHILD NEGLECT CHILD INJURY/ENDANGERMENT CHILD ABANDONMENT
Related Tags to mute if desired:
#TW: Death -- #TW: Injury -- #TW: implied injury -- #TW: Blood -- #TW: Violence -- #TW: Christianity (If it comes up, but I don't expect it to.) -- #TW: Child Abuse -- #TW: Child Neglect -- #TW: Child injury -- #TW: Child Endangerment -- #TW: Child Abandonment
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(agent grayson 2014-2016 issue #1)
i felt like this panel was a good way to show how reading this made me feel.
before i get to what i feel about how it treated midnighter, i just want to say.. i am so sorry to dick grayson and helena bertinelli for being in this comic series. i'm sorry for the spyral plot. i didn't do it but somebody gotta apologize to those two.
as for midnighter? a very long array of me going like 'he would not fucking say that' which i'll explain below. also i didn't miss the chin spike at all and where is my favorite freak's smile when he fights? they made him grumpy.
it feels like some of the dialogue gets close to understanding how he is, but just tacks on pieces he wouldn't actually say. i'll provide an example that ties into another point of why he wouldn't say a particular word for what he said;
original text bubble: "not bad, boy. i can read the electrical activity inside that pretty head. no superpowers. no meatware. but you found me anyway."
how i would've written what midnighter said: "i can read the electrical activity inside your head. no superpowers, no meatware, but you found me anyway. not bad, kid."
see to me, that sounds more like how midnighter talks. he typically prefaces things with statements.
example from the authority (1999-2002) issue #2 with one of his most famous text bubbles: "i know what moves you're preparing to make. i've fought our fight already, in my head, in a million different ways. i can hit you without you even seeing me."
as for calling his head pretty? no. he wouldn't do that. i'll be repeating this as i read this series but he would not flirt or sexualize dick grayson. he never has done that to others before the new 52 from everything i've read up to (i am finishing the worldstorm arc) because it is strictly against his character. he isn't the sort to do that to another man. you want an example of why i say that?
here's a line paraphrased (because fuck ennis and his homophobia) from midnighter (2006-2008) issue #5 that helps support it: "what it means is that i'm only interested in men. one man in particular."
he's talking about apollo. his husband, his sun god, his other half. he's the only man for him and he's an utter sap about it! everytime he sees him he gives him a compliment. he's so in love it makes me so happy to the point i get nauseous in a good way.
so to all the dick grayson fans who've read agent grayson and hate it for dick's sexualization, i just wanted to let y'all know that midnighter wouldn't be doing that to him. in fact, he'd let him know he doesn't deserve it or have to take it for the sake of the job. body talk by kermit_coded on ao3 (ily friend) approaches it exactly how i would've.
so all in all, he wouldn't flirt with dick or sexualize him in any way, and he'd say less of the goofy lines he said in this. not that he can't be goofy, but it's a more.. violent goofy i guess.
so why would midnighter be there following my idea not tying to the garden or anything? well, midnighter hunting down random shit like people put under surgery to become meta bio-weapons still feels up his alley. considering him and apollo did something similar back in their first ever comic appearance in stormwatch vol 2.
where's apollo then? well, he was following up on a lead about other possible meta bio-weapons on his own and then he and m were gonna go out to dinner with jenny q. to celebrate. sadly, the fates (dick grayson) had him get hit with a laser that shot him away team rocket style. now he's gonna miss dinner with his family.
#dc#dc comics#wildstorm#the authority#midnighter#dick grayson#nightwing#agent grayson#buds.txt#hopefully tagging this with agent grayson gets the reach i want.#i love dick grayson's character and i just want people to know midnighter ain't like that. he got treated like shit in this series too.#btw angie heard how it went and got footage of mid flying and after laughing so hard she cried she saved the footage.#of course she left a message asking if he's alright. and now has that footage on the carrier so everyone can watch it.
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ACTION!! ANGST!! NUKE OWLS!!
Okay, joke aside, this first time ever I tried doing anything in this scope of storytelling; orchestrating fight in my head which is prone to behave like a jumpy monkey on speed is definitely not easy task.
I really struggled with couple of panels but I still wanted to push my self that, since this comic is just sketch fest and not polished, just to push to accentuate what I had imagined and get the point across.
One thing that definitely inspired that panel with Vindicta on scope was that scene of O-Ren Ishi from Kill Bill. I also hear ''Lonely Shepherd'' when I think about Vindicta and her overall character, to be this lonely renegade on one mission for so long and to be met with a resistance from unlikely source is probably big anguish. I also get the gist that she's suffering from some form of abandonment issues, I mean to be returned into mortal plane with knowing that your family is long gone and not there is definitely soul crushing.
I think 2 more chapters are after this one, I wanted to do real tear jerker for the next but it will probably be toned down a bit.
Also, I left Shiv ''transformation'' purposefully ambiguous because we know fuckall of what he is, but yeah, that penultimate panel does give the vibe of ''he werefolf''. It also reminded me of Wolverine for some reason, lul.
I hope you like it ya'll and that font is not too small or fucky to read.
#deadlock#art#headcanon#shiv#vindicta#hurt people keep on hurting#and hurting other in their pain#grey talon
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listen i know i yap a lot about nick and neurodiversity in my fics but it's like. every time i reread heartstopper it really jumps out at me and i'll probably reblog this again with more thoughts as i continue my reread but like.
it strikes me as interesting that despite the fact that nick gets called a chav pretty early on by tao, we never actually see nick acting that way on page. i think the show does a good job at showing how nick has sort of chameleoned himself and stuffed his real personality down but the show is a topic for a different post. in the webcomic we see it once when charlie is teasing him about being laddish and nick decides to act that way for a laugh. on one hand, i chalk this up to most of the early webcomic/heartstopper in general being in Charlie's pov. he wouldn't have noticed these things about Nick because they didn't really notice each other until their meet cute, which is realistic. I think it also speaks well to Charlie's character that he takes who Nick is at face value and challenges Tao's opinion of him. but what jumps out at me is that in harry's birthday party we sort of see the first instance of nick's "meaner" side and it's in the context of defending Charlie. Still! The first instance of this really sunshiney character taking quite a big turn!
But notice how the dig isn't personal? These are all observations about Harry that can be deduced in the context of the material before it. That is to say, despite being friends with Harry since he was like 11, Nick keeps it simple. It reminds me a lot of how you correct a dog's behavior in the moment and I can go on for ages about Nick and dogs but again-- that'll be another post. What follows this really intense moment is another really intense moment when he and Charlie are alone and like yeah, they're teenagers, being teenaged is intense enough. But after their kiss, we have this panel and my God is it one of my favs:
I really love how Nick is framed with flowers in this scene because it really feels like it's him blossoming into himself in this moment where it's just him and Charlie. Charlie is shown over and over again to be Nick's safe person in comic and while they are obviously falling in love way before this, I still feel like this is the moment where Nick decides it's safe to love Charlie (I mean duh, they kiss a LOT in this episode), or rather, to hand Charlie his emotions and feel like they won't be fucked with or used against him. And that's huge! Nick wears all his feelings on his sleeves, he's not even slick about it either-- the fact that Christian, Sai, and Otis pick up on the fact that Nick has a thing for Charlie before he does speaks a lot to the fact that Nick doesn't seem very aware of how much of himself he gives away on the regular. Which again, in juxtaposition with the fact that he's perceived as a judgmental rugby lad by Tao (which, grain of salt here. I love Tao a lot but he's also quite judgmental in his own ways so this is a pot and kettle situation), and the fact that his own mother comments on the fact that he's much more himself since befriending Charlie? That's MASSIVE. I dunno. I could be projecting here but as an autistic teenager who did everything in my power to be like my peers and lowkey hated myself for it, I find this incredibly relatable. We see Nick starting to realize that a lot of his friends are dicks several times before he and Charlie kiss for the first time, and that's also relatable. It took me so long and still takes me so long to realize that people I thought were friends are actually quite shit. Again, I could be projecting but it reads very neurodivergent to me that it takes Nick being exposed to someone who is actually kind to him (Charlie) to realize that his friends aren't kind people. Insane tbh! Something else that got me is that we see Nick struggle with the fact that he really likes Charlie and wants to stay with him vs. the responsibility he feels to regroup with his friends. I don't actually think it's responsibility. I read it as Nick putting his mask back on and resuming the expectations he's been bearing since before he met Charlie and it's a visible struggle for him.
Nick, while pretty unaware of the fact that he can be read like a book, is also incredibly aware of the role he plays in his own friend group and the ways in which he has to perform. But he doesn't like it now. His early love for Charlie really puts things in perspective for him that he doesn't have to accept where he's at currently if he's unhappy and we get that moment of regret where we see that he knows he fucked up by leaving Charlie.
It looks like he's disassociating here. That, or his mind is still in that room with Charlie. It's a battle of expectations vs. what Nick wants. And Nick's wants are never Nick's first priority. He's a pathological people pleaser after all. And despite the fact that he just fully made out with another boy despite barely having figured out that he likes guys and the ethics on Charlie kissing him without asking (teenage stuff, I'm not arguing about it rn especially because this doesn't bother Nick in canon. idk why this discourse exists but maybe i was just making out too much as a teenager) The next day, Nick clears the air. Literally runs to Charlie's in the rain so they can talk it out and so he can be understood properly. He's desperate to make things right with him because 1) he's in love and 2) he cares a lot about Charlie's feelings to the point of putting them above his own later in the story. But the way he does it and the way he sort of overexplains his feelings almost constantly really strike me as neurodivergent. Nick goes above and beyond explaining how he feels to make sure nothing can be misconstrued and that really gives me the sense that Nick is... somewhat aware of the fact that people assume how he feels? Granted, this is coming off the heels of everyone saying he was in love with Tara, so maybe he felt the need to explain himself more since some people think one pre-teen kiss = fairytale love. (ignore the fact that Nick's fairytale kiss with the flowers totally equaled fairytale levels of love for him, lol.)
He literally explodes! Charlie is physically taken aback by his words. This happens right after Charlie has his big "I shouldn't have kissed you this was all my fault" etc. explosion. Which! The fact that Charlie explains how he feels down to feeling at fault and sharing that with Nick, who is very much like no.. no nO WAIT. I LIKED IT. (so much that he kisses Charlie to get him to understand that pre-explosion). And again, we sort of see Nick trying to bottle and be a bit more normal about it immediately before when Charlie tells him he's getting mixed-signals. Nick's response was to unmix the signal and then cry about it because THIS. IS. A . LOT.
For a cis-male character who is involved in a very masculine sport, surrounded by masculine people who are not nearly as emotional as he is(on page at least) the fact that Nick goes above and beyond in this moment where he's so vulnerable to ensure Charlie understands him is hugely neurodivergent to me. He's making sure Charlie gets that Nick loves him, he's making sure he gets that he's not mad about the kiss, and he makes sure Charlie knows he feels bad for leaving him behind. His bases are covered! There's no room to make assumptions about how he feels and I imagine for Charlie, a chronic overthinker, the fact that Nick is so blunt about his feelings all the time must be fucking incredible. He can actually take Nick at face value (at least at this point in the story ). But especially after Ben's gaslighting shit? Like fuck! I'd want to jump into a relationship too if the guy I've been crushing on for like two months ran to me house in the rain, kissed me, cleared the air, and then cried in my arms. I love emotional honesty! It's also interesting to me that it seems like his confusion towards his sexuality bothers him a LOT more than his feelings for Charlie do. He likes being in love with Charlie, that much obvious, but it's this conflict within himself that bugs him. And idk, I could be projecting again but I just can't see a neurotypical teenager reacting like that. To me, it really reads as Nick going. "Okay, I like kissing Charlie and being around Charlie. I'm in love, this is good. Check." but then his sexuality is a huge gray area until he does more research on bisexuality and decides that's the label he wants to use and I think the not knowing is what really bothers him. There's a lot of pressure in queer spaces especially nowadays to be labeled and for Nick, a character who buried his personality to be accepted by others, to specifically be upset at being confused about his identity reads as neurodivergent to me. Nick, by all accounts, doesn't seem to really care about his sexuality except for the way it challenges who he believed himself to be up until this point and what that means to the people around him who think he's just some straight laddish dude, you know? Largely, he also seems rather apathetic towards sexuality and gender in general except when he has to confront his sexuality and how other people will perceive him if they knew what his sexuality is-- hence keeping things between him and Charlie a secret despite the fact that he's never ever been shown to be ashamed of the fact that he loves Charlie.
Anyway, this post got way too long. Enjoy one of my favorite OCD/AUDHD moments between Nick and Charlie. THEY LITERALLY KISSED LIKE TEN MINUTES BEFORE THIS MOMENT... INSANE BEHAVIOR... I love them. The sillies.
#chao talks#heartstopper#charlie spring#nick nelson#narlie#meta#is this meta?#idk maybe#really wrote all that and didnt even get to why i think he's audhd but you know#fuck it we ball#in case anyone wanted to know what percolates in my head#it's the fact that i think nick is undiagnosed with SOMETHING.#it would kind of slay if that were a plot point for nick's uni drama rn.#wink wink a nudge nudge#im joking#mostly
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If you want more context on how Young Avengers (2013) is not only a product of its time, but is in direct conversation with the cultural moment that comics, as a medium and an industry, were occupying, I would recommend Adrienne Resha's article The Blue Age of Comic Books. A version of the article is available here.
Reshas' theoretical "Blue Age" is largely defined by the emergence of digital comics, and the resulting changes in audiences and demographics. This is underscored by the evolving relationship between fandom and mainstream social media and the genre's metatextual relationship with both its readers and the spaces they populated. Simultaneously, there was a renewed focus on diversity and inclusion, although the material impact may have left something to be desired.
Young Avengers was part of the first wave of Marvel Now!, a branding relaunch that lasted from 2012 to 2015, which in many ways defined the first, and formative, portion of the Blue Age. The book holds obvious aspirations towards a characteristic notion of diversity which teeters on the edge of self-conscious tokenism, and the creators were directly plugged into their tumblr-based audience in a way that seems almost inconceivable in today's landscape. Between that, the notably organic (for the time) use of social media formats and vernacular, and a surprisingly clear grasp on junior millennial voices, the book both courted and gave birth to a very specific fandom environment where titles like Ms. Marvel and Champions would later thrive.
To me, Young Avengers perfectly encapsulates the opening moments of the Blue Age. It precipitates so much of what comics, and comic book spaces, would become over the next five to eight years, and experiencing it first hand really informed my perspective on both the industry and fandom. But the book also suffers for its liminality-- tonally and stylistically, it doesn't quite fit into people's nostalgic image of either the Blue Age or the post-9/11 Modern Age which preceded it, and the characters-- now on the verge of legal drinking age-- resist the conventions of an archetypical "teen team."
It's a weird book that sits in an interstitial period for the characters, the genre and its creators, being Team Phonogram's singular dip into work-for-hire supeheroics before returning to making creator-owned, pup-infused urban fantasies at Image. As somebody who loves reading and learning about the medium, I think it's a really valuable and I've learned so much about comics just from poring over this series. You'll never make me hate it, but even if you don't like it, there's a lot to gain from being open to objective, academic conversation!
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I did a whole bunch of drawings for Jason's team two weeks back, so now its time to concentrate on Steph's team! Here we've got 4 new characters for her team, with a couple extra tomorrow as well. Lets go into to them, one by one.
First up is the lantern for the group, more specifically a Violet Lantern apprentice aka Miri Riam! Her reasons for coming to earth is unknown at the moment but they seem to have some connection to Carol Ferris. Carol's also a Violet Lantern and Hal's(Green Lantern) on-and-off girlfriend and occasional antagonist. Perhaps Miri was sent to become Carol's apprentice? I've got more info on whats happening there, but thats for later.
As for why Miri was chosen for the group, I knew I wanted some kind of Lantern for the team, but couldn't find a green lantern that was both in Steph's age group and have fun interactions with them. But then I thought, does it have to be a green lantern? I had a red lantern for Jason's group after all. I looked around and found Miri! I don't know her exact age but I knew she was a young adult, so I'm just gonna have her be around Steph's age group.
The Violet Lanterns Corps are very ...enthusiastic about the power of love and Miri's no exception. She wants everyone to know the joy of Love, she's honestly kinda annoying about it. I remember this one GL issue where she was destroying a city just to get Kyle and Soranik to resolve their love troubles. That pretty much became the basis for how I'm writing Miri's personality. Like I said above, I'll get more into Miri at a later time.
Next is Maxine Hunkel aka Cyclone, granddaughter of Ma Hunkel aka the golden age Red Tornado! I already posted a drawing of her a while back, I thought she'd make a fun fit for the team. She's has such high energy and so much enthusiasm I couldn't help but find her utterly endearing. I think at a later point she'll end up joining the JSA but for now she's just having fun with this team.
Btw I thought that maybe her grandmother, Ma Hunkel, could fit a similar role that the other Red Tornado did for Young Justice, helping out a young hero team. Just a way to emphasize how Steph and Tim's teams can serve as foils to each other.
Next up is the archer of the group, Mia Dearden aka Speedy II. Tho she should probably have a different name due to Roy still being Speedy atm. Maybe Speedette? Ehhh, gotta workshop that.
Anyways here's Mia and Steph meeting as civilians, with Mia showing off her bow. Mia seems to be in some sort of school uniform, perhaps Oliver is sponsoring her to go to a fancy academy? Her backstory is similar to canon, with Oliver saving her from bad people. I'm not sure if her story should be exactly the same as canon, since Mia is 10 but terrible things like that do happen in real life to young children. But I don't know if a goofy au like mine is the best place to show that. But for now lets just say Mia is currently trying to heal and become a hero like Green Arrow.
I imagine Steph and Mia get along really well, they just get each other in a lot of ways. Steph can see Mia might be hurting inside and wants to cheer her up, hopefully with all of Mia's new friends she can.
Last up is Jaime Reyes aka Blue Beetle III. Unfortunately I haven't drawn him all that much so no individual drawing for him, tho I do like him.
As for why Jaime, I remember liking him in the YJ cartoon and found him pretty likeable in the comics as well. But I've always like the spiderman hero archetype anyways, which Jaime fits really well (I mean, it was done on purpose). Static and Sideways also fit the archetype and are in the team as well. Arguably you can say add Steph to this too, probably more than Tim in my personal opinion.
Another reason I wanted to add Jaime is that he and Steph almost became teammates in canon, in a failed Young Justice project. What could have been huh. Third reason is more silly tho, if Barbara and Ted Kord start to date in this au, imagine how grossed out Steph and Jaime will be lmao.
So there's four new teammates for the team, but! I've got a couple extra for tomorrow! And later on I hope to finally post some more doodles of these characters (some of them are real old, more than a year old). Especially Miri, she turned out to be such a fun character, and I've always liked the all the lantern corps. Here's a bonus doodle of them btw (with bonus unmasked Sideways):
So many new members, well, hope you liked all that!
#DC Comics#Stephanie Brown#Jackson Hyde#Kara Zor El#M'gann M'orzz#Miri Riam#Maxine Hunkel#Jaime Reyes#Mia Dearden#Carol Ferris#Derek James#my art#Training Wheels au
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The only thing that's upsetting to me about the whole "Tails is dead" situation is that it was a spoiler bomb that got dropped pretty early when I was still flip-flopping between either Tails or Rouge being dead (back when you said one or the other was dead and were trying to keep it more hush). Tails seemed like the obvious choice considering that Sonic looks like he was dropped into a dunk tank full of blood and has Tails' fur on him, but I was holding out for the fur on Sonic to be a potential red herring. Essentially, I was trying not to have strong expectations for who died so either outcome would be surprising to me. Sometimes the greatest plot twist is a lack of a twist though ¯\_(ツ)_/¯
With that being said, that hasn't put me off from enjoying the comic. What's more important than knowing that Tails died is how that happened and what effects that will have on the plot/characters moving forward and I trust you to tell an engaging story with it. Keep up the good work!
Yeah I never truly wanted Tails's death to be an actual surprise. I wanted it to be obvious and for readers to be left with the dread of what may happen AFTER that point.
There's twists! But there's no value in keeping that information secret for more than one chapter. It's just not beneficial to the actual goal of this story.
I'm glad that, despite this, you enjoy Infested. I will continue doing my best with it, just as I hope my work continues to entertain and, perhaps if I'm lucky, move people.
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"Cameo number 2! Jayden would want Charles to meet Morbius so he can be turned into a vampire (someone get him into a vampire role already please) and George Agatha for Edwin! There was also moments from the comics they want o see adapted. THE ENDING AS WELL MY HEART ❤️❤️❤️❤️"
As a long time fan of the comics, thank you for being the best version of Edwin and Charles. The comics helped me through a rough patch and the show made me fall in love with the franchise even more.
If you could have Edwin and Charles meet any DC or Marvel character who would you want them to meet?
Is there a moment from the DBD comics you would really like to see adapted at some point?
#liz#ultratitas#2nd gameoden#morbius#vampires#agatha harkness#marmite#justice for marmite#heart hands#🫶🫶
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I know your not really much of a Jason Todd fan but I kinda wanna hear your opinion on this. Is the Bruce Wayne Brainwshing Jason Todd still canon? If so so you think it’s out of character for Bruce to do this.
Also how do you feel about Bruce’s characterization in modern comics in general actually?
Honestly it’s one of the reasons I’m kinda hesitant to read the comics, because while I’m super interested in all the lore- both Batman himself and his family (especially Cassandra she sounds awesome I love characters that show unwavering, intense dedication to compassion)I DONT want to read comics where Bruce is like, a completely awful paranoid asshole with none ofhis redeemable qualities (I got interested in Batman via clips of the JLU/BTAS)And according to a lot of Batman fans his characterization in this respect has been on a downward spiral for years now.
Like I’m not even a “god dad Bruce Wayne” person, I think his actions regarding Stephane Brown make a lot of sense for him actually and play into the effect that Jason Todd’s death has on him well and kinda wanna read me about that outside of fanfiction.
PS.Sorry if this ask is long and kinda random, I know this is mostly a Cassandra Cain blog.
Interesting question!! I'm not an expert on Bruce or Jason, so I'll answer to the best of my knowledge. I'm assuming Bruce brainwashing Jason is a reference to Gotham War, when he injects fear toxin into Jason's brain to make him afraid anytime he experiences adrenaline. I haven't read this so I can't comment too much, but this breakdown is useful if you want context for what led Bruce to this moment; it did happen in an in-continuity comic, so yes, it is (unfortunately) canon.
Some things to note for the context of Gotham War is that Bruce is grappling with Zur-En-Arrh, a sort of second personality. While this doesn't make it good writing, Bruce is not 100% in-character when he injects Jason. Whether or not that absolves him of wrongdoing is questionable, but it's a little unfair to Bruce as a character, and even to Chip Zdarsky as a writer, to think the thing with Jason was meant to be an in-character moment. So while I do think injecting Jason is out of character, that's kind of the point of the arc.
That's not to say the run is well-written. I can't judge myself, but many people dislike this run for numerous reasons. But this is just one of Bruce's modern runs - there are many more amazing Bruce comics out there. Ram V's Detective Comics and Scott Snyder's Absolute Batman are two fantastic takes on Bruce (though the latter is an alternate universe and ongoing, it's so far extremely entertaining!).
There will always be better and worse times for a character's characterisation, and you will encounter some horrible stuff in canon, but you'll find some life-changing stories too. You sound like you genuinely want to delve into comics, so please do! Don't let the risk of reading something bad stop you - there is so much good in here, stories that will make you laugh and cry and stick in your mind forever.
Since you're specifically looking for dad Bruce Wayne stuff, here are some recommendations!
Batgirl (2000): a very nuanced portrayal of Bruce as a dad to Cass. Definitely not a Good Dad Bruce at all, but he genuinely loves her and tries his hardest. 5/10 on the Good Dad Bruce scale.
Tynion's Detective Comics (2016): very good starter comic in general for the Batfam, and Bruce has numerous sweet moments with Tim and Cass (Steph too, if you count her as a kid). 8/10 on the Good Dad Bruce scale.
Robin & Batman (2021): not 100% sure if this is in continuity, but it's 3 issues and a lovely depiction of early Dick and Bruce. Features very realistic mishaps on Bruce's part, but sets up the foundation for a strong, beautiful relationship. 6.5/10 on the Good Dad Bruce scale. (This is also getting a sequel featuring Jason!)
World's Finest: Batman/Superman (2022-): an ongoing series that is pure comic book fun. Robin!Dick features heavily here, and there's some wonderful Batdad moments. 8.5/10 on the Good Dad Bruce scale.
Tom Taylor's Nightwing: probably the best dad Bruce in modern comics, and has very sweet moments with Dick throughout. One big caveat is the characterisation can be off, so I recommend this only in the context of Bruce being a good dad to Dick. 10/10 on the Good Dad Bruce scale.
You also can't go wrong with either Batman and Robin (2011) or (2023), which focus on Damian and Bruce (haven't read either but 2023 in particular seems to have good dad Bruce). Batman & The Signal and Batman & The Outsiders (2019) have great Duke-Bruce moments, while Bruce Wayne: The Road Home: Batgirl is the best Steph-Bruce stuff we'll ever get that isn't wildly out of character. Batman and Robin: Year One is currently coming out for more Robin!Dick and Bruce relationship cuteness and drama.
I hope that answered your ask! I am mostly a Cass blog but I do love to talk about other characters so no need to apologise :)).
#bruce wayne#jason todd#batfam#comic recs#ask#recommending tt's nw dick stans pls forgive me :(#half of these being dick and bruce... he really is the favourite#idk if there's any comic recs for jason and bruce specifically though they had a rough time#i love getting asks like these because YES more people to start being consumed by comics#like don't ever feel like u can't ask something because u don't read comics. we all started somewhere#i started with tom king's grayson so....... yea
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EXCEPTIONAL X-MEN #3 FTA
After a pretty disappointing week of X-Men comics it's a delight to read and analyse Eve Ewing's Exceptional X-Men. The repeated issues I have with the other titles are just not present here and after three consistent bangers Ewing and co have my trust.
Emma is right
We pick up exactly where issue #2 left off, and this opening scene of all the main characters makes me realise how tightly the execution is. We know where each of them is at and (at least broadly what they want) - we're getting to know the kids organically. Where the other two books feel like action figures isolated from each other for no good reason, Kate Pryde's need to get away from the X-Men was established before the title even began. She just wants a normal life, to date girls and process her trauma. Emma Frost showing up to answer the call she refused throws her off immediately and they briefly scrap. The kids aren't just saying nothing because they didn't get a script today (hi Jubilee) - they're frozen by Emma. It's a small thing, but it's purposeful and flows elegantly.
Priti, Kate's housemate/friend from school, breaks up the fight for the most relatable reason - she doesn't want to lose the security deposit. Perhaps a sign that Kate doesn't fit into the 'norma'l world as much as she wants...or Emma just really knows how to push her buttons. I think Emma is hurting too, though she hides it under her usual scene-stealing exterior. I can't wait for more of their dynamic. Yeah, they'll almost certainly figure out a working relationship but their pain isn't being dismissed either. I feel like the pair are a successful version of what Gail Simone is doing with Rogue.
They stop fighting and have a little tea party, then Axo asks the question I'd been dreading the answer to - 'do you trust Emma or not?' Kate grew up being terrified of Emma with good reason and never let her forget why she did not trust her. Emma spent decades earning that trust and proving herself a hero, leader and teacher - but the First Krakoan Age had them grow closer than ever before. They worked well together and became friends, they were a force for good on Krakoa (mostly.) It's a shame that this is a metric, but two thumbs up for not rolling any of that back. These feel like the members of the resistance who were there for each other in Fall of X. Kate herself is regressing a little, but it's believable as a trauma response.
Kate doesn't want to train young mutants and Emma does. Prito even has a space they can use and the kids are keen! Everyone is happy then, right? Well, I think that's going to be the core tension for a while. Everyone except Kate wants this, but I think Kate needs this.
This 'getting to know you' circle does a lot of work in centering the young mutants, reminding us they're here to stay while showing us who they are and the beginning of their social dynamic. I haven't been a teen for a long time but their voices sound authentic, even to the point of highlighting that Bronze/Trista is a bit younger than the other two.
Agreed, do not read the comments.
They want to be doing this! One of the most challenging parts of being a teen is navigating peer groups. Solidarity in experiencing the same kind of otherness plus scary body changes is healthy, and it's lovely to chalk up a W despite the fact that 'people hate us.'
This issue also asks the question Rogue did in Uncanny #1, but as organic dialectic. It introduces the tension between self defense and being a superhero when you have powers - the difference between Emma and Kate externalised. Kate is excited despite herself until Emma shows up with costumes, and I think she's right to push back or at least be wary. But is this about her or the kids? It's not the most admirable contradiction but it's very human. They're both right that the old ways were flawed and they need to try something new.
Is she talking about Colossus? MF is not that gentle. Their costumes look amazing.
Unsurprisingly, Emma and Kate are a great team. There's tension underneath there, but they wouldn't be doing this if their friendship didn't run deep. New kids in relaunches past have often had their powers explained by Cerebro or a nosy telepath. Learning about it from their mouths as they're starting to use them in a controlled environment achieves the wiki entry, shows them learning to use them, and importantly gives us more of their personality.
Emma conjures up some Brood-like baddies and everyone freaks out but some growth is evident. It's Axo that figures out they're not real. Kate is not impressed. I doubt they'll throw down, but her sending the kids away feels like an extreme reaction. Good, she's got shit to say and hurts that need to be spoken. The kids don't leave, but we're left with all this tension in the air to be resolved next issue.
I LOVE that the three kids cuddle/huddle in the background.
Who better to break the ice (sorry) than Bobby Drake? Having him just fly in the window and cooling down the tension (sorry again) could feel random and silly but it works. These two have a lot of history and it makes sense that he'd seek her out. Kate has been turning her back on anyone X-related - will she freeze Bobby out too? The kids are awed by him and it's half the Marauders back together, so I don't think he'll get the cold shoulder.
I feel very confident in calling Exceptional X-Men the best X-Men book in From The Ashes. It's got an honesty and sincerity to it while remixing the hits of first arcs and adding plenty of new. The art style is colourful and emotive which adds so much to a book taking people's feelings seriously. If you pick up nothing else, this is the one.
#exceptional x men#x comics#kitty pryde#emma frost#bobby drake#bronze#axo#iceman#marvel#x men#comics#trista marshall#Alejandro mateo luna#thao tran#melee#priti patel#from the ashes#eve l ewing
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