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scopophobia-polaris · 1 day ago

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So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

#oughhhhhh #oghhnkn eepy time yeah never agian #i have a whole thing about the triforce i wanted to say all this shit because of corruption and power but im so tired and ucked up what if #draw like crazy tomorrow or something like oh hbhbgb but uhhhhhh anyways anyways #now that i dont ffeel like i goot wAIT THE CHAINS BREAKING MAMA DIDNT RAISE A QUITTER #but like idk i dont like fightig or anything online i was just so??????????????? when Ezlo got hit for no reason like hi dont do that they #werent apart of this like #idk maybe im just a little venomus rn too but i also uh....would not be mkaing repeat posts where you wax academic about post colonial #ghosts but can reblog more then 8 posts for palestine in over a year??? like thats mean to say but with the context of Ori....#yeesh #idk bad look. there are real people to care about and this is why i dont wanna do internet discourse no more #its just stupid as hell and i have become SOOOOO normal #god lets hope i didnt eave lose ends i look ill rn ive been up over uh..........36 hours for some ungodley reason #wasnt even writing this the whole time i was clotecting eggs and laying down some diatematious earth for these birds #oh and then i get like.....IM GONN DRAW GANONDORF #I GOT AN ASK ABOUT HIM AND HES BEEN ROTATING IN MY HEAAADDDDDD #OOOOOOOO DORFFYDOOOOOOOOOOOOOOOO #Anyways back to my shit i will hopefull never be this mean again because its fucking exausting #but like bunch of dudes in your dms like LOOK AT THIS and you go oh YEESH i am so sorry i was a teen when that happened #well anyways im gonna be doing my little tasks and stuff tomorrow cuz #AS I SAID THE CHAINS! I CAN FINALLY KRILL MYSELF (srimp dinner)#one of these days i need to designn this fursona i have in my head and post it #i got so many things to dooooooooo and yet #alright well that was a waste of time #maybe ill come back to this and point at myself like you should of grabbed sunset perril by the throat about the wold cock thing #okay it was average it wasnt even Terato i wanted to SCREAM #this is not normal right? dude come on get weird with that shit #oh shit i should play bloodborne agAIN WAIT IS ELDENRING CO OP A THING #oh i would FUCK SO SEVERLY IN THERE #I May get webfishing soon but after i do some stuff

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jesncin · 2 days ago

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I think I said this before, but your mgann is so cute! I was only familiar with Young Justice miss martian which I wasn't a fan of. But your miss martian actually makes me want to look in more into the character

Thank you so much! I was only familiar with M'gann from the Young Justice animated series for a time too and I also wasn't a fan of that version of her, haha.

While my version of M'gann does pull from some of her themes in the comics, mine is really different over all. I like zero-ing in on her being a young girl going through social and body problems in a way I feel all versions of M'gann don't really dig enough into.

#askjesncin #miss martian #m'gann m'orzz #martian manhunter #jl remix #and of course I try to push my version of m'gann away from the character's “we have supergirl at home” roots #less ingénue girl and more “preteen-teen girl going through puberty growing pains” energy

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amebanworld · 3 days ago

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So, here we are. Finally I’m dropping by to share something I’ve been pondering. I think it's about time to speak about this openly.

You know, I've been a TF fan since my childhood, since I saw G1 Cartoon till now.

But since I'm not a native English speaker and the TF TV series have been aired irregularly at my country, I just haven't be able to follow all series when they were broadcasted. I just wasn’t able to watch all of them. I'm not interested in every single series though, just in some of them. Same happens with comics and movies: seriously I like to think Bayverse just didn’t happen.

So I’ll will tackle the series/comic sI’ve watched/read only, and not every Screamer incarnation.

Let's start…

In 80's (and earlier) cartoons, it was quite common that one of the main characters was bashed by other characters under the premise that "this chara is problematic b/c he thinks different from the others, so he must be punished". As crazy as it sounds, this was encouraged by parents supervising children cartoons’ morality. That's why Eric (from the D&D cartoon) or Rudy (from Fat Albert) were made fun of, and that is what’s happening with G-1!Starscream. Yes, I mean the regular bashing he suffers by almost every other character in the series, and mostly from his leader, Megatron. Also, this was encouraged by the idea of "Hey! They're just aliens robots! We can be harsher with them since it isn’t an average cartoon for kids." And that's how it begun.

Since the G1 cartoon (and its comics counterpart, although the mood is quite different), Screamer has been portrayed as “selfish, a disloyal second-in-command, a coward yadda-yadda", but he also has been portrayed as somebody who endures punisment from almost every other character regularly, and mostly from Meggs, as I said before. This pattern repeats itsel over and over in all TF series, no matter the plot or the setting.

Despite being so popular, most of the fandom think that "he deserves it b/c he's a traitor", or just like it as a slapstick comedy. However, over time, and since certain series and comics have more serious plots, this issue was interpreted under a different perspective by older audiences.

Starscream, no matter the continuity, suffers from PTSD and is victim of abuse.

And I fully agree with that.

Over the years, I've met many fans (female fans mostly, perhaps b/c they usually have this kind of sensibility) who loved the character and felt bad for him because they identified with him on a personal level. I've met veterans too who indentified with Screamer. Both of them just felt really uneasy about how he’s treated in comics and especially in the series. Of course, there’re many fans that just think this is nonsense and don't agree with it. However, invalidating the opinion of these other fans and brush it aside as "nonsense" means to ignore the victims of abuse and their suffering too.

So, what do I mean with "victim of (domestic) abuse"?

First of all, it doens't mean just abuse from your romantic partner, but also from your parents or relatives, from your boss, your classmates, etc. The thing is, all that applies to Screamer. Unlike other characters that just attack him during battles and such, Screamer is punched many times till almost dying by Megatron. He’s also insulted and invalidated. There’s some examples of different continuities below.

The dynamic of abusive relationships is very complex, but in all continuities we can find the same pattern: "The victim tries to flee and does something careless, then he's caught and punished by his insolence". The problem is that the victim is also a traitor and a liar, and certainly he's not a saint. Plus the abuser keeps him around still.

Why?

Summing up, it's a vicious circle. The victim thinks he "deserves" to be punished, but since he wants to be free, he behaves carelessly and paying no heed to loyalty so as to “deserve” that punishment. Meanwhile, the abuser seeks to blame (and punish) the victim from his own faults. Then, when one makes a move, the other behaves accordingly. Meanwhile there’s also calm moments where things “seems” fine. That's why Meggs and Screamer seems to get along "nicely" when nothing happens.

Eventually, the victim copies the abusive behaviour, becoming also an abuser. This is quite obvious in the TFP continuity, where Screamer does the same things to KnockOut.

Of course, the abuser is guilty, but the victim has his own faults. Usually, these people suffer from PTSD and develop a nasty behaviour towards others. They become selfish, demanding, disloyal, etc. This explains why Screamer behaves as such with almost everyone in all continuities. Usually, the victim isn’t aware (or just doesn't want to ) that he's into an abusive relationship (no matter what kind), so he’s just seen as being disloyal, stupid or something like that. Usually, only people who have suffered abuse, or are close to an abuse victim, are aware of this problem, and of how hard it is to break the vicious circle and break free.

Many fans were aware of this problem, and some years ago a bunch of them decided to let know their feelings about SS to Hasbro, so they send the company a long letter, thanks to @tyrantofthefirmament You can read their letter HERE.

And how did Hasbro answered?

I guess they get a lot of letters from the fandom, and that their marketing team will be well aware about the fandom opinions at least now, b/c it's kind of obvious that the later comics and series portrays ideas that were born in the fandom. Anyway their answer to that letter sounded like "We're glad to heard from you. We'll think about it someday. Thanks!"

And that’s whay they did on the later series, it seems.

Let's check it…

*TFP: SS is written so randomly here. First, he's a serious threat; in the second season, he breaks free and joins the Abots or is just on his own (the best part), and finally, in the third season, he joins Dcons again, and Meggs punches him for any random reason. Finally, he dies.

*Armada Trilogy: he's written as a tragic character. He ends up being a hero and dies saving the day on the first season. Later on, he's resurrected as a zombie with no memories. Finally, in the 3rd season, he becomes… what the heck?? He doesn’t seems to be the same character!

*War for Cybertron Trilogy. Well. Here, he's closer to his G1 Incarnation, despite he wasn't a scientist and he was under Jetfire's command till the white jet joins the Abots. The same tropes are repeated, till Blacharacnnia teams up with him and he meets Unicron in a Lovecraft- like scene. Afterwards, the writers got wild and gave him the arc to be an anti-hero, warning everybody, who actually barely believe in him. At least, the writers tried here to give certain credit.

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Starry meets Cthulhu... eeer, Unicron.

*IDW comics. Perhaps the most developed incarnation. Here, the problems of abuse and trauma, along his faults in the GreatWar, become an issue that must be solved. He becomes a Cybertron ruler, makes a friend (Metalhawk) then kills him… and later, he regrets it a lot. Bumblebee appears to him as an hallucination and befriends him (his only friend is imaginary). WheelJack has a soft spot for him, but this isn’t enough. Then, Windblae appears, who is oblivius of the Cybertronian war. And well, things happen and he isn't disloyal anymore and learns about his true self. Perhaps this is the only series where his fate is different.

Bee facing Screamer in his own hallucinations...

*EarthSpark. These series tries to mix up G1 with IDW. War is over, the Earthling TF are born and Screamer is jailed in a corrupted human facility, till he manages to break free. At this point, an Earthligh TF, Haghstag, knows about his trauma and helps him. The whole first season deals with Dcons as people with his own lifestory and traumas, and how important redeption is. Starscream fits this plot…

Haghstag and Screamer... and he's smiling.

Till the following seaons where the writers just ignore everything and they come back to the same old plots again and again in a very creepy way.

The thing is, Starscream nor talks about this with others, neither uses it as an excuse for his behaviour towards his companions. That goes against the Decepticons ideals, but also that would make him to look "weak", or he just doesn't want to admit it despite his pain. Dcon's are usuallly portrayed as horrible people, after all.

Anyway, the fact is Hasbro and their writers just don’t dare to tackle a character arc to give him some reliable background or credit. They show some hints here and there of "perhaps he's victim of abuse/he suffers PTSD", and later, they brush him off. This is kind of obvious for every continuity discussed here.

So why? I just don't get it. And that's why I find this is a problem. I just don't want to see the same old story again and again, with a character that is basically a punching bag on one hand and a baddie on the other. (Skybound comics aren't included here since it's an ongoing series by now). If the writers dared to write a redenmption arc for Megatron. Why not for Starscream?

(Special thanks to @sandalwood03, who edited my broken English into something nicer).

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nobodycaresabt · 2 days ago

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I need to talk about Ness and how much and how unexpectedly I love him.

I think it’s one of the best paced character’s introductions in bllk thus far and I am amused how he turned from a level’s boss’ sidekick to such an interesting character.

At first we meet him as a Kaiser’s +1 and tbh from his design he doesn’t look like a lot. Other guys from BM are even more interesting.

Then he is more of a comic relief with “yellow cards” and “Kaiser’s boy toy” until it all becomes pretty ugly.

With the drink thrown at him, that lip-biting panel we all remember (and want to forget), knee sliding for Kaiser’s goal I was going back and forth between feeling sorry for him and being borderline disgusted.

But then his backstory drops and it turns out to be such a beautiful story. Not only was he an adorable little boy, but he was imaginative, creative, sensitive and so lonely. I like how his backstory has very little to do with football, but with his longing for magic, emotions, acceptance, wonderful things and how football was the first wonder that he found irl. That words “unexplainable feelings, unexplainable sadness” did something to me 😭

It seems like Kaiser represents all this magic he was longing for and their relationship seems sincere and genuine at that point.

Then his profile drops and i feel even more sorry for him. Aside from Kaiser nonsense he wants to go back to his younger self and tells him it’s okay to be himself. Gosh… And his favorite movie is a love story.

His backstory and his profile show him as a beautiful well rounded person with a lot of interests who is different from all other characters. It also provides with space for head canons.

Ok, and then Kaiser’s backstory drops and we learn that from his side it was all bs from the very beginning and that he used Ness dirty. Thank you. Ness, my poor boy.

Thank you for listening to my rant. I will be okay. 🫂

#alexis ness #bllk #blue lock

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fantasiac · 1 day ago

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I had an idea to make a comic about what Shadow was doing while sonic was "dead" (it was planned to be test in writing sonadow while staying in-character), and it would focus on Tails a bit, I wrote a scene where shadow encounters Tails, it's unpolished, but here it is (this is about 3 months into Sonic's dissappearance):

T "you. what do *you* want?"

S "I'm looking for sonic-"

T "Sonic is gone!" (at this point Tails knows it's the real Shadow because he spoke, and phantoms didn't speak this early in yet)

S "Tails..."

T "you stood there and watched it happen!"

S "that-"

T "I DONT CARE! Shadow... I could have DONE SOMETHING! ...but I didn't, I watched as infinite killed him in seconds..."

S "Tails... *sigh* I know what you're going through-"

T "DON'T GIVE ME THAT! (Tails shoves Shadow) I could have jumped in with him to fight, like I always do... it wasn't like Maria! Sonic didn't stop me, I had all the chance to- ...I- I could've-" Tails starts to break down

Shadow sits next to him, closer than he usually gets with people

S "I know how much he meant to you... to everybody... I'm in no place to tell you how you should deal with this... I'm sure I'm just in denial, but I believe that Sonic is alive *somewhere*, he's too stubborn, I don't care how futile it is... I know that I'm probably just chasing a dead end... but I know Sonic, we both do..."

T "...that's how I know he's gone, he would have shown up by now, boasting about how 'it'll take more than that to knock me down, egghead!' ...but he didn't... (Tails looks at the surrounding machines with Eggman branding on it) Eggman won... he took over, and nobody could stop him... we lost, Shadow... it's over."

shadow gets up

S "we'll get through this, I promise to you" Shadow skates off, Tails suddenly notices how similar Shadow is to Sonic

(end)

that's all I got so far, but I also wrote the scene where shadow actually does find sonic, adding on to that scene we see in the real game, I wanted to share that too (4 months into sonics death):

Sonic was fighting Shadow (phantom) for "being on Eggman's side!" had his arms up for a block, but Shadow never hit him, he looks and sees the real Shadow beating the living daylights out of the Shadow Phantom (I wanted to go all out and make this fight longer to make the phantoms seem more threatening), the real Shadow turns to sonic, standing there in the shadows of the destroyed city

Sh "hmph, finally ...I found you, faker" he has a smile on his face

S "Faker? *I'm* the fake?"

Sh "of course, you're not even good enough to stand up to MY fakes"

S "*Ha! I'll make you eat those words" sonic seems weirdly angry, there's a lot of emphasis on 'eat', it has a disdainful bite to it

Sh "you really want to fight now?-"

Sonic lands a hook to Shadow's face

Sh "what? what are you- (blocks another strike) We have 2 clear enemies, and you're fighting me?"

Sonic continues to attack

S "you think I'm not GOOD ENOUGH to stand up to the ultimate lifeform!? Ha!"

Shadow continues to block attacks, this isn't sonic's fighting pattern at all, it's like he's fighting to kill

S "I'll show you just how WORTHLESS you are, Shadow" he barely whispers Shadow's name while he nearly yells 'worthless'

Sh "(worthless? ...Infinite!)"

(the comic continues, but I don't have more)

this is the point where the phantoms start speaking, also, OF COURSE infinite would have tricked people with Phantom Sonics, why DIDNT they do that? I want to add that the Phantom Sonics would've acted alot more like he actually does in the real Forces: out of character and one dimensional because the people making sonic don't understand his character (lol), and the real sonic in this would act like he does in Frontiers and IDW, he's just specifically out to mess with Shadow and freak him out here, also, he still can't control his rage for shadow calling him worthless

anyway, sorry for going on longer than i meant to lol

Tails was robbed in Forces. Which, I know. Understatement of the century and everyone’s talked about it. This is the same Tails who had beaten Chaos and gone toe to toe with Eggman by himself. And yeah, his cowardliness was so out of character.

But that’s not what I’m talking about here.

What I’m talking about is how they could’ve gone so hard into Tails watching Sonic die in front of him. And, more importantly, they could’ve done some amazing character parallels.

Because we have a character who watched their older siblings who was mainly associated with the color blue die in front of them. Shadow.

Imagine how much better Forces would be if we found a Tails who wanted to completely, utterly, annihilate Eggman. A Tails who has turned to anger just like Shadow did. Imagine that being the reason Tails had left. He wanted to kill Eggman and the others didn’t want to do so immediately.

Tails. The only person who can go toe to toe with Eggman intellectually. Imagine him deciding that maybe violence is the answer in this case. We’ve seen how he as a person is entirely capable of pretty extreme violence in Nine. Imagine that happening in Forced.

The parallels between Tails and Shadow are already there and I know people have mentioned it, but no where are they more prevalent than in Forces. They could’ve done so much with it.

Imagine a scene between Shadow and Tails where Shadow acknowledges how similar their situations are? Shadow comforting Tails? Ugh. They could’ve done so much!

#sonic the hedgehog #sth #sonic #shadow the hedgehog #shadow #infinite #sonic forces #writing #ideas

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indieyuugure · 2 days ago

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Hi Indie !

First of all, I truly love your version of TMNT. Your dialogues are so good and the designs are great. In terms of writing it kind of reminds me of the Webtoon comic: Batman, Wayne Family Adventures in the way that it’s a brilliant take on a famous franchise.

Also, I kind of had a question and a request.

I noticed a change of style with the color scheme you have now compare to your previous sketches. Like before, Mickey’s stickers were colored and blood was red when those elements are now in black and white. My question is why the change ? Not that it’s a bad choice or it doesn’t fit in you aesthetic, I was just genuinely wondering😁.

As for my request, well I’m French and I really enjoy doing translation either from French to English or from English to French. Therefore I was wondering if you were okay with me doing a French version of your comics ? If you’re not, I totally understand so no worry😁

I can’t wait for the next chapter !!! I wish all the best !

Aw thank you so much! I’m so glad you love the art and the writing! I’ve never read that webcomic, but I’ve heard about it before! I’ll take it as a compliment! ^v^

That is an excellent question! Basically I wanted to reduce the colors on the pages to just the colors of one of the characters items.

I’ve actually been cutting down on color usage since TMS (April’s hair and Casey’s under shirt were colored red and mauve respectively in ROTP but not in TMS) since I felt that it made for some very odd color things, like it felt like too much color be stylistic, but too little to be fully colored? Idk I just didn’t like it, so in TMS every character was allotted two colors: one eye color and one outfit color. That made it a lot simpler and drastically decreased the feeling I had about the colors.

That reason is also why I cut Mikey’s sticker colors. I did think about it, but I decided against it because it felt odd to give Mikey three colors and everyone else one. He’s not the MC, so like, it just seemed like an odd design choice to continue with.

The removal of using red for blood is a bit more complicated. I actually considered making it red in Indie TMNT, but I ended up not because of a few reasons.

1: Red is Raph’s color, it should be used as such (every character only got one color anyway, reusing the color makes it feel less special that it’s there)

2: flushing, whether because of love or illness or embarrassment or whatever, was also being shaded with red because it’s caused by blood, and I just didn’t really like the way it looked? I dunno probably a personal thing? I won’t say why cause I don’t wanna put the thought in your heads, but specifically with Donnie’s face being red from his fever in TMS, I just didn’t like it.

3: I found that the color red makes wounds more graphic. Not sure why? I found with TMS I was having to censor Leo’s wounds more than I anticipated. They were originally so much more disgusting when the red was added that I had to add a lot more black to be comfortable with the drawing. I’m satisfied with my results, I think I struck a good balance, but it did kind get me thinking since I plan to make Indie TMNT just as gory.

Its original purpose for being added was because wounds were key plot points in both ROTP and TMS and I wanted you to pay attention to them and remember them. Now, that’s not to say they’re not important in Indie Tmnt, but I found with the increased violence I was adding (because murder is okay in this comic) it felt unnecessary. Almost every fight scene has splatters of blood that aren’t really that plot related, so it’s not the same as TMS which follows 2012’s no blood or injuries in fights rule until it’s shattered. So in addition to all the other reasons listed, I felt it was fine to get rid of the usage of red for blood and other injuries in this comic.

TLDR: I want each character’s color to be special and they only get one cause I’m lazy and I think it looks cooler. Red blood makes people squeamish but black blood doesn’t 🤷‍♀️ also less important in this comic

As for your request: YES!! I’m totally okay with it, you absolutely may! I would love that! However you decide to do it, just be sure you credit me as the original author of the comic and send me a link when your done so I can post it on the comic masterpost for anyone who wants the translation to read!

Good questions! :]

#tmnt #q&a #indie tmnt #indie’s turtles #That was a lot longer than I thought it be lol #Wow who knew I could rant about the meaning of color for like 4 paragraphs 💀#Guess it comes with the job??#If you read all that here’s a cookie 🍪

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plum-pitt · 3 days ago

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X-Men Origins Rewrite

Ok I guess this is a follow up to this post i made not too long ago abt rewriting this shit, the brainworms rlly got to me here so you’re getting a follow up sooner than expected lol

Before I actually do any rewriting though I wanted to lay out the big changes I’d be making and why, mainly for myself as a guide and to organize my thoughts both about the original film’s issues and how these changes could potentially solve them, but also to allow anyone else with some ideas for possible changes to add their own thoughts or suggestions by engaging with the post.

As for what kind of final product you could possibly expect these ideas to result in, i haven’t quite decided if I want to just do an in depth outline for the story with my proposed changes or do like a full length fic novelization. It’ll probably depend on how motivated I still feel about the exercise by the time I’m finished and happy with the cleaned up outline, but I digress. Lets just go ahead and get into the changes I want to make:

Proposed Changes:

First off, I’m removing Blob and Gambit from this cut. I like both of the characters and think it’s cool they tried to include them but the cast is crammed enough as it is and those two serve very little narrative purpose that can’t be shifted to others just as easily.

Second, I’m adding Silverfox to Team X and letting that serve as the meeting point for her and Logan, it gives the audience more time to get to know her and come to care for her and Logan’s relationship, while also harkening back to the comics where she was also a part of the weapon x program. Also I know this isn’t a real film but let it be known that if it were i’d actually hire a Native American actress to portray her, i’m still shitty they whitewashed her.

Third, I’m removing the third act “Silverfox wasn’t really dead” twist. I really shouldn’t have to explain why, that shit was dumb and completely unnecessary, not to mention introducing a shit ton of plot holes with that whack ass mutant ability they pull from thin air. In my version she’s human(as far as we know) and when she dies she dies for real, full stop.

Fourth, we are GETTING a biblically accurate Deadpool. They did my bro dirty and I refuse to compromise on this. His role will be larger to compensate for his big ass personality and the fact that i’m affectively letting him take up Gambit’s role from the original in addition to what he already had. Also I just think he bounces off of Logan really well and could serve as a really interesting parallel with having such similar trauma and very different ways of responding to it and seeing the world. Like just imagine D&W if they accidentally traumabonded over their similar origin stories.

Fifth, I’m making Victor our stand in for the films Weapon XI! He doesnt get adamantium or new powers like Wade, only the dehumanizing psychological torture present in the original Weapon X comic. I think it works great for his spiraling arc, gives me a chance to squeeze a faithful weapon X adaptation in here without upending the entire film’s structure, and helps to better position his character on a trajectory towards his more feral appearance in X1 where he doesn’t seem to fully recognize Logan.

Sixth, I’d like to include Dr. Cornelius as the head scientist in Weapon X. My current concept is that he’s in charge of all the unethical mutant capturing and experimenting, working under Stryker’s supervision but still an outsider to the government, being sent in by Stryker’s most significant source of funding for his program in Nathaniel Essex. I know this has zero basis in canon I just think it sounds cool and makes sense for Sinister to have hands in a program aiming to create perfect mutant soldiers, as someone using mutants DNA to create a genetically perfect race of superhumans and become the ultimate life form. (Sinister would not play a large role, more of a looming presence pulling strings and fucking people over)

To get more overarching here, I wanted to hone in on the dynamics and themes present in the original that i thought had the most potential for further development. Victor’s spiral to madness and eventual complete loss of self under Stryker, Logan learning to let go of Victor’s influence and the violence that he let define his life only for both to drag him back after Silverfox’s demise. Really digging into that nature vs nurture shit, and adding more mutant politics (and their accompanying metaphors for the struggles of marginalized people) cuz honestly i feel like it’s absence in the original is very noticeable, and ties in really well with Logan’s arc of self acceptance and learning to see himself as more than the violent nature of his mutation.

Stuff I Still Want Changed:

Ok so here’s where I’m throwing my hat out for suggestions, because there are still a couple minor things present in the movie that i’m just not a fan of or don’t really know what to do with. The difference is, with these I can’t really think of tweaks that could fix/improve them. So if yall have any ideas on what I can do about these, or maybe some completely unrelated changes that you just think could improve the rewrite, please let me know.

One, not really sure what to do with Zero, he’s around for a lot of the movie but didn’t really stand out much to me. I just don’t know a lot about the character or what his deal is in the comics to find something cool to do with him. I’m going back and forth on if his role is ultimately necessary?? Does Stryker really need another henchman? Or should I use the space he occupies to hone in more on Victor and Logan’s rivalry? Idk i’m still on the fence so tell me what yall think.

Two, god I just fucking hate those memory wiping adamantium bullets. It’s such a stupid plot device that makes no sense conceptually and was clearly just thrown in as an afterthought at the last second like the writers forgot they needed to erase his memory by the end. That’s not to mention the fact that the bullets’ function was retconned later in Logan. Genuinely though I cannot find another way to go about fucking up Logan’s head without basically upending the structure of this movie in its entirety so any ideas on how to solve this dilemma are appreciated.

#dawg i’ve spent way too long thinkin abt this fuckahh movie #i’m cooked😭😭😭#xmen #x men #x men origins #x men origins: wolverine #xmen origins #xmen origins wolverine #x men origins wolverine #Wolverine #Logan Howlett #Victor Creed #sabretooth #deadpool #deadpool & wolverine #deadpool3 #wade wilson #poolverine

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prof-peach · 15 hours ago

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Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

#ooc

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dimmadoome · 2 days ago

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Yall will do anything but actually take responsibility for what you've created. Fanon is literally that. Canon crested by fans. They're all headcanons created by you, yes. Literally you, the person reading this that has written fanfic and drawn comics and posted your essays. You are the people writing stories and sharing art and making tumblr posts. Each an every person on here, commenting on my post outraged that I like the collicteve works of yourself had had a hand in creating fanon just by existing in the fandom. You all speak with such derison about yourselves and its actually making me laugh.

You actually can find fanon from people of color. Many many different ways. From discord servers to tumblr to twitter and beyond. AO3 Is just an archive for writers. It is not the be all end all of fandom. But, while we are talking about AO3.

It is not a streaming service. It is not youtube. The works there are not paid for. They are made by you and me and a billion other people who only want to share their art. THEY ARE YOUR PEERS, NOT A CONGLOMERATE. This whole response makes it sound like you're all complaining about the fucking disney channel queerbaiting you again. If YOU want more Babs stories. Write them. You dont want racist tropes in your fanfiction? Well howdy do you've already proven you can both write and post to the internet just by responding to this post. Write. Create. Build. Just like the rest of us normal people did when we added onto the fandom. If you want Cass to be more present in stories, write those. Jesus christ yall. This is YOUR baby you're trying to throw out with the bathwater.

At the end of the day, you need to step back and realize that if someone is telling you they like your work and the community you built with your own bare hands. Maybe say, hell yeah. Im glad you like it, instead of acting like you're above your own hard damn work.

Also. As a side note. Im an indigenous trans person. I understand what it means to desperately want to see representation for me and to know that i will likely never be able to make it a reality in any canon works. I find that fanon is more likely to be written by people of color, disabled people and queer people than canon will ever be. Fandom is a bigger and more diverse collective than canon. Which makes me love it more. Because I can have my voice heard. Because you can have your voice heard.

Its new and its beautiful and its ever changing and its so, so much better than almost 100 years of writers having to sanitize themselves for the capitalist elite who need every batboy to look the same and cant let gay characters exist without making it tragic or retconning it every two seconds.

In the end all I can say is this

Fanon is beautiful.

Fanon has more for me than canon does. Likely, if you are not white, not straight, not cis or not able bodied, it also has more for you than canon ever will.

You all deserve to love your community too. If there are racists. Well fuck man, do what everyone else is doing by drowning them out with your own, obviously not problematic the sligtest, content. So go. Fix what youre complaing about. But realize that you are part of the problem. You are part of the collective you are angrily decrying and nothing you can say will change anything unless you put your hands to paper and actually start working for the changes you want to see.

Hot take but I prefer fanon Batfam to Canon batfam because at least fanon does its best to give each of the batfam very distinct personalities and looks.

I love living in a world where blue eyed black haired white boy doesn't describe half the group, ya know?

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x-press-it · 2 days ago

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Devilish Desires - 3/9?

Dangerous Temptations, Irresistible Touch 🎞️❤️‍🔥🌹⚔️🖤💻🖱️

Sub!Logan Howlett x Dom!OC (They/Them)

Summary: Logan, typically guarded and dominant, finds himself captivated by E, a mysterious being with a devilish allure and ancient presence that challenges his control.

Context: This story unfolds 'within' the "Days of Future Past" new timeline, during Logan's early years as a history teacher at Xavier’s School. It’s set well before his consciousness from the original timeline reconnects with him in 2023, as seen at the film’s end.

Content Warnings (for the whole story): Smut 18+ (Dry humping, Edging, Unprotected p in v.) - Dom!Logan into Sub!Logan - Pet Names (Good boy, pretty boy, pet, pup, amongst others...) reversed age gap (Logan is younger) - OC Notes: Established name, backstory, powers, fighting style, female body but gender fluid character (Logan misgender them at first because he doesn't know, even in the descriptions) - Mention of other character from the MCU and subtle references to the comics for flavor (not mandatory to understand what is happening) - Flash back and mention of past trauma - Fluff with Dark Undertones: Emotional tension and possessive affection - Worship Themes: Religious imagery, reverent language and awe - Ancient Mysticism: References to otherworldly or demonic presence - Mental Health: Power dynamics, personal vulnerabilities - Trope: Rivals to lovers. I'm back after 10 years of iatus and fairly new to how things are done on tumblr now, so sorry if I missed any warnings. Also english isn't my first language so there might be typos/weird sentences...

Notes: Got very inspired by sub!Logan and repeated listening of "Between wind and water" by Hael. Cover made with canva from an idea I got from this post. If you know who made the picture, tell me so I can credit them - Click on the divider to find the creator. Also this was meant to be an imagine turned into a full story. Just so you know, some chapters are very short, other are long. I'm in the process of editing/writing/rewriting parts so I'll post a chapter everytime I have one fully edited. This chapter was hard to wrestle with, but I won! Mention of legal stuff but I'm no lawyer so there might be inconsistencies ^^" Also brace yourself, power shift incoming.

Need some music? I've got you

Previously: in Devilish Desires

Chapters: 3/9?

Word Count: 7.1K / 50K+ for now

Sunlight filtered through the wide windows of Charles' office, casting a warm glow over the mahogany desk and polished floors. Logan paused in the doorway, feeling the familiar tension coil through him even before he fully entered. His gut twisted as he took in the sight of E leaning casually against the desk, one hip propped up, her head already turned toward the door, watching him approach. The calm, focused look on her face set him on edge, like she was always one step ahead, pulling unseen strings. Every time he saw her, it felt like she dug her claws deeper into his space, into him, without even trying.

"Logan, come in." The professor’s voice was warm, though there was a hint of tiredness to it. "We were just finishing up. Have a seat."

Logan ignored the invitation, his arms crossing over his chest as his eyes locked on E. “What’s this about?”

Charles gestured to the papers on his desk. "As you know, the school is growing, and with that comes more scrutiny from the government." He glanced at E, then back to Logan. "That’s why we worked on some contracts—to make everything as official and seamless as possible. We want things above board, so no one has any reason to be suspicious of us."

Logan’s pulse quickened as Charles spoke, each word digging into a place he’d thought had scarred over but never truly healed. He could feel the weight of the documents between them, a weight pressing down on his chest, squeezing until he couldn’t breathe. Just the mention of those papers, the mere sight of them, was like a trigger pulled—snapping him back to shadows he’d fought to bury. Contracts meant control; control meant deceit. Old instincts roared awake, instincts that told him to fight, to claw his way free. His mind twisted back, unbidden, to the sharp crack of a pen against paper, his name signed under false pretenses. Faces flashed before him, cold and detached, each one using him as if he were nothing more than sharpened adamantium, each one an anchor dragging him back to glimpses of a past he desperately tried to escape, yet crave to piece back together at the same time.

Memories slammed together—soldiers' cries, the dead weight of bodies, his own silent rage coiled like barbed wire around his gut. Promises broken, betrayals… He could barely register the room around him, the walls that meant safety and acceptance. All he felt now was the past closing in, like a cage—restrictive, suffocating. And then a single thought broke through, a rough mantra, ringing into his head, so loud it pulled him from the spiral: “Today is victory over yourself of yesterday…”

Logan blinked hard, shaking his head as he forced himself back to his senses, the slow ache of his claws tearing through his knuckles breaking through the fog. With gritted teeth, he pulled them back before they became visible. After a short sigh, his eyes flicked from the papers to E, then to Charles, his scowl deepening. “This is bullshit. I’m not some soldier you can pin down with paperwork, Chuck.” His voice was low, the ghost of past betrayals still burning in his chest as his hand clenched tightly at his side. “I don’t belong to anyone, and I sure as hell don’t need to be tied up in a contract like this. I’ve been here long enough, and I’m not about to start following rules that don’t make sense to me.”

Charles clasped his hands together on his desk, his voice soft but firm, trying to ease the distress he saw in his friend’s behavior. “Logan, you’re right,” he validated, calm yet earnest. “You’re no soldier here—you’re a mentor, and you’ve proven that. But this contract is necessary. You know the risks; despite Raven’s actions, the government is still watching mutants closely after all these years. These contracts are for the teachers’ protection, for the students, and for the school itself.”

His expression was calm, deliberate, like he was teaching a class. Logan could see the weight of responsibility on Charles's shoulders, a reminder of the burdens they all carried. “It’s a formality to ensure you’re recognized as part of the staff. If they start asking questions, this contract might be our best defense.”

He held Logan’s gaze, the tension building in the air between them. In a quieter tone, he added, “This isn’t about control; it’s about security. If something were to happen, this paperwork could mean the difference between staying under the radar and drawing unwanted attention.” Logan felt a flicker of unease at the thought but pushed it aside, his feral pride refusing to let him show any weakness in front of E.

He shook his head, the tension in his shoulders thickening with each word. “A formality? Security? It’s a damn leash, that’s what it is! And I know she’s behind this.” His tone was sharp, the accusation clear as his chin jerked toward E, his eyes still on Charles.

E raised a brow, a slight smirk dancing at the corner of their lips. “They,” they corrected smoothly, their voice slipping in like silk over a blade.

Logan’s eyes snapped to her face, his brows knitting in confusion, anger swirling in his glare. “What?”

“You said ‘she,’” E explained, their tone lilting with amusement, not even flinching under the weight of his gaze. “I prefer ‘they.’”

For a second, Logan blinked, caught off guard. The shift in their demeanor—so detached, almost playful—disarmed him. It was a rare response to his fury, and it chipped away at the anger bubbling in his chest. He gave a quick, gruff nod, like a student getting a slap on the wrist for falling into a master’s trap. “Right. They.”

His lips pressed into a firm line, the weight of the situation settling like a stone in his gut. Yet, that primal part of him refused to fold so easily. “But that ain’t the point. The point is, I’m not signing a damn thing before I’ve read it. I’m not some teacher that punches a clock. You know me, Charles.”

Charles nodded, like he expected this. “I do, my friend. And I don’t want to force you into anything you’re uncomfortable with. But it’s necessary. If you’re going to keep mentoring, you need to be recognized officially as part of the school’s staff.”

Logan’s jaw clenched as his gaze flicked from the papers back to E, who hadn’t taken their eyes off him. His fingers twitched, itching to pull at the collar of his shirt, the weight of the contract already tightening around his neck.

A metallic muffled sound came from under E’s jacket’s sleeve as they shifted, leaning into their stance with one hand on Charles’ desk, the other resting on their waist and Logan’s eyes were drawn, almost against his will, to the subtle curve of their chest beneath the deep red blouse. The top few buttons were undone, revealing just a hint of cleavage, a thin golden chain that held a delicate white pearl, resting against their skin. For a second, his thoughts strayed before he forced his gaze back up, catching the faint hint of their dark horns just peeking from under their hair—a sharp reminder of exactly who he was dealing with.

“It’s just official paperwork, Logan,” they said, voice smooth with a playful lilt, enjoying the ripple of energy they felt from him as his thoughts wandered, though their expression stayed composed. “I can help you with the legal mumbo jumbo if you’re having trouble. I’d be happy to give you a private lesson… walk you through all the fine print, personally.”

Logan’s cheeks flushed, just for a second, barely noticeable beneath his hardened exterior, but it was there. E could feel the familiar tingle coming from him, that want simmering beneath his anger. His jaw tightened, fists clenching at his sides, and he shot them a glare, willing the heat away as if it’d been nothing. “I ain’t havin’ trouble with anything,” he growled, his voice low and rough. But E simply watched him with an amused, knowing glint in their eye, a faint laugh catching under their breath.

Charles, observing the exchange, raised an eyebrow, eyes twinkling with the slightest bit of humor. Clearing his throat gently, he spoke up in to ease the rising tension. “E, let’s not push too hard. Logan’s cautious, but we need to find a compromise. And Logan, I’m afraid that until we reach an agreement that satisfies both sides, I’ll have to ask you to step down from your teaching position. I can’t risk the school’s safety.”

The words hit like a punch to the gut. Logan stiffened, his fists clenching harder, knuckles now white. Stepping down? It felt like an ultimatum, but Charles wasn’t wrong. The safety of the school had always come first. E’s gaze softened just slightly, though he could still see that flicker of amusement in their eyes. “You’re right, Professor. My apologies.” They turned to Logan, offering a nod. “I got carried away—it was unprofessional of me. I understand where you’re coming from, and I’m willing to collaborate with you so we may find a solution that works for both parties.”

As E pulled away into their composed demeanor, he felt the thread coiling in his gut relaxing, leaving him more room to breathe.

Logan wasn’t used to them backing down that easily, and it threw him for a second. He shifted, narrowing his eyes in suspicion, his faint scowl deepening as he muttered, “Huh?” It was as if a switch had flipped, and he couldn’t help but wonder what their angle was. “Okay?”

And E could have left it there, but something inside urged them to add, a spark of teasing in their gaze, “After all, you’re not one to play by anyone else’s rules. So why not help shape the ones that work for you?”

Logan shot them a sharp look, their words sinking in slowly. He hated how they got under his skin, how easily they seemed to read him. But they weren’t wrong, either.

He took a breath, unclenching his hands, though he still felt like a cornered animal. “Fine. We’ll work something out. But I’m not signing anything that tries to box me in, Charles. I need enough room to be me.”

Charles’s expression softened in relief, giving a small nod of approval. “Of course, my friend. Take your time—I want you to feel comfortable with this. We’ll reconvene when you’re both ready.” He paused, glancing at the papers, before adding, “In the meantime, I’ve got other work that requires my attention.”

Logan barely registered the Professor dismissing them, his mind still tangled in the strange feeling of the interaction. E pushed off the desk gracefully, straightening the black jacket of their suit before gathering their things with practiced ease. When they finally stepped out of Charles’ office, Logan followed them out into the hallway. They walked in silence for a beat, the air between them still buzzing, though less tense than before. Yet, their scent still lingered—smoky, with a hint of spice—reminding him of their presence. And E, in turn, felt the simmering conflict inside him—the push and pull of resistance and attraction. It wasn’t enough to satiate them, but it would have to do for now, even if it left them wanting more. They allowed a brief, satisfied smile to ghost across their lips before tucking it away, resuming a more reserved expression.

“When do you want to go over the documents?” E’s voice was professional once more, all traces of their earlier playfulness gone, though a flicker of something else remained behind their eyes, like they were holding back.

Logan glanced over at them, still surprised by how quickly they’d shifted gears. This side of them—focused, efficient—was easier to handle. He could deal with this.

“Tomorrow, maybe. Got some time around three.”

E nodded, a hint of consideration in their gaze despite the reluctance in his tone. “I could make that work. We’ll go over everything, step by step. No surprises.”

The calm confidence they exuded kept catching him off guard, and against his better judgment, he found himself watching them differently. Was there more beneath that troublemaker act they put on around him?

E must’ve felt his gaze because they turned slightly, offering a small, almost sincere smile. “I’ll see you then.” Their voice was all business, but a hint of warmth slipped through—without the usual edge of teasing.

Logan grunted in response, but as they walked away, something lingered at the edge of his mind. Yes, there might be more to them than the predatory front they’d shown since they met. And maybe, just maybe, they weren’t as much trouble as he thought.

Or perhaps it was a ploy to lure him in, to make him relax and step willingly into their web. In any case, he wasn’t about to let his guard down. Not yet.

The library was quiet in the mid-afternoon light when Logan arrived, the subtle scent of aged paper and polished wood mixing with the now too familiar blend of spice wrapped in smoke. He pushed the door open with a soft creak, eyes immediately scanning the room, and sure enough, there they were—already seated at one of the large tables, surrounded by hefty open books, scattered documents, and a legal pad filled with meticulous notes.

E barely glanced up as he approached, their focus sharp on the papers spread out before them. The soft scratching of their pen on the smooth surface filled the air, the fluidity of their movements mesmerizing, almost hypnotic. Every action was deliberate, from the graceful lines they traced to the calm demeanor they carried.

Logan stood there for a moment, taking it all in—the precision and quiet focus they exuded. He couldn’t help but notice the neatness of their work: each point laid out clearly, with little diagrams and annotations. It wasn’t just thorough; it was methodical yet beautiful, almost like an art form. Even their handwriting, flowing effortlessly across the page—a blend of sharp angles and elegant curves—was damn near perfect.

He cleared his throat, and E, still writing, held up a finger, brows furrowed in focus. The gentle chime of their bracelets—three in total, one gold and two red—sounded as they moved, the soft music an elegant counterpoint to the silence. They needed to finish that thought, not wanting to lose their concentration. Logan waited for a few heartbeats, struck by the command in their motion, a powerful yet silent order that stoked the embers they had nestled in his chest during the last couple of weeks. When E finally looked up, their gaze met his with calm professionalism, but there was a flash of something else—an interest that sharpened their eyes, just for a heartbeat, before it vanished.

"You're early," they noted, their voice soft but steady, carrying just enough weight to catch his attention. "I wasn’t expecting you for another…” They quickly glanced at the delicate golden watch on their wrist. “… half hour, at least." There was a pause, and E gestured toward the chair on the other side of the table. "Please, sit."

Logan obeyed reluctantly, still unsettled by the way they were behaving—cold, detached, like they were someone else entirely. The tension between them had loosened so much he could hardly feel it, as if it might vanish entirely if he tried to reach for it. “Figured I’d get this over with,” he mumbled, his eyes not leaving their face.

A small smile played at the corner of their lips, and they flipped one of the hefty books closed to make room between them, before pushing a section of the contract toward him. "Well, I’ve already gone through most of the legal terms and highlighted the parts you might find concerning. If something still doesn’t sit right with you, we can discuss… adjustments."

Logan raised an eyebrow. “You’ve been busy.”

“I don’t like wasting time on work.” Their eyes flicked to the stack of notes they had assembled, before neatly setting them aside. “Let’s just get through this.”

Logan picked up the contract, flipping through the pages slowly. The neat little annotations caught his eye—small, concise memorandums in that same precise handwriting on flashy sticky notes, guiding him through each clause. As much as he hated to admit it, the thoroughness was impressive. “You really did all this?”

E leaned back slightly in their chair, crossing their arms, a faint smile playing at the corners of their lips, like they were enjoying something only they understood, and he felt a subtle pull inside, a tension stirring. “I told you I’d help you with the legal stuff, didn’t I?”

Logan’s eyes drifted to the pages again, unable to ignore how… perfect their handwriting was. Every sentence was clear, fluid, each letter delicate, intentional. They hadn’t just scrawled down information in a rush—not only they’d taken the time to make it legible, but it also felt like they had crafted something meant to be appreciated, drawn with careful control, patience, like each and every stroke mattered.

“You write like a damn artist,” he muttered despite himself, half impressed, half irked by the precision of it all.

E’s soft chuckle was barely audible, but he caught the faintest hint of satisfaction in their expression as they watched him linger on the page. They were absorbing his reaction, almost savoring it, letting his admiration wash over them like a silent, steady current. “Years of practice,” they replied, eyes glinting with a subtle satisfaction. “Didn’t expect you to notice details like that.”

He grunted in response, still staring at the page before flipping to another section. “I don’t miss much.”

E leaned forward again, the light jingle of their bracelets accompanying the movement as they tapped a finger on one of the highlighted paragraphs. “This part, in particular, is important. It’s a non-disclosure clause. You might want to pay special attention to that.”

Logan followed the motion of their finger, noting the cleanly filed nail that glimmered faintly under the light—maybe some sort of transparent polish? Even that was meticulously done, and the thought made something simmer in him before he blinked it away, refocusing on the contract. “So I can’t say anything about… what, exactly?”

“About the students. The curriculum. The specific ways the school operates,” they clarified, their tone even and clear, leaving no room for confusion, even as a subtle ripple passed between them. “It’s a precaution to ensure no one leaks sensitive information.”

Logan scowled, the idea gnawing at him. “I get why, but it feels like a muzzle.”

E’s gaze softened slightly as they leaned back again, folding their hands neatly on the table in front of them. The metallic sound of their bracelets chimed softly, a delicate accent to the motion. “It can feel that way, yes, but it’s standard for any organization handling confidential matters, especially one like this school. It's about protecting everyone here—especially you and the kids. Though, we can amend the wording if that’ll make you more… comfortable.”

Logan studied their face, taking in the sincerity behind their words. For once, it didn’t feel like they were toying with him or trying to play some angle. They were just doing their job—and a damn good one at that.

He exhaled sharply, leaning back in his chair. “I don’t like bein’ locked into something I don’t trust.”

E’s eyes softened as they nodded slowly, their expression understanding. “That’s fair. We can tweak the language so it’s more gray, more aligned with what you’re comfortable with. To give you room to adjust? You don’t have to feel trapped, Logan.”

Logan’s hand rubbed the back of his neck as he sighed. “You’re makin’ it real hard for me to argue, you know that?”

Their smile was faint, their fingers gently drumming on the wooden desk between them. “I’m not trying to make it harder. Just easier for you to see that this isn’t about control. It’s about protecting what you’re building here.”

Logan dropped his eyes to the contract again, that tight, familiar knot in his chest loosening just a bit. He didn’t trust easy—but they were making a damn good case. He couldn’t deny that. He could see how carefully they’d worked through the details, the amount of care they’d put into making this whole thing understandable. It was… reassuring, in a way. As much as he hated to admit it, they had a point. It wasn’t about locking him into anything—it was about making sure everything stayed secure. The kids came first, always.

He met their gaze again, something shifting between them. He still wasn’t ready to trust completely, but at least they were giving him a reason to reconsider. “Alright,” he muttered, almost grudgingly. “Let’s go through it.”

E smiled—this time, it was genuine. Not playful, not teasing, just… genuine, content. They slid a few more papers toward him, their focus back on the work, but Logan couldn’t help but notice the shift in their energy. As they started explaining the finer points, guiding him through each legal term with that same sharp professionalism, he couldn’t help but admire the way they handled things. They were focused, sharp, and professional.

Maybe this was the side of them he could start to respect.

For now.

They’d been at it for hours, bending and reshaping the terms until each clause balanced protection with freedom. E kept their demeanor professional, drawing on every ounce of restraint to keep their voice even and their gaze measured, ignoring the familiar hunger snapping at their focus now and then. And the more they worked, the more they could sense Logan beginning to relax, perhaps appreciating this side of them—this businesslike efficiency that gave him room to breathe, rather than the tension they used to stir in him. He was still sharp and guarded around them, but in the subtle shifts of his body language, they sensed they were both easing into a more comfortable exchange, his trust inching closer as they tweaked the terms to help him maintain his independence.

In his careful consideration of each clause, they saw how deeply he valued his autonomy. His desire to protect the kids and guide them through a brutal world was unmistakable, yet he seemed determined to do it on his own terms. Watching him was like seeing a reflection of their own drive: the same visceral need to resist being anyone’s pawn, to forge a path where people like them weren’t turned into weapons or tools for the powerful. E knew what it was to navigate that treacherous line, to have allies rather than be a pawn, to be indispensable but never owned. Becoming a lawyer had finally allowed them to create partnerships, to protect their independence in a way they hadn’t had in the past.

They looked at Logan now, the way he was part of something great without letting it absorb him, and felt a twinge of resonance. It was like looking into a rippling, distorted mirror: his methods protective where theirs were persuasive, his presence blunt where theirs was all charm and deliberate control. But that difference made sense, considering their mutations. He had claws; they had…this. This carefully wielded hold over emotions. Had they been born with claws, would they have protected instead of manipulated? They weren’t sure.

Their gaze drifted from the paper to his handsome face as they sank into those thoughts, the realization dawning—slow and unexpected—that he wasn’t simply a source of energy, or the toy they’d wanted him to be at first. He was a potential ally in a way few others could be. Someone who might amplify their strength instead of being drained. Not just a meal to be consumed but something rarer—a piece that, in its own strange way, completed the picture of who they could be. As if they were two sides of the same coin.

Lost in thought, they almost missed the slight cough as Logan cleared his throat, his voice breaking through their haze.

“Need a break?” he asked, a faint smirk tugging at his lips, catching them just off guard enough that they had to recompose themselves, reassemble that mask over their features before their thoughts slipped any further into the open.

“No, I’m good,” they replied, eyes turning back to the papers in front of them. “We’re almost done, anyway.” But as they looked away, a thought slipped in—a terrifying, persistent thought.

What if, just for a few moments, they let him see behind the surface?

The more they considered it, the more it tugged at them. Curiosity twisted into need—a need to be seen fully, not just for what they could do or the games they played, but for every scarred, layered piece that made them who they were. Logan was unique, after all. He understood the weight of living too many lifetimes, of carrying too many pasts. Maybe he, of all people, could handle the person they kept buried underneath.

They wrestled with the urge, every instinct resisting, their armor honed by years of experience and necessity. Something deep inside warned it was dangerous—unnecessary. But then again… maybe not. Because the thought kept tugging, whispering that maybe, just maybe, it could be something greater. A partnership that didn’t hinge on pretense or servitude but on something raw and real, something powerful.

Their gaze returned to him, lingering. He was relaxed now, waiting, not pushing. And maybe that’s what finally broke their resolve.

“You know, Logan,” they began, the words slipping out, edged with a subtle amusement that curled at the corners of their mouth. “You’re… an interesting case.” Their tone was light, but Logan could feel the weight behind it, something sharper. “In a world full of people pursuing causes, you stand apart. You’re here, fighting for something, part of a team, a mentor—yet you keep a step back, like you’re in it but always on the edge.”

They took their time, choosing their words carefully. “Not interested in becoming anyone’s weapon. Not about to let anyone make a puppet out of you.” They paused, their smile fading as their peculiar eyes locked with his, earnest, with a hint of challenge. “I respect that about you.”

Logan’s expression shifted, his relaxed posture tensing as he regarded them with a sharp glance. Crossing his arms, he studied their face, searching for their angle. There was no mistaking the twinkle in their gaze, a glint that almost dared him to see through it. He furrowed his brows, but his voice was steady. “Yeah? Well, I don’t dance on anybody’s strings. If I’m fighting for something, it’s because it matters to me. And I do it my way.”

He watched as something flickered in their eyes—a veil lingering for a few heartbeats, like his words had pulled something deep from the shadows of their mind. When their gaze met his again, it was steadier, as if a quiet understanding had slipped between them. “I get that,” they replied, voice low, the words hanging in the air with a quiet finality.

Logan studied them, suspicious of this sudden transparency. “So what? You’re saying you’re the same?” he asked, his tone guarded, almost testing.

“Maybe.” Their mouth curved in a smirk, one that seemed to bare their teeth as much as it smiled. “Let’s say I’ve had experience balancing independence with… affiliations.” They leaned forward slightly, the light metallic sound of their bracelets chiming with the motion, drawing his attention and making his senses sharpen. Their gaze glinted with something that hinted at danger, at control. “When people see power, they get ideas. They get greedy. Sometimes, we have to show them who’s in charge—decide where the lines are, or blur them if it suits us.”

Logan’s brows knit, eyes narrowing. “So, you’re tellin’ me you dance along the line but won’t let anyone hold your strings.” He leaned back, gaze sharp. “How’s that working out for you?”

They gave a light shrug, a glimmer of amusement in their eyes. “You’d be surprised. Charles, for one, respects it—but you already know that.” They smirked, as if holding back a bigger truth. “There are others, too. Equally powerful… Stark, for instance.”

Logan’s eyebrows shot up at the name, genuine interest breaking through his cautious demeanor, crumbs of energy swallowed by E’s greedy hunger. “Stark? As in the Tony Stark?” He couldn’t hide the hint of curiosity in his tone and leaned in, almost imperceptibly. “You actually know the guy?”

They lifted their brows, a small pout on their lips, playing down the significance of it with an offhand shrug, though Logan noticed a spark of pride in their eyes. “Worked with him, actually. Fresh out of law school. I had a friend—blind attorney, good guy—who mentioned Stark needed someone sharp to help… clean up a few things. Secure patents, keep his tech out of the wrong hands.” They kept it vague, partly out of client confidentiality and partly knowing that Logan wasn’t likely interested in legal specifics.

“Not exactly glamorous, but it was an exhilarating start,” they added, the flicker of pride now shining in their voice. “Let’s just say that navigating the minefield of a billionaire’s reputation certainly kept things interesting. And it was good for the notoriety.”

Flecks of emotion brushed against something deep within E—a faint thrill they quickly stifled but couldn’t entirely ignore—as Logan muttered something under his breath, a note of respect edging his tone. He’d always seen Stark as the kind of guy who didn’t trust anyone but himself—and maybe his assistant, or whatever she was now. “Bet that kept you busy.”

A chuckle escaped them, eyes glinting as the soft chime of their bracelets accompanied the sound. “Busy? He kept me on my toes. The man’s got a mind like wildfire; it was a challenge keeping up. But it was… refreshing.” They leaned back, an almost nostalgic look slipping over their face. “I guess it taught me to walk the line, to make a difference without being tied down.”

Logan’s eyes narrowed thoughtfully, intrigued despite himself. The story felt like a glimpse into the puzzle of their past. “So how’d you end up here?” he asked, his curiosity piqued. “Not that I’m sayin’ this place is a downgrade or anything,” he added with a smirk, resting his arms on the table.

They sensed his interest like a pulse, faint but unmistakable. It seeped into them, stirring that familiar, alluring rush, and they let out a soft laugh, an edge of amusement in their eyes. “Did you know Charles and Stark held a gala a few months back to fund the school’s new equipment?”

Logan nodded, some recognition flitting across his face. “I remember hearing about it. Charity thing, wasn’t it?”

“Exactly.” Their voice stayed casual, but their eyes sparkled with the thrill of memory. “That’s where I met Charles.” Their gaze flicked back to him, pausing just long enough to let the moment breathe. “We got along right away. He needed someone to navigate the legalities and ensure the school’s mission stayed protected. A few conversations later, and here I am.” Their eyes held his, a glimmer of interest that wasn’t easily brushed aside, as his curiosity continued to fuel something deep within them.

Logan could feel it too—a pull he couldn’t resist, a delicate pressure building inside him, different from the sharp pull of their first exchanges. This was smoother, quieter, sinking in with each new glimpse he got of E’s story, drawing him in until pulling back wasn’t an option. He sensed the quiet power behind everything they revealed, and it stirred something deeper in him—a mix of respect, intrigue, and the surprising comfort of recognition, that kept the tension going.

He leaned back, crossing his arms again, a smirk tugging at his lips. “So, you just go wherever the cause suits you, huh?” His voice held a challenge underlined by curiosity. “If Stark showed up again tomorrow, you’d be right back in his corner?”

E nodded, unfazed by the edge in his tone. “If his goals align with mine? Yes. Of course I’d work with him again! Without a second thought! Same goes for Charles.” Their gaze softened, a glimmer of conviction breaking through their usually controlled demeanor. “I want to be part of something that matters, Logan.”

Logan studied them, catching just how much they meant it. He’d known E wasn’t anyone’s puppet, but now he could see they weren’t waiting around for someone to hand them a cause, either. They were carving out their own path—fluid, adaptable, going wherever their instincts took them. And he found himself respecting that: their drive, mixed with that fierce independence. Hell, he could relate to it—maybe even admire it a little.

E felt it, the ripple of his respect, like a quiet current feeding into them. For all their control, a spark of satisfaction slipped through their gaze, their mask almost slipping as they met his eyes. His admiration, rare and guarded, felt potent—dangerously so. The energy coursed through them, lingering like a hidden pulse beneath their skin. They shifted slightly, regaining composure before his steady gaze could pierce too deeply.

They looked calm, in control, continuing their previous thought. “I’m loyal to a cause.” Then, their eyes took on a sharper edge, something deeper flickering beneath the surface. “But I’ll never let myself be chained to anyone ever again.”

There was a flash of anger, fierce and unyielding, sparking in their gaze. The quiet chime of their bracelets sounded as they leaned forward, their voice steady but intense. “There’s too much to do, too many ways to make a difference—like what you do here with these kids.”

Logan didn’t miss the brief fire of fury that had slipped through the cracks in their cool confidence, just enough to reveal a scar, raw and unhealed. They didn’t merely have a preference for freedom; it was a need, born from something that had burned them hard and left its mark. That kind of wound didn’t heal easy—he’d know.

He held their gaze, his expression softening with a rare flicker of understanding. E might play at being dangerous and unpredictable, but he was beginning to see past the games, past the mischief. Beneath it all, they weren’t half as threatening as they liked to seem—not to him, anyway. And now he wondered if their determination to make a difference came from more than just ambition. Maybe they were out here carving paths so no one else would have to walk through the fire alone.

Just as quickly, E’s eyes narrowed, the hint of vulnerability vanishing as they pulled themselves back. Their lips curved into a knowing smirk, that easy, predatory edge sliding into place. “What’s with the look, Logan?” they purred, voice rich with playful menace. “Didn’t think I’d have you figured out that quickly?”

He tilted his head, a low chuckle rolling out as his eyes held steady, watching them with newfound clarity. “Long way from that, sweetheart,” he replied, his voice as rough as the smile he wore. His stare cut through their guarded expression, tracing that hidden spark they were still trying to shield. “But I’ve seen enough to figure out there’s a hell of a lot more goin’ on with you that what you let on.”

They scoffed, dismissive as ever, though Logan’s steady gaze didn’t miss the faint, almost imperceptible shift in their eyes, the way they lingered on him just a second too long. They were good at playing the part; he could give them that. And hell, he had to respect it—the way they held their ground, defiant but calm, ready to take on whatever came next. But he’d caught a glimpse behind their guard now—just enough to give him a way in, a thread he could pull if he wanted, evening the power balance between them. A hint of a smirk tugged at his lips; they’d shown him more than they intended, and he planned on playing that to his advantage.

E met his stare, the faintest crease of tension at the edge of their mouth as they spoke. “There’s not much going on with me,” they said smoothly, though their tone carried an edge, a warning, like a line drawn firmly in the sand. “At best, you’ll see someone who’s lived long enough to know that, at some point, we’re just the sum of our own burdens—regrets, pain, and the constant battle to find a place in a world that sees us as either weapon or threat.” They shrugged, gaze cooling as if daring him to contradict them. “I know you know what I mean.”

Logan’s mouth quirked, and he offered a subtle nod. Oh, he knew. He knew that weight, the feeling of being something both feared and useful, but he also saw how tightly they held onto that defensive edge, like armor too important to set aside. And it made sense. If they’d been through even half of what he had, especially as a woman with power, that sharpness was more than just for show—it was a primal instinct born from necessity.

“So, you play the part of the predator, huh?” he asked, his voice casual, almost challenging. “Gotta keep everyone on their toes, or they might see more than you want ‘em to?”

Their gaze hardened slightly, something flickering before they smoothed it over. “It’s survival, hun,” they replied, tone measured with a hint of sarcasm, the nickname sharp on their lips. Their fingers moved up to toy with the delicate golden chain around their neck, the single white pearl shifting gently between their fingertips. “I wasn’t raised to be anyone’s prey. I’ve always been powerful in a way, even before my true nature revealed itself. Living as a mutant in this world means learning to navigate perceptions—people don’t always take well to what they don’t understand. You know that too. So, yes, most of the time, I have to play the predator. It’s how I keep my place in this society.”

Their eyes gleamed, that familiar guarded edge slipping back into place, like steel settling into a sheath. “And maybe it’s the only way I know how.”

The words settled between them, carrying an honesty that almost surprised him. Beneath the mischief and sharpness, he could see the echoes of past battles that had molded them into someone who walked the line between danger and glamor, between freedom and guarded solitude.

“Doesn’t it get exhausting?” he asked, tone light but edged enough to make it clear he wasn’t just making conversation. “Playin’ that part all the time, keepin’ everyone at arm’s length?”

For a split second, something flickered across their face—an almost imperceptible crack—but they smoothed it over with a cool smile. “It’s only exhausting if you don’t know how to handle it,” they replied, looking down at him with a hint of mockery, as if to suggest he wouldn’t know. Leaning back, they reclaimed control of the moment. “Besides, I didn’t walk this path to blend in with the crowd. The world makes demands. I learned early that if I wanted a future worth having, I’d have to shape it myself—alone.”

They straightened with a subtle chime of their bracelets, a glint of pride in their stance, fierce and unyielding, making Logan’s respect tick up a notch, teasing E’s hunger with a rich, electric thrill. They felt it brush against their senses, fueling the simmer beneath their calm. For a fleeting moment, their expression softened, indulging in the warmth of his regard. But it didn’t escape him that beneath their carefully crafted façade lay a quiet kind of fatigue, a weariness he knew too well. They might be used to the role, but that didn’t mean it didn’t take a toll. With a practiced flick of their eyes, they returned to their cool detachment, meeting his gaze with that same untouchable allure, even as their hunger urged them closer.

Logan shifted, crossing his arms loosely, gaze steady as a teasing smirk tugged at the corner of his lips, his eyes glowing with playful challenge. “Sounds to me like someone’s after more than just puttin’ on a show.”

Their smile froze for the briefest moment, a flicker of tension before they rolled their eyes, snapping the mask back into place. “And you think you know what I’m after?” They raised an eyebrow, voice slipping into that smooth, predatory edge that reminded him just how much they hated being read—just like he did.

“Maybe,” he replied, holding their gaze with that same easy smirk. “Seems like a part of you might want somethin’ more. Connections. Someone to reach out to, now and then. Make it feel less… empty.”

They scoffed, laughter low and guarded as they leaned in, the slight sound of their bracelets punctuating the motion once more. Their voice dropped to a whisper. “Don’t flatter yourself, Logan,” they said, eyes glinting with challenge as they inched closer, the whisper turning almost venomous. “I don’t need anybody, pretty boy. Especially not you.” Both their words and gaze sharpened, a teasing yet defensive spark behind it, though something unspoken lingered there. The faint chime followed their movements, an echo of tension and warning. “You might think you’ve seen through me, but trust me, there’s a lot more here than you’re ready to understand. So, stop digging. You might not like what you find.”

Logan’s smile barely shifted, but he didn’t push further, didn’t try to peel back any more layers. He didn’t need to. He’d seen enough to know that behind the sharp edges and fierce guard, E wasn’t so different from him. And the thing they made him crave these last few weeks might just be the thing they’d craved themselves for a long time.

Silence stretched between them, charged and unbroken, as they sized each other up—E, guarded and fierce behind their confident exterior; Logan, settled and a little more at ease than he’d been since they first met.

He chuckled, a low, quiet rumble that broke the silence and hung in the space between them. A confident smile played on his lips, almost as if he were savoring his small victory. “So,” he murmured, leaning in. “We done here, or… you need me for somethin’ else?” His tone carried a hint of something deeper, something suggestive.

They bristled, the calm mask slipping momentarily as irritation flashed in their eyes, but they regained composure, sliding smoothly into a clipped, professional tone. “If you don’t see any more changes to make, I can take care of the rest. I’ll give you the documents once they’re finalized.”

Logan nodded, his gaze steady as he rose from his chair, towering over them for a brief moment. “Alright,” he said, his voice warm but resolute, like he was sealing an unspoken agreement. “See you around then.”

With that, he turned, heading toward the door. And as he left, he took with him the solid rythm of his presence, that subtle weight of connection they’d woven into him over the past couple of weeks. The room felt colder, emptier without it. The quiet settled in, hollow and gnawing, the sharp hunger suddenly surging in as the connection broke, slipping from their grasp like sand between their fingers.

Alone once again, they could almost feel it—an ache beneath the calm exterior, an unsettling reminder of what he’d managed to stir to life, only to take it away.

To be continued…

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